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Svet Kompjutera br. 3/2014 Strana: 116 Sadržaj: TRŽIŠTE Tržišni obrti Neminovnost restruktuiranja PRIMENA Računari i medicina Operacije bez sečenja NA LICU MESTA Mobile World Congress 2014, Barselona Nova definicija prenosivog Internet of Everything DSLR i mobilna aplikacija Igre sa cele planete KOMPJUTERI I FILM 300: Rise of an Empire Noah Mr. Peabody & Sherman The Pirate Fairy Filmovi, ukratko SITNA CREVCA AirPlay i Miracast Slika i zvuk kroz vazduh PRST NA ČELO Naslednik ili inovator INTERNET Internet fenomen Flappy Bird Razmahana ptičica Tor Anonimnost s mirisom luka Sigurnost u oblaku Ili čvrsto na zemlji? WWW vodič TEST DRIVE AMD A10-7850K Skupa evolucija Sapphire Radeon R7 260X OC 2 GB, Nvidia GeForce GTX 750 Ti 2 GB Taze mejnstrim Toshiba Satellite M50D Luksuzno ruho Dell Inspiron 7737 Elegantan igrač ViewSonic VA2445-LED Dobar kroj LG 29EB53 Čudni su to odnosi ViewSonic PJD5234L 3D prezentacije WD Black2 Dual Drive Dvostruka nadogradnja Nikon D3300 Neki novi klinci? Wacom Bamboo Pad Hibridni tačped s manom LG SoundPlate LAP340 Audio minimalizam Kingston DataTraveler Locker+ G3 16 GB Sigurica Jetion JT-DMS060 Sitan i osetljiv Jetion JT-DKB067 Osnovno, ali povoljno TP-Link TL-SC3230N Bežični HD nadzor Jetion JT-NCM012 Sasvim dovoljna Mikrotik RouterBoard RB951G-2HnD Profi i na poslu i kod kuće TP-Link M5350 Džepni hotspot Transcend JetFlash 380G 32 GB On-The-Go flešić TEST RUN Kingsoft Office Free 2013 Avira Free Antivirus 14, AVG AntiVirus Free 2014... Besplatni antivirus programi IMGDissolver 0.5 Alpha Wise Disk Cleaner 8.03 Free Audio Video Pack 2.0 oCam 18.5 ALLBenchmark Catzilla 1.11 ScreenBlur 1.3.0 AndreaMosaic 3.34 Panda Cloud Office Protection Advanced Hornil Photo Resizer 1.1.0 PhotoSift 3DP Chip 14.01 Currently 2.7.0 FunMouse 3.3.3.0 Funny Mask Save to Google Drive 2.0.1 YouTube High Definition 7.3 Joystick-To-Mouse 2.80 ReIcon 1.2 Rumola – bypass CAPTCHA 3.0.2 LAKI PINGVINI Diskovi pod Linuxom (2) SolydXK 201401 B1 Free Archiver 1.4.69 PHONE ZONE ZTE Blade Q i Blade Q Mini Kineska oštrica i oštričica LG G Flex Telefon za Maricu Sony Xperia Z1 Compact Bomb(on)ica Nextbook Premium 7HD i Premium 8HI Sledeća dva Samsung Galaxy Note 10.1 SM-P600 (2014 edition) Galaktička beležnica Vivax SMART Point X40 i X45 Od TV-a do smartfona Waze social GPS Nexercise SubListen Network Monitor Mini Vidstich Pro – Video Collage Military Survival GPS Day by Day Organizer Boom Player Police Investigation Notes Mobizen PRVI UTISCI The Elder Scrolls Online Divinity: Original Sin TitanFall TEST PLAY Castlevania: Lords of Shadow 2 Strike Vector Car Mechanic Simulator 2014 Insurgency LEGO Movie Videogame Might & Magic X: Legacy Horizon Double Dragon Neon Nidhogg Freedom Fall Octodad: Dadliest Catch Loadout Jazzpunk Metal Slug 3 Line of Defense Tactics The Last of Us: Left Behind TEST JOY CM Storm Quickfire XT Stealth i Devastator Gaming Gear Combo Minimalizam za sve Logitech G510s i G440 LCD i olimpijski klizač TEST OF TIME Arabian Motörhead Congo Bongo Cross Pang Serijal Fist PHONE ZONE Dungeon Keeper Athletics: Winter Sport Marvel Jump Run Smash! Star Wars: Assault Team Bardbarian I Am Vegend – Zombiegeddon Shardlands Pyro Jump Ninja Hero Cats JA, IGRAČ Gubite se s mog travnjaka! Ocena: 5-. Vidi slike. Skladište: Magazini 38 NOVI CENOVNIK pošte za preporučenu tiskovinu od 01.04.2014. godine. do 100 gr - 69 dinara 101-250 gr - 76 dinara 251-500 gr - 99 dinara 501-1000gr - 106 dinara 1001-2000 gr - 129 dinara U SLUČAJU KUPOVINE VIŠE ARTIKLA MOGUĆ POPUST OD 10 DO 20 POSTO. DOGOVOR PUTEM PORUKE NA KUPINDO. Pogledajte ostale moje aukcije na Kupindo http://www.kupindo.com/Clan/Ljubab/SpisakPredmeta Pogledajte ostale moje aukcije na Limundo http://www.limundo.com/Clan/Ljubab/SpisakAukcija

Original, made in Germany Digipak Odlicno ocuvano Cd 5- Izdanje sa 2 bonus numere! Label: MCI – 74321 23383 2 Format: CD, Album Country: Germany Released: Oct 31, 1994 Genre: Rock, Pop Style: Soft Rock 1 Rainy Days Written-By – K. Taylor*, R. Musenbichler* 4:39 2 She`s Back Again Written-By – B. Kimball*, F. Farian*, P. G. Wilder* 4:37 3 Solitude Written-By – G. Morrow*, S. Cassini* 4:50 4 You Never Have To Say You Love Me Written-By – F. Farian*, J. Daansen*, P. Bischof-Fallenstein* 3:20 5 Full Moon Written-By – J. Seath-Smith*, S. Cassini* 4:05 6 Rikki Don`t Lose That Number Written-By – D. Fagan*, W. Becker* 4:25 7 Just A Wish Written-By – L. Johansen*, S. Gorham* 4:05 8 Hole In The Air Written-By – M. Kolesnyk*, S. Cassini* 3:35 9 Sebastian Written-By – S. Harley* 6:05 10 You Change My Life Written-By – K. Taylor*, R. Musenbichler* 3:54 Bonustrack: 11 One Of Your Lovers (Remix `94) Written-By – C. De Rouge*, G. Mende*, M.D. Clinic, M. Applegate* 3:47 12 Stairway To Heaven (Remix `94) Written-By – J. Page*, R. Plant* 8:4 Backing Vocals – Bertl Gebhard, Bimey Oberreit, Frank Farian, Johan Daansen, Peter Bischof Bass – Al Marnie, Dieter Petereit, Leif Johansen* Drums – Curt Cress, Simon Philipps* Guitar – Bernd Berwanger, Mats Björklund, Peter Weihe, Scott Gorham, Steve Lukather (tracks: 11, 12) Keyboards – David Paich (tracks: 11, 12), Glen Morrow*, Harry Baierl, Low Pomanti*, Pit Loew* Photography By – Jim Rakete Producer – Frank Farian Vocals – Bobby Kimball, Robin McAuley, Steve Cassini* Far Corporation`s second album had originally been scheduled for release in 1987 under the title `Advantage`. Two singles were released at the time, `One By One` and `Sebastian` before the album was cancelled. Two songs were re-worked and given to other Farian-produced artists - `Make Believe` was recorded by Jayne, `Big Brother` by Milli Vanilli. In 1994, Farian dug out the masters and got a new line-up of the group together to record a few new songs that were added to the track list, and the result was released as `Solitude`. Digipak Far Corporation were a multi-national band created by German record producer Frank Farian, who created the bands Boney M. and Milli Vanilli. The name was shortened from `Frank Farian Corporation`, which was originally put together to record a cover of the Paul Simon piece `Mother and Child Reunion` as a charity record and reached the top 10 in several European countries. That group`s lineup included members of Barclay James Harvest, Toto, Boney M and Force Majeure. Far Corporation`s primary claim to fame is their cover of `Stairway to Heaven`. Contrary to public perception, Far Corporation was actually the first group to make the singles charts with this song as Led Zeppelin had never released it as a single. In fact, it was the only version of the song that charted on the US Billboard Hot 100, reaching #89 in October 1986.[1][failed verification] Some of the musicians Farian assembled included vocalist Robin McAuley, vocalist Henry Gorman, drummers Curt Cress and Peter Bold, and three members of Toto: vocalist Bobby Kimball, keyboardist David Paich, and guitarist Steve Lukather. Far Corporation released its first album Division One in 1985 on IMP/ATCO Records and their cover of `Stairway to Heaven` reached #8 on the UK Singles Chart.[2] It also reached #9 in Ireland and the following year peaked at #16 in South Africa[3] and number 23 in Australia.[4] Also included on the album was a cover of Free`s `Fire and Water` (their second single).[5] The band was promoted by a full playback performance at German TV ZDF in the show `Rockpop`. The show was also attended by Robert Plant, who backstage congratulated Robin McAuley for his great performance. Some rehearsal shots were used for Puma sportswear commercials underlyied by `Live is Life` hit of the Austrian band Opus making the impression of FAR Corporation performing the Opus hit. A second album, Advantage was completed for a 1987 release, heralded by the new single `One by One`. Both this as well as the second single - a cover of Cockney Rebel`s `Sebastian` - failed to reach the charts, and the album was eventually scrapped. Two years later, another complete track, `She`s Back Again`, appeared on the soundtrack to the German TV show `Blaues Blut` in 1989.[6] Two of the album`s lost recordings, `Make Believe` and `Big Brother`, surfaced as Bobby Kimball duets on Farian artist Jayne (Collins)`s Ambush in the Night album (1989) and Milli Vanilli`s second album The Moment of Truth (1991). The rest, bar `One by One`, were recycled along with a few new recordings on the group`s second release, 1994`s Solitude on MCI-BMG. This time they were joined by former Thin Lizzy and 21 Guns guitarist Scott Gorham; included on the album was a cover of the 21 Guns song `Just a Wish`. Mostly assembled in honour of Farian`s 25 years anniversary as a producer, the album failed to repeat the success of `Stairway to Heaven`. Discography Division One (1985) `Stairway to Heaven` (Led Zeppelin cover) – 9:34 `You Are the Woman` – 4:33 `One of Your Lovers` – 3:44 `Live Inside Your Dreams` – 3:32 `Johnny, Don`t Go the Distance` – 6:34 `Fire and Water` (Free cover) – 3:55 `If You Could See You Through My Eyes` – 3:48 `No One Else Will Do` – 3:30 `Rock `N` Roll Connection` – 3:36 Advantage (1987) - Unreleased album `One by One` – 4:24 `Sebastian` (Cockney Rebel cover) – 6:03 `You Never Have to Say You Love Me` – 3:40 `She`s Back Again` – 4:18 `Make Believe` `Big Brother` Solitude (1994) `Rainy Days` – 4:40 `She`s Back Again` – 4:18 `Solitude` – 4:52 `You Never Have to Say You Love Me` – 3:21 `Full Moon` – 4:05 `Rikki Don`t Lose That Number` (Steely Dan cover) – 4:10 `Just a Wish` (21 Guns cover) – 4:15 `Hole in the Air` – 3:38 `Sebastian` (Cockney Rebel cover) – 6:03 `You Change My Life` – 3:55 `(Bonus Track) One of Your Lovers [Remix `94]` – 3:49 `(Bonus Track) Stairway to Heaven [Remix `94]` – 8:46

Posveta i potpis pesnika. Dobro očuvano. Autor - osoba Trifunović, Duško Naslov Anđel do anđela / Duško Trifunović Vrsta građe kratka proza Jezik srpski Godina 2001 Izdavanje i proizvodnja Novi Sad : Prometej, 2001 (Novi Sad : Prometej) Fizički opis 152 str. ; 20 cm Sadržaj S a d r ž a j: Ispraćaj (5-6); Simpozij (7); Intervju (8-10); Stoper (11-12); Kaparaš (13-15); Kape (16-17); Špijun (18-20); Lovci i ribari (21); Rigoleto (22-27); En-dva-tri-čet`r (28); Josif i Marija (29-36); Bošnjak Ćibe (37-38); Fes (39); Šubara (40-42); Zastava (43-45); Truckanje (46-47); Čelenka (48); Vođa (49); Kamilavka (50-52); Znanje je osećanje (53-54); Trgovina (55-56); Sedlo (57-59); Zvona (60-61); Misal (62-63); Eugen i psi (64-70); Domaća varijanta sa psima (71-72); Kačket (73-74); Sveti Luka (75-80); Šajkača (81-82); Kretanje (83-84); Penzioneri (85-89); Sužavanje (90); Carica i pobednik (91-93); Spisak (94-95); Leda Zevs i Labud (96-98); Dora (99-101); Kralj Dragutin (102-103); Carinik i švercerka (104-107); Anđeli (108-110); Prirodno i veštačko (111-115); Neznani junak (116-118); Kain i Avelj (119-124); Prljavi eksperiment (125-127); More i planine (128-130); Gola žena i studenti (131-133); Službeni put (134-135); Car Dušan - Zrinjski (136-138); Rajski prah (139-141); Bliski rod (142-143); Đorđo (144-145); Na ruševinama Troje (146-150). 86-7639-525-X (broš.) Napomene Tiraž 1.000. „Anđel do anđela“ objavio je „Prometej“ iz Novog Sada; roman je kratka priča o izgnanstvima, o onima koji pristaju na seobe, o „mučnom rasejanju sveta sa lažnom iluzijom blagostanja i povratka gde se krvave pomame smiruju nostalgično muzikalnim pesmama kao tragovima koji znaju da čitaju tragove“. Jer, kako kaže Trifunović, „u ratu se otima, miru se krade“. U ovom delu sve se odvija kroz susret i u razgovoru dvojice muškaraca, starijeg, skromnijeg, iskusnijeg, mudrijeg; i, mlađeg, pomamnog, raspusnog, sa svakojakim iskustvima. Njihovo putovanje, njihov dolazak do tačke iz koje nema natrag, vode čitaoca onim mogućim putem koji je zapisao Makijaveli: „Kad već činiš, učini što više zla u što kraćem vremenu, a onda dobrotu deli u malim količinama u preciznim razmacima, da ti što duže traje samilost. I kaj se!“ Duško Trifunović, književnik, pjesnik i televizijski autor, je rođen 13.9. 1933. godine u Sijekovcu kod Bosanskog Broda. Zasigurno jedan od najvećih književnika južnoslovenskih prostora sa dvadeset knjiga poezije, četiri romana i nekoliko drama. Nije bio član sekcija, ni mladi pjesnik pionir. Prvu pesmu napisao je tek po povratku iz vojske, sa 22 godine. „...Sa dvadeset i dvije godine sam počeo da pišem. Svoju prvu zbirku pjesama napisao sam na vratima vagona, jer sam dvanaest godina radio u fabrici kao majstor-bravar. Pravio sam vrata za vagone i nikada nisam zakasnio na posao. Uvijek sam se ponašao po zakonu, nisam vikao: „Dajte mi slobodu“. Sam sam je obezbjeđivao tako što sam bio poslušan. Bojao sam se škole jer su me tamo ispitivali. Profesor te pita, a ti znaš da on to zna. Mislio sam, kako su blesavi, pitaju te ono što već znaju. Onda sam došao do zaključka da jedino ako budem pisao neću morati nikome da polažem račune. – ...U početku su piscu najveća inspiracija samoća i nesreća. Posle shvatiš da ne moraš robovati istoriji i teoriji književnosti. Nisam mogao ostati u pjesničkom jeziku koji se sastojao od vjetra, vode i magle. Nisu me interesovale te elementarne nepogode.“ U Sarajevo dolazi sa 24 godine i zanatom bravara, ali već sledeće godine 1958. izdaje prvu knjigu. Bio je jedan od najznačajnijih predstavnika takozvane estradne, govorne poezije, od svoje prve knjige „Zlatni kuršum“ (1958) kojom je debitovao u književnosti i odmah bio nagrađen Brankovom nagradom, na Stražilovu. Svrstan je u talas nove urbane poezije sarajevskog kruga, gdje je najduže i stvarao. Bio je plodan stvaralac koji je stvorio dvadeset knjiga poezije, četiri romana i nekoliko drama. Teorija ga nikada nije zanimala već samo praksa. Mogao je da napiše, i pisao je, pjesme na sve teme, situacije, osjećanja. U obilnoj produkciji za narod, najširu publiku, nije se stidio narudžbina. Od recitala, otvaranja izložbe, do jelovnika, šta i kad zatreba, kako za djecu tako i za odrasle, za pastire i akademike, a žalio je doktorske i doktrinarne pesnike. Pazio je jedino da „ne umre naše/njegovo slovo ljubve, da ne izneveri moć poezije i mesto pesnika“. Smatrao je da je poezija jedina nacionalna umetnost jer je jezik jedini što narod ima i što ga čini svojim. Sve drugo se može donijeti, pa i u vidu humanitarne pomoći.“ Na televiziji je zapamćen kao autor emisija na TV Sarajevo „Šta djeca znaju o zavičaju“. Smatra se zaslužnim za kreiranje nečega što je kasnije nazvano sarajevska rok-en-rol škola. Sarađivao je sa najpoznatijim muzičkim bendom bivše Jugoslavije Bijelim dugmetom u izradi njihovih pjesama. Do tog momenta je bilo nezamislivo da poznat i afirmisan pjesnik sarađuje sa rok bendom. Iz te saradnje su se izrodili hitovi kao što su „Ima neka tajna veza“, „Šta bi dao da si na mom mjestu“, „Glavo luda“ i mnogi drugi. Sem toga, pisao je tekstove i za „Indekse“, Nedu Ukraden, Zdravka Čolića, Arsena Dedića, Gabi Novak, Seida Memića-Vajtu a poslednje poznato estradno ime sa kojim je radio je bio Željko Joksimović („Ima nešto“). Ukupno je preko 230 njegovih pesama komponovano i snimljeno. Po izbijanju rata 1992. godine prelazi da živi u Novi Sad gdje nastavlja da radi za TV Novi Sad. Preminuo je 28. januara 2006. godine u Novom Sadu. Prema sopstvenoj želji sahranjen je u Sremskim Karlovcima, 30. januara 2006. gdje je imao kućicu u kojoj je boravio i radio. MG91 (N)

Spoljašnjost kao na fotografijama, unutrašnjost u dobrom i urednom stanju! Ser Lorens Ker Olivije, Baron Olivije (engl. Ser Laurence Kerr Olivier, Baron Olivier; Dorking, 22. maj 1907 — Stening, 11. jul 1989) bio je engleski pozorišni, filmski i televizijski glumac, režiser i producent. U karijeri dugoj preko šezdeset godina tumačio je najrazličitije uloge — od likova iz grčkih i Šekspirovih tragedija, preko ekscentričnih i grotesknih negativaca, do junaka romantičnih komedija. Smatra se najboljim tumačem likova iz Šekspirovih drama.[1][2] Najpoznatiji je po ulogama u filmovima Orkanski visovi, Rebeka, Bani Lejk je nestala, Princ i igračica, Otelo i Maratonac. Dobio je dva počasna Oskara za životno delo i veliki doprinos filmskoj umetnosti, kao i Oskara za najboljeg glavnog glumca za ulogu u Hamletu. Olivije je bio nominovan za trinaest Oskara (osvojio tri); za devet Emija (osvojio pet); jedanaest nagrada BAFTA (osvojio tri) i šest Zlatnih globusa (osvojio tri). Dobitnik je Srebrnog medveda na Berlinskom filmskom festivalu i Zlatnog lava na Festivalu u Veneciji, a dobio je i zvezdu na Holivudskoj stazi slavnih. Prvi je glumac u istoriji filma koji je dobio plemićku titulu. Američki filmski institut ga je uvrstio među dvadeset najvećih glumaca svih vremena. Smatra se najboljim britanskim glumcem 20. veka.[3] Detinjstvo Lorens Ker Olivije je rođen 1907. u Dorkingu (Engleska). Njegov otac, Džerard Olivije, bio je sveštenik, pa je Lorens odrastao u smernoj i religioznoj porodici. Bežeći od strogosti i religioznosti svog oca, Lorens se veoma zbližio sa majkom, Agnes Luiz. Međutim, Agnes je umrla rano, u svojoj četrdesetoj godini i njena iznenadna smrt je jako pogodila dvanaestogodišnjeg Lorensa. Ostao je sa bratom Ričardom i sestrom Sibil u Old Rektoriju (delu škole Sveti Kristofer), a njegov otac se 1918, zbog premeštenja, preselio u Hartfordšir. Sa svega devet godina, dobio je ulogu Bruta u školskoj predstavi Julije Cezar. Išao je i na časove horskog pevanja u školi Svi sveti u Londonu.[4] Završio je školu Sveti Edvard u Oksfordu. Nastupao je u školskim predstavama, a 1924. radio je kao zamenik i pomoćnik reditelja u lokalnom pozorištu. Sledeće godine dobio je ulogu Lenoksa u Šekspirovom Magbetu i mesto asistenta direktora pozorišta.[5] Nakon što je Ričard Olivije otišao u Indiju, otac je shvatio da Lorens (koga su u porodici zvali Kim) zaista treba da bude glumac.[5] Karijera Tokom šezdesetogodišnje karijere, Lorens Olivije je igrao u oko 130 predstava, 63 filma i u 26 TV serijala.[6] Prve glumačke korake Olivije je načinio 1930. godine, u Engleskoj. Desetak godina kasnije, zahvaljujući ulogama u holivudskim hitovima Orkanski visovi i Rebeka, njegovo ime je postalo poznato i u svetu filma. Značajnije uloge na televiziji imao je tek osamdesetih godina 20. veka. Pozorišna karijera Pozorišni počeci Nakon pohvala koje je dobio za Ukroćenu goropad, sedamnaestogodišnji Olivije je upisao dramsku školu Central School of Speech and Drama, da bi se nakon završetka 1927. pridružio glumačkoj družini Birmingham Repertory.[5] Sledeće godine prihvatio je ulogu kapetana Stenhoupa u predstavi Kraj putovanja koju mu je ponudio Apolo teatar. Pohvale kritike dobio je 1930. za ulogu u Privatnim životima Noela Kauarda i 1935. za Romea i Juliju.[7] U Romeu i Juliji menjao je uloge Romea i Merkucija sa Džonom Gilgudom. Olivijeu se nije dopadao način Gilguldove glume Šekspirovih dela i smetalo mu je što je Gilgud dobijao bolje kritike od njega.[7] Njegova netrpeljivost ka Gilgudu kulminirala je 1940, kada je Olivije predložio londonskom producentu Binkiju Bomontu (engl. Binkie Beaumont) da finansira četiri Šekspirove tragedije — Hamleta, Kralja Lira, Otela i Magbeta — u kojima bi on bio u glavnim ulogama, na šta mu je Bomont odgovorio da bi pristao jedino pod uslovom da Olivije povremeno menja uloge sa Gilgudom, kao i da Gilgud režira barem jednu od njegovih produkcija, što je Olivije glatko i bez razmišljanja odbio.[8] Nakon uloge u Romeu i Juliji pozvala ga je Lilijan Bejlis iz Old vik teatra da tumači glavnu ulogu u njihovom Hamletu 1937. godine. Olivije je rado prihvatio ponudu, ali je njegova izvedba naišla na loš prijem kod gledalaca i kritike. Ni Magbet nije prolazio bolje, sve do Koriolana, Henrija Petog i Dvanaest noći sa kojima je trijumfovao kod kritičara i postao jedan od najpopularnijih glumaca iz Old vikove svite. Iako je u međuvremenu debitovao na filmu i čak snimio deset filmova, Olivije je nastavio da izbegava ponude te vrste i govorio da mu je mesto na daskama.[9] 1940—1959: Vivijen Li i rat Lorens Olivije je upoznao Vivijen Li 1937. Iste godine su počeli da se zabavljaju. Uspeo je da je dovede u Old vik gde je igrala Ofeliju. Dve godine kasnije njih dvoje sele se u Njujork — on da bi snimao Orkanske visove, a ona jer se nadala ulozi Skarlet O’Hare u obećavajućem Prohujalo sa vihorom. Tamo su zajedno nastupali u predstavi Romeo i Julija u koju su uložili gotovo svu svoju ušteđevinu. Iako raskošna, predstava je bila poslovni promašaj.[8] Kada je izbio Drugi svetski rat, Olivije je želeo da se pridruži kraljevskom vazduhoplovstvu. Uzeo je dvesta časova letenja i dobio čin poručnika, ali nikada nije učestvovao u pravom ratu.[5] On i Ralf Ričardson su 1944. bili otpušteni iz vojske kako bi formirali novu postavu Old vik teatra.[10] Noćni repertoar su činile predstave Čovek i oružje od Džordža Bernarda Šoa, Per Gint Henrika Ibzena i Šekspirov Henri Treći. Probe koje su trajale deset meseci uz zvuke nemačkog bombardovanja, isplatile su se u obliku pet uspešnih sezona.[5] Godine 1948. Ričardson, Olivije i Vivijen Li krenuli su na turneju po Australiji i Novom Zelandu.[11] Njih dvojica su igrali u pomenutim predstavama, a Lorens i Vivijen u Ričardu Trećem, Školi skandala kao i u The Skin of Our Teeth. Turneja je trajala šest meseci i bila je veoma uspešna, međutim brak poznatog para jedva je izdržao višegodišnju krizu. Olivije je kasnije rekao da je Vivijen izgubio u Australiji.[12] Druga sezona novog Old vik teatra počela je po njihovom povratku iz Australije i ona se danas smatra jednim od najblistavijih perioda britanskog pozorišta.[13] Olivije i Ričardson nizali su uspehe sa svojim proverenim predstavama.[13] Lorens je jedne večeri odigrao Sofokleovog Edipa i Šeridanovog Kritičara. Ta tranzicija iz grčke tragedije u klasičnu komediju postala je legendarna.[14] Ovu sezonu završio je ulogom Astrova u Ujka Vanji Antona Čehova. Za vreme rata, Lorens Olivije i Ralf Ričardson bili su pozvani u Pariz, da svoje popularne predstave odigraju u čuvenom pozorištu Komedi franses (franc. Comédie-Française). Bili su ushićeni i počastvovani pozivom. To im je bio prvi nastup u Francuskoj, i bio je uspešan.[10] Početkom pedesetih Olivije i njegova supruga su igrali u Njujorku. Na njihovom repertoaru bili su Antonije i Kleopatra od Šekspira, Cezar i Kleopatra od Bernarda Šoa, i na zahtev Lijeve, - Antigona. Godine 1953. psihičko zdravlje Vivijen Li naglo se pogoršalo, međutim vrlo brzo se oporavila za predstave koje je Lorens spremao za Stratford na Ejvonu (Engleska). Osim Dvanaest noći i Magbeta, Lorens je pripremao i Tita Andronika. Za predstave je vladalo veliko interesovanje i bile su veoma dobro posećene. Bračni par je tada sa Titom Andronikom krenuo na evropsku turneju. Komad je naišao na izuzetne pohvale kritičara, i bio je komercijalni trijumf, ali njihov brak je još jednom prolazio kroz krizu koju ovaj put nije izdržao. Iako je njihova veza okončana po povratku u London, razveli su se u decembru 1960. godine. Poslednje predstave Olivije je bio jedan od osnivača Britanskog nacionalnog teatra. Postao je njegov direktor još dok je bio u Old viku.[15] Tokom posleratnih godina, a i kasnije, svoju glumačku karijeru posvetio je uglavnom filmskoj industriji. U pozorištu je uglavnom radio kao reditelj, a ređe je prihvatao uloge.[15] Ipak, od malobrojnih predstava u kojima je igrao u to vreme, izdvajaju se Ujka Vanja, Mletački trgovac, Mačka na usijanom limenom krovu, The Recruting Officer i izuzetno uspešna Dugo putovanje u noć, koja je kasnije ekranizovana i emitovana u SAD i Ujedinjenom Kraljevstvu. Filmska karijera Glumac koji ne voli film Olivije je debitovao na platnu 1930. sa filmom Privremena udovica. Iste godine imao je manju ulogu u Previše varalica, a već sledeće prvu glavnu u drami Žuta karta. Uprkos ponudama koje su stizale, u potpunosti se posvetio pozorištu i Šekspirovim dramama koje su mu donosile popularnost. Godine 1936. dobio je priliku da igra u filmskoj adaptaciji Šekspirove drame Kako vam drago. Iako je to bila prva uloga za koju je bio istinski zainteresovan, konačan proizvod mu se nije dopao i smatrao je da Šekspir jednostavno nije dobar na filmu.[16] Te godine je prvi put video već tada popularnu Vivijen Li, a sledeće godine snimali su ljubavnu dramu Požar nad Engleskom. Tada su počeli da se pojavljuju zajedno u javnosti, iako su oboje bili u braku.[12] Dve godine kasnije otputovali su u SAD, gde je Olivije snimao Orkanske visove. Bio je prvi put nominovan za Oskara za ulogu Hitklifa u Orkanskim visovima. Vivijen je pak osvojila Oskara za najbolju glavnu glumicu za ulogu u epskom Prohujalo sa vihorom, pa su dvoje mladih glumaca krajem četrdesetih bili najpoznatiji holivudski bračni par .[17][18] 1940—1959: Filmska zvezda Uspon u Lorensovoj karijeri nastavio se Hičkokovim hit-filmom Rebeka iz 1940. godine, u kom je Olivije tumačio lik zgodnog i bogatog udovca koji se ženi mladom devojkom ne rekavši joj da je indirektno odgovoran za smrt svoje supruge. Za ovu ulogu opet je bio nominovan za Oskara. Sledeće godine igrao je sa svojom suprugom u romantičnoj drami Ledi Hamilton koja je bila veliki bioskopski hit. Pošto se pokazao kao podjednako dobar i na filmu i u pozorištu, dvojica producenata su mu predložili da režira neke od Šekspirovih drama u kojima je uspešno igrao. Olivije je u početku mislio da nije dorastao zadatku, pa je nagovarao Vilijama Vajlera i Terensa Janga da preuzmu ulogu reditelja. Pošto su obojica odbili predlog[19] jer filmovi snimljeni po Šekspirovim dramama nisu bili popularni, Lorens je na kraju ipak odlučio da pokuša. Prvi film koji je počeo da snima bio je Henri Peti iz 1944. Tokom snimanja jedne scene u Irskoj, konj je udario u kameru koju je držao Olivije, te je ovaj zaradio veliku posekotinu na usni i povredu oka, ostavivši mu ožiljak koji će kasnije postati njegov zaštitni znak.[19] Kritičari su pohvalili film, koji je ujedno bio i komercijalni uspeh. Još je bio nominovan i za Oskara za najbolji film, a Olivije za najboljeg glumca. Međutim, Akademija mu je dodelila počasnog Oskara, za izuzetan rad na filmu Henri Peti. Olivije je odbio nagradu nazivajući je prevarom, i smatrajući da Akademija jednostavno nije bila spremna da Oskare uruči jednom strancu.[20] Sledećih nekoliko godina radio je kao zabavljač na frontu, zajedno sa Ralfom Ričardsonom. Godine 1948. snimio je Hamleta i glumio glavnu ulogu. Film je morao biti kraći od 153 minuta pa je Olivije bio prinuđen da iseče dobar deo teksta. Sa Hamletom je ponovo bio nominovan za Oskara u istim kategorijama kao i za Henrija, s tim što je ovaj put i dobio nagrade, i to u obe kategorije. Tako je Olivijeov Hamlet postao prvi britanski film koji je osvojio Oskara, a Olivije prva osoba koja je iste godine režirala film za koji je dobila Oskara za najboljeg glavnog glumca. Ostao je jedino bez Oskara za najboljeg režisera, što glumicu Etel Barimur, koja mu je uručila Oskara, nije iznenadilo jer je smatrala da filmska adaptacija Hamleta nije ni približno verna drami.[21] Poslednji šekspirovski film koji je bio dogovoren još četrdesetih, Olivije je snimio tek 1955. godine. U međuvremenu, njegova pozorišna karijera bila je na vrhuncu, te je do 1955. išao na turneje širom sveta. Film koji je tada snimio bio je Ričard Treći. Na snimanju filma, jedan od strelaca ga je pogodio u nogu, zbog čega je Olivije hramao nekoliko dana.[22] Pošto je u filmu Olivije trebalo da bude hrom, ova nezgoda nije se odrazila negativno na snimanje filma. Međutim, ovaj raskošni epski spektakl bio je komercijalni neuspeh, pa je Olivije bio prinuđen da odustane od planiranog snimanja Magbeta, koji je trebalo da bude poslednji u nizu dogovorenih filmova. Poslednji film u kome je Olivije igrao pedesetih, bila je romantična komedija Princ i igračica, gde se prvi put sreo sa Merilin Monro, tada najpopularnijom glumicom na svetu. Nakon završetka snimanja Olivije je strogo kritikovao Merilinino ponašanje i glumu,[23] što je tada privuklo veliku pažnju medija. Međutim, posle njene tragične smrti rekao je: „Ne mogu da verujem da tako glamurozan film nije postao hit. Ja sam bio dobar, ali Merilin... Merilin je bila zadivljujuća!”[24] 1960—1989: Doktor Zel Godine 1960. Olivije je snimio Spartaka i Zabavljača, dva filma koja su postigla veliki komercijalni uspeh. Zabavljač je takođe dobio i pohvale kritike i doneo mu još jednu nominaciju za Oskara. Usledili su Otelo sa Megi Smit u ulozi Dezdemone, koji je bio njegov poslednji film snimljen po nekom Šekspirovom komadu, zatim triler Bani Lejk je nestala i tri ratna filma: O, kakav divan rat, Bitka za Britaniju i Nedostižni most. Poslednja dva filma za koje je bio nominovan za Oskara bili su Momci iz Brazila i Maratonac. Uloga u Maratoncu mu je dobila odlične kritike i donela mu prvi Zlatni globus. Američki filmski institut je ovaj film proglasio za jedan od sto najuzbudljivijih filmova svih vremena,[25] a Olivijeovog sadističkog doktora Zela svrstao među pedeset najvećih filmskih negativaca.[26] Kada je 1967. godine saznao da boluje od raka, želeći da obezbedi svoju porodicu nakon smrti, Lorens je prestao da bude izbirljiv u izboru uloga i počeo je da prihvata skoro sve što mu se nudilo, pa je tako počeo da prihvata i uloge u televizijskim serijalima.[9] Čak je izjavio: „Pitaju me zašto glumim u nekom filmu. Odgovor je jednostavan — novac, dragi moj... Osećam da kraj dolazi. Nemam ništa da ostavim porodici osim novca koji zarađujem od filmova. Ništa mi nije ispod časti ako je dobro plaćeno. Zaradio sam pravo da zgrabim sve što mi se ukaže za ovo malo vremena koje mi je preostalo.”[27] Do kraja života pojavio se u brojnim filmovima, a za uloge u Inčonu i Džez pevaču nagrađen je Zlatnom malinom za najgoreg glumca. Umro je 1989, dok je snimao Ratni rekvijem. Olivije je i petnaest godina posle smrti glumio negativca u filmu Nebeski kapetan i svet sutrašnjice. Naime, materijal sa njim iz mlađih dana je uz pomoć kompjuterske grafike uklopljen u film, te je Olivije bio zločesti dr Totenkof.[28] Televizijska karijera Lorens Olivije je počeo karijeru televizijskog glumca kada je već iza sebe imao ostvarenu karijeru u pozorištu, i kada je bio jedan od najtraženijih filmskih glumaca. Međutim, od početka osamdesetih pa do smrti, uglavnom je igrao u TV–serijama ili mini-filmovima. Olivije se prvi put pojavio na televiziji ulogom u seriji John Gabriel Borkman 1958. Glumio je i u Dejvidu Koperfildu sa Idit Evans, kao i u mini-filmovima Mačka na usijanom limenom krovu i Vrati se, mala Šibo. Neke od poslednjih televizijskih uloga bile su mu u Poslednjim danima Pompeje, Izgubljenim kraljevstvima (sa Kolinom Fertom) i Vagneru. Najpoznatije TV serije u kojima je igrao i za koje je dobio nagradu Emi za najboljeg glumca jesu Kralj Lir, Dugo putovanje u noć i Ljubav kad joj vreme nije gde je glumio zajedno sa Ketrin Hepbern. Olivije je bio nominovan za devet, a osvojio je pet nagrada Emi.[29] Privatni život Propali brakovi Olivije se 25. jula 1930. oženio glumicom Džil Ezmond koja mu je šest godina kasnije rodila sina Tarkvina. Međutim, brak je na samom početku bio osuđen na propast. Naime, kako Lorens piše u svojoj autobiografiji, prva bračna noć bila je neuspešna, a ni kasnije nije bilo ništa bolje, tako da je na kraju Olivije postao impotentan.[30] Olivije je mislio da su za to bila kriva neka njegova religiozna shvatanja, pa je odbacio religiju i deklarisao se kao ateista.[30] Ali njegov odnos sa Džil sasvim je zahladneo, tako da su se razveli 1940. godine, kada se on oženio sa Vivijen Li. Njih dvoje su bili u vezi još od 1937. kad su snimali Požar nad Engleskom, ali je Džil odbijala da mu da razvod. Ipak, ostali su dobri prijatelji i Lorens je bio sa njom na Tarkvinovom venčanju 1965. godine.[9] Lijeva je ubrzo potom dobila ulogu Ofelije, u Olivijeovom Hamletu, u Old viku. Tu se Olivije prvi put susreo sa njenim naglim promenama ponašanja. Pred izlazak na scenu iznenada je počela da vrišti i viče na njega, a onda je odjednom ućutala, besciljno zureći u daljinu.[24] Ulogu je odigrala savršeno, i nikad nije pomenula incident. Nakon venčanja, mladi par se odselio u Njujork, gde su prvi put nastupili s predstavom Romeo i Julija. Zbog izuzetno lošeg prijema kod publike, umalo nisu bankrotirali jer su svu ušteđevinu uložili u produkciju ove predstave.[31] Godine 1944. Vivijen je obolela od tuberkuloze, pa je nekoliko dana morala da provede u bolnici. Na snimanju Cezara i Kleopatre otkrila je da je u drugom stanju, ali je veoma brzo pobacila. Pala je u duboku depresiju, koja je doživela vrhunac njenim fizičkim napadom na Olivijea.[11] To je bio njen prvi poznati nervni slom povezan sa maničnom depresijom. Olivije je posle toga shvatio da njeni napadi dolaze posle dana sa velikom aktivnošću, kao i nakon depresije. Problemi su se nastavili na turneji po Australiji, a vrhunac ovog stanja bila je medijski propraćena svađa u Krajstčerču, koja je nastala kada je Lijeva odbila da izađe na scenu. Lorens je ošamario, a ona mu uzvratila i opsovala ga, pa izašla na pozornicu kao da se ništa nije dogodilo.[32] Pedesetih su produkciju preselili u Njujork, gde je Lorensova filmska karijera bila u ekspanziji. Godine 1953. Vivijen je opet pobacila, nakon čega je pala u višemesečnu depresiju. Tada je priznala suprugu da je zaljubljena u Pitera Finča.[32] Kada se oporavila, krenula je sa Lorensom na evropsku turneju, igrajući u Titu Androniku. Jedan od najblistavijih trenutaka njegove karijere, bio je pomračen njenim čestim izlivima besa na ostale glumce.[32] Po povratku sa turneje, započela je vezu sa glumcem Džekom Merivejlom, čime je njen i Lorensov brak bio praktično okončan. Razveli su se u decembru 1960. godine. Godinu dana kasnije upoznao je glumicu Džoun Plourajt, s kojom se odmah oženio. Ovaj brak, u kom su se rodila tri sina, bio je mirniji i skladniji od prva dva.[33] Međutim, Olivijeovi prijatelji kažu da iako se oženio sa Džoun, Lorens se do kraja života kajao što nije znao da zadrži Vivijen Li.[34] Seksualno opredeljenje Posle Lorensove smrti, pojavile su se glasine da je on u stvari bio biseksualac, koje su potkrepili brojni Olivijeovi biografi. Jedan od njih, Donald Spoto, napisao je u svojoj knjizi da je Olivijeov ljubavnik bio glumac Deni Kej.[35] Lorens Olivije 1940. godine Olivijeovi dugogodišnji prijatelji Noel Kauard i Majkl Tornton su na pitanje o Lorensovoj seksualnosti samo rekli: „Voleo je da stiče nova iskustva.”[36] Još jedan njegov biograf, Teri Kolman, dovodio je u vezu Olivijea i starijeg glumca Henrija Ejnlija.[24] Olivijeov sin, Tarkvin, pokušao je da spreči izlazak te biografije.[37] Veliku pažnju javnosti privukla je izjava Dejvida Nivena, koji je sa Lijevom snimao Tramvaj zvani želja. Naime, glumac je rekao da je jednom, za vreme snimanja tog filma, video kako se Lorens i Marlon Brando ljube u bazenu Olivijeovih.[38] „Okrenuo sam im leđa i pošao kod Vivijen. Ona je znala šta se događa ali je ćutala. Kao i ja.”[39] Posle Lorensove smrti, njegova poslednja supruga, Džoun Plourajt, potvrdila je glasine o njegovoj biseksualnosti.[40] Krajem 2006, u jednoj radio–emisiji, na pitanje o Lorensovom seksualnom opredeljenju, ona je rekla: „Ako je čovek genije, onda nije obična osoba i ne vodi običan život, već ima ekstreme u ponašanju...”[40] Bolest i smrt Godine 1967, Lorens je saznao da boluje od raka prostate, a takođe je morao da provede izvesno vreme u bolnici zbog upale pluća.[41] Ubrzo je dobio bronhitis i upalu porebrice, kao i prve simptome amnezije. Sedam godina kasnije oboleo je od distrofije mišića koja ga je zamalo koštala života.[42] Umro je 1989. godine u Steningu (Engleska), od bubrežne insuficijencije.[43] Nakon smrti bio je kremiran, a njegov pepeo položen u Vestminstersku opatiju, pored kralja Henrija Petog, koji je obeležio njegovu karijeru.[44] Sahrani je prisustvovalo više od dve hiljade ljudi....

Knez Feliks Jusupov MINULI SJAJ / Sećanja čoveka koji je ubio Raspućina Odlična kao nova Autor : Knez Feliks Jusupov Izdavač : UKRONIJA Rođen u plemenitaškoj porodici, gospodar ogromnih feuda i mnogih palata pre Ruske revolucije, knez oženjen Irinom Aleksandrovnom, sestričinom cara Nikolaja II, svedok spletki i korupcije na carskom dvoru, Feliks Feliksovič Jusupov, pripoveda istoriju svoje porodice i istoriju koju je on stvarao one večeri kada je 1916, gonjen ljubavlju prema Rusiji i carskoj porodici, odlučio da ubije misterioznog monaha Grigorija Jefimoviča Raspućina. Ovo je nezaboravna istinita priča o intrigama, ubistvu i osveti. Knez Feliks Feliksovič Jusupov, grof Sumarokov-Elston (rus. Князь Феликс Феликсович Юсупов, Граф Сумароков-Эльстон; Sankt Peterburg, 23. mart 1887 — Pariz, 27. septembar 1967) bio je ruski plemić i memoarista, najpoznatiji po učešću u ubistvu Grigorija Raspućina. Potomak ugledne i bogate porodice tatarskog porekla, proveo je mladost raskalašno i u skladu sa idealima esteticizma, zbog čega je prozvan ruskim Dorijanom Grejom.[1] Nakon što mu je rođeni brat Nikolaj Feliksovič ubijen u dvoboju zbog afere sa udatom ženom 1908. godine, postao je jedini naslednik velikog porodičnog bogatstva. Studirao je šumarstvo i engleski jezik na Oksfordu u periodu od 1909. do 1913. Vrativši se u Sankt Peterburg, oženio se Irinom Aleksandrovnom, jedinom sestričinom cara Nikolaja II, sa kojom je dobio ćerku Irinu Feliksovnu 1915. godine. Zajedno sa Dmitrijem Pavlovičem i Vladimirom Puriškevičem izvršio je ubistvo nad Grigorijem Raspućinom u noći između 29. i 30. decembra 1916. godine.[2] Netrepeljivost prema Raspućinu je bila prouzrokovana velikim uticajem ovog mistika na carsku porodicu zbog njegove navodne sposobnosti da leči carevića Alekseja, koji je bolovao od hemofilije. Deo ruskog plemstva, među kojima je bio i Juspov, sumnjičila je da Raspućin postavlja i smenjuje ministre, usmerava spoljnu i unutrašnju politiku, zastupa pronemačke interese, a krajem 1916. godine smatralo se da je on kriv za sve neuspešne kadrovske odluke koje su dovodile do poraza Rusije u ratu. Nakon Februarske revolucije Jusupov je sa porodicom izbegao prvo na Krim, potom na Maltu, pa u Italiju, da bi se od 1920. trajno nastanio u Parizu. U Parizu je postao poznat po velikodušnoj pomoći ruskim izbeglicama, ali su vremenom bili prisiljeni da žive skromnije.[3] Tužio je 1933. američki studio Metro-Goldvin-Mejer zbog načina na koji je njegova supruga predstavljena u filmu Raspućin i carica. Na račun odštete dobio je tadašnjih 25 000 funti (današnjih 1 250 000 funti).[4][5] Napisao je memoare Minuli sjaj. Detinjstvo i mladost[uredi | uredi izvor] Feliks Jusupov je rođen u Palati na Mojki u Sankt Peterburgu, tadašnjoj prestonici Ruskog carstva. Njegov otac, knez Feliks Feliksovič Samarokov-Elston bio je sin grofa Feliksa Nikolajeviča Sumarokov-Elstona, dok je njegova majka, kneginja Zinaida Jusupova, bila poslednji potomak Jusupova, bogate porodice tatarskog porekla. Ruski car, ne bi li sprečio da ime porodice Jusupov izumre, dozvolio je da muž preuzme prezime i titulu svoje supruge. Par se venčao 4. aprila 1882. godine u Sankt Peterburgu. Porodica Jusupov, bogatija od carske porodice Romanov, sticala je bogatstvo vekovima. Posedovali su četiri palate u Sankt Peterburgu, tri palate u Moskvi, 37 imanja u različitim delovima Rusije (Kurska, Voronješka, Poltavska oblast), rudnike uglja i gvožđa, plantaže i fabrike, mlinove i naftna nalazišta na Kaspijskom moru.[6] Nakon što mu je stariji brat Nikolaj Feliksovič ubijen u dvoboju zbog afere sa udatom ženom 1908. godine, Feliks Jusupov je postao jedini naslednik velikog bogatstva. Porodično imanje Arhangelsko u blizini Moskve U mladosti je vodio raskalašan život; kretao se u boemskim krugovima, trošio pare na umetničke predmete, prerušavao se u devojku, nosio egzotičnu odeću i upuštao se u ljubavne odnose sa ženama i muškarcima. Od 1909. do 1913. godine studirao je šumarstvo, a potom engleski jezik, na Oksfordu,[7] gde je bio član elitnog Kluba Bulington[8] i osnovao Rusko društvo Univerziteta Oksford.[9] Živeo je rasipnički u Ulici kralja Edvarda 14, zajedno sa ruskim kuvarom, francuskim vozačem, engleskim poslužiteljem i spremačicom. Posedovao je tri konja, aru i buldoga, koga je nazvao Panč. Pušio je hašiš,[8] igrao polo i sprijateljio se sa Luiđijem Frančetijem, pijanistom, i Žakom de Bistegijem, umetničkim kolekcionarem - obojica su jedno vreme živeli sa njim.[10] U to vreme, upoznao se i sa Albertom Stopfordom i Osvaldom Rajnerom. Iznajmio je stan u Ulici Karzon br 4 u Mejferu, gde je nekoliko puta ugostio balerinu Anu Pavlovnu, koja je u to vreme živela u Hempstedu. Portret Feliksa Jusupova dok je bio dečak (1903). Naslikao Valentin Serov Brak[uredi | uredi izvor] Nakon što se vratio u Sankt Peterburg, oženio se kneginjom Irinom Aleksandrovnom, jedinom sestričinom ruskog cara Nikolaja II. Venčanje je održano u kapeli Palate aničkov 22. februara 1914. godine. Mlada je nosila veo koji je pripadao Mariji Antoaneti.[11] Par je proveo medeni mesec u Kairu, Jerusalimu, Londonu, Parizu i Badu Kisingenu, gde su odseli njegovi roditelji. Prvi svetski rat[uredi | uredi izvor] Porodica Jusupov 1901. Feliks, njegov brat Nikolaj, knez Feliks Feliksovič Sumarkov Elston i Kneginja Zinaida Jusupova. Porodica Jusupov se nalazila u Nemačkoj kada je izbio Prvi svetski rat, te su bili u opasnosti da postanu ratni zarobljenici. Irina se obratila svojoj rođaki vojvotkinji Ceciliji Meklenburg-Šverin sa molbom da se založi kod cara Vilhelma II. Car je odbio molbu da se dopusti povratak u Rusiju i naložio im je da potpišu dokument sa kojim bi se obavezali da će ostati u Nemačkoj na jednom od tri ponuđena prebivališta, dok traje rat, uz jemstvo da će se sa njima postupati obazrivo. Feliksov otac se obratio za pomoć španskom ambasadoru, te su uz njegovu pomoć uspeli da dođu do ambasadorskog voza s kojim su se tajno odvezli do neutralne Danske, odakle su isplovili za Finsku i stigli u Rusiju.[12] Jusupovi su dobili ćerku Irinu Feliksovnu Jusupovu, prozvanu Bebe, 1915. godine. Krsni kum je bio car Nikolaj II, a kuma carica majka Marija Fjodorovna. Irina je bila njihov jedini potomak. Brigu o njoj, sve do devete godine, preuzeli su Feliksovi roditelji. Kako se kasnije Feliks žalio, baba i deda su razmazili dete. Kasnije, Bebe je obožavala oca, ali je bila suzdržana prema majci.[13] Feliks je izbegao mobilizaciju pošto je tadašnji zakon oslobađao sinove jedince od obaveze vojne službe u ratu. Irinina rođaka, velika kneginja Olga Nikolajevna, sa kojom je bila veoma bliska u detinjstvu, prezirala je Irininiog muža zato što nije bio u vojsci. U pismu upućenom ocu Nikolaju 5. marta 1915. napisala je: „Feliks je prizmeni civil, obučen sav u odeću braon boje, hoda i krstari po sobi, traži časopise po policama i bukvalno ne radi ništa”.[14] U februaru 1916. godine Feliks je krenuo na obuku za oficire u elitnoj vojnoj akademiji Paževski korpus.[15] Ne bi li zbrinuo ranjenike sa istočnog fronta, prilagodio je krilo svoje palate u Livničkoj ulici u bolnicu za ranjene vojnike. Ubistvo Raspućina[uredi | uredi izvor] Feliks Jusupov je široj javnosti najpoznatiji kao ubica Grigorija Raspućina. Netrepeljivost prema Raspućinu je bila prouzrokovana velikim uticajem ovog mistika na carsku porodicu zbog njegove navodne sposobnosti da leči carevića Alekseja, koji je bolovao od hemofilije. Deo ruskog plemstva je sumnjičila da Raspućin postavlja i smenjuje ministre, usmerava spoljnu i unutrašnju politiku, a krajem 1916. godine smatralo se da je on kriv za sve neuspešne kadrovske odluke koje su dovodile do poraza Rusije u ratu. Takođe, u javnosti se govorilo da Raspućin nagovara cara da potpiše primirje sa Nemačkom. Prema razrađenom planu, Jusupov se prvo približio Raspućinu, tvrdeći da želi da ga mistik izleči od zdravstvenih problema. Paralelno, tražio je saučesnike među drugim velikodostojnicima. Prvo se obratio Vasiliju Maklakovu, jer je znao za njegove negativne stavove prema Raspućinu izgovorene u Dumi. Maklakov je prihvatio da ga savetuje ali je odbio da učestvuje direktno u ubistvu.[16] Potom se obratio Vladimiru Puriškeviču, koji je prema rečima Feliksa Juspova, sa žarom i oduševljenjem obećao pomoć. Zaverenicima se priključio i Dmitrije Pavlovič, carev bliski rođak i jedan od najboljih Feliksovih prijatelja. Palata na Mojki u Sankt Peterburgu gde je Raspućin ubijen Raspućinovo telo sa prostrelnom ranom na čelu Ubistvo se odigralo u noći između 29. i 30. decembra 1916. u podrumu Palate na Mojki, a ubistvo su izvršili Jusupov, Pavlovič i Puriškevič uz pomoć Stanilosa Lazoverta i Sergeja Suhotina. Kasnija obdukcija je potvrdila tri prostrelne rane na Raspućinovom telu. Prvi metak je prošao kroz levu stranu grudnog koša prodirevši u stomak u predelu jetre, a drugi je prošao kroz levu stranu leđa prodrevši u bubreg. Iako ga ova dva hica nisu ubila na mestu, rane su bile ozbiljne i pretpostavlja se da bi ga usmrtile u roku od 10-20 minuta. Teško ranjen Raspućin je uspeo da se domogne dvorišta gde je pao u snegom prekriven travnjak. Treći metak je ispaljen u čelo. Nije sigurno da li ga je Jusupov pre toga udarao palicom, niti se zna da li je treći metak opalio Jusupov ili Puriškevič. Zaverenici su leš bacili sa Mosta Boljšoj Petrovski pod led zamrznute Male Neve. Telo je vrlo brzo pronađeno i krivci su lako otkriveni. Carica je zahtevala smrtnu kaznu, ali su je nagovorili da odustane od optužbi. Car je bez suđenja poslao Dmitrija na front u Persiju; Puriškevič je već otišao na front u Rumuniju, dok je Feliks proteran na imanje Rakitnoje.[17][18] Jusupov je objavio nekoliko izveštaja o ubistvu Raspućina uključujući i detaljnu rekonstrukciju u svojim memoarima „Minuli sjaj”. Teorije o uključenosti Britanske službe u ubistvo[uredi | uredi izvor] U poslednjih nekoliko godina pojavilo se nekoliko publicista koji su doveli u pitanju zvaniču verziju o indentitetu ubice razvijajući teoriju da su ubistvo organizovali pripadnici Britanske tajne službe. Prema ovoj teoriji britanski agenti su bili zabrinuti zbog glasina da Raspućin nagovara cara da potpiše sporazumni mir sa Nemačkom, jer bi u slučaju zatvaranja istočnog fronta, sva nemačka sila bila usmerena na zapadni front. Postoji nekoliko verzija ove teorije, ali sve insitiraju da su ubistvo organizovali agenti Semjuel Hoare i Osvald Rejner, koji je bio prijatelj Jusupova na Oksfordu, a pojedini insistiraju da je Rejner sam upucao Raspućina. Iako se ova teorija pojavila i u medijima i o njoj je snimljen i TV dokumentarac, zvanični istoričari je odbacuju. Prema rečima istoričara Daglasa Smita „ne postoji ubedljiv dokaz o umešanosti britanskih agenata u zločin”. Isto mišljenje ima i Kit Džefri, istoričar specijalizovan za istoriju britanske službe, koji tvrdi da ne postoji nijedan dokument u arhivi britanske tajne službe koji bi potkrepio ovakve teorije. Furman u svojoj biografiji Raspućina ističe da ne postoje sumnje da je Jusupov bio ubica, te da je samo ubistvo počinjeno nespretno, što svedoči da je krvni akt počinio amater a ne profesionalac.[19] Izbeglištvo[uredi | uredi izvor] Feliks i Irina 1915 Feliks i Irina u izgnanstvu Nedelju dana nakon Februarske revolucije, car Nikolaj je abdicirao 2. marta. U skladu sa novonastalom situacijom, Jusupovi su otišli na Krim, a potom su se na kratko vratili u Palatu na Mojki kako bi pokupili nakit (uključujući plavi dijamant sultan od Maroka, dijamant polarna zvezda i par dijamantskih minđuša Marije Antoanete) i dve Rembrantove slike. Prodaja ovih dobara omogućila je život porodici u izgnanstvu. Rembrantove slike je kupio Džozef E. Videner 1921. godine i danas su izložene u nacionalnoj galeriji u Vašingtonu. Porodica se na Krimu ukrcala na britanski ratni brod Marlborou koji ih je odvezao iz Jalte do Malte. Feliks se na brodu hvalio kako je ubio Raspućina. Jedan od britanskih oficira je zabeležio kako se Irina: „činila povučenom i stidljivom u prvi mah, ali da je uz malo pažnje posvećene njenoj lepoj devojčici postala otvorenija, te sam shvatio da je i ona šarmantna i da tečno govori engleski.” Sa Malte su otputovali u Italiju a potom u Pariz. U Italiji su podmitili carinike dijamantima pošto nisu imali vizu. U Parizu su ostali nekoliko dana u Hotelu de Vendom, a potom su otputovali za London. U Parizu su se trajno nastanili od 1920. Bračni par je u Parizu osnovao kratkotrajnu modnu kuću Irfe (Irfé), čije se ime sastojalo od dva početna slova njihovih imena. Irina je bila model za nekoliko iskrojenih haljina. Feliksova nesposobnost da vodi finansijske poslove i krah berze na Vol Stritu 1929. dovele su do zatvaranja preduzeća. Jusupovi su bili poznati po darežljivosti prema drugim ruskim izbeglicama. Njihova filantropija, ali i rasipnički život i loše vođenje finasija dovele su do brzog nestanka spašenog dela porodičnog bogatstva. Tužbe[uredi | uredi izvor] Godine 1932. Feliks i Irina su tužili holuvudski studio Em-Dži-Em na engleskom sudu pod optužbom za klevetu i narušavanje privatnosti zbog načina na koji su predstavljeni u igranom filmu Raspućin i carica. Razlog za tužbu nije bio u tome što je Feliks predstavljen kao ubica, već to što je lik princeze Nataše, zasnovan na Irini, predstavljen kao Raspućinova ljubavnica.[20] Juspovi su dobili tužbu zbog ubedljivih argumenata njihovog advokata Patrika Hestingsa, te im je isplaćena odšteta u visini 25 000 funti (izraženo u današnjem kursu oko 1 250 000 funti). Holivudksi filmovi su zbog ove tužbe uveli praksu da se na špici svakog filma navodi obaveštenje da su svi likovi i događaji proizvod fikcije i da je svaka sličnost sa stvarnim likovima i događajima slučajna.[21] Dvorac Keriole je u davnini pripadao porodici Jusupov. Feliks je dobio sudskim postupkom prava na dvorac 1956. Prodat je gradu Konkarnu 1971. Feliks je na njujorškom sudu 1965. godine tužio televizijsku kuću Si-Bi-Es zbog drame zasnovane na ubistvu Raspućina. Tužilac je tvrdio da su neki događaji fikcionalizovani i da nije dobio naknadu za autorska prava.[22] Sud je presudio u korist televizije [23] Nakon što je objavio memoare u kojima je opisao svoje ubistvo Raspućina, Marija Raspućin, ćerka Grigorija Raspućina, tužila je Jusupova i Dmitrija Pavlovliča na Pariskom sudu, tražeći odštetu od 800 000 dolara. Tražila je njihovo hapšenje zbog priznanja ubistva tvrdivši da bi svaka iole pristoja osoba bila zgađena načinom na koji je njen otac ubijen.[24] Sud je odbacio tužbu sa obrazloženjem da francuski sud nije nadležan za političa ubistva koja su se odigrala u Rusiji.[25] Smrt[uredi | uredi izvor] Irina i Feliks su živeli u skladnom i srećnom braku više od pedeset godina. Kada je Feliks umro 1967. godine, kneginja je bila skhrana te je i umrla tri godine kasnije.[26] Sahranjeni su na ruskom pravoslavnom groblju Sent Ženevjev de Bua, južnom predgrađu Pariza. Jusupovi lični papiri i određen broj porodičnih predmeta i slika nasledio je Viktor Kontreras, meksički vajar.[27] Potomci[uredi | uredi izvor] Vladimir Putin, mitropolit Kiril i Ksenija Nikolaevna Sfiris, Feliksova unuka. Feliks i Irina imali su jednu ćerku: Kneginja Irina Felskovsna Jusupova, (21. mart 1915, Sankt Peterburg, Rusija – 30. avgust 1983, Kormej an Parizi, Francuska), udala se za grofa Nikolaja Dmitrijeviča Šeremeteva; imala je jednog potomka: Grofica Ksenija Nikolaevna Šermatova (rođena: 1. mart 1942, Rim, Italija), udata za Ilijasa Sfirisa; ima jednog potomka: Tatjana Sfiris (rođena 28. avgusta 1968, Atina, Grčka), udala se za Aleksisa Đianakoupoulosa, od koga se razvela, a potom se udala za Antonija Vamvakidisa. Ima dvoje potomaka: Marilija Vamvakidis (rođena: 7. jula 2004) Žasmin Ksenija Vamvakidis (rođena 17 May 2006)

Spoljašnjost kao na fotografijama, unutrašnjost u dobrom i urednom stanju! Katalin Ladik (rođena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-mađarski pesnik, izvođač i filmski stvaralac. Katalin Ladik počela je pisati 1962. godine radeći kao bankarski činovnik. Bila je radijska voditeljica i pozorišna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozorišta. Kao umetnički medij koristi vizuelnu poeziju, umetnost pošte, radio igre, prozu, kolaž, fotografiju, film i eksperimentalnu muziku. Ladik istražuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se više puta pojavljivao u kontekstu predstava, događaja i pozorišnih komada koji se često dešavaju u urbanom okruženju, ali i u prirodi. Bila je član umetničkog kolektiva Bosch + Bosch. Katalin Ladik živi i radi naizmenično u Novom Sadu (Srbija), Budimpešti (Mađarska) i na ostrvu Hvar (Hrvatska). U svojoj domovini postala je legendarna i kontroverzna figura u ranim šezdesetim godinama, pre svega kroz feminističko-šamanističku zvučnu poeziju i gole predstave. Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i međunarodnim izložbama. 1977. Godine dala je ime sebi kao učesnica 10. međunarodnog festivala zvučne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu održana je retrospektiva, koja je privukla nacionalnu pažnju, a 2017. godine bila je pozvana da učestvuje u dokumentarnoj 14. Takođe je uključena u seriju izložbi Feministička avangarda. Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards Katalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons” Poetry Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose Her first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications Volumes in original language Ballada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988 Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007 Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 Translated volumes Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992 Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007 E-books Fűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format Fűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf format Discography Sound poetry Ballada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987 Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 Vízisámán / Water Shaman | CD | Budapest, 1999 Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Music (experimental music, jazz) As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister). Ernő Király | LP | Udruženje Kompozitora Vojvodine, Novi Sad, 1978 Boris Kovač: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris Kovač: Ritual Nova II | CD | Recommended Records, London, 1989 Ernő Király - Spectrum | CD | Autobus, Paris, 1999 Deže Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances Online Audio Fűketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, mp3 format A négydimenziós ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijén (On Icarus’ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Kíűzetés - Jegyesség (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Live performances 2011 Négy fekete ló mögöttem repül (Four Black Horses Fly Behind Me); Jégmadár (Icebird); excerpts from Belső vízözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions 1960s-`70s 1968 Budapest, Szentendre - Hungary | UFO | Tamás Szentjóby, Miklós Erdély, Katalin Ladik | happening 1970 Belgrade - Serbia | Pozorište Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Žanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | József Attila Művelődési Ház (Cultural Centre József Attila) | with Jenő Balaskó | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 Bačka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski Fašnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Četvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance Balatonboglár - Hungary | Kápolna Galéria (Kápolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `Spuštanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, fonična i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) Kraków (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. Tucić) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), Prešeren Theatre / Prešernovo Gledališče /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / Pozorište Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Četvrta dimenzija – krik` (Fourth Dimension – Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Pesnički maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja Marinković Student Club / Studentski Klub ‘Sonja Marinković’: `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Würzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnička praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az éneklő varrógép – The Singing Sewing Machine` (with Zsolt Király) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole – A sikoltozó lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery ‘T Hoogt / ‘T Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `Mesék a hétfejű varrógépről` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / Várszínház, Knights’ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’/ Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin újvidéki költő és előadóművész szerzői estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre Petőfi Sándor / Petőfi Sándor Művelődési Ház: `Telepi esték – Ladik Katalin szerzői estje` (Evenings in Telep – with Poet Katalin Ladik) (with Ottó Tolnai, Zsolt Király) /performance/ Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Ladik Katalin szerzői estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’ / Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin szerzői és előadói estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Šalgo) /performance/ Osijek (Croatia), Students’ Youth Centre / Studentski Centar Mladih, Osiječko ljeto (Summer in Osijek): `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrou” (Icarus on the Subway) (with Judita Šalgo, Selimir Radulović) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ Kanjiža (Serbia), Literary Camp / Književna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Šević: `Sound Poetry Performance` (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Šekspira` (Tempest – Based on Shakespeare) – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), József Attila University (Today: University of Szeged) / József Attila Tudományegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de Poésie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / Pozorište Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of Lágymányos / Lágymányosi Művelődési Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / Fővárosi Művelődési Ház: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), ‘Sonja Marinković’Cultural Centre / Kulturni Centar ‘Sonja Marinković’, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari Bečej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ Pécs (Hungary): `Alice` /performance/ Budapest (Hungary), Vigadó Chamber Hall / Vigadó Kamaraterem, Hangár Est (‘Wall of Sound’ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ Nové Zámky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with Zoltán Pletl) /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Ex-panzió 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), Dalmát Cellar / Dalmát pince, UHF Kisújrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Expanzió 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with Lukács Bitskey /performance/ Zebegény (Hungary): `A helyettesítő asszony (The Substitute)` /performance/ Pécs (Hungary): `A négydimenziós ablak (The Four-dimensional Window)` with Tamás Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de Poèsie: `Kassák` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio – Corsica (France): `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `Fűketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` Budapest (Hungary), A38 Ship / A38 hajó: `Lomtalanítás` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum: `Torony-Lomtalanítás` (Cleaning the Tower-House) /performance/ 2005 Terény (Hungary), Expanzió Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-Müller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 Nové Zámky (Slovakia), Art Gallery / Galéria Umenia: `Gyakorlatok üres húrokon – Kassák-kód` (Exercises on Empty Strings - Kassák Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria: `Fűketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu Színház: `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ Verőce (Hungary), Ekszpanzió XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar Alkotóművészeti Közalapítvány Alkotóháza, József Attila Kör 18. irodalmi tábora (18th Literary Camp of the József Attila Circle): `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ 2008 Budapest (Hungary), Petőfi Literary Museum / Petőfi Irodalmi Múzeum, A Szépírók Társasága V. őszi irodalmi fesztiválja – Nők a férfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association – Women in a Men`s World): `Diptichon` (with Endre Szkárosi), performance Belgrade (Serbia), ARTGET Gallery – Cultural Centre Belgrade / Galerija ARTGET – Kulturni Centar Beograda (World Poetry Day): `Tesla – Homo Galacticus` /performance/ Szigliget (Hungary), József Attila Kör 20. irodalmi tábora (20th Literary Camp of the József Attila Circle): `Trip-ti-chon` (with Veronika Czapáry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika Czapáry), performance Bratislava (Slovakia), Ars Poetica Medzinárodny Festival Poézie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4] 2009 Visegrád (Hungary), The Roof Terrace of King Matthias Museum / A Mátyás Király Múzeum tetőterasza, Ekszpanzió XXI Festival: “Kerub` (Cherub) /performance/ 2010s 2010 Budapest (Hungary), Gallery A22 / A22 Galéria, Tibor Papp`s Exhibition Opening: `Óraköltemény` (Poem-Clock) /performance/ Subotica (Serbia), Kosztolányi Dezső Theatre / Kosztolányi Dezső Színház: `Tesla – Homo Galacticus` /performance/ Budapest (Hungary), Millenáris Theatre / Millenáris Teátrum, Book Festival: `Szabadkőműves szex` (Freemason Sex) (with drMáriás) /performance/ Štaglinec (Croatia), `Voda` – `Water` Međunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis Zsinagóga Kortárs Galéria, artAlom élőművészeti fesztivál (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) – Subotica (Serbia), Railway line, Kultúrcsempész Sínbusz Fesztivál (Culture-smuggler Railbus Festival): Megaphone-assisted readings by Gábor Virág, Slobodan Tišma, Gábor Lanczkor, Tamara Šuškić, Vladimir Kopicl, Katalin Ladik, Siniša Tucić, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / Műcsarnok: `Preparababrakabaré` /performance/ Marseille (France), Museum of Contemporary Art / Musée d`Art Contemporain, Poésie Marseille 2011, 8ème Festival (8th Marseille Poetry Festival, 2011): `Le Grand Ménage` (Spring Cleaning) /performance/ Târgu Mureș (Romania), National Theatre - Small Hall / Teatrul Naţional – Sala Mică, Testet öltött szavak rendezvény (Words Embodied – Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu Színház, Ismeretlen kutatása improvizációs alkotóműhely (Searching the Unknown – Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar Írószövetség: XXIV. Ekszpanzió Festival, `Idézet` Szimpozion és Kiállítás (`Quotation` Symposium and Exhibition): `Ásó, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ Komárom (Hungary), Fort Monostor – Film Museum / Monostori Erőd – Filmmúzeum, Mediawave 2012 Festival: `Nagytakarítás` (`Spring Cleaning`) /performance/ Łódź (Poland), MS2 – Lodz Museum of Art / MS2 – Muzeum Sztuki w Łodzi: `Alicja w krainie kodów` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, Pál street 6.: Gödör bújócska – irodalom, zene, film, tánc, színház, beszélgetés (Gödör Club Hide-and-seek – literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `Nagytakarítás` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice Kódországban` (`Alice in Codeland`) /performance/[5] 2013 Budapest (Hungary), Óbudai Társaskör, Kassák Museum, Kassák Year: `Alice Kódországban` (Alice in Codeland) /performance/[6] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIĆ, „Tesla. Homo Galacticus” /performance/ Székesfehérvár (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice Kódországban` (Alice in Codeland) /performance/[7] Budapest (Hungary), Fuga, Autonómia Filmklub 5, „I Belong to the Band”: Katalin Ladik`s voice on „poets of the absurd on chalk”[8] 2014 Százhalombatta (Hungary), Katalin Ladik - Endre Szkárosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar Vigadó, JazzaJ, Katalin Ladik – Jean Michel van Schowburg, Katalin Ladik – Zsolt Sőrés, „Sounds to Go” (Hangok elvitelre) /performance/ [9] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, Universität Wien, `Singende Schnittmuster – Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 Poreč (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzo” /performance/,[10][11] Budapest (Hungary), MÜSZI, @Transart Communication, Katalin Ladik & Zsolt Sőrés „Alchemical Wedding” (Alkímiai nász) /performance/ 2016 Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, “Tranzit Zoon” /performance/ 2017 Athens (Greece), Oval Staircase, Megaron – the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, “Follow me into mythology” /performance/ Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, „Live Lecture” /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition „Live Lecture” /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, „Wall(ed)”, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), Trafó, „Alice in Codeland” /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation „Sound Poems” /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), „K.A.T (Culture – Activism – Theory) Conference”, „Creative Transitions”/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, „TraNSporteur multilingual poetry” /poetry reading/ Lodz (Poland), House of Literature, „Puls Literary Festival, 2017, Hungarian Day”, „Sounds in Lodz” / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft für bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Follow me into Mythology” /live lecture and soloperformance/ Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Desire of Touch” /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture with Emese Kürti/ Budapest (Hungary), Közkincs Könyvtár, `MŰVÉSZ + NŐ` (ARTIST + WOMAN), „Feminizmus és művészet ma?” (Feminism and Art Today?), „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), „Showroom of Contemporary Sound”, „Transitions” /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), „Fountains of Rome - Mouth to Lung!” /live lecture and sound performance/ Budapest (Hungary), Három Holló – Drei Raben, „Antracit szájrúd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der Künste, `19. poesiefestival berlin 2018, Weltklang – Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus f’ür Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive Concerts, musical performances (selection) Opatija (Croatia), 1969: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija) Opatija (Croatia), 1970: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija; Branimir Sakač: Bellatrix - Alleluja) Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with Ernő Király) Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet) Zagreb (Croatia), 1971: Muzički biennale (Music Biennale – International Festival of Contemporary Music) (MBZ Radionica/Workshop II with Ernő Király, et al.; Chamber Music - Branimir Sakač: Bellatrix - Alleluja) Dubrovnik (Croatia), 1971: Dubrovačke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), 1972, ‘Radivoj Ćirpanov’ Workers’ University / Radnički univerzitet ‘Radivoj Ćirpanov’ (ACEZANTEZ Ensemble) Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) – Festival Expanded Media (ACEZANTEZ Ensemble) Belgrade (Serbia), 1979, Dom Sindikata – BEMUS Belgrade Music Festival: “Oratorio Profano” (composer: Dušan Radić, conductor: Oskar Danon) Opatija (Croatia), 1980: Jugoslovenska muzička tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultúrintézet / Istituto Italiano di Cultura, Avantgárd művészetek a világban: mi lett a sorsuk? Nemzetközi tanácskozás (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 Szekszárd (Hungary), Spiritus Noister Group, 2012 Budapest (Hungary), Művelődési Szint (MÜSZI), „@Transart Communication 2016”, „Alchimist Wedding” /concert and live sound performance with Zsolt Sőrés/ Veszprém (Hungary), House of Arts, „Alkímiai mennyegző” („Alchimist Wedding”) /concert and live sound performance with Zsolt Sőrés/ Budapest (Hungary), Müpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ Budapest (Hungary), Kassak Museum, „Dadarabok” /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ YouTube Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio Debrecen (Hungary), MODEM, Katalin Ladik: „Határidőnapló” („Diary Book”) /concert and live sound performance with Gyula Várnai/ Veszprém (Hungary), 2018, House of Arts, „Spring Reopening, We believe in life before death”, „Claes Oldenburg: I am for an Art” /concert and live sound performance with Gyula Várnai/ Theatre As an actress Jean-Paul Sartre: The Condemned of Altona; dir. István Lányi; Ifjúsági Tribün (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor Gellér; Petőfi Sándor Művelődési Egyesület (’Petőfi Sándor’ Cultural Association); Novi Sad (Serbia); 1963 Molière: The Imaginary Invalid (Béline); dir. Ljubica Ravasi; Srpsko Narodno Pozorište (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) Sándor Guelmino: Özvegy (Widow); dir. Tibor Vajda; Echo (az Újvidéki Rádió és az Ifjúsági Tribün színpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc Tóth (text) – Ernő Király (composer): Jób (Job) (Performer – Recitative); dir. István Szabó, Jr.; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 István Örkény: Macskajáték (Cats` Play) (Ilus); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav Dorić; Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: Mukányi (Ella); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1977 Molière: Dom Juan or The Feast with the Statue (Mathurine); dir. Dušan Sabo; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Péter Telihay; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Ottó Tolnai: Végeladás (Clearance Sale) (Mrs Csömöre); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Gyula Hernádi: V.N.H.M. Szörnyek évadja (V. N. H. M. - Season of Monsters); dir. Miklós Jancsó; Summer Theatre in Gyula; Várszínház; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ottó Tolnai: Bayer Aspirin (The Actress); dir. Miklós Jancsó; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ferenc Deák: Nirvana (Csontos Vali); dir. István Szabó Jr.; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan Belegišanin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Dezső Kosztolányi: Anna Édes ( Mrs Druma); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanov’s) (Mother Puzirjova); dir. Haris Pašović; Akademsko Pozorište “Promena” (“Change” Academic Theater); Novi Sad; (Serbia); 1983 Mihály Majtényi: Harmadik ablak (The Third Window) (Mrs Lódi); dir. György Hernyák; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby Fehér: A Duna menti Hollywood (Hollywood by the Danube) – Multimedia Performance About the Life of Ernő Bosnyák (The Baron`s Lover); dir. Károly Vicsek; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Ivo Brešan: Anera (Anera); dir. Dimitar Stankoski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich Dürrenmatt: The Visit (First Woman); dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Forgatókönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Tóték (The Tót Family) (Mrs Tót); dir. Gábor Székely; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: „R” (Katerina); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav Lazić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Želimir Orešković; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1989 Ferenc Molnár (Franz Molnar): Liliom (Mrs Muskát); dir. László Babarczy; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ede Tóth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs Tarisznyás); dir. Hernyák György; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ottó Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. Péter Tömöry; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Józsi Jenő Tersánszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja Soldatović; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Péter Nádas (text) – László Vidovszky (composer): Találkozás (Encounter) (Mária); dir. András Éry-Kovács; Shure Studio; Budapesti Kamaraszínház (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (Léon Charles Miqueut sous-ingénieur principal di CNU / Sub head-engineer at CNU); dir. Róbert Csontos; Kolibri Színház (Kolibri [’Hummingbird’] Theatre); Budapest (Hungary); 1997 Sean O´Casey: Bedtime Story (Landlady); dir. Pál Kanda; Függeten Színpad III társulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [’Hummingbird’] Cellar Theatre); Budapest (Hungary); 1998 László Najmányi: Adieu Monsieur Bloom – Cabaret Noire (Nora Barnacle); dir. László Najmányi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu Színház (Mu Theatre); Budapest; (Hungary); 2003 László Najmányi: A száműzött Joyce / The Exiled Joyce (Nora Barnacle); dir. László Najmányi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan Dorić: Ne daj Bože, da se Srbi slože / Ne adj isten, szerbek egyesülnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan Dorić; Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 László Najmányi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. László Najmányi; Mu Színház (Mu Theatre); Budapest; (Hungary); 2004 László Najmányi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. László Najmányi; ReJoyce Festival; Szombathely; (Hungary); 2004 György Baráthy: Origami (I Woman); dir. György Baráthy; Artéria Színházi Társaság (Theatre Company “Artéria”); RS9 Studio Theatre; Budapest; (Hungary); 2005 As a director The Last Chapter by Navjot Randhawa, performed by the‘Theatre of Roots and Wings’ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12] Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016 Everything She Wants: Amrita and Boris with Navjot Randhawa; Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14] Fritz Wine House, Szekszárd (Hungary), 2017; National Film Theatre, Budapest (Hungary), 2017; Laffert Kúria, Dunaharaszti (Hungary), 2017; Municipal Library, Zebegény (Hungary), 2017. Films Feature films Eduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandis’ musical play), dir. Petar Teslić (1972, Serbian, Belgrade TV 2) (Kunigunda) Dübörgő csend (1978) on IMDb (Thundering Silence), dir. Miklós Szíjj (Hungarian) (Eta) Szetna, a varázsló (1980) on IMDb (Setna the Wizard), dir. András Rajnai (Hungarian) (Isis) Gulliver az óriások országában (1980) on IMDb (Gulliver in the Land of Giants), dir. András Rajnai (Hungarian) (Lady in attendance) Aelita, dir. András Rajnai (1980, Hungarian)[15] Atlantis, dir. András Rajnai (1980, Hungarian) (The Lady of Atlantis) Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna) Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha) A világkagyló mítosza (The Myth of the World Shell), dir. András Rajnai (1982, Hungarian) Bábel tornya (The Tower of Babel), dir. András Rajnai (1982, Hungarian) (the Priestess Lagasa) Héroszok pokoljárása (The Heroes’ Journey Through the Underworld), dir. András Rajnai (1982, Hungarian) (Anna) Fajkutyák ideje (lit. The Time of Purebred Dogs), dir. Károly Vicsek (1984, Hungarian, produced in Yugoslavia) Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan Zafranović (Croatian) (Žena) Késdobáló (slang: Pub, lit. Knife-thrower), dir. Károly Vicsek (1984, Yugoslavian - Hungarian) Ekran sneži (1985) on IMDb, dir. Miljenko Dereta (Serbian) Napóleon (1989) on IMDb (Napoleon), dir. András Sólyom (Hungarian) (Leticia) Granica (1990) on IMDb (Border), dir. Zoran Maširević (Yugoslavian – Serbian – Hungarian) Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. Dušan Sabo (Bosnian) (Žuža) A nagy fejedelem (1997) on IMDb (The Great Prince), dir. Mária Sós (Hungarian) (The scientist’s wife) A szivárvány harcosa (2001) on IMDb (Rainbow`s Warrior), dir. Péter Havas (Hungarian) (Old Ms Sofia - voice) Kolorádó Kid,(2010) on IMDb, dir. András Vágvölgyi B. (Hungarian) Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch) Short films Castrati, dir. Domokos Moldován (1972, Hungarian, Balázs Béla Studio, Budapest) (Bald Medium) O-Pus, dir. Attila Csernik (1973) (with Katalin Ladik’s Sound Project) Csendélet hallal és más tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. Natália Jánossy (Hungarian) (Agáta) Deda Kovač - Grandpa Kovač (2011) on IMDb, dir. Milica Đjenić (Serbian, Beograd-Lajpcig Express) (Rozi) Recitatives Ahol kialszik a világ (1989) on IMDb (Where the World Goes Out) (based on Kalandozás a tükörben (Adventures in the Mirror) by János Pilinszky), dir. Károly Kismányoky (1989, Hungarian, Pannonia Film Studio) A párduc (The Panther), (Short animated film set to Rilke’s poem), dir. András Fiath (1998, Hungarian) Medea (animated study), dir. Zsófia Péterffy (2007) Örökre való / For Ever, dir. Katalin Riedl (2008-2010) Documentary Tanuljunk magyarul (Let`s Learn Hungarian), dir. Károly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series) Katalin Ladik - Bogdanka Poznanović (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad – Novi Sad Art Academy), (Documentary about Katalin Ladik) Monodráma születik (A Monodrama is Born), dir. Gyula Radó (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Ez már nem én vagyok (This Isn`t Me Anymore), dir. Gyula Radó (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Krleža u videomedijima 5.: TV-usporedbe Adam i Eva (Krleža in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series) Bukott angyal (Fallen Angel), dir. Jenő Hartyándi (1992, Hungarian - Serbian, Mediawave) (performance-recording) Valahol Közép-Európában (Somewhere in Central Europe), dir. István Grencsó, Jenő Hartyándi (1993, Hungarian – Serbian) (Documentary) Amarissima: Katalin Ladik i novosadska umetnička scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica Mrđa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladik’s art) Százféle szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Éva Saáry are read by Katalin Ladik), (Documentary about Éva Saáry) A sikoly ars poétikája - Ladik Katalin portréfilm (The Ars Poetica of the Scream – Katalin Ladik`s Portrait), dir. Kornél Szilágyi, (2012, Hungarian) (Documentary about Katalin Ladik) (trailer) Sound Cage: A Portrait of Katalin Ladik, dir. Kornél Szilágyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik) A legismertebb magyar, dir. Gábor Tóth, HírTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017) Writer’s Credit Sámán (Shaman), dir. Pál Zolnay (1977, Hungarian, written by the director using poems of Attila József, László Nagy, Sándor Weöres és Katalin Ladik) Behind the Eye, dir. Sebő Kovács (1999, Hungarian, based on Katalin Ladik’s poem: Vers a szerelmes piócáról / The Poem of the Leech in Love) Radio plays Writer and performer Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar Rádió Budapest (Hungarian Radio). Alex Avanesian, Imre József Katona and Katalin Ladik. Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik. Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda. Fűketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik. Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda. Élhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by Otília Cseicsner, directed by Kornél Szilágyi A víz emlékezete (The Memory of Water), Rádiószínház, Hungarian Radio (Kossuth Rádió), directed by Otília Cseicsner, 27 June 2017, 21:30 Radio Theatre: „Ladik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Mary” (Bujócska, Ómagyar Márai-siralom variációk), Magyar Rádió (Hungarian Radio), Kossuth Rádió, radio program editor: Otilia Cseicsner Performer Bertolt Brecht: Az árja-kaszt magánélete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1963 Miodrag Djurdjević: A csavargó meg ők ketten (The Vagabond and the Two of Them) (the Girl), dir. István Varga, Radio Novi Sad (Serbia), 1963 Miklós Gyárfás: Kisasszonyok a magasban – Férfiaknak tilos (Young Ladies Up High – No Men Allowed) (Júlia, who is barely even a young lady), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 Lászó Kopeczky: Harangszó előtt (Before the Bell Rings) (Flóra), dir. István Varga, Radio Novi Sad (Serbia), 1964 Leon Kruczkowski: A kormányzó halála (Death of the Governor) (Silvia), (adapted by Iván Horovitz), dir. István Varga, Radio Novi Sad (Serbia), 1964 Mikhail Tonecki: Találka a „Mese” kávéházban (A Date in Café Tale) (Waitress), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 János Herceg: Mindenkinek van egy álma (Everyone Has a Dream) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1965 Aleksandar Obrenović: A tegnapi nap (Yesterday) (performer), dir. István Varga, Radio Novi Sad (Serbia), 1966 Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina Egrić), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Miroslav Mitrović: Még szemerkél az eső (The Rain Is Still Dripping) (Announcer), dir. Gellér Tibor, Radio Novi Sad (Serbia), 1966 Momo Kapor: III. Olivér teremőre (The Guard of Oliver III) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Dušan Raksandić: Muratról, Pepekről, Angyeláról és rólam (About Murat, Pepek, Andjela and Me) (the Professor’s Wife), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1967 Günter Eich: Carmilla meg én (The Other and I; orig. Die Andere und Ich) (performer), dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Marguerite Duras: Andesmas úr délutánja (The Afternoon of Mr Andesmas) (Valérie), (adapted by Milan Topolavčki) dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Miloslav Stehlík: Bizalomvonal (Helpline) (Telephone Assistant), dir. István Varga, Radio Novi Sad (Serbia), 1967 Sead Fetahagić: Körbe, körbe, karikába (Round and Round) (Mira), dir. István Varga, Radio Novi Sad (Serbia), 1967 Alessandro De Stefani: Csónak jön a tavon (A Boat Approaches on the Lake – Una barca viene dal lago) (Anna Marabini), (adapted by Iván Horovitz) dir. László Szilágyi, Radio Novi Sad (Serbia), 1968 Michal Tonecki: Az ötödik (The Fifth) (a Lány szerepében), dir. Gusztáv Barlay, Radio Novi Sad (Serbia), 1968 József Sulhóf (text), ed. by Ernő Király: Tavaszi bokréta dalest (Spring Bouquet – An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968 Magda Szabó: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968 Aldo Nicolai: Éljen az ifjú pár! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Ferenc Deák: Apoteózis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Boris Palotai: Öröklakás (Condominium) (Klára), dir. László Szilágyi, Radio Novi Sad (Serbia), 1969 Endre Fejes: Vigyori (Grinner) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1970 Eugène Ionesco: A kopasz énekesnő (The Bald Soprano), dir. László Szilágyi, Radio Novi Sad (Serbia), 1970 Pál Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970 Mihály Majtényi: A száműzött (The Exile) (Sibylla), dir. István Varga, Radio Novi Sad (Serbia), 1971 Gerich Endre Művészestje: Azért is maradok...! (An Evening with Endre Gerich: I Say I’m Staying...!) (performer) dir. László Szilágyi, Radio Novi Sad (Serbia), 1971 Silvia Andrescu – Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971 Aleksandr Solzhenitsyn: Gyertyaláng a szélben (Candle in the Wind) (Anni), dir. Árpád Benedek, Radio Novi Sad (Serbia), 1972 És mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972 Mirjana Buljan: Jasna naplója (Jasna’s Diary) (Jasna), dir. László Szilágyi, Radio Novi Sad (Serbia), 1973 Svetislav Ruškuc: A hetvennyolcas fordulatszámú ajtó (The 78 RPM Door) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1973 Dušan Iljić: Beutazni a földet (To Travel the World) (Szitakötő /Dragonfly/, a Girl), dir. Miklós Cserés, Dr, Radio Novi Sad (Serbia), 1976 Társult humor éve (The Year of Associated Humour) (performer), dir. Róbert Bambach, Radio Novi Sad (Serbia), 1976 Szellemet idézünk! (Séance!) (performer), dir. György Turián, Radio Novi Sad (Serbia), 1977 Vidám est (A Merry Evening) (performer), dir. Sándor Sántha, Radio Novi Sad (Serbia), 1977 István Bosnyák: Szemben a bíróval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. István Varga, Radio Novi Sad (Serbia), 1978 Henrik Bardijewski: Kis komédia (A Little Comedy) (Lady I), dir. István Vajda, Radio Novi Sad (Serbia), 1978 László Nemes: Szerencseszerződés (Contract of Luck) (adapted by János Borbély) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985 Ottó Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar Rádió (Hungary), 1997 (monodrama) Iris Disse: Álmodott idő – 1956 (Dreamt Time – 1956), dir. Iris Disse, Radio Kossuth / Kossuth Rádió (Hungary), 2007 (Marika, the author`s alter ego) Artworks in permanent public and private collections Barcelona (Spain): MACBA – Museum of Contemporary Art in Barcelona / Museu d’Art Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978) Budapest (Hungary): Petőfi Literary Museum / Petőfi Irodalmi Múzeum (9 works of visual poetry – typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976–1977, Aki miatt a harang szól (For Whom the Bell Rings) – In Memoriam Lajos Kassák collage, 1987) Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978) New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975) Budapest (Hungary): Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum (Photographs, Poemim series) Vienna (Austria): Kontakt Collection – The Art Collection of Erste Group / Kontakt – Die Kunstsammlung der Erste Group (5 items of the “Ausgewählte Volkslieder”(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art – a performance documentation 1975; two copies of the Phonopoetica SP album 1976) Croatia – Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968–89) Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards – mail-art – and documentation, 1977-1981) Belgrade (Serbia): Trajković Collection (Blackshave Poem – Zagreb performance, photo document, 1978) Chicago (USA): School of the Art Institute of Chicago – Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976)...

U dobrom stanju! Redje u ponudi! Katalin Ladik (rođena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-mađarski pesnik, izvođač i filmski stvaralac. Katalin Ladik počela je pisati 1962. godine radeći kao bankarski činovnik. Bila je radijska voditeljica i pozorišna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozorišta. Kao umetnički medij koristi vizuelnu poeziju, umetnost pošte, radio igre, prozu, kolaž, fotografiju, film i eksperimentalnu muziku. Ladik istražuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se više puta pojavljivao u kontekstu predstava, događaja i pozorišnih komada koji se često dešavaju u urbanom okruženju, ali i u prirodi. Bila je član umetničkog kolektiva Bosch + Bosch. Katalin Ladik živi i radi naizmenično u Novom Sadu (Srbija), Budimpešti (Mađarska) i na ostrvu Hvar (Hrvatska). U svojoj domovini postala je legendarna i kontroverzna figura u ranim šezdesetim godinama, pre svega kroz feminističko-šamanističku zvučnu poeziju i gole predstave. Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i međunarodnim izložbama. 1977. Godine dala je ime sebi kao učesnica 10. međunarodnog festivala zvučne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu održana je retrospektiva, koja je privukla nacionalnu pažnju, a 2017. godine bila je pozvana da učestvuje u dokumentarnoj 14. Takođe je uključena u seriju izložbi Feministička avangarda. Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards Katalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons” Poetry Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose Her first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications Volumes in original language Ballada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988 Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007 Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 Translated volumes Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992 Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007 E-books Fűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format Fűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf format Discography Sound poetry Ballada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987 Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 Vízisámán / Water Shaman | CD | Budapest, 1999 Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Music (experimental music, jazz) As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister). Ernő Király | LP | Udruženje Kompozitora Vojvodine, Novi Sad, 1978 Boris Kovač: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris Kovač: Ritual Nova II | CD | Recommended Records, London, 1989 Ernő Király - Spectrum | CD | Autobus, Paris, 1999 Deže Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances Online Audio Fűketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, mp3 format A négydimenziós ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijén (On Icarus’ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Kíűzetés - Jegyesség (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Live performances 2011 Négy fekete ló mögöttem repül (Four Black Horses Fly Behind Me); Jégmadár (Icebird); excerpts from Belső vízözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions 1960s-`70s 1968 Budapest, Szentendre - Hungary | UFO | Tamás Szentjóby, Miklós Erdély, Katalin Ladik | happening 1970 Belgrade - Serbia | Pozorište Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Žanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | József Attila Művelődési Ház (Cultural Centre József Attila) | with Jenő Balaskó | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 Bačka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski Fašnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Četvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance Balatonboglár - Hungary | Kápolna Galéria (Kápolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `Spuštanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, fonična i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) Kraków (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. Tucić) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), Prešeren Theatre / Prešernovo Gledališče /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / Pozorište Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Četvrta dimenzija – krik` (Fourth Dimension – Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Pesnički maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja Marinković Student Club / Studentski Klub ‘Sonja Marinković’: `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Würzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnička praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az éneklő varrógép – The Singing Sewing Machine` (with Zsolt Király) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole – A sikoltozó lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery ‘T Hoogt / ‘T Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `Mesék a hétfejű varrógépről` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / Várszínház, Knights’ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’/ Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin újvidéki költő és előadóművész szerzői estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre Petőfi Sándor / Petőfi Sándor Művelődési Ház: `Telepi esték – Ladik Katalin szerzői estje` (Evenings in Telep – with Poet Katalin Ladik) (with Ottó Tolnai, Zsolt Király) /performance/ Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Ladik Katalin szerzői estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’ / Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin szerzői és előadói estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Šalgo) /performance/ Osijek (Croatia), Students’ Youth Centre / Studentski Centar Mladih, Osiječko ljeto (Summer in Osijek): `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrou” (Icarus on the Subway) (with Judita Šalgo, Selimir Radulović) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ Kanjiža (Serbia), Literary Camp / Književna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Šević: `Sound Poetry Performance` (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Šekspira` (Tempest – Based on Shakespeare) – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), József Attila University (Today: University of Szeged) / József Attila Tudományegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de Poésie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / Pozorište Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of Lágymányos / Lágymányosi Művelődési Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / Fővárosi Művelődési Ház: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), ‘Sonja Marinković’Cultural Centre / Kulturni Centar ‘Sonja Marinković’, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari Bečej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ Pécs (Hungary): `Alice` /performance/ Budapest (Hungary), Vigadó Chamber Hall / Vigadó Kamaraterem, Hangár Est (‘Wall of Sound’ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ Nové Zámky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with Zoltán Pletl) /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Ex-panzió 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), Dalmát Cellar / Dalmát pince, UHF Kisújrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Expanzió 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with Lukács Bitskey /performance/ Zebegény (Hungary): `A helyettesítő asszony (The Substitute)` /performance/ Pécs (Hungary): `A négydimenziós ablak (The Four-dimensional Window)` with Tamás Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de Poèsie: `Kassák` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio – Corsica (France): `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `Fűketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` Budapest (Hungary), A38 Ship / A38 hajó: `Lomtalanítás` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum: `Torony-Lomtalanítás` (Cleaning the Tower-House) /performance/ 2005 Terény (Hungary), Expanzió Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-Müller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 Nové Zámky (Slovakia), Art Gallery / Galéria Umenia: `Gyakorlatok üres húrokon – Kassák-kód` (Exercises on Empty Strings - Kassák Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria: `Fűketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu Színház: `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ Verőce (Hungary), Ekszpanzió XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar Alkotóművészeti Közalapítvány Alkotóháza, József Attila Kör 18. irodalmi tábora (18th Literary Camp of the József Attila Circle): `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ 2008 Budapest (Hungary), Petőfi Literary Museum / Petőfi Irodalmi Múzeum, A Szépírók Társasága V. őszi irodalmi fesztiválja – Nők a férfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association – Women in a Men`s World): `Diptichon` (with Endre Szkárosi), performance Belgrade (Serbia), ARTGET Gallery – Cultural Centre Belgrade / Galerija ARTGET – Kulturni Centar Beograda (World Poetry Day): `Tesla – Homo Galacticus` /performance/ Szigliget (Hungary), József Attila Kör 20. irodalmi tábora (20th Literary Camp of the József Attila Circle): `Trip-ti-chon` (with Veronika Czapáry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika Czapáry), performance Bratislava (Slovakia), Ars Poetica Medzinárodny Festival Poézie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4] 2009 Visegrád (Hungary), The Roof Terrace of King Matthias Museum / A Mátyás Király Múzeum tetőterasza, Ekszpanzió XXI Festival: “Kerub` (Cherub) /performance/ 2010s 2010 Budapest (Hungary), Gallery A22 / A22 Galéria, Tibor Papp`s Exhibition Opening: `Óraköltemény` (Poem-Clock) /performance/ Subotica (Serbia), Kosztolányi Dezső Theatre / Kosztolányi Dezső Színház: `Tesla – Homo Galacticus` /performance/ Budapest (Hungary), Millenáris Theatre / Millenáris Teátrum, Book Festival: `Szabadkőműves szex` (Freemason Sex) (with drMáriás) /performance/ Štaglinec (Croatia), `Voda` – `Water` Međunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis Zsinagóga Kortárs Galéria, artAlom élőművészeti fesztivál (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) – Subotica (Serbia), Railway line, Kultúrcsempész Sínbusz Fesztivál (Culture-smuggler Railbus Festival): Megaphone-assisted readings by Gábor Virág, Slobodan Tišma, Gábor Lanczkor, Tamara Šuškić, Vladimir Kopicl, Katalin Ladik, Siniša Tucić, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / Műcsarnok: `Preparababrakabaré` /performance/ Marseille (France), Museum of Contemporary Art / Musée d`Art Contemporain, Poésie Marseille 2011, 8ème Festival (8th Marseille Poetry Festival, 2011): `Le Grand Ménage` (Spring Cleaning) /performance/ Târgu Mureș (Romania), National Theatre - Small Hall / Teatrul Naţional – Sala Mică, Testet öltött szavak rendezvény (Words Embodied – Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu Színház, Ismeretlen kutatása improvizációs alkotóműhely (Searching the Unknown – Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar Írószövetség: XXIV. Ekszpanzió Festival, `Idézet` Szimpozion és Kiállítás (`Quotation` Symposium and Exhibition): `Ásó, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ Komárom (Hungary), Fort Monostor – Film Museum / Monostori Erőd – Filmmúzeum, Mediawave 2012 Festival: `Nagytakarítás` (`Spring Cleaning`) /performance/ Łódź (Poland), MS2 – Lodz Museum of Art / MS2 – Muzeum Sztuki w Łodzi: `Alicja w krainie kodów` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, Pál street 6.: Gödör bújócska – irodalom, zene, film, tánc, színház, beszélgetés (Gödör Club Hide-and-seek – literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `Nagytakarítás` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice Kódországban` (`Alice in Codeland`) /performance/[5] 2013 Budapest (Hungary), Óbudai Társaskör, Kassák Museum, Kassák Year: `Alice Kódországban` (Alice in Codeland) /performance/[6] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIĆ, „Tesla. Homo Galacticus” /performance/ Székesfehérvár (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice Kódországban` (Alice in Codeland) /performance/[7] Budapest (Hungary), Fuga, Autonómia Filmklub 5, „I Belong to the Band”: Katalin Ladik`s voice on „poets of the absurd on chalk”[8] 2014 Százhalombatta (Hungary), Katalin Ladik - Endre Szkárosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar Vigadó, JazzaJ, Katalin Ladik – Jean Michel van Schowburg, Katalin Ladik – Zsolt Sőrés, „Sounds to Go” (Hangok elvitelre) /performance/ [9] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, Universität Wien, `Singende Schnittmuster – Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 Poreč (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzo” /performance/,[10][11] Budapest (Hungary), MÜSZI, @Transart Communication, Katalin Ladik & Zsolt Sőrés „Alchemical Wedding” (Alkímiai nász) /performance/ 2016 Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, “Tranzit Zoon” /performance/ 2017 Athens (Greece), Oval Staircase, Megaron – the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, “Follow me into mythology” /performance/ Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, „Live Lecture” /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition „Live Lecture” /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, „Wall(ed)”, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), Trafó, „Alice in Codeland” /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation „Sound Poems” /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), „K.A.T (Culture – Activism – Theory) Conference”, „Creative Transitions”/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, „TraNSporteur multilingual poetry” /poetry reading/ Lodz (Poland), House of Literature, „Puls Literary Festival, 2017, Hungarian Day”, „Sounds in Lodz” / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft für bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Follow me into Mythology” /live lecture and soloperformance/ Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Desire of Touch” /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture with Emese Kürti/ Budapest (Hungary), Közkincs Könyvtár, `MŰVÉSZ + NŐ` (ARTIST + WOMAN), „Feminizmus és művészet ma?” (Feminism and Art Today?), „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), „Showroom of Contemporary Sound”, „Transitions” /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), „Fountains of Rome - Mouth to Lung!” /live lecture and sound performance/ Budapest (Hungary), Három Holló – Drei Raben, „Antracit szájrúd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der Künste, `19. poesiefestival berlin 2018, Weltklang – Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus f’ür Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive Concerts, musical performances (selection) Opatija (Croatia), 1969: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija) Opatija (Croatia), 1970: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija; Branimir Sakač: Bellatrix - Alleluja) Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with Ernő Király) Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet) Zagreb (Croatia), 1971: Muzički biennale (Music Biennale – International Festival of Contemporary Music) (MBZ Radionica/Workshop II with Ernő Király, et al.; Chamber Music - Branimir Sakač: Bellatrix - Alleluja) Dubrovnik (Croatia), 1971: Dubrovačke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), 1972, ‘Radivoj Ćirpanov’ Workers’ University / Radnički univerzitet ‘Radivoj Ćirpanov’ (ACEZANTEZ Ensemble) Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) – Festival Expanded Media (ACEZANTEZ Ensemble) Belgrade (Serbia), 1979, Dom Sindikata – BEMUS Belgrade Music Festival: “Oratorio Profano” (composer: Dušan Radić, conductor: Oskar Danon) Opatija (Croatia), 1980: Jugoslovenska muzička tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultúrintézet / Istituto Italiano di Cultura, Avantgárd művészetek a világban: mi lett a sorsuk? Nemzetközi tanácskozás (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 Szekszárd (Hungary), Spiritus Noister Group, 2012 Budapest (Hungary), Művelődési Szint (MÜSZI), „@Transart Communication 2016”, „Alchimist Wedding” /concert and live sound performance with Zsolt Sőrés/ Veszprém (Hungary), House of Arts, „Alkímiai mennyegző” („Alchimist Wedding”) /concert and live sound performance with Zsolt Sőrés/ Budapest (Hungary), Müpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ Budapest (Hungary), Kassak Museum, „Dadarabok” /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ YouTube Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio Debrecen (Hungary), MODEM, Katalin Ladik: „Határidőnapló” („Diary Book”) /concert and live sound performance with Gyula Várnai/ Veszprém (Hungary), 2018, House of Arts, „Spring Reopening, We believe in life before death”, „Claes Oldenburg: I am for an Art” /concert and live sound performance with Gyula Várnai/ Theatre As an actress Jean-Paul Sartre: The Condemned of Altona; dir. István Lányi; Ifjúsági Tribün (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor Gellér; Petőfi Sándor Művelődési Egyesület (’Petőfi Sándor’ Cultural Association); Novi Sad (Serbia); 1963 Molière: The Imaginary Invalid (Béline); dir. Ljubica Ravasi; Srpsko Narodno Pozorište (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) Sándor Guelmino: Özvegy (Widow); dir. Tibor Vajda; Echo (az Újvidéki Rádió és az Ifjúsági Tribün színpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc Tóth (text) – Ernő Király (composer): Jób (Job) (Performer – Recitative); dir. István Szabó, Jr.; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 István Örkény: Macskajáték (Cats` Play) (Ilus); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav Dorić; Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: Mukányi (Ella); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1977 Molière: Dom Juan or The Feast with the Statue (Mathurine); dir. Dušan Sabo; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Péter Telihay; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Ottó Tolnai: Végeladás (Clearance Sale) (Mrs Csömöre); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Gyula Hernádi: V.N.H.M. Szörnyek évadja (V. N. H. M. - Season of Monsters); dir. Miklós Jancsó; Summer Theatre in Gyula; Várszínház; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ottó Tolnai: Bayer Aspirin (The Actress); dir. Miklós Jancsó; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ferenc Deák: Nirvana (Csontos Vali); dir. István Szabó Jr.; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan Belegišanin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Dezső Kosztolányi: Anna Édes ( Mrs Druma); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanov’s) (Mother Puzirjova); dir. Haris Pašović; Akademsko Pozorište “Promena” (“Change” Academic Theater); Novi Sad; (Serbia); 1983 Mihály Majtényi: Harmadik ablak (The Third Window) (Mrs Lódi); dir. György Hernyák; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby Fehér: A Duna menti Hollywood (Hollywood by the Danube) – Multimedia Performance About the Life of Ernő Bosnyák (The Baron`s Lover); dir. Károly Vicsek; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Ivo Brešan: Anera (Anera); dir. Dimitar Stankoski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich Dürrenmatt: The Visit (First Woman); dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Forgatókönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Tóték (The Tót Family) (Mrs Tót); dir. Gábor Székely; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: „R” (Katerina); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav Lazić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Želimir Orešković; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1989 Ferenc Molnár (Franz Molnar): Liliom (Mrs Muskát); dir. László Babarczy; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ede Tóth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs Tarisznyás); dir. Hernyák György; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ottó Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. Péter Tömöry; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Józsi Jenő Tersánszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja Soldatović; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Péter Nádas (text) – László Vidovszky (composer): Találkozás (Encounter) (Mária); dir. András Éry-Kovács; Shure Studio; Budapesti Kamaraszínház (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (Léon Charles Miqueut sous-ingénieur principal di CNU / Sub head-engineer at CNU); dir. Róbert Csontos; Kolibri Színház (Kolibri [’Hummingbird’] Theatre); Budapest (Hungary); 1997 Sean O´Casey: Bedtime Story (Landlady); dir. Pál Kanda; Függeten Színpad III társulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [’Hummingbird’] Cellar Theatre); Budapest (Hungary); 1998 László Najmányi: Adieu Monsieur Bloom – Cabaret Noire (Nora Barnacle); dir. László Najmányi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu Színház (Mu Theatre); Budapest; (Hungary); 2003 László Najmányi: A száműzött Joyce / The Exiled Joyce (Nora Barnacle); dir. László Najmányi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan Dorić: Ne daj Bože, da se Srbi slože / Ne adj isten, szerbek egyesülnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan Dorić; Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 László Najmányi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. László Najmányi; Mu Színház (Mu Theatre); Budapest; (Hungary); 2004 László Najmányi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. László Najmányi; ReJoyce Festival; Szombathely; (Hungary); 2004 György Baráthy: Origami (I Woman); dir. György Baráthy; Artéria Színházi Társaság (Theatre Company “Artéria”); RS9 Studio Theatre; Budapest; (Hungary); 2005 As a director The Last Chapter by Navjot Randhawa, performed by the‘Theatre of Roots and Wings’ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12] Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016 Everything She Wants: Amrita and Boris with Navjot Randhawa; Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14] Fritz Wine House, Szekszárd (Hungary), 2017; National Film Theatre, Budapest (Hungary), 2017; Laffert Kúria, Dunaharaszti (Hungary), 2017; Municipal Library, Zebegény (Hungary), 2017. Films Feature films Eduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandis’ musical play), dir. Petar Teslić (1972, Serbian, Belgrade TV 2) (Kunigunda) Dübörgő csend (1978) on IMDb (Thundering Silence), dir. Miklós Szíjj (Hungarian) (Eta) Szetna, a varázsló (1980) on IMDb (Setna the Wizard), dir. András Rajnai (Hungarian) (Isis) Gulliver az óriások országában (1980) on IMDb (Gulliver in the Land of Giants), dir. András Rajnai (Hungarian) (Lady in attendance) Aelita, dir. András Rajnai (1980, Hungarian)[15] Atlantis, dir. András Rajnai (1980, Hungarian) (The Lady of Atlantis) Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna) Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha) A világkagyló mítosza (The Myth of the World Shell), dir. András Rajnai (1982, Hungarian) Bábel tornya (The Tower of Babel), dir. András Rajnai (1982, Hungarian) (the Priestess Lagasa) Héroszok pokoljárása (The Heroes’ Journey Through the Underworld), dir. András Rajnai (1982, Hungarian) (Anna) Fajkutyák ideje (lit. The Time of Purebred Dogs), dir. Károly Vicsek (1984, Hungarian, produced in Yugoslavia) Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan Zafranović (Croatian) (Žena) Késdobáló (slang: Pub, lit. Knife-thrower), dir. Károly Vicsek (1984, Yugoslavian - Hungarian) Ekran sneži (1985) on IMDb, dir. Miljenko Dereta (Serbian) Napóleon (1989) on IMDb (Napoleon), dir. András Sólyom (Hungarian) (Leticia) Granica (1990) on IMDb (Border), dir. Zoran Maširević (Yugoslavian – Serbian – Hungarian) Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. Dušan Sabo (Bosnian) (Žuža) A nagy fejedelem (1997) on IMDb (The Great Prince), dir. Mária Sós (Hungarian) (The scientist’s wife) A szivárvány harcosa (2001) on IMDb (Rainbow`s Warrior), dir. Péter Havas (Hungarian) (Old Ms Sofia - voice) Kolorádó Kid,(2010) on IMDb, dir. András Vágvölgyi B. (Hungarian) Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch) Short films Castrati, dir. Domokos Moldován (1972, Hungarian, Balázs Béla Studio, Budapest) (Bald Medium) O-Pus, dir. Attila Csernik (1973) (with Katalin Ladik’s Sound Project) Csendélet hallal és más tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. Natália Jánossy (Hungarian) (Agáta) Deda Kovač - Grandpa Kovač (2011) on IMDb, dir. Milica Đjenić (Serbian, Beograd-Lajpcig Express) (Rozi) Recitatives Ahol kialszik a világ (1989) on IMDb (Where the World Goes Out) (based on Kalandozás a tükörben (Adventures in the Mirror) by János Pilinszky), dir. Károly Kismányoky (1989, Hungarian, Pannonia Film Studio) A párduc (The Panther), (Short animated film set to Rilke’s poem), dir. András Fiath (1998, Hungarian) Medea (animated study), dir. Zsófia Péterffy (2007) Örökre való / For Ever, dir. Katalin Riedl (2008-2010) Documentary Tanuljunk magyarul (Let`s Learn Hungarian), dir. Károly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series) Katalin Ladik - Bogdanka Poznanović (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad – Novi Sad Art Academy), (Documentary about Katalin Ladik) Monodráma születik (A Monodrama is Born), dir. Gyula Radó (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Ez már nem én vagyok (This Isn`t Me Anymore), dir. Gyula Radó (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Krleža u videomedijima 5.: TV-usporedbe Adam i Eva (Krleža in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series) Bukott angyal (Fallen Angel), dir. Jenő Hartyándi (1992, Hungarian - Serbian, Mediawave) (performance-recording) Valahol Közép-Európában (Somewhere in Central Europe), dir. István Grencsó, Jenő Hartyándi (1993, Hungarian – Serbian) (Documentary) Amarissima: Katalin Ladik i novosadska umetnička scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica Mrđa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladik’s art) Százféle szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Éva Saáry are read by Katalin Ladik), (Documentary about Éva Saáry) A sikoly ars poétikája - Ladik Katalin portréfilm (The Ars Poetica of the Scream – Katalin Ladik`s Portrait), dir. Kornél Szilágyi, (2012, Hungarian) (Documentary about Katalin Ladik) (trailer) Sound Cage: A Portrait of Katalin Ladik, dir. Kornél Szilágyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik) A legismertebb magyar, dir. Gábor Tóth, HírTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017) Writer’s Credit Sámán (Shaman), dir. Pál Zolnay (1977, Hungarian, written by the director using poems of Attila József, László Nagy, Sándor Weöres és Katalin Ladik) Behind the Eye, dir. Sebő Kovács (1999, Hungarian, based on Katalin Ladik’s poem: Vers a szerelmes piócáról / The Poem of the Leech in Love) Radio plays Writer and performer Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar Rádió Budapest (Hungarian Radio). Alex Avanesian, Imre József Katona and Katalin Ladik. Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik. Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda. Fűketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik. Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda. Élhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by Otília Cseicsner, directed by Kornél Szilágyi A víz emlékezete (The Memory of Water), Rádiószínház, Hungarian Radio (Kossuth Rádió), directed by Otília Cseicsner, 27 June 2017, 21:30 Radio Theatre: „Ladik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Mary” (Bujócska, Ómagyar Márai-siralom variációk), Magyar Rádió (Hungarian Radio), Kossuth Rádió, radio program editor: Otilia Cseicsner Performer Bertolt Brecht: Az árja-kaszt magánélete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1963 Miodrag Djurdjević: A csavargó meg ők ketten (The Vagabond and the Two of Them) (the Girl), dir. István Varga, Radio Novi Sad (Serbia), 1963 Miklós Gyárfás: Kisasszonyok a magasban – Férfiaknak tilos (Young Ladies Up High – No Men Allowed) (Júlia, who is barely even a young lady), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 Lászó Kopeczky: Harangszó előtt (Before the Bell Rings) (Flóra), dir. István Varga, Radio Novi Sad (Serbia), 1964 Leon Kruczkowski: A kormányzó halála (Death of the Governor) (Silvia), (adapted by Iván Horovitz), dir. István Varga, Radio Novi Sad (Serbia), 1964 Mikhail Tonecki: Találka a „Mese” kávéházban (A Date in Café Tale) (Waitress), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 János Herceg: Mindenkinek van egy álma (Everyone Has a Dream) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1965 Aleksandar Obrenović: A tegnapi nap (Yesterday) (performer), dir. István Varga, Radio Novi Sad (Serbia), 1966 Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina Egrić), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Miroslav Mitrović: Még szemerkél az eső (The Rain Is Still Dripping) (Announcer), dir. Gellér Tibor, Radio Novi Sad (Serbia), 1966 Momo Kapor: III. Olivér teremőre (The Guard of Oliver III) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Dušan Raksandić: Muratról, Pepekről, Angyeláról és rólam (About Murat, Pepek, Andjela and Me) (the Professor’s Wife), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1967 Günter Eich: Carmilla meg én (The Other and I; orig. Die Andere und Ich) (performer), dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Marguerite Duras: Andesmas úr délutánja (The Afternoon of Mr Andesmas) (Valérie), (adapted by Milan Topolavčki) dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Miloslav Stehlík: Bizalomvonal (Helpline) (Telephone Assistant), dir. István Varga, Radio Novi Sad (Serbia), 1967 Sead Fetahagić: Körbe, körbe, karikába (Round and Round) (Mira), dir. István Varga, Radio Novi Sad (Serbia), 1967 Alessandro De Stefani: Csónak jön a tavon (A Boat Approaches on the Lake – Una barca viene dal lago) (Anna Marabini), (adapted by Iván Horovitz) dir. László Szilágyi, Radio Novi Sad (Serbia), 1968 Michal Tonecki: Az ötödik (The Fifth) (a Lány szerepében), dir. Gusztáv Barlay, Radio Novi Sad (Serbia), 1968 József Sulhóf (text), ed. by Ernő Király: Tavaszi bokréta dalest (Spring Bouquet – An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968 Magda Szabó: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968 Aldo Nicolai: Éljen az ifjú pár! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Ferenc Deák: Apoteózis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Boris Palotai: Öröklakás (Condominium) (Klára), dir. László Szilágyi, Radio Novi Sad (Serbia), 1969 Endre Fejes: Vigyori (Grinner) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1970 Eugène Ionesco: A kopasz énekesnő (The Bald Soprano), dir. László Szilágyi, Radio Novi Sad (Serbia), 1970 Pál Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970 Mihály Majtényi: A száműzött (The Exile) (Sibylla), dir. István Varga, Radio Novi Sad (Serbia), 1971 Gerich Endre Művészestje: Azért is maradok...! (An Evening with Endre Gerich: I Say I’m Staying...!) (performer) dir. László Szilágyi, Radio Novi Sad (Serbia), 1971 Silvia Andrescu – Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971 Aleksandr Solzhenitsyn: Gyertyaláng a szélben (Candle in the Wind) (Anni), dir. Árpád Benedek, Radio Novi Sad (Serbia), 1972 És mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972 Mirjana Buljan: Jasna naplója (Jasna’s Diary) (Jasna), dir. László Szilágyi, Radio Novi Sad (Serbia), 1973 Svetislav Ruškuc: A hetvennyolcas fordulatszámú ajtó (The 78 RPM Door) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1973 Dušan Iljić: Beutazni a földet (To Travel the World) (Szitakötő /Dragonfly/, a Girl), dir. Miklós Cserés, Dr, Radio Novi Sad (Serbia), 1976 Társult humor éve (The Year of Associated Humour) (performer), dir. Róbert Bambach, Radio Novi Sad (Serbia), 1976 Szellemet idézünk! (Séance!) (performer), dir. György Turián, Radio Novi Sad (Serbia), 1977 Vidám est (A Merry Evening) (performer), dir. Sándor Sántha, Radio Novi Sad (Serbia), 1977 István Bosnyák: Szemben a bíróval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. István Varga, Radio Novi Sad (Serbia), 1978 Henrik Bardijewski: Kis komédia (A Little Comedy) (Lady I), dir. István Vajda, Radio Novi Sad (Serbia), 1978 László Nemes: Szerencseszerződés (Contract of Luck) (adapted by János Borbély) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985 Ottó Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar Rádió (Hungary), 1997 (monodrama) Iris Disse: Álmodott idő – 1956 (Dreamt Time – 1956), dir. Iris Disse, Radio Kossuth / Kossuth Rádió (Hungary), 2007 (Marika, the author`s alter ego) Artworks in permanent public and private collections Barcelona (Spain): MACBA – Museum of Contemporary Art in Barcelona / Museu d’Art Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978) Budapest (Hungary): Petőfi Literary Museum / Petőfi Irodalmi Múzeum (9 works of visual poetry – typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976–1977, Aki miatt a harang szól (For Whom the Bell Rings) – In Memoriam Lajos Kassák collage, 1987) Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978) New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975) Budapest (Hungary): Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum (Photographs, Poemim series) Vienna (Austria): Kontakt Collection – The Art Collection of Erste Group / Kontakt – Die Kunstsammlung der Erste Group (5 items of the “Ausgewählte Volkslieder”(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art – a performance documentation 1975; two copies of the Phonopoetica SP album 1976) Croatia – Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968–89) Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards – mail-art – and documentation, 1977-1981) Belgrade (Serbia): Trajković Collection (Blackshave Poem – Zagreb performance, photo document, 1978) Chicago (USA): School of the Art Institute of Chicago – Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976) Exhibitions Solo exhibitions 1973 Belgrade (Serbia), Student Cultural Centre Gallery / Galerija Studentskog Kulturnog Centra 1976 Zagreb (Croatia), Photography, Film and Television Centre / Centar za fotografiju, film i televiziju: `Visual Poetry – Music Score` (visual poems, collages) Novi Sad (Serbia), Youth Centre – Art Gallery / Likovni Salon Tribine Mladih 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni centar: `Visual Poetry – Music Score` (visual poems, collages) Zagreb (Croatia), Cultural and Information Centre / Centar za Kulturu i Informacije: `Visual Poetry – Music Score` (visual poems, collages) 1979 Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Visual Poetry - Music Scores` (visual poems, collages) 2007 Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria (visual poems, collages) 2010 Novi Sad (Serbia), Museum of Contemporary Art in Vojvodina / Muzej Savremene Umetnosti Vojvodine (MSUV): Retrospektivna Izložba 1962–2010. Moć Žene: Katalin Ladik (Retrospective Exhibition 1962–2010 The Power of a Woman: Katalin Ladik) (Curated by: Dragomir Ugren) 2011 Székesfeh

U dobrom stanju! Dve knjige su u pitanju, jedna na Madjarskom jedna na Srpskom Redje u ponudi! Katalin Ladik (rođena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-mađarski pesnik, izvođač i filmski stvaralac. Katalin Ladik počela je pisati 1962. godine radeći kao bankarski činovnik. Bila je radijska voditeljica i pozorišna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozorišta. Kao umetnički medij koristi vizuelnu poeziju, umetnost pošte, radio igre, prozu, kolaž, fotografiju, film i eksperimentalnu muziku. Ladik istražuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se više puta pojavljivao u kontekstu predstava, događaja i pozorišnih komada koji se često dešavaju u urbanom okruženju, ali i u prirodi. Bila je član umetničkog kolektiva Bosch + Bosch. Katalin Ladik živi i radi naizmenično u Novom Sadu (Srbija), Budimpešti (Mađarska) i na ostrvu Hvar (Hrvatska). U svojoj domovini postala je legendarna i kontroverzna figura u ranim šezdesetim godinama, pre svega kroz feminističko-šamanističku zvučnu poeziju i gole predstave. Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i međunarodnim izložbama. 1977. Godine dala je ime sebi kao učesnica 10. međunarodnog festivala zvučne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu održana je retrospektiva, koja je privukla nacionalnu pažnju, a 2017. godine bila je pozvana da učestvuje u dokumentarnoj 14. Takođe je uključena u seriju izložbi Feministička avangarda. Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards Katalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons” Poetry Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose Her first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications Volumes in original language Ballada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988 Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007 Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 Translated volumes Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992 Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007 E-books Fűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format Fűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf format Discography Sound poetry Ballada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987 Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 Vízisámán / Water Shaman | CD | Budapest, 1999 Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Music (experimental music, jazz) As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister). Ernő Király | LP | Udruženje Kompozitora Vojvodine, Novi Sad, 1978 Boris Kovač: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris Kovač: Ritual Nova II | CD | Recommended Records, London, 1989 Ernő Király - Spectrum | CD | Autobus, Paris, 1999 Deže Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances Online Audio Fűketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, mp3 format A négydimenziós ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijén (On Icarus’ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Kíűzetés - Jegyesség (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Live performances 2011 Négy fekete ló mögöttem repül (Four Black Horses Fly Behind Me); Jégmadár (Icebird); excerpts from Belső vízözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions 1960s-`70s 1968 Budapest, Szentendre - Hungary | UFO | Tamás Szentjóby, Miklós Erdély, Katalin Ladik | happening 1970 Belgrade - Serbia | Pozorište Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Žanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | József Attila Művelődési Ház (Cultural Centre József Attila) | with Jenő Balaskó | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 Bačka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski Fašnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Četvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance Balatonboglár - Hungary | Kápolna Galéria (Kápolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `Spuštanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, fonična i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) Kraków (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. Tucić) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), Prešeren Theatre / Prešernovo Gledališče /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / Pozorište Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Četvrta dimenzija – krik` (Fourth Dimension – Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Pesnički maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja Marinković Student Club / Studentski Klub ‘Sonja Marinković’: `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Würzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnička praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az éneklő varrógép – The Singing Sewing Machine` (with Zsolt Király) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole – A sikoltozó lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery ‘T Hoogt / ‘T Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `Mesék a hétfejű varrógépről` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / Várszínház, Knights’ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’/ Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin újvidéki költő és előadóművész szerzői estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre Petőfi Sándor / Petőfi Sándor Művelődési Ház: `Telepi esték – Ladik Katalin szerzői estje` (Evenings in Telep – with Poet Katalin Ladik) (with Ottó Tolnai, Zsolt Király) /performance/ Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Ladik Katalin szerzői estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’ / Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin szerzői és előadói estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Šalgo) /performance/ Osijek (Croatia), Students’ Youth Centre / Studentski Centar Mladih, Osiječko ljeto (Summer in Osijek): `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrou” (Icarus on the Subway) (with Judita Šalgo, Selimir Radulović) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ Kanjiža (Serbia), Literary Camp / Književna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Šević: `Sound Poetry Performance` (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Šekspira` (Tempest – Based on Shakespeare) – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), József Attila University (Today: University of Szeged) / József Attila Tudományegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de Poésie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / Pozorište Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of Lágymányos / Lágymányosi Művelődési Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / Fővárosi Művelődési Ház: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), ‘Sonja Marinković’Cultural Centre / Kulturni Centar ‘Sonja Marinković’, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari Bečej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ Pécs (Hungary): `Alice` /performance/ Budapest (Hungary), Vigadó Chamber Hall / Vigadó Kamaraterem, Hangár Est (‘Wall of Sound’ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ Nové Zámky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with Zoltán Pletl) /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Ex-panzió 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), Dalmát Cellar / Dalmát pince, UHF Kisújrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Expanzió 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with Lukács Bitskey /performance/ Zebegény (Hungary): `A helyettesítő asszony (The Substitute)` /performance/ Pécs (Hungary): `A négydimenziós ablak (The Four-dimensional Window)` with Tamás Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de Poèsie: `Kassák` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio – Corsica (France): `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `Fűketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` Budapest (Hungary), A38 Ship / A38 hajó: `Lomtalanítás` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum: `Torony-Lomtalanítás` (Cleaning the Tower-House) /performance/ 2005 Terény (Hungary), Expanzió Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-Müller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 Nové Zámky (Slovakia), Art Gallery / Galéria Umenia: `Gyakorlatok üres húrokon – Kassák-kód` (Exercises on Empty Strings - Kassák Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria: `Fűketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu Színház: `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ Verőce (Hungary), Ekszpanzió XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar Alkotóművészeti Közalapítvány Alkotóháza, József Attila Kör 18. irodalmi tábora (18th Literary Camp of the József Attila Circle): `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ 2008 Budapest (Hungary), Petőfi Literary Museum / Petőfi Irodalmi Múzeum, A Szépírók Társasága V. őszi irodalmi fesztiválja – Nők a férfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association – Women in a Men`s World): `Diptichon` (with Endre Szkárosi), performance Belgrade (Serbia), ARTGET Gallery – Cultural Centre Belgrade / Galerija ARTGET – Kulturni Centar Beograda (World Poetry Day): `Tesla – Homo Galacticus` /performance/ Szigliget (Hungary), József Attila Kör 20. irodalmi tábora (20th Literary Camp of the József Attila Circle): `Trip-ti-chon` (with Veronika Czapáry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika Czapáry), performance Bratislava (Slovakia), Ars Poetica Medzinárodny Festival Poézie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4] 2009 Visegrád (Hungary), The Roof Terrace of King Matthias Museum / A Mátyás Király Múzeum tetőterasza, Ekszpanzió XXI Festival: “Kerub` (Cherub) /performance/ 2010s 2010 Budapest (Hungary), Gallery A22 / A22 Galéria, Tibor Papp`s Exhibition Opening: `Óraköltemény` (Poem-Clock) /performance/ Subotica (Serbia), Kosztolányi Dezső Theatre / Kosztolányi Dezső Színház: `Tesla – Homo Galacticus` /performance/ Budapest (Hungary), Millenáris Theatre / Millenáris Teátrum, Book Festival: `Szabadkőműves szex` (Freemason Sex) (with drMáriás) /performance/ Štaglinec (Croatia), `Voda` – `Water` Međunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis Zsinagóga Kortárs Galéria, artAlom élőművészeti fesztivál (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) – Subotica (Serbia), Railway line, Kultúrcsempész Sínbusz Fesztivál (Culture-smuggler Railbus Festival): Megaphone-assisted readings by Gábor Virág, Slobodan Tišma, Gábor Lanczkor, Tamara Šuškić, Vladimir Kopicl, Katalin Ladik, Siniša Tucić, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / Műcsarnok: `Preparababrakabaré` /performance/ Marseille (France), Museum of Contemporary Art / Musée d`Art Contemporain, Poésie Marseille 2011, 8ème Festival (8th Marseille Poetry Festival, 2011): `Le Grand Ménage` (Spring Cleaning) /performance/ Târgu Mureș (Romania), National Theatre - Small Hall / Teatrul Naţional – Sala Mică, Testet öltött szavak rendezvény (Words Embodied – Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu Színház, Ismeretlen kutatása improvizációs alkotóműhely (Searching the Unknown – Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar Írószövetség: XXIV. Ekszpanzió Festival, `Idézet` Szimpozion és Kiállítás (`Quotation` Symposium and Exhibition): `Ásó, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ Komárom (Hungary), Fort Monostor – Film Museum / Monostori Erőd – Filmmúzeum, Mediawave 2012 Festival: `Nagytakarítás` (`Spring Cleaning`) /performance/ Łódź (Poland), MS2 – Lodz Museum of Art / MS2 – Muzeum Sztuki w Łodzi: `Alicja w krainie kodów` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, Pál street 6.: Gödör bújócska – irodalom, zene, film, tánc, színház, beszélgetés (Gödör Club Hide-and-seek – literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `Nagytakarítás` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice Kódországban` (`Alice in Codeland`) /performance/[5] 2013 Budapest (Hungary), Óbudai Társaskör, Kassák Museum, Kassák Year: `Alice Kódországban` (Alice in Codeland) /performance/[6] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIĆ, „Tesla. Homo Galacticus” /performance/ Székesfehérvár (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice Kódországban` (Alice in Codeland) /performance/[7] Budapest (Hungary), Fuga, Autonómia Filmklub 5, „I Belong to the Band”: Katalin Ladik`s voice on „poets of the absurd on chalk”[8] 2014 Százhalombatta (Hungary), Katalin Ladik - Endre Szkárosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar Vigadó, JazzaJ, Katalin Ladik – Jean Michel van Schowburg, Katalin Ladik – Zsolt Sőrés, „Sounds to Go” (Hangok elvitelre) /performance/ [9] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, Universität Wien, `Singende Schnittmuster – Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 Poreč (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzo” /performance/,[10][11] Budapest (Hungary), MÜSZI, @Transart Communication, Katalin Ladik & Zsolt Sőrés „Alchemical Wedding” (Alkímiai nász) /performance/ 2016 Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, “Tranzit Zoon” /performance/ 2017 Athens (Greece), Oval Staircase, Megaron – the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, “Follow me into mythology” /performance/ Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, „Live Lecture” /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition „Live Lecture” /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, „Wall(ed)”, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), Trafó, „Alice in Codeland” /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation „Sound Poems” /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), „K.A.T (Culture – Activism – Theory) Conference”, „Creative Transitions”/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, „TraNSporteur multilingual poetry” /poetry reading/ Lodz (Poland), House of Literature, „Puls Literary Festival, 2017, Hungarian Day”, „Sounds in Lodz” / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft für bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Follow me into Mythology” /live lecture and soloperformance/ Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Desire of Touch” /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture with Emese Kürti/ Budapest (Hungary), Közkincs Könyvtár, `MŰVÉSZ + NŐ` (ARTIST + WOMAN), „Feminizmus és művészet ma?” (Feminism and Art Today?), „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), „Showroom of Contemporary Sound”, „Transitions” /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), „Fountains of Rome - Mouth to Lung!” /live lecture and sound performance/ Budapest (Hungary), Három Holló – Drei Raben, „Antracit szájrúd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der Künste, `19. poesiefestival berlin 2018, Weltklang – Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus f’ür Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive Concerts, musical performances (selection) Opatija (Croatia), 1969: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija) Opatija (Croatia), 1970: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija; Branimir Sakač: Bellatrix - Alleluja) Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with Ernő Király) Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet) Zagreb (Croatia), 1971: Muzički biennale (Music Biennale – International Festival of Contemporary Music) (MBZ Radionica/Workshop II with Ernő Király, et al.; Chamber Music - Branimir Sakač: Bellatrix - Alleluja) Dubrovnik (Croatia), 1971: Dubrovačke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), 1972, ‘Radivoj Ćirpanov’ Workers’ University / Radnički univerzitet ‘Radivoj Ćirpanov’ (ACEZANTEZ Ensemble) Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) – Festival Expanded Media (ACEZANTEZ Ensemble) Belgrade (Serbia), 1979, Dom Sindikata – BEMUS Belgrade Music Festival: “Oratorio Profano” (composer: Dušan Radić, conductor: Oskar Danon) Opatija (Croatia), 1980: Jugoslovenska muzička tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultúrintézet / Istituto Italiano di Cultura, Avantgárd művészetek a világban: mi lett a sorsuk? Nemzetközi tanácskozás (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 Szekszárd (Hungary), Spiritus Noister Group, 2012 Budapest (Hungary), Művelődési Szint (MÜSZI), „@Transart Communication 2016”, „Alchimist Wedding” /concert and live sound performance with Zsolt Sőrés/ Veszprém (Hungary), House of Arts, „Alkímiai mennyegző” („Alchimist Wedding”) /concert and live sound performance with Zsolt Sőrés/ Budapest (Hungary), Müpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ Budapest (Hungary), Kassak Museum, „Dadarabok” /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ YouTube Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio Debrecen (Hungary), MODEM, Katalin Ladik: „Határidőnapló” („Diary Book”) /concert and live sound performance with Gyula Várnai/ Veszprém (Hungary), 2018, House of Arts, „Spring Reopening, We believe in life before death”, „Claes Oldenburg: I am for an Art” /concert and live sound performance with Gyula Várnai/ Theatre As an actress Jean-Paul Sartre: The Condemned of Altona; dir. István Lányi; Ifjúsági Tribün (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor Gellér; Petőfi Sándor Művelődési Egyesület (’Petőfi Sándor’ Cultural Association); Novi Sad (Serbia); 1963 Molière: The Imaginary Invalid (Béline); dir. Ljubica Ravasi; Srpsko Narodno Pozorište (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) Sándor Guelmino: Özvegy (Widow); dir. Tibor Vajda; Echo (az Újvidéki Rádió és az Ifjúsági Tribün színpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc Tóth (text) – Ernő Király (composer): Jób (Job) (Performer – Recitative); dir. István Szabó, Jr.; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 István Örkény: Macskajáték (Cats` Play) (Ilus); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav Dorić; Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: Mukányi (Ella); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1977 Molière: Dom Juan or The Feast with the Statue (Mathurine); dir. Dušan Sabo; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Péter Telihay; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Ottó Tolnai: Végeladás (Clearance Sale) (Mrs Csömöre); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Gyula Hernádi: V.N.H.M. Szörnyek évadja (V. N. H. M. - Season of Monsters); dir. Miklós Jancsó; Summer Theatre in Gyula; Várszínház; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ottó Tolnai: Bayer Aspirin (The Actress); dir. Miklós Jancsó; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ferenc Deák: Nirvana (Csontos Vali); dir. István Szabó Jr.; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan Belegišanin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Dezső Kosztolányi: Anna Édes ( Mrs Druma); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanov’s) (Mother Puzirjova); dir. Haris Pašović; Akademsko Pozorište “Promena” (“Change” Academic Theater); Novi Sad; (Serbia); 1983 Mihály Majtényi: Harmadik ablak (The Third Window) (Mrs Lódi); dir. György Hernyák; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby Fehér: A Duna menti Hollywood (Hollywood by the Danube) – Multimedia Performance About the Life of Ernő Bosnyák (The Baron`s Lover); dir. Károly Vicsek; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Ivo Brešan: Anera (Anera); dir. Dimitar Stankoski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich Dürrenmatt: The Visit (First Woman); dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Forgatókönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Tóték (The Tót Family) (Mrs Tót); dir. Gábor Székely; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: „R” (Katerina); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav Lazić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Želimir Orešković; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1989 Ferenc Molnár (Franz Molnar): Liliom (Mrs Muskát); dir. László Babarczy; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ede Tóth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs Tarisznyás); dir. Hernyák György; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ottó Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. Péter Tömöry; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Józsi Jenő Tersánszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja Soldatović; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Péter Nádas (text) – László Vidovszky (composer): Találkozás (Encounter) (Mária); dir. András Éry-Kovács; Shure Studio; Budapesti Kamaraszínház (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (Léon Charles Miqueut sous-ingénieur principal di CNU / Sub head-engineer at CNU); dir. Róbert Csontos; Kolibri Színház (Kolibri [’Hummingbird’] Theatre); Budapest (Hungary); 1997 Sean O´Casey: Bedtime Story (Landlady); dir. Pál Kanda; Függeten Színpad III társulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [’Hummingbird’] Cellar Theatre); Budapest (Hungary); 1998 László Najmányi: Adieu Monsieur Bloom – Cabaret Noire (Nora Barnacle); dir. László Najmányi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu Színház (Mu Theatre); Budapest; (Hungary); 2003 László Najmányi: A száműzött Joyce / The Exiled Joyce (Nora Barnacle); dir. László Najmányi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan Dorić: Ne daj Bože, da se Srbi slože / Ne adj isten, szerbek egyesülnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan Dorić; Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 László Najmányi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. László Najmányi; Mu Színház (Mu Theatre); Budapest; (Hungary); 2004 László Najmányi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. László Najmányi; ReJoyce Festival; Szombathely; (Hungary); 2004 György Baráthy: Origami (I Woman); dir. György Baráthy; Artéria Színházi Társaság (Theatre Company “Artéria”); RS9 Studio Theatre; Budapest; (Hungary); 2005 As a director The Last Chapter by Navjot Randhawa, performed by the‘Theatre of Roots and Wings’ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12] Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016 Everything She Wants: Amrita and Boris with Navjot Randhawa; Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14] Fritz Wine House, Szekszárd (Hungary), 2017; National Film Theatre, Budapest (Hungary), 2017; Laffert Kúria, Dunaharaszti (Hungary), 2017; Municipal Library, Zebegény (Hungary), 2017. Films Feature films Eduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandis’ musical play), dir. Petar Teslić (1972, Serbian, Belgrade TV 2) (Kunigunda) Dübörgő csend (1978) on IMDb (Thundering Silence), dir. Miklós Szíjj (Hungarian) (Eta) Szetna, a varázsló (1980) on IMDb (Setna the Wizard), dir. András Rajnai (Hungarian) (Isis) Gulliver az óriások országában (1980) on IMDb (Gulliver in the Land of Giants), dir. András Rajnai (Hungarian) (Lady in attendance) Aelita, dir. András Rajnai (1980, Hungarian)[15] Atlantis, dir. András Rajnai (1980, Hungarian) (The Lady of Atlantis) Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna) Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha) A világkagyló mítosza (The Myth of the World Shell), dir. András Rajnai (1982, Hungarian) Bábel tornya (The Tower of Babel), dir. András Rajnai (1982, Hungarian) (the Priestess Lagasa) Héroszok pokoljárása (The Heroes’ Journey Through the Underworld), dir. András Rajnai (1982, Hungarian) (Anna) Fajkutyák ideje (lit. The Time of Purebred Dogs), dir. Károly Vicsek (1984, Hungarian, produced in Yugoslavia) Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan Zafranović (Croatian) (Žena) Késdobáló (slang: Pub, lit. Knife-thrower), dir. Károly Vicsek (1984, Yugoslavian - Hungarian) Ekran sneži (1985) on IMDb, dir. Miljenko Dereta (Serbian) Napóleon (1989) on IMDb (Napoleon), dir. András Sólyom (Hungarian) (Leticia) Granica (1990) on IMDb (Border), dir. Zoran Maširević (Yugoslavian – Serbian – Hungarian) Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. Dušan Sabo (Bosnian) (Žuža) A nagy fejedelem (1997) on IMDb (The Great Prince), dir. Mária Sós (Hungarian) (The scientist’s wife) A szivárvány harcosa (2001) on IMDb (Rainbow`s Warrior), dir. Péter Havas (Hungarian) (Old Ms Sofia - voice) Kolorádó Kid,(2010) on IMDb, dir. András Vágvölgyi B. (Hungarian) Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch) Short films Castrati, dir. Domokos Moldován (1972, Hungarian, Balázs Béla Studio, Budapest) (Bald Medium) O-Pus, dir. Attila Csernik (1973) (with Katalin Ladik’s Sound Project) Csendélet hallal és más tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. Natália Jánossy (Hungarian) (Agáta) Deda Kovač - Grandpa Kovač (2011) on IMDb, dir. Milica Đjenić (Serbian, Beograd-Lajpcig Express) (Rozi) Recitatives Ahol kialszik a világ (1989) on IMDb (Where the World Goes Out) (based on Kalandozás a tükörben (Adventures in the Mirror) by János Pilinszky), dir. Károly Kismányoky (1989, Hungarian, Pannonia Film Studio) A párduc (The Panther), (Short animated film set to Rilke’s poem), dir. András Fiath (1998, Hungarian) Medea (animated study), dir. Zsófia Péterffy (2007) Örökre való / For Ever, dir. Katalin Riedl (2008-2010) Documentary Tanuljunk magyarul (Let`s Learn Hungarian), dir. Károly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series) Katalin Ladik - Bogdanka Poznanović (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad – Novi Sad Art Academy), (Documentary about Katalin Ladik) Monodráma születik (A Monodrama is Born), dir. Gyula Radó (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Ez már nem én vagyok (This Isn`t Me Anymore), dir. Gyula Radó (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Krleža u videomedijima 5.: TV-usporedbe Adam i Eva (Krleža in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series) Bukott angyal (Fallen Angel), dir. Jenő Hartyándi (1992, Hungarian - Serbian, Mediawave) (performance-recording) Valahol Közép-Európában (Somewhere in Central Europe), dir. István Grencsó, Jenő Hartyándi (1993, Hungarian – Serbian) (Documentary) Amarissima: Katalin Ladik i novosadska umetnička scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica Mrđa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladik’s art) Százféle szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Éva Saáry are read by Katalin Ladik), (Documentary about Éva Saáry) A sikoly ars poétikája - Ladik Katalin portréfilm (The Ars Poetica of the Scream – Katalin Ladik`s Portrait), dir. Kornél Szilágyi, (2012, Hungarian) (Documentary about Katalin Ladik) (trailer) Sound Cage: A Portrait of Katalin Ladik, dir. Kornél Szilágyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik) A legismertebb magyar, dir. Gábor Tóth, HírTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017) Writer’s Credit Sámán (Shaman), dir. Pál Zolnay (1977, Hungarian, written by the director using poems of Attila József, László Nagy, Sándor Weöres és Katalin Ladik) Behind the Eye, dir. Sebő Kovács (1999, Hungarian, based on Katalin Ladik’s poem: Vers a szerelmes piócáról / The Poem of the Leech in Love) Radio plays Writer and performer Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar Rádió Budapest (Hungarian Radio). Alex Avanesian, Imre József Katona and Katalin Ladik. Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik. Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda. Fűketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik. Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda. Élhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by Otília Cseicsner, directed by Kornél Szilágyi A víz emlékezete (The Memory of Water), Rádiószínház, Hungarian Radio (Kossuth Rádió), directed by Otília Cseicsner, 27 June 2017, 21:30 Radio Theatre: „Ladik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Mary” (Bujócska, Ómagyar Márai-siralom variációk), Magyar Rádió (Hungarian Radio), Kossuth Rádió, radio program editor: Otilia Cseicsner Performer Bertolt Brecht: Az árja-kaszt magánélete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1963 Miodrag Djurdjević: A csavargó meg ők ketten (The Vagabond and the Two of Them) (the Girl), dir. István Varga, Radio Novi Sad (Serbia), 1963 Miklós Gyárfás: Kisasszonyok a magasban – Férfiaknak tilos (Young Ladies Up High – No Men Allowed) (Júlia, who is barely even a young lady), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 Lászó Kopeczky: Harangszó előtt (Before the Bell Rings) (Flóra), dir. István Varga, Radio Novi Sad (Serbia), 1964 Leon Kruczkowski: A kormányzó halála (Death of the Governor) (Silvia), (adapted by Iván Horovitz), dir. István Varga, Radio Novi Sad (Serbia), 1964 Mikhail Tonecki: Találka a „Mese” kávéházban (A Date in Café Tale) (Waitress), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 János Herceg: Mindenkinek van egy álma (Everyone Has a Dream) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1965 Aleksandar Obrenović: A tegnapi nap (Yesterday) (performer), dir. István Varga, Radio Novi Sad (Serbia), 1966 Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina Egrić), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Miroslav Mitrović: Még szemerkél az eső (The Rain Is Still Dripping) (Announcer), dir. Gellér Tibor, Radio Novi Sad (Serbia), 1966 Momo Kapor: III. Olivér teremőre (The Guard of Oliver III) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Dušan Raksandić: Muratról, Pepekről, Angyeláról és rólam (About Murat, Pepek, Andjela and Me) (the Professor’s Wife), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1967 Günter Eich: Carmilla meg én (The Other and I; orig. Die Andere und Ich) (performer), dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Marguerite Duras: Andesmas úr délutánja (The Afternoon of Mr Andesmas) (Valérie), (adapted by Milan Topolavčki) dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Miloslav Stehlík: Bizalomvonal (Helpline) (Telephone Assistant), dir. István Varga, Radio Novi Sad (Serbia), 1967 Sead Fetahagić: Körbe, körbe, karikába (Round and Round) (Mira), dir. István Varga, Radio Novi Sad (Serbia), 1967 Alessandro De Stefani: Csónak jön a tavon (A Boat Approaches on the Lake – Una barca viene dal lago) (Anna Marabini), (adapted by Iván Horovitz) dir. László Szilágyi, Radio Novi Sad (Serbia), 1968 Michal Tonecki: Az ötödik (The Fifth) (a Lány szerepében), dir. Gusztáv Barlay, Radio Novi Sad (Serbia), 1968 József Sulhóf (text), ed. by Ernő Király: Tavaszi bokréta dalest (Spring Bouquet – An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968 Magda Szabó: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968 Aldo Nicolai: Éljen az ifjú pár! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Ferenc Deák: Apoteózis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Boris Palotai: Öröklakás (Condominium) (Klára), dir. László Szilágyi, Radio Novi Sad (Serbia), 1969 Endre Fejes: Vigyori (Grinner) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1970 Eugène Ionesco: A kopasz énekesnő (The Bald Soprano), dir. László Szilágyi, Radio Novi Sad (Serbia), 1970 Pál Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970 Mihály Majtényi: A száműzött (The Exile) (Sibylla), dir. István Varga, Radio Novi Sad (Serbia), 1971 Gerich Endre Művészestje: Azért is maradok...! (An Evening with Endre Gerich: I Say I’m Staying...!) (performer) dir. László Szilágyi, Radio Novi Sad (Serbia), 1971 Silvia Andrescu – Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971 Aleksandr Solzhenitsyn: Gyertyaláng a szélben (Candle in the Wind) (Anni), dir. Árpád Benedek, Radio Novi Sad (Serbia), 1972 És mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972 Mirjana Buljan: Jasna naplója (Jasna’s Diary) (Jasna), dir. László Szilágyi, Radio Novi Sad (Serbia), 1973 Svetislav Ruškuc: A hetvennyolcas fordulatszámú ajtó (The 78 RPM Door) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1973 Dušan Iljić: Beutazni a földet (To Travel the World) (Szitakötő /Dragonfly/, a Girl), dir. Miklós Cserés, Dr, Radio Novi Sad (Serbia), 1976 Társult humor éve (The Year of Associated Humour) (performer), dir. Róbert Bambach, Radio Novi Sad (Serbia), 1976 Szellemet idézünk! (Séance!) (performer), dir. György Turián, Radio Novi Sad (Serbia), 1977 Vidám est (A Merry Evening) (performer), dir. Sándor Sántha, Radio Novi Sad (Serbia), 1977 István Bosnyák: Szemben a bíróval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. István Varga, Radio Novi Sad (Serbia), 1978 Henrik Bardijewski: Kis komédia (A Little Comedy) (Lady I), dir. István Vajda, Radio Novi Sad (Serbia), 1978 László Nemes: Szerencseszerződés (Contract of Luck) (adapted by János Borbély) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985 Ottó Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar Rádió (Hungary), 1997 (monodrama) Iris Disse: Álmodott idő – 1956 (Dreamt Time – 1956), dir. Iris Disse, Radio Kossuth / Kossuth Rádió (Hungary), 2007 (Marika, the author`s alter ego) Artworks in permanent public and private collections Barcelona (Spain): MACBA – Museum of Contemporary Art in Barcelona / Museu d’Art Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978) Budapest (Hungary): Petőfi Literary Museum / Petőfi Irodalmi Múzeum (9 works of visual poetry – typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976–1977, Aki miatt a harang szól (For Whom the Bell Rings) – In Memoriam Lajos Kassák collage, 1987) Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978) New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975) Budapest (Hungary): Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum (Photographs, Poemim series) Vienna (Austria): Kontakt Collection – The Art Collection of Erste Group / Kontakt – Die Kunstsammlung der Erste Group (5 items of the “Ausgewählte Volkslieder”(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art – a performance documentation 1975; two copies of the Phonopoetica SP album 1976) Croatia – Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968–89) Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards – mail-art – and documentation, 1977-1981) Belgrade (Serbia): Trajković Collection (Blackshave Poem – Zagreb performance, photo document, 1978) Chicago (USA): School of the Art Institute of Chicago – Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976) Exhibitions Solo exhibitions 1973 Belgrade (Serbia), Student Cultural Centre Gallery / Galerija Studentskog Kulturnog Centra 1976 Zagreb (Croatia), Photography, Film and Television Centre / Centar za fotografiju, film i televiziju: `Visual Poetry – Music Score` (visual poems, collages) Novi Sad (Serbia), Youth Centre – Art Gallery / Likovni Salon Tribine Mladih 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni centar: `Visual Poetry – Music Score` (visual poems, collages) Zagreb (Croatia), Cultural and Information Centre / Centar za Kulturu i Informacije: `Visual Poetry – Music Score` (visual poems, collages) 1979 Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Visual Poetry - Music Scores` (visual poems, collages) 2007 Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria (visual poems, collages) 2010 Novi Sad (Serbia), Museum of Contemporary Art in Vojvodina / Muzej Savremene Umetnosti Vojvodine (MSUV): Retrospektivna Izložba 1962–2010. Moć Žene: Katalin Ladik (Retrospective Exhibition 1962–2010 The Power of a Woman: Katalin Ladik) (Curated by: Dragomir Ugren) 2011 Székesfeh

Spoljašnjost kao na fotografijama, unutrašnjost u dobrom i urednom stanju! Katalin Ladik (rođena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-mađarski pesnik, izvođač i filmski stvaralac. Katalin Ladik počela je pisati 1962. godine radeći kao bankarski činovnik. Bila je radijska voditeljica i pozorišna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozorišta. Kao umetnički medij koristi vizuelnu poeziju, umetnost pošte, radio igre, prozu, kolaž, fotografiju, film i eksperimentalnu muziku. Ladik istražuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se više puta pojavljivao u kontekstu predstava, događaja i pozorišnih komada koji se često dešavaju u urbanom okruženju, ali i u prirodi. Bila je član umetničkog kolektiva Bosch + Bosch. Katalin Ladik živi i radi naizmenično u Novom Sadu (Srbija), Budimpešti (Mađarska) i na ostrvu Hvar (Hrvatska). U svojoj domovini postala je legendarna i kontroverzna figura u ranim šezdesetim godinama, pre svega kroz feminističko-šamanističku zvučnu poeziju i gole predstave. Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i međunarodnim izložbama. 1977. Godine dala je ime sebi kao učesnica 10. međunarodnog festivala zvučne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu održana je retrospektiva, koja je privukla nacionalnu pažnju, a 2017. godine bila je pozvana da učestvuje u dokumentarnoj 14. Takođe je uključena u seriju izložbi Feministička avangarda. Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards Katalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons” Poetry Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose Her first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications Volumes in original language Ballada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988 Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007 Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 Translated volumes Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992 Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007 E-books Fűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format Fűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf format Discography Sound poetry Ballada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987 Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 Vízisámán / Water Shaman | CD | Budapest, 1999 Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Music (experimental music, jazz) As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister). Ernő Király | LP | Udruženje Kompozitora Vojvodine, Novi Sad, 1978 Boris Kovač: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris Kovač: Ritual Nova II | CD | Recommended Records, London, 1989 Ernő Király - Spectrum | CD | Autobus, Paris, 1999 Deže Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances Online Audio Fűketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, mp3 format A négydimenziós ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijén (On Icarus’ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Kíűzetés - Jegyesség (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Live performances 2011 Négy fekete ló mögöttem repül (Four Black Horses Fly Behind Me); Jégmadár (Icebird); excerpts from Belső vízözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions 1960s-`70s 1968 Budapest, Szentendre - Hungary | UFO | Tamás Szentjóby, Miklós Erdély, Katalin Ladik | happening 1970 Belgrade - Serbia | Pozorište Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Žanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | József Attila Művelődési Ház (Cultural Centre József Attila) | with Jenő Balaskó | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 Bačka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski Fašnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Četvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance Balatonboglár - Hungary | Kápolna Galéria (Kápolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `Spuštanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, fonična i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) Kraków (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. Tucić) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), Prešeren Theatre / Prešernovo Gledališče /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / Pozorište Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Četvrta dimenzija – krik` (Fourth Dimension – Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Pesnički maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja Marinković Student Club / Studentski Klub ‘Sonja Marinković’: `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Würzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnička praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az éneklő varrógép – The Singing Sewing Machine` (with Zsolt Király) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole – A sikoltozó lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery ‘T Hoogt / ‘T Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `Mesék a hétfejű varrógépről` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / Várszínház, Knights’ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’/ Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin újvidéki költő és előadóművész szerzői estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre Petőfi Sándor / Petőfi Sándor Művelődési Ház: `Telepi esték – Ladik Katalin szerzői estje` (Evenings in Telep – with Poet Katalin Ladik) (with Ottó Tolnai, Zsolt Király) /performance/ Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Ladik Katalin szerzői estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’ / Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin szerzői és előadói estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Šalgo) /performance/ Osijek (Croatia), Students’ Youth Centre / Studentski Centar Mladih, Osiječko ljeto (Summer in Osijek): `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrou” (Icarus on the Subway) (with Judita Šalgo, Selimir Radulović) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ Kanjiža (Serbia), Literary Camp / Književna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Šević: `Sound Poetry Performance` (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Šekspira` (Tempest – Based on Shakespeare) – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), József Attila University (Today: University of Szeged) / József Attila Tudományegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de Poésie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / Pozorište Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of Lágymányos / Lágymányosi Művelődési Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / Fővárosi Művelődési Ház: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), ‘Sonja Marinković’Cultural Centre / Kulturni Centar ‘Sonja Marinković’, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari Bečej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ Pécs (Hungary): `Alice` /performance/ Budapest (Hungary), Vigadó Chamber Hall / Vigadó Kamaraterem, Hangár Est (‘Wall of Sound’ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ Nové Zámky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with Zoltán Pletl) /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Ex-panzió 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), Dalmát Cellar / Dalmát pince, UHF Kisújrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Expanzió 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with Lukács Bitskey /performance/ Zebegény (Hungary): `A helyettesítő asszony (The Substitute)` /performance/ Pécs (Hungary): `A négydimenziós ablak (The Four-dimensional Window)` with Tamás Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de Poèsie: `Kassák` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio – Corsica (France): `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `Fűketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` Budapest (Hungary), A38 Ship / A38 hajó: `Lomtalanítás` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum: `Torony-Lomtalanítás` (Cleaning the Tower-House) /performance/ 2005 Terény (Hungary), Expanzió Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-Müller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 Nové Zámky (Slovakia), Art Gallery / Galéria Umenia: `Gyakorlatok üres húrokon – Kassák-kód` (Exercises on Empty Strings - Kassák Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria: `Fűketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu Színház: `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ Verőce (Hungary), Ekszpanzió XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar Alkotóművészeti Közalapítvány Alkotóháza, József Attila Kör 18. irodalmi tábora (18th Literary Camp of the József Attila Circle): `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ 2008 Budapest (Hungary), Petőfi Literary Museum / Petőfi Irodalmi Múzeum, A Szépírók Társasága V. őszi irodalmi fesztiválja – Nők a férfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association – Women in a Men`s World): `Diptichon` (with Endre Szkárosi), performance Belgrade (Serbia), ARTGET Gallery – Cultural Centre Belgrade / Galerija ARTGET – Kulturni Centar Beograda (World Poetry Day): `Tesla – Homo Galacticus` /performance/ Szigliget (Hungary), József Attila Kör 20. irodalmi tábora (20th Literary Camp of the József Attila Circle): `Trip-ti-chon` (with Veronika Czapáry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika Czapáry), performance Bratislava (Slovakia), Ars Poetica Medzinárodny Festival Poézie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4] 2009 Visegrád (Hungary), The Roof Terrace of King Matthias Museum / A Mátyás Király Múzeum tetőterasza, Ekszpanzió XXI Festival: “Kerub` (Cherub) /performance/ 2010s 2010 Budapest (Hungary), Gallery A22 / A22 Galéria, Tibor Papp`s Exhibition Opening: `Óraköltemény` (Poem-Clock) /performance/ Subotica (Serbia), Kosztolányi Dezső Theatre / Kosztolányi Dezső Színház: `Tesla – Homo Galacticus` /performance/ Budapest (Hungary), Millenáris Theatre / Millenáris Teátrum, Book Festival: `Szabadkőműves szex` (Freemason Sex) (with drMáriás) /performance/ Štaglinec (Croatia), `Voda` – `Water` Međunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis Zsinagóga Kortárs Galéria, artAlom élőművészeti fesztivál (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) – Subotica (Serbia), Railway line, Kultúrcsempész Sínbusz Fesztivál (Culture-smuggler Railbus Festival): Megaphone-assisted readings by Gábor Virág, Slobodan Tišma, Gábor Lanczkor, Tamara Šuškić, Vladimir Kopicl, Katalin Ladik, Siniša Tucić, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / Műcsarnok: `Preparababrakabaré` /performance/ Marseille (France), Museum of Contemporary Art / Musée d`Art Contemporain, Poésie Marseille 2011, 8ème Festival (8th Marseille Poetry Festival, 2011): `Le Grand Ménage` (Spring Cleaning) /performance/ Târgu Mureș (Romania), National Theatre - Small Hall / Teatrul Naţional – Sala Mică, Testet öltött szavak rendezvény (Words Embodied – Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu Színház, Ismeretlen kutatása improvizációs alkotóműhely (Searching the Unknown – Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar Írószövetség: XXIV. Ekszpanzió Festival, `Idézet` Szimpozion és Kiállítás (`Quotation` Symposium and Exhibition): `Ásó, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ Komárom (Hungary), Fort Monostor – Film Museum / Monostori Erőd – Filmmúzeum, Mediawave 2012 Festival: `Nagytakarítás` (`Spring Cleaning`) /performance/ Łódź (Poland), MS2 – Lodz Museum of Art / MS2 – Muzeum Sztuki w Łodzi: `Alicja w krainie kodów` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, Pál street 6.: Gödör bújócska – irodalom, zene, film, tánc, színház, beszélgetés (Gödör Club Hide-and-seek – literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `Nagytakarítás` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice Kódországban` (`Alice in Codeland`) /performance/[5] 2013 Budapest (Hungary), Óbudai Társaskör, Kassák Museum, Kassák Year: `Alice Kódországban` (Alice in Codeland) /performance/[6] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIĆ, „Tesla. Homo Galacticus” /performance/ Székesfehérvár (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice Kódországban` (Alice in Codeland) /performance/[7] Budapest (Hungary), Fuga, Autonómia Filmklub 5, „I Belong to the Band”: Katalin Ladik`s voice on „poets of the absurd on chalk”[8] 2014 Százhalombatta (Hungary), Katalin Ladik - Endre Szkárosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar Vigadó, JazzaJ, Katalin Ladik – Jean Michel van Schowburg, Katalin Ladik – Zsolt Sőrés, „Sounds to Go” (Hangok elvitelre) /performance/ [9] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, Universität Wien, `Singende Schnittmuster – Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 Poreč (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzo” /performance/,[10][11] Budapest (Hungary), MÜSZI, @Transart Communication, Katalin Ladik & Zsolt Sőrés „Alchemical Wedding” (Alkímiai nász) /performance/ 2016 Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, “Tranzit Zoon” /performance/ 2017 Athens (Greece), Oval Staircase, Megaron – the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, “Follow me into mythology” /performance/ Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, „Live Lecture” /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition „Live Lecture” /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, „Wall(ed)”, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), Trafó, „Alice in Codeland” /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation „Sound Poems” /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), „K.A.T (Culture – Activism – Theory) Conference”, „Creative Transitions”/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, „TraNSporteur multilingual poetry” /poetry reading/ Lodz (Poland), House of Literature, „Puls Literary Festival, 2017, Hungarian Day”, „Sounds in Lodz” / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft für bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Follow me into Mythology” /live lecture and soloperformance/ Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Desire of Touch” /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture with Emese Kürti/ Budapest (Hungary), Közkincs Könyvtár, `MŰVÉSZ + NŐ` (ARTIST + WOMAN), „Feminizmus és művészet ma?” (Feminism and Art Today?), „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), „Showroom of Contemporary Sound”, „Transitions” /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), „Fountains of Rome - Mouth to Lung!” /live lecture and sound performance/ Budapest (Hungary), Három Holló – Drei Raben, „Antracit szájrúd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der Künste, `19. poesiefestival berlin 2018, Weltklang – Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus f’ür Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive Concerts, musical performances (selection) Opatija (Croatia), 1969: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija) Opatija (Croatia), 1970: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija; Branimir Sakač: Bellatrix - Alleluja) Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with Ernő Király) Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet) Zagreb (Croatia), 1971: Muzički biennale (Music Biennale – International Festival of Contemporary Music) (MBZ Radionica/Workshop II with Ernő Király, et al.; Chamber Music - Branimir Sakač: Bellatrix - Alleluja) Dubrovnik (Croatia), 1971: Dubrovačke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), 1972, ‘Radivoj Ćirpanov’ Workers’ University / Radnički univerzitet ‘Radivoj Ćirpanov’ (ACEZANTEZ Ensemble) Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) – Festival Expanded Media (ACEZANTEZ Ensemble) Belgrade (Serbia), 1979, Dom Sindikata – BEMUS Belgrade Music Festival: “Oratorio Profano” (composer: Dušan Radić, conductor: Oskar Danon) Opatija (Croatia), 1980: Jugoslovenska muzička tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultúrintézet / Istituto Italiano di Cultura, Avantgárd művészetek a világban: mi lett a sorsuk? Nemzetközi tanácskozás (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 Szekszárd (Hungary), Spiritus Noister Group, 2012 Budapest (Hungary), Művelődési Szint (MÜSZI), „@Transart Communication 2016”, „Alchimist Wedding” /concert and live sound performance with Zsolt Sőrés/ Veszprém (Hungary), House of Arts, „Alkímiai mennyegző” („Alchimist Wedding”) /concert and live sound performance with Zsolt Sőrés/ Budapest (Hungary), Müpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ Budapest (Hungary), Kassak Museum, „Dadarabok” /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ YouTube Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio Debrecen (Hungary), MODEM, Katalin Ladik: „Határidőnapló” („Diary Book”) /concert and live sound performance with Gyula Várnai/ Veszprém (Hungary), 2018, House of Arts, „Spring Reopening, We believe in life before death”, „Claes Oldenburg: I am for an Art” /concert and live sound performance with Gyula Várnai/ Theatre As an actress Jean-Paul Sartre: The Condemned of Altona; dir. István Lányi; Ifjúsági Tribün (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor Gellér; Petőfi Sándor Művelődési Egyesület (’Petőfi Sándor’ Cultural Association); Novi Sad (Serbia); 1963 Molière: The Imaginary Invalid (Béline); dir. Ljubica Ravasi; Srpsko Narodno Pozorište (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) Sándor Guelmino: Özvegy (Widow); dir. Tibor Vajda; Echo (az Újvidéki Rádió és az Ifjúsági Tribün színpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc Tóth (text) – Ernő Király (composer): Jób (Job) (Performer – Recitative); dir. István Szabó, Jr.; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 István Örkény: Macskajáték (Cats` Play) (Ilus); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav Dorić; Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: Mukányi (Ella); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1977 Molière: Dom Juan or The Feast with the Statue (Mathurine); dir. Dušan Sabo; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Péter Telihay; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Ottó Tolnai: Végeladás (Clearance Sale) (Mrs Csömöre); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Gyula Hernádi: V.N.H.M. Szörnyek évadja (V. N. H. M. - Season of Monsters); dir. Miklós Jancsó; Summer Theatre in Gyula; Várszínház; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ottó Tolnai: Bayer Aspirin (The Actress); dir. Miklós Jancsó; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ferenc Deák: Nirvana (Csontos Vali); dir. István Szabó Jr.; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan Belegišanin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Dezső Kosztolányi: Anna Édes ( Mrs Druma); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanov’s) (Mother Puzirjova); dir. Haris Pašović; Akademsko Pozorište “Promena” (“Change” Academic Theater); Novi Sad; (Serbia); 1983 Mihály Majtényi: Harmadik ablak (The Third Window) (Mrs Lódi); dir. György Hernyák; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby Fehér: A Duna menti Hollywood (Hollywood by the Danube) – Multimedia Performance About the Life of Ernő Bosnyák (The Baron`s Lover); dir. Károly Vicsek; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Ivo Brešan: Anera (Anera); dir. Dimitar Stankoski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich Dürrenmatt: The Visit (First Woman); dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Forgatókönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Tóték (The Tót Family) (Mrs Tót); dir. Gábor Székely; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: „R” (Katerina); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav Lazić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Želimir Orešković; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1989 Ferenc Molnár (Franz Molnar): Liliom (Mrs Muskát); dir. László Babarczy; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ede Tóth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs Tarisznyás); dir. Hernyák György; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ottó Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. Péter Tömöry; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Józsi Jenő Tersánszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja Soldatović; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Péter Nádas (text) – László Vidovszky (composer): Találkozás (Encounter) (Mária); dir. András Éry-Kovács; Shure Studio; Budapesti Kamaraszínház (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (Léon Charles Miqueut sous-ingénieur principal di CNU / Sub head-engineer at CNU); dir. Róbert Csontos; Kolibri Színház (Kolibri [’Hummingbird’] Theatre); Budapest (Hungary); 1997 Sean O´Casey: Bedtime Story (Landlady); dir. Pál Kanda; Függeten Színpad III társulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [’Hummingbird’] Cellar Theatre); Budapest (Hungary); 1998 László Najmányi: Adieu Monsieur Bloom – Cabaret Noire (Nora Barnacle); dir. László Najmányi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu Színház (Mu Theatre); Budapest; (Hungary); 2003 László Najmányi: A száműzött Joyce / The Exiled Joyce (Nora Barnacle); dir. László Najmányi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan Dorić: Ne daj Bože, da se Srbi slože / Ne adj isten, szerbek egyesülnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan Dorić; Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 László Najmányi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. László Najmányi; Mu Színház (Mu Theatre); Budapest; (Hungary); 2004 László Najmányi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. László Najmányi; ReJoyce Festival; Szombathely; (Hungary); 2004 György Baráthy: Origami (I Woman); dir. György Baráthy; Artéria Színházi Társaság (Theatre Company “Artéria”); RS9 Studio Theatre; Budapest; (Hungary); 2005 As a director The Last Chapter by Navjot Randhawa, performed by the‘Theatre of Roots and Wings’ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12] Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016 Everything She Wants: Amrita and Boris with Navjot Randhawa; Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14] Fritz Wine House, Szekszárd (Hungary), 2017; National Film Theatre, Budapest (Hungary), 2017; Laffert Kúria, Dunaharaszti (Hungary), 2017; Municipal Library, Zebegény (Hungary), 2017. Films Feature films Eduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandis’ musical play), dir. Petar Teslić (1972, Serbian, Belgrade TV 2) (Kunigunda) Dübörgő csend (1978) on IMDb (Thundering Silence), dir. Miklós Szíjj (Hungarian) (Eta) Szetna, a varázsló (1980) on IMDb (Setna the Wizard), dir. András Rajnai (Hungarian) (Isis) Gulliver az óriások országában (1980) on IMDb (Gulliver in the Land of Giants), dir. András Rajnai (Hungarian) (Lady in attendance) Aelita, dir. András Rajnai (1980, Hungarian)[15] Atlantis, dir. András Rajnai (1980, Hungarian) (The Lady of Atlantis) Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna) Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha) A világkagyló mítosza (The Myth of the World Shell), dir. András Rajnai (1982, Hungarian) Bábel tornya (The Tower of Babel), dir. András Rajnai (1982, Hungarian) (the Priestess Lagasa) Héroszok pokoljárása (The Heroes’ Journey Through the Underworld), dir. András Rajnai (1982, Hungarian) (Anna) Fajkutyák ideje (lit. The Time of Purebred Dogs), dir. Károly Vicsek (1984, Hungarian, produced in Yugoslavia) Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan Zafranović (Croatian) (Žena) Késdobáló (slang: Pub, lit. Knife-thrower), dir. Károly Vicsek (1984, Yugoslavian - Hungarian) Ekran sneži (1985) on IMDb, dir. Miljenko Dereta (Serbian) Napóleon (1989) on IMDb (Napoleon), dir. András Sólyom (Hungarian) (Leticia) Granica (1990) on IMDb (Border), dir. Zoran Maširević (Yugoslavian – Serbian – Hungarian) Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. Dušan Sabo (Bosnian) (Žuža) A nagy fejedelem (1997) on IMDb (The Great Prince), dir. Mária Sós (Hungarian) (The scientist’s wife) A szivárvány harcosa (2001) on IMDb (Rainbow`s Warrior), dir. Péter Havas (Hungarian) (Old Ms Sofia - voice) Kolorádó Kid,(2010) on IMDb, dir. András Vágvölgyi B. (Hungarian) Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch) Short films Castrati, dir. Domokos Moldován (1972, Hungarian, Balázs Béla Studio, Budapest) (Bald Medium) O-Pus, dir. Attila Csernik (1973) (with Katalin Ladik’s Sound Project) Csendélet hallal és más tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. Natália Jánossy (Hungarian) (Agáta) Deda Kovač - Grandpa Kovač (2011) on IMDb, dir. Milica Đjenić (Serbian, Beograd-Lajpcig Express) (Rozi) Recitatives Ahol kialszik a világ (1989) on IMDb (Where the World Goes Out) (based on Kalandozás a tükörben (Adventures in the Mirror) by János Pilinszky), dir. Károly Kismányoky (1989, Hungarian, Pannonia Film Studio) A párduc (The Panther), (Short animated film set to Rilke’s poem), dir. András Fiath (1998, Hungarian) Medea (animated study), dir. Zsófia Péterffy (2007) Örökre való / For Ever, dir. Katalin Riedl (2008-2010) Documentary Tanuljunk magyarul (Let`s Learn Hungarian), dir. Károly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series) Katalin Ladik - Bogdanka Poznanović (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad – Novi Sad Art Academy), (Documentary about Katalin Ladik) Monodráma születik (A Monodrama is Born), dir. Gyula Radó (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Ez már nem én vagyok (This Isn`t Me Anymore), dir. Gyula Radó (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik) Krleža u videomedijima 5.: TV-usporedbe Adam i Eva (Krleža in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series) Bukott angyal (Fallen Angel), dir. Jenő Hartyándi (1992, Hungarian - Serbian, Mediawave) (performance-recording) Valahol Közép-Európában (Somewhere in Central Europe), dir. István Grencsó, Jenő Hartyándi (1993, Hungarian – Serbian) (Documentary) Amarissima: Katalin Ladik i novosadska umetnička scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica Mrđa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladik’s art) Százféle szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Éva Saáry are read by Katalin Ladik), (Documentary about Éva Saáry) A sikoly ars poétikája - Ladik Katalin portréfilm (The Ars Poetica of the Scream – Katalin Ladik`s Portrait), dir. Kornél Szilágyi, (2012, Hungarian) (Documentary about Katalin Ladik) (trailer) Sound Cage: A Portrait of Katalin Ladik, dir. Kornél Szilágyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik) A legismertebb magyar, dir. Gábor Tóth, HírTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017) Writer’s Credit Sámán (Shaman), dir. Pál Zolnay (1977, Hungarian, written by the director using poems of Attila József, László Nagy, Sándor Weöres és Katalin Ladik) Behind the Eye, dir. Sebő Kovács (1999, Hungarian, based on Katalin Ladik’s poem: Vers a szerelmes piócáról / The Poem of the Leech in Love) Radio plays Writer and performer Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar Rádió Budapest (Hungarian Radio). Alex Avanesian, Imre József Katona and Katalin Ladik. Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik. Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda. Fűketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik. Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda. Élhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by Otília Cseicsner, directed by Kornél Szilágyi A víz emlékezete (The Memory of Water), Rádiószínház, Hungarian Radio (Kossuth Rádió), directed by Otília Cseicsner, 27 June 2017, 21:30 Radio Theatre: „Ladik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Mary” (Bujócska, Ómagyar Márai-siralom variációk), Magyar Rádió (Hungarian Radio), Kossuth Rádió, radio program editor: Otilia Cseicsner Performer Bertolt Brecht: Az árja-kaszt magánélete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1963 Miodrag Djurdjević: A csavargó meg ők ketten (The Vagabond and the Two of Them) (the Girl), dir. István Varga, Radio Novi Sad (Serbia), 1963 Miklós Gyárfás: Kisasszonyok a magasban – Férfiaknak tilos (Young Ladies Up High – No Men Allowed) (Júlia, who is barely even a young lady), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 Lászó Kopeczky: Harangszó előtt (Before the Bell Rings) (Flóra), dir. István Varga, Radio Novi Sad (Serbia), 1964 Leon Kruczkowski: A kormányzó halála (Death of the Governor) (Silvia), (adapted by Iván Horovitz), dir. István Varga, Radio Novi Sad (Serbia), 1964 Mikhail Tonecki: Találka a „Mese” kávéházban (A Date in Café Tale) (Waitress), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964 János Herceg: Mindenkinek van egy álma (Everyone Has a Dream) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1965 Aleksandar Obrenović: A tegnapi nap (Yesterday) (performer), dir. István Varga, Radio Novi Sad (Serbia), 1966 Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina Egrić), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Miroslav Mitrović: Még szemerkél az eső (The Rain Is Still Dripping) (Announcer), dir. Gellér Tibor, Radio Novi Sad (Serbia), 1966 Momo Kapor: III. Olivér teremőre (The Guard of Oliver III) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966 Dušan Raksandić: Muratról, Pepekről, Angyeláról és rólam (About Murat, Pepek, Andjela and Me) (the Professor’s Wife), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1967 Günter Eich: Carmilla meg én (The Other and I; orig. Die Andere und Ich) (performer), dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Marguerite Duras: Andesmas úr délutánja (The Afternoon of Mr Andesmas) (Valérie), (adapted by Milan Topolavčki) dir. László Szilágyi, Radio Novi Sad (Serbia), 1967 Miloslav Stehlík: Bizalomvonal (Helpline) (Telephone Assistant), dir. István Varga, Radio Novi Sad (Serbia), 1967 Sead Fetahagić: Körbe, körbe, karikába (Round and Round) (Mira), dir. István Varga, Radio Novi Sad (Serbia), 1967 Alessandro De Stefani: Csónak jön a tavon (A Boat Approaches on the Lake – Una barca viene dal lago) (Anna Marabini), (adapted by Iván Horovitz) dir. László Szilágyi, Radio Novi Sad (Serbia), 1968 Michal Tonecki: Az ötödik (The Fifth) (a Lány szerepében), dir. Gusztáv Barlay, Radio Novi Sad (Serbia), 1968 József Sulhóf (text), ed. by Ernő Király: Tavaszi bokréta dalest (Spring Bouquet – An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968 Magda Szabó: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968 Aldo Nicolai: Éljen az ifjú pár! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Ferenc Deák: Apoteózis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969 Boris Palotai: Öröklakás (Condominium) (Klára), dir. László Szilágyi, Radio Novi Sad (Serbia), 1969 Endre Fejes: Vigyori (Grinner) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1970 Eugène Ionesco: A kopasz énekesnő (The Bald Soprano), dir. László Szilágyi, Radio Novi Sad (Serbia), 1970 Pál Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970 Mihály Majtényi: A száműzött (The Exile) (Sibylla), dir. István Varga, Radio Novi Sad (Serbia), 1971 Gerich Endre Művészestje: Azért is maradok...! (An Evening with Endre Gerich: I Say I’m Staying...!) (performer) dir. László Szilágyi, Radio Novi Sad (Serbia), 1971 Silvia Andrescu – Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971 Aleksandr Solzhenitsyn: Gyertyaláng a szélben (Candle in the Wind) (Anni), dir. Árpád Benedek, Radio Novi Sad (Serbia), 1972 És mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972 Mirjana Buljan: Jasna naplója (Jasna’s Diary) (Jasna), dir. László Szilágyi, Radio Novi Sad (Serbia), 1973 Svetislav Ruškuc: A hetvennyolcas fordulatszámú ajtó (The 78 RPM Door) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1973 Dušan Iljić: Beutazni a földet (To Travel the World) (Szitakötő /Dragonfly/, a Girl), dir. Miklós Cserés, Dr, Radio Novi Sad (Serbia), 1976 Társult humor éve (The Year of Associated Humour) (performer), dir. Róbert Bambach, Radio Novi Sad (Serbia), 1976 Szellemet idézünk! (Séance!) (performer), dir. György Turián, Radio Novi Sad (Serbia), 1977 Vidám est (A Merry Evening) (performer), dir. Sándor Sántha, Radio Novi Sad (Serbia), 1977 István Bosnyák: Szemben a bíróval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. István Varga, Radio Novi Sad (Serbia), 1978 Henrik Bardijewski: Kis komédia (A Little Comedy) (Lady I), dir. István Vajda, Radio Novi Sad (Serbia), 1978 László Nemes: Szerencseszerződés (Contract of Luck) (adapted by János Borbély) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985 Ottó Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar Rádió (Hungary), 1997 (monodrama) Iris Disse: Álmodott idő – 1956 (Dreamt Time – 1956), dir. Iris Disse, Radio Kossuth / Kossuth Rádió (Hungary), 2007 (Marika, the author`s alter ego) Artworks in permanent public and private collections Barcelona (Spain): MACBA – Museum of Contemporary Art in Barcelona / Museu d’Art Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978) Budapest (Hungary): Petőfi Literary Museum / Petőfi Irodalmi Múzeum (9 works of visual poetry – typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976–1977, Aki miatt a harang szól (For Whom the Bell Rings) – In Memoriam Lajos Kassák collage, 1987) Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978) New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975) Budapest (Hungary): Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum (Photographs, Poemim series) Vienna (Austria): Kontakt Collection – The Art Collection of Erste Group / Kontakt – Die Kunstsammlung der Erste Group (5 items of the “Ausgewählte Volkslieder”(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art – a performance documentation 1975; two copies of the Phonopoetica SP album 1976) Croatia – Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968–89) Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards – mail-art – and documentation, 1977-1981) Belgrade (Serbia): Trajković Collection (Blackshave Poem – Zagreb performance, photo document, 1978) Chicago (USA): School of the Art Institute of Chicago – Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976) Exhibitions Solo exhibitions 1973 Belgrade (Serbia), Student Cultural Centre Gallery / Galerija Studentskog Kulturnog Centra 1976 Zagreb (Croatia), Photography, Film and Television Centre / Centar za fotografiju, film i televiziju: `Visual Poetry – Music Score` (visual poems, collages) Novi Sad (Serbia), Youth Centre – Art Gallery / Likovni Salon Tribine Mladih 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni centar: `Visual Poetry – Music Score` (visual poems, collages) Zagreb (Croatia), Cultural and Information Centre / Centar za Kulturu i Informacije: `Visual Poetry – Music Score` (visual poems, collages) 1979 Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Visual Poetry - Music Scores` (visual poems, collages) 2007 Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria (visual poems, collages) 2010 Novi Sad (Serbia), Museum of Contemporary Art in Vojvodina / Muzej Savremene Umetnosti Vojvodine (MSUV): Retrospektivna Izložba 1962–2010. Moć Žene: Katalin Ladik (Retrospective Exhibition 1962–2010 The Power of a Woman: Katalin Ladik) (Curated by: Dragomir Ugren) 2011 Székesfeh

Odlično stanje Johnny Cash – Country & Western Superstar Label: CBS – S 68 224 Series: Country & Western Superstar Format: 2 x Vinyl, LP, Compilation, Gatefold Country: Europe Released: 1973 Genre: Rock, Blues Style: Country Blues, Country Rock, Folk Rock A1 From Sea To Shining Sea 1:35 A2 The Whirl And The Suck 3:05 A3 Call Daddy From The Mine 3:05 A4 Th Frozen Four-Hundred-Pound Fair-To-Middlin` Cotton Picker 2:30 A5 The Walls Of A Prison 4:09 A6 The Masterpiece 2:45 B1 You And Tennessee 3:07 B2 Another Song To Sing 1:58 B3 The Flint Arrowhead 2:55 B4 Cisco Clifton`s Fillin` Station 2:42 B5 Shrimpin` Sailin` 3:03 B6 From Sea To Shining Sea (Finale) 0:54 C1 The Ballad Of Ira Hayes 4:05 C2 Shantytown Vocals – June Carter Vocals – June Carter 2:16 C3 I Got A Woman Vocals – June Carter Vocals – June Carter 3:12 C4 Pack Up Your Sorrows Vocals – June Carter Vocals – June Carter 2:23 C5 It Ain`t Me, Babe Vocals – June Carter Vocals – June Carter 2:59 D1 Orange Blossom Special 2:58 D2 Jackson Vocals – June Carter Vocals – June Carter 2:42 D3 GIve My Love To Rose Vocals – June Carter Vocals – June Carter 2:38 D4 Austin Prison 2:04 D5 Danny Boy 5:05 Notes This compilation incl. mainly the albums From Sea To Shining Sea (1968) and Johnny Cash With June Carter* ‎– Give My Love To Rose (1972). John R. Cash (born J. R. Cash; February 26, 1932 – September 12, 2003) was an American country singer-songwriter. Most of Cash`s music contains themes of sorrow, moral tribulation, and redemption, especially songs from the later stages of his career.[5][6] He was known for his deep, calm bass-baritone voice,[a][7] the distinctive sound of his Tennessee Three backing band characterized by train-like chugging guitar rhythms, a rebelliousness[8][9] coupled with an increasingly somber and humble demeanor,[5] free prison concerts,[10] and a trademark all-black stage wardrobe, which earned him the nickname the `Man in Black`.[b] Born to poor cotton farmers in Kingsland, Arkansas, Cash rose to fame during the mid-1950s in the burgeoning rockabilly scene in Memphis, Tennessee, after serving four years in the Air Force. He traditionally began his concerts by simply introducing himself, `Hello, I`m Johnny Cash`,[c] followed by `Folsom Prison Blues`, one of his signature songs. His other signature songs include `I Walk the Line`, `Ring of Fire`, `Get Rhythm`, and `Man in Black`. He also recorded humorous numbers like `One Piece at a Time` and `A Boy Named Sue`, a duet with his future wife June called `Jackson` (followed by many further duets after their wedding), and railroad songs such as `Hey, Porter`, `Orange Blossom Special`, and `Rock Island Line`.[13] During the last stage of his career, he covered songs by contemporary rock artists; among his most notable covers were `Hurt` by Nine Inch Nails, `Rusty Cage` by Soundgarden, and `Personal Jesus` by Depeche Mode. Cash is one of the best-selling music artists of all time, having sold more than 90 million records worldwide.[14][15] His genre-spanning music embraced country, rock and roll, rockabilly, blues, folk, and gospel sounds. This crossover appeal earned him the rare honor of being inducted into the Country Music, Rock and Roll, and Gospel Music Halls of Fame. His music career was dramatized in the 2005 biopic Walk the Line, in which Cash was portrayed by American film actor Joaquin Phoenix. Early life Cash`s boyhood home in Dyess, Arkansas, where he lived from the age of three in 1935 until he finished high school in 1950; the property, pictured here in 2021, is listed on the National Register of Historic Places. The home was renovated in 2011 to look as it did when Cash was a child. Cash was born J. R. Cash in Kingsland, Arkansas, on February 26, 1932,[16][17] to Carrie Cloveree (née Rivers) and Ray Cash. He had three older siblings, Roy, Margaret Louise, and Jack, and three younger siblings, Reba, Joanne, and Tommy (who also became a successful country artist).[18][19] He was primarily of English and Scottish descent.[20][21][22] His paternal grandmother also claimed Cherokee ancestry, though a DNA test of Cash`s daughter Rosanne found she has no known Native American markers.[23][24] He traced his Scottish surname to 11th-century Fife after meeting with the then-laird of Falkland, Major Michael Crichton-Stuart.[25][26][27] Cash Loch and other locations in Fife bear the name of his family.[25] He is a distant cousin of British Conservative politician Sir William Cash.[28] His mother wanted to name him John and his father preferred to name him Ray, so J. R. ended up being the only compromise they could agree on.[29] When Cash enlisted in the Air Force, he was not permitted to use initials as a first name, so he changed it to John R. Cash. In 1955, when signing with Sun Records, he started using the name Johnny Cash.[9] In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas, a New Deal colony established to give poor families the opportunity to work land that they may later own.[30] From the age of five, he worked in cotton fields with his family, singing with them as they worked. The Cash farm in Dyess experienced a flood, which led Cash later to write the song `Five Feet High and Rising`.[31] His family`s economic and personal struggles during the Great Depression gave him a lifelong sympathy for the poor and working class, and inspired many of his songs. In 1944,[32] Cash`s older brother Jack, with whom he was close, was cut almost in two by an unguarded table saw at work and died a week later.[33] According to Cash`s autobiography, he, his mother, and Jack all had a sense of foreboding about that day; his mother urged Jack to skip work and go fishing with Cash, but Jack insisted on working as the family needed the money. Cash often spoke of the guilt he felt over the incident, and spoke of looking forward to `meeting [his] brother in Heaven`.[9] Cash`s early memories were dominated by gospel music and radio. Taught guitar by his mother and a childhood friend, Cash began playing and writing songs at the age of 12. When young, Cash had a high-tenor voice, before becoming a bass-baritone after his voice changed.[34] In high school, he sang on a local radio station. Decades later, he released an album of traditional gospel songs called My Mother`s Hymn Book. He was also significantly influenced by traditional Irish music, which he heard performed weekly by Dennis Day on the Jack Benny radio program.[35] Cash enlisted in the Air Force on July 7, 1950.[36] After basic training at Lackland Air Force Base and technical training at Brooks Air Force Base, both in San Antonio, Texas, Cash was assigned to the 12th Radio Squadron Mobile of the U.S. Air Force Security Service at Landsberg, West Germany. He worked as a Morse code operator intercepting Soviet Army transmissions. While working this job, Cash was allegedly the first American to be given the news of Joseph Stalin’s death (supplied via Morse code). His daughter, Rosanne, backed up the claim, saying that Cash had recounted the story many times over the years.[37][38][39] While at Landsberg he created his first band, `The Landsberg Barbarians`.[40] On July 3, 1954, he was honorably discharged as a staff sergeant, and he returned to Texas.[41] During his military service, he acquired a distinctive scar on the right side of his jaw as a result of surgery to remove a cyst.[42][43] Career Early career Publicity photo for Sun Records, 1955 In 1954, Cash and his first wife Vivian moved to Memphis, Tennessee, where he had sold appliances while studying to be a radio announcer. At night, he played with guitarist Luther Perkins and bassist Marshall Grant. Perkins and Grant were known as the Tennessee Two. Cash worked up the courage to visit the Sun Records studio, hoping to get a recording contract.[44] He auditioned for Sam Phillips by singing mostly gospel songs, only to learn from the producer that he no longer recorded gospel music. Phillips was rumored to have told Cash to `go home and sin, then come back with a song I can sell`, although in a 2002 interview, Cash denied that Phillips made any such comment.[45] Cash eventually won over the producer with new songs delivered in his early rockabilly style. In 1955, Cash made his first recordings at Sun, `Hey Porter` and `Cry! Cry! Cry!`, which were released in late June and met with success on the country hit parade. On December 4, 1956, Elvis Presley dropped in on Phillips while Carl Perkins was in the studio cutting new tracks, with Jerry Lee Lewis backing him on piano. Cash was also in the studio, and the four started an impromptu jam session. Phillips left the tapes running and the recordings, almost half of which were gospel songs, survived. They have since been released under the title Million Dollar Quartet. In Cash: the Autobiography, Cash wrote that he was the farthest from the microphone and sang in a higher pitch to blend in with Elvis. Cash`s next record, `Folsom Prison Blues`, made the country top five. His `I Walk the Line` became number one on the country charts and entered the pop charts top 20. `Home of the Blues` followed, recorded in July 1957. That same year, Cash became the first Sun artist to release a long-playing album. Although he was Sun`s most consistently selling and prolific artist at that time, Cash felt constrained by his contract with the small label. Phillips did not want Cash to record gospel and was paying him a 3% royalty rather than the standard rate of 5%. Presley had already left Sun and, Phillips was focusing most of his attention and promotion on Lewis. In 1958, Cash left Phillips to sign a lucrative offer with Columbia Records. His single `Don`t Take Your Guns to Town` became one of his biggest hits, and he recorded a collection of gospel songs for his second album for Columbia. However, Cash left behind a sufficient backlog of recordings with Sun that Phillips continued to release new singles and albums featuring previously unreleased material until as late as 1964. Cash was in the unusual position of having new releases out on two labels concurrently. Sun`s 1960 release, a cover of `Oh Lonesome Me`, made it to number 13 on the C&W charts.[d] Cash on the cover of Cash Box magazine, September 7, 1957 Early in his career, Cash was given the teasing nickname `the Undertaker` by fellow artists because of his habit of wearing black clothes. He said he chose them because they were easier to keep looking clean on long tours.[46] In the early 1960s, Cash toured with the Carter Family, which by this time regularly included Mother Maybelle`s daughters, Anita, June, and Helen. June later recalled admiring him from afar during these tours. In the 1960s, he appeared on Pete Seeger`s short-lived television series Rainbow Quest.[47] He also acted in, and wrote and sang the opening theme for, a 1961 film entitled Five Minutes to Live, later re-released as Door-to-door Maniac. Cash`s career was handled by Saul Holiff, a London, Ontario, promoter. Their relationship was the subject of Saul`s son`s biopic My Father and the Man in Black.[48] Outlaw image As his career was taking off in the late 1950s, Cash started drinking heavily and became addicted to amphetamines and barbiturates. For a brief time, he shared an apartment in Nashville with Waylon Jennings, who was deeply addicted to amphetamines. Cash would use the stimulants to stay awake during tours. Friends joked about his `nervousness` and erratic behavior, many ignoring the warning signs of his worsening drug addiction. Although he was in many ways spiraling out of control, Cash could still deliver hits due to his frenetic creativity. His rendition of `Ring of Fire` was a crossover hit, reaching number one on the country charts and entering the top 20 on the pop charts. It was originally performed by June`s sister, but the signature mariachi-style horn arrangement was provided by Cash.[49] He said that it had come to him in a dream. Vivian Liberto claimed a different version of the origins of `Ring of Fire`. In her book, I Walked the Line: My Life with Johnny, Liberto says that Cash gave Carter half the songwriting credit for monetary reasons.[50] In June 1965, Cash`s camper caught fire during a fishing trip with his nephew Damon Fielder in Los Padres National Forest in California, triggering a forest fire that burned several hundred acres and nearly caused his death.[51][52] Cash claimed that the fire was caused by sparks from a defective exhaust system on his camper, but Fielder thinks that Cash started a fire to stay warm and in his drugged condition failed to notice the fire getting out of control.[53] When the judge asked Cash why he did it, Cash said, `I didn`t do it, my truck did, and it`s dead, so you can`t question it.`[54] The fire destroyed 508 acres (206 ha), burned the foliage off three mountains and drove off 49 of the refuge`s 53 endangered California condors.[55] Cash was unrepentant and claimed, `I don`t care about your damn yellow buzzards.`[56] The federal government sued him and was awarded $125,172. Cash eventually settled the case and paid $82,001.[57] The Tennessee Three with Cash in 1963 Although Cash cultivated a romantic outlaw image, he never served a prison sentence. Despite landing in jail seven times for misdemeanors, he stayed only one night on each stay. On May 11, 1965, he was arrested in Starkville, Mississippi, for trespassing late at night onto private property to pick flowers. (He used this to write the song `Starkville City Jail`, which he discussed on his live At San Quentin album.)[58] While on tour that year, he was arrested October 4 in El Paso, Texas, by a narcotics squad. The officers suspected he was smuggling heroin from Mexico, but found instead 688 Dexedrine capsules (amphetamines) and 475 Equanil (sedatives or tranquilizers) tablets hidden inside his guitar case. Because the pills were prescription drugs rather than illegal narcotics, Cash received a suspended sentence. He posted a $1,500 bond and was released until his arraignment.[59] In this period of the mid-1960s, Cash released a number of concept albums. His Bitter Tears (1964) was devoted to spoken word and songs addressing the plight of Native Americans and mistreatment by the government. While initially reaching charts, this album met with resistance from some fans and radio stations, which rejected its controversial take on social issues. In 2011, a book was published about it, leading to a re-recording of the songs by contemporary artists and the making of a documentary film about Cash`s efforts with the album. This film was aired on PBS in February and November 2016. His Sings the Ballads of the True West (1965) was an experimental double record, mixing authentic frontier songs with Cash`s spoken narration. Reaching a low with his severe drug addiction and destructive behavior, Cash was divorced from his first wife and had performances cancelled, but he continued to find success. In 1967, Cash`s duet with June Carter, `Jackson`, won a Grammy Award.[60] Cash was last arrested in 1967 in Walker County, Georgia, after police found he was carrying a bag of prescription pills and was in a car accident. Cash attempted to bribe a local deputy, who turned the money down. He was jailed for the night in LaFayette, Georgia. Sheriff Ralph Jones released him after giving him a long talk, warning him about the danger of his behavior and wasted potential. Cash credited that experience with helping him turn around and save his life. He later returned to LaFayette to play a benefit concert; it attracted 12,000 people (the city population was less than 9,000 at the time) and raised $75,000 for the high school.[61] Reflecting on his past in a 1997 interview, Cash noted: `I was taking the pills for awhile, and then the pills started taking me.`[62] June, Maybelle, and Ezra Carter moved into Cash`s mansion for a month to help him get off drugs. Cash proposed onstage to June on February 22, 1968, at a concert at the London Gardens in London, Ontario, Canada. The couple married a week later (on March 1) in Franklin, Kentucky. She had agreed to marry Cash after he had `cleaned up.`[63] Cash`s journey included rediscovery of his Christian faith. He took an `altar call` in Evangel Temple, a small church in the Nashville area, pastored by Reverend Jimmie Rodgers Snow, son of country music legend Hank Snow. According to Marshall Grant, though, Cash did not completely stop using amphetamines in 1968. Cash did not end all drug use until 1970, staying drug-free for a period of seven years. Grant claims that the birth of Cash`s son, John Carter Cash, inspired Cash to end his dependence.[64] Cash began using amphetamines again in 1977. By 1983, he was deeply addicted again and became a patient at the Betty Ford Clinic in Rancho Mirage for treatment. He stayed off drugs for several years, but relapsed. By 1989, he was dependent and entered Nashville`s Cumberland Heights Alcohol and Drug Treatment Center. In 1992, he started care at the Loma Linda Behavioral Medicine Center in Loma Linda, California, for his final rehabilitation treatment. (Several months later, his son followed him into this facility for treatment.)[65][66] Folsom and other prison concerts Cash began performing concerts at prisons in the late 1950s. He played his first famous prison concert on January 1, 1958, at San Quentin State Prison.[67] These performances led to a pair of highly successful live albums, Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969). Both live albums reached number one on Billboard country album music and the latter crossed over to reach the top of the Billboard pop album chart. In 1969, Cash became an international hit when he eclipsed even The Beatles by selling 6.5 million albums.[68] In comparison, the prison concerts were much more successful than his later live albums such as Strawberry Cake recorded in London and Live at Madison Square Garden, which peaked at numbers 33 and 39 on the album charts, respectively. The Folsom Prison record was introduced by a rendition of his `Folsom Prison Blues` while the San Quentin record included the crossover hit single `A Boy Named Sue`, a Shel Silverstein-penned novelty song that reached number one on the country charts and number two on the U.S. top-10 pop charts. Cash performed at the Österåker Prison in Sweden in 1972. The live album På Österåker (At Österåker) was released in 1973. `San Quentin` was recorded with Cash replacing `San Quentin` with `Österåker`. In 1976, a concert at Tennessee State Prison was videotaped for TV broadcast, and received a belated CD release after Cash`s death as A Concert Behind Prison Walls. Activism for Native Americans Cash used his stardom and economic status to bring awareness to the issues surrounding the Native American people.[69] Cash sang songs about indigenous humanity in an effort to confront the U.S. government. Many non-Native Americans stayed away from singing about these things.[70] In 1965, Cash and June Carter appeared on Pete Seeger`s TV show, Rainbow Quest, on which Cash explained his start as an activist for Native Americans: In `57, I wrote a song called `Old Apache Squaw` and then forgot the so-called Indian protest for a while, but nobody else seemed to speak up with any volume of voice.[71] Columbia Music, the label for which Cash was recording then, was opposed to putting the song on his next album, considering it `too radical for the public`.[72] Cash singing songs of Indian tragedy and settler violence went radically against the mainstream of country music in the 1950s, which was dominated by the image of the righteous cowboy who simply makes the native`s soil his own.[73] In 1964, coming off the chart success of his previous album I Walk the Line, he recorded the aforementioned album Bitter Tears: Ballads of the American Indian. We`re Still Here: Johnny Cash`s Bitter Tears Revisited, a documentary by Antonino D`Ambrosio (author of A Heartland and a Guitar: Johnny Cash and the Making of Bitter Tears) tells the story of Johnny Cash`s controversial concept album Bitter Tears: Ballads of the American Indian, covering the struggles of Native Americans. The film`s DVD was released on August 21, 2018.[74] The album featured stories of a multitude of Indigenous peoples, mostly of their violent oppression by white settlers: the Pima (`The Ballad of Ira Hayes`), Navajo (`Navajo`), Apache (`Apache Tears`), Lakota (`Big Foot`), Seneca (`As Long as the Grass Shall Grow`), and Cherokee (`Talking Leaves`). Cash wrote three of the songs himself and one with the help of Johnny Horton, but the majority of the protest songs were written by folk artist Peter La Farge (son of activist and Pulitzer prizewinner Oliver La Farge), whom Cash met in New York in the 1960s and whom he admired for his activism.[75] The album`s single, `The Ballad of Ira Hayes` (about Ira Hayes, one of the six to raise the U.S. flag at Iwo Jima), was neglected by nonpolitical radio at the time, and the record label denied it any promotion due to its provocative protesting and `unappealing` nature. Cash faced resistance and was even urged by an editor of a country music magazine to leave the Country Music Association: `You and your crowd are just too intelligent to associate with plain country folks, country artists, and country DJs.`[76] In reaction, on August 22, 1964, Cash posted a letter as an advertisement in Billboard, calling the record industry cowardly: `D.J.s – station managers – owners [...] where are your guts? I had to fight back when I realized that so many stations are afraid of Ira Hayes. Just one question: WHY??? Ira Hayes is strong medicine [...] So is Rochester, Harlem, Birmingham and Vietnam.`[77][78] Cash kept promoting the song himself and used his influence on radio disc jockeys he knew eventually to make the song climb to number three on the country charts, while the album rose to number two on the album charts.[76] Cash in 1969 Later, on The Johnny Cash Show, he continued telling stories of Native-American plight, both in song and through short films, such as the history of the Trail of Tears.[79] In 1966, in response to his activism, Cash was adopted by the Seneca Nation`s Turtle Clan.[23] He performed benefits in 1968 at the Rosebud Reservation, close to the historical landmark of the massacre at Wounded Knee, to raise money to help build a school. He also played at the D-Q University in the 1980s.[80] In 1970, Cash recorded a reading of John G. Burnett`s 1890, 80th-birthday essay[81] on Cherokee removal for the Historical Landmarks Association (Nashville).[82] The Johnny Cash Show From June 1969 to March 1971, Cash starred in his own television show, The Johnny Cash Show, on the ABC network.[83] Produced by Screen Gems, the show was performed at the Ryman Auditorium in Nashville. The Statler Brothers opened for him in every episode; the Carter Family and rockabilly legend Carl Perkins were also part of the regular show entourage. Cash also enjoyed booking mainstream performers as guests; including Linda Ronstadt in her first TV appearance, Neil Young, Louis Armstrong, Neil Diamond, Kenny Rogers and The First Edition (who appeared four times), James Taylor, Ray Charles, Roger Miller, Roy Orbison, Derek and the Dominos, Joni Mitchell, and Bob Dylan.[83] From September 15–18, 1969, in Albuquerque, New Mexico, he performed a series of four concerts at the New Mexico State Fair to promote the first season of The Johnny Cash Show.[84][85] These live shows were produced with help from ABC and local concert producer Bennie Sanchez, during these sets Johnny Cash and Al Hurricane performed together.[86] Also during The Johnny Cash Show era, he contributed the title song and other songs to the film Little Fauss and Big Halsy, which starred Robert Redford, Michael J. Pollard, and Lauren Hutton.[87] The title song, `The Ballad of Little Fauss and Big Halsy`, written by Carl Perkins, was nominated for a Golden Globe award in 1971.[88] Cash had first met with Dylan in the mid-1960s and became neighbors in the late 1960s in Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive Dylan to his audience. Cash sang a duet with Dylan, `Girl from the North Country`, on Dylan`s country album Nashville Skyline and also wrote the album`s Grammy-winning liner notes. Another artist who received a major career boost from The Johnny Cash Show was Kris Kristofferson, who was beginning to make a name for himself as a singer-songwriter. During a live performance of Kristofferson`s `Sunday Mornin` Comin` Down`, Cash refused to change the lyrics to suit network executives, singing the song with its references to marijuana intact: On a Sunday morning sidewalk I`m wishin`, Lord, that I was stoned.[89] The closing program of The Johnny Cash Show was a gospel music special. Guests included the Blackwood Brothers, Mahalia Jackson, Stuart Hamblen, and Billy Graham.[90] The `Man in Black` Cash advocated prison reform at his July 1972 meeting with President Richard Nixon By the early 1970s, Cash had established his public image as the `Man in Black`. He regularly performed in entirely black suits with a long, black, knee-length coat. This outfit stood in contrast to the rhinestone suits and cowboy boots worn by most of the major country acts of his day. Cash performing in Bremen, West Germany, in September 1972 Cash said he wore all black on behalf of the poor and hungry, the `prisoner who has long paid for his crime`, and those who have been betrayed by age or drugs.[91] He added, `With the Vietnam War as painful in my mind as it was in most other Americans, I wore it `in mourning` for the lives that could have been` ... Apart from the Vietnam War being over, I don`t see much reason to change my position ... The old are still neglected, the poor are still poor, the young are still dying before their time, and we`re not making many moves to make things right. There`s still plenty of darkness to carry off.`[91] Cash in the `one piece at a time` Cadillac Initially, he and his band had worn black shirts because that was the only matching color they had among their various outfits. He wore other colors on stage early in his career, but he claimed to like wearing black both on and off stage. He stated that political reasons aside, he simply liked black as his on-stage color.[11] The outdated US Navy`s winter blue uniform used to be referred to by sailors as `Johnny Cashes`, as the uniform`s shirt, tie, and trousers are solid black.[92] In the mid-1970s, Cash`s popularity and number of hit songs began to decline. He made commercials for Amoco and STP, an unpopular enterprise at the time of the 1970s energy crisis. In 1976, he made commercials for Lionel Trains, for which he also wrote the music.[93] However, his first autobiography, Man in Black, was published in 1975 and sold 1.3 million copies. A second, Cash: The Autobiography, appeared in 1997. Cash`s friendship with Billy Graham[94] led to his production of a film about the life of Jesus, Gospel Road: A Story of Jesus, which Cash co-wrote and narrated. It was released in 1973. Cash viewed the film as a statement of his personal faith rather than a means of proselytizing.[95] Cash and June Carter Cash appeared several times on the Billy Graham Crusade TV specials, and Cash continued to include gospel and religious songs on many of his albums, though Columbia declined to release A Believer Sings the Truth, a gospel double-LP Cash recorded in 1979 and which ended up being released on an independent label even with Cash still under contract to Columbia. On November 22, 1974, CBS ran his one-hour TV special entitled Riding The Rails, a musical history of trains. He continued to appear on television, hosting Christmas specials on CBS in the late 1970s and early 1980s. Later television appearances included a starring role in an episode of Columbo, entitled `Swan Song`. June and he appeared in an episode of Little House on the Prairie, entitled `The Collection`. He gave a performance as abolitionist John Brown in the 1985 American Civil War television miniseries North and South. In the 1990s, Johnny and June appeared in Dr. Quinn, Medicine Woman in recurring roles. He was friendly with every US president, starting with Richard Nixon. He was closest to Jimmy Carter, with whom he became close friends and who was a distant cousin of his wife, June.[96] When invited to perform at the White House for the first time in 1970,[97] Richard Nixon`s office requested that he play `Okie from Muskogee` (a satirical Merle Haggard song about people who despised hippies, young drug users and Vietnam war protesters), `Welfare Cadillac` (a Guy Drake song which chastises the integrity of welfare recipients), and `A Boy Named Sue`. Cash declined to play the first two and instead selected other songs, including `The Ballad of Ira Hayes` and his own compositions, `What Is Truth` and `Man in Black`. Cash wrote that the reasons for denying Nixon`s song choices were not knowing them and having fairly short notice to rehearse them, rather than any political reason.[98] However, Cash added, even if Nixon`s office had given Cash enough time to learn and rehearse the songs, their choice of pieces that conveyed `antihippie and antiblack` sentiments might have backfired.[99] In his remarks when introducing Cash, Nixon joked that one thing he had learned about him was one did not tell him what to sing.[100] Johnny Cash was the grand marshal of the United States Bicentennial parade.[101] He wore a shirt from Nudie Cohn which sold for $25,000 in auction in 2010.[102] After the parade he gave a concert at the Washington Monument.[103] Highwaymen and departure from Columbia Records The Highwaymen members Kris Kristofferson, Johnny Cash, Waylon Jennings, Willie Nelson In 1980, Cash became the Country Music Hall of Fame`s youngest living inductee at age 48, but during the 1980s, his records failed to make a major impact on the country charts, although he continued to tour successfully. In the mid-1980s, he recorded and toured with Waylon Jennings, Willie Nelson, and Kris Kristofferson as The Highwaymen, making three hit albums, which were released beginning with the originally titled Highwayman in 1985, followed by Highwaymen 2 in 1990, and concluding with Highwaymen – The Road Goes On Forever in 1995. During that period, Cash appeared in a number of television films. In 1981, he starred in The Pride of Jesse Hallam, winning fine reviews for a film that called attention to adult illiteracy. In 1983, he appeared as a heroic sheriff in Murder in Coweta County, based on a real-life Georgia murder case, which co-starred Andy Griffith as his nemesis. Cash relapsed into addiction after being administered painkillers for a serious abdominal injury in 1983 caused by an incident in which he was kicked and wounded by an ostrich on his farm.[104] At a hospital visit in 1988, this time to watch over Waylon Jennings (who was recovering from a heart attack), Jennings suggested that Cash have himself checked into the hospital for his own heart condition. Doctors recommended preventive heart surgery, and Cash underwent double bypass surgery in the same hospital. Both recovered, although Cash refused to use any prescription painkillers, fearing a relapse into dependency. Cash later claimed that during his operation, he had what is called a `near-death experience`. In 1984, Cash released a self-parody recording titled `The Chicken in Black` about Cash`s brain being transplanted into a chicken and Cash receiving a bank robber`s brain in return. Biographer Robert Hilburn, in his 2013 book Johnny Cash: The Life, disputes the claim made that Cash chose to record an intentionally poor song in protest of Columbia`s treatment of him. On the contrary, Hilburn writes, it was Columbia that presented Cash with the song, which Cash – who had previously scored major chart hits with comedic material such as `A Boy Named Sue` and `One Piece at a Time` – accepted enthusiastically, performing the song live on stage and filming a comedic music video in which he dresses up in a superhero-like bank-robber costume. According to Hilburn, Cash`s enthusiasm for the song waned after Waylon Jennings told Cash he looked `like a buffoon` in the music video (which was showcased during Cash`s 1984 Christmas TV special), and Cash subsequently demanded that Columbia withdraw the music video from broadcast and recall the single from stores—interrupting its bona fide chart success—and termed the venture `a fiasco.`[105] Between 1981 and 1984, he recorded several sessions with famed countrypolitan producer Billy Sherrill (who also produced `The Chicken in Black`), which were shelved; they would be released by Columbia`s sister label, Legacy Recordings, in 2014 as Out Among the Stars.[106] Around this time, Cash also recorded an album of gospel recordings that ended up being released by another label around the time of his departure from Columbia (this due to Columbia closing down its Priority Records division that was to have released the recordings). After more unsuccessful recordings were released between 1984 and 1985, Cash left Columbia. In 1986, Cash returned to Sun Studios in Memphis to team up with Roy Orbison, Jerry Lee Lewis, and Carl Perkins to create the album Class of `55; according to Hilburn, Columbia still had Cash under contract at the time, so special arrangements had to be made to allow him to participate.[107] Also in 1986, Cash published his only novel, Man in White, a book about Saul and his conversion to become the Apostle Paul. He recorded Johnny Cash Reads The Complete New Testament in 1990. American Recordings Johnny Cash sings with a Navy lieutenant during a military event c. January 1987 After Columbia Records dropped Cash from his recording contract, he had a short and unsuccessful stint with Mercury Records from 1987 to 1991. During this time, he recorded an album of new versions of some of his best-known Sun and Columbia hits, as well as Water from the Wells of Home, a duets album that paired him with, among others, his children Rosanne Cash and John Carter Cash, as well as Paul McCartney. A one-off Christmas album recorded for Delta Records followed his Mercury contract. Though Cash would never have another chart hit from 1991 until his death, his career was rejuvenated in the 1990s, leading to popularity with an audience which was not traditionally considered interested in country music. In 1988, British post-punk musicians Marc Riley (formerly of the Fall) and Jon Langford (the Mekons) put together `Til Things Are Brighter, a tribute album featuring mostly British-based indie-rock acts` interpretations of Cash`s songs. Cash was enthusiastic about the project, telling Langford that it was a `morale booster`; Rosanne Cash later said `he felt a real connection with those musicians and very validated ... It was very good for him: he was in his element. He absolutely understood what they were tapping into, and loved it`. The album attracted press attention on both sides of the Atlantic.[108] In 1991, he sang a version of `Man in Black` for the Christian punk band One Bad Pig`s album I Scream Sunday. In 1993, he sang `The Wanderer`, the closing track of U2`s album Zooropa. According to Rolling Stone writer Adam Gold, `The Wanderer` – written for Cash by Bono, `defies both the U2 and Cash canons, combining rhythmic and textural elements of Nineties synth-pop with a Countrypolitan lament fit for the closing credits of a Seventies western.`[109] No longer sought-after by major labels, he was offered a contract with producer Rick Rubin`s American Recordings label, which had recently been rebranded from Def American, under which name it was better known for rap and hard rock. Under Rubin`s supervision, he recorded American Recordings (1994) in his living room, accompanied only by his Martin Dreadnought guitar – one of many Cash played throughout his career.[110] The album featured covers of contemporary artists selected by Rubin. The album had a great deal of critical and commercial success, winning a Grammy for Best Contemporary Folk Album. Cash wrote that his reception at the 1994 Glastonbury Festival was one of the highlights of his career. This was the beginning of a decade of music industry accolades and commercial success. He teamed up with Brooks & Dunn to contribute `Folsom Prison Blues` to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization. On the same album, he performed Bob Dylan`s `Forever Young.`[citation needed] Cash and his wife appeared on a number of episodes of the television series Dr. Quinn, Medicine Woman. He also lent his voice for a cameo role in The Simpsons episode `El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)`, as the `Space Coyote` that guides Homer Simpson on a spiritual quest. Cash was joined by guitarist Kim Thayil of Soundgarden, bassist Krist Novoselic of Nirvana, and drummer Sean Kinney of Alice in Chains for a cover of Willie Nelson`s `Time of the Preacher`, featured on the tribute album Twisted Willie, released in January 1996.[111] In 1996, Cash collaborated with Tom Petty and the Heartbreakers on Unchained (also known as American Recordings II), which won the Best Country Album Grammy in 1998. The album was produced by Rick Rubin with Sylvia Massy engineering and mixing. A majority of Unchained was recorded at Sound City Studios and featured guest appearances by Lindsey Buckingham, Mick Fleetwood, and Marty Stuart. Believing he did not explain enough of himself in his 1975 autobiography Man in Black, he wrote Cash: The Autobiography in 1997. Later years and death Cash with President George W. Bush and First Lady Laura Bush in 2002 In 1997, during a trip to New York City, Cash was diagnosed with the neurodegenerative disease Shy–Drager syndrome, a form of multiple system atrophy.[112] According to biographer Robert Hilburn, the disease was originally misdiagnosed as Parkinson`s disease, and Cash even announced to his audience that he had Parkinson`s after nearly collapsing on stage in Flint, Michigan, on October 25, 1997. Soon afterwards, his diagnosis was changed to Shy–Drager, and Cash was told he had about 18 months to live.[113] The diagnosis was later again altered to autonomic neuropathy associated with diabetes. The illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs. During the last stage of his career, Cash released the albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002). American IV included cover songs by several late 20th-century rock artists, notably `Hurt` by Nine Inch Nails and `Personal Jesus` by Depeche Mode.[114] Trent Reznor of Nine Inch Nails commented that he was initially skeptical about Cash`s plan to cover `Hurt`, but was later impressed and moved by the rendition.[115] The video for `Hurt` received critical and popular acclaim, including a Grammy Award.[116][117] June Carter Cash died on May 15, 2003, aged 73.[118] June had told Cash to keep working, so he continued to record, completing 60 songs in the last four months of his life. He even performed surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing `Ring of Fire`, Cash read a statement that he had written shortly before taking the stage: The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and Heaven. She came down for a short visit, I guess, from Heaven to visit with me tonight to give me courage and inspiration like she always has. She`s never been one for me except courage and inspiration. I thank God for June Carter. I love her with all my heart. Cash continued to record until shortly before his death. `When June died, it tore him up`, Rick Rubin recalled. `He said to me, `You have to keep me working because I will die if I don`t have something to do.` He was in a wheelchair by then and we set him up at his home in Virginia… I couldn`t listen to those recordings for two years after he died and it was heartbreaking when we did.`[119] Cash`s final recordings were made on August 21, 2003, and consisted of `Like the 309`, which appeared on American V: A Hundred Highways in 2006, and the final song he completed, `Engine 143`, recorded for his son John Carter Cash`s planned Carter Family tribute album.[120] Cash`s grave located at Hendersonville Memory Gardens in Hendersonville, Tennessee While being hospitalized at Baptist Hospital in Nashville, Cash died of complications from diabetes at around 2:00 am Central Time on September 12, 2003, aged 71—less than four months after his wife. He was buried next to her at Hendersonville Memory Gardens near his home in Hendersonville, Tennessee. Personal life Cash and his second wife, June Carter, in 1969 On July 18, 1951, while in Air Force basic training, Cash met 17-year-old Italian-American Vivian Liberto at a roller skating rink in San Antonio, Texas.[121] They dated for three weeks until Cash was deployed to West Germany for a three-year tour. During that time, the couple exchanged hundreds of love letters.[122] On August 7, 1954, one month after his discharge, they were married at St. Ann`s Roman Catholic Church in San Antonio. They had four daughters: Rosanne, Kathy, Cindy, and Tara. In 1961, Cash moved his family to a hilltop home overlooking Casitas Springs, California. He had previously moved his parents to the area to run a small trailer park called the Johnny Cash Trailer Park. His drinking led to several run-ins with local law enforcement. Liberto later said that she had filed for divorce in 1966 because of Cash`s severe drug and alcohol abuse, as well as his constant touring, his repeated acts of adultery with other women, and his close relationship with singer June Carter. Their four daughters were then raised by their mother. Cash met June of the famed Carter Family while on tour, and the two became infatuated with each other. In 1968, thirteen years after they first met backstage at the Grand Ole Opry, Cash proposed to June, during a live performance in London, Ontario.[123] The couple married on March 1, 1968, in Franklin, Kentucky. They had one child together, John Carter Cash, born March 3, 1970. He was the only son for both Johnny and June. In addition to having his four daughters and John Carter, Cash also became stepfather to Carlene and Rosie, June`s daughters from her first two marriages, to, respectively, honky-tonk singer Carl Smith, and former police officer, football player, and race-car driver Edwin `Rip` Nix. Cash and Carter continued to work, raise their child, create music, and tour together for 35 years until June`s death in May 2003. Throughout their marriage, June attempted to keep Cash off amphetamines, often taking his drugs and flushing them down the toilet. June remained with him even throughout his multiple admissions for rehabilitation treatment and decades of drug addiction. After June`s death in May 2003, Cash believed that his only reason for living was his music; he died only four months later.[124] Religious beliefs Cash was raised by his parents in the Southern Baptist denomination of Christianity. He was baptized in 1944 in the Tyronza River as a member of the Central Baptist Church of Dyess, Arkansas.[125] A troubled but devout Christian,[126][127] Cash has been characterized as a `lens through which to view American contradictions and challenges.`[e][129][130] On May 9, 1971, he answered the altar call at Evangel Temple, an Assemblies of God congregation pastored by Jimmie R. Snow, with outreach to people in the music world.[131] Cash penned a Christian novel, Man in White, in 1986, and in the introduction writes about a reporter, who, interested in Cash`s religious beliefs, questioned whether the book is written from a Baptist, Catholic, or Jewish perspective. Cash replied, `I`m a Christian. Don`t put me in another box.`[132][133][134][135] In the mid-1970s, Cash and his wife, June, completed a course of study in the Bible through Christian International Bible College, culminating in a pilgrimage to Israel in November 1978.[66]: 66  Around that time, he was ordained as a minister, and officiated at his daughter`s wedding.[136] He often performed at Billy Graham Crusades. At a Tallahassee Crusade in 1986, June and Johnny sang his song `One of These Days I`m Gonna Sit Down and Talk to Paul`.[137] At a performance in Arkansas in 1989, Johnny Cash spoke to attendees of his commitment to the salvation of drug dealers and alcoholics. He then sang, `Family Bible`.[138] He recorded several gospel albums and made a spoken-word recording of the entire New King James Version of the New Testament.[139][140] Cash declared he was `the biggest sinner of them all`, and viewed himself overall as a complicated and contradictory man.[141][f] Accordingly,[g] Cash is said to have `contained multitudes`, and has been deemed `the philosopher-prince of American country music.`[145][146] Cash is credited with having converted actor and singer John Schneider to Christianity.[147] Legacy The clothes and guitar of Johnny Cash on exhibit in the Artist Gallery of the Musical Instrument Museum of Phoenix Cash nurtured and defended artists (such as Bob Dylan[49]) on the fringes of what was acceptable in country music even while serving as the country music establishment`s most visible symbol. At an all-star concert which aired in 1999 on TNT, a diverse group of artists paid him tribute, including Dylan, Chris Isaak, Wyclef Jean, Norah Jones, Kris Kristofferson, Willie Nelson, Dom DeLuise, and U2. Cash himself appeared at the end and performed for the first time in more than a year. Two tribute albums were released shortly before his death; Kindred Spirits contains works from established artists, while Dressed in Black contains works from many lesser-known musicians. In total, he wrote over 1,000 songs and released dozens of albums. A box set titled Unearthed was issued posthumously. It included four CDs of unreleased material recorded with Rubin, as well as a Best of Cash on American retrospective CD. The set also includes a 104-page book that discusses each track and features one of Cash`s final interviews.[148] In 1999, Cash received the Grammy Lifetime Achievement Award. In 2004, Rolling Stone ranked Cash number 31 on their `100 Greatest Artists of All Time` list[149][150] and No. 21 on their `100 Greatest Singers` list in 2010.[151] In 2012, Rolling Stone ranked Cash`s 1968 live album At Folsom Prison and 1994 studio album American Recordings at No. 88[152] and No. 366[153] in its list of the 500 greatest albums of all time. In recognition of his lifelong support of SOS Children`s Villages, his family invited friends and fans to donate to the Johnny Cash Memorial Fund in his memory. He had a personal link with the SOS village in Dießen, at the Ammersee Lake in Bavaria, near where he was stationed as a GI, and with the SOS village in Barrett Town, by Montego Bay, near his holiday home in Jamaica.[154][155] In January 2006, Cash`s lakeside home on Caudill Drive in Hendersonville was sold to Bee Gees vocalist Barry Gibb and wife Linda for $2.3 million. On April 10, 2007, during major renovation works carried out for Gibb, a fire broke out at the house, spreading quickly due to a flammable wood preservative that had been used. The building was completely destroyed.[156] One of Cash`s final collaborations with producer Rick Rubin, American V: A Hundred Highways, was released posthumously on July 4, 2006. The album debuted at number one on the Billboard Top 200 album chart for the week ending July 22, 2006. On February 23, 2010, three days before what would have been Cash`s 78th birthday, the Cash Family, Rick Rubin, and Lost Highway Records released his second posthumous record, titled American VI: Ain`t No Grave. The main street in Hendersonville, Tennessee, Highway 31E, is known as `Johnny Cash Parkway`.[157] The Johnny Cash Museum, located in one of Cash`s properties in Hendersonville until 2006, dubbed the House of Cash, was sold based on Cash`s will. Prior to this, having been closed for a number of years, the museum had been featured in Cash`s music video for `Hurt`. The house subsequently burned down during the renovation by the new owner. A new museum, founded by Shannon and Bill Miller, opened April 26, 2013, in downtown Nashville.[158] On November 2–4, 2007, the Johnny Cash Flower Pickin` Festival was held in Starkville, Mississippi, where Cash had been arrested more than 40 years earlier and held overnight at the city jail on May 11, 1965. The incident inspired Cash to write the song `Starkville City Jail`. The festival, where he was offered a symbolic posthumous pardon, honored Cash`s life and music, and was expected to become an annual event.[159] JC Unit One, Johnny Cash`s private tour bus from 1980 until 2003, was put on exhibit at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, in 2007. The museum offers public tours of the bus on a seasonal basis (it is stored during the winter and not exhibited during those times).[160] A limited-edition Forever stamp honoring Cash went on sale June 5, 2013. The stamp features a promotional picture of Cash taken around the 1963 release of Ring of Fire: The Best of Johnny Cash.[161] On October 14, 2014, the City of Folsom unveiled phase 1 of the Johnny Cash Trail to the public with a dedication and ribbon-cutting ceremony attended by Rosanne Cash. Along the trail, eight larger-than-life public art pieces will tell the story of Johnny Cash, his connection to Folsom Prison, and his epic musical career. The Johnny Cash Trail features art selected by a committee that included Cindy Cash, a 2-acre (0.81 ha) Legacy Park, and over 3 miles (4.8 km) of multi-use class-I bike trail. The artists responsible for the sculptures are Sacramento-based Romo Studios, LLC and the Fine Art Studio of Rotblatt Amrany, from Illinois.[162] In 2015, a new species of black tarantula was identified near Folsom Prison and named Aphonopelma johnnycashi in his honor. In 2016, the Nashville Sounds Minor League Baseball team added the `Country Legends Race` to its between-innings entertainment. At the middle of the fifth inning, people in oversized foam caricature costumes depicting Cash, as well as George Jones, Reba McEntire, and Dolly Parton, race around the warning track at First Horizon Park from center field to the home plate side of the first base dugout.[163] On February 8, 2018, the album Forever Words was announced, putting music to poems that Cash had written and which were published in book form in 2016.[164] Johnny Cash`s boyhood home in Dyess was listed in the National Register of Historic Places on May 2, 2018, as `Farm No. 266, Johnny Cash Boyhood Home.`[30] The Arkansas Country Music Awards honored Johnny Cash`s legacy with the Lifetime Achievement award on June 3, 2018. The ceremony was held that same date, which was a Monday night at the University of Arkansas at Little Rock in Little Rock, Arkansas. The nominations took place in early 2018.[165][166] In 2019, Sheryl Crow released a duet with Cash on her song `Redemption Day` for her final album Threads. Crow, who had originally written and recorded the song in 1996, recorded new vocals and added them to those of Cash, who recorded the song for his American VI: Ain`t No Grave album.[167] In April 2019, it was announced that the state of Arkansas would place a statue of Cash in the National Statuary Hall in an effort to represent the modern history of Arkansas. The Governor of Arkansas, Asa Hutchinson, stated that Cash`s contributions to music made him an appropriate figure to tell the story of the state.[168] Portrayals Country singer Mark Collie portrayed Cash in John Lloyd Miller`s award-winning 1999 short film I Still Miss Someone. In November 2005, Walk the Line, a biographical film about Cash`s life, was released in the United States to considerable commercial success and critical acclaim. The film featured Joaquin Phoenix as Johnny (for which he was nominated for the Academy Award for Best Actor) and Reese Witherspoon as June (for which she won the Academy Award for Best Actress). Phoenix and Witherspoon also won the Golden Globe for Best Actor in a Musical or Comedy and Best Actress in a Musical or Comedy, respectively. They both performed their own vocals in the film (with their version of `Jackson` being released as a single), and Phoenix learned to play guitar for the role. Phoenix received a Grammy Award for his contributions to the soundtrack. John Carter Cash, the son of Johnny and June, served as an executive producer. On March 12, 2006, Ring of Fire, a jukebox musical of the Cash oeuvre, debuted on Broadway at the Ethel Barrymore Theater, but closed due to harsh reviews and disappointing sales on April 30. Million Dollar Quartet, a musical portraying the early Sun recording sessions involving Cash, Elvis Presley, Jerry Lee Lewis, and Carl Perkins, debuted on Broadway on April 11, 2010. Actor Lance Guest portrayed Cash. The musical was nominated for three awards at the 2010 Tony Awards and won one. Robert Hilburn, veteran Los Angeles Times pop music critic, the journalist who accompanied Cash in his 1968 Folsom prison tour, and interviewed Cash many times throughout his life including months before his death, published a 688-page biography with 16 pages of photographs in 2013.[169] The meticulously reported biography is said to have filled in the 80% of Cash`s life that was unknown, including details about Cash`s battles with addiction and infidelity.[170][56][171] Awards and honors For detailed lists of music awards, see List of awards received by Johnny Cash. If there were a hall of fame for creating larger-than-life personae, Cash would no doubt have been elected to it as well. His 1971 song `Man in Black` codified an image that the singer had assumed naturally for more than fifteen years at that point. Part rural preacher, part outlaw Robin Hood, he was a blue-collar prophet who, dressed in stark contrast to the glinting rhinestones and shimmering psychedelia of the time, spoke truth to power. —Johnny Cash: Remembering the Incomparable Legend of Country, Rock and Roll, Rolling Stone.[172] Cash received multiple Country Music Association Awards, Grammys, and other awards, in categories ranging from vocal and spoken performances to album notes and videos. In a career that spanned almost five decades, Cash was the personification of country music to many people around the world. Cash was a musician who was not defined by a single genre. He recorded songs that could be considered rock and roll, blues, rockabilly, folk, and gospel, and exerted an influence on each of those genres. His diversity was evidenced by his presence in five major music halls of fame: the Nashville Songwriters Hall of Fame (1977), the Country Music Hall of Fame (1980), the Rock and Roll Hall of Fame (1992), GMA`s Gospel Music Hall of Fame (2010). and the Memphis Music Hall of Fame (2013).[173][174] Marking his death in 2003, Rolling Stone stated other than Elvis Presley Cash was the only artist inducted as a performer into both the Country Music Hall of Fame and the Rock and Roll Hall of Fame.[172] His contributions to the genre have been recognized by the Rockabilly Hall of Fame.[175] Cash received the Kennedy Center Honors in 1996 and stated that his induction into the Country Music Hall of Fame in 1980 was his greatest professional achievement. In 2001, he was awarded the National Medal of Arts.[176] `Hurt` was nominated for six VMAs at the 2003 MTV Video Music Awards. The only VMA the video won was that for Best Cinematography. With the video, Johnny Cash became the oldest artist ever nominated for an MTV Video Music Award.[177] Justin Timberlake, who won Best Video that year for `Cry Me a River`, said in his acceptance speech: `This is a travesty! I demand a recount. My grandfather raised me on Johnny Cash, and I think he deserves this more than any of us in here tonight.`[178] Discography Main articles: Johnny Cash albums discography, Johnny Cash singles discography, and Johnny Cash Sun Records discography See also: List of songs recorded by Johnny Cash Johnny Cash with His Hot and Blue Guitar! (1957) The Fabulous Johnny Cash (1958) Hymns by Johnny Cash (1959) Songs of Our Soil (1959) Now, There Was a Song! (1960) Ride This Train (1960) Hymns from the Heart (1962) The Sound of Johnny Cash (1962) Blood, Sweat and Tears (1963) The Christmas Spirit (1963) Keep on the Sunny Side (with the Carter Family) (1964) I Walk the Line (1964) Bitter Tears: Ballads of the American Indian (1964) Orange Blossom Special (1965) Johnny Cash Sings the Ballads of the True West (1965) Everybody Loves a Nut (1966) Happiness Is You (1966) Carryin` On with Johnny Cash & June Carter (with June Carter) (1967) From Sea to Shining Sea (1968) The Holy Land (1969) Hello, I`m Johnny Cash (1970) Man in Black (1971) A Thing Called Love (1972) America: A 200-Year Salute in Story and Song (1972) The Johnny Cash Family Christmas (1972) Any Old Wind That Blows (1973) Johnny Cash and His Woman (with June Carter Cash) (1973) Ragged Old Flag (1974) The Junkie and the Juicehead Minus Me (1974) The Johnny Cash Children`s Album (1975) Johnny Cash Sings Precious Memories (1975) John R. Cash (1975) Look at Them Beans (1975) One Piece at a Time (1976) The Last Gunfighter Ballad (1977) The Rambler (1977) I Would Like to See You Again (1978) Gone Girl (1978) Silver (1979) A Believer Sings the Truth (1979) Johnny Cash Sings with the BC Goodpasture Christian School (1979) Rockabilly Blues (1980) Classic Christmas (1980) The Baron (1981) The Adventures of Johnny Cash (1982) Johnny 99 (1983) Highwayman (with Waylon Jennings, Willie Nelson & Kris Kristofferson) (1985) Rainbow (1985) Heroes (with Waylon Jennings) (1986) Class of `55 (with Roy Orbison, Jerry Lee Lewis & Carl Perkins) (1986) Believe in Him (1986) Johnny Cash Is Coming to Town (1987) Classic Cash: Hall of Fame Series (1988) Water from the Wells of Home (1988) Boom Chicka Boom (1990) Highwayman 2 (with Waylon Jennings, Willie Nelson & Kris Kristofferson) (1990) The Mystery of Life (1991) Country Christmas (1991) American Recordings (1994) The Road Goes on Forever (with Waylon Jennings, Willie Nelson & Kris Kristofferson) (1995) American II: Unchained (1996) American III: Solitary Man (2000) American IV: The Man Comes Around (2002) My Mother`s Hymn Book (2004) American V: A Hundred Highways (2006) American VI: Ain`t No Grave (2010) Out Among the Stars (2014) Džoni Keš

Odlično stanje Jack Ma Yun[a] (Chinese: 马云; pinyin: Mǎ Yún; born 10 September 1964) is a Chinese business magnate, investor and philanthropist. He is the co-founder of Alibaba Group, a multinational technology conglomerate. In addition, Ma is also the co-founder of Yunfeng Capital, a Chinese private equity firm. As of June 2023, with a net worth of $34.5 billion, Ma is the fourth-wealthiest person in China (after Zhong Shanshan, Zhang Yiming and Ma Huateng), as well as the 39th wealthiest person in the world, ranked by Bloomberg Billionaires Index.[2] Born in Hangzhou, Zhejiang, Ma earned a Bachelor of Arts degree with a major in English upon graduating from Hangzhou Normal University in 1988. He became an English lecturer and international trade lecturer at Hangzhou Dianzi University following graduation. Later taking an interest in the emergence of the internet business, he established his first business in 1994, only to end up forming a second company after learning more about the internet and the commercial business possibilities that could be potentially exploited from its emerging growth. From 1998 to 1999, he led an information technology company founded by the Chinese government, later leaving it to start the Alibaba Group with his colleagues in 1999. The company was initially founded as B2B e-commerce marketplace website, yet the company later expanded into a wide range of industry domains across the Chinese economy, including e-commerce, high-technology, and online payment solutions. In 2017, Ma was ranked second in the annual `World`s 50 Greatest Leaders` list by Fortune.[3] He has widely been considered as an informal global ambassador in Chinese business circles, and has continued to remain an influential figure in the Chinese business community and scene of startup companies.[4] In September 2018, he announced that he would retire from Alibaba and pursue educational work, philanthropy, and environmental causes;[5][6][7][8] the following year, Daniel Zhang succeeded him as executive chairman.[9][10] In 2020, the Chinese government stopped plans for an IPO called for the digital payment solutions company Ant Group, a company that he founded after he delivered a speech that criticized Chinese financial regulators for putting too much priority in minimizing risk.[11][12] In 2019, Forbes Magazine named Ma in its list of `Asia`s 2019 Heroes of Philanthropy` for his humanitarian and philanthropic work supporting underprivileged communities in China, Africa, Australia, and the Middle East.[5][13] In April 2021, Jack Ma ranked 26th in the `2021 Forbes Global Rich List` with a fortune of $48.4 billion USD.[14] Early life and education[edit] Ma was born in Hangzhou, Zhejiang on September 10, 1964 as Ma Yun.[15] He became interested in English as a young boy and began practicing with English speakers in the Hangzhou International Hotel. Ma`s grandfather served as a security guard during the Second Sino-Japanese War. At the age of 12, Ma bought a pocket radio and began listening to English radio stations frequently. For nine years, Ma rode 27 km (17 miles) on his bicycle every day to work as a tour guide of Hangzhou for foreigners in order to practice his English. He became pen pals with one of those foreigners, who nicknamed him `Jack` because he found it hard to pronounce his Chinese name.[16] When Ma was 13 years old, he was forced to transfer to Hangzhou No. 8 Middle School as he kept getting caught in fights. In his early school days, Ma did not fare well scholastically, and it took two years for him to gain acceptance at an ordinary Chinese high school, as he only got 31 points in mathematics on the Chinese high school entrance exam. In 1982, at the age of 18, Ma failed the nation-wide Chinese college entrance exam, obtaining only 1 point in mathematics. Afterwards, he and his cousin applied to be waiters at a nearby hotel. His cousin was hired, but Ma was rejected on the grounds that he was `too skinny, too short, and in general, protruded a bad physical appearance that may have potentially ended up hurting the restaurant`s image and reputation.`[17] In 1983, Ma failed his college entrance exam again for the second time. However, his mathematics score improved, with Ma managing to obtain 19 points. In 1984, despite strong opposition from his family to persuade him to give up on pursuing higher education and choose a different career path, Ma remained steadfastly determined as he decided to take the college entrance examination for the third time. This time, he scored 89 points in the mathematics section. However, the expected amount of marks as benchmark eligibility entrance requirements for prospective university undergraduates was standardized as five points above Ma`s score. Since the enrollment target for English majors was not met, some prospective students had the opportunity to be accepted and promoted into Hangzhou Normal University`s English department, with Ma ending up promoted to the undergraduate foreign language major. After entering Hangzhou Normal University, Ma`s academic performance began to improve substantially as he steadily achieved scholarly excellence over the course of his undergraduate studies. In recognition of his burgeoning academic achievements, Ma was consistently ranked as among the top five students in the university`s foreign language department due to his extensive English-language skills. While witnessing an enormous improvement in his scholastic performance throughout his undergraduate years, Ma was also elected as the chairman of the student union, and later served as the chairman of the Hangzhou Federation of Students for two terms.[17] In 1988, Ma graduated with a Bachelor of Arts degree with a major in English.[18][19] After graduation, he became a lecturer in English and international trade at Hangzhou Dianzi University. Ma also claims to have applied to Harvard Business School ten times consecutively, only to have ended up being rejected every time in spite of his persistent efforts.[20] Business career[edit] Early career[edit] According to Ma`s autobiographical speech,[21] after graduating from Hangzhou Normal University in 1988, Ma applied for 31 different odd entry-level jobs and was rejected for every single one. `I went for a job with the KFC; they said, `you`re no good``, Ma told interviewer Charlie Rose. `I even went to KFC when it came to my city. Twenty-four people went for the job. Twenty-three were accepted. I was the only guy [rejected]...`.[22][23] During this period, China was nearing the end of its first decade following Deng Xiaoping`s economic reforms. In 1994, Ma heard about the Internet and also started his first company,[24] Hangzhou Haibo Translation Agency (杭州海波翻譯社, Hángzhōu Hǎibō Fānyì Shè), an online Chinese translation agency. In early 1995, he travelled abroad to the United States on behalf of the Hangzhou municipal government with fellow colleagues who had helped introduce him to the Internet.[24] Although he found information related to beer from many countries, he was surprised to find none from China. He also tried to search for general information about China and again was surprised to find none. So he and his friend created an `ugly` website pertaining to information regarding Chinese beer.[25] He launched the website at 9:40 AM, and by 12:30 PM he had received emails from prospective Chinese investors wishing to know more about him and his website. This was when Ma realized that the Internet had something great to offer. In April 1995, Ma and his business partner He Yibing (a computer instructor), opened the first office for China Pages, and Ma started their second company. On May 10, 1995, the pair registered the domain chinapages.com in the United States. Within a span of three years, China Pages cleared approximately 5,000,000 RMB in profit which at the time was equivalent to USD$642,998 (approximately $1.18 million today). Ma began building websites for Chinese companies with the help of friends in the United States. He said that `The day we got connected to the Web, I invited friends and TV people over to my house`, and on a very slow dial-up connection, `we waited three and a half hours and got half a page`, he recalled. `We drank, watched TV and played cards, waiting. But I was so proud. I proved the Internet existed`.[26] At a conference in 2010, Ma revealed that despite achieving massive entrepreneurial success in the Chinese high-technology industry, he has never actually written a line of code nor made one sale to a customer and that he only acquired a computer for the first time at the age of 33.[27] From 1998 to 1999, Ma headed an information technology company established by the China International Electronic Commerce Center, a department of the Ministry of Foreign Trade and Economic Cooperation. In 1999, he quit and returned to Hangzhou with his team to establish Alibaba, a Hangzhou-based business-to-business marketplace site in his apartment with a group of 18 friends.[28] He started a new round of venture development with 500,000 yuan. In October 1999 and January 2000, Alibaba won a total of a $25 million foreign venture seed capital from the American investment bank, Goldman Sachs and the Japanese investment management conglomerate SoftBank.[24] The program was expected to improve the domestic Chinese e-commerce market and perfect an e-commerce platform for online Chinese enterprises to establish a presence for themselves to compete, especially fostering the growth of Chinese small and medium-sized enterprises (SMEs) as well as addressing challenges surrounding China`s entrance into the World Trade Organization in 2001. Eventually, Alibaba began to show signs of profitability three years later as Ma wanted to improve the global e-commerce system. From 2003 onwards, Ma established Taobao Marketplace, Alipay, Ali Mama and Lynx. After the rapid rise of Taobao, American e-commerce giant eBay offered to purchase the company. However, Ma rejected their offer, instead garnering support from Yahoo co-founder Jerry Yang who offered a $1 billion investment in upfront capital for the potential purpose of expanding Alibaba`s corporate operations. Chairman of Alibaba Group[edit] Ma speaking at the 2007 China Trust Global Leaders Forum. Since 1999, Ma served as the executive chairman of Alibaba Group, which has remained one of China`s most prominent high-technology holding companies in the two decades since it inception presiding over nine major subsidiaries: Alibaba.com, Taobao Marketplace, Tmall, eTao, Alibaba Cloud Computing, Juhuasuan, 1688.com, AliExpress.com, and Alipay. At the annual general meeting of shareholders for Alibaba.com in May 2010, Ma announced Alibaba Group would begin in 2010 to earmark 0.3% of annual revenue to environmental protection, particularly on water- and air-quality improvement projects. Of the future of Alibaba, he has said, `our challenge is to help more people to make healthy money, `sustainable money`, money that is not only good for themselves but also good for the society. That`s the transformation we are aiming to make.`[29] In 2011, it was announced that one of his companies had gained control of Alipay, formerly a subsidiary of Alibaba Group, so as to `comply with Chinese law governing payment companies in order to secure a license to continue operating Alipay.[30] Numerous analysts reported that Ma sold Alipay to himself below market value without notifying the board of Alibaba Group or the other major owners Yahoo and Softbank, while Ma stated that Alibaba Group`s board of directors were aware of the transaction. The ownership dispute was resolved by Alibaba Group, Yahoo! and Softbank in July 2011.[31] In November 2012, Alibaba`s online transaction volume exceeded one trillion yuan. Ma stepped down as the chief executive officer of Alibaba on May 10, 2013 but remained as the executive chairman of the corporation. In September 2014, it was reported that Alibaba was raising over $25 billion in an initial public offering (IPO) on the New York Stock Exchange.[32] As of 2016, Ma is the owner of Château de Sours in Bordeaux, Chateau Guerry in Côtes de Bourg and Château Perenne in Blaye, Côtes de Bordeaux.[33] Ma speaking on the future of online trade and globalization at the World Economic Forum in 2017. On January 9, 2017, Ma met with United States President-elect Donald Trump at Trump Tower, to discuss the potential of 1 million job openings in the following five years through the expansion of the presence of Alibaba`s business interests in the United States.[34] On September 8, 2017, to celebrate Alibaba`s 18th year of its establishment, Ma appeared on stage and gave a Michael Jackson-inspired performance. He also performed a partial rendition of Elton John`s 1994 hit single Can You Feel The Love Tonight while being dressed up as a lead heavy metal singer at a 2009 Alibaba birthday event.[35] In the same month, Ma also partnered with Hong Kong business tycoon, Sir Li Ka-shing in a joint venture to offer a digital wallet service in Hong Kong.[36] Ma announced on September 10, 2018 that he would step down as executive chairman of Alibaba Group Holding in the coming year.[37] Ma denied reports that he was forced to step aside by the Chinese government[38] and stated that he wants to focus on philanthropy through his foundation.[39] Daniel Zhang would then lead Alibaba as the current executive chairman.[40][10] Ma stepped down from the board of Alibaba on 1 October 2020.[41] Disappearance from the public eye[edit] News outlets noted a lack of public appearances from Ma between October 2020 and January 2021, coinciding with a regulatory crackdown on his businesses.[42] The Financial Times reported that the disappearance may have been connected to a speech given at the annual People`s Bank of China financial markets forum,[43] in which Ma criticized China`s regulators and banks.[43] In November 2020, the Financial Times reported the abrupt cancellation of the Ant Group`s anticipated[44] initial public offering (IPO)[45] after an intervention by financial regulators. According to Chinese bankers and officials, financial stability was the objective behind the intervention.[43] Some commentators speculated that Ma may have been a victim of forced disappearance,[46][47][48][49] while others speculated that he could be voluntarily lying low.[46][50] Ma made a public appearance again on 20 January 2021, speaking via video link to a group of rural teachers at a charitable event, the annual Rural Teacher Initiative.[42][51] In February 2021, Bloomberg reported that he was seen golfing at the Sun Valley Golf Resort in the Chinese island of Hainan.[52] In March 2021, Ma and Alibaba were ordered by Chinese regulators to sell off certain media companies, including Hong Kong`s South China Morning Post, as part of a Chinese campaign to curb the influence wielded by giant digital conglomerates.[53] In October 2021, Reuters reported Ma was on the Spanish island of Mallorca shopping at a local store. His superyacht was anchored in the Port of Andratx.[54] In November 2022, Ma was reportedly living a low profile life in Tokyo, Japan, for nearly six months, and occasionally traveling abroad.[55] In March 2023, Ma was spotted for the first time at the Yungu school in Hangzhou, China. Photos and videos of Ma touring the school appeared on social media confirming the appearance of the billionaire for the first time in several months. The school is funded by his company and is located near the company`s headquarters.[56] He was reportedly persuaded to return by premier Li Qiang.[57] In the same month, Alibaba Group would turn into a holding company and its subsidiaries would separate into six independent firms; The Wall Street Journal reported on 30 March that Ma engineered this in talks with company CEO Daniel Zhang while he was overseas.[58] Teaching[edit] In May 2023, Tokyo College, a research institute at the University of Tokyo, announced that Ma had been appointed a Visiting Professor and would work at the institute until at least October 2023.[59] His research focus would include sustainable agriculture, food production, and lectures on entrepreneurship. The Financial Times described the announcement as `a rare public statement of the billionaire`s commitments outside China.`[60] Entertainment career[edit] In 2017, Ma made his acting debut with his first kung fu short film Gong Shou Dao. It was filmed in collaboration with the Double 11 Shopping Carnival Singles` Day. In the same year, he also participated in a singing festival and performed dances during Alibaba`s 18th-anniversary party.[61][62][63] In November 2020, in the finale of Africa’s Business Heroes, Ma was replaced as a judge in the television show, with Alibaba executive Peng Lei taking his place, reportedly `Due to a schedule conflict`.[64] Awards and honors[edit] In 2004, Ma was honored as one of the `Top 10 Economic Personalities of the Year` by China Central Television (CCTV).[65] In September 2005, the World Economic Forum selected Ma as a `Young Global Leader`.[65] Fortune also selected him as one of the `25 Most Powerful Businesspeople in Asia` in 2005.[65] Businessweek also selected him as a `Businessperson of the Year` in 2007.[66] In 2008, Barron`s featured him as one of the 30 `World`s Best CEOs`[67] In May 2009, Time magazine listed Ma as one of the world`s 100 most powerful people. In reporting Ma`s accomplishments, Adi Ignatius, former Time senior editor and editor-in-chief of the Harvard Business Review, noted that `the Chinese Internet entrepreneur is soft-spoken and elf-like—and he speaks really good English` and remarked that `Taobao.com, Mr. Ma`s consumer-auction website, conquered eBay in China.`[68] He was also included in this list in 2014.[69] BusinessWeek chose him as one of China`s Most Powerful People.[70] Forbes China also selected him as one of the Top 10 Most Respected Entrepreneurs in China by in 2009. Ma received the 2009 CCTV Economic Person of the Year: Business Leaders of the Decade Award. In 2010, Ma was selected by Forbes Asia as one of Asia`s Heroes of Philanthropy for his contribution to disaster relief and poverty.[71] Ma was awarded an honorary doctoral degree by the Hong Kong University of Science and Technology in November 2013.[72] Ma was a board member of Japan`s SoftBank (2007–2020)[73] and China`s Huayi Brothers Media Corporation.[citation needed] He became a trustee of The Nature Conservancy`s China program in 2009 and joined its global board of directors in April 2010. In 2013, he became chairman of the board for The Nature Conservancy`s China Program; this was one day after he stepped down from Alibaba as company CEO.[74][75] In 2014, he was ranked as the 30th-most-powerful person in the world in an annual ranking published by Forbes.[76] In 2015, Asian Award honoured him with the Entrepreneur of the Year award.[77] In 2016, he was awarded the Chevalier of the French Legion of Honour by French Minister of Foreign Affairs and International Development Laurent Fabius.[78] In 2017, Fortune ranked Ma second on its World`s 50 Greatest Leaders list.[79] In 2017, a KPMG survey ranked Ma third in global tech innovation visionary survey.[80] In October 2017, Ma was given an honorary degree of Doctor of Science in Technopreneurship from De La Salle University Manila, Philippines.[81] In May 2018, Ma was given an honorary degree of Doctor of Social Sciences by the University of Hong Kong in recognition of his contributions to technology, society and the world.[82] In May 2018, Ma received an honorary doctorate from professors Yaakov Frenkel and Yaron Oz at the Tel Aviv University.[83] In May 2019, Ma and other 16 influential global figures were appointed by Secretary-General of the United Nations as the new advocates for sustainable development goals.[84] In July 2020, Ma received from King Abdullah II a first class medal for his contribution in fighting back against the COVID-19 pandemic.[85] In August 2020, Ma was to receive from the President of Pakistan a Hilal e Quaid e Azam medal for his contribution in fighting back against the COVID-19 pandemic.[86] Views[edit] Ma is an adherent of both Buddhism and Taoism.[87][88][89] On September 24, 2014, in an interview with Taobao, Ma attributed the strength of American society to the country being rooted in its Judeo-Christian heritage and expressed his belief in the importance for China to implement a positive value system in order to overcome the aftermath and legacy of the bygone Cultural Revolution.[90] In November 2018, the People`s Daily identified Ma as a member of the Chinese Communist Party, something which surprised observers.[91][92][93] Ma received international criticism after he publicly endorsed the Chinese work practice known as the 996 working hour system.[94] When asked in 2019 to give his views on the future, Ma again stated that 996 was currently a `huge blessing` necessary to achieve success, but went on to state that artificial intelligence technology might lead to a better life of leisure in the future, where people would only have to work four-hour work days, three days a week.[95][96] At the same time, Ma expressed skepticism that AI could ever completely replace people, referencing to his theory that success requires a `love quotient` and stating that machines can never match this success. Ma also predicted that population collapse would become a big problem in the future.[97][98] Philanthropy[edit] Main article: Jack Ma Foundation Jack Ma is the founder of the Jack Ma Foundation, a philanthropic organization focused on improving education, the environment and public health.[99] In 2008, Alibaba donated $808,000 to victims of the Sichuan earthquake.[100] In 2009 Jack Ma became a trustee of The Nature Conservancy`s China program, and in 2010 he joined the global Board of Directors of the organization.[101] In 2015, Alibaba launched a nonprofit organization, Alibaba Hong Kong Young Entrepreneurs Foundation, which supports Hong Kong entrepreneurs to help them grow their businesses.[102][103] In the same year, the company funded the rebuilding of 1,000 houses damaged by the earthquake-hit in Nepal, and raised money for another 9,000.[104] In 2015 he also founded the Hupan School,[105] a business school. In September 2018 Ma started the Jack Ma Foundation and announced that he would retire from Alibaba to pursue educational work, philanthropy, and environmental causes.[5][6][7][8] In 2019, Forbes named Ma in its list of `Asia`s 2019 Heroes of Philanthropy` and awarded him the Malcolm S. Forbes Lifetime Achievement Award for his work supporting underprivileged communities in China, Africa, Australia, and the Middle East.[5][13] In 2020, in response to the COVID-19 pandemic, the Alibaba Foundation and Jack Ma Foundation launched various initiatives, some of which involved donating medical supplies to the United States as well as various countries in Asia, Africa, and Europe.[106][107]

Odlično Rumunska književnost Poezija Geo Bogza (Romanian pronunciation: [ˈd͡ʒe.o ˈboɡza]; born Gheorghe Bogza; February 6, 1908 – September 14, 1993) was a Romanian avant-garde theorist, poet, and journalist, known for his left-wing and communist political convictions. As a young man in the interwar period, he was known as a rebel and was one of the most influential Romanian Surrealists. Several of his controversial poems twice led to his imprisonment on grounds of obscenity, and saw him partake in the conflict between young and old Romanian writers, as well as in the confrontation between the avant-garde and the far right. At a later stage, Bogza won acclaim for his many and accomplished reportage pieces, being one of the first to cultivate the genre in Romanian literature, and using it as a venue for social criticism. After the establishment of Communist Romania, Bogza adapted his style to Socialist realism, and became one of the most important literary figures to have serviced the government. With time, he became a subtle critic of the regime, especially under the rule of Nicolae Ceaușescu, when he adopted a dissident position. Beginning in the late 1960s, he publicized his uncomfortable attitudes as subtext to apparently innocent articles and essays. An editor for Viața Românească and România Literară magazines, Geo Bogza was one of the leaders of the Romanian Writers` Union and a member of the Romanian Academy. He was the older brother of Radu Tudoran, himself a known writer, whose political choices were in stark contrast with those of Geo Bogza, and made Tudoran the object of communist persecution. Bogza had lifelong contacts with some representatives of the Romanian avant-garde, among them Victor Brauner, Max Blecher, Sesto Pals, Sașa Pană, and Paul Păun, and was friends with, among others, the essayist and theologian Nicolae Steinhardt, the dissident Gheorghe Ursu, and the filmmaker Mircea Săucan. Biography[edit] Early years and the avant-garde[edit] Geo Bogza was born in Blejoi, Prahova County. At one point during the late 1930s, Bogza was irritated after reading an article authored by one of his fascist adversaries, Alexandru Hodoș (later a member of the Iron Guard). Hodoș implied that Bogza was not an ethnic Romanian, which prompted the latter to elaborate on his origins and his name.[1][2] Bogza refuted the allegation by indicating that his father was originally from the village of Bogzești, in Secuieni, Neamț County, and that his mother (née Georgescu) was the daughter of a Romanian Transylvanian activist who had fled from Austria-Hungary to the Kingdom of Romania.[1][2] The lineage was confirmed by literary critic George Călinescu as part of a short biographical essay.[3] Geo Bogza, who indicated that he was baptized Romanian Orthodox, also stressed that his given name, Gheorghe, had been turned into the hypocoristic Geo while he was still a child, and that he had come to prefer the shortened form.[1][2] During the early stages of his career, he is known to have signed writings with the name George Bogza (George being a variant of Gheorghe).[1][2] Bogza attended school in Ploiești and trained as a sailor at the Naval Academy in Constanța, but never sought employment in the Romanian Naval Forces.[1] Until the age of 28, he made part of his income as a sailor on a commercial vessel.[3] He returned to his native Prahova County, lived in Buștenari, and eventually settled in Bucharest. In 1927, he made his debut in poetry, writing for the Prahova-based modernist magazine Câmpina, which was edited by poet Alexandru Tudor-Miu.[1][2] The following year, he contributed to Sașa Pană`s avant-garde magazine unu (also known as Unu), edited a short-lived Surrealist and anti-bourgeois magazine that drew inspiration from Urmuz (and was titled after that writer),[1][2][4] and published in Tudor Arghezi`s Bilete de Papagal.[1][2][5] Arghezi admired the younger writer, and he is credited with having suggested the name Urmuz for the magazine.[1] During that period, Geo Bogza became one of the most recognizable young rebellious authors, a category that also included, among others, Marcel Avramescu, Gherasim Luca, Paul Păun, Constantin Nisipeanu, and Sesto Pals.[6][7] In time, he became a noted contributor to the leftist and socialist press, and one of the most respected Romanian authors of reportage prose. One of his articles-manifestos read: `I always had the uncomfortable impression that any beauty may enter the consciousness of a bourgeois only on all fours [italics in the original].`[1][2] Writing for Urmuz, he condemned convention as `a false sun` and `intellectual acrobatics`, depicting his magazine as `a lash that whips the mind`.[4] Winning the praise of his fellow young authors Stephan Roll and Ilarie Voronca,[8] he was criticized by prominent literary figure George Călinescu, who accused him of `priapism`,[3][8] based on Bogza`s irreverent tone and erotic imagery. It was also during the late 1920s that Bogza began touring the Prahova Valley, becoming a close observer of local life in the shadow of the oil industry.[1] He had a conflict with Tudor-Miu in August 1928, after the latter modified a poem Bogza sent to be published in Câmpina—the two reconciled later in the year, and later wrote a special poem for its one-year anniversary.[1] His collaboration with Pană, Roll, Ion Vinea, Simion Stolnicu, and others led to the ad hoc establishment of a literary group, which was defined by writer and critic Camil Petrescu as `the revolutionaries from Câmpina` (after the town where Bogza spend much of his time).[1] Among other writers who joined Bogza in publishing the five issues of Urmuz were Voronca and the Dadaist Tristan Tzara.[4] He also established a friendship and collaboration with the photographer Iosif Bernea[9] and the painter Victor Brauner,[4] and was close to the writer and future Orthodox hermit Nicolae Steinhardt.[10] After 1930, he was involved in polemics with traditionalist young authors, including poet Otilia Cazimir (whom he accused of writing with `hypocrisy`) and members of the eclectic grouping known as Criterion (who, he claimed, were guilty of `ridicule and opportunism`).[1] His relations with Arghezi also grew more distant, after Bogza expressed disapproval for Arghezi`s 1930 decision to collaborate with the Romanian Radio—Geo Bogza drew attention to his older colleague`s previous public statements, in which he had criticized the national station on various grounds.[1] Early in his youth, while in Buștenari, Geo Bogza met and fell in love with Elisabeta (also known as Bunty), whom he married soon after.[3][8] Their love affair was celebrated by Bogza`s friend Nicolae Tzone, who also stated that she `lived simply and without any sort of commotion in his shadow`.[8] Initially, the couple lived in Sașa Pană`s Bucharest house, and, for a while afterwards, at the headquarters of unu.[1] In old age, he spoke of one of these lodgings as `an unsanitary loft, where one would either suffocate from the heat or starve with cold.`[11] Trials and jail terms[edit] Bogza`s work was at the center of scandals in the 1930s: he was first arrested on charges of having produced pornography in 1930, for his Sex Diary, and was temporarily held in Văcărești Prison, until being acquitted.[1][2][6][8] At the time, he responded to the hostile atmosphere by publishing an article in unu which included the words `ACADEMICIANS, SHAVE YOUR BRAINS! [capitals in the original]`[1][2][6][8] (also rendered as `disinfect your brains!`).[4] In reference to his trial, the magazine unu wrote: `Bogza will be tried and receive punishment for having the imprudence of not letting himself be macerated by «proper behavior», for having dunked his arms down to the feces, for having raised them up to his nose, smelling them and then spattering all those who were dabbling with their nostrils unperceptive of his exasperated nature.`[1][2] Other positive reactions to his writings notably included that of teachers at a high school in Ploiești, who invited him to attend a celebration marking the start of the school year.[1] Reportedly, Bogza asked to be defended by Ionel Teodoreanu, a known writer who had training in law, but he was ultimately represented by Ionel Jianu.[6] After his success in court, he issued business cards reading: `GEO BOGZA/ACQUITTED/NOVEMBER 28, 1932 [capitals in the original]`.[6] Late in 1933, he edited a new magazine, titled Viața Imediată (`The Immediate Life`), of which only one issue was ever published.[12] Its cover photograph showed a group of derelict workers (it was titled Melacolia celor șezând pe lângă ziduri, `The Melancholy of Those Sitting by the Walls`).[12] The same year, he was taken into custody for a second time, after publishing his Offensive Poem—which depicted his sexual encounter with a servant girl[13]—and was sentenced to six days in jail; in 1937, at the same time as H. Bonciu, Bogza again served time for Offensive Poem,[6][8][14] after the matter was brought up by Ioan Alexandru Brătescu-Voinești on behalf of the Romanian Academy.[8][14] Similar demands for punishment were voiced by historian Nicolae Iorga and by the poet and fascist politician Octavian Goga.[8] Bogza was frequently attacked by Iorga`s nationalist magazine Cuget Clar.[15] During the same period, his friends and fellow Surrealists Luca and Pals were also jailed on similar charges, after they were denounced by Iorga.[6][7][16] Other young authors imprisoned on such grounds included Păun, Aurel Baranga, and Jules Perahim.[6] Writing for Azi, a review edited by Zaharia Stancu, Bogza dismissed the accusation as a cover-up for an increase in authoritarianism as King Carol II was attempting to compete with the fascist Iron Guard.[17] The latter`s press welcomed the move, and, using strong antisemitic language, instigated the authorities to intervene in similar cases of alleged obscenity—which it viewed as characteristic of both Surrealism and the Jewish-Romanian authors who were associated with Bogza.[18] In 1934, while visiting Brașov in the company of his wife, Bogza met Max Blecher, a young man who was beddriden by Pott`s disease and had started work on the novel later known as Întâmplări din irealitatea imediată (`Events in Immediate Unreality`).[19] The three were to become good friends, and Bogza encouraged him to continue writing.[19] Adoption of communism and official status[edit] His growing sympathy for communism and his connections with the outlawed Romanian Communist Party (PCR) made Bogza a target of the authorities` surveillance. Siguranța Statului, the country`s secret service, kept a file on him, which contained regular reports by unknown informers.[20] One of them claims: `given that he was a communist, [Bogza] covered the puberty of his writing in the cape of social revolt.`[20] Late in 1937, Geo Bogza traveled to Spain as a war correspondent in the Civil War, supporting the Republican side.[2][13][20][21] His position of the time drew comparisons with those of other leftist intellectuals who campaigned against or fought Nationalist forces, including W. H. Auden and George Orwell.[21] He was accompanied on this journey by Constantin Lucreția Vâlceanu, who had ambitions of becoming a writer, and whom Bogza asked to contribute to a never-completed novel inspired by the war.[20] Soon after their return, in what was a surprising gesture, Vâlceanu split with the leftist camp and rallied with the Iron Guard.[20] The writer had grown close to the PCR, but their relations soured c. 1940, when Bogza was confronted with news that the Soviet Union and Nazi Germany had signed a non-aggression pact.[20] Physician G. Brătescu, who maintained contacts with Sașa Pană and other figures in the Romanian avant-garde and, like him, was then a Communist Party militant, recorded that, by 1943, there was a hint of tension between Pană and Bogza.[12] Bogza did not however cut off links with Surrealism, and was one of the few to be acquainted with the literature of his friend Sesto Pals, which he later helped promote at home and abroad.[16] After World War II and the establishment of a communist regime, the writer adopted and included in his works the themes of Socialist realism,[22] and was awarded several honors.[23] During the 1950s, he traveled extensively to the Soviet Union[24] and Latin America, writing several works on topics such as Decolonization.[25] In 1955, Bogza became a full member of the Romanian Academy. Historian Vladimir Tismăneanu indicated that he was one of the few genuine left-wing intellectuals associated with the regime during the 1950s—alongside Anatol E. Baconsky, Ovid Crohmălniceanu, Geo Dumitrescu, Petru Dumitriu, Paul Georgescu, Gheorghe Haupt, Eugen Jebeleanu, Mihail Petroveanu, and Nicolae Tertulian.[26] According to Tismăneanu, this group was able to interpret the cultural policies endorsed by Romania`s leader Gheorghe Gheorghiu-Dej after the Hungarian Revolution of 1956 threatened to disrupt communism in neighboring countries, when the regime turned against advocates of liberalization such as Miron Constantinescu, Mihail Davidoglu, Alexandru Jar, and Ion Vitner.[26] Commenting on this, Tismăneanu noted that Geo Bogza and all others failed to distance himself from the new repressive mood, and that the group`s silence indirectly helped chief ideologist Leonte Răutu and his subordinate Mihai Beniuc to restore effective control over the Romanian Writers` Union.[26] Bogza was, however, skeptical about the goals of the PCR, and his support for it was much reduced in time. Literary historian Eugen Simion discussed the writer`s effort to tone down the scale of cultural repression, and included him among the `decent men` to have done so.[27] Bogza`s brother Radu Tudoran, an anti-communist who had risked a prison sentence in the late 1940s after attempting to flee the country, was condemned by the communist press, and lived in relative obscurity.[28] In 1958, Geo Bogza himself was exposed to official criticism in the official Communist Party paper, Scînteia, which claimed that he and other writers had been exposed to `bourgeois tendencies` and `cosmopolitanism`, no longer caring about `the desires of the Romanian people`.[29] This subject drew attention in the Socialist Federal Republic of Yugoslavia, a country which, under Josip Broz Tito, had engaged on an independent path and was criticizing the Eastern Bloc countries for their commitment to Stalinism (see Titoism). In an article he contributed to Borba, Yugoslav writer Marko Ristić, who spoke of the Romanian as `my friend [...], the nostalgic, gifted and loyal Geo Bogza`, took the Scînteia campaign as proof that the Gheorghiu-Dej regime was still reminiscent of Joseph Stalin`s.[29] Ristić, who feared the purpose and effect such attacks had on Romanian culture, noted that Bogza had `in vain, done his utmost, by trying to adapt himself to the circumstances, not to betray himself, even in the period when Stalin alone [...] was solving esthetic problems, appraising artistic works and giving the tone in his well-known method.`[29] In February 1965, as Gheorghiu-Dej was succumbing to cancer, the Writers` Union Conference facilitated an unprecedented attack on Socialist Realism.[30] This dispute saw writers attacking Union president Beniuc, who was identified with Stalinism—as a result of the confrontation, in what was an early sign of liberalization, Beniuc was dismissed from his post, and replaced with Zaharia Stancu.[30][31] According to literary historian Valeriu Râpeanu, Bogza, who attended the Conference, went so far as to demand that Beniuc`s chair be burned.[31] In opposition to Ceaușescu[edit] A member of the Writers` Union leadership board after 1965, he was editor of the influential literary magazine Viața Românească.[32] Despite his official status, Bogza himself was critical of the adoption of nationalist themes in official discourse after the ascendancy of Nicolae Ceaușescu in the 1960s.[33] The new doctrine, eventually consecrated in Ceaușescu`s July Theses, saw him taking the opposing side: during the early 1970s, Bogza published pieces in which he voiced covert criticism of the new policies.[34] Tismăneanu cited him among the most important intellectuals of various backgrounds to have done so, in a class also comprising members of the Oniric group, as well as the cultural figures Jebeleanu, Ion Caraion, Ștefan Augustin Doinaș, Dan Hăulică, Nicolae Manolescu, Alexandru Paleologu, and Mircea Zaciu.[34] His nonconformist stance drew comparisons with that assumed by his generation colleague, the ethnic Hungarian poet and prominent Writers` Union member József Méliusz.[32] In 1976, Bogza discussed the issue of disappointment, stating: `Life is not like a tournament, but like an outage. From the first to the last day.`[35] In reference to such an attitude, which believed was related the political context, literary critic and novelist B. Elvin, himself a former leftist and dissident, saw in Bogza a symbol of `verticality, refusal, contempt`.[35] Bogza was nonetheless often ambiguous in his relations with the authorities, while his public statements oscillated between covert satire and open praise.[5] Between 1966 and 1973, he was a contributor to Contemporanul magazine, and was well known in Romania for regularly publishing short essays in that magazine[5][32] (some of them were also read on national radio).[5] Bogza also had a permanent column in the influential magazine România Literară.[36] His gestures of defiance include his display of support for Lucian Pintilie, a director whose work was being censored. In 1968, having just seen Pintilie`s subversive film The Reenactment shortly before it was banned, Bogza scribbled in the snow set on the director`s car the words: `Long live Pintilie! The humble Geo Bogza`; the statement was recorded with alarm by agents of Romania`s secret police, the Securitate, who had witnessed the incident.[37] In the 1970s, Bogza and several of his Writers` Union colleagues became involved in a bitter conflict with the nationalist Săptămâna magazine, which was led by novelist Eugen Barbu (who was also one of the persons overseeing censorship in Communist Romania). In 1979, România Literară published evidence that, in his writings, Barbu had plagiarized works of Russian literature. Rumors spread that Geo Bogza had orchestrated the scandal, after he had been confronted with an initiative to transform the Union into a `Union of Communist Writers`.[38] The latter initiative was recorded by the Securitate, who, in a report of 1978, attributed it to Barbu and poet Adrian Păunescu.[38] According to various speculations made ever since, Bogza contacted one of Barbu`s former protegés, who admitted that he had earlier copied texts by various authors to be selectively included in Eugen Barbu`s novels.[38] In autumn 1980, the Securitate, was alarmed of his alleged intention to condemn the country`s officials for allowing antisemitism to be expressed in the press. This came after nationalist poet Corneliu Vadim Tudor signed an article in Săptămâna, which outraged representatives of the Jewish community. Romania`s Chief Rabbi, Moses Rosen, was quoted saying that Tudor`s piece was evidence of `fascism` and the prosecutable offense of `instigations to racial hatred`.[39] A Securitate note, published by Ziua journal in 2004, claimed that Rosen was preparing to bring up for debate the issue of antisemitism in Romanian society, and depicted Bogza, alongside Jebeleanu and Dan Deșliu, as `exercising influence` over the Rabbi in order to have him `publicly demand the unmasking of «antisemitism» in the S[ocialist] R[epublic] of Romania`.[39] End of communism and final years[edit] Bogza was also close to the outspoken dissident Gheorghe Ursu (who, in 1985, was beaten to death on orders from the Securitate), as well as to filmmaker Mircea Săucan, himself an adversary of the communist regime.[40] One theory attributes Ursu`s violent death to him having refused to incriminate his writer friends during interrogations—among those whose activities may have interested the investigators were Bogza, Nina Cassian, and Iordan Chimet.[41] In late March 1989, ten months before the Romanian Revolution overthrew communism, Bogza, together with Paleologu, Doinaș, Hăulică, Octavian Paler, Mihail Șora, and Andrei Pleșu, signed the Letter of the Seven, addressed to Dumitru Radu Popescu (head of the Writers` Union) in protest over poet Mircea Dinescu`s house arrest by the Securitate.[42][43] Yosef Govrin, who served as Israel`s Ambassador to Romania during the era, commented on the document, which was sent to members of the diplomatic corps and to other circles: `Despite its restrained style, the letter sharply accused the Writers` Union for not having defended its members and for the alienation rife between Romanian culture and its themes.`[42] During the final stages of his life, Geo Bogza granted a series of interviews to journalist Diana Turconi, who published them as Eu sunt ținta (`I Am the Target`).[1] He died in Bucharest, after a period during which he was interned at the local Elias Hospital. Work[edit] Avant-garde aesthetics[edit] Geo Bogza`s lifelong but uneven involvement with Surrealism has endured as a topic of interest, and was considered by many to have resulted in some of his best writings. Bogza was defined by art critic S. A. Mansbach as `the most scandalous of Romania`s avant-garde poets and editor of and contributor to a plethora of its radical publications`, while Sex Diary was argued to be `the touchstone of Romania`s emerging Surrealist avant-garde`.[4] In 1992, the American avant-garde magazine Exquisite Corpse accompanied some of his early poems with the observation `It is the younger Bogza we love.`[13] Much of Bogza`s work is related to social criticism, reflecting his political convictions. This was the case in many of his reportage and satirical pieces. In reference to this trait, Mihuleac commented that the 20-year-old Bogza was in some ways a predecessor of later generations of protesters, such as the American Beatniks and the United Kingdom`s `angry young men`.[5] In 1932, Bogza stated: `We write not because we wish to become writers, but because we are doomed to write, just as we would be condemned to insanity, to suicide.`[1] The young Bogza made obscenity an aesthetic credo. Shortly after his acquittal, he wrote: `In order to reach a new form of nobility, one is required, beforehand, to vaccinate one`s soul with mud.`[2] He elaborated: `The word must be stripped of the unctuous senses that have come to depose themselves on it. Cleansed of ash. The flame inside kindled, for the introduction of words, like that of women, is [currently] a privilege reserved for the great landowners.`[1][2] Geo Bogza`s spoke in defense of taboo words such as căcat (`shit`) and țâță (`tit`), arguing that the original frankness of Romanian profanity had been corrupted by modern society.[1] One of his usual and highly controversial poems of the period read: Adunați pe întâiul meridian al sexului proxeneții continentelor au hotărât să aleagă marele Mongol al vaginurilor Pentru cele mai frumoase fete ale popoarelor ziarele continentale au întocmit elogii pe mii de coloane Pentru bijuteria vaginului premiat miliardarii continentelor își ascut în umbră phalusul lor de aur.[1][2] Gathered on the first meridian of sex the pimps of the continents have decided to elect a great mogul of the vaginae For the most beautiful girls of the peoples the continental newspapers have composed eulogies on thousands of columns For the jewel of the prized vagina the billionaires of the continents sharpen their golden phallus in the shadows. As a youth, he extended his protest to the cultural establishment as a whole—while visiting the high school in Ploieşti, where he was supposed to address the staff, he attacked local educational institutions for `taking care to castrate [...] the glands of any outright affirmation`, and for resembling `the Bastille`.[1][2] In his early prose poems, Bogza addressed workers in the oil industry in his native Prahova, claiming to define himself in relation to their work (while still appealing to the imagery of filth). The series has been defined by critic Constantin Stănescu as poems `rehabilitating, among other things, the compromised «genre» of the social poem`.[2] One such piece, published in 1929 and titled Poem cu erou (`Poem with a Hero`), documented the unusual death of a roughneck named Nicolae Ilie, who burned after his clothes caught fire.[1][2] The incident was discussed in the press of his day, and the poet is credited with having personally aided in publicizing it.[1] Bogza allegorically spoke of feeling `the țuică and pumpkin-like` smell of Nicolae Ilie`s feces `every time I raise a loaf of bread or a mug of milk to my mouth`.[2] He wrote: Mă rog de tine, Nicolae Ilie, mântuiește-mă de cumplita duhoare putrezește mai curând topește-te în pământ și rămâi numai oase albe cum se cuvine unui martir.[2] I pray of thee, Nicolae Ilie, deliver me from the awful stench putrefy quicker melt in the earth and remain just white bones as is befitting of a martyr. He extended an appeal to the oil industry workers, in which he identify oil with foulness and with himself: Eu, care sunt mârșav și violent, și care asemeni dealurilor petrolifere am mocnit întotdeauna ceva groaznic în măruntaiele mele eu, care pângăresc tot ce ating eu, care asemeni petrolului sunt cum nu se poate mai pătimaș și izbucnesc din mine și nu-mi pasă de prăpădul pe care îl aduc în lume. Eu, acesta, vă voi vorbi despre petrol și crimele lui.[2] I, who am black and ugly, who, like the oil-bearing hills, have always had something horrible smoldering in my innards, I, who soil and destroy everything I touch, who am as foul, fervent and ignorant as oil and, like it, explode without caring about the calamity my words bring into the world. That`s me. Now I will tell you about oil and its crimes.[4] In another one of his earliest poetry works (Destrămări la ore fixe, `Unravellings at Pre-Convened Hours`), Geo Bogza elaborated on the theme of melancholy and loss: Mari, ca și mici, ne paște același program; un clopoțel suna atunci la ora de geografie; azi clopotele catedralei în aer se destram se tânguiesc chemând, la ora de melancolie. Mă doare caietul pe care m-ai iscălit tu în el am vrut să conturez un suflet nebulos – dacă vei bate la ușe – eu am să strig: NU! fiindcă m-ai găsi împrăștiat, în țăndări, pe jos.[1] Big and small alike, we are destined to the same program; a school bell was sounding the geography class; nowadays the cathedral bells decompose in the air they bewail calling, to the melancholy class. My notebook that you signed hurts me presently in it, I wished to contour a nebulous soul —if you should knock on the door—I will shout: NO! because you would find me scattered, splintered, on the ground. Reportage and agitprop[edit] One of the first and most acclaimed authors of reportage in Romanian literature, Bogza was credited by journalist Cătălin Mihuleac with establishing and `ennobling` the genre.[5] He is occasionally cited alongside his contemporary F. Brunea-Fox, whose equally famous reportages were less artistic and had more to do with investigative journalism.[44] Mihuleac, who noted that Bogza was `unnervingly talented`, also argued that: `Romanian journalism is indebted to Geo Bogza more than to anyone else.`[5] Also according to Mihuleac, Bogza went through a radical change around 1935, when his writing turned professional and his subjects turned from `himself` to `the multitudes`.[5] This writings were eventually structured into two main series: Cartea Oltului (`The Book of the Olt River`), and Țări de piatră, de foc, de pământ (`Lands of Stone, Fire, Earth`).[5][45] The writer traveled the land in search of subjects, and the results of these investigations were acclaimed for their power of suggestion and observation.[5][45] One of his reportages of the period notably discussed the widespread poverty he had encountered during his travels to the eastern province of Bessarabia, and was titled Basarabia: Țară de pământ (`Bessarabia: Land of Soil`).[46] In it, the writer spoke of how most tailors were almost always commissioned by locals not to produce new clothes, but to mend old ones (at a time when the larger part of family incomes in the region were spent on food and clothing).[46] He toured the impoverished areas of Bucharest, recording activities around the city landfill and the lives of dog catchers who gassed their victims and turned them into cheap soap.[5] George Călinescu proposed that, `although written in the most normal of syntaxes`, his pieces were still connected with avant-garde styles such as Surrealism and Dada, and answered to a call issued by unu`s Paul Sterian to seek life at its purest.[3] In parallel, Călinescu contended, Bogza`s path mirrored those of Italian Futurists such as Ardengo Soffici and Filippo Tommaso Marinetti and that of the French Hussards leader Paul Morand.[3] A reportage authored after Bogza visited the town of Mizil was also a study in experimental literature.[47] Titled 175 de minute la Mizil (`175 Minutes in Mizil`), it has been summarized as `the adventure of the banal`, and, together with a satirical sketch by his predecessor Ion Luca Caragiale, credited with having helped impress on the public Mizil`s image as a place where nothing important ever happens.[47] Similarly, his travels in Bessarabia saw him depicting Hotin as the epitome of desert places and Bălți as the source of `a pestilent stench`.[48] In one of his satirical pieces, Bogza mocked the Romanian Post seemingly excessive regulations to have writing utensils made available for the public, but secured in place with a string: `A million penholders stolen in Romania would almost be an act of culture. And one would [consequently] forget the degrading spectacle of people writing with chained penholders. Of what importance would any loss be, compared with the beauty of penholders having been set free?`[5] The next stage in Bogza`s literary career was described by Mihuleac as `embarrassing`.[5] This was in reference to his assimilation of communist tenets, and his willingness to offer praise to the official heroes of Communist Party history such as Vasile Roaită (a participant in the Grivița Strike of 1933).[5] In one such article, Bogza claimed to have witnessed the sight of proletarians who were living in `new and white-painted houses` and had manufactured business cards for themselves, proudly advertising their qualifications in the field of work and positions in the state-run factory.[5] More controversial still was his agitprop piece of 1950, Începutul epopeii (`The Start of the Epic`). The text praised the regime for designing and ordering work to begin on the Danube–Black Sea Canal, which, in reality, was to prove one of the harshest sites for penal labor, where thousands of political prisoners were to be killed.[49] Historian Adrian Cioroianu cited the reportage, alongside Petru Dumitriu`s Drum fără pulbere and other writings of the time, as an example of `mobilizing-deferential literature`.[49] He summarized the content of such texts as claiming to depict a `final battle, of mythological proportions, between the old and new Romania—offering [...] a clear prognostic in respect to who would win.`[49] Subtle dissent[edit] During the Ceaușescu years, Bogza developed a unique style, which, under the cover of apparently insignificant and docile metaphors, hid subversive messages.[5] According to Mihuleac, the writer was critical of his own position in relation to the Communist Party and explained it as a compromise—he believed this message to be evident in Bogza`s poem Treceam (`I Was Passing`): Treceam printre tigri Și le aruncam garoafe Treceam printre leoparzi Și le aruncam crizanteme Treceam printre gheparzi Și le aruncam trandafiri Iar ei, cuprinși de perplexitate Mă lăsau să trec mai departe.[5] I was passing among tigers And was throwing them carnations I was passing among leopards And was throwing them chrysanthemums I was passing among cheetahs And was throwing them roses And they, taken over by perplexity Allowed me to move on. He thus wrote a piece entitled Bau Bau (Romanian for `Bogeyman`), telling of how his parents encouraged him to fear things watching him from outside his window as a means of ensuring he behaved himself while they were absent—the subtext was interpreted by journalist Victor Frunză as an allegory of Ceaușescu`s anti-Soviet policies (which attempted to prevent opposition by, among other things, alluding to the threat of Soviet intervention).[50] At some point during the second half of 1969, instead of his usual column, Geo Bogza sent for publication a drawing of three poplars, with a caption which read: `The line of poplars above is meant to suggest not just the beauty of this autumn, but also my sympathy towards all things having a certain height and a verticality.`[5] The poplar metaphor was one of Bogza`s favorite: he had first used it in reference to himself, as early as 1931, in an interview with Sașa Pană.[1] Facing a jail term for his scandalous poetry, he spoke of the tree as a symbol of both aloofness and his own fate.[1] His subtle technique, like similar ones developed by other România Literară contributors, was at times detected by the regime. Thus, a secret Securitate report of 1984, made available ten years later, read: `The present line-up of România Literară magazine is characterized by a gap between the political content of its editorials (perfectly in line [and] in which declarations of adherence are being made in respect to the state and party policies) and the content of the magazine which, of course, is different; [...] the criticism of content which is discussed on [România Literară`s] front page grows aesthetizing through the rest of the magazine.`[51] Legacy[edit] Bogza on a 2018 stamp of Romania In literature[edit] A central figure in Romanian literature for much of his life, Bogza took special interest in the works of other writers, and contributed to establishing their reputation. During his early period at Urmuz, he actively encouraged various avant-garde trends, and his eclectic interests, as well as his calls to intellectual rebellion played an important role in shaping the work and activity of both Constructivists and Surrealists.[4] Among the most noted writers whom he aided to express themselves freely were his co-contributors Tristan Tzara, Stephan Roll and Ilarie Voronca,[4] and he was also noted for being the first to publish Urmuz`s Fuchsiada (a few years after its author committed suicide).[1] Max Blecher also expressed gratitude to Geo and Ecaterina Bogza for helping him complete and publish Întâmplări din irealitatea imediată.[19] His role as critic, patron and promoter of art continued under the communist regime, and he kept a vivid interest in reviewing literature of all kinds. After the 1960s, he was involved in recuperating the Romanian avant-garde, and, together with Paul Păun and Marcel Avramescu, helped introduce the previously unpublished works of Sesto Pals to an international audience.[7][16] In 1978, he also republished his earliest poems for Urmuz, as part of the new volume Orion.[1][2] His position also allowed him to extend a degree of protection to literary figures persecuted by the authorities. According to Eugen Simion, during the 1950s, a common initiative of Bogza and philosopher Tudor Vianu attempted to rescue the academic and essayist D. D. Panaitescu from Communist imprisonment.[27] Antonie Plămădeală, a political prisoner of the communist regime and future Romanian Orthodox Metropolitan of Transylvania, credited Bogza and the writer and theologian Gala Galaction with having insured recognition for his debut novel in spite of political obstacles.[52] The relevancy of Bogza`s dissidence, like the similar attitudes of Eugen Jebeleanu, Marin Preda and others, was nonetheless debated by author Gheorghe Grigurcu, who described it as a `coffee-house opposition`.[53] Grigurcu, who placed stress on the closeness between these writers and dissenting but high-ranking Communist Party activists such as Gheorghe Rădulescu and George Macovescu, called attention to the fact that Bogza had refused to sign his name to an appeal for radical change, drafted by novelist Paul Goma in 1977.[53] Reportedly, when confronted with Goma`s grassroots movement, Geo Bogza had asked: `Who is this Goma person?`[53] Bogza often credited real-life events and persons in his poetry. Alongside Nicolae Ilie and his death, his early poems make direct references to Alexandru Tudor-Miu, to the poets Simion Stolnicu and Virgil Gheorghiu, and to Voronca`s wife, Colomba.[1] During the same stage of his career, Geo Bogza dedicated a short piece to the 19th century writer Mihai Eminescu, to whose sad poems he attributed his own momentary adolescent urge to commit suicide[1]—as an old man, he would depose flowers at Eminescu`s statue in front of the Romanian Athenaeum each January 15 (the poet`s birthday).[11] A short essay he authored late in life, titled Ogarii (`The Borzois`), drew a comparison between the breed, seen as an example of elegance, and the eccentric Symbolist author Mateiu Caragiale.[5] The innovative reportages he authored later in life were credited with setting guidelines and opening the road for a series of notable authors, among whom were Paul Anghel...Te Deum la Grivita, Traian T. Coșovei, Ioan Grigorescu and Ilie Purcaru.[44] Cornel Nistorescu, himself a columnist and author of reportage, is also seen as one of Bogza and F. Brunea-Fox`s disciples.[54] Critics have noted the potential impact his early poetry has or may have on Postmodern literature in Romania.[2][55][56] Several commentators, including Nicolae Manolescu, have traced a connection between his poems of the 1920s and 1930s and many of those authored by Florian Iaru between 1982 and the early 2000s.[55][56] In contrast to both his status as a former political prisoner and his new-found Christian faith, Nicolae Steinhardt continued to value Bogza`s contributions, and, in 1981, authored an essay dedicated to his work and their friendship.[10][57] Titled Geo Bogza – un poet al Efectelor, Exaltării, Grandiosului, Solemnității, Exuberanței și Patetismului (`Geo Bogza – a Poet of Impressions, Exaltation, Grandeur, Solemnity, Exuberance and Pathetism`) and edited by writer Mircea Sântimbreanu,[57] it was characterized by literary critic Ion Bogdan Lefter as a `eulogy [...] to their shared youth, seen as a paradise of liberty`.[10] G. Brătescu, who was himself involved in editing and claims to have aided in publishing Steinhardt`s volume, recalled being `fascinated` by both Bogza`s `impertuosity`, as well as by Steihardt`s `art of evidencing such an impertuousity.`[12] Sesto Pals also authored Epitaf pentru Geo Bogza (`Epitaph for Geo Bogza`), first published by Nicolae Tzone in 2001.[16] The writer was also the subject for one of B. Elvin`s essays, collected as Datoria de a ezita (`The Duty to Hesitate`) and first published in 2003.[35] In the same year, his correspondence with various Transylvanian writers was published as Rânduri către tinerii scriitori ardeleni (`Letters to the Young Transylvanian Writers`).[1] The relation between Bogza and Mircea Săucan served as the basis for a short work of fiction, which the latter authored and dictated as part of a 2007 book of interviews.[40] Other tributes[edit] Memorial plaque in Bucharest Bogza was the subject of a portrait painted by his friend Victor Brauner, which was itself the topic of scandal.[4] The piece, defined by S. A. Mansbach as one of Brauner`s `most fully realized Surrealist canvases of [the early 1930s]`, depicted the subject nude, with a severed head and elongated sex organs (symbols which probably alluded to elements present in Bogza`s own texts).[4] Bogza`s novella, Sfârșitul lui Iacob Onisia (`The End of Iacob Onisia`), has served as the basis for a 1988 film, Iacob (translated into English as Jacob, or, in full, The Miseries of a Gold Miner – Jacob).[58][59] A story of violent workers leading miserable lives and tempted to steal for their livelihood, it was adapted for the screen and directed by Mircea Danieliuc, and starred Dorel Vișan in the title role (other actors credited include Cecilia Bîrbora, Ion Fiscuteanu and Dinu Apetrei).[58][59] Writing for The New York Times, American critic Vincent Canby described the production as `uncharacterized and murky`.[58] Nevertheless, Romanian critics saw Danieliuc`s production as an accomplished piece of subversiveness, arguing that the director had used a Socialist realist pretext to comment on the conflict between the Ceauşescu regime and the Jiu Valley miners (see Jiu Valley miners` strike of 1977).[59] Bogza`s trial has been the subject of an episode in the series București, strict secret (`Bucharest, Top Secret`), produced by writer and political scientist Stelian Tănase and aired by Realitatea TV in 2007.[60] A school in Bucharest and one in Bălan were named in Bogza`s honor, as were a culture house and a street in Câmpina. A memorial plaque was raised on downtown Bucharest`s Știrbei Vodă Street, at a house where he lived between 1977 and 1993.[61] Câmpina also hosts the annual Geo Bogza Theater Festival. Selected works[edit] Collected poems[edit] Jurnal de sex (`Sex Diary`), 1929 Poemul invectivă (`Offensive Poem` or `Contemptuous Poem`), 1933 Ioana Maria: 17 poeme (`Ioana Maria: 17 Poems`), 1937 Cântec de revoltă, de dragoste și de moarte (`Song of Revolt, Love and Death`), 1947 Orion, 1978 Collected journalism[edit] Cartea Oltului (`The Book of the Olt`), 1945 Țări de piatră, de foc, de pământ (`Lands of Stone, Fire, Earth`), 1939 Oameni și carbuni în Valea Jiului (`Men and Coal in the Jiu Valley`), 1947 Trei călătorii în inima țării (`Three Journeys into the Heart of the Land`), 1951 Tablou Geografic (`Geographical Survey`), 1954 Years of Darkness, 1955 Meridiane sovietice (`Soviet Meridians`), 1956 Azi, ín România: carte radiofonică de reportaj (`Today, in Romania: a Radio Reportage Book`), 1972 Statui în lună (`Statues on the Moon`), 1977 Other[edit] Sfârșitul lui Iacob Onisia (`The End of Iacob Onisia`), 1949; novella Eu sunt ținta: Geo Bogza în dialog cu Diana Turconi (`I Am the Target: Geo Bogza Interviewed by Diana Turconi`), 1994 Rânduri către tinerii scriitori ardeleni (`Letters to the Young Transylvanian Writers`), 2003 rumunska avangarda

Kao na slikama Prisutan miris starih knjiga Extra retko 1971 Katalin Ladik počela je svoju karijeru u Novom Sadu u periodu delovanja novosadske neoavangarde ranih sedamdesetih, da bi se devedesetih preselila u Budimpeštu. Raspon stvaralaštva Katalin Ladik kreće se od književnosti preko glume do interpretacije eksperimentalnih zvučnih kompozicija i radio-igara, fonetične i vizuelne poezije, hepeninga, performansa, akcije pa sve do mail arta. Objavila je 20 samostalnih zbirki poezije i jedan roman, od kojih su na srpski prevedeni Erogen zoon, Ikarova senka i Kavez od trave i roman Mogu li da živim na tvom licu (SFO (Re)konekcija, 2021). Svoje izložbe, performanse, hepeninge, muzičke performanse i koncerte realizovala je u okviru najznačajnijih institucija savremene kulture domaće i međunarodne scene, kao što su: Akademie der Bildenden Künste Wien „Aspekte – Gegenwärtige Kunst aus Jugoslawien” (Bosch+Bosch grupa), Van Gogh Museum Amsterdam „Vizuele poëzie”, Muzej savremene umetnosti „Verbo-Voko-Vizuelno”, Galerija suvremene umjetnosti „Nova umjetnička praksa 1966–1978”, Centre National Georges Pompidou „Rencontres internationales de poesie sonore”, Kassel, Neue Galerie, DOCUMENTA, New York, Washingto, Dubrovačke letnje igre, a trenutno se njen rad predsatavlja na svim značajnim evropskim izložbama. Rad ove umetnice, prevashodno njena verbo-voko-vizuelna istraživanja (zvučni performansi, video i audio kasete i ploče), (tekstualni) performansi tela, baš kao i obiman i značajan književni kao i rad u oblasti alternativnog teatra, priznati su i prepoznati i u međunarodnim okvirima. Njenu umetničku ličnost svrstavaju u red već gotovo mitskih ličnosti avangardi na čitavom centralnoevropskom prostoru. Za svoj umetnički rad dobila je Nacionalno priznanje za vrhunski doprinos kulturi Republike Srbije 2009, kao i Nagradu za mir i umetničku hrabrost Lennon Ono Grant for Peace 2016. Svoje prve pesme objavila je u časopisu Simpozion na mađarskom jeziku (1962) a njena prva zbirka Balada o srebrnom biciklu (Ballada az ezüstbicikliröl) sa gramofonskim, zvučnim zapisima, objavljena je 1969. godine, potom Bludna metla, Erogena zona, Kavez od trave i Ikarova senka. U prevođenju na srpski joj je pomagala književnica Judita Šalgo, takođe poznata po svojim performativnim izvođenjima poezije. „Judita Šalgo mi je pomogla u prevodu pesama, a Bogdanka Poznanović me potakla na video-dokumentaciju mog stvaralaštva. Ona je negde 1980-ih nabavila videorekorder za Akademiju umetnosti gde je bila profesorka na Odseku medija i potakla me da snimimo neki moj rad za video. Ja sam sabrala neke motive i elemente svojih performansa iz prethodnog desetljeća koji su mi se činili pogodnima za kameru i video, pa sam ih izvela na stepeništu hodnika Akademije, a video nazvala Poemim. To je ostalo kao jedini dokument onog vremena.“ Pored uticaja Bogdanke Poznanović, koja je tada osnovala na novosadskoj Akademiji umetnosti prvi studio za nove medije, knjigu Bore Ćosića Mixed Media smatrala je jako važnom za njen umetnički razvoj. Bila je članica grupa Bosch + Bosch od 1973. do 1976, u okviru koje je ipak imala svoju teritoriju zvuka i zvučnog performansa i izvodila vizualne i konceptualne radove. Novoosnovanom Novosadskom pozorištu – Újvidéki Színház pridružila se 1974. i kao članica stalnog ansabla radila do 1992. igrajući u predstavama najznačajnijih mađarskih reditelja, kao što je Jančo Mikloš i predstava Bajer aspirin – pesnička monodrama koju je za nju napisao Oto Tolnai. Tokom godina igrala je glavne i sporedne uloge u raznim TV filmovima i igranim filmovima (jedan od poznatijih je i film Lordana Zafranovića Ujed anđela). Bila je urednica pesničke rubrike književnih časopisa Elet es Irodalom (1993–94) i Ciganifuro (1994–99). Između 1993. i 1998. predavala je u muzičkom i pozorišnom obrazovnom centru Hangar. Katalin najveći trag ostavlja u svojoj foničnoj i voko-vizelnoj poeziji, ali se najviše pamte njeni performansi i body art u kojima koristi svoje telo kao instrument, često provocirajući intervenciju publike ritualno igrajući različite ženske uloge. Performativno izvođenje njenih „Šamanskih pesama“, dok je ogrnuta samo životinjskom kožom uz svetlost sveće, bio je jedan od najradikalnijih ženskih umetničkih izraza avangardne scene na tadašnjem jugoslovenskom kulturnom prostoru. „U početku sam na te radove gledala kao na poetske večeri – znači, prikazivanje poezije počev od njenog čitanja pa sve do govorenja u obliku fonične i gestualne poezije, što je na neki način bio uvod putem kojega sam ljudima dala ključ ka otvorenoj, proširenoj poeziji. Videla sam da ljudi poeziju smatraju samo onom linearnom, koju eventualno recituje glumac ili sam autor, ali govorenje ili pevanje, a kamoli fonična poezija, tada nije postojala.“ Performansi Ja sam javna žena, Blackshave, Rupa koja vrišti, Poem, Spuštanje Novog Sada niz reku Dunav,Mandora, Tesla samo su neki od najvažnijih, a spacifičnost njenog rada vidi se i u tome što je neke izvodila potpuno različito u drugim kontekstima. Katalin Ladik, performans – Zagreb, 1970. Katalin Ladik, performans – Zagreb, 1970. Katalin Ladik, Sanja Iveković i Vlasta Delimar bile su prve konceptualne umetnice novih medija a njihove umetničke strategije uticale su na poetiku različitih generacija umetnica, od Marine Abramović do nama danas savremene ženske scene. Ali, i one same još aktivno učestviju u kreiranju iste i sve više su prisutne na međunarodnoj sceni Sama Katalin je iznenađena koliko su mladi umetnici zainteresovani za njen rad: „Uskoro idem u Švajcarsku gde ću na Muzičkoj akademiji u Baselu održati radionicu na temu novih eksperimentalnih partitura i improvizacije s kompozitorima. I mene samu čudi kako se mlađe generacije zanimaju za mene i moje stvaralaštvo.“ Zanimljivo je pratiti njen odnos prema ženskoj i feminističkoj kulturi. Sama kaže da u početku nije znala puno o feminističkim teorijama, a one koje su do nje dopirale nisu joj bile bliske. Ali svoju umetničku pobunu pokazuje kroz tipično ženske motive iskazujući ne samo odnos prema patrijarhalnim matricama nego i prema represivnom umetničkom kontekstu čak i među svojim istomišljenicima. Inače, konceptualne umetnice prve problematizuju poziciju autorke u umetničkom polju delovanja. „Stoga sam izražavala svoj bunt kroz one sitne stvari koje radi svaka žena, s uverenjem da to također može da bude predmet umetnosti ili način umetničkog izražavanja. Kada sam počinjala, pišući na mađarskom sredinom 1960-ih, nisam poznavala teoriju feminizma – ne znam ni da li je postojao neki pregled na srpskom. Teorija nije programatski postojala u mom radu, već sam krenula od ličnog iskustva i započela svojevrsno oslobađanje od porodice i radnog mesta kao neki vid protesta u 1970-ima.„ Feministkinje su prepoznale njenu umetnost kao važnu elaboraciju pobunjene žene tako da je bila i gost najveće feminističke međunarodne konferencije u jednoj komunističkoj zemlji Drug-ca 1978. u Beogradu: „To je bio moj prvi susret s njima i drugim aktivnim feministkinjama iz Zagreba, s kojima sam ostala u kontaktu. Drug-ca Žena me lično obogatila, i tada sam shvatila da feminizam nije ono što sam smatrala američkim feminizmom usko usmerenim protiv muškaraca, već da se radi o prostom zalaganju za prava žena.“ Retrospektivna izložba njenih radova u Muzeju savremene umetnosti Vojvodine 2010. upravo je i nazvana Moć žene prema njenim dominantnim umetničkim postulatima. Na konferenciji K.A.T. „Umetnost u obrazovanju: interakcije“, u produkciji Saveza feminističkih organizacija (Re)konekcija u Novom Sadu (2017), mogli smo da vidimo njene trenutne umetničke preokupacije internet prostorom koje je nazvala „Alisa u zemlji kodova“. Katalin Ladik danas, Foto: Sanja Anđelković Fotografija Sanja Anđelković Katalin Ladik bavi se intrigantnim pitanjem, koje je osnovano na materijalu proširene poezije same umetnice. U unutrašnjoj naraciji svake vizuelne poezije nalazi se promena. Neobičajna medijska tranzicija odnosi se na ove objekte (vizuelnu poeziju i konkretnu poeziju), zatim na živo izvođenje i audio snimanje tih živih nastupa. Veza između vizuelnog i zvučnog je suština odnosa između poezije Katalin Ladik i njene proširene poezije, „otelovljenog perfomansa“. „Lepota se pojavljuje kao rezultat na površini, na licu dela, ali radost stvaranja se dešava na obrnutom, na naličju materijala. Energija koja se oslobađa ograničenja, raskalašno se pokazuje i prevladava. Ne poštuje pravila, pretvara se u radost i bol. To se ne možete videti s lepe, tj. prednje strane, samo sa „pogrešne“ strane tj. naličja umetničkog dela” – objašnjava autorka. [Újvidék]: [Fórum Könyvkiadó], [1971]. First edition. In publisher’s illustrated wrappers, designed by Gábor Ifjú. Printed on differently colored papers. 89, (7) p. Inscribed first edition of Katalin Ladik’s book of surreal poems. Katalin Ladik (b. 1942) is a Yugoslavian-born (today Serbia) Hungarian radical female performance artist, poet, and writer. Besides other prizes, in 2016 she was awarded by the LennonOno Grant for Peace together with Ai Weiwei, Anish Kapoor, and Olafur Eliasson. She was an exhibitor at “documenta 14” in 2017. Katalin Ladik (born Novi Sad, 25 October 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Kingdom of Yugoslavia (Hungarian: Újvidék), and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Contents 1 Biography 2 Awards 3 Poetry 4 Prose 5 Publications 5.1 Volumes in original language 5.2 Translated volumes 5.3 E-books 5.4 Audiobooks 6 Discography 6.1 Sound poetry 6.2 Music (experimental music, jazz) 7 Poetry readings, sound poetry performances 7.1 Online Audio 7.2 Live performances 8 Performance art 8.1 A list of performances, happenings, actions 8.2 1960s-`70s 8.3 1980s-`90s 8.4 2000s 8.5 2010s 8.6 2020s 9 Workshops with performances (selection) 10 Concerts, musical performances (selection) 11 Speech-music performances 12 Theatre 12.1 As an actress 12.2 As a director 13 Films 13.1 Feature films 13.2 Short films 13.3 Recitatives 13.4 Television interviews 13.5 Documentary 13.6 Writer’s Credit 14 Radio plays 14.1 Writer and performer 14.2 Performer 15 Artworks in permanent public and private collections 16 Exhibitions 16.1 Solo exhibitions 16.2 Group exhibitions 17 See also 18 References 19 Sources 19.1 Resources 19.2 Literature 20 External links Biography[edit] Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards[edit] Katalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). Katalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons” 2019 Ferencváros Pro Urbe Award [4] 2020 „My Country” („Hazám díj) Award in recognition of her lifetime achievement [5] 2021 Medal of culture for lifetime achievement, ie. for overall creativity/work awarded by Miloš Crnjanski Centre 2021 Novi Sad` International Literary Award, which is awarded by the 16th International Novi Sad Literary Festival organized by the Society of Writers of Vojvodina 2022 Hungarian Order of Merit Officer`s Cross, one of the highest Orders in Hungary 2022 Prize in Fiction (Poetry) category of the Society of Hungarian Authors 2022 Alföld Literary Prize Poetry[edit] Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose[edit] Her first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications[edit] Volumes in original language[edit] Ballada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988 Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007 Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 Idővitorla (Time Sailing), Selected Poems (1962-2022) | poems | Hungarian | Forum, Novi Sad, 2022 Béranya versek (Surrogacy Poems) | poems | Hungarian | Tipp-Cult Kft, Parnasszus Könyvek, P-Art, Budapest, 2022 Translated volumes[edit] Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992 Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica hrvatska, Osijek, 2007 Poems | English | Cultural Centre of Vojvodina, `Miloš Crnjanski`, Novi Sad, 2022 Mogu li da živim na tvom licu : romaneskna životna priča (Can I Live on Your Face: novelistic life story) | prose | Serbian |(Re) konekcija, Novi Sad, 2021 Raspjevane žeravice: izbrane pjesme 1962-1982 (Singing embers: selected poems 1962-1982) | poems| Croatian | DAF, Zagreb, 2022 E-books[edit] Fűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format Fűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf format Audiobooks[edit] 2020: Liquid mirror (Folyékony tükör) presented by Vera Sípos 00:00:00 – Folyékony tükör 1; 00:55:47 – Folyékony tükör 2 Audiobooks by contemporary authors published online by DIA, the Digital Literature Academy of PIM [6] Discography[edit] Sound poetry[edit] Ballada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987 Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 Vízisámán / Water Shaman | CD | Budapest, 1999 Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Phonopoetics | Vinyl, LP | Alga Marghen (Milano), in co-production with acb Gallery (Budapest) Milano, 2019 [7] Water Angels | Vinyl, LP | Alga Marghen (Milano), in co-production with acb Gallery (Budapest) Milano,, 2021 [8] Music (experimental music, jazz)[edit] As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister). Ernő Király | LP | Udruženje Kompozitora Vojvodine, Novi Sad, 1978 Boris Kovač: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris Kovač: Ritual Nova II | CD | Recommended Records, London, 1989 Ernő Király - Spectrum | CD | Autobus, Paris, 1999 Deže Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances[edit] Online Audio[edit] Fűketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, mp3 format A négydimenziós ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijén (On Icarus’ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Kíűzetés - Jegyesség (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Live performances[edit] 2011 Négy fekete ló mögöttem repül (Four Black Horses Fly Behind Me); Jégmadár (Icebird); excerpts from Belső vízözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art[edit] Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions[edit] 1960s-`70s[edit] 1968 Budapest, Szentendre - Hungary | UFO | Tamás Szentjóby, Miklós Erdély, Katalin Ladik | happening 1970 Belgrade - Serbia | Pozorište Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Žanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | József Attila Művelődési Ház (Cultural Centre József Attila) | with Jenő Balaskó | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 Bačka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski Fašnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Četvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance Balatonboglár - Hungary | Kápolna Galéria (Kápolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `Spuštanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, fonična i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) Kraków (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. Tucić) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), Prešeren Theatre / Prešernovo Gledališče /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / Pozorište Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Četvrta dimenzija – krik` (Fourth Dimension – Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Pesnički maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja Marinković Student Club / Studentski Klub ‘Sonja Marinković’: `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Würzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnička praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az éneklő varrógép – The Singing Sewing Machine` (with Zsolt Király) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole – A sikoltozó lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery ‘T Hoogt / ‘T Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `Mesék a hétfejű varrógépről` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s[edit] 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / Várszínház, Knights’ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’/ Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin újvidéki költő és előadóművész szerzői estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre Petőfi Sándor / Petőfi Sándor Művelődési Ház: `Telepi esték – Ladik Katalin szerzői estje` (Evenings in Telep – with Poet Katalin Ladik) (with Ottó Tolnai, Zsolt Király) /performance/ Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Ladik Katalin szerzői estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’ / Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin szerzői és előadói estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Šalgo) /performance/ Osijek (Croatia), Students’ Youth Centre / Studentski Centar Mladih, Osiječko ljeto (Summer in Osijek): `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrou” (Icarus on the Subway) (with Judita Šalgo, Selimir Radulović) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ Kanjiža (Serbia), Literary Camp / Književna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Šević: `Sound Poetry Performance` (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Šekspira` (Tempest – Based on Shakespeare) – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), József Attila University (Today: University of Szeged) / József Attila Tudományegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de Poésie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / Pozorište Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of Lágymányos / Lágymányosi Művelődési Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / Fővárosi Művelődési Ház: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), ‘Sonja Marinković’Cultural Centre / Kulturni Centar ‘Sonja Marinković’, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari Bečej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ Pécs (Hungary): `Alice` /performance/ Budapest (Hungary), Vigadó Chamber Hall / Vigadó Kamaraterem, Hangár Est (‘Wall of Sound’ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ Nové Zámky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with Zoltán Pletl) /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Ex-panzió 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), Dalmát Cellar / Dalmát pince, UHF Kisújrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Expanzió 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with Lukács Bitskey /performance/ Zebegény (Hungary): `A helyettesítő asszony (The Substitute)` /performance/ Pécs (Hungary): `A négydimenziós ablak (The Four-dimensional Window)` with Tamás Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de Poèsie: `Kassák` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio – Corsica (France): `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s[edit] 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `Fűketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` Budapest (Hungary), A38 Ship / A38 hajó: `Lomtalanítás` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum: `Torony-Lomtalanítás` (Cleaning the Tower-House) /performance/ 2005 Terény (Hungary), Expanzió Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-Müller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 Nové Zámky (Slovakia), Art Gallery / Galéria Umenia: `Gyakorlatok üres húrokon – Kassák-kód` (Exercises on Empty Strings - Kassák Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria: `Fűketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu Színház: `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ Verőce (Hungary), Ekszpanzió XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar Alkotóművészeti Közalapítvány Alkotóháza, József Attila Kör 18. irodalmi tábora (18th Literary Camp of the József Attila Circle): `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ 2008 Budapest (Hungary), Petőfi Literary Museum / Petőfi Irodalmi Múzeum, A Szépírók Társasága V. őszi irodalmi fesztiválja – Nők a férfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association – Women in a Men`s World): `Diptichon` (with Endre Szkárosi), performance Belgrade (Serbia), ARTGET Gallery – Cultural Centre Belgrade / Galerija ARTGET – Kulturni Centar Beograda (World Poetry Day): `Tesla – Homo Galacticus` /performance/ Szigliget (Hungary), József Attila Kör 20. irodalmi tábora (20th Literary Camp of the József Attila Circle): `Trip-ti-chon` (with Veronika Czapáry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika Czapáry), performance Bratislava (Slovakia), Ars Poetica Medzinárodny Festival Poézie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[9] 2009 Visegrád (Hungary), The Roof Terrace of King Matthias Museum / A Mátyás Király Múzeum tetőterasza, Ekszpanzió XXI Festival: “Kerub` (Cherub) /performance/ 2010s[edit] 2010 Budapest (Hungary), Gallery A22 / A22 Galéria, Tibor Papp`s Exhibition Opening: `Óraköltemény` (Poem-Clock) /performance/ Subotica (Serbia), Kosztolányi Dezső Theatre / Kosztolányi Dezső Színház: `Tesla – Homo Galacticus` /performance/ Budapest (Hungary), Millenáris Theatre / Millenáris Teátrum, Book Festival: `Szabadkőműves szex` (Freemason Sex) (with drMáriás) /performance/ Štaglinec (Croatia), `Voda` – `Water` Međunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis Zsinagóga Kortárs Galéria, artAlom élőművészeti fesztivál (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) – Subotica (Serbia), Railway line, Kultúrcsempész Sínbusz Fesztivál (Culture-smuggler Railbus Festival): Megaphone-assisted readings by Gábor Virág, Slobodan Tišma, Gábor Lanczkor, Tamara Šuškić, Vladimir Kopicl, Katalin Ladik, Siniša Tucić, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / Műcsarnok: `Preparababrakabaré` /performance/ Marseille (France), Museum of Contemporary Art / Musée d`Art Contemporain, Poésie Marseille 2011, 8ème Festival (8th Marseille Poetry Festival, 2011): `Le Grand Ménage` (Spring Cleaning) /performance/ Târgu Mureș (Romania), National Theatre - Small Hall / Teatrul Naţional – Sala Mică, Testet öltött szavak rendezvény (Words Embodied – Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu Színház, Ismeretlen kutatása improvizációs alkotóműhely (Searching the Unknown – Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar Írószövetség: XXIV. Ekszpanzió Festival, `Idézet` Szimpozion és Kiállítás (`Quotation` Symposium and Exhibition): `Ásó, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ Komárom (Hungary), Fort Monostor – Film Museum / Monostori Erőd – Filmmúzeum, Mediawave 2012 Festival: `Nagytakarítás` (`Spring Cleaning`) /performance/ Łódź (Poland), MS2 – Lodz Museum of Art / MS2 – Muzeum Sztuki w Łodzi: `Alicja w krainie kodów` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, Pál street 6.: Gödör bújócska – irodalom, zene, film, tánc, színház, beszélgetés (Gödör Club Hide-and-seek – literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `Nagytakarítás` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice Kódországban` (`Alice in Codeland`) /performance/[10] 2013 Budapest (Hungary), Óbudai Társaskör, Kassák Museum, Kassák Year: `Alice Kódországban` (Alice in Codeland) /performance/[11] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIĆ, „Tesla. Homo Galacticus” /performance/ Székesfehérvár (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice Kódországban` (Alice in Codeland) /performance/[12] Budapest (Hungary), Fuga, Autonómia Filmklub 5, „I Belong to the Band”: Katalin Ladik`s voice on „poets of the absurd on chalk”[13] 2014 Százhalombatta (Hungary), Katalin Ladik - Endre Szkárosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar Vigadó, JazzaJ, Katalin Ladik – Jean Michel van Schowburg, Katalin Ladik – Zsolt Sőrés, „Sounds to Go” (Hangok elvitelre) /performance/ [14] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, Universität Wien, `Singende Schnittmuster – Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 Poreč (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzo” /performance/,[15][16] Budapest (Hungary), MÜSZI, @Transart Communication, Katalin Ladik & Zsolt Sőrés „Alchemical Wedding” (Alkímiai nász) /performance/ Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection. Katalin Ladik: “Tranzit Zoon” /performance/ [17] 2017 Athens (Greece), Oval Staircase, Megaron – the Athens Concert Hall, “All the In-Between Spaces”, Concept and direction by: Paolo Thorsen-Nagel. Katalin Ladik: “Follow me into mythology” /performance/ [18] Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, „Live Lecture” /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition „Live Lecture” /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, „Wall(ed)”, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), Trafó, „Alice in Codeland” /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation „Sound Poems” /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), „K.A.T (Culture – Activism – Theory) Conference”, „Creative Transitions”/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, „TraNSporteur multilingual poetry” /poetry reading/ Lodz (Poland), House of Literature, „Puls Literary Festival, 2017, Hungarian Day”, „Sounds in Lodz” / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft für bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Follow me into Mythology” /live lecture and soloperformance/ Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Desire of Touch” /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture with Emese Kürti/ Budapest (Hungary), Közkincs Könyvtár, `MŰVÉSZ + NŐ` (ARTIST + WOMAN), „Feminizmus és művészet ma?” (Feminism and Art Today?), „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), „Showroom of Contemporary Sound”, „Transitions” /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), „Fountains of Rome - Mouth to Lung!” /live lecture and sound performance/ Budapest (Hungary), Három Holló – Drei Raben, „Antracit szájrúd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der Künste, `19. poesiefestival berlin 2018, Weltklang – Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus f’ür Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive 2019 Basel (Switzerland), Music Academy of Basel, Master Class in Free Impovisation, „Homo Ludens” (live lecture) Dresden (Germany), Lipsiusbau, „Alice in Codeland” / performance Rotterdam (the Netherlands), DE PLAYER, in collaboration with KRAAK, „BRAUBLFF #8 (Materie und Laut), Memory of Water / sound installation and sound poetry performance Brussels (Belgium), DE PLAYER, in collaboration with KRAAK, „BRAUBLFF #8 (Materie und Laut), „Memory of Water” / sound installation and sound poetry performance Madrid (Spain), Elba Benitez Gallery, „O-PUS” (solo exhibition curated by Adam Budak) / sound poetry performance Paris (France), Palais de Tokyo, The Liberated Voice, Sound Poetry, „Memory of Water” /sound installation 2020s[edit] 2020 London (UK), Café OTO, Tinted Window with issue No.2: Verbivocovisual dedicated to `Materializzazione del Linguaggio`, a 1978 Venice Biennale exhibition curated by Mirella Bentivoglio/ sound installation (Memory of Water) and performance (Tranzit Zoon) [19] Budapest (Hungary), Trafo Gallery, Nyitott műterem #21 (Open Studio), Zoom conversation with Emese Kürti Budapest (Hungary), acb Attachments, „Szerelmem, Sing-her!” (My Love, Sing-her!). Opening of solo exhibition „Sewn Sounds” (Bevarrt hangok) 2021 Veszprém (Hungary), Pannon Várszínház (Pannon Castle Theatre), „Alice Kódországban” (Alice in Codeland)/ performace Budapest (Hungary), Art9 Gallery, „Új szakralitás” (New sacrality) / sound poetry performance Budapest (Hungary), MAMŰ, Opening of the exhibition „Graphic Score” /sound poetry performance [20] Budapest (Hungary), Kassák Múzeum, „A víz emlékezete” („The Memory of Water”), Finissage of the exhibition „Poetry & Performance - Performance Art in Eastern Europe” /sound installation 2022 Budapest (Hungary), Godot Gallery, opening of the exhibition of drMáriás / sound poetry performance [21] Vienna (Austria), Alte Schmiede, „akustische Poesie” („Acoustic poetry”) / sound poetry performance [22] Bratislava (Slovakia), Slovak National Gallery, „Follow me into mythology” / sound poetry performance and live lecture Budapest (Hungary), Kassák Múzeum, „Szkárosi-emlékest” (Memorial evening), „Gyaloghíddal a csillaglejtőn” (Footbridge over the stargate )/sound poetry Berlin (Germany), Collegium Hungaricum, „The Poets’ Sounds” / sound poetry performance Cologne (Germany), Loft, „The Poets’ Sounds” / sound poetry performance London (UK), London Woolwich Works, LCMF (London Contemporary Music Festival) “Sad and Ruined” /sound poetry performance Belgrade (Serbia), „The Poets’ Sounds” / sound poetry performance Limassol (Cyprus), Art Studio 55, SARDAM-Literature Festival, sound poetry and „Tranzit Zoon” performance Workshops with performances (selection)[edit] 2018 Zagreb (Croatia), „Showroom of Contemporary Sound”, „Noćna pjesma morskih ježeva” („Night song of sea lizards”) /improvisation and sounding in visual and concrete poetry workshop for the students of the Department of Animation and New Media of the Fine Art Academy in Zagreb (OZAFIN), as a part of the project Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union/ [23] 2021 Berlin (Germany), Lettrétage im ACUD Studio, Poets’ Sound Production Workshop 1, creation of the visual score „Drei Eier” Cologne (Germany), LOFT Cologne, Poets’ Sound Production Workshop 2, finalizing the visual score „Drei Eier” Berlin (Germany), Collegium Hungaricum Berlin, Poets’ Sound Production Workshop 3, rehearsal of the visual score based performance „Drei Eier” Concerts, musical performances (selection)[edit] 1969 Opatija (Croatia): Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija) 1970 Opatija (Croatia): Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija; Branimir Sakač: Bellatrix - Alleluja) Novi Sad (Serbia): Muzika i Laboratorija (Music and Laboratory) (with Ernő Király) Osijek (Croatia): Annale komorne opere i baleta (Annual festival of chamber opera and ballet) 1971 Zagreb (Croatia): Muzički biennale (Music Biennale – International Festival of Contemporary Music) (MBZ Radionica/Workshop II with Ernő Király, et al.; Chamber Music - Branimir Sakač: Bellatrix - Alleluja) Dubrovnik (Croatia): Dubrovačke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia): Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) 1972 Munich (Germany): (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia): Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia): Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), ‘Radivoj Ćirpanov’ Workers’ University / Radnički univerzitet ‘Radivoj Ćirpanov’ (ACEZANTEZ Ensemble) Belgrade (Serbia), Studentski kulturni centar (Student Cultural Centre) – Festival Expanded Media (ACEZANTEZ Ensemble) 1979-2012 Belgrade (Serbia), Dom Sindikata – BEMUS Belgrade Music Festival: “Oratorio Profano” (composer: Dušan Radić, conductor: Oskar Danon) Opatija (Croatia): Jugoslovenska muzička tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultúrintézet / Istituto Italiano di Cultura, Avantgárd művészetek a világban: mi lett a sorsuk? Nemzetközi tanácskozás (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 Szekszárd (Hungary), Spiritus Noister Group, 2012 2016 Budapest (Hungary), Művelődési Szint (MÜSZI), „@Transart Communication 2016”, „Alchimist Wedding” /concert and live sound performance with Zsolt Sőrés/ Veszprém (Hungary), House of Arts, „Alkímiai mennyegző” („Alchimist Wedding”) /concert and live sound performance with Zsolt Sőrés/ Budapest (Hungary), Müpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ Budapest (Hungary), Kassak Museum, „Dadarabok” /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/[24] 2017 Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio 2018 Debrecen (Hungary), MODEM, Katalin Ladik: „Határidőnapló” („Diary Book”) /concert and live sound performance with Gyula Várnai/ Veszprém (Hungary), 2018, House of Arts, „Spring Reopening, We believe in life before death”, „Claes Oldenburg: I am for an Art” /concert and live sound performance with Gyula Várnai/ Basel (Switzerland), IGNM, Ackermannshof, Free Improvisation based on graphic scores of Ernő Király and Katalin Ladik Budapest (Hungary), FUGA Centre for Architecture, Design Week, Attila Dóra (bass clarinate), Katalin Ladik (vocal) Budapest (Hungary), Budapest Music Center (BMC), Wortlaute II, Transparent Sound New Music Festival, Ladik Katalin, „Ha múlna e láng” 2019 • Belgrade (Serbia), artist in residence at the Radio Beograd Electronic Studio, Katalin Ladik and Svetlana Maraš have created three new pieces (Electric Bird, White Bird and Ice Bird) [25] Speech-music performances[edit] Author „Drei Eier” (German, Serbian, Hungarian), presented by Sprechbohrer (Sigrid Sachse, Harald Muenz and Georg Sachse), „Drei Eier” (German, Serbian, Hungarian) [26] Theatre[edit] As an actress[edit] Jean-Paul Sartre: The Condemned of Altona; dir. István Lányi; Ifjúsági Tribün (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor Gellér; Petőfi Sándor Művelődési Egyesület (’Petőfi Sándor’ Cultural Association); Novi Sad (Serbia); 1963 Molière: The Imaginary Invalid (Béline); dir. Ljubica Ravasi; Srpsko Narodno Pozorište (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) Sándor Guelmino: Özvegy (Widow); dir. Tibor Vajda; Echo (az Újvidéki Rádió és az Ifjúsági Tribün színpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc Tóth (text) – Ernő Király (composer): Jób (Job) (Performer – Recitative); dir. István Szabó, Jr.; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 István Örkény: Macskajáték (Cats` Play) (Ilus); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav Dorić; Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: Mukányi (Ella); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1977 Molière: Dom Juan or The Feast with the Statue (Mathurine); dir. Dušan Sabo; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Péter Telihay; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Ottó Tolnai: Végeladás (Clearance Sale) (Mrs Csömöre); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Gyula Hernádi: V.N.H.M. Szörnyek évadja (V. N. H. M. - Season of Monsters); dir. Miklós Jancsó; Summer Theatre in Gyula; Várszínház; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ottó Tolnai: Bayer Aspirin (The Actress); dir. Miklós Jancsó; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ferenc Deák: Nirvana (Csontos Vali); dir. István Szabó Jr.; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan Belegišanin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Dezső Kosztolányi: Anna Édes ( Mrs Druma); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanov’s) (Mother Puzirjova); dir. Haris Pašović; Akademsko Pozorište “Promena” (“Change” Academic Theater); Novi Sad; (Serbia); 1983 Mihály Majtényi: Harmadik ablak (The Third Window) (Mrs Lódi); dir. György Hernyák; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby Fehér: A Duna menti Hollywood (Hollywood by the Danube) – Multimedia Performance About the Life of Ernő Bosnyák (The Baron`s Lover); dir. Károly Vicsek; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Ivo Brešan: Anera (Anera); dir. Dimitar Stankoski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich Dürrenmatt: The Visit (First Woman); dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Forgatókönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Tóték (The Tót Family) (Mrs Tót); dir. Gábor Székely; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: „R” (Katerina); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav Lazić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Želimir Orešković; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1989 Ferenc Molnár (Franz Molnar): Liliom (Mrs Muskát); dir. László Babarczy; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ede Tóth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs Tarisznyás); dir. Hernyák György; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ottó Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. Péter Tömöry; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Józsi Jenő Tersánszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja Soldatović; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Péter Nádas (text) – László Vidovszky (composer): Találkozás (Encounter) (Mária); dir. András Éry-Kovács; Shure Studio; Budapesti Kamaraszínház (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (Léon Charles Miqueut sous-ingénieur principal di CNU / Sub head-engineer at CNU); dir. Róbert Csontos; Kolibri Színház (Kolibri [’Hummingbird’] Theatre); Budapest (Hungary); 1997 Sean O´Casey: Bedtime Story (Landlady); dir. Pál Kanda; Függeten Színpad III társulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [’Hummingbird’] Cellar Theatre); Budapest (Hungary); 1998 László Najmányi: Adieu Monsieur Bloom – Cabaret Noire (Nora Barnacle); dir. László Najmányi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu Színház (Mu Theatre); Budapest; (Hungary); 2003 László Najmányi: A száműzött Joyce / The Exiled Joyce (Nora Barnacle); dir. László Najmányi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan Dorić: Ne daj Bože, da se Srbi slože / Ne adj isten, szerbek egyesülnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan Dorić; Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 László Najmányi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. László Najmányi; Mu Színház (Mu Theatre); Budapest; (Hungary); 2004 László Najmányi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. László Najmányi; ReJoyce Festival; Szombathely; (Hungary); 2004 György Baráthy: Origami (I Woman); dir. György Baráthy; Artéria Színházi Társaság (Theatre Company “Artéria”); RS9 Studio Theatre; Budapest; (Hungary); 2005 Torkolat/Estuary (Unborn child), dir: Al Farman Petra (Freeszfe), Freeszemle, Király fürdő, Budapest (Hungary), 2022 Szabadkai szecesszió/Art Nouveau in Subotica based on George Tabori’s My Mother’s Courage (Mother), dir: Zlatko Paković, Kosztolányi Dezső Színház. Subotica, 2021 As a director[edit] The Last Chapter by Navjot Randhawa, performed by the‘Theatre of Roots and Wings’ and Punjab Sangeet Natak Akademi in P

Odlično Nil Jang Biografija Neil Percival Young OC OM[1][2] (born November 12, 1945) is a Canadian and American[3] singer and songwriter. After embarking on a music career in Winnipeg in the 1960s, Young moved to Los Angeles, joining the folk-rock group Buffalo Springfield. Since the beginning of his solo career, often with backing by the band Crazy Horse, he has released critically acclaimed albums such as Everybody Knows This Is Nowhere (1969), After the Gold Rush (1970), Harvest (1972), On the Beach (1974), and Rust Never Sleeps (1979). He was also a part-time member of Crosby, Stills, Nash & Young, with whom he recorded the chart-topping 1970 album Déjà Vu. His guitar work, deeply personal lyrics[4][5][6] and signature high tenor singing voice[7][8] define his long career. Young also plays piano and harmonica on many albums, which frequently combine folk, rock, country and other musical genres. His often distorted electric guitar playing, especially with Crazy Horse, earned him the nickname `Godfather of Grunge`[9] and led to his 1995 album Mirror Ball with Pearl Jam. More recently he has been backed by Promise of the Real.[10] Young directed (or co-directed) films using the pseudonym `Bernard Shakey`, including Journey Through the Past (1973), Rust Never Sleeps (1979), Human Highway (1982), Greendale (2003), CSNY/Déjà Vu (2008), and Harvest Time (2022). He also contributed to the soundtracks of the films Philadelphia (1993) and Dead Man (1995). Young has received several Grammy and Juno Awards. The Rock and Roll Hall of Fame inducted him twice: in 1995 as a solo artist and in 1997 as a member of Buffalo Springfield.[11] In 2023, Rolling Stone named Young No. 30 on their list of 250 greatest guitarists of all time.[12] Young is also on Rolling Stone`s list of the 100 greatest musical artists. 21 of his albums and singles have been certified Gold and Platinum in U.S. by RIAA certification.[13] Young was awarded the Order of Manitoba in 2006[2] and was made an Officer of the Order of Canada in 2009.[1] Early life (1945–1963)[edit] Neil Young[14] was born on November 12, 1945, in Toronto, Canada.[15][16] His father, Scott Alexander Young (1918–2005), was a journalist and sportswriter who also wrote fiction.[17] His mother, Edna Blow Ragland `Rassy` Young (1918–1990) was a member of the Daughters of the American Revolution.[18] Although Canadian, his mother had American and French ancestry.[19] Young`s parents married in 1940 in Winnipeg, Manitoba, and moved to Toronto shortly thereafter where their first son, Robert `Bob` Young, was born in 1942. Shortly after Young`s birth in 1945, the family moved to rural Omemee, Ontario, which Young later described fondly as a `sleepy little place`.[20] Young contracted polio in the late summer of 1951 during the last major outbreak of the disease in Ontario, and as a result, became partially paralyzed on his left side.[21] After the conclusion of his hospitalization, the Young family wintered in Florida, whose milder weather they believed would help Neil`s convalescence.[22] During that period, Young briefly attended Faulkner Elementary School in New Smyrna Beach, Florida. In 1952, upon returning to Canada, Young moved from Omemee to Pickering (1956), and lived for a year in Winnipeg (where he would later return), before relocating to Toronto (1957–1960). While in Toronto, Young briefly attended Lawrence Park Collegiate Institute as a first year student in 1959.[23] It is rumoured that he was expelled for riding a motorcycle down the hall of the school.[24] Young became interested in popular music he heard on the radio.[25] When Young was twelve, his father, who had had several extramarital affairs, left his mother. She asked for a divorce, which was granted in 1960.[26] She moved back to Winnipeg and Young went to live with her there, while his brother Bob stayed with their father in Toronto.[27] During the mid-1950s, Young listened to rock `n roll, rockabilly, doo-wop, R&B, country, and western pop. He idolized Elvis Presley and later referred to him in a number of his songs.[28] Other early musical influences included Link Wray,[29] Lonnie Mack,[30] Jimmy Gilmer and the Fireballs, The Ventures, Cliff Richard and the Shadows,[31] Chuck Berry, Hank Marvin, Little Richard, Fats Domino, The Chantels, The Monotones, Ronnie Self, the Fleetwoods, Jerry Lee Lewis, Johnny Cash, Roy Orbison and Gogi Grant.[32] Young began to play music himself on a plastic ukulele, before, as he would later relate, going on to `a better ukulele to a banjo ukulele to a baritone ukulele – everything but a guitar.`[33] Career[edit] Early career (1963–1966)[edit] Young and his mother settled into the working-class area of Fort Rouge, Winnipeg, where he enrolled at Earl Grey Junior High School. It was there that he formed his first band, the Jades, and met Ken Koblun. While attending Kelvin High School in Winnipeg, he played in several instrumental rock bands, eventually dropping out of school in favour of a musical career.[34] Young`s first stable band was the Squires, with Ken Koblun, Jeff Wuckert and Bill Edmondson on drums, who had a local hit called `The Sultan`. Over a three-year period the band played hundreds of shows at community centres, dance halls, clubs and schools in Winnipeg and other parts of Manitoba. The band also played in Fort William (now part of the city of Thunder Bay, Ontario), where they recorded a series of demos produced by a local producer, Ray Dee, whom Young called `the original Briggs,` referring to his later producer David Briggs.[35] While playing at The Flamingo, Young met Stephen Stills, whose band The Company was playing the same venue, and they became friends.[36] The Squires primarily performed in Winnipeg and rural Manitoba in towns such as Selkirk, Neepawa, Brandon and Giroux (near Steinbach), with a few shows in northern Ontario.[37] After leaving the Squires, Young worked folk clubs in Winnipeg, where he first met Joni Mitchell.[38] Mitchell recalls Young as having been highly influenced by Bob Dylan at the time.[39] Young said Phil Ochs was `a big influence on me,` telling a radio station in 1969 that Ochs was `on the same level with Dylan in my eyes.`[40] Here he wrote some of his earliest and most enduring folk songs such as `Sugar Mountain`, about lost youth. Mitchell wrote `The Circle Game` in response.[41] The Winnipeg band The Guess Who (with Randy Bachman as lead guitarist) had a Canadian Top 40 hit with Young`s `Flying on the Ground is Wrong`, which was Young`s first major success as a songwriter.[42] In 1965, Young toured Canada as a solo artist. In 1966, while in Toronto, he joined the Rick James-fronted Mynah Birds. The band managed to secure a record deal with the Motown label, but as their first album was being recorded, James was arrested for being AWOL from the Navy Reserve.[43] After the Mynah Birds disbanded, Young and the bass player Bruce Palmer decided to pawn the group`s musical equipment and buy a Pontiac hearse, which they used to relocate to Los Angeles.[44] Young admitted in a 2009 interview that he was in the United States illegally until he received a `green card` (permanent residency permit) in 1970.[45] Buffalo Springfield (1966–1968)[edit] Main article: Buffalo Springfield Once they reached Los Angeles, Young and Palmer met up with Stephen Stills and Richie Furay after a chance encounter in traffic on Sunset Boulevard.[44] Along with Dewey Martin, they formed Buffalo Springfield. A mixture of folk, country, psychedelia, and rock, lent a hard edge by the twin lead guitars of Stills and Young, made Buffalo Springfield a critical success, and their first record Buffalo Springfield (1966) sold well after Stills` topical song `For What It`s Worth` became a hit, aided by Young`s melodic harmonics played on electric guitar. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock.[46][47] Distrust of their management, as well as the arrest and deportation of Palmer, worsened the already strained relations among the group members and led to Buffalo Springfield`s demise. A second album, Buffalo Springfield Again, was released in late 1967, but two of Young`s three contributions were solo tracks recorded apart from the rest of the group. From that album, `Mr. Soul` was the only Young song of the three that all five members of the group performed together.[citation needed] In May 1968, the band split up for good, but to fulfill a contractual obligation, a final studio album, Last Time Around, was released. Young contributed the songs `On the Way Home` and `I Am a Child`, singing lead on the latter.[citation needed] In 1997, the band was inducted into the Rock and Roll Hall of Fame; Young did not appear at the ceremony, writing in a letter to the Hall that their presentation, which was aired on VH1, `has nothing to do with the spirit of Rock and Roll. It has everything to do with making money.`[48] Young played as a studio session guitarist for some 1968 recordings by The Monkees which appeared on the Head and Instant Replay albums.[49] Going solo, Crazy Horse (1968–1969)[edit] Main article: Crazy Horse (band) After the breakup of Buffalo Springfield, Young signed a solo deal with Reprise Records, home of his colleague and friend Joni Mitchell, with whom he shared a manager, Elliot Roberts. Roberts managed Young until Roberts` death in 2019. Young and Roberts immediately began work on Young`s first solo record, Neil Young (January 22, 1969),[50] which received mixed reviews. In a 1970 interview,[51] Young deprecated the album as being `overdubbed rather than played.` For his next album, Young recruited three musicians from a band called the Rockets: Danny Whitten on guitar, Billy Talbot on bass guitar, and Ralph Molina on drums. These three took the name Crazy Horse (after the historical figure of the same name), and Everybody Knows This Is Nowhere (May 1969) is credited to `Neil Young with Crazy Horse`. Recorded in just two weeks, the album includes `Cinnamon Girl`, `Cowgirl in the Sand`, and `Down by the River`. Young reportedly wrote all three songs in bed on the same day while nursing a high fever of 39 °C (102 °F).[52] Crosby, Stills, Nash, and Young (1969–1970)[edit] Main article: Crosby, Stills, Nash & Young Shortly after the release of Everybody Knows This Is Nowhere, Young reunited with Stephen Stills by joining Crosby, Stills & Nash, who had already released one album Crosby, Stills & Nash as a trio in May 1969. Young was originally offered a position as a sideman, but agreed to join only if he received full membership, and the group – winners of the 1969 Best New Artist Grammy Award – was renamed Crosby, Stills, Nash & Young.[53] The quartet debuted in Chicago on August 16, 1969, and later performed at the famous Woodstock Festival, during which Young skipped the majority of the acoustic set and refused to be filmed during the electric set, even telling the cameramen: `One of you fuckin` guys comes near me and I`m gonna fuckin` hit you with my guitar`.[54] During the making of their first album, Déjà Vu (March 11, 1970), the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills continued throughout their lifelong relationship to criticize Young, saying that he `wanted to play folk music in a rock band.`[55] Despite the tension, Young`s tenure with CSNY coincided with the band`s most creative and successful period, and greatly contributed to his subsequent success as a solo artist.[citation needed] Young wrote `Ohio` following the Kent State massacre on May 4, 1970. The song was quickly recorded by CSNY and immediately released as a single, even though CSNY`s `Teach Your Children` was still climbing the singles charts.[citation needed] After the Gold Rush, acoustic tour and Harvest (1970–1972)[edit] Later in the year, Young released his third solo album, After the Gold Rush (August 31, 1970), which featured, among others, Nils Lofgren, Stephen Stills, and CSNY bassist Greg Reeves. Young also recorded some tracks with Crazy Horse, but dismissed them early in the sessions. The eventual recording was less amplified than Everybody Knows This is Nowhere, with a wider range of sounds. Young`s newfound fame with CSNY made the album his commercial breakthrough as a solo artist, and it contains some of his best known work, including `Tell Me Why` and `Don`t Let It Bring You Down`; the singles `Only Love Can Break Your Heart` and `When You Dance I Can Really Love`; and the title track, `After the Gold Rush`, played on piano, with dreamlike lyrics that ran a gamut of subjects from drugs and interpersonal relationships to environmental concerns. Young`s bitter condemnation of racism in the heavy blues-rock song `Southern Man` (along with a later song entitled `Alabama`) was also controversial with southerners in an era of desegregation, prompting Lynyrd Skynyrd to decry Young by name in the lyrics to their hit `Sweet Home Alabama`. However, Young said he was a fan of Skynyrd`s music, and the band`s front man Ronnie Van Zant was later photographed wearing a Tonight`s the Night T-shirt on the cover of an album.[1] Young in the 1970s In the autumn of 1970, Young began a solo acoustic tour of North America, during which he played a variety of his Buffalo Springfield and CSNY songs on guitar and piano, along with material from his solo albums and a number of new songs. Some songs premiered by Young on the tour, like `Journey through the Past`, would never find a home on a studio album, while other songs, like `See the Sky About to Rain`, would only be released in coming years. Many gigs were sold out, including concerts at Carnegie Hall and a pair of acclaimed hometown shows at Toronto`s Massey Hall, which were taped for a planned live album. The shows became legendary among Young fans, and the recordings were officially released nearly 40 years later as an official bootleg in Young`s Archive series.[citation needed] Near the end of his tour, Young performed one of the new acoustic songs on the Johnny Cash TV show. `The Needle and the Damage Done`, a somber lament on the pain caused by heroin addiction, had been inspired in part by Crazy Horse member Danny Whitten, who eventually died while battling his drug problems.[56][57] While in Nashville for the Cash taping, Young accepted the invitation of Quadrafonic Sound Studios owner Elliot Mazer to record tracks there with a group of country-music session musicians who were pulled together at the last minute. Making a connection with them, he christened them The Stray Gators, and began playing with them. Befitting the immediacy of the project, Linda Ronstadt and James Taylor were brought in from the Cash taping to do background vocals. Against the advice of his producer David Briggs, he scrapped plans for the imminent release[58] of the live acoustic recording in favor of a studio album consisting of the Nashville sessions, electric-guitar oriented sessions recorded later in his barn, and two recordings made with the London Symphony Orchestra at Barking (credited as Barking Town Hall and now the Broadway Theatre) during March 1971.[59] The result was Young`s fourth album, Harvest (February 14, 1972), which was also the best selling album of 1972 in the US.[60] After his success with CSNY, Young purchased a ranch in the rural hills above Woodside and Redwood City in Northern California (`Broken Arrow Ranch`, where he lived until his divorce in 2014).[61] He wrote the song `Old Man` in honor of the land`s longtime caretaker, Louis Avila. The song `A Man Needs a Maid` was inspired by his relationship with actress Carrie Snodgress. `Heart of Gold` was released as the first single from Harvest, the only No. 1 hit in his career.[62] `Old Man` was also popular, reaching No. 31 on the Billboard Hot 100 chart, marking Young`s third and final appearance in the chart`s Top 40 as a solo artist.[62] The album`s recording had been almost accidental. Its mainstream success caught Young off guard, and his first instinct was to back away from stardom. In the Decade (1977) compilation, Young chose to include his greatest hits from the period, but his handwritten liner notes famously described `Heart of Gold` as the song that `put me in the middle of the road. Traveling there soon became a bore, so I headed for the ditch. A rougher ride but I saw more interesting people there.`[63] The `Ditch` Trilogy and personal struggles (1972–1974)[edit] Although a new tour with The Stray Gators (now augmented by Danny Whitten) had been planned to follow up on the success of Harvest, it became apparent during rehearsals that Whitten could not function due to drug abuse. On November 18, 1972, shortly after he was fired from the tour preparations, Whitten was found dead of an apparent alcohol/diazepam overdose. Young described the incident to Rolling Stone`s Cameron Crowe in 1975: `[We] were rehearsing with him and he just couldn`t cut it. He couldn`t remember anything. He was too out of it. Too far gone. I had to tell him to go back to L.A. `It`s not happening, man. You`re not together enough.` He just said, `I`ve got nowhere else to go, man. How am I gonna tell my friends?` And he split. That night the coroner called me from L.A. and told me he`d OD`d. That blew my mind. I loved Danny. I felt responsible. And from there, I had to go right out on this huge tour of huge arenas. I was very nervous and ... insecure.`[45] On the tour, Young struggled with his voice and the performance of drummer Kenny Buttrey, a noted Nashville session musician who was unaccustomed to performing in the hard rock milieu; Buttrey was eventually replaced by former CSNY drummer Johnny Barbata, while David Crosby and Graham Nash contributed rhythm guitar and backing vocals to the final dates of the tour. The album assembled in the aftermath of this incident, Time Fades Away (October 15, 1973), has often been described by Young as `[his] least favorite record`, and was not officially released on CD until 2017 (as part of Young`s Official Release Series). Nevertheless, Young and his band tried several new musical approaches in this period. Time Fades Away, for instance, was recorded live, although it was an album of new material, an approach Young would repeat with more success later on. Time was the first of three consecutive commercial failures which would later become known collectively to fans as the `Ditch Trilogy`, as contrasted with the more middle-of-the-road pop of Harvest.[64] - Young in Austin, Texas, on November 9, 1976 In the second half of 1973, Young formed The Santa Monica Flyers, with Crazy Horse`s rhythm section augmented by Nils Lofgren on guitar and piano and Harvest/Time Fades Away veteran Ben Keith on pedal steel guitar. Deeply affected by the drug-induced deaths of Whitten and roadie Bruce Berry, Young recorded an album specifically inspired by the incidents, Tonight`s the Night (June 20, 1975). The album`s dark tone and rawness led Reprise to delay its release and Young had to pressure them for two years before they would do so.[65] While his record company was stalling, Young recorded another album, On the Beach (July 16, 1974), which presented a more melodic, acoustic sound at times, including a recording of the older song `See the Sky About to Rain`, but dealt with similarly dark themes such as the collapse of 1960s folk ideals, the downside of success and the underbelly of the Californian lifestyle. Like Time Fades Away, it sold poorly but eventually became a critical favorite, presenting some of Young`s most original work. A review of the 2003 re-release on CD of On the Beach described the music as `mesmerizing, harrowing, lucid, and bleary`.[66] After completing On the Beach, Young reunited with Harvest producer Elliot Mazer to record another acoustic album, Homegrown. Most of the songs were written after Young`s breakup with Carrie Snodgress, and thus the tone of the album was somewhat dark. Though Homegrown was reportedly entirely complete, Young decided, not for the first or last time in his career, to drop it and release something else instead, in this case, Tonight`s the Night, at the suggestion of Band bassist Rick Danko.[67] Young further explained his move by saying: `It was a little too personal ... it scared me`.[67] Most of the songs from Homegrown were later incorporated into other Young albums while the original album was not released until 2020. Tonight`s the Night, when finally released in 1975, sold poorly, as had the previous albums of the `ditch` trilogy, and received mixed reviews at the time, but is now regarded as a landmark album. In Young`s own opinion, it was the closest he ever came to art.[68] Reunions, retrospectives and Rust Never Sleeps (1974–1979)[edit] Young reunited with Crosby, Stills, and Nash after a four-year hiatus in the summer of 1974 for a concert tour which was partially recorded; highlights were ultimately released in 2014 as CSNY 1974. It was one of the first ever stadium tours, and the largest tour in which Young has participated to date.[69] In 1975, Young reformed Crazy Horse with Frank Sampedro on guitar as his backup band for his eighth album, Zuma (November 10, 1975). Many of the songs dealt with the theme of failed relationships; `Cortez the Killer`, a retelling of the Spanish conquest of Mexico from the viewpoint of the Aztecs, may also be heard as an allegory of love lost. Zuma`s closing track, `Through My Sails`, was the only released fragment from aborted sessions with Crosby, Stills and Nash for another group album.[citation needed] In 1976, Young reunited with Stephen Stills for the album Long May You Run (September 20, 1976), credited to The Stills-Young Band; the follow-up tour was ended midway through by Young, who sent Stills a telegram that read: `Funny how some things that start spontaneously end that way. Eat a peach, Neil.`[70] The Last Waltz, Young (center on left microphone) performing with Bob Dylan and The Band, among others in 1976 In 1976, Young performed with Bob Dylan, Joni Mitchell, and numerous other rock musicians in the high-profile all-star concert The Last Waltz, the final performance by The Band. The release of Martin Scorsese`s movie of the concert was delayed while Scorsese unwillingly re-edited it to obscure the lump of cocaine that was clearly visible hanging from Young`s nose during his performance of `Helpless`.[71] American Stars `n Bars (June 13, 1977) contained two songs originally recorded for the Homegrown album, `Homegrown` and `Star of Bethlehem`, as well as newer material, including the future concert staple `Like a Hurricane`. Performers on the record included Linda Ronstadt, Emmylou Harris and Young protégé Nicolette Larson along with Crazy Horse. In 1977, Young also released the compilation Decade, a personally selected set of songs spanning every aspect of his work, including a handful of previously unreleased songs. The record included less commercial album tracks alongside radio hits.[citation needed] In June 1977 Young joined with Jeff Blackburn, Bob Mosley and John Craviotto (who later founded Craviotto drums) to form a band called The Ducks. Over a 7-week period the band performed 22 shows in Santa Cruz CA but were not allowed to appear beyond city limits due to Young`s Crazy Horse contract. In April 2023 Young officially released a double album of songs culled from the band`s performances at multiple venues as well as from sessions at a local recording studio. The double album was part of the Neil Young Archives project positioned within the Official Bootleg Series, titled High Flyin`. Comes a Time (October 2, 1978), Young`s first entirely new solo recording since the mid-1970s, marked a return to the commercially accessible, Nashville-inspired sound of Harvest while also featuring contributions from Larson and Crazy Horse. The album also marked a return to his folk roots, as exemplified by a cover of Ian Tyson`s `Four Strong Winds`, a song Young associated with his childhood in Canada. Another of the album`s songs, `Lotta Love`, was also recorded by Larson, with her version reaching No. 8 on the Billboard Hot 100 in February 1979. In 1978, much of the filming was done for Young`s film Human Highway, which took its name from a song featured on Comes a Time. Over four years, Young would spend US$3,000,000 of his own money on production (US$14,014,286 in 2023 dollars[72]). This also marked the beginning of his brief collaboration with the art punk band Devo, whose members appeared in the film.[73] Young set out in 1978 on the lengthy Rust Never Sleeps tour, in which he played a wealth of new material. Each concert was divided into a solo acoustic set and an electric set with Crazy Horse. The electric sets, featuring an abrasive style of playing, were influenced by the punk rock zeitgeist of the late 1970s and provided a stark contrast from Comes a Time.[74] Two new songs, the acoustic `My My, Hey Hey (Out of the Blue)` and electric `Hey Hey, My My (Into the Black)` were the centerpiece of the new material. During the filming of Human Highway, Young had collaborated with Devo on a cacophonous version of `Hey Hey, My My` at the Different Fur studio in San Francisco and would later introduce the song to Crazy Horse.[75] The lyric `It`s better to burn out than to fade away` was widely quoted by his peers and by critics.[75] The album has also widely been considered a precursor of grunge music with the bands Nirvana and Pearl Jam having cited Young`s heavily distorted and abrasive guitar style on the B side to this album as an inspiration.[76] Young also compared the rise of Johnny Rotten with that of the recently deceased `King` Elvis Presley, who himself had once been disparaged as a dangerous influence only to later become an icon. Rotten returned the favor by playing one of Young`s songs, `Revolution Blues` from On the Beach, on a London radio show, an early sign of Young`s eventual embrace by a number of punk-influenced alternative musicians.[77] Young`s two accompanying albums Rust Never Sleeps (July 2, 1979; new material culled from live recordings, but featuring studio overdubs) and Live Rust (November 19, 1979; a genuine concert recording featuring old and new material) captured the two sides of the concerts, with solo acoustic songs on side A, and fierce, uptempo, electric songs on side B. A movie version of the concerts, also called Rust Never Sleeps (1979), was directed by Young under the pseudonym `Bernard Shakey`. Young worked with rock artist Jim Evans to create the poster art for the film, using the Star Wars Jawas as a theme. Young`s work since Harvest had alternated between being rejected by mass audiences and being seen as backward-looking by critics, sometimes both at once, and now he was suddenly viewed as relevant by a new generation, who began to discover his earlier work. Readers and critics of Rolling Stone voted him Artist of the Year for 1979 (along with The Who), selected Rust Never Sleeps as Album of the Year, and voted him Male Vocalist of the Year as well.[78] The Village Voice named Rust Never Sleeps as the year`s second best album in the Pazz & Jop Poll,[79] a survey of nationwide critics, and honored Young as the Artist of the Decade.[80] Experimental years (1980–1988)[edit] At the start of the 1980s, distracted by medical concerns relating to the cerebral palsy of his son, Ben, Young had little time to spend on writing and recording.[81] After providing the incidental music to the 1980 film Where the Buffalo Roam, Young released Hawks & Doves (November 3, 1980), a short record pieced together from sessions going back to 1974.[81] Re·ac·tor (1981), an electric album recorded with Crazy Horse, also included material from the 1970s.[82] Young did not tour in support of either album; in total, he played only one show, a set at the 1980 Bread and Roses Festival in Berkeley,[83] between the end of his 1978 tour with Crazy Horse and the start of his tour with the Trans Band in mid-1982.[citation needed] The 80s were really good. The 80s were like, artistically, very strong for me, because I knew no boundaries and was experimenting with everything that I could come across, sometimes with great success, sometimes with terrible results, but nonetheless I was able to do this, and I was able to realize that I wasn`t in a box, and I wanted to establish that. — Neil Young[84] The 1982 album Trans, which incorporated vocoders, synthesizers, and electronic beats, was Young`s first for the new label Geffen Records (distributed at the time by Warner Bros. Records, whose parent Warner Music Group owns most of Young`s solo and band catalog) and represented a distinct stylistic departure. Young later revealed that an inspiration for the album was the theme of technology and communication with Ben, who could not speak.[85] An extensive tour preceded the release of the album, and was documented by the video Neil Young in Berlin, which saw release in 1986. MTV played the video for `Sample and Hold` in light rotation.[citation needed] Young playing in Barcelona, Spain, 1984 Young`s next album, 1983`s Everybody`s Rockin`, included several rockabilly covers and clocked in at less than 25 minutes in length. Young was backed by the Shocking Pinks for the supporting US tour. Trans (1982) had already drawn the ire of label head David Geffen for its lack of commercial appeal, and with Everybody`s Rockin` following seven months later, Geffen Records sued Young for making music `unrepresentative` of himself.[86] The album was also notable as the first for which Young made commercial music videos – Tim Pope directed the videos for `Wonderin`` and `Cry, Cry, Cry`. Also premiered in 1983, though little seen, was the long-gestating Human Highway. Co-directed and co-written by Young, the eclectic comedy starred Young, Dean Stockwell, Russ Tamblyn, Dennis Hopper, David Blue, Sally Kirkland, Charlotte Stewart and members of Devo.[87] Young did not release an album in 1984, his first unproductive year since beginning his career with Buffalo Springfield in 1966. Young`s lack of productivity was largely due to the ongoing legal battle with Geffen, although he was also frustrated that the label had rejected his 1982 country album Old Ways.[88] It was also the year when Young`s third child was born, a girl named Amber Jean, who was later diagnosed with inherited epilepsy.[89] Young spent most of 1984 and all of 1985 touring for Old Ways (August 12, 1985) with his country band, the International Harvesters. The album was finally released in an altered form midway through 1985. Young also appeared at that year`s Live Aid concert in Philadelphia, collaborating with Crosby, Stills and Nash for the quartet`s first performance for a paying audience in over ten years.[citation needed] Young`s last two albums for Geffen were more conventional in the genre, although they incorporated production techniques like synthesizers and echoing drums that were previously uncommon in Young`s music. Young recorded 1986`s Landing on Water without Crazy Horse but reunited with the band for the subsequent year-long tour and final Geffen album, Life, which emerged in 1987. Young`s album sales dwindled steadily throughout the eighties; today Life remains his all-time-least successful studio album, with an estimated four hundred thousand sales worldwide.[90] Switching back to his old label Reprise Records, Young continued to tour relentlessly, assembling a new blues band called The Bluenotes in mid-1987 (a legal dispute with musician Harold Melvin forced the eventual rechristening of the band as Ten Men Working midway through the tour). The addition of a brass section provided a new jazzier sound, and the title track of 1988`s This Note`s For You became Young`s first hit single of the decade. Accompanied by a video that parodied corporate rock, the pretensions of advertising, and Michael Jackson, the song was initially unofficially banned by MTV for mentioning the brand names of some of their sponsors. Young wrote an open letter, `What does the M in MTV stand for: music or money?` Despite this, the video was eventually named best video of the year by the network in 1989.[91] Young reunited with Crosby, Stills, and Nash to record the 1988 album American Dream and play two benefit concerts late in the year, but the group did not embark upon a full tour.[citation needed] Young attracted criticism from liberals in the music industry when he supported President Ronald Reagan and said he was `tired of people constantly apologising for being Americans`.[92] In a 1985 interview with Melody Maker, he said about the AIDS pandemic: `You go to a supermarket and you see a faggot behind the fuckin` cash register, you don`t want him to handle your potatoes.`[93] In the same interview, Young also complained about welfare beneficiaries, saying: `Stop being supported by the government and get out and work. You have to make the weak stand up on one leg, or half a leg, whatever they`ve got.`[94] Rolling Stone wrote in 2013 that Young `almost certainly regrets that horrific statement` and that he `quickly moved away from right-wing politics`.[93] Return to prominence (1989–1999)[edit] Young performing in 1996 in Turku, Finland Young`s 1989 single `Rockin` in the Free World`, which hit No. 2 on the US mainstream-rock charts, and accompanying the album, Freedom, returned Young to the popular consciousness after a decade of sometimes-difficult genre experiments. The album`s lyrics were often overtly political; `Rockin` in the Free World` deals with homelessness, terrorism, and environmental degradation, implicitly criticizing the government policies of President George H. W. Bush.[95] The use of heavy feedback and distortion on several Freedom tracks was reminiscent of the Rust Never Sleeps (1979) album and foreshadowed the imminent rise of grunge. The rising stars of the subgenre, including Nirvana`s Kurt Cobain and Pearl Jam`s Eddie Vedder, frequently cited Young as a major influence, contributing to his popular revival. A tribute album called The Bridge: A Tribute to Neil Young was released in 1989, featuring covers by a range of alternative and grunge acts, including Sonic Youth, Nick Cave, Soul Asylum, Dinosaur Jr, and the Pixies.[citation needed] Young`s 1990 album Ragged Glory, recorded with Crazy Horse in a barn on his Northern California ranch, continued this distortion-heavy aesthetic. Young toured for the album with Orange County, California country-punk band Social Distortion and Sonic Youth as support, much to the consternation of many of his old fans.[96] Weld, a two-disc live album documenting the tour, was released in 1991.[96] Sonic Youth`s influence was evident on Arc, a 35-minute collage of feedback and distortion spliced together at the suggestion of Thurston Moore and originally packaged with some versions of Weld.[96] 1992`s Harvest Moon marked an abrupt return (prompted by Young`s hyperacusis in the aftermath of the Weld tour) to the country and folk-rock stylings of Harvest and reunited him with some of the musicians from that album, including the core members of the Stray Gators and singers Linda Ronstadt and James Taylor. The title track was a minor hit, and the record was well received by critics, winning the Juno Award for Album of the Year in 1994. Young also contributed to lifelong friend Randy Bachman`s nostalgic 1992 tune `Prairie Town`, and garnered a 1993 Academy Award nomination for his song `Philadelphia`, from the soundtrack of the Jonathan Demme movie of the same name. An MTV Unplugged performance and album emerged in 1993. Later that year, Young collaborated with Booker T. and the M.G.s for a summer tour of Europe and North America, with Blues Traveler, Soundgarden, and Pearl Jam also on the bill. Some European shows ended with a rendition of `Rockin` in the Free World` played with Pearl Jam, foreshadowing their eventual full-scale collaboration two years later.[citation needed] Young on stage in Barcelona In 1994, Young again collaborated with Crazy Horse for Sleeps with Angels, a record whose dark, somber mood was influenced by Kurt Cobain`s death earlier that year: the title track in particular dealt with Cobain`s life and death, without mentioning him by name. Cobain had quoted Young`s lyric `It`s better to burn out than fade away` (a line from `My My, Hey Hey`) in his suicide note. Young had reportedly made repeated attempts to contact Cobain prior to his death.[97] Young and Pearl Jam performed `Act of Love` at an abortion rights benefit along with Crazy Horse, and were present at a Rock and Roll Hall of Fame dinner, sparking interest in a collaboration between the two.[98] Still enamored with the grunge scene, Young reconnected with Pearl Jam in 1995 for the live-in-the-studio album Mirror Ball and a tour of Europe with the band and producer Brendan O`Brien backing Young. 1995 also marked Young`s induction into the Rock and Roll Hall of Fame, where he was inducted by Eddie Vedder.[99] Young has consistently demonstrated the unbridled passion of an artist who understands that self-renewal is the only way to avoid burning out. For this reason, he has remained one of the most significant artists of the rock and roll era. — Rock and Roll Hall of Fame website.[99][100] In 1995, Young and his manager Elliot Roberts founded a record label, Vapor Records.[101] It has released recordings by Tegan and Sara, Spoon, Jonathan Richman, Vic Chesnutt, Everest, Pegi Young, Jets Overhead, and Young himself, among others.[101] Young`s next collaborative partner was filmmaker Jim Jarmusch, who asked Young to compose a soundtrack to his 1995 black-and-white western film Dead Man. Young`s instrumental soundtrack was improvised while he watched the film alone in a studio. The death of long-time mentor, friend, and producer David Briggs in late 1995 prompted Young to reconnect with Crazy Horse the following year for the album and tour Broken Arrow. A Jarmusch-directed concert film and live album of the tour, Year of the Horse, emerged in 1997. From 1996 to 1997, Young and Crazy Horse toured extensively throughout Europe and North America, including a stint as part of the H.O.R.D.E. Festival`s sixth annual tour.[citation needed] In 1998, Young renewed his collaboration with the rock band Phish, sharing the stage at the annual Farm Aid concert and then at Young`s Bridge School Benefit, where he joined headliners Phish for renditions of `Helpless` and `I Shall Be Released`.[102] Phish declined Young`s later invitation to be his backing band on his 1999 North American tour.[citation needed] The decade ended with the release in late 1999 of Looking Forward, another reunion with Crosby, Stills, and Nash. The subsequent tour of the United States and Canada with the reformed quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000.[citation needed] Health condition and new material (2000s)[edit] Crosby, Stills, Nash & Young perform at the PNC Bank Arts Center in 2006. (From L to R: Nash, Stills, Young, and Crosby) Neil Young continued to release new material at a rapid pace through the first decade of the new millennium. The studio album Silver & Gold and live album Road Rock Vol. 1 were released in 2000 and were both accompanied by live concert films. His 2001 single `Let`s Roll` was a tribute to the victims of the September 11 attacks, and the effective action taken by the passengers and crew on Flight 93 in particular.[103] In 2003, Young released Greendale, a concept album recorded with Crazy Horse members Billy Talbot and Ralph Molina. The songs loosely revolved around the murder of a police officer in a small town in California and its effects on the town`s inhabitants.[104] Under the pseudonym `Bernard Shakey`, Young directed an accompanying film of the same name, featuring actors lip-synching to the music from the album. He toured extensively with the Greendale material throughout 2003 and 2004, first with a solo, acoustic version in Europe, then with a full-cast stage show in North America, Japan, and Australia. Young began using biodiesel on the 2004 Greendale tour, powering his trucks and tour buses with the fuel. `Our Greendale tour is now ozone friendly`, he said. `I plan to continue to use this government approved and regulated fuel exclusively from now on to prove that it is possible to deliver the goods anywhere in North America without using foreign oil, while being environmentally responsible.`[105] Stills and Young performing together on the Crosby, Stills, Nash & Young 2006 tour In March 2005, while working on the Prairie Wind album in Nashville,[106] Young was diagnosed with a brain aneurysm. He was treated successfully with a minimally invasive neuroradiological procedure, performed in a New York hospital on March 29,[107] but two days afterwards he passed out on a New York street from bleeding from the femoral artery, which radiologists had used to access the aneurysm.[108] The complication forced Young to cancel his scheduled appearance at the Juno Awards telecast in Winnipeg, but within months he was back on stage, appearing at the close of the Live 8 concert in Barrie, Ontario, on July 2. During the performance, he debuted a new song, a soft hymn called `When God Made Me`. Young`s brush with death influenced Prairie Wind`s themes of retrospection and mortality.[109] 2010s[edit] In May 2010, it was revealed Young had begun working on a new studio album produced by Daniel Lanois. This was announced by David Crosby, who said that the album `will be a very heartfelt record. I expect it will be a very special record.`[110] On May 18, 2010, Young embarked upon a North American solo tour to promote his then upcoming album, Le Noise, playing a mix of older songs and new material. Although billed as a solo acoustic tour, Young also played some songs on electric guitars, including Old Black.[111] In September 2011, Jonathan Demme`s third documentary film on the singer songwriter, Neil Young Journeys, premiered at the Toronto International Film Festival.[112] Neil Young with Crazy Horse released the album Americana on June 5, 2012. It was Young`s first collaboration with Crazy Horse since the Greendale album and tour in 2003 and 2004. The record is a tribute to unofficial national anthems that jumps from an uncensored version of `This Land Is Your Land` to `Clementine` and includes a version of `God Save the Queen`, which Young grew up singing every day in school in Canada.[113] Americana is Neil Young`s first album composed entirely of cover songs. The album debuted at number four on the Billboard 200, making it Young`s highest-charting album in the US since Harvest.[114] On June 5, 2012, American Songwriter also reported that Neil Young and Crazy Horse would be launching their first tour in eight years in support of the album.[115] On September 25, 2012, Young`s autobiography Waging Heavy Peace: A Hippie Dream was released to critical and commercial acclaim.[116] Reviewing the book for the New York Times, Janet Maslin reported that Young chose to write his memoirs in 2012 for two reasons: he needed to take a break from stage performances for health reasons but continue to generate income; and he feared the onset of dementia, considering his father`s medical history and his own present condition. Maslin praised the book, describing it as frank but quirky and without pathos.[117] In November 2013, Young performed at the annual fundraiser for the Silverlake Conservatory of Music. Following the Red Hot Chili Peppers, he played an acoustic set to a crowd who had paid a minimum of $2,000 a seat to attend the benefit in the famous Paramour Mansion overlooking downtown Los Angeles.[118] Young released the album A Letter Home on April 19, 2014, through Jack White`s record label, and his second memoir, entitled Special Deluxe, which was released on October 14.[119] He appeared with White on The Tonight Show Starring Jimmy Fallon on May 12, 2014.[120] Young released his thirty-fifth studio album, Storytone on November 4, 2014. The first song released from the album, `Who`s Gonna Stand Up?`, was released in three different versions on September 25, 2014.[121] Storytone was followed in 2015 by his concept album The Monsanto Years.[122] The Monsanto Years is an album themed both in support of sustainable farming, and to protest the biotechnology company Monsanto.[123] Young achieves this protest in a series of lyrical sentiments against genetically modified food production. He created this album in collaboration with Willie Nelson`s sons, Lukas and Micah, and is also backed by Lukas`s fellow band members from Promise of the Real.[124] Additionally, Young released a film in tandem to the album, (also entitled The Monsanto Years), that documents the album`s recording, and can be streamed online.[125] In August 2019, The Guardian reported Young, among other environmental activists, was being spied on by the firm.[126] In summer 2015, Young undertook a North America tour titled the Rebel Content Tour. The tour began on July 5, 2015, at the Summerfest in Milwaukee, Wisconsin and ended on July 24, 2015, at the Wayhome Festival in Oro-Medonte, Ontario. Lukas Nelson & Promise of the Real were special guests for the tour.[127][128] In October 2016, Young performed at Desert Trip in Indio, California,[129][130] and announced his thirty-seventh studio album, Peace Trail, recorded with drummer Jim Keltner and bass guitarist Paul Bushnell,[131] which was released that December. On September 8, 2017, Young released Hitchhiker, a studio LP recorded on August 11, 1976, at Indigo Studios in Malibu. The album features ten songs that Young recorded accompanied by acoustic guitar or piano.[132] While different versions of most of the songs have been previously released, the new album will include two never-before-released songs: `Hawaii` and `Give Me Strength`, which Young has occasionally performed live.[133] On July 4, 2017, Young released the song `Children of Destiny` which would appear on his next album. On November 3, 2017, Young released `Already Great`, a song from The Visitor, an album he recorded with Promise of the Real and released on December 1, 2017.[134] On Record Store Day, April 21, 2018, Warner Records released a two-vinyl LP special edition of Roxy: Tonight`s the Night Live, a double live album of a show that Young performed in September 1973 at the Roxy in West Hollywood, with the Santa Monica Flyers. The album is labeled as `Volume 05` in Young`s Performance Series.[135] On October 19, 2018, Young released a live version of his song `Campaigner`, an excerpt from a forthcoming archival live album titled Songs for Judy, which features solo performances recorded during a November 1976 tour with Crazy Horse. It will be the first release from his new label Shakey Pictures Records.[136][137][138] In December 2018, Young criticized the promoters of a London show for selecting Barclays Bank as a sponsor. Young objected to the bank`s association with fossil fuels. Young explained that he was trying to rectify the situation by finding a different sponsor.[139] On August 19, 2019, Neil Young and Crazy Horse announced the forthcoming release later in August 2019 of the new song `Rainbow of Colors`, the first single from the album Colorado, Young`s first new record with the band in seven years, since 2012`s Psychedelic Pill. Young, multi-instrumentalist Nils Lofgren, bassist Billy Talbot and drummer Ralph Molina recorded the new album with Young`s co-producer, John Hanlon, in spring 2019. Colorado was released on October 25, 2019[140][141] on Reprise Records. On August 30, 2019, Young unveiled `Milky Way`, the first song from Colorado, a love ballad he had performed several times at concerts – both solo acoustic and with Promise of the Real.[142] 2020s[edit] In February 2020, Young wrote an open letter to President Trump, calling him a `disgrace to my country`.[143][144] On August 4, 2020, Young filed a copyright infringement lawsuit against Trump`s reelection campaign for the use of his music at campaign rallies.[145] In April 2020, Young announced that he was working on a new archival album, Road of Plenty, comprising music made with Crazy Horse in 1986 and rehearsals for his 1989 Saturday Night Live appearance.[146] On June 19, Young released a `lost` album, Homegrown. He recorded it in the mid-1970s following his breakup with Carrie Snodgress, but opted not to release it at the time, feeling it was too personal.[147] In September, Young released a live EP, The Times. Young shared the news via his video for his new song `Lookin` for a Leader`, stating: `I invite the President to play this song at his next rally. A song about the feelings many of us have about America today.`[148] In January 2021, Young sold 50% of the rights to his back catalog to the British investment company Hipgnosis Songs Fund. The value was estimated to be at least $150 million.[149][150] Young and Crazy Horse released a new album, Barn, on December 10, 2021. The first single, `Song of the Seasons`, was released on October 15, followed by `Welcome Back` on December 3, along with a music video. A stand-alone will be released on Blu-ray and will be directed by Daryl Hannah.[151] Young also confirmed that he had completed his third book, Canary, his first work of fiction.[152] On January 24, 2022, Young posted an open letter threatening to remove his music from the audio streaming service Spotify if it did not remove The Joe Rogan Experience podcast. Young accused the podcast of spreading COVID-19 misinformation on December 31, writing that `Spotify has a responsibility to mitigate the spread of misinformation on its platform`.[153] On January 26, Young`s music was removed from Spotify. A Spotify spokesperson said that Spotify wanted `all the world`s music and audio content to be available to Spotify users` and that it had a `great responsibility in balancing both safety for listeners and freedom for creators`.[153] In solidarity, artists including Joni Mitchell and the members of Crosby, Stills, and Nash also removed their music from Spotify.[154][155][156] The Director-General of the World Health Organization, Tedros Adhanom Ghebreyesus, also praised Young.[155] In 2023, Young criticized Ticketmaster`s practice of raising ticket prices and adding fees. He said he had been sent letters from fans blaming him for US$3,000 tickets for a benefit concert he was performing, and that `artists have to worry about ripped off fans blaming them for Ticketmaster add-ons and scalpers`.[157] In March 2024, Young returned his music to Spotify, as the end of Rogan`s contract meant Rogan could add The Joe Rogan Experience to other streaming platforms, such as Apple Music and Amazon Music. Young said he could not sustain his opposition across each of the platforms.[158] Archives project[edit] Main article: Neil Young Archives Since 2006, Young has been maintaining the Neil Young Archives, a project which encompasses the release of live albums, starting in 2006 with Live at the Fillmore East, box sets of live and studio material, starting in 2009 with The Archives Vol. 1 1963–1972, as well as video releases. As of 2019, the project has evolved into a subscription website and application where all of his music is available to stream in high resolution audio. Neil Young Archives also includes his newspaper, The Times-Contrarian, The Hearse Theater, and photographs and memorabilia from throughout his career.[159] Activism, philanthropy and humanitarian efforts[edit] Young`s renewed activism manifested itself in the 2006 album Living with War, which like the much earlier song `Ohio`, was recorded and released in less than a month as a direct result of current events.[160] Most of the album`s songs rebuked the Bush administration`s policy of war by examining its human costs to soldiers, their loved ones, and civilians, but Young also included a few songs on other themes and an outright protest song entitled `Let`s Impeach the President`,[161] in which he asserted that Bush had lied to lead the country into war. While Young had never been a stranger to eco-friendly lyrics, themes of environmentalist spirituality and activism became increasingly prominent in his work throughout the 1990s and 2000s, especially on Greendale (2003)[162] and Living with War (2006).[163] The trend continued on 2007`s Chrome Dreams II, with lyrics exploring Young`s personal eco-spirituality.[164] Young remains on the board of directors of Farm Aid, an organization he co-founded with Willie Nelson and John Mellencamp in 1985. According to its website, it is the longest running concert benefit series in the US and it has raised $43 million since its first benefit concert in 1985. Each year, Young co-hosts and performs with well-known guest performers who include Dave Matthews and producers who include Evelyn Shriver and Mark Rothbaum, at the Farm Aid annual benefit concerts to raise funds and provide grants to family farms and prevent foreclosures, provide a crisis hotline, and create and promote home grown farm food in the United States.[165] Young performing in Oslo, Norway, in 2009 In 2008, Young revealed his latest project, the production of a hybrid-engine 1959 Lincoln called LincVolt.[166] A new album loosely based on the Lincvolt project, Fork in the Road, was released on April 7, 2009.[167] A Jonathan Demme concert film from a 2007 concert at the Tower Theater in Upper Darby Township, Pennsylvania, called the Neil Young Trunk Show premiered on March 21, 2009, at the South by Southwest (SXSW) Film Conference and Festival in Austin, Texas. It was featured at the Cannes Film Festival on May 17, 2009, and was released in the US on March 19, 2010,[168] to critical acclaim.[169][170][171] In 2009, Young headlined the New Orleans Jazz and Heritage Festival, and Glastonbury Festival in Pilton, England,[172] at Hard Rock Calling in London (where he was joined onstage by Paul McCartney for a rendition of `A Day in the Life`) and, after years of unsuccessful booking attempts, the Isle of Wight Festival.[173] Young has been a vocal opponent of the proposed Keystone XL oil pipeline, which would run from Alberta to Texas. When discussing the environmental impact on the oilsands of Fort McMurray, Alberta, Young asserted that the area now resembles the Japanese city of Hiroshima in the aftermath of the atomic bomb attack of World War II.[174] Young has referred to issues surrounding the proposed use of oil pipelines as `scabs on our lives`.[174] In an effort to become more involved, Young has worked directly with the Athabasca Chipewyan First Nation to draw attention to this issue, performing benefit concerts and speaking publicly on the subject. In 2014, he played four shows in Canada dedicated to the Honor the Treaties[175] movement, raising money for the Athabasca Chipewyan legal defense fund.[176] In 2015, he and Willie Nelson held a festival in Neligh, Nebraska, called Harvest the Hope, raising awareness of the impact of oilsands and oil pipelines on Native Americans and family farmers. Both received honors from leaders of the Rosebud Sioux, Oglala Lakota, Ponca and Omaha nations, and were invested with sacred buffalo robes.[177] Young participated in the Blue Dot Tour, which was organized and fronted by environmental activist David Suzuki, and toured all 10 Canadian provinces alongside other Canadian artists including the Barenaked Ladies, Feist, and Robert Bateman. The intent of Young`s participation in this tour was to raise awareness of the environmental damage caused by the exploitation of oilsands. Young has argued that the amount of CO2 released as a byproduct of oilsand oil extraction is equivalent to the amount released by the total number of cars in Canada each day.[178] Young has faced criticism by representatives from within the Canadian petroleum industry, who have argued that his statements are irresponsible.[174] Young`s opposition to the construction of oil pipelines has influenced his music as well. His song, `Who`s Going to Stand Up?` was written to protest this issue, and features the lyric `Ban fossil fuel and draw the line / Before we build one more pipeline`.[174] In addition to directly criticizing members of the oil industry, Young has also focused blame on the actions of the Canadian government for ignoring the environmental impacts of climate change. He referred to Canadian Prime Minister Stephen Harper as `an embarrassment to many Canadians ... [and] a very poor imitation of the George Bush administration in the United States`.[178] Young was also critical of Barack Obama`s government for failing to uphold the promises made regarding environmental policies during his election campaign.[178] Young recorded `A Rock Star Bucks a Coffee Shop` in response to Starbucks` possible involvement with Monsanto and use of genetically modified food.[179][180] The song was included on his 2015 concept album The Monsanto Years.[181] Personal life[edit] Homes and residency[edit] Young`s family was from Manitoba, where both his parents were born and married. Young himself was born in Toronto, Ontario, and lived there at various times in his early life (1945, 1957, 1959–1960, 1966–1967), as well as Omemee (1945–1952) and Pickering, Ontario (1956) before settling with his mother in Winnipeg, Manitoba (1958, 1960–1966), where his music career began and which he considers his `hometown`.[182] After becoming successful, he bought properties in California. Young had a home in Malibu, California, which burned to the ground in the 2018 Woolsey Fire.[183] Young had lived outside Canada from 1967, before returning in 2020. Young owned Broken Arrow Ranch, a property of about 1,000 acres[184] near La Honda, California, which he purchased in 1970 for US$350,000 (US$2.7 million in 2023 dollars);[72] the property was subsequently expanded to thousands of acres.[185][186] He moved out and gave Pegi Young the ranch after their divorce in 2014. Young`s son Ben lives there.[61] Young announced in 2019 that his application for United States citizenship had been held up because of his use of marijuana. In 2020, the issue was resolved and he became a United States citizen.[187][188][189][190] Almost immediately upon gaining US citizenship, Young returned to living in Canada for the first time in over half-a-century, as he and Daryl Hannah moved to a cottage near Omemee, the town where he had originally lived from shortly after his birth until the age of 7.[191][192] Relationships and family[edit] Young married his first wife, restaurant owner Susan Acevedo, in December 1968. They were together until October 1970, when she filed for divorce.[193] From late 1970 to 1975, Young was in a relationship with actress Carrie Snodgress. The song `A Man Needs a Maid` from Harvest is inspired by his seeing her in the film Diary of a Mad Housewife. They met soon afterward and she moved in with him on his ranch in northern California. They have a son, Zeke, who was born September 8, 1972. He has been diagnosed with cerebral palsy.[194][195] Young met future wife Pegi Young (née Morton) in 1974 when she was working as a waitress at a diner near his ranch, a story he tells in the 1992 song `Unknown Legend`. They married in August 1978[196] and had two children together, Ben and Amber. Ben has been diagnosed with cerebral palsy,[195] and Amber has been diagnosed with epilepsy.[195] The couple were musical collaborators and co-founded the Bridge School in 1986.[197][198] On July 29, 2014, Young filed for divorce after 36 years of marriage.[61] Pegi died on January 1, 2019.[199] Young has been in a relationship with actress and director Daryl Hannah since 2014.[200] Young and Hannah were reported to have wed on August 25, 2018, in Atascadero, California.[201] Young confirmed his marriage to Hannah in a video released on October 31, 2018.[202] Young has been widely reported to be the godfather of actress Amber Tamblyn;[203] in a 2009 interview with Parade, Tamblyn explained that `godfather` was `just a loose term` for Young, Dennis Hopper, and Dean Stockwell, three famous friends of her father, Russ Tamblyn, who were important influences on her life.[204] Charity work[edit] Young is an environmentalist[205] and outspoken advocate for the welfare of small farmers, having co-founded in 1985 the benefit concert Farm Aid. He worked on LincVolt, the conversion of his 1959 Lincoln Continental to hybrid electric technology, as an environmentalist statement.[206][207] In 1986, Young helped found the Bridge School,[208] an educational organization for children with severe verbal and physical disabilities, and its annual supporting Bridge School Benefit concerts, together with his then wife Pegi Young.[209] Young is a member of the Canadian charity Artists Against Racism.[210] Business ventures[edit] Young was part owner of Lionel, LLC, a company that makes toy trains and model railroad accessories.[211] In 2008 Lionel emerged from bankruptcy and his shares of the company were wiped out. He was instrumental in the design of the Lionel Legacy control system for model trains,[211] and remains on the board of directors of Lionel.[212] He has been named as co-inventor on seven US patents related to model trains.[213] Young has long held that the digital audio formats in which most people download music are deeply flawed, and do not provide the rich, warm sound of analog recordings. He claims to be acutely aware of the difference, and compares it with taking a shower in tiny ice cubes versus ordinary water.[214] Young and his company PonoMusic developed Pono, a music download service and dedicated music player focusing on `high-quality` uncompressed digital audio.[215] It was designed to compete against highly compressed MP3 type formats. Pono promised to present songs `as they first sound during studio recording`.[216][217][218] The service and the sale of the player were launched in October 2014.[219][220] Instruments[edit] Guitars[edit] Young playing a Gretsch White Falcon in Cologne, June 19, 2009 In 2003, Rolling Stone listed Young as eighty-third in its ranking of `The 100 Greatest Guitarists of All Time` (although in a more recent version of the list, he has been moved up to seventeenth place), describing him as a `restless experimenter ... who transform[s] the most obvious music into something revelatory`.[221] Young is a collector of second-hand guitars, but in recording and performing, he uses frequently just a few instruments, as is explained by his longtime guitar technician Larry Cragg in the film Neil Young: Heart of Gold. They include: a late 1950s Gretsch White Falcon purchased by Young near the end of the Buffalo Springfield era. In 1969, he bought a version of the same vintage guitar from Stephen Stills, and this instrument is featured prominently during Young`s early 1970s period, and can be heard on tracks like `Ohio`, `Southern Man`, `Alabama`, `Words (Between the Lines of Age)`, and `L.A.`. It was Young`s primary electric guitar during the Harvest (1972) era, since Young`s deteriorating back condition (eventually fixed with surgery) made playing the much heavier Les Paul (a favourite of his named Old Black) difficult.[222] Reed organ[edit] Young owns a restored Estey reed organ, serial number 167272, dating from 1885, which he frequently plays in concert.[223] Crystallophone[edit] Young owns a glass harmonica, which he played in the recording of `I Do` on his 2019 album Colorado.[224] Amplification[edit] Young uses various vintage Fender Tweed Deluxe amplifiers. His preferred amplifier for electric guitar is the Fender Deluxe, specifically a Tweed-era model from 1959. He purchased his first vintage Deluxe in 1967 for US$50 (US$460 in 2023 dollars[72]) from Sol Betnun Music on Larchmont in Hollywood and has since acquired nearly 450 different examples, all from the same era, but he maintains that it is the original model that sounds superior and is crucial to his trademark sound.[225] A notable and unique accessory to Young`s Deluxe is the Whizzer, a device created specifically for Young by Rick Davis, which physically changes the amplifier`s settings to pre-set combinations. This device is connected to footswitches operable by Young onstage in the manner of an effects pedal. Tom Wheeler`s book The Soul of Tone highlights the device on page 182/183.[226] Discography[edit] Main article: Neil Young discography and filmography See also: Crazy Horse (band) § Discography; Buffalo Springfield § Discography; and Crosby, Stills, Nash & Young discography Neil Young (1968) Everybody Knows This Is Nowhere (1969) (with Crazy Horse) After the Gold Rush (1970) Harvest (1972) Time Fades Away (1973) On the Beach (1974) Tonight`s the Night (1975) Zuma (1975) (with Crazy Horse) Long May You Run (1976) (credited to The Stills–Young Band) American Stars `n Bars (1977) Comes a Time (1978) Rust Never Sleeps (1979) Hawks & Doves (1980) Re

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Kener Sačuvaj ljubav – Ema Čejs Ne traži me – Ema Čejs Kao nijedna druga – Ema Čejs Knjiga o nama – Lisa Kari Sa tobom je sve moguće – Tom Mičel San – Mark Trevidic Carigradska proročica – Majkl Dejvid Lukas Skini mi zvezde – Karin Lamber Anđeo tame – Sidni Šeldon Careva balerina – Adrijen Šarp Devojka od papira – Gijom Muso Đavo nosi Pradu – Lorin Vajsberger Harun i More priča – Salman Ruždi Knjiga mrtvih duša – Glen Kuper I am Love – Žana Poliakov Kad otkuca ponoć – Eloiza Džejms Kao da smo jedno – Džasinda Vajlder Kćeri princeze Sultane (V) – Džin Sason Molitva moje majke – Nafisa Hadži Krvna veza – Sidni Šeldon Luda ljubav – Aleksandra Poter Moć podsvesti – nova tajna – Džozef Marfi Ništa nije večno – Sidni Šeldon Neverni princ – Nora Roberts Pakleni planovi – Sidni Šeldon Oslobodi me – Dž. Kener Ponoćne uspomene – Sidni Šeldon Sunce iza bedema – Džin Sason Sveti gresi – Nora Roberts Zato što te volim – Gijom Muso Vođa bez titule – Robin Šarma Lovemarks – Žana Poliakov Orijentalista – Tom Rajs Soulfood – Žana Poliakov Vetrenjače bogova – Sidni Šeldon Moj pas – Tanja Lučić Alhemija duše – Barbara de Anđelis Princeza Sultana: Neisplakane suze – Džin Sason Arzenšek, Vladimir, Struktura i pokret, Centar za filozofiju i društvenu teoriju Instituta društvenih nauka, 1984. 2. Badiju, Alen, Pregled metapolitike, “Filip Višnjić”, Institut za filozofiju i društvenu teoriju, 2008. (Biblioteka Fronesis) 3. Bakić- Hayden, Milica,Varijacije na temu “Balkan”, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2006. (Biblioteka Fronesis) 4. Birešev, Ana, Orionov vodič: otkrivanje dominacije u sociologiji Pjera Burdijea, Institut za filozofiju i društvenu teoriju, 2014. (Biblioteka Prudentia) 5. Birešev Ana, Drezgic Rada, Prodanovic Srdjan (prir.) Corruption and social development, Institut za filozofiju i društvenu teoriju, 2013. (Biblioteka Conferentia) 6. Birešev Ana, Pudar Gazela, Bošković Dušan (prir.) Priroda, etika, politika: ekološke (pre)okupacije i (pre)orijentacije, Institut za filozofiju i društvenu teoriju , 2012. (Biblioteka Disput) 7. Blagojević Mirko, Jablanov Maksimović Jelena, Bajović Tijana (prir.) (Post)sekularni obrt: religijske, moralne i društveno-političke vrednosti studenata u Srbiji, Institut za filozofiju društvenu teoriju, Konrad Adenauer Stiftung, 2013. (Biblioteka Disput) 8. Blagojević Mirko, Todorović Dragan (eds.) Orthodoxy from an empirical perspective, Yugoslav Society for the Scientific Study of Religion, Institut za filozofiju i društvenu teoriju, 2011. 9. Blagojević, Mirko, Religija i crkva u transformacijama društva sociološko-istorijska analiza religijske situacije u srpskocrnogorskom i ruskom (post)komunističkom društvu, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2005. (Biblioteka Fronesis) 10. Bojanić Petar, Sibertin-Blanc Guillaume (eds.) De la terreur a l`extreme-violence, Institut za filozofiju i društvenu teoriju, 2014. 11. Bojanić Petar, Babić Jovan, Pudar Gazela (eds.) Europe in the emerging world order: searching for a new paradigm, Institut za filozofiju i društvenu teoriju, 2011. (Biblioteka Conferentia) 12. Bojanić, Petar, Granica, znanje, žrtvovanje, Institut za filozofiju i društvenu teoriju, Albatros plus, 2009. (Biblioteka Fronesis) 13. Bojanić, Petar (prir.) Politike tajne: tajna, tajna služba, služba državne bezbednosti, Institut za filozofiju i društvenu teoriju, Narodna biblioteka Srbije, 2007. 14. Bojanić, Petar, Nasilje, figure suverenosti, Institut za filozofiju i društvenu teoriju, Bojanić Sanja, Ćeriman Jelena, Pavić Zentner Verica (prir.) Rod i obrazovanje, Institut za filozofiju i društvenu teoriju 2014. 17. Bošković, Dušan, Estetika u okruženju: sporovi o marksističkoj estetici i književnoj kritici u srpsko-hrvatskoj periodici od 1944.do 1972. godine, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2003. (Biblioteka Fronesis) 1 18. Čavoški, Kosta, Ustav kao jemstvo slobode: ogledi o ustavu i ustavnosti, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 1995. (Biblioteka Fronesis) 19. Cvetković, Vladimir (prir.) (Re)konstrukcija institucija: godinu dana tranzicije u Srbiji, Institut za filozofiju i društvenu teoriju, 2002. (Biblioteka Disput) 20. Đerić, Gordana, Pr(a)vo lice množine: kolektivno samopoimanje i predstavljanje: mitovi, karakteri, mentalne mape i stereotipi Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2005. (Biblioteka Fronesis) 21. Đerić, Gordana, Prošlost u sadašnjosti: prilozi prenosu sećanja kroz vreme, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2010. (Biblioteka Fronesis) 22. Đerić,Gordana, Intima javnosti: okviri predstavljanja, narativni obrasci, strategije i stereotipi konstruisanja Drugosti u upečatljivim događajima tokom razgradnje bivše Jugoslavije: štampa, TV, film, Institut za filozofiju i društvenu teoriju, Fabrika knjiga, 2008. 23. Dobrijević Aleksandar, Mladenović Ivan, (prir.) Razlozi i noramativnost, Institut za filozofiju i društvenu teoriju, 2013. (Biblioteka Pasaž) 24. Dobrijević, Aleksandar, Ka adekvatnoj moralnoj teoriji: normativna etika Ričarda M. Hera, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2006. (Biblioteka Fronesis) 25. Drezgić Rada, Duhaček Daša,Vasiljević Jelena (prir.) Ekofeminizam: nova politička odgovornost, Institut za filozofiju i društvenu teoriju, 2012. (Biblioteka Disput) 26. Drezgić Rada, Radinković Željko, Krstić Predrag (prir.) Horizont bioetike: moral u doba tehničke reprodukcije života, Institut za filozofiju i društvenu teoriju, 2012. (Biblioteka Disput) 27. Drezgić, Rada, “Bela kuga” među “Srbima”: o naciji, rodu i rađanju na prelazu vekova, Albatros plus, Institut za filozofiju i društvenu teoriju, 2010. (Biblioteka Fronesis) 28. Đurić, Jelena, Antropološka teorija i društvena praksa : na tragu istraživačkog iskustva Zagorke Golubović, Institut za filozofiju i društvenu teoriju, 2014. (Biblioteka Zasluga) Fronesis) 31. Gligorov, Vladimir, Gledišta i sporovi o industrijalizaciji u socijalizmu, Centar za filozofiju i društvenu teoriju Instituta društvenih nauka, 1984. (Biblioteka Disput) 33. Hirsch Alfred, Bojanić Petar, Radinković Željko (prir.) Vertrauen und Transparenz – für ein neues Europa, Institut za filozofiju i društvenu teoriju, 2013. (Biblioteka Conferentia) 34. Imširović, Jelka, Od staljinizma da samoupravnog nacionalizma, Centar za filozofiju i društvenu teoriju Instituta društvenih nauka, 1991. 35. Jakšić, Božidar, Umetnost preživljavanja: gde i kako žive Romi u Srbiji, Institut za filozofiju i društvenu teoriju, 2005. (Biblioteka Disput) 2 36. Jarić, Isidora (prir.) Bolonjska reforma visokog školstva u Srbiji: problemi, dileme, očekivanja i strahovi nastavnog osoblja na beogradskom univerzitetu, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2010. (Biblioteka Fronesis) 37. Jeremić-Molnar, Dragana, Nestajanje uzvišenog i ovladavanje avangardnog u muzici moderne epohe. Knj. 1, Muzički uzvišeno u delima Betovena i Šenberga, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2009. (Biblioteka Fronesis) 38. Jeremić-Molnar, Dragana, Nestajanje uzvišenog i ovladavanje avangardnog u muzici moderne epohe. Knj. 2, Muzički avangardizam u Šenbergovoj dodekafonskoj poetici i Adornovoj kritičkoj estetici, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2009. (Biblioteka Fronesis) 39. Jocković, Miroslav, Veštačka inteligencija, “Filip Višnjić”, Institut za filozofiju i društvenu teoriju, 1994. 40. Jovanov, Rastko, Hegelovo pravo naroda: istoričnost i granice prava, Albatros plus, Institut za filozofiju i društvenu teoriju, 2013. (Biblioteka Fronesis) 41. Jovanović, Đokica, Sunovrat u zajednicu: politička stvarnost jugoslovenskog društva i stil života, Institut za filozofiju i društvenu teoriju, Gradina, 1995. 42. Koštunica, Vojislav, Ugrožena sloboda: političke i pravne rasprave, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2002. (Biblioteka Fronesis) 43. Krstić, Predrag, O čemu govorimo kad govorimo o…psovanju, Institut za filozofiju i društvenu teoriju, 2014. (Biblioteka o čemu govorimo kad govorimo o…) 44. Krstić, Predrag, Kud plovi ovaj brod: teorijske staze Enterprajza, Institut za filozofiju i društvenu teoriju, 2014. (Biblioteka Prudentia) 45. Krstić, Predrag, Filozofska životinja: zoografski nagovor na filozofiju, Službeni glasnik, Institut za filozofiju i društvenu teoriju, 2008. 46. Krstić, Predrag, Postapokaliptika: ničemu više filozofija, kao i dosad, Institut za filozofiju i društvenu teoriju, Albatros plus, 2009. (Biblioteka Fronesis) 47. Krstić, Predrag, Subjekt protiv subjektivnosti: Adorno i filozofija subjekta, , Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2007. (Biblioteka Fronesis) 48. Lay Vladimir (prir.), Društveni pokreti i politički sistem u Poljskoj: (1956-1981), Centar za filozofiju i društvenu teoriju Instituta društvenih nauka, 1985. 49. Milidrag, Predrag, “Poput slika stvari”: temelji Dekartove metafizičke teorije ideja, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2010. (Biblioteka Fronesis) 50. Milidrag, Predrag, Samosvest i moć: Dekartov Bog kao causa sui, Institut za filozofiju i društvenu teoriju, Okean, 2006. 51. Milisavljević Vladimir, Blanc Guillaume Sibertin (eds.) Deleuze et la violance, Institut za filozofiju i društvenu teoriju, EuroPhilosophie, 2012. 52. Milisavljević Vladimir, Mladenović Ivan (prir.) Tomas Hobs – utemeljenje moderne filozofije politike, Institut za filozofiju i društvenu teoriju, Albatros plus, 2012. (Biblioteka Fronesis) 53. Miščević, Nenad, Sva lica filozofije, Institut za filozofiju i društvenu teoriju, 2012. (Biblioteka Zasluga) 54. Mladenović, Ivan, Institucionalna realnost i Pravda, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2010. (Biblioteka Fronesis) 3 55. Mladenović, Ivan, Racionalni izbor i demokratija, Institut za filozofiju i društvenu teoriju, Albatros plus, 2012. (Biblioteka Fronesis) 56. Molnar, Aleksandar, Oproštaj od prosvetiteljske ideje ustavotvorne skupštine?: O rotacionom kretanju revolucije u Srbiji, 2000-2007., Institut za filozofiju i društvenu teoriju, Fabrika knjiga, 2008. 57. Molnar, Aleksandar, Rasprava o demokratskoj ustavnoj državi: 5, Rat Od kulta Votana do holokausta, Institut za filozofiju i društvenu teoriju, Fabrika knjiga, 2006. 58. Molnar, Aleksandar, Rasprava o prosvetiteljstvu, liberalizmu i nacionalizmu u Prusiji. Knj. 1, Igra svetlosti u razumu 18. veka, Službeni glasnik, Institut za filozofiju i društvenu teoriju, 2011. 59. Molnar, Aleksandar, Rasprava o prosvetiteljstvu, liberalizmu i nacionalizmu u Prusiji. Knj. 2, Aporije prosvećenog apsolutizma Fridriha II, Službeni glasnik, Institut za filozofiju i društvenu teoriju, 2011. 60. Naumović, Slobodan, Upotreba tradicije u političkom i javnom životu Srbije na kraju dvadesetog i početkom dvadeset prvog veka, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2009. (Biblioteka Fronesis) 61. Nemanjić Miloš, Spasić Ivana (prir.) Nasleđe Pjera Burdijea: pouke i nadahnuća, Institut za filozofiju i društvenu teoriju, Zavod za proučavanje kulturnog razvitka, 2006. (Biblioteka Disput) 62. Obrenović, Zoran, Srbija i novi poredak, Institut za filozofiju i društvenu teoriju, Gradina, (Beograd, Niš), 1992. 63. Oklobdžija, Mirjana, Revolucija između slobode i diktature, Centar za filozofiju i društvenu teoriju Instituta društvenih nauka, 1986. 64. Petrović-Trifunović Tamara, Bojanić Sanja, Pudar Draško Gazela (eds.) Mind the Gap(s): family, socialization and gender, Institut za filozofiju i društvenu teoriju, 2014. 65. Radinković, Željko, Narativna modifikacija Hajdegerove fenomenologija, Albatros plus, Institut za filozofiju i društvenu teoriju, 2013. (Biblioteka Fronesis) 66. Radojičić, Mirjana (prir.) Svetozar Stojanović: ličnost i delo, Institut za filozofiju i društvenu teoriju, 2015. (Biblioteka Zasluga) 67. Rakić Vojin, Bojanić Petar, Prodanović Srđan (eds.) New perspectives on bioethics, Institut za filozofiju i društvenu teoriju, 2012. (Biblioteka Conferentia) 68. Rakić Vojin, Bojanić Petar, Prodanović Srđan (eds.) The state and state building: theory and practice, Institut za filozofiju i društvenu teoriju, 2012. (Biblioteka Conferentia) 69. Rakić Vojin, Drezgić Rada, Mladenović Ivan (prir.) Bioetika, Službeni glasnik, Institut za filozofiju i društvenu teoriju, 2012. 70. Savić, Mile (prir.) Integracija i tradicija: Integration and tradition, Institut za filozofiju i društvenu teoriju, teoriju, “Filip Višnjić”, 1996. (Biblioteka Fronesis) 72. Sládeček, Michal, Pravila i kontekst upotrebe: teme i tumačenja Vitgenštajnove filozofije, Institut za filozofiju i društvenu teoriju, 2014. (Biblioteka Prudentia) 73. Sládeček, Michal, Politička zajednica: koncepcija političke zajednice u liberalno-komunitarnom sporu, Institut za filozofiju i društvenu teoriju, “Filip Višnjić , 2008. (Biblioteka Fronesis) 4 74. Social and Cultural Capital in Western Balkan Societies, Centre for Empirical Cultural Studies of South-East Europe, Institute for Philosophy and Social Theory, 2012. 75. Spasić Ivana, Subotić Milan (prir.) Revolucija i poredak: o dinamici promena u Srbiji, Institut za filozofiju i društvenu teoriju, 2001. (Biblioteka Disput) 76. Spasić Ivana, Subotić Milan (eds.) Revolution and order: Serbia after october 2000, Institut za filozofiju i društvenu teoriju, 2001. (Biblioteka Disput) 77. Spasić, Ivana, Značenja susreta: Goffmanova sociologija interakcije, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 1996. (Biblioteka Fronesis) 78. Stojanović, Svetozar, Od marksizma do etatizma sa ljudskim licem, Centar za filozofiju i društvenu teoriju Instituta društvenih nauka, 1988. 79. Stojanović, Svetozar, Propast komunizma i razbijanje Jugoslavije, “Filip Višnjić”, Institut za filozofiju i društvenu teoriju, 1995. (Biblioteka Fronesis) 80. Stupar, Milorad, Filozofija politike: antičko i moderno shvatanje političke zajednice, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2010. (Biblioteka Fronesis) 81. Subotić, Milan, Na drugi pogled, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2007. (Biblioteka Fronesis) 82. Subotić, Milan, Sricanje slobode, Institut za filozofiju i društvenu teoriju, Gradina, (Beograd, Niš), 1992. 83. Tadić, Ljubomir, Retorika: uvod u veštinu besedništva “Filip Višnjić”, Institut za filozofiju i društvenu teoriju, 1995 Čovek koji je gledao žene – Mikael Jort & Hans Rosenfelt Bornova dominacija – Robert Ladlam Alibi – Lisa Lac Čovek koji nije bio tamo – Mikael Jort & Hans Rosenfelt Baklja u noći – Saba Tahir Devojka iz Bruklina – Gijom Muso Bio jednom jedan dečak – Kit Stjuart Central park – Gijom Muso Edgar Alan Po i zagonetka iz kutije – Karen Li Strit Dok smo bili živi – Rut Ver Ko je Alisa? – T. R. Ričmond Kraljevska prevara – Stiv Beri Džefersonov ključ – Stiv Beri Kad kažemo zbogom – Dženi Eškroft Miris ljubavi – Kolin Falkoner Na crvenom tepihu – Rouzi Nikson Kratak rez – Sandra Braun Maska za Dimitriosa – Erik Ambler Narukvica uspomena – Vajola Šipman Paklena odaja – Stiv Beri Noć mi te uzima – Donato Karizi Poslednji dani noći – Grejam Mur Obećaj mi zauvek – Džasinda Vajlder Pod budnim okom – Bari Ajzler U drugom životu – Stiven Votson Šta donosi sutra – Sidni Šeldon i Tili Bagšo U zalivu ruža – Debi Makomber Vrt nade – Hulija Navaro Zabludeli sin – Danijela Stil Svet koji je trebalo da imamo – Ejlan Mastaj Zbogom, prošlosti – Debi Makomber Ako sutra ne postoji – Gijom Muso Mavrov poslednji uzdah – Salman Ruždi U opasnim godinama – Keli Kiloren Bensajmon Zaustavi vreme za nas – Keti Kan Dečak od stakla – Donato Karizi Devojka koja je pobedila ISIS – Farida Abas i Andrea Hofman Draguljareva kći – Refik Halid Karaj Epitaf za špijuna – Erik Ambler Haremske suze – Roberta Rič Iluzionista – Alis La Plant Nebo pada – Sidni Šeldon Očajne vojvotkinje – Eloiza Džejms Oluja strasti – Amanda Kvik Pesak vremena – Sidni Šeldon Poljubac iz Pariza – Aleksandra Poter Posle tebe – Džodžo Mojes Pripadaš meni – Džasinda Vajlder Sutra i zauvek – Nora Roberts Sutra je novi dan – Sidni Šeldon i Tili Bagšo U pravom trenutku – Lusi Robinson Ema – Džejn Ostin Ne oklevaj ni tren – Džodžo Mojes Orkanski visovi – Emili Bronte Spoznajte svoju sudbinu – Robin Šarma Treća alternativa – Stiven Kavi U jednom trenu – Gijom Muso Vladar iz senke – Donato Karizi Zamka za snove – Stiven King Kristalni vrtovi – Amanda Kvik Smrt bez imena – Santjago Nazarijan Pod tuđim uticajem – Džejn Ostin Biblioteka mrtvih – Glen Kuper Dragulj Indije – Talasa Ali Druga strana ponoći – Sidni Šeldon Gnev Anđela – Sidni Šeldon Gordost i predrasuda – Džejn Ostin Gospodar igre – Sidni Šeldon Kako bih bez tebe – Gijom Muso Kći pustinje – Talasa Ali Lovac na duše – Donato Karizi Ostani kraj mene – Gijom Muso Posle tame – Sidni Šeldon Potraga – Nora Roberts Prosjak pred vratima – Talasa Ali Razum i osećajnost – Džejn Ostin Samo budi ovde – Gijom Muso Šaptač – Donato Karizi Sedam godina kasnije – Gijom Muso Vrati mi se – Gijom Muso Zavet ljubavi – Amanda Kvik Zov anđela – Gijom Muso Dvanaesti uvid – Džejms Redfild Jedanaesti uvid – Džejms Redfild Mostovi okruga Medison – Robert Džejms Voler Pričaj mi o ljubavi TP – Eliza Valmorbida Staljinova ljubavnica – Marek Halter Dok nisam srela tebe – Džodžo Mojes Korisnici, teme istraivanja i korieni fondovi 19992003, knj. 3, priredio Dimitrije Spasojevi, Beograd, 2008. , , 1945, , 2008. , , , 2010.Tito misao, re i delo, autor ivojin B. 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Srndovi, Suzana, Katalog tampane grae u fondovima i zbirkama Arhiva Jugoslavije, knj. 1, Beograd, 1999. , , , , , , Caj na Zamaleku / NULL Miljkovic, Boris Geopoetika, Beograd 106786 Cajevi Marsa / Noci / NULL Pistalo, Vladimir Agora, Zrenjanin 101924* Camera obscura / NULL Milasinovic, Goran Stubovi kulture, Beograd 104518 Camil Sijaric kao pripovjedac / NULL Kovac, Nikola Zavod za udzbenike i nastavna sredstva, Beograd 103907 Canon of insolation and the ice-age problem / NULL Milankovic, Milutin Zavod za udzbenike i nastavna sredstva, Beograd 103588 Car Uros / NULL Stevanovic, Miladin Knjiga Komerc, Beograd 107750 Cardak ni na nebu ni na zemlji / Dela Stanislava Vinavera, Knj. 3 Vinaver, Stanislav Sluzbeni glasnik, Beograd 106041 Carigrad / Price sa Bosfora Radic, RadivojEvoluta, Beograd 104397 Carigradski drum / NULL Ilic, Nenad Plato, Beograd 102950* Carigradski patrijarsi i carevi makedonske dinastije / NULL Stankovic, Vlada Vizantoloski institut, Beograd 105711 Carobna suma / NULL Copic, Branko Srpska Knjizevna Zadruga, Beograd 104986 Carobnjak. Zivot i vreme Nikole Tesle / Biografija jednog genija Sajfer, Mark Dz. Stylos, Novi Sad 108941 Carolija / NULL Bazdulj, Muharem Bulevar, Novi Sad 103329 Carski mauzoleji i konsekrativni spomenici u Felix Romuliani / Imperial Mausolea and Consecration Memorials in F. Romuliana Srejovic, Dragoslav Vasic, Cedomir Srpska akademija nauka i umetnosti, Beograd 101885 Carski rez / i druge price Pavic, Milorad Dereta, Beograd 100378 Carstvo bozje na zemlji / NULL Milosevic, Nikola Filip Visnjic, Beograd 107416 Carstvo granicnog / NULL Milnovic, Vasilije Sluzbeni glasnik, Beograd 107632 Cas anatomije / NULL Kis, Danilo Arhipelag, Beograd 103727 Cas anatomije / Sabrana dela I-XV Kis, Danilo Prosveta, Beograd 100563* Cas Lobotomije / NULL Jovanov, Svetislav Clio, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 106869 Cas opisa casopisa IV / Srpska saljiva periodika Rosulj, Zarko Institut za knjizevnost i umetnost, Beograd 107942 Cas opisa casopisa VI / Zanrovi u srpskoj saljivoj periodoco Rosulj, Zarko Institut za knjizevnost i umetnost, Beograd 103584 Casablanca / Prolecna ljubavna prica Bjelica, IsidoraKnjiga Komerc, Beograd 104999 Casna dokolica / Trifunovic, Stylos, Novi Sad Izabrane pesme Dusko Zubac, Pero 107437 Casopis javnost – 1980 / NULL Cosic Vukic, Ana Sluzbeni glasnik, Beograd 106872 Casopis Nova Evropa: 1920-1941 / Istorijat srpske knjizevne periodike Matovic, Vesna Nedic, Marko Institut za knjizevnost i umetnost, Beograd 108959 Casopis ruski arhiv (1928-1937) i kultura ruske emigracije / u Kraljevini SHS Barac, Stanislava Matovic, Vesna Institut za knjizevnost i umetnost, Beograd 107323 Casovi radosti / NULL Matijevic, Vladan Agora, Zrenjanin 107913 Ceger pun ljubavi / NULL Maticki, Miodrag Cigoja, Beograd 107649 Cekajuci kapitalizam / Nastanak novih klasnih odnosa u Srbiji Lazic, Mladen Sluzbeni glasnik, Beograd 104710 Cekajuci Spasovdan / NULL Crkvenjakov, Aleksandar Zarko Albulj, Beograd 104831 Cekic tautologije: / pregled novih vrsta tehnicke inteligencije u poeziji SFRJ Bozovic, Gojko Despotov, Vojislav Gradska narodna biblioteka Z. Zrenjanin, Zrenjanin 104910 Cele kula i Cegar / NULL Petrovic, Vesna Subotic, Vojislav Republicki zavod za zastitu spomenika, Beograd 108178 Celokupna dela Desanke Maksimovic 1-10 / NULL Maksimovic, Desanka Sluzbeni glasnik, Beograd 101383* Celokupna dela Svetozara Markovica I- XVII / NULL Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 105397 Celokupna dela Svetozara Markovica, Knj. 1-3, 9-10 / NULL Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104018 Celokupna dela Svetozara Markovica, Knj. 11 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104019 Celokupna dela Svetozara Markovica, Knj. 12 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104020 Celokupna dela Svetozara Markovica, Knj. 13 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104021 Celokupna dela Svetozara Markovica, Knj. 14 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 104022 Celokupna dela Svetozara Markovica, Knj. 15 / Evropski izvori o Svetozaru Markovicu Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104023 Celokupna dela Svetozara Markovica, Knj. 16 / Savremenici i saradnici o Svetozaru Markovicu Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104024 Celokupna dela Svetozara Markovica, Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Knj. 17 / Bibliografija Beograd 104013 Celokupna dela Svetozara Markovica, Knj. 4 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104014 Celokupna dela Svetozara Markovica, Knj. 5 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104015 Celokupna dela Svetozara Markovica, Knj. 6 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104016 Celokupna dela Svetozara Markovica, Knj. 7 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104017 Celokupna dela Svetozara Markovica, Knj. 8 / Srbija na Istoku (Novosadska faza) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 105398 Celokupna dela Svetozata Markovica, Knj 17 / NULL Lukic, Radomir Zavod za udzbenike i nastavna sredstva, Beograd 107862 Central Balkans between Greek and Celtic World / Kale – Krsevica 2001- 2011 Cvjeticanin, Tatjana Narodni muzej, Beograd 109099 Centri srpske kulture XVIII veka / Kijev – Budim – Venecija Fin, Monika Koprivsek, Kristina Akademska knjiga, Novi Sad 106771 Cerka / NULL Albahari, David Stubovi kulture, Beograd 103424 Cesko-srpske arhitektonske veze 1918- 1941 / NULL Damljanovic, T. Republicki zavod za zastitu spomenika, Beograd 103498 Cesko-srpski recnik 1-2 / NULL Djukanovic, Vlado Kacnik, Emilija Mirkovic, Dragutin Zavod za udzbenike i nastavna sredstva, Beograd 109050 Cestoskok / Antologija bezobraznih narodnik prica Zlatkovic, Ivan Laguna, Beograd 105168 Cetiri intervjua: intervjui predsednika republike Srbije / i predsednika Demokratske stranke Borisa Tadica Filimonovic, Milica Nova Evropa, Beograd 100072* Cetiri male zene / NULL Jokic-Kaspar, Ljiljana Stubovi kulture, Beograd 106826 Cetiri price do kraja / NULL Zivkovic, Zoran Admiral Books, Beograd 107998 Cetiri slike srpske apokalipse / NULL Arandjelovic, Goran Laguna, Beograd 105766 Cetrdeset dve izabrane pesme / NULL Radovic, Borislav RAD, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 100456 Cetres cuda / NULL Jovetic, Rastko Narodna Knjiga, Beograd 108432 Cetrnaesti vojvoda i devet baba / NULL Antic, CedomirEvoluta, Beograd 107975 Cetvrtasto mesto / NULL Tesin, Srdjan V. Arhipelag, Beograd 107777 Ceznje / NULL Spiridonovic Savic, Jela Sluzbeni glasnik, Beograd 108390 Chellenges of the 21th Century and the Region / Zbornik Dimitrijevic, Dusko Ladjevac, Ivona Institut za medjunarodnu polit, Beograd 100815* Chilandar / NULL Petkovic, Sreten Republicki zavod za zastitu spomenika, Beograd 100055* Chilandar monastery / NULL Subotic, GojkoSrpska akademija nauka i umetnosti, Beograd 100582 Cigansko groblje / NULL Pavlovic, Zivojin RAD, Beograd 107326 Cilibar, med, oskorusa / NULL Demic, Mirko Agora, Zrenjanin 106934 Cim prezivim ovaj roman / NULL Djurdjevic, Mirjana Agora, Zrenjanin 103363 Cink / NULL Albahari, David Stubovi kulture, Beograd 107808 Cirkus Drainac / Cirkus zivota u kome sam vratolimije izvodio Jesic, Nedeljko Sluzbeni glasnik, Beograd 103969 Cirkus Drainac / Sabrana dela, Tom 9 Drainac, Rade Zavod za udzbenike i nastavna sredstva, Beograd 107566 Citadela / NULL Bjelogrlic, Aleksandar Agora, Zrenjanin 104490 Citajuci Vasu knjigu / NULL Jovanovic Djordjevic, Dejana Mali Nemo, Pancevo 109245 Citanja i pitanja / NULL Klajn, Ivan Dosije, Beograd 105410 Citanja neizvesnosti / Ogledi iz komparatistike Popov, Jovan Svetovi, Novi Sad 106804 Citanje Dostojevskog / Samoubistvo Kabic, Danilo Akademska knjiga, Novi Sad 107073 Citanje gradova / NULL Vuckovic, Radovan Sluzbeni glasnik, Beograd 107444 Citanje prorocanstva / Izreceno i proreceno Demic, Mirko Jovanovic, Bojan Sluzbeni glasnik, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 106533 Citanje savremene proze / NULL Milasinovic, Svetlana Mali Nemo, Pancevo 105020 Citanje slika / NULL Simovic, Ljubomir Stubovi kulture, Beograd 101931 Citanje vode / srpske price o ribolovu Pantic, MihajloStubovi kulture, Beograd 107813 Civot bezumlja / NULL Kostic Selem, Milica Stefanovic, Mirjana D. Sluzbeni glasnik, Beograd 108593 Cizmasi / NULL Mihailovic, Dragoslav Laguna, Beograd 103873 Clanci / Izabrana dela, Knj. 2 Tesla, Nikola Zavod za udzbenike i nastavna sredstva, Beograd 103887 Clanci / Izabrana dela, Knj. 6 Pupin, Mihajlo Zavod za udzbenike i nastavna sredstva, Beograd 104138 Clanci – studije / Sabrana dela, Knj. 10 Petrovic Alas, Mihailo Zavod za udzbenike i nastavna sredstva, Beograd 103905 Clanci, govori, prepiska / Izabrana dela, Tom 6 Milankovic, Milutin Zavod za udzbenike i nastavna sredstva, Beograd 103879 Colorado Springs notes / NULL Tesla, Nikola Zavod za udzbenike i nastavna sredstva, Beograd 108084 Compehensive Dictionary of Law English-Serbian / Veliki pravni recnik englesko- srpski Vukicevic, Branko D. P. Autor, Beograd 105938* Condition of the Cultural and National Heritage in the / Balkan Region, Vol 1 (Conference in Kladovo 23-27 Oct. 2006) Popovic Zivancevic, Mila Narodni muzej, Beograd 107723 Constantine the Great and Edict of Milan 313 / NULL Boric Breskovic, Bojana Popovic, Ivana Narodni muzej, Beograd 106911 Constantine ́s Crossing / NULL Stojiljkovic, Dejan Geopoetika, Beograd 106344 Consul u Beogradu / NULL Cosic, Bora Prosveta, Beograd 108136 Conversation With Goya / Bridges / Signs by the Roadside Andric, Ivo Dereta, Beograd 105706 Corava strana / NULL Markovic, Radovan Beli Srpska Knjizevna Zadruga, Beograd 104905* Corpus vasorum antiquorum / NULL Popovic, Ljubisa Narodni muzej, Beograd 102159 Covek i njegov identitet / NULL Jerotic, Vladeta Ars Libri, Beograd 103083 Covek i voda / NULL Grupa, Autora Etnografski muzej, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 103209 Covek ideja i akcije / NULL Piljevic, Djordje O. Institut za noviju istoriju Srbije, Beograd 106540 Covek iz kuce na bregu / NULL Adasevic, Borivoje Stubovi kulture, Beograd 100074 Covek koga je trebalo ubiti / Politicki krimic sa epilogom Petrovic, Nenad Stubovi kulture, Beograd 100793 Covek koji je ziveo u snovima / NULL Petkovic, Radoslav Stubovi kulture, Beograd 105030 Covek od pepela / NULL Ivanji, Ivan Stubovi kulture, Beograd 107337 Covek u zargonu: Semanticko-derivaciona analiza / zargonizama sa arhisemom covek Knezevic, Zorica Alma, Beograd 109079 Covjek koga su voljeli andjeli / NULL Ognjenovic, Vujica Agora, Zrenjanin 104708 Crkolez – crtezi fresaka / NULL Petrovic, RadeRepublicki zavod za zastitu spomenika, Beograd 108087 Crkva brvnara u Selevcu / NULL Cunjak, Mladjan Regionalni zavod za zastitu spomenika, Smederevo, Smederevo 103426 Crkva pokrova presvete Bogorodice / NULL Prodanovic Rankovic, I. Republicki zavod za zastitu spomenika, Beograd 104232 Crkva Sv. Georgija u Smederevu / NULL Cunjak, Mladjan Muzej u Smederevu, Smederevo, Smederevo 106094* Crkva svetog Jovana Pretece u Crkolezu / NULL Rakic, Zoran Republicki zavod za zastitu spomenika, Beograd 108618 Crkva Svetog Nikole u Nikoljcu / NULL Pejic, Svetlana Republicki zavod za zastitu spomenika, Beograd 104187* Crkva svetog Nikole u Stanicenju / The Church Popovic, Marko Arheoloski institut, Beograd of St. Nicholas in Stanicenje 108079 Crkva Vavedenja Bogorodice u Lipljanu / NULL Davidov Temerinski, Aleksandra Republicki zavod za zastitu spomenika, Beograd 105438 Crkve i manastiri SCG / NULL Verlag, MerkurMerkur-SV, Beograd 103578 Crkvena organizacija u srpskim zemljama / (Rani srednji vek) Zivkovic, TiborZavod za udzbenike i nastavna sredstva, Beograd 108976 Crna Gora i Moravica / Srbija: naselja, poreklo stanovnistva, obicaji. Knj. 29 Celikovic, Borisav Cvijic, Jovan Sluzbeni glasnik, Beograd 106281 Crna Gora i Rusija u vrijeme aneksione krize 1908-1909 / NULL Radusinovic, Milorad Svet knjige, Beograd 102369 Crna Gora i srpsko pitanje / NULL Komatina, Milija Zavet, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 106072 Crna Gora ocima Evrope 1796-1918 / NULL Marjanovic, Momir Prosveta, Beograd 105505 Crna Gora od XVIII veka do 1913. godine / istorijska karta Verlag, Geokarta Geokarta, Beograd 104062 Crna Gora pre i posle ujedinjenja / NULL Djonovic, Nikola Politika, Beograd 101551* Crna Knjiga / NULL Corovic, Vladimir Dosije, Beograd 108476 Crna knjiga: Cenzura u Srbiji 1945-2015 / NULL Lopusina, Marko Prometej, Novi Sad 107298 Crna kutija / NULL Bajac, Vladislav Arhipelag, Beograd 101877 Crna macka u levom tunelu / NULL Lukic, Dragan Interpres, Beograd 107670 Crna Reka / Srbija: naselja, poreklo stanovnistva, 0bicaji. Knj. 22 Celikovic, Borisav Cvijic, Jovan Sluzbeni glasnik, Beograd 108114 Crna ruka / Licnosti i dogadjaji u Srbijji od prevrata 1903. do Solun Kazimirovic, Vasa Prometej, Novi Sad 106529 Crnac u beloj kosulji / NULL Pavkovic, Vasa Prosveta, Beograd 105469 Crnci u Firenci / NULL Rudan, Vedrana Rende, Beograd 104455 Crne cipele / NULL Oltvanji, Oto B92, Beograd 105952 Crne curke / Druga knjiga crnih curaka / NULL Zuric, Vule Fabrika knjiga, Beograd 100075* Crni dani Rake Drainca / Srbija na jugu ili kako se pravi istorija Ivanovic, Ivan Stubovi kulture, Beograd 104084* Crnjanski – prolegomena za patografiju / NULL Berber, Stojan Zaduzbina Andrejevic, Beograd 101690* Crnjanski i Ducic izmedju dva sveta / NULL Popovic, Milenko Draganic, Beograd 100365 Crnjanski i mefistofel / o skrivenoj figuri Romana o Londonu Lompar, Milo Nolit, Beograd 107399 Crnjanski, megalopolis / NULL Vladusic, Slobodan Sluzbeni glasnik, Beograd 102132 Crno sunce / NULL Begenisic, Milivoje Gutenbergova galaksija, Beograd 105749 Crno telo / NULL Barna, Laura Dereta, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 107067 Crno u koloru / Crni humor u srpskom filmu Matijevic, Vladan Sluzbeni glasnik, Beograd Vucinic, Srdjan 105475 Crnogorsko primorje / turisticka karta Verlag, Geokarta Geokarta, Beograd 100766 Crnogorsko srpstvo zbiljskih Srba / NULL Kovijanic, Dragutin Novinsko-izdavacki centar vojska, Beograd 105331 Crta za sabiranje / NULL Nikolic, Danilo Narodna Knjiga, Beograd 106542 Crtez na dlanu / NULL Dugalic, Ljiljana Stubovi kulture, Beograd 100076* Crvena marama, sva od svile / NULL Prodanovic, Mileta Stubovi kulture, Beograd 103408 Crvene price / NULL Zivkovic, MilosCigoja, Beograd 104809 Crvene vestice / NULL Tirnanic, Bogdan Narodna Knjiga, Beograd 100638 Crveni krug / NULL Atanasijevic, Sonja RAD, Beograd 102322 Crveni petao leti prema nebu / NULL Bulatovic, Miodrag Stylos, Novi Sad 106045 Crveni petao leti prema nebu / NULL Bulatovic, Miodrag Zavod za udzbenike i nastavna sredstva, Beograd 102943 Crveni Pjero i druge novele / NULL Krakov, Stanislav Filip Visnjic, Beograd 108699 Crveni presek / NULL Barna, Laura Sluzbeni glasnik, Beograd 109159 Crveni tepih / NULL Dangubic, Ratko Arhipelag, Beograd 102765 Crveno i belo / (srpsko- keltske paralele) Kuic, Ranka Glas srpski, Banja Luka 104237 Crveno i plavo / NULL Mihailovic, Dragoslav NIN, Beograd 101411* Cubrilovici 1914. i kasnije / NULL Ekmecic, Milorad Balkanoloski institut, Beograd 103787 Cudesna hronika noci / NULL Karadzic, Radovan Igam, Beograd 102516 Cudi naseg filma / NULL Colic, Milutin Prometej, Novi Sad 104426 Cudne stvari / NULL Petkovic, Sreten RAD, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 107859 Cudo jezika / Razgovori sa lingvistima Jevtic, Milos Sluzbeni glasnik, Beograd 102695* Cultural heritage of Kosovo and Metohija / NULL Milic, Mileta Republicki zavod za zastitu spomenika, Beograd 108443 Cup komitskog vojvode / NULL Savic, Milisav Dereta, Beograd 104488 Cuprija nad svetom / Leskovac Radovic, Dragan Mali Nemo, Pancevo 109077 Cutanja iz gore / NULL Demic, Mirko Agora, Zrenjanin 100245 Cuvar adrese / NULL Kapor, Momo Knjiga Komerc, Beograd 108937 Cuvar vatre / NULL Manojlovic, Dejan Laguna, Beograd 100816 Cuvari bastine 1947-1997 / NULL Milic, Mileta Republicki zavod za zastitu spomenika, Beograd 104690 Cuvari bengalske vatre / Zivot i smrt u srpskom postkomunizmu 2 Pancic, Teofil XX vek, Beograd 101994 Cuvari kazacke ivice / NULL Arsic, Ljubica B92, Beograd 108435 Cuvari svetinje / NULL Djurdjevic, Mirjana Evoluta, Beograd 108181 Cuvari tradicije / Razgovori sa istrazivacima i tumacima proslosti Jevtic, Milos Sluzbeni glasnik, Beograd 107271 Cvarcic / NULL Savic, Milisav Ariadna, Beograd 106708 Cvat lipe na Balkanu / NULL Kuic, Gordana Alnari, Beograd 102313 Cvetnik / NULL Velimirovic, Vladika Nikolaj Evro, Beograd 105577 Cvetovi i gusari / NULL Tartalja, GvidoBookland, Beograd 104497 Cvetovi sna / NULL Veljkovic, Sasa Mali Nemo, Pancevo Macini, Djuzepe 105161 Slovenska pisma / NULL Platoneum, Novi Sad Macura, Milos 100010* Bitoljsko-prilepska kotlina / Antropogeografska proucavanja Srpska akademija nauka i umetnosti, Beograd 101737* Drustvene nauke o Srbima u Madjarskoj / Zbornik radova sa okruglog stola odrzanog 6-8 dec. 1998 Srpska akademija nauka i umetnosti, Beograd 103010 Naselja i stanovnistvo oblasti Brankovica 1455.godine / NULL Sluzbeni glasnik, Beograd Madzar, Ljubomir 100436 Politicki uzroci siromastva / NULL Izdavacka Knjizarnica Zorana S, Novi Sad Madzarevic, Gradimir 105458* Mediala / NULL Sluzbeni glasnik, Beograd 106043 Sejka / NULL Sluzbeni glasnik, Beograd Magarasevic, Mirko 109057 Antologija srpske erotske poezije / NULL Akademska knjiga, Novi Sad 107229 Evropski pesnici / NULL Akademska knjiga, Novi Sad 109096 I nova turska pisma / Putopisi Akademska knjiga, Novi Sad 107088 Jovan Hristic, izbliza / Portret knjizevnog prijatelja Sluzbeni glasnik, Beograd 108245 Srpska kriticka poezija / NULL Akademska knjiga, Novi Sad 108251 Tragom Crnjanskog / NULL Akademska knjiga, Novi Sad Magazinovic, Maga100564* Moj zivot / NULL Clio, Beograd Mahmutcehajic, Rusmir 108613 Andricevstvo / Protiv etike sjecanja Clio, Beograd Majdanac, Boro 108307 Pozoriste u okupiranoj Srbiji / NULL Altera, Beograd Majenova, Marija Renata 106609 Teorijska poetika / NULL Sluzbeni glasnik, Beograd Majer, Stiven 107626 Sacuvati mir u Bosni: Mitovi, izazovi, sanse / Zbornik Cigoja, Beograd Mak, Dejan 104558 Pariska menazerija / NULLKnjizevna opstina Vrsac, Vrsac Makgauan, Kris 106918 Paleontologija / NULL Kreativni centar, Beograd Mako, Vladimir 107201* The Art of Harmony: Principles of / of Measuring and Proportioning in Byzantine Wall Painting Orion Art, Beograd Maksimovic, Desanka 108178 Celokupna dela Desanke Maksimovic 1-10 / NULL Sluzbeni glasnik, Beograd 101668 Izabrane pesme Desanke Maksimovic / NULL Draganic, Beograd 101977 Nebeski razboj / NULL Interpres, Beograd 107314 Pesme / NULL Srpska Knjizevna Zadruga, Beograd 101617* Sabrane pesme Desanke Maksimovic 1-8 / NULL Draganic, Beograd 104664 Vilina kci / NULL Bookland, Beograd Maksimovic, Goran 105789* Iskustvo i dozivljaj / NULL Filip Visnjic, Beograd 104363 Nikad nije vito tvoje telo / antologija ljubavne lirike srpskog romantizma Srpska Knjizevna Zadruga, Beograd 103634 Roman bez romana / NULL Knjizevna opstina Vrsac, Vrsac 104531 Sabrane komedije Branislava Nusica / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103636 Zalostna pozorja, Knjiga prva / Nevinost. Smrt Stefana Decanskog i dr. Knjizevna opstina Vrsac, Vrsac Maksimovic, Jovan105056 Muski kuvar / NULL Dereta, Beograd Maksimovic, Ljubomir 102587* Grad u Vizantiji / Ogledi o drustvu poznovizantijskog doba Plato, Beograd 107835 Ogledi o politickoj moci u Vizantiji / NULL Srpska Knjizevna Zadruga, Beograd 103705* Srpski nomici / Nomiks in Medieval Serbia Vizantoloski institut, Beograd 100863* Treca jugoslovenska konferencija vizantologa / Krusevac, 10-13 maj, 2000 Vizantoloski institut, Beograd 100182* Uspon vojnog plemstva u Vizantiji XI veka / NULL Vizantoloski institut, Beograd 105673* Vizantijski izvori za isrtoriju naroda Jugoslavije III / NULL Vizantoloski institut, Beograd 105671* Vizantijski izvori za istoriju naroda Jugoslavije I / NULL Vizantoloski institut, Beograd 105672* Vizantijski izvori za istoriju naroda Jugoslavije II / NULL Vizantoloski institut, Beograd 105674* Vizantijski izvori za istoriju naroda Jugoslavije IV / NULL Vizantoloski institut, Beograd 106668* Vizantijski svet i Srbi / NULL Istorijski institut, Beograd 107873 Vizantijski svet na Balkanu / Byzantine World in the Balkans Vizantoloski institut, Beograd 100183* Zbornik radova vizantoloskog instituta 38 / NULL Vizantoloski institut, Beograd 102949* Zbornik radova vizantoloskog instituta 39 / NULL Vizantoloski institut, Beograd 106099* Zbornik radova vizantoloskog instituta 40 / NULL Vizantoloski institut, Beograd 103783* Zbornik radova vizantoloskog instituta 41 / NULL Vizantoloski institut, Beograd 104511* Zbornik radova vizantoloskog instituta 42 / NULL Vizantoloski institut, Beograd 104948* Zbornik radova vizantoloskog instituta 43 / NULL Vizantoloski institut, Beograd 105939* Zbornik radova vizantoloskog instituta Vizantoloski institut, Beograd 44,1-2 / NULL 106286* Zbornik radova Vizantoloskog instituta 45 / NULL Vizantoloski institut, Beograd 106849 Zbornik radova vizantoloskog instituta 46 / NULL Vizantoloski institut, Beograd 108872 zbornik radova vizantoloskog instituta 49 (2012) / NULL Vizantoloski institut, Beograd 108877 zbornik radova vizantoloskog instituta 51 (2014) / NULL Vizantoloski institut, Beograd 108879 zbornik radova vizantoloskog instituta 52 (2015) / NULL Vizantoloski institut, Beograd 108871 Zbornik radova vizantoloskog instituta 53 (2016) / NULL Sluzbeni glasnik, Beograd Maksimovic, Mihailo 106622 Mali bukvar za veliku decu / NULL Sluzbeni glasnik, Beograd Maksimovic, Miroslav 104575* Bas svasta / Sabrani spisi Zavod za udzbenike i nastavna sredstva, Beograd 107070 Poezija, trziste, drzava / NULL Sluzbeni glasnik, Beograd Maksimovic, Vladimir 109282 Zakovana vrata / Srbi i balkanski muslimani Ukronija, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Maksimovic, Vojislav 108831 Bosna i Hercegovina u Prvom svjetskom ratu / Corovicevi susreti 2014 Filip Visnjic, Beograd Makuljevic, Nenad 105354* Privatni zivot kod Srba u devetnaestom veku / NULL Clio, Beograd 105593* Umetnost i nacionalna ideja u XIX veku / NULL Zavod za udzbenike i nastavna sredstva, Beograd Malavrazic, Djordje106215 Sezdeset osma – licne istorije: 80 svedocenja / NULL Sluzbeni glasnik, Beograd Maldini, Slobodan 107644 Leksikon arhitekture i umetnickog zanatstva / NULL Sluzbeni glasnik, Beograd Maldzijeva, Vjara 106850 Juznoslovenski jezici: gramaticke strukture i funkcije / NULL Beogradska knjiga, Beograd Male, Alber 100562* Dnevnik sa srpskog dvora 1892 – 1894 / NULL Clio, Beograd Malesevic, Miroslava 106121 Zensko – etnografski aspekti drustvenog polozaja zene u Srbi / NULL Srpski genealoski centar, Beograd Malesevic, Sinisa 104274 Ideologija, legitimnost i nova drzava / NULL Fabrika knjiga, Beograd Malisic, Vesna 104092 Zoran Djindjic – san o Srbiji / NULL Cigoja, Beograd Malovic, Nikola 108015 Jedro nade / NULL Laguna, Beograd 106442 Lutajuci Bokelj / NULL Laguna, Beograd Mamula, Milanka 108576 Rijaliti roman / Jednogodisnja SMS biografija 16.X 2008 – 16. X 2009 Narodna Knjiga, Beograd Mancic, 106874 Prevod i kritika / NULL Institut za Aleksandra knjizevnost i umetnost, Beograd 107390 Uvod u fantasticnu knjizevnost / NULL Sluzbeni glasnik, Beograd Mancic Milic, Aleksandra 102058 Preverzije / Ogledi o spanskim prevodima iz srpske knjizevnosti RAD, Beograd Mandic, Bozidar 108697 Pertle / NULL Sluzbeni glasnik, Beograd Mandic, Igor 104238 Izmedju dv(ij)e vatre 1996- 1999 / NULL NIN, Beograd 107397 Kaj ste pisali, bre? / Sta ste napisali, bre? Sluzbeni glasnik, Beograd 108812 Oklop od papira / Autobiografski saldokonti 1966-2013 V.B.Z., Beograd 104681 Za nasu stvar / Agonija postkomunitma u Hrvatskoj 1990-1999 XX vek, Beograd Mandic, Slobodan 106255 Nekrsteni dani / NULL Filip Visnjic, Beograd 109082 Ocev novi mandat / NULL Agora, Zrenjanin Mandic, Svetislav 104435 Kad mlidijah ziveti / NULL Srpska knjiga, Ruma Mandic, Velimir 107952 Sarajevo 1914. – svedocenja / Bosna u lancima / Od Terezina do Sarajeva Prosveta, Beograd Mandic Rigonat, Tatjana 102657 Iz zivota ptica / NULL Lom, Beograd Manevic, Zoran 106185 Leksikon Neimara / NULL Gradjevinska knjiga, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Manojlovic, Dejan 108937 Cuvar vatre / NULL Laguna, Beograd Manojlovic, Miroljub 104199 Branicevski almanah / NULL Narodni muzej, Pozarevac, Pozarevac 104200 Pozarevac od turske kasabe do srpske varosi 1804-1858 / NULL Narodni muzej, Pozarevac, Pozarevac 104206 Viminacium 12 / Zbornik radova Narodnog muzeja u Pozarevcu Narodni muzej, Pozarevac, Pozarevac 104207 Viminacium 13/14 / Zbornik radova Narodnog muzeja u Pozarevcu Narodni muzej, Pozarevac, Pozarevac 104202 Viminacium 3 / Zbornik radova Narodnog muzeja u Pozarevcu Narodni muzej, Pozarevac, Pozarevac 104203 Viminacium 4/5 / Zbornik radova Narodnog muzeja u Pozarevcu Narodni muzej, Pozarevac, Pozarevac 104204 Viminacium 7 / Zbornik radova Narodnog muzeja u Pozarevcu Narodni muzej, Pozarevac, Pozarevac 104205 Viminacium 8/9 / Zbornik radova Narodnog muzeja u Pozarevcu Narodni muzej, Pozarevac, Pozarevac 104201 Zabari / NULL Narodni muzej, Pozarevac, Pozarevac Manojlovic, Predrag Miki 108734 A ko si ti? / NULL Sluzbeni glasnik, Beograd Manojlovic, Todor 104828 Pesme / NULL Gradska narodna biblioteka Z. Zrenjanin, Zrenjanin Manojlovic Pintar, 108906 Arheologija secanja / Cigoja, Beograd Olga Spomenici i identiteti u Srbiji 1918-1989 105634 Istorija i secanje – studije istorijske svesti / Zbornik radova Institut za noviju istoriju Srbije, Beograd Manosek, Valter 106658 Holokaust u Srbiji – vojna okupaciona politika / i unistavanje Jevreja 1941- 1942 Sluzbeni list, Beograd Marcetic, Adrijana 106735* Istorija i prica / NULL Zavod za udzbenike i nastavna sredstva, Beograd 108710 O novoj komparatistici / NULL Sluzbeni glasnik, Beograd Marcetic, Milovan 102758 Mera duse / NULL Glas srpski, Banja Luka 100659 Moj Holivud / NULL RAD, Beograd 103289 Prvo lice / NULL Stylos, Novi Sad 107997 Putnik sa dalekog neba / Milos Crmnjanski u prici Laguna, Beograd 103279* Ratno ostrvo / NULL Otkrovenje, Beograd 105757 Taskent / NULL Zavod za udzbenike i nastavna sredstva, Beograd 107540 Zemaljski dugovi / Ivo Andric u prici Laguna, Beograd Maretic, Ernest Gedeon 103748 Istorija srpske revolucije 1804-1813 / NULL Filip Visnjic, Beograd Maric, Ilija 109136 Beleske o Kisu i filosofiji / NULL Bernar, Beograd 103286* Filosofija na Velikoj skoli / NULL Plato, Beograd 106044 Na efeskom putu / NULL Plato, Beograd 103285* O srpskoj filosofiji / Zbornik Plato, Beograd Maric, Jasmina 103311 Kiparska abeceda / NULL Nolit, Beograd Maric, Ljubica 106690 Zapisi Ljubice Maric / NULL Arhipelag, Beograd Maric, Nebojsa 107387 Tragedija / Sasvim kratak uvod Sluzbeni glasnik, Beograd Maric, S. 103466 Ogledi o knjizevnosti / Celokupna dela S. Marica: tom 2 Izdavacka Knjizarnica Zorana S, Novi Sad Maric, Simon 102118 Bezi, pretvoricu te u decaka / NULL Gutenbergova galaksija, Beograd Maric, Sreten 107776 O hermeneutici / NULL Sluzbeni glasnik, Beograd 106145 O jeziku i jezikoslovlju / NULL Sluzbeni glasnik, Beograd 107743 O strukturalizmu / NULL Sluzbeni glasnik, Beograd 106143 O tragediji / NULL Sluzbeni glasnik, Beograd 106144 O tragicnoj ludi / NULL Sluzbeni glasnik, Beograd Maric, Svetislav 104726 Filozofija: prvi srpski recnik filozofije / NULL Dereta, Beograd Maricki, Dusanka 107104 Teorija knjizevne istorije / NULL Sluzbeni glasnik, Beograd Maricki Gadjanski, Ksenija 106653 Anticki svet, evropska i srpska nauka / Zbornik radova Drustvo za anticke studije Srbije, Beograd 106651 Antika i savremeni svet / Zbornik radova Drustvo za anticke studije Srbije, Beograd 106652 Evropske ideje, anticka civilizacija i srpska kultura / Zbornik radova Drustvo za anticke studije Srbije, Beograd Marijan, Vlado St. 107824 Povratak grofa od Takova / NULL Sluzbeni glasnik, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Marijanski Manojlovic, Mirjana 106098* Kasnorimski slemovi iz Berkasova / NULL Muzej Vojvodine, Novi Sad 105947* Rimska nekropola kod Beske u Sremu / NULL Muzej Vojvodine, Novi Sad Marincic, Aleksandar 105813 Zivot Nikole Tesle / NULL Zavod za udzbenike i nastavna sredstva, Beograd Marinkovic, Borivoje 105541 Ogledi o starom srpskom stamparstvu / NULL Dnevnik, Novi Sad 107400 Prelistavanje zaborava / NULL Sluzbeni glasnik, Beograd 106612 Tragom Dositeja / NULL Sluzbeni glasnik, Beograd 106136* Zaboravljeni bratstvenici po peru / NULL Sluzbeni glasnik, Beograd Marinkovic, Cedomila 105637* Slika podignute crkve: predstave arhitekture / na ktitorskim portretima u srpskoj i vizantijskoj umetnosti Centar za naucna istrazivanja , Kragujevac Marinkovic, Darko 108794 Enciklopedija industrijskih odnosa / NULL Sluzbeni glasnik, Beograd Marinkovic, Dusan 108894 Nacrt za sociologiju ideologije / NULL Mediterran Publishing, Novi Sad 107173 Poetika proze Borisava Stankovica / NULL Sluzbeni glasnik, Beograd 107409 Poetika proze Borisava Stankovica / NULL Sluzbeni glasnik, Beograd Marinkovic, Jasna 105724 Pejzazi Beograda u XX veku / Belgrade Landscapes in XXth Century Muzej grada Beograda, Beograd Marinkovic, Mirjana 100923 Turska kancelarija kneza Milosa Obrenovica (1815- 1839) / NULL Istorijski institut, Beograd Marinkovic, Nikola 108573 Daj nam Boze municije / Srpska avangarda na braniku otadzbine Catena Mundi, Beograd Marinkovic, Radmila 106162* Svetorodna gospoda srpska / NULL Drustvo za srpski jezik i knjizevnost Srbije, Beograd Marinkovic, Ranko 104244 Kiklop / NULL Zavod za udzbenike i nastavna sredstva, Beograd Marinkovic, Simeon 105209 Ko se koga uplasio / NULLKreativni centar, Beograd 105210 Kucica u sumi / NULL Kreativni centar, Beograd 105215 Skola u prirodi / NULL Kreativni centar, Beograd 105208 Skola za lisice / NULL Kreativni centar, Beograd 105964* Srpska narodna pesmarica / NULL Kreativni centar, Beograd 101796 Srpske narodne bajke / NULL Kreativni centar, Beograd 101795 Srpske narodne pripovetke / NULL Kreativni centar, Beograd 105211 Sta to zeli kucence Neli / NULL Kreativni centar, Beograd 105212 Sumska prica / NULL Kreativni centar, Beograd 105207 Zmaj ognjeni i priceza / NULL Kreativni centar, Beograd Marinkovic, Snezana 105391* Matejski brod / NULL Narodni muzej Zrenjanin, Zrenjanin 105392* Starcevacka kultura na tlu srednjeg Banata / NULL Narodni muzej Zrenjanin, Zrenjanin 105393* Vincanska kultura na podrucju srednjeg Banata / NULL Narodni muzej Zrenjanin, Zrenjanin Marinkovic, Vladimir 108794 Enciklopedija industrijskih odnosa / NULL Sluzbeni glasnik, Beograd Marjanovic, Borivoje 103590 Karadjordjevi ustanici / NULL Knjiga Komerc, Beograd Marjanovic, Cedomir 101426* Istorija srpske crkve / NULL Ars Libri, Beograd Marjanovic, Milos 100980 Drustvene i kulturne promene u selima vlaske etnicke / zajednice Negotinske krajine Etnografski Institut, Beograd Marjanovic, Milutin 101417 Banja na Limu kod Priboja / Selo, manastir i banjsko leciliste od praistorije do 1941 Srpska akademija nauka i umetnosti, Beograd Marjanovic, Momir 106072 Crna Gora ocima Evrope 1796-1918 / NULL Prosveta, Beograd Marjanovic, Vesna 106381 Maske, maskiranje i rituali u Srbiji / NULL Cigoja, Beograd 103617 Vodic kroz kolekciju predmeta uz bozicne obicaje / Christmas Ritual Items Guide Etnografski muzej, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Marjanovic, Voja 102737 Zivot i delo Branka Copica / NULL Glas srpski, Banja Luka Marjanovic Dusanic, Smilja 109144 Daily Life in Medieval Serbia / NULL Clio, Beograd 103334* Privatni zivot u srpskim zemljama srednjeg veka / NULL Clio, Beograd 108893 Proceedings of the 23rd International Congress of Byzantine / Studies, Belgrade 22-27 August 2016 Srpski nacionalni komitet za Vizantologiju, Beograd 107453 Remanier, metaphraser. Fonctions et / techniques de la reecriture dans le monde byzantin Filozofski Fakultet, Beograd 105968* Sveti kralj / Kult Stefana Decanskog Balkanoloski institut, Beograd 109209 Sveto i propadljivo / Telo u srpskoj hagiografskoj knjizevnosti Balkanoloski institut, Beograd Markov, Mladen 102891 Najlepse price Mladena Markova / NULL Prosveta, Beograd 105565* Teskoba / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103416 Ukop oca / NULL Narodna Knjiga, Beograd Markovic, Alekdansda Sanja 107441 Ulica koju volim / NULL Sluzbeni glasnik, Beograd Markovic, Aleksandar 108133 Pocinje rat: 1914 u dokumentima arhiva Srbije / NULL Arhiv Srbije, Beograd 108126 Ustavi Knezevine i Kraljevine Markovic, Anita 108086 Smederevo. Mali vodic kroz kulturnu bastinu / NULL Regionalni zavod za zastitu spomenika, Smederevo, Smederevo Markovic, Barbi 107060 Izlazenje / NULL Rende, Beograd 109149 Superherojke / NULL Arhipelag, Beograd Markovic, Biljana 102380 Despotov zakonik / Zakon o rudnicima despota Stefana Lazarevica Vajat, Beograd 108460 Justinijanov zakon: srednjovekovna vizantijsko-srpska pravna / kompilacija. Izvori srpskog prava, Knj. XV Srpska akademija nauka i umetnosti, Beograd Markovic, Cedomir 104309* Neolit Crne Gore / NULL Centar za arheoloska istrazivanja, Beograd Markovic, Dragoslav 107115 Secanje i komentari / Dnevnicke beleske Dragoslava-Draze Markovica Sluzbeni glasnik, Beograd Markovic, Goran 107647 Bosanskohercegovacki federalizam / NULL Sluzbeni glasnik, Beograd 108343 Izmisljeni zivot / Oklopdzic-Markovic: prepiska 2003-2007) Clio, Beograd 109160 Tri price o samoubicama / NULL Arhipelag, Beograd Markovic, Gordana 104940* Saopstenja XXXV-XXXVI (2003-2004) / NULL Republicki zavod za zastitu spomenika, Beograd 105399* Saopstenja XXXVII- XXXVIII (2005-2006) / NULL Republicki zavod za zastitu spomenika, Beograd 105584 Spomenicko nasledje Srbije: nepokretna kulturna dobra / od izuzetnog i od velikog znacaja Republicki zavod za zastitu spomenika, Beograd Markovic, Jelica 104697 Medicinski recnik englesko-srpski / Dictionary Gradjevinska knjiga, Beograd 105430 Tehnicki recnik englesko- srpski / Dictionary Gradjevinska knjiga, Beograd Markovic, Mihailo 105684 Drustveno-politicka misao Njegosa / Naucni skup Srpska akademija nauka i umetnosti, Beograd Markovic, Milena 107914 Drame / NULL Lom, Beograd 102658 Istina ima teranje / NULL Lom, Beograd 102659 Pas koji je pojeo sunce / NULL Lom, Beograd 108614 Pesme za zive i mrtve / NULL Lom, Beograd 109072 Pre nego sto sve pocne da se vrti / NULL Lom, Beograd 108139 Tudjina, vecna sudbina / NULL Dereta, Beograd 108562 Zmajeubice / junacki kabare Lom, Beograd Markovic, Milenko 107059 Ogledi o nacionalnom i demokratskom pitanju / Postjugoslovenski slucaj Srbije Sluzbeni glasnik, Beograd Markovic, Miodrag 106793 Prvo putovanje Sv. Save u Palestinu i njegov / znacaj za srpsku srednjovekovnu umetnost Vizantoloski institut, Beograd 109143 Serbian Artistic Heritage in Kosovo and Metohija / Identity, Significance, Vulnerability Srpska akademija nauka i umetnosti, Beograd 108665 Sveti Nikita kod Skoplja / NULL Sluzbeni glasnik, Beograd 108413 Zograf 37 (2013) / NULL Institut za istoriju umetnosti, F.F., Beograd 108832 Zograf 39 (2015) / Zeitschrift Institut za istoriju umetnosti, F.F., Beograd 106655* Zograf 32 (2008) / NULL Institut za istoriju umetnosti, F.F., Beograd 106848* Zograf 33 (2009) / NULL Institut za istoriju umetnosti, F.F., Beograd 107655 Zograf 35 (2011) / NULL Institut za istoriju umetnosti, F.F., Beograd 107702 Zograf 36 (2012) / NULL Institut za istoriju umetnosti, F.F., Beograd 108823 Zograf 37 (2013) / Zeitschrift Institut za istoriju umetnosti, F.F., Beograd 108824 Zograf 38 (2014) / NULL Institut za istoriju umetnosti, F.F., Beograd Markovic, Miroslav 107115 Secanje i komentari / Dnevnicke beleske Dragoslava-Draze Markovica Sluzbeni glasnik, Beograd Markovic, Monah Ignatije 106258 Pravoslavni manastiri u Bosni i Hercegovini / Orthodox Monasteries in Bosnia and Herzegovina Filip Visnjic, Beograd Markovic, Natasa 108863 Ledi Pedzet / i njeni Srbi Plavi Jahac, Beograd 107704 Marina Abramovic / heroina narcisticke umetnosti Plavi Jahac, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Markovic, Predrag 100129 Jugoistocna Evropa 2000 / NULL Stubovi kulture, Beograd 107599 Lisce i prasina / NULL Arhipelag, Beograd 106992 Pamtivek Albahari / NULL Stubovi kulture, Beograd 106991 Pamtivek Simovic / NULL Stubovi kulture, Beograd 106772 The Cinema of Goran Paskaljevic / NULL Stubovi kulture, Beograd 106194 Trajnost i promena / NULL Sluzbeni glasnik, Beograd 104266 Ziveti u Beogradu 1 (1837-Istorijski arhiv 1841) / NULL Beograda, Beograd 104267 Ziveti u Beogradu 2 (1842- 1850) / NULL Istorijski arhiv Beograda, Beograd 104268 Ziveti u Beogradu 3 (1851- 1867) / NULL Istorijski arhiv Beograda, Beograd 107146* Zograf 34 (2010) / Casopis za srednjevekovnu umetnost Institut za istoriju umetnosti, F.F., Beograd Markovic, Radovan Beli 105706 Corava strana / NULL Srpska Knjizevna Zadruga, Beograd 102924 Devet belih oblaka / NULL Filip Visnjic, Beograd 105330 Kavaleri starog premera / NULL Narodna Knjiga, Beograd 100469* Lajkovacka pruga / NULL Narodna Knjiga, Beograd 100470* Limunacija u celijama / NULL Narodna Knjiga, Beograd 103419 Orkestar na pedale / NULLNarodna Knjiga, Beograd 100471* Poslednja ruza Kolubare / NULL Narodna Knjiga, Beograd 108890 Putnikova ciglana / Zaludno pletivo Srpska Knjizevna Zadruga, Beograd 102045* Zivcana japija / NULL Narodna Knjiga, Beograd Markovic, Radul 105112 Srpske narodne poslovice i izreke / NULL Novinsko-izdavacki centar vojska, Beograd Markovic, Ratko 108461 Dva veka srpske ustavnosti / Izvori srpskog prava, Knj. XVII Srpska akademija nauka i umetnosti, Beograd 105516 Prizren carski grad / NULL Narodna i universitetska biblioteka , Pristina Markovic, Slavica 101796 Srpske narodne bajke / NULL Kreativni centar, Beograd 101795 Srpske narodne pripovetke / NULL Kreativni centar, Beograd Markovic, Slobodan G. 108219 Dva veka moderne srpske diplomatije / NULL Balkanoloski institut, Beograd 105519 Evropa i Zapadni Balkan posle velikog prosirenja / Europe and the Western Balkans After the Big Enlargment Institut za evropske studije, Beograd Markovic, Slobodan Z. 104437 Mornar na konju / NULL Srpska knjiga, Ruma 104929 Srpska knjizevnost izmedju dva svetska rata / pojave, pisci i dela Drustvo za srpski jezik i knjizevnost Srbije, Beograd Markovic, Snezana 103725 Pripovetke i predanja levca – novi zapisi / NULL Centar za naucna istrazivanja , Kragujevac Markovic, Svetozar101383* Celokupna dela Svetozara Markovica I-XVII / NULL Zavod za udzbenike i nastavna sredstva, Beograd 105397 Celokupna dela Svetozara Markovica, Knj. 1-3, 9-10 / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104018 Celokupna dela Svetozara Markovica, Knj. 11 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Zavod za udzbenike i nastavna sredstva, Beograd 104019 Celokupna dela Svetozara Zavod za Markovica, Knj. 12 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) udzbenike i nastavna sredstva, Beograd 104020 Celokupna dela Svetozara Markovica, Knj. 13 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Zavod za udzbenike i nastavna sredstva, Beograd 104021 Celokupna dela Svetozara Markovica, Knj. 14 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Zavod za udzbenike i nastavna sredstva, Beograd 104022 Celokupna dela Svetozara Markovica, Knj. 15 / Evropski izvori o Svetozaru Markovicu Zavod za udzbenike i nastavna sredstva, Beograd 104023 Celokupna dela Svetozara Markovica, Knj. 16 / Savremenici i saradnici o Svetozaru Markovicu Zavod za udzbenike i nastavna sredstva, Beograd 104024 Celokupna dela Svetozara Markovica, Knj. 17 / Bibliografija Zavod za udzbenike i nastavna sredstva, Beograd 104013 Celokupna dela Svetozara Markovica, Knj. 4 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Zavod za udzbenike i nastavna sredstva, Beograd 104014 Celokupna dela Svetozara Markovica, Knj. 5 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Zavod za udzbenike i nastavna sredstva, Beograd 104015 Celokupna dela Svetozara Markovica, Knj. 6 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Zavod za udzbenike i nastavna sredstva, Beograd 104016 Celokupna dela Svetozara Markovica, Knj. 7 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Zavod za udzbenike i nastavna sredstva, Beograd 104017 Celokupna dela Svetozara Markovica, Knj. 8 / Srbija na Istoku (Novosadska faza) Zavod za udzbenike i nastavna sredstva, Beograd Markovic, Vasilije 101430 Pravoslavno monastvo i manastiri u srednjevekovnoj Srbiji / NULL Ars Libri, Beograd 102171 Pravoslavno monastvo i manastiri u srednjovekovnoj Srbiji / NULL Ars Libri, Beograd Markovic, Vera 102071 Srpsko-ruski recnik / NULLNarodna Knjiga, Beograd Markovic, Veselin 100095* Izranjanje / NULL Stubovi kulture, Beograd 106980 Mi razliciti / NULL Arhipelag, Beograd 109153 Proslost nikad ne prodje / NULL Arhipelag, Beograd 109152 Svetlost na vod / Put na sever Arhipelag, Beograd Markovic, Vladimir 108363 Kroz Makedoniju / NULL Draslar partner, Beograd Markovic, Zlatibor 108126 Ustavi Knezevine i Kraljevine Srbije / NULL Arhiv Srbije, Beograd Markovic Koder, 105163 Mitoloski recnik / NULL Narodna biblioteka Djordje Vuk Karadzic, Kragujevac 106621 Nacala / NULL Sluzbeni glasnik, Beograd 107427 Narecenno / NULL Sluzbeni glasnik, Beograd Markovic Majtenji, Andras 104364 Vojvodina 1848 / Zbornik radova povodom 150te godisnjice madjarske revolucije Prometej, Novi Sad Markovic Nikolic, Ljiljana 104230 Anticke i srednjovekovne nekropole Smedereva / NULL Muzej u Smederevu, Smederevo, Smederevo Markovic Sargic, Ana 107285 Mit u romanu / Postupak mitologizacije Slobodana Dzunica Albatros Plus, Beograd Markovski, Mihal Pavel 106608 Knjizevne teorije XX veka / NULL Sluzbeni glasnik, Beograd Markus, Sasa 108788 Parodija u postmodernom filmu / NULL Filmski centar Srbije, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Marojevic, Igor 108011 Beogradjanke / NULL Laguna, Beograd 108352 Kroz glavu / NULL Dosije, Beograd 107353 Majcina ruka / NULL Laguna, Beograd 106565 Parter / NULL Laguna, Beograd 109045 Price o Kosovu / NULL Laguna, Beograd 106440 Snit / NULL Laguna, Beograd 100804 Tragaci / NULL Stubovi kulture, Beograd 103368 Zega / NULL Stubovi kulture, Beograd Marojevic, Radislav 107131 Estetika otaca crkve / NULL Sluzbeni glasnik, Beograd Marsal, Tim 101468* Igre senki / NULL B92, Beograd Marshall, Tim 101469* Shadowplay / NULL B92, Beograd Martinov, Zlatoje 104493 Preljubnicka biblija / NULL Mali Nemo, Pancevo Martinovic, Miras 102065* Teuta / NULL Geopoetika, Beograd 101440 Vavilonski mudraci / NULL Geopoetika, Beograd Martinovic Bajica, Petar 104060 Milan Nedic / NULL Nikola Pasic, Beograd Marusic, Branko 105557 O osnovnim pitanjima srpske heraldike / O fiktivnom grbu Hercegovine Knjizevna omladina Srbije, Beograd Masic, Dusan 105016 Talasanje Srbije / Knjiga o radiju B92 B92, Beograd Masirevic, Milica 101610* Pastir trazi dno neba / NULL Draganic, Beograd 101940 The shepherd seeks the bottom of the heavens / NULL Draganic, Beograd Mastilo, Natalija 107945 Recnik savremene srpske geografske terminologije / NULL Geografski Fakultet, Beograd Mastilovic, Draga 108831 Bosna i Hercegovina u Prvom svjetskom ratu / Corovicevi susreti 2014 Filip Visnjic, Beograd 109220 Pisci srpske istorije / Corovicevi susreti 2016. godine Filip Visnjic, Beograd Matanovic, Vera 105216 Skola u prirodi – Fruska Gora / NULL Kreativni centar, Beograd Mataric, Mirjana 106777 Engleska knjizevnost kod Srba 1900 – 1945 kroz casopise / NULL Mali Nemo, Pancevo Matavulj, Simo 101658 Bakonja fra Brne / Pripovetke / Izbor iz dela Sime Matavulja Draganic, Beograd 107683 Memoarski i putopisni spisi / Sabrana djela Sime Matavulja, Knj. 5 Zavod za udzbenike i nastavna sredstva, Beograd 107684 Prepiska / Sabrana djela Sime Matavulja, Knj. 7 Zavod za udzbenike i nastavna sredstva, Beograd 105823 Pripovetke I / Sabrana dela, Tom 2 Zavod za udzbenike i nastavna sredstva, Beograd 105824 Pripovetke II / Sabrana dela, Tom 3 Zavod za udzbenike i nastavna sredstva, Beograd 105825 Pripovetke III / Sabrana dela, Tom 4 Zavod za udzbenike i nastavna sredstva, Beograd 105822 Romani: Uskok / Bakonja vra Brne / Sabrana dela, Tom 1 Zavod za udzbenike i nastavna sredstva, Beograd Matic, Andrija 106986 Muzej savremene umetnosti / NULL Stubovi kulture, Beograd 106539 Saht / NULL Stubovi kulture, Beograd Matic, Dragica 108142 Uzicki leksikon / Leksikoni gradova Srbije Sluzbeni glasnik, Matic, Milan 105639 Liberalizam, populizam i demokratija / NULL Institut za politicke studije, Beograd 100313 Mit i politika / NULL Cigoja, Beograd 103133 Partizanska stampa u Srbiji 1941-1944 / NULL Institut za savremenu istoriju, Beograd 103137 Ravnogorska ideja u stampi i propagandi 1941- 1944 / NULL Institut za savremenu istoriju, Beograd Matic, Svetozar 108888 Principi srpske versifikacije / NULL Sluzbeni glasnik, Beograd Matic, Tioslav 107856 Kult mrtvih kod Srba / NULL Albatros Plus, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Matic, Vladan 101439 Album / NULL Geopoetika, Beograd 106487 Zadaci iz ruskog / NULL Prosveta, Beograd Matic, Vojin 107075 Detinjstvo naroda / NULL Sluzbeni glasnik, Beograd Matic, Vojislav 107581 Karlovacke crkve / NULL Platoneum, Novi Sad 105551 Manastir Hopovo / NULL Platoneum, Novi Sad 105547 Manastir Krusedol / NULL Platoneum, Novi Sad 107577 Manastir Sremska Ravanica Vrdnik / NULL Platoneum, Novi Sad 107582 The Chrches of Sremski Karlovci / NULL Platoneum, Novi Sad 107576 The Monastery of Grgeteg / NULL Platoneum, Novi Sad 105552 The Monastery of Hopovo / NULL Platoneum, Novi Sad 105548 The Monastery of Krusedol / NULL Platoneum, Novi Sad 107578 The Monastery of Sremska Ravanica Vrdnik / NULL Platoneum, Novi Sad Matic Panic, Radmila 102401* Miodrag B. Protic / NULL Clio, Beograd Maticki, Milenko 104665 Price o snu i javi / NULL Bookland, Beograd Maticki, Miodrag 107913 Ceger pun ljubavi / NULL Cigoja, Beograd 103633 Davorje, Knjiga druga / NULL Knjizevna opstina Vrsac, Vrsac 107690 Delta / NULL Prometej, Novi Sad 105027 Deseti za molitvu / NULL Stubovi kulture, Beograd 104499 Idu Nemci / NULL Mali Nemo, Pancevo 100614 Istorija kao predanje / NULL RAD, Beograd 102508 Jezik srpskog pesnistva / NULL Prometej, Novi Sad 104342* Knjizevna istorija 125-126 (2005) / Casopis za nauku o knjizevnosti Institut za knjizevnost i umetnost, Beograd 106179 Knjizevna istorija 127 (2005) / NULL Institut za knjizevnost i umetnost, Beograd 104980 Knjizevna istorija 128-129 (2006) / NULL Institut za knjizevnost i umetnost, Beograd 106180 Knjizevna istorija 130 (2006) / NULL Institut za knjizevnost i umetnost, Beograd 105647 Knjizevna istorija 131-132 (2007) / NULL Institut za knjizevnost i umetnost, Beograd 105956 Knjizevna istorija 133 (2007) / NULL Institut za knjizevnost i umetnost, Beograd 106181 Knjizevna istorija 134-135 (2008) / NULL Institut za knjizevnost i umetnost, Beograd 106496 Knjizevna istorija 136 (2008) / NULL Institut za knjizevnost i umetnost, Beograd 106903 Knjizevna istorija 137-138 (2009) / NULL Institut za knjizevnost i umetnost, Beograd 106904 Knjizevna istorija 139 (2009) / NULL Institut za knjizevnost i umetnost, Beograd 106905 Knjizevna istorija 140-141 (2010) / NULL Institut za knjizevnost i umetnost, Beograd 106906 Knjizevna istorija 142 (2010) / NULL Institut za knjizevnost i umetnost, Beograd 104761 Knjizevnost na jezicima manjina u Podunavlju / Zbornik radova Institut za knjizevnost i umetnost, Beograd 106871 Narodne pesme u srpsko- dalmatinskom casopisu / NULL Institut za knjizevnost i umetnost, Beograd 105193 Nemiri mede Zelimira / NULL Bookland, Beograd 106249 Prednosti gipsa / NULL Filip Visnjic, Beograd 106175 Senovite price / NULL Srpska Knjizevna Zadruga, Beograd 106134 Sevdalinke – narodne biser-pesme za pevanje / NULL Sluzbeni glasnik, Beograd 106372* Slika drugog u balkanskim i srednjoevropskim knjizevnostima / Zbornik radova Institut za knjizevnost i umetnost, Beograd 105640 Srem kroz vekove: slojevi kultura Fruske Gore i Srema / Zbornik radova Vukova zaduzbina, Beograd 103310 Svakodnevno hvatanje veverice / NULL Nolit, Beograd 101274* Svetosavska citanka / NULL Zavod za udzbenike i nastavna sredstva, Beograd 108860 Usmena tradicija Banatske vojne granice / Zbornik radova Matica Srpska, Novi Sad Matijevic, Vladan 107323 Casovi radosti / NULL Agora, Zrenjanin 107067 Crno u koloru / Crni humor u srpskom filmu Sluzbeni glasnik, Beograd 108165 Memoari, Amnezije / NULL Sluzbeni glasnik, Beograd 107569 Pisac izdaleka / NULL Agora, Zrenjanin 107322 Prilicno mrtvi / NULL Agora, Zrenjanin 108060 Pristanista / NULL Agora, Zrenjanin 103809 R. C. Neminovno / NULL Narodna Knjiga, Beograd 109025 Susret pod neobicnim okolnostima / NULL Laguna, Beograd 108563 Van kontrole / NULL Agora, Zrenjanin 106939 Vrlo malo svetlosti / NULL Agora, Zrenjanin Matovic, Ivan 102212 Vojskovodja s oreolom mucenika / NULL Novinsko-izdavacki centar vojska, Beograd Matovic, Vesna 106872 Casopis Nova Evropa: 1920-1941 / Istorijat srpske knjizevne periodike Institut za knjizevnost i umetnost, Beograd 108959 Casopis ruski arhiv (1928- 1937) i kultura ruske emigracije / u Kraljevini SHS Institut za knjizevnost i umetnost, Beograd 104757 Pera Todorovic / Zbornik radova Institut za knjizevnost i umetnost, Beograd 108963 Pera Todorovic: novi pogledi: / politicke ideje i knjizevno-publicisticko delo Institut za knjizevnost i umetnost, Beograd 105827 Srpska moderna / NULL Institut za knjizevnost i umetnost, Beograd 106369 Talfj u srpskoj knjizevnosti / Zbornik radova Institut za knjizevnost i umetnost, Beograd 106880 Zanrovi u srpskoj peridoci / NULL Institut za knjizevnost i umetnost, Beograd Matunovic, Aleksandar 100874* Enigma Broz / Ko ste Vi, gospodine predsednice? Cigoja, Beograd Matvejevic, Predrag 108415 Druga Venecija / NULL Hesperia, Beograd 108813 Granice i sudbine / O jugoslavenstvu prije i poslije Jugoslavije V.B.Z., Beograd Mecanin, Radmila 105347 Slovenska mitologija – enciklopedijski recnik / NULL Zepter, Beograd 106734 Uvod u istorijsku poetiku epa i romana / NULL Srpska Knjizevna Zadruga, Beograd Medakovic, Anica 105378* Ostava srebrnih predmeta sa Zidovara / NULL Gradski muzej Vrsac, Vrsac 105377* Zidovar: Naselje bronzanog i gvozdenog doba / Bronze Age and Iron Age Settlement Gradski muzej Vrsac, Vrsac Medakovic, Dejan 107257 Beocin / NULL Prometej, Novi Sad 105267 Dani secanja IV / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104010 Dani, secanja I (1976- 1977) / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104011 Dani, secanja II (1977- 1978) / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104522 Dani, secanja III / NULL Zavod za udzbenike i nastavna sredstva, Beograd 105794 Dani, secanja IV / NULL Zavod za udzbenike i nastavna sredstva, Beograd 107054 Dani, secanja VI (1995- 2000) / NULL Prometej, Novi Sad 107055 Dani, secanja VII (2001- 2004) / NULL Prometej, Novi Sad 107056 Dani, secanja VIII (2005- 2008) / NULL Prometej, Novi Sad 102493* Dunav – reka jedinstva Evrope / Die Donau – Der Strom der europäischen Einheit Prometej, Novi Sad 105132 Efemeris 1-5 / NULL Prometej, Novi Sad 107253 Fruskogorski manastiri / NULL Prometej, Novi Sad 107256 Grgetek / NULL Prometej, Novi Sad 106461* Istrazivaci srpskih starina / NULL Prometej, Novi Sad 104366* Josif II i Srbi / NULL Prometej, Novi Sad 102560 Kamenovi / NULL Prometej, Novi Sad 107254 Krusedol / NULL Prometej, Novi Sad 105133 Motivi / NULL Prometej, Novi Sad 104080 Orlov slet i druge price / NULL Kairos, Sremski Karlovci 101372* Otkrivanje Hilandara / NULL Prometej, Novi Sad 105148 Pisma i govori / NULL Prometej, Novi Sad 104078 Povratak u Rakitje i druge price / NULL Kairos, Sremski Karlovci 104498 Prolazenje / NULL Mali Nemo, Pancevo 104079 Ptice i druge price / NULL Kairos, Sremski Karlovci 100031* Sentandrejski zbornik 03 / NULL Srpska akademija nauka i umetnosti, Beograd 102500 Serben in Wien / NULL Prometej, Novi Sad 101371* Srbi u Becu / NULL Prometej, Novi Sad 103392* Srbi u Zagrebu / NULL Prometej, Novi Sad 102562 Sve cudnije je cudo / NULL Prometej, Novi Sad 105866 Sveta Gora Fruskogorska / NULL Prometej, Novi Sad 107255 Vrdnik Ravanica / NULL Prometej, Novi Sad 106470 Vukovoj zaduzbini / NULL Prometej, Novi Sad 102704* Zapadnoevropski barok i vizantijski svet / Naucni skup: 10-13 Okt. 1989 Srpska akademija nauka i umetnosti, Beograd Medakovic, Milorad 104049 Zivot i obicaji Crnogoraca / NULL Nikola Pasic, Beograd Medenica, Ivan 109034 Tragedija inicijacije / ili nepostojani pric Clio, Beograd Medic, Hristina 108481 Muzika Beogradskih kafana, salona i klubova 1 / Starogradske pesme iz albuma Jovana Frajta Clio, Beograd Medic, Mile 102941 Mnogaja ljeta / NULL Filip Visnjic, Beograd 102652 Najezda tudjih reci na srpski jezik / NULL Nolit, Beograd 102701* Stari slikarski prirucnici II / NULL Republicki zavod za zastitu spomenika, Beograd Medic, Milorad 100823* Stari slikarski prirucnici I / NULL Republicki zavod za zastitu spomenika, Beograd 104709 Stari slikarski prirucnici III / NULL Republicki zavod za zastitu spomenika, Beograd Medovic, Idilko 107574 Gradina na Bosutu / Naselje starijeg gvozdenog doba Platoneum, Novi Sad Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Medovic, Predrag 107574 Gradina na Bosutu / Naselje starijeg gvozdenog doba Platoneum, Novi Sad 105944* Kalakaca: naselje ranog gvozdenog doba / NULL Muzej Vojvodine, Novi Sad 105150 Od pecine do palate / NULL Platoneum, Novi Sad 102448* Praistorija na tlu Vojvodine / NULL Prometej, Novi Sad 105949* Stubarlija: nekropola naselja Feudvar kod Mosorina (Backa) / NULL Muzej Vojvodine, Novi Sad 107906 The Cultural Heritage of Vojvodina / NULL Zavod za kulturu Vojvodine, Novi Sad 104951* Vojvodina u praistoriji / Od Nendertalaca do Kelta Platoneum, Novi Sad Mekenzi, Dejvid 106149 Stojan Protic, srpski novinar i drzavnik / NULL Sluzbeni glasnik, Beograd Meletinski, Jeleazar 106734 Uvod u istorijsku poetiku epa i romana / NULL Srpska Knjizevna Zadruga, Beograd Meljanac, Milos 108110 Prilepski kontrasti / NULL Prometej, Novi Sad Menkovic, Mirjana 108223 Etnografsko nasledje Kosova i Metohije – iz zbirki / Muzeja u Pristini i Etnografskog muzeja u Beogradu Mnemosyne, Beograd 108224 Gradjanska nosnja u Prizrenu u XIX i prvoj Mnemosyne, Beograd polovini XX veka / Muzejske kolekcije kao izvor za istrazivanje kulture odevanj Merenik, Lidija 102452 Beograd: osamdesete / NULL Prometej, Novi Sad 105116 Nadezda Petrovic / NULL Novinsko-izdavacki centar vojska, Beograd Merenik, Slavica 103515 Bibliografija radova o srpskoj revoluciji / NULL Zavod za udzbenike i nastavna sredstva, Beograd Mesanovic, Sanja 100862* Jovan VII Paleolog / NULL Vizantoloski institut, Beograd Meseldzija, Biljana 107758 Englesko-srpski i srpsko- engleski / Dictionary Institut za strane jezike, Beograd Miceta, Luka 108764 Duh pobune / NULL Laguna, Beograd 108000 Povratak kralja / NULL Laguna, Beograd 108800 Stefan Nemanja: povest Srba od doseljavanja na / Balkan do drzave zupana Stefana Nemanje Laguna, Beograd Micevic, Kolja 105240 Mocart / zlocin Marije Terezije Prosveta, Beograd Micic, Biljana 108327 Pesnik okovanih vizija: / poezija i poetika Milana Dedinca Altera, Beograd Micic, Ljubomir 100342 Barbarogenije decivilizator / NULL Filip Visnjic, Beograd Micic, Radovan 102481 Srpska citaonica u Irigu / NULL Prometej, Novi Sad Micic, Srdjan 107364 Kraljevina Jugoslavija i Anslus Austrije 1938. / NULL Sluzbeni glasnik, Beograd Micic Dimovska, Milica 102034 Mrena / NULL Narodna Knjiga, Beograd 102041* Poslednji zanosi MSS / NULL Narodna Knjiga, Beograd 103308 U procepu / NULL Nolit, Beograd 104331 Utociste / NULL Narodna Knjiga, Beograd Mickovic, Slobodan 100371 Aleksandar i smrt / NULL Filip Visnjic, Beograd Micovic, Momcilo 109249 Njegos: u zboru svjetskih velikana / NULL Srpska Knjizevna Zadruga, Beograd Micunovic, Radomir 102115 Povratak u detinjstvo / NULL Gutenbergova galaksija, Beograd Micunovic, Svetlana 102115 Povratak u detinjstvo / NULL Gutenbergova galaksija, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Mihailovic, Ariton 104803 Uspomene iz okupacije / NULL Narodna Knjiga, Beograd Mihailovic, Dragoslav 108593 Cizmasi / NULL Laguna, Beograd 104237 Crveno i plavo / NULL NIN, Beograd 102585 Frede laku noc / NULL Plato, Beograd 107449 Goli Otok / Knjiga cetvrta Sluzbeni glasnik, Beograd 107492 Goli Otok / Knjiga peta Sluzbeni glasnik, Beograd 108994 goli otok / Knjiga prva Sluzbeni glasnik, Beograd 102665 Gori Morava / NULL Lom, Beograd 101241 Kad su cvetale tikve / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104576 Kratka istorija satiranja / NULL Sluzbeni glasnik, Beograd 102895* Najlepse price Dragoslava Mihajlovica / NULL Prosveta, Beograd 109046 Uhvati zvezdu padalicu / NULL Laguna, Beograd Mihailovic, Dusan 104915 Iz srpske dramske bastine / NULL Fakultet dramskih umetnosti, Beograd 104311* Orinjasijenska kremena industrija sa lokaliteta / Crvenka-At u blizini Vrsca Centar za arheoloska istrazivanja, Beograd 106592* Prehistoric Settlements in Caves and Rock-Shelters of Serbia / Upper Paleolithic and Mesolithic Chipped Stone Industries Centar za arheoloska istrazivanja, Beograd Mihailovic, Ljubomir 108991 Monasteres de l ́ Eglise Othodoxe Serbe – Guide / NULL Sluzbeni glasnik, Beograd 108992 Monastries of the Serbian Orthodox Church – Guide / NULL Sluzbeni glasnik, Beograd Mihailovic, Miroslav Cera 103746 Lom / NULL Filip Visnjic, Beograd 103745 Sol na ranu / NULL Filip Visnjic, Beograd Mihailovic, R. 105120 Katarina Ivanovic / NULL Novinsko-izdavacki centar vojska, Beograd Mihailovic, Vojislav 105368 Novac srpskih velikasa iz vremena Carstva / NULL Muzej grada Beograda, Beograd Mihailovic Bahtin, Mihail 107394 Ka filosofiji postupka / NULL Sluzbeni glasnik, Beograd 107391 Rani spisi / NULL Sluzbeni glasnik, Beograd Mihajlov, Dusan 105425 Ekonomski recnik nemacko-srpski / Wörterbuch Gradjevinska knjiga, Beograd 108484 Ekonomski recnik srpsko- nemacki / Wörterbuch Gradjevinska knjiga, Beograd 108485 Recnik bankarskih, berzanskih i racunovodstvenih termina / nemacko-srpski i srpsko- nemacki Gradjevinska knjiga, Beograd Mihajlov, Sasa 108590 Rajko M. Tatic 1900-1979 / NULL Zavod za zastitu spomenika grada Beograda, Beograd Mihajlovic, Borislav Mihiz 102285 Autobiografija – o drugima 1 / NULL Solaris, Novi Sad 102286 Autobiografija – o drugima 2 / NULL Solaris, Novi Sad Mihajlovic, Darko 109205 Srpska diplomatija o dogadjajima u Makedoniji 1903-1904. god / NULL Cigoja, Beograd Mihajlovic, Goran 104634 Sami protiv svih / NULL Glas srpski, Banja Luka Mihajlovic, Jasmina 100229 Dve kotorske price / NULL Dereta, Beograd 104597 Ljubav bez tajni / NULL Dereta, Beograd 100264 Privatna kolekcija / NULL Dereta, Beograd 105072 Putni album / NULL Dereta, Beograd Mihajlovic, Ljubomir 108742 Manastiri Srpske pravoslavne crkve / NULL Sluzbeni glasnik, Beograd Mihajlovic, Mila 109204 Italijanski mornari za Cigoja, Beograd srpsku vojsku / Zalog humanosti u odiseji pakla (1915-1916) Mihajlovic, Milorad 100169* Nova Pavlica / NULL Republicki zavod za zastitu spomenika, Beograd Mihajlovic, Pavle Paja 107134 Dnevnici / NULL Sluzbeni glasnik, Beograd Mihajlovic, Petar 108069 Nista / Roman ni o cemu Geopoetika, Beograd Mihajlovic, Svetlana P. 100457* Poslednja tacka za kruznicu / NULL Narodna Knjiga, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Mihaljcic, Rade 106083* Leksikon srpskog srednjeg veka / NULL Knowledge, Beograd 105401 Monumenta Serbica / spectantia historiam Serbiae Bosnae Ragusii Srpska skolska knjiga, Beograd 102102 Proslost i narodno secanje / NULL Gutenbergova galaksija, Beograd 108458 Zakoni u starim srpskim ispravama / Izvori srpskog prava, Knj. XIII Srpska akademija nauka i umetnosti, Beograd Mijatovic, Bosko 109170 Ilustrovana istorija Beogradskih kafana / Od Turskog hana do Aero kluba Arhipelag, Beograd 107070 Poezija, trziste, drzava / NULL Sluzbeni glasnik, Beograd 106146 Srpski ekonomisti 1850- 1914 / NULL Sluzbeni glasnik, Beograd 109242 Srpski konzervativci 1878- 1914 / NULL Catena Mundi, Beograd Mijatovic, Cedomilj 105713* Hero-Tales and Legends of Serbians / NULL Srpska Knjizevna Zadruga, Beograd 102435 Jelena Balsic / NULL Pesic i sinovi, Beograd 102436 Ljubav na dvoru Nemanjica / NULL Pesic i sinovi, Beograd Mijatovic, Cedomir 107002 Pad Carigrada / NULL Ethos, Beograd Mijatovic, Radic 101848 Popravni dom za roditelje / NULL RAD, Beograd Mijatovic Zivojinov, Vladan 106295 Poslasticarske price / NULL Arhipelag, Beograd Mijovic, Aleksandar 108264 Biodiverzitet Srbije: stanje i perspektive / NULL Zavod za zastitu prirode Srbije, Beograd Mijovic, Dusan 108257 Naucni skup o geonasledju Srbije / 2. naucni skup, Beograd 2004 Zavod za zastitu prirode Srbije, Beograd 108259 Park prirode Stara planina / NULL Zavod za zastitu prirode Srbije, Beograd Mijuskovic, Dragisa T. 107650 Putovanje po Srbiji u godini 1829. / NULL Sluzbeni glasnik, Beograd Mijuskovic, Slobodan 106908 Prva poslednja slika / NULL Geopoetika, Beograd Mikavica, Dejan 107266 Laza Kostic / politicka biografija Prometej, Novi Sad 104997 Politicka ideologija Svetozara Miletica / NULL Stylos, Novi Sad 103754 Poslednji srpski pankalist / Politicko-filozofska biografija Laze Kostica Stylos, Novi Sad 109218 Srbi u Habsburskoj Prometej, Novi Sad monarhiji od 1526. do Miketic, Djordje 108065 Paradajz / NULL Geopoetika, Beograd Mikic, Olga 105553 Manastir Bodjani / NULL Platoneum, Novi Sad 105554 The Monastery of Bodjani / NULL Platoneum, Novi Sad Mikic, Radivoje 103495 Eseji / NULL Zavod za udzbenike i nastavna sredstva, Beograd 101148 Hodocasce Arsenija Njegovana / NULL Zavod za udzbenike i nastavna sredstva, Beograd 105318 Opis price / NULL Narodna Knjiga, Beograd 105319 Orfejev dvojnik / NULL Narodna Knjiga, Beograd 105320 Pesma, tekst i kontekst / NULL Narodna Knjiga, Beograd 106207* Pesnicka posla / NULL Sluzbeni glasnik, Beograd 105316 Pesnicki postupak / NULL Narodna Knjiga, Beograd 107085 Pesnik tamnih stvari / O poeziji Novice Tadica Sluzbeni glasnik, Beograd 106748 Prica i mit o svetu / NULL Agora, Zrenjanin 107852 Prica i mit o svetu / NULL Albatros Plus, Beograd 104713 Prica i znacenje / NULL Filip Visnjic, Beograd 105317 Prica i znacenje / NULL Narodna Knjiga, Beograd 101133 Proljeca Ivana Galeba / NULL Zavod za udzbenike i nastavna sredstva, Beograd Miklja, Dusan 103296 Bilo jednom u Beogradu / NULL Plato, Beograd 102939 Kosmopolitske price / NULL Filip Visnjic, Beograd 103291 Krpljenje paucine / NULL Nolit, Beograd 108703 Leto / NULL Sluzbeni glasnik, Beograd 106446 New York, Beograd / NULL Laguna, Beograd Miklosich, Franc 105401 Monumenta Serbica / spectantia historiam Serbiae Bosnae Ragusii Srpska skolska knjiga, Beograd Miladinov, Brana 107388 Naratoloski recnik / NULL Sluzbeni glasnik, Beograd Miladinovic, Ivan 106275 1968. Poslednji veliki san / NULL Filip Visnjic, Beograd Miladinovic, Mihailo J. 107178 Istorija Srema / NULL Blago Sirmijuma, Sremska Mitrovica Miladinovic, Natasa 107176 Metodologija utvrdjivanja polne pripadnosti / skeleta sa arheoloskih nalazista Blago Sirmijuma, Sremska Mitrovica Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Miladinovic, Sanja 108500 Tematski recnik srpskog jezika 6 / brod – buva Alma, Beograd 108501 Tematski recnik srpskog jezika 7 / Bugarska – busilica Alma, Beograd Miladinovic, Slobodan 107119 Elite raspada / NULL Sluzbeni glasnik, Beograd Miladinovic, Snezana 103019 Zaduzbine / NULL Sluzbeni glasnik, Beograd Milak, Enes 103120 Italija i Jugoslavija 1931- 1937 / NULL Institut za savremenu istoriju, Beograd Milankov, Momcilo 108988 Uhvacen u mrezu predvecerja / NULL Sluzbeni glasnik, Beograd Milankovic, Milutin 108885 Astronomska teorija klimatskih promena / i druge rasprave Zavod za udzbenike i nastavna sredstva, Beograd 103907 Canon of insolation and the ice-age problem / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103905 Clanci, govori, prepiska / Izabrana dela, Tom 6 Zavod za udzbenike i nastavna sredstva, Beograd 103900 Kanon osuncavanja zemlje i njegova primena na problem / ledenih doba 1, Izabrana dela, Tom 1 Zavod za udzbenike i nastavna sredstva, Beograd 103901 Kanon osuncavanja zemlje i njegova primena na problem / ledenih doba 2, Tom 2 Zavod za udzbenike i nastavna sredstva, Beograd 105087 Kroz carstvo nauka / NULL Dereta, Beograd 101890 Kroz vasionu i vekove / NULL Dereta, Beograd 103903 Kroz vasionu i vekove / Kroz carstvo nauka / Izabrana dela, Tom 4 Zavod za udzbenike i nastavna sredstva, Beograd 108884 Matematicka teorija toplotnih pojava / nastalih suncevim zracenjem Zavod za udzbenike i nastavna sredstva, Beograd 103902 Nebeska mehanika / Istorija astronomske nauke / Izabrana dela, Tom 3 Zavod za udzbenike i nastavna sredstva, Beograd 105086 Secanja / NULL Dereta, Beograd 103904 Spisi iz istorije nauke / Izabrana dela, Tom 5 Zavod za udzbenike i nastavna sredstva, Beograd 103906 Uspomene, dozivljaji, saznanja / Izabrana dela, Tom 7 Zavod za udzbenike i nastavna sredstva, Beograd Milankovic, Vera 106178* Srpski duhovni kalendar / NULL Clio, Beograd Milanovic, Aleksandar 108120 Jezik Jovana Subotica / NULL Cigoja, Beograd 107682 Jezik srpskih pesnika / NULL Zavod za udzbenike i nastavna sredstva, Beograd 107936 Jezik vesma polezan / NULL Drustvo za srpski jezik i knjizevnost Srbije, Beograd 103504* Kratka istorija srpskog knjizevnog jezika / NULL Zavod za udzbenike i nastavna sredstva, Beograd 109238 Recnik slavenosrpskog Matica Srpska, jezika / Ogledna sveska Novi Sad Milanovic, Dusica 102898* Maske uma / O ketmanu i ketmanima Narodna Knjiga, Beograd Milanovic, Jasmina105801* Acim Cumic / NULL Zavod za udzbenike i nastavna sredstva, Beograd 108676 Apostoli radikalizma / NULL Sluzbeni glasnik, Beograd 107134 Dnevnici / NULL Sluzbeni glasnik, Beograd Milanovic, Jovan 108991 Monasteres de l ́ Eglise Othodoxe Serbe – Guide / NULL Sluzbeni glasnik, Beograd 108992 Monastries of the Serbian Orthodox Church – Guide / NULL Sluzbeni glasnik, Beograd Milanovic, Milan R. 109221 Stara Hercegovina / Ekonomsko-socijalni pojmovnik Filip Visnjic, Beograd Milanovic, Miodrag 106285 Srpski stari vek / NULL Vandalija, Beograd 109019 Tajni zivot Nikole Tesle / NULL Miroslav, Beograd Milanovic, Stojanka 107413 Milan Curcin u kontekstu srpske avangarde / NULL Sluzbeni glasnik, Beograd Milanovic, Zeljko 107695 Dva pisca i drugi / NULL Sluzbeni glasnik, Beograd 107083 Od slika o drugome ka poetici / Stvaralastvo Dragutina J. Ilica Sluzbeni glasnik, Beograd Milasinovic, Goran 104337 Apsint / NULL Stubovi kulture, Beograd 101924* Camera obscura / NULL Stubovi kulture, Beograd 100094* Heraklov greh / NULL Stubovi kulture, Beograd 105727 Maske Sofije de Montenj / NULL Stubovi kulture, Beograd 107160 Rascepi / NULL Stubovi kulture, Beograd 109065 Slucaj Vinca / NULL Laguna, Beograd 106599 Trougao, kvadrat / NULL Stubovi kulture, Beograd Milasinovic, Svetlana 106533 Citanje savremene proze / NULL Mali Nemo, Pancevo Milcanovic, Rada 101334 Zapis u svetlosti / NULL Prosveta, Beograd Mileker, Feliks 108157 Vrsacki grad: istorijsko- arheoloska skica / NULL Istorijski arhiv, Pancevo, Pancevo Milekic, Zoran 109279 Dositej Obradovic / Srpski velikani Pcelica, Cacak Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Milenkovic, Milos 105683 Istorija postmoderne antropologije: posle postmodernizma / NULL Srpski genealoski centar, Beograd 105682 Istorija postmoderne antropologije: teorija etnografije / NULL Srpski genealoski centar, Beograd 107470 Ka politici srpske antropologije u XXI veku / NULL Srpski genealoski centar, Beograd 104256 Problem etnografski stvarnog / NULL Srpski genealoski centar, Beograd Milenkovic, Nenad 104478 Jaz / NULL Mali Nemo, Pancevo Milenkovic, Pavle 104998 Skola anala / NULL Stylos, Novi Sad Milenkovic, Toma 103516 Skolovanje dece ruskih emigranata u Kraljevini Zavod za udzbenike i Jugoslaviji / 1918-1941 nastavna sredstva, Beograd 106004 Trstenik i okolina / NULL Institut za savremenu istoriju, Beograd Miletic, Antun 106829 Srpski djenerali u zicama / NULL Albatros Plus, Beograd Miletic, Drasko 107043 Kalendari / NULL Dereta, Beograd 106433 pH roman / NULL Dereta, Beograd Miletic, Milkica 107210 Terra d oro / NULL Dereta, Beograd Miletic, Mirko 103622 Krajputasi / NULL Cigoja, Beograd Miletic, Slavica 104673 Religija i identitet na Kosovu / NULL XX vek, Beograd Miletic, Svetozar 103264 O srpskom pitanju / NULL Orpheus, Novi Sad 101384* Sabrana dela Svetozara Miletica I-III / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103909 Sabrana dela Svetozara Miletica, Tom 2/1 / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103910 Sabrana dela Svetozara Miletica, Tom 2/2 / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103911 Sabrana dela Svetozara Miletica, Tom 2/3 / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103912 Sabrana dela Svetozara Miletica, Tom 3 / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103908 Sabrani spisi Svetozara Miletica, Tom 1 / NULL Zavod za udzbenike i nastavna sredstva, Beograd Miletic Stanic, Nada 105945 Pravoslavne crkve u Baranji / NULL Muzej Vojvodine, Novi Sad Mileusnic, Slobodan 100768* Manastiri Srbije 1 – 2 / Monasteries of Serbia 1 – 2 Novinsko-izdavacki centar vojska, Beograd 103456 Srpski manastiri od Hilandara do Libertvila / NULL Srpska Knjizevna Zadruga, Beograd 103022 Svetinje Kosova i Metohije / NULL Novinsko-izdavacki centar vojska, Beograd Milic, Danica 100930 Strani kapital u rudarstvu Srbije do 1918 / NULL Istorijski institut, Beograd Milic, Mileta 102695* Cultural heritage of Kosovo and Metohija / NULL Republicki zavod za zastitu spomenika, Beograd 100816 Cuvari bastine 1947-1997 / NULL Republicki zavod za zastitu spomenika, Beograd 104209 Glasnik drustva konzervatora Srbije 20 / NULL Drustvo konzervatora Srbije, Beograd 104210 Glasnik drustva konzervatora Srbije 21 / NULL Drustvo konzervatora Srbije, Beograd 100173* Saopstenja XXX-XXXI (1996-1997) / NULL Republicki zavod za zastitu spomenika, Beograd 100868* Saopstenja XXXII-XXXIII (2000-2001) / NULL Republicki zavod za zastitu spomenika, Beograd 102703* Saopstenja XXXIV (2002) / NULL Republicki zavod za zastitu spomenika, Beograd Milic, Miodrag 103195 Jugosloveni u koncentracionom logoru Ausvic 1941-1945 / NULL Institut za savremenu istoriju, Beograd 103199 Jugosloveni u koncentracionom logoru Mathauzen / NULL Institut za savremenu istoriju, Beograd Milic, Novica 104852 A B C Dekonstrukcije / NULL Narodna Knjiga, Beograd 103494 Moderno shvatanje knjizevnosti / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104860 Predavanja o citanju / NULL Narodna Knjiga, Beograd 105600 Sta je teorija / NULL Institut za knjizevnost i umetnost, Beograd Milic, Zoran 102129 Iz starih spisa / NULL Gutenbergova galaksija, Beograd Milic A., Dejan 105353 Politicka beseda moderne Srbije / NULL Nomos, Beograd Milicevic, Milan Dj. 100326* Karadjordje u govoru i u tvoru / NULL Cigoja, Beograd 105710 Kljucevi Beograda: Stare slike srpske prestonice / Kratka historija Beograda / Dubrovcani u Beogradu Srpska Knjizevna Zadruga, Beograd 108409 Knez Milos u pricama / NULL Utopija, Beograd 104640 Knezevina Srbija / NULL Book-Marso, Beograd Milicevic, Milic 108127 Balkanski ratovi: fotopis Samsona Cernova / NULL Arhiv Srbije, Beograd 105110 Generali vojske Knezevine i Kraljevine Srbije / NULL Novinsko-izdavacki centar vojska, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Milicevic, Natasa 106663 Jugoslovenska vlast i srpsko gradjanstvo / NULL Institut za noviju istoriju Srbije, Beograd Milicevic, Risto 105466 Hercegovacka prezimena / NULL Svet knjige, Beograd Milicevic, Srdjan 106302 Obecana zemlja / NULL Dereta, Beograd Milicevic, Veljko 106968 Najlepse pripovetke Veljka Milicevica / NULL Ariadna, Beograd Milicevic, Vladeta 100405 Ubistvo kralja u Marselju / NULL Filip Visnjic, Beograd Milicevic Dobromirov, Natasa 107898 Super srpski: Srpski jezik za strance – visoki nivo / Serbian Language for Foreigners – Advanced Level Azbukum, Novi Sad Milikiev, Katarina 108836 Naucnoistrazivacki pristup knjizevnim delima / NULL Cigoja, Beograd Milin, Petar 104827 Frekvencijski recnik Tdora Manojlovica, Knjiga 2 / NULL Gradska narodna biblioteka Z. Zrenjanin, Zrenjanin 104826 Frekvencijski recnik Todora Manojlovica, Knjiga 1 / NULL Gradska narodna biblioteka Z. Zrenjanin, Zrenjanin Milincevic, Vaso 105874 Nikola Tesla i knjizevnost / NULL Biblioteka grada Beograda, Beograd 105979 Osvetljavanja i suocavanja: Studije i clanci / iz srpske knjizevnosti 19. i 20. veka Zavod za udzbenike i nastavna sredstva, Beograd 105522 Velika skola i veliki profesori / NULL Drustvo za srpski jezik i knjizevnost Srbije, Beograd Milinkovic, Mihailo 107486 Gradina na Jelici: ranovizantijski grad i / srednjovekovno naselje Zavod za udzbenike i nastavna sredstva, Beograd Milinkovic, Snezana 106165 Preobrazaji novele: Novela od V. Vrcevica do / tradicija Drustvo za srpski jezik i knjizevnost Srbije, Beograd Milisavljevic, Dragana 107187 Sisojevac: crtezi fresaka / NULL Republicki zavod za zastitu spomenika, Beograd Milisavljevic, Ostoja 104087* Beograd u istoriji / (od postanja do nasih dana) Poslovni biro, Beograd Milisavljevic, Vladimir 108769 Identitet i refleksija / Problem samosvesti u Hegelovoj filozofiji Zavod za udzbenike i nastavna sredstva, Beograd Milisic, Milan 106486 Unutrasnje stvari / NULL Prosveta, Beograd Milivojevic, Era 102068 Art sessions / (Jovan Cekic – Neobicne petlje) Geopoetika, Beograd Milivojevic, Slavisa108218 Svrljiska oblast u praistoriji, antici i srednjem veku / Le region de Svrljig en Serbie orientale – prehistoire, ant Balkanoloski institut, Beograd Milivojevic, Snjezana 108780 Mediji, ideologija i kultura / NULL Fabrika knjiga, Beograd Miljanic, Akim 101943* Prezimena u Crnoj Gori / NULL Beogradska knjiga, Beograd Miljanic, Vukota 101943* Prezimena u Crnoj Gori / NULL Beogradska knjiga, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Miljanov Popovic, Marko 103249 Poslanice / NULL Orpheus, Novi Sad Miljkovic, Bojan 106288* Zitija Svetog Save kao izvori za istoriju / srednjevekovne umetnosti Vizantoloski institut, Beograd Miljkovic, Boris 101437 Caj na Zamaleku / NULL Geopoetika, Beograd 102061 Fabrika hartije / NULL Geopoetika, Beograd 105223 Poljupci, uspomene i razgovori / NULL Geopoetika, Beograd 104607 Uspavanka za lalu / NULL Geopoetika, Beograd Miljkovic, Branko 105567 Izabrane pesme Branka Miljkovica / NULL Srpska Knjizevna Zadruga, Beograd 100738 Najlepse pesme Branka Miljkovica / NULL Prosveta, Beograd 107316 Pesme / NULL Srpska Knjizevna Zadruga, Beograd 102047 Pesme Branka Miljkovica / Narodna Knjiga, NULL Beograd Miljkovic, Ema 108433 Ognjiste koje se ne gasi / NULL Evoluta, Beograd Miljkovic, Mina 104454 Zacaravanje / NULL B92, Beograd Miljkovic Bojanic, Ema 103577 Smederevski sandzak 1476-1560 / Zemlja, naselja, stanovnistvo Istorijski institut, Beograd Miljkovic-Katic, Bojana 100926* Struktura gradskog stanovnistva Srbije sredinom 19. veka / NULL Istorijski institut, Beograd Miljus, Brano 108385 Harmonizacija zakonodavstva Srbije sa pravom / Evropske unije, 2 Institut za medjunarodnu polit, Beograd Miljuskovic, Slobodan 102063 Dokumenti za razumevanje ruske avangarde / NULL Geopoetika, Beograd Millet, Gabriel 105274 L ́ ancien art serbe / NULL Zavod za udzbenike i nastavna sredstva, Beograd Milnovic, Vasilije 107416 Carstvo granicnog / NULL Sluzbeni glasnik, Beograd Milojevic, Dobrivoje 104090 Leksikon bankarstva sa strucnom terminologijom / na nemackom i engleskom jeziku MeGraf, Beograd Milojevic, Miloje 103521 Narodne pesme i igre Kosova i Metohije / NULL Zavod za udzbenike i nastavna sredstva, Beograd Milojevic, Milos S. 104041 Nasi manastiri i kaludjerstvo / NULL Nikola Pasic, Beograd 108803 Odlomci istorije Srba i srpskih – jugoslovenskih zemalja / u Turskoj i Austriji Feniks Libris, Beograd 104035* Odlomci iz istorije Srba i srpskih – jugoslavenskih zemalja / u Turskoj i Austriji I-II Nikola Pasic, Beograd 104040 Putopisi dela prave Stare Srbije I-III / NULL Nikola Pasic, Beograd Milojkovic Djuric, Jelena 107473 Srbi na putevima Balkana, Evrope i Sredozemlja / NULL Zavod za udzbenike i nastavna sredstva, Beograd 106571* Usponi srpske kulture / Muzicki, knjizevni i likovni zivot 1918-1941 Izdavacka Knjizarnica Zorana S, Novi Sad 106519* Usponi srpske kulture: Knjizevni i / umetnicki zivot: 1900-1918 Izdavacka Knjizarnica Zorana S, Novi Sad Miloradovic, Sofija 108511 Obredna praksa – recima o hrani / Na materijalu iz srpskih govora Vojvodine Matica Srpska, Novi Sad 103619 Upotreba padeznih oblika u govoru paracinskog Pomoravlja / Balkanisticki i entomigracioni aspekt Etnografski Institut, Beograd Milosavljevic, Bojana 106050 Forme uctivosti u srpskom jeziku / NULL Uciteljski fakultet, Beograd 108521 Ogovaranje kao govorni zanr svakodnevne komunikacije / NULL Institut za Srpski Jezik, Beograd Milosavljevic, Boris 100157* Vizantijska filozofija u srednjevekovnoj Srbiji / Stubovi kulture, Beograd NULL Milosavljevic, Bosko 106420 Englesko-srpski frazeoloski recnik / Dictionary Zavod za udzbenike i nastavna sredstva, Beograd 106421 Srpsko-engleski recnik idioma / Dictionary Zavod za udzbenike i nastavna sredstva, Beograd 106422 Srpsko-francuski recnik idioma i izraza / Dictionnaire Zavod za udzbenike i nastavna sredstva, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Milosavljevic, Djordje 104823 Gola Vera i druge drame / NULL Narodna biblioteka Vuk Karadzic, Kragujevac 109038 Sentimentalne zavere / NULL Laguna, Beograd Milosavljevic, Dragana 106065 Josanica – crtezi fresaka / NULL Republicki zavod za zastitu spomenika, Beograd Milosavljevic, Dragisa 107358 Izgubljena riznica manastira Mileseve / NULL Sluzbeni glasnik, Beograd 108974 Poslednji cuvari zlatiborske bastine / Etika i poetika prostora starih zlatiborskih brvnara Sluzbeni glasnik, Beograd 105059* Srednjovekovni grad i manastir Dobrun / NULL Dereta, Beograd 104615 Zograf Andrija Raicevic / NULL Dereta, Beograd Milosavljevic, Nebojsa 107555 Zasto volim Kanadu – price iz tudjine / NULL Plato, Beograd Milosavljevic, Olivera 105421 Potisnuta istina / NULL Helsinski odbor za ljudska prava u Srbiji, Beograd Milosavljevic, Petar 102175 Radnicki pokret u Rumuniji II (1917-1941) / NULL Balkanoloski institut, Beograd 102593 Sistem srpske knjizevnosti / NULL Plavi krug, Beograd 102595* Srbi i njihov jezik / NULL Plavi krug, Beograd 102594* Uvod u srbistiku / NULL Plavi krug, Beograd Milosavljevic Milic, Snezana 107810 Figure citanja / NULL Sluzbeni glasnik, Beograd 108615 Ogledavanja / Laza Lazarevic i Simo Matavulj Filozofski fakultet, Nis 108922 Virtuelni narativ / Ogledi iz kognitivne naratologije Izdavacka Knjizarnica Zorana S, Novi Sad Milosevic, Desanka 100176* Djurdjevi Stupovi / NULL Republicki zavod za zastitu spomenika, Beograd 100163 Gracanica monastery / NULL Republicki zavod za zastitu spomenika, Beograd 102692 Le monastere de Sopocani / NULL Republicki zavod za zastitu spomenika, Beograd 100175 Manastir Sopocani / NULL Republicki zavod za zastitu spomenika, Beograd 102691 Monastery Sopocani / NULL Republicki zavod za zastitu spomenika, Beograd Milosevic, Dmitar 105188* Rodoslovi srpskih dinastija / NULL Knjiga Komerc, Beograd Milosevic, Gordana 100857* Mansio Idimum / Rimska postanska i putna stanica kod Medvedje Arheoloski institut, Beograd 100846* Stanovanje u srednjevekovnoj Srbiji / NULL Arheoloski institut, Beograd Milosevic, Monika 108370 Serbian Law in Transition: Changes and Challenges / NULL Institut za uporedno pravo, Beograd Milosevic, Nenad 104423 Pesme sa Save i Dunava / NULL RAD, Beograd Milosevic, Nikola 100378 Carstvo bozje na zemlji / NULL Filip Visnjic, Beograd 100007* Formalisticko i strukturalisticko tumacenje bajke / NULL Srpska akademija nauka i umetnosti, Beograd 102324 Istina i iluzija / NULL Stylos, Novi Sad 103547 Izabrana dela Nikole Milosevica 1-5 / NULL Sluzbeni list, Beograd 103688 Najlepsi eseji Nikole Milosevica / NULL Prosveta, Beograd Milosevic, Petar 107102 Istorija srpske knjizevnosti / NULL Sluzbeni glasnik, Beograd 108645 London, pomaz / NULL Agora, Zrenjanin 108650 Mi Ze Sentandrejci / NULL Agora, Zrenjanin 106125* Poezija apsurda / Vasko Popa Sluzbeni glasnik, Beograd Milosevic, Slobodan 103138 Kulturno-prosvetni rad u NOR-u / NULL Institut za savremenu istoriju, Beograd 103129 Nemacko-italijanski odnosi na teritoriji / okupirane Jugoslavije 1941-1943 Institut za savremenu istoriju, Beograd Milosevic- Djordjevic, Nada 103662 Epske narodne pesme / NULL Lirika, Beograd 100611 Kazivati redom / Prilozi proucavanju Vukove poetike usmenog stvaranja RAD, Beograd 103664 Narodna knjizevnost: basne i bajke / NULL Lirika, Beograd 103665 Narodna knjizevnost: legende, novele, poslovice, pitalice, / NULL Lirika, Beograd 103488 Narodna srpska knjizevnost / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104931 Od bajke do izreke / NULL Drustvo za srpski jezik i knjizevnost Srbije, Beograd Milovanovic, Ivana 108779 Postkonfliktno drustvo i svakodnevica zena / Primena metoda slucaja u istrazivanjusvakodnevice zena KiM Cigoja, Beograd Milovanovic, Jovan 108742 Manastiri Srpske pravoslavne crkve / NULL Sluzbeni glasnik, Beograd 105206 Milovanovic, Kosta Daj mi krila jedan krug / NULL Kreativni centar, Beograd Milovanovic, Krsto 102797 Slave / NULL Glas srpski, Banja Luka Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Milovanovic, Zoran108265 Ptice Djerdapa / Birds of Djerdap Zavod za zastitu prirode Srbije, Beograd Milutinovic, Miroslav 108995 Automobili i dinastija Karadjordjevica 1908- 1941 / NULL Sluzbeni glasnik, Beograd 109001 Automobili i Josip Broz Tito 1912-1980 / NULL Sluzbeni glasnik, Beograd Milutinovic, Zoran 107389 Poststrukturalizam / Sasvim kratak uvod Sluzbeni glasnik, Beograd 105225 Susret na trecem mestu / NULL Geopoetika, Beograd Milutinovic Brada, Miroljub 101793 Hajduci / NULL Kreativni centar, Beograd Milutinovic Sarajlija, Sima 105178 Dika crnogorska / NULL Interpres, Beograd Mimica, Goran 102327* Korografija / NULL Stylos, Novi Sad Minic, Dusica 106311 Srednjovekovni Stalac / Medieval Stalac Arheoloski institut, Beograd Mircetic, Predrag 107696 Postmodernizam / Sasvim kratak uvod Sluzbeni glasnik, Beograd Miric, Kata 108895 Bibliografija Ive Andrica (1911-2011) / NULL Srpska akademija nauka i umetnosti, Beograd Miric, Mihailo M. 104732 Povratnik / NULL Filip Visnjic, Beograd Mirkovic, Ceda 100294 Darkness in the Dark / NULL Dereta, Beograd Mirkovic, Dragutin 103498 Cesko-srpski recnik 1-2 / NULL Zavod za udzbenike i nastavna sredstva, Beograd Mirkovic, Jovan 108037 Zlocini na Srbina u Nezavisnoj drzavi Hrvatskoj / Crimes Against Serbs in the Independent State of Croatia Svet knjige, Beograd Mirkovic, Ljiljana 108344 BozidArt / NULL Clio, Beograd Mirkovic, Mirko 101549 O pravnom polozaju srpske crkve u proslosti / NULL Dosije, Beograd Mirkovic, Miroslava 107504 Ancient Rome and the Danube / The Danube- Emperors Inscriptions in Djerdap-Lower Canyon Miroslava Mirkovic, Beograd 108546 Rea Silvia and Seven Roman Kings / Kinship and Power in Early Rome Miroslava Mirkovic, Beograd 105470 Rimska drzava pod kraljevima i u doba Republike / (753-27. pre Hr.) Istorija i institucije Dosije, Beograd 105471 Rimska drzava u doba Principata i Dominata / od Abgusta do Konstantina (27. pre Hr. – 337 n.e.) Dosije, Beograd 104512* Römer an der mittleren Donau / Römische Straßen und Festungen von Singidunum bis Aquae Miroslava Mirkovic, Beograd 104873* Römische Städte und Filozofski Fakultet, Festungen an der Donau / Akten der regionalen Konferenz, Beograd 16.-19. Oktober 2003 Beograd 104952* Sirmium – Istorija rimskog grada od I do kraja VI veka / NULL Filozofski Fakultet, Beograd Mirkovic, Nikola 106733 Izabrane studije i kritike / NULL Srpska Knjizevna Zadruga, Beograd Mirkovic, Zeljka 104248 Recnik masinske tehnike englesko-srpski / Dictionary Orion Art, Beograd Mirkovic, Zivko M. 102166 Istorija opstehriscanske i srpske pravoslavne crkve / NULL Ars Libri, Beograd Mirkovic Seljacki, Milica 107081 Parodije Stanislava Vinavera / NULL Sluzbeni glasnik, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Misailovic, Milenko108740 Komika i etika narodne erotike / Po Vuku Karadzicu i ostalim izvorima Sluzbeni glasnik, Beograd Misic, Vojvoda Zivojin 107007 Moje uspomene / NULL Institut za savremenu istoriju, Beograd Misic, Sasa 107121 Albanija: Prijatelj i protivnik / Jugoslovenska politika prema Albaniji 1924-1927 Sluzbeni glasnik, Beograd Misic, Sinisa 109278 Srbija 1217. / Nastanak kraljevine Evoluta, Beograd 101739* Svetoarhandjelovska hrisovulja / NULL Istorijski institut, Beograd Miskovic, Milic 103014* Ustav Knjazestva Serbije / Sretenjski ustav Sluzbeni glasnik, Beograd Misnic, Veselin 100645 Tresnje boje trule visnje / NULL RAD, Beograd Mitic, Miodrag 102945 Kako nam se dogodio Rambuje / NULL Filip Visnjic, Beograd 100403* Poete u fraku / NULL Filip Visnjic, Beograd Mitic, Srboljub 104173 Licna karta / NULL Zavod za udzbenike i nastavna sredstva, Beograd Mitrovic, Andrej 100337 Klio pred iskusenjima / NULL Cigoja, Beograd 106299 Kultura i istorija / NULL Arhipelag, Beograd 106090 O bozjoj drzavi i zlom spasenju / NULL Arhipelag, Beograd 107489 Prodor na Balkan: Srbija u planovima / Austro- Ugarske i Nemacke: 1908- 1918 Zavod za udzbenike i nastavna sredstva, Beograd 108143 Srbija u Prvom svetskom ratu / NULL Sluzbeni glasnik, Beograd 103374 Strane banke u Srbiji 1878-1914 / NULL Stubovi kulture, Beograd 109181 Ustanicke borbe u Srbiji 1916-1918 / NULL Zavod za udzbenike i nastavna sredstva, Beograd Mitrovic, Bozidar 105876 Kolovenija – najstarija civilizacija / NULL Pesic i sinovi, Beograd Mitrovic, Dragana 108386 Western Balkans: From Integration to Stabilisation / Zbornik Institut za medjunarodnu polit, Beograd Mitrovic, Gordana 104300* Voda – smisao trajanja / Drustvo Water – a Sense of Duration konzervatora Srbije, Beograd Mitrovic, Katarina 107130 Jurisdikcija katolicke crkve u Sremu / NULL Sluzbeni glasnik, Beograd Mitrovic, Ljubisa 105292 Balkan / granica i most medju narodima Zavod za udzbenike i nastavna sredstva, Beograd Mitrovic, Marija 104961 Pregled slovenacke knjizevnosti / NULL Izdavacka Knjizarnica Zorana S, Novi Sad 106069* Svetlost i senke / Kultura Srba u Trstu Clio, Beograd Mitrovic, Mihajlo 107572 Arhitektura Beograda 1950-2012 / NULL Sluzbeni glasnik, Beograd Mitrovic, Mirjana 100155* Sveto stado / NULL Stubovi kulture, Beograd Mitrovic, Momcilo 103211 Domovi i menze studenata Beogradskog univerziteta 1838-1998 / NULL Institut za noviju istoriju Srbije, Beograd 103205 Izgubljene iluzije / Prilozi za drustvenu istoriju Srbije 1944-1952 Institut za noviju istoriju Srbije, Beograd 106018 Muslimanski logor Visoko 1992-1993. / Dnevnik i kazivanja logorasa Institut za noviju istoriju Srbije, Beograd 106016 Srpska nacionalna cast pred zakonom 1945. godine / NULL Institut za noviju istoriju Srbije, Beograd 106664 Tri dokumenta o ibeovcima / NULL Institut za noviju istoriju Srbije, Beograd 106019 Visoko. The Moslem War Camp 1992-1993 / Diary and Testimonies Institut za noviju istoriju Srbije, Beograd Mitrovic, Nemanja 105306 Drug Petar Pan / NULL Narodna Knjiga, Beograd 106528 Luda cara Troglava / NULL Prosveta, Beograd 103359 Nerasvetljeni Svetozarov nestanak / NULL Geopoetika, Beograd 106543 Rim ili mir / NULL Stubovi kulture, Beograd 106989 Romansa sa vevericom / NULL Stubovi kulture, Beograd Mitrovic, Predrag 105051 San urgentne noci / NULL Filip Visnjic, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Mitrovic, Vladimir 106824* Arhitektura XX veka u Vojvodini / Archtecture of the 20th Century Vojvodina Akademska knjiga, Novi Sad Mitrovic, Zivan 104066 Srpske politicke stranke / NULL Politika, Beograd Mladenov, Marin 107283 Belina Beloga / Stilisticko- tropoloski ogledi o prozi R.B. Markovica Albatros Plus, Beograd 103503 Bugarsko-srpski recnik / NULL Zavod za udzbenike i nastavna sredstva, Beograd Mladenovic, Aleksandar 106516 Istorija srpskog jezika / Odabrani radovi Cigoja, Beograd 106376* Iz istorije srpskog jezika / NULL Cigoja, Beograd 108449 Kosovsko-metohijski zbornik 4 / NULL Srpska akademija nauka i umetnosti, Beograd 106378* Povelje i pisma Despota Stefana / NULL Cigoja, Beograd 106379* Povelje kneza Lazara / NULL Cigoja, Beograd 103704 Srpski dijalektoloski zbornik 49 / Rjecnik dubrovackog govora Institut za Srpski Jezik, Beograd 103709 Srpski dijalektoloski zbornik 50 / Govori severne Metohije Institut za Srpski Jezik, Beograd 105005 Srpski dijalektoloski zbornik 51 / NULL Institut za Srpski Jezik, Beograd 105685 Srpski dijalektoloski zbornik 53 / NULL Institut za Srpski Jezik, Beograd 106343 Srpski dijalektoloski zbornik 54 / Zeitschrift Institut za Srpski Jezik, Beograd Mladenovic, Bozica 100955 Dnevnik Koste Milovanovica Pecanca od Izvori za istoriju srpskog naroda u XIX i XX veku Istorijski institut, Beograd 104902 Porodica u Srbiji u Prvom svetskom ratu / NULL Istorijski institut, Beograd 105692 Toplicki ustanak 1917 / NULL Istorijski institut, Beograd Mladenovic, Milan 102656 Decak iz vode / NULL Lom, Beograd Mladenovic, Olivera 100973 Kolo u juznih Slovena / NULL Etnografski Institut, Beograd Mladenovic, Tanasije 102440 Ah, vreme osrednjosti / NULL Prometej, Novi Sad 101377* Izabrana dela Tanasija Mladenovica I-VII / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103674 Sene i opomene / NULL Narodna biblioteka, Smederevo, Smederevo Mladenovic, Zivomir 109196 Laza Kostic: Zivot i knjizevno delo / NULL Cigoja, Beograd 103327* Neobjavljene pesme Vuka Karadzica / NULL Cigoja, Beograd 105903* Srpski realisti / NULL Cigoja, Beograd Mladjenovic, Branko 107999 Bunker Swing / NULL Laguna, Beograd Mojasevic, Miljan 100043* Juznoslovenske teme u Kotinskom listu / Veze nemacko-srpske Vukove i Vukovog doba Srpska akademija nauka i umetnosti, Beograd 108330 Srbi u nemackom mnjenju Vukovog doba / NULL Srpska akademija nauka i umetnosti, Beograd Mojzita, Miroslav 103430 Beograd – Beleske 1995- 2001 / NULL Clio, Beograd Mokranjac, Aleksandra 108733 Grad i hram / NULL Sluzbeni glasnik, Beograd 107036 Opsenarenje / NULL Srpska Knjizevna Zadruga, Beograd Moljkovic, Ilija 106138* Slucaj Student / NULL Sluzbeni glasnik, Beograd Molnar, Aleksandar 101982 Rasprava o demokratskoj ustavnoj drzavi 1-4 / Knj. 1: Pravo na otpor tiraniji Fabrika knjiga, Beograd 101983 Rasprava o demokratskoj ustavnoj drzavi 1-4 / Knj. 2: Klasicne revolucije – Nizozemska- Engleska – Fabrika knjiga, Beograd SAD 101984 Rasprava o demokratskoj ustavnoj drzavi 1-4 / Knj. 3: Moderne revolucije – Francuska – Rusija – Nemacka Fabrika knjiga, Beograd 101985 Rasprava o demokratskoj ustavnoj drzavi 1-4 / Knj. 4: Gradjanska neposlusnost Fabrika knjiga, Beograd 102073 Rasprava o demokratskoj ustavnoj drzavi 1-4 / Sve cetiri knjige zajedno Fabrika knjiga, Beograd 105953 Rasprava o demokratskoj ustavnoj drzavi 5 / Od kulta Votana do holokausta Fabrika knjiga, Beograd Mombauer, Anika 108345 Uzroci Prvog svetskog rata / NULL Clio, Beograd Moravcevic, Nikola 106293 A Brandenburg Concerto / NULL Arhipelag, Beograd Moravcevic, Nikola 105026 Albion, Albion / NULL Stubovi kulture, Beograd Moravcevic, Nikola 106959 Albion, Albion / A Historical Novel Arhipelag, Beograd 106957 Becu na veru / NULL Arhipelag, Beograd 109167 Braca Andjelovici / NULL Arhipelag, Beograd 106689 Brandenburski koncerto / NULL Arhipelag, Beograd 109166 Marko Mrnjavcevic / NULL Arhipelag, Beograd 107302 Poslednji despot / NULL Arhipelag, Beograd 107597 Radicevo zavestanje / NULL Arhipelag, Beograd 104471 Selected Essays / NULL Stubovi kulture, Beograd 109165 Srpske vlastelinke / NULL Arhipelag, Beograd 106687 Svetlost Zapada / Lux Occidentalis Arhipelag, Beograd 106088 Vitez u doba zla / Despot Stefan Visoki Arhipelag, Beograd 106688 Vreme vaskrsa / NULL Arhipelag, Beograd 107978 Zapisi o srpskom carstvu / NULL Arhipelag, Beograd Moravic Balkanski, Vesna 105208 Skola za lisice / NULL Kreativni centar, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Moskovljevic, Milos S. 102125 Recnik savremenog knjizevnog jezika s jezickim savetnikom / NULL Gutenbergova galaksija, Beograd Moskovljevic, Olga 104054 Knjiga na lomaci / NULL Nikola Pasic, Beograd Mrazovic, Pavica 107469 Gramatika srpskog jezika za strance / NULL Izdavacka Knjizarnica Zorana S, Novi Sad Mrdakovic, D. 103676 Smederevo, grad prestonica / Zbornik tekstova Narodna biblioteka, Smederevo, Smederevo Mrdakovic, Dragan 104222 Mons Aureus 1 – 2003 / Casopis za knjizevnost, umetnost i drustvena pitanja Narodna biblioteka, Smederevo, Smederevo 104223 Mons Aureus 1 – 2004 / Casopis za knjizevnost, umetnost i drustvena pitanja Narodna biblioteka, Smederevo, Smederevo 104224 Mons Aureus 2 – 2004 / Narodna biblioteka, Casopis za knjizevnost, umetnost i drustvena pitanja Smederevo, Smederevo 104225 Mons Aureus 5/6 – 2004 / Casopis za knjizevnost, umetnost i kulturu Narodna biblioteka, Smederevo, Smederevo 104226 Mons Aureus 7 – 2005 / Casopis za knjizevnost, umetnost i drustvena pitanja Narodna biblioteka, Smederevo, Smederevo Mrdjenovic, Dusan 101606 Miroslavljevo jevandjelje / Istorijat i komentari Dosije, Beograd Mrgic, Jelena 109186 Leksikon gradova i trgova srednjovekovnih srpskih zemalja: / prema pisanim izvorima Zavod za udzbenike i nastavna sredstva, Beograd 106788 Severna Bosna 13-16. vek / NULL Istorijski institut, Beograd 108411 Zemlja i ljudi: iz istorije zivotne sredine / Zapadnog Balkana Equilibrium, Beograd Mrkalj, Zona 107454 Na casovima srpskog jezika / NULL Zavod za udzbenike i nastavna sredstva, Beograd 107925 Nastavno proucavanje narodnih pripovedaka i predanja / NULL Drustvo za srpski jezik i knjizevnost Srbije, Beograd Mrsevic Radovic, Dragana 106166* Frazeologija i nacionalna kultura / NULL Drustvo za srpski jezik i knjizevnost Srbije, Beograd 109012 Naucni sastanak slavista u vukove dane 45/1 / Lingvisticki pravci prve polovine 20. veka Medjunarodni slavisticki centar, Beograd 109013 Putevima srpskog jezika knjizevnosti i kulture 1 / Skup slavista. Predavanja Medjunarodni slavisticki centar, Beograd 109014 Putevima srpskog jezika knjizevnosti i kulture 2 / Skup slavista. Predavanja Medjunarodni slavisticki centar, Beograd Mrsic, Sinisa 109186 Leksikon gradova i trgova srednjovekovnih srpskih zemalja: / prema pisanim izvorima Zavod za udzbenike i nastavna sredstva, Beograd Mulic, Roman 103749 Istorija srpske revolucije / Svedocanstvo velikih savremenika Filip Visnjic, Beograd Munitic, Ranko 102519 Filmski neprijatelji / NULL Prometej, Novi Sad 102520 Filmski prijatelji / NULL Prometej, Novi Sad Musicki, Lukijan 107076 Moje strune / NULL Sluzbeni glasnik, Beograd 105707 Pesme Lukijana Musickog / NULL Srpska Knjizevna Zadruga, Beograd Musovic, Ejup 100170 Dzamije u Novom Pazaru / NULL Republicki zavod za zastitu spomenika, Beograd 100978 Etnicki procesi i enticka struktura / NULL Etnografski Institut, Beograd 100984 Tutin i okolina / NULL Etnografski Institut, Beograd Musovic, Tafil 108688 Djurdjevdan Mustedanagic, Lidija 102323* Groteskni brevijar Borislava Pekica / NULL Stylos, Novi Sad Mutavdzic, Predrag 107872 Balkan i Balkanologija / Uvod u studije Jugoistocne Evrope

TEATAR Dr Petar Volk POZORIŠNI ŽIVOT U SRBIJI 1944/1986 NA PREDLISTU ISPISANA POSVETA AUTORA tvrd povez veliki format stanje vrlo dobro # Nevesta mora – Elizabet Gilbert Ni dana bez tebe – Džesika Brokmoul Kad se nemoguće desi – Džudi Blum Poslednje zbogom – Džejn Šemilt Stazom greha – Džil Aleksander Esbaum Zeleni smuti za savršen početak dana! – Dž. Dž. Smit Kad svi zaborave – Dženifer Diboa Dame biraju – Trejsi Ševalije Doba suše – Gabriela Babnik Istina u nama – Saša Arango Jedina na svetu – Rouan Kolman Melodija moje duše – Rajan Vinfild Na kraju duge – Kristina Bejker Klajn Noć karnevala – Hana Filding Od suza biseri – Darsi Čan Stvorena za ljubav – Saira Šah U tvojim snovima – Morgan Makarti Zaustavimo nasilje! – Endru Metjuz Zauvek s tobom – Dani Atkins Cvet strasti – Margo Bervin Daleka zvezda – Ana Velozo Istina o ljubavi – Debora Makinli Kurtizanin ljubavnik – Gabrijela Kim Ljubav nađe put – Nik i Kanae Vujičić Ljubavi, pronađi me – Grejem Simson Moje zlato spava – Lijan Morijarti Na vrhovima prstiju – Deana Kameron Nezaustavljiv – Nik Vujičić Prevari me ako smeš – Tes Simons Stihovi u pesku – Sara Šeridan Stranac u noći – Veronika Henri Sunce u njenoj kosi – Džumpa Lahiri Sve boje duge – Ivet Manesis Korporon Živeti slobodno II izdanje – Nik Vujičić Oproštaj za kraljicu – En O’Brajen Plamen dodira – Elena Šapiro Prilika za ples – Deana Kameron Seks i grad – Kendas Bušnel Trenutak sreće – Metju Kvik Devojka koju si voleo – A. 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Mils Mlađa – Pamela Redmond Satran Molitva za kraljicu – En O’Brajen Princ na belom konju – Džud Devero Sva lica izdaje – Harold Robins Crveni sultan – Reha Čamuroglu Led u plamenu – Nora Roberts Calendar girl Januar/Februar – Odri Karlan Calendar girl Jul/Avgust – Odri Karlan Calendar girl Maj/Jun – Odri Karlan Calendar girl Mart/April – Odri Karlan Calendar girl Novembar/Decembar – Odri Karlan Calendar girl Septembar/Oktobar – Odri Karlan Puštam te – Kler Makintoš Divljina – Šeril Strejd Do krajnjih granica – Nina Sadovski Hodnici vremena – Fredrik T. 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Kener Sačuvaj ljubav – Ema Čejs Ne traži me – Ema Čejs Kao nijedna druga – Ema Čejs Knjiga o nama – Lisa Kari Sa tobom je sve moguće – Tom Mičel San – Mark Trevidic Carigradska proročica – Majkl Dejvid Lukas Skini mi zvezde – Karin Lamber Anđeo tame – Sidni Šeldon Careva balerina – Adrijen Šarp Devojka od papira – Gijom Muso Đavo nosi Pradu – Lorin Vajsberger Harun i More priča – Salman Ruždi Knjiga mrtvih duša – Glen Kuper I am Love – Žana Poliakov Kad otkuca ponoć – Eloiza Džejms Kao da smo jedno – Džasinda Vajlder Kćeri princeze Sultane (V) – Džin Sason Molitva moje majke – Nafisa Hadži Krvna veza – Sidni Šeldon Luda ljubav – Aleksandra Poter Moć podsvesti – nova tajna – Džozef Marfi Ništa nije večno – Sidni Šeldon Neverni princ – Nora Roberts Pakleni planovi – Sidni Šeldon Oslobodi me – Dž. Kener Ponoćne uspomene – Sidni Šeldon Sunce iza bedema – Džin Sason Sveti gresi – Nora Roberts Zato što te volim – Gijom Muso Vođa bez titule – Robin Šarma Lovemarks – Žana Poliakov Orijentalista – Tom Rajs Soulfood – Žana Poliakov Vetrenjače bogova – Sidni Šeldon Moj pas – Tanja Lučić Alhemija duše – Barbara de Anđelis Princeza Sultana: Neisplakane suze – Džin Sason Arzenšek, Vladimir, Struktura i pokret, Centar za filozofiju i društvenu teoriju Instituta društvenih nauka, 1984. 2. Badiju, Alen, Pregled metapolitike, “Filip Višnjić”, Institut za filozofiju i društvenu teoriju, 2008. (Biblioteka Fronesis) 3. Bakić- Hayden, Milica,Varijacije na temu “Balkan”, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2006. (Biblioteka Fronesis) 4. Birešev, Ana, Orionov vodič: otkrivanje dominacije u sociologiji Pjera Burdijea, Institut za filozofiju i društvenu teoriju, 2014. (Biblioteka Prudentia) 5. Birešev Ana, Drezgic Rada, Prodanovic Srdjan (prir.) Corruption and social development, Institut za filozofiju i društvenu teoriju, 2013. (Biblioteka Conferentia) 6. Birešev Ana, Pudar Gazela, Bošković Dušan (prir.) Priroda, etika, politika: ekološke (pre)okupacije i (pre)orijentacije, Institut za filozofiju i društvenu teoriju , 2012. (Biblioteka Disput) 7. Blagojević Mirko, Jablanov Maksimović Jelena, Bajović Tijana (prir.) (Post)sekularni obrt: religijske, moralne i društveno-političke vrednosti studenata u Srbiji, Institut za filozofiju društvenu teoriju, Konrad Adenauer Stiftung, 2013. (Biblioteka Disput) 8. Blagojević Mirko, Todorović Dragan (eds.) Orthodoxy from an empirical perspective, Yugoslav Society for the Scientific Study of Religion, Institut za filozofiju i društvenu teoriju, 2011. 9. Blagojević, Mirko, Religija i crkva u transformacijama društva sociološko-istorijska analiza religijske situacije u srpskocrnogorskom i ruskom (post)komunističkom društvu, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2005. (Biblioteka Fronesis) 10. Bojanić Petar, Sibertin-Blanc Guillaume (eds.) De la terreur a l`extreme-violence, Institut za filozofiju i društvenu teoriju, 2014. 11. Bojanić Petar, Babić Jovan, Pudar Gazela (eds.) Europe in the emerging world order: searching for a new paradigm, Institut za filozofiju i društvenu teoriju, 2011. (Biblioteka Conferentia) 12. Bojanić, Petar, Granica, znanje, žrtvovanje, Institut za filozofiju i društvenu teoriju, Albatros plus, 2009. (Biblioteka Fronesis) 13. Bojanić, Petar (prir.) Politike tajne: tajna, tajna služba, služba državne bezbednosti, Institut za filozofiju i društvenu teoriju, Narodna biblioteka Srbije, 2007. 14. Bojanić, Petar, Nasilje, figure suverenosti, Institut za filozofiju i društvenu teoriju, Bojanić Sanja, Ćeriman Jelena, Pavić Zentner Verica (prir.) Rod i obrazovanje, Institut za filozofiju i društvenu teoriju 2014. 17. Bošković, Dušan, Estetika u okruženju: sporovi o marksističkoj estetici i književnoj kritici u srpsko-hrvatskoj periodici od 1944.do 1972. godine, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2003. (Biblioteka Fronesis) 1 18. Čavoški, Kosta, Ustav kao jemstvo slobode: ogledi o ustavu i ustavnosti, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 1995. (Biblioteka Fronesis) 19. Cvetković, Vladimir (prir.) (Re)konstrukcija institucija: godinu dana tranzicije u Srbiji, Institut za filozofiju i društvenu teoriju, 2002. (Biblioteka Disput) 20. Đerić, Gordana, Pr(a)vo lice množine: kolektivno samopoimanje i predstavljanje: mitovi, karakteri, mentalne mape i stereotipi Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2005. (Biblioteka Fronesis) 21. Đerić, Gordana, Prošlost u sadašnjosti: prilozi prenosu sećanja kroz vreme, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2010. (Biblioteka Fronesis) 22. Đerić,Gordana, Intima javnosti: okviri predstavljanja, narativni obrasci, strategije i stereotipi konstruisanja Drugosti u upečatljivim događajima tokom razgradnje bivše Jugoslavije: štampa, TV, film, Institut za filozofiju i društvenu teoriju, Fabrika knjiga, 2008. 23. Dobrijević Aleksandar, Mladenović Ivan, (prir.) Razlozi i noramativnost, Institut za filozofiju i društvenu teoriju, 2013. (Biblioteka Pasaž) 24. Dobrijević, Aleksandar, Ka adekvatnoj moralnoj teoriji: normativna etika Ričarda M. Hera, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2006. (Biblioteka Fronesis) 25. Drezgić Rada, Duhaček Daša,Vasiljević Jelena (prir.) Ekofeminizam: nova politička odgovornost, Institut za filozofiju i društvenu teoriju, 2012. (Biblioteka Disput) 26. Drezgić Rada, Radinković Željko, Krstić Predrag (prir.) Horizont bioetike: moral u doba tehničke reprodukcije života, Institut za filozofiju i društvenu teoriju, 2012. (Biblioteka Disput) 27. Drezgić, Rada, “Bela kuga” među “Srbima”: o naciji, rodu i rađanju na prelazu vekova, Albatros plus, Institut za filozofiju i društvenu teoriju, 2010. (Biblioteka Fronesis) 28. Đurić, Jelena, Antropološka teorija i društvena praksa : na tragu istraživačkog iskustva Zagorke Golubović, Institut za filozofiju i društvenu teoriju, 2014. (Biblioteka Zasluga) Fronesis) 31. Gligorov, Vladimir, Gledišta i sporovi o industrijalizaciji u socijalizmu, Centar za filozofiju i društvenu teoriju Instituta društvenih nauka, 1984. (Biblioteka Disput) 33. Hirsch Alfred, Bojanić Petar, Radinković Željko (prir.) Vertrauen und Transparenz – für ein neues Europa, Institut za filozofiju i društvenu teoriju, 2013. (Biblioteka Conferentia) 34. Imširović, Jelka, Od staljinizma da samoupravnog nacionalizma, Centar za filozofiju i društvenu teoriju Instituta društvenih nauka, 1991. 35. Jakšić, Božidar, Umetnost preživljavanja: gde i kako žive Romi u Srbiji, Institut za filozofiju i društvenu teoriju, 2005. (Biblioteka Disput) 2 36. Jarić, Isidora (prir.) Bolonjska reforma visokog školstva u Srbiji: problemi, dileme, očekivanja i strahovi nastavnog osoblja na beogradskom univerzitetu, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2010. (Biblioteka Fronesis) 37. Jeremić-Molnar, Dragana, Nestajanje uzvišenog i ovladavanje avangardnog u muzici moderne epohe. Knj. 1, Muzički uzvišeno u delima Betovena i Šenberga, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2009. (Biblioteka Fronesis) 38. Jeremić-Molnar, Dragana, Nestajanje uzvišenog i ovladavanje avangardnog u muzici moderne epohe. Knj. 2, Muzički avangardizam u Šenbergovoj dodekafonskoj poetici i Adornovoj kritičkoj estetici, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2009. (Biblioteka Fronesis) 39. Jocković, Miroslav, Veštačka inteligencija, “Filip Višnjić”, Institut za filozofiju i društvenu teoriju, 1994. 40. Jovanov, Rastko, Hegelovo pravo naroda: istoričnost i granice prava, Albatros plus, Institut za filozofiju i društvenu teoriju, 2013. (Biblioteka Fronesis) 41. Jovanović, Đokica, Sunovrat u zajednicu: politička stvarnost jugoslovenskog društva i stil života, Institut za filozofiju i društvenu teoriju, Gradina, 1995. 42. Koštunica, Vojislav, Ugrožena sloboda: političke i pravne rasprave, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2002. (Biblioteka Fronesis) 43. Krstić, Predrag, O čemu govorimo kad govorimo o…psovanju, Institut za filozofiju i društvenu teoriju, 2014. (Biblioteka o čemu govorimo kad govorimo o…) 44. Krstić, Predrag, Kud plovi ovaj brod: teorijske staze Enterprajza, Institut za filozofiju i društvenu teoriju, 2014. (Biblioteka Prudentia) 45. Krstić, Predrag, Filozofska životinja: zoografski nagovor na filozofiju, Službeni glasnik, Institut za filozofiju i društvenu teoriju, 2008. 46. Krstić, Predrag, Postapokaliptika: ničemu više filozofija, kao i dosad, Institut za filozofiju i društvenu teoriju, Albatros plus, 2009. (Biblioteka Fronesis) 47. Krstić, Predrag, Subjekt protiv subjektivnosti: Adorno i filozofija subjekta, , Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2007. (Biblioteka Fronesis) 48. Lay Vladimir (prir.), Društveni pokreti i politički sistem u Poljskoj: (1956-1981), Centar za filozofiju i društvenu teoriju Instituta društvenih nauka, 1985. 49. Milidrag, Predrag, “Poput slika stvari”: temelji Dekartove metafizičke teorije ideja, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2010. (Biblioteka Fronesis) 50. Milidrag, Predrag, Samosvest i moć: Dekartov Bog kao causa sui, Institut za filozofiju i društvenu teoriju, Okean, 2006. 51. Milisavljević Vladimir, Blanc Guillaume Sibertin (eds.) Deleuze et la violance, Institut za filozofiju i društvenu teoriju, EuroPhilosophie, 2012. 52. Milisavljević Vladimir, Mladenović Ivan (prir.) Tomas Hobs – utemeljenje moderne filozofije politike, Institut za filozofiju i društvenu teoriju, Albatros plus, 2012. (Biblioteka Fronesis) 53. Miščević, Nenad, Sva lica filozofije, Institut za filozofiju i društvenu teoriju, 2012. (Biblioteka Zasluga) 54. Mladenović, Ivan, Institucionalna realnost i Pravda, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2010. (Biblioteka Fronesis) 3 55. Mladenović, Ivan, Racionalni izbor i demokratija, Institut za filozofiju i društvenu teoriju, Albatros plus, 2012. (Biblioteka Fronesis) 56. Molnar, Aleksandar, Oproštaj od prosvetiteljske ideje ustavotvorne skupštine?: O rotacionom kretanju revolucije u Srbiji, 2000-2007., Institut za filozofiju i društvenu teoriju, Fabrika knjiga, 2008. 57. Molnar, Aleksandar, Rasprava o demokratskoj ustavnoj državi: 5, Rat Od kulta Votana do holokausta, Institut za filozofiju i društvenu teoriju, Fabrika knjiga, 2006. 58. Molnar, Aleksandar, Rasprava o prosvetiteljstvu, liberalizmu i nacionalizmu u Prusiji. Knj. 1, Igra svetlosti u razumu 18. veka, Službeni glasnik, Institut za filozofiju i društvenu teoriju, 2011. 59. Molnar, Aleksandar, Rasprava o prosvetiteljstvu, liberalizmu i nacionalizmu u Prusiji. Knj. 2, Aporije prosvećenog apsolutizma Fridriha II, Službeni glasnik, Institut za filozofiju i društvenu teoriju, 2011. 60. Naumović, Slobodan, Upotreba tradicije u političkom i javnom životu Srbije na kraju dvadesetog i početkom dvadeset prvog veka, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2009. (Biblioteka Fronesis) 61. Nemanjić Miloš, Spasić Ivana (prir.) Nasleđe Pjera Burdijea: pouke i nadahnuća, Institut za filozofiju i društvenu teoriju, Zavod za proučavanje kulturnog razvitka, 2006. (Biblioteka Disput) 62. Obrenović, Zoran, Srbija i novi poredak, Institut za filozofiju i društvenu teoriju, Gradina, (Beograd, Niš), 1992. 63. Oklobdžija, Mirjana, Revolucija između slobode i diktature, Centar za filozofiju i društvenu teoriju Instituta društvenih nauka, 1986. 64. Petrović-Trifunović Tamara, Bojanić Sanja, Pudar Draško Gazela (eds.) Mind the Gap(s): family, socialization and gender, Institut za filozofiju i društvenu teoriju, 2014. 65. Radinković, Željko, Narativna modifikacija Hajdegerove fenomenologija, Albatros plus, Institut za filozofiju i društvenu teoriju, 2013. (Biblioteka Fronesis) 66. Radojičić, Mirjana (prir.) Svetozar Stojanović: ličnost i delo, Institut za filozofiju i društvenu teoriju, 2015. (Biblioteka Zasluga) 67. Rakić Vojin, Bojanić Petar, Prodanović Srđan (eds.) New perspectives on bioethics, Institut za filozofiju i društvenu teoriju, 2012. (Biblioteka Conferentia) 68. Rakić Vojin, Bojanić Petar, Prodanović Srđan (eds.) The state and state building: theory and practice, Institut za filozofiju i društvenu teoriju, 2012. (Biblioteka Conferentia) 69. Rakić Vojin, Drezgić Rada, Mladenović Ivan (prir.) Bioetika, Službeni glasnik, Institut za filozofiju i društvenu teoriju, 2012. 70. Savić, Mile (prir.) Integracija i tradicija: Integration and tradition, Institut za filozofiju i društvenu teoriju, teoriju, “Filip Višnjić”, 1996. (Biblioteka Fronesis) 72. Sládeček, Michal, Pravila i kontekst upotrebe: teme i tumačenja Vitgenštajnove filozofije, Institut za filozofiju i društvenu teoriju, 2014. (Biblioteka Prudentia) 73. Sládeček, Michal, Politička zajednica: koncepcija političke zajednice u liberalno-komunitarnom sporu, Institut za filozofiju i društvenu teoriju, “Filip Višnjić , 2008. (Biblioteka Fronesis) 4 74. Social and Cultural Capital in Western Balkan Societies, Centre for Empirical Cultural Studies of South-East Europe, Institute for Philosophy and Social Theory, 2012. 75. Spasić Ivana, Subotić Milan (prir.) Revolucija i poredak: o dinamici promena u Srbiji, Institut za filozofiju i društvenu teoriju, 2001. (Biblioteka Disput) 76. Spasić Ivana, Subotić Milan (eds.) Revolution and order: Serbia after october 2000, Institut za filozofiju i društvenu teoriju, 2001. (Biblioteka Disput) 77. Spasić, Ivana, Značenja susreta: Goffmanova sociologija interakcije, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 1996. (Biblioteka Fronesis) 78. Stojanović, Svetozar, Od marksizma do etatizma sa ljudskim licem, Centar za filozofiju i društvenu teoriju Instituta društvenih nauka, 1988. 79. Stojanović, Svetozar, Propast komunizma i razbijanje Jugoslavije, “Filip Višnjić”, Institut za filozofiju i društvenu teoriju, 1995. (Biblioteka Fronesis) 80. Stupar, Milorad, Filozofija politike: antičko i moderno shvatanje političke zajednice, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2010. (Biblioteka Fronesis) 81. Subotić, Milan, Na drugi pogled, Institut za filozofiju i društvenu teoriju, “Filip Višnjić”, 2007. (Biblioteka Fronesis) 82. Subotić, Milan, Sricanje slobode, Institut za filozofiju i društvenu teoriju, Gradina, (Beograd, Niš), 1992. 83. Tadić, Ljubomir, Retorika: uvod u veštinu besedništva “Filip Višnjić”, Institut za filozofiju i društvenu teoriju, 1995 Čovek koji je gledao žene – Mikael Jort & Hans Rosenfelt Bornova dominacija – Robert Ladlam Alibi – Lisa Lac Čovek koji nije bio tamo – Mikael Jort & Hans Rosenfelt Baklja u noći – Saba Tahir Devojka iz Bruklina – Gijom Muso Bio jednom jedan dečak – Kit Stjuart Central park – Gijom Muso Edgar Alan Po i zagonetka iz kutije – Karen Li Strit Dok smo bili živi – Rut Ver Ko je Alisa? – T. R. Ričmond Kraljevska prevara – Stiv Beri Džefersonov ključ – Stiv Beri Kad kažemo zbogom – Dženi Eškroft Miris ljubavi – Kolin Falkoner Na crvenom tepihu – Rouzi Nikson Kratak rez – Sandra Braun Maska za Dimitriosa – Erik Ambler Narukvica uspomena – Vajola Šipman Paklena odaja – Stiv Beri Noć mi te uzima – Donato Karizi Poslednji dani noći – Grejam Mur Obećaj mi zauvek – Džasinda Vajlder Pod budnim okom – Bari Ajzler U drugom životu – Stiven Votson Šta donosi sutra – Sidni Šeldon i Tili Bagšo U zalivu ruža – Debi Makomber Vrt nade – Hulija Navaro Zabludeli sin – Danijela Stil Svet koji je trebalo da imamo – Ejlan Mastaj Zbogom, prošlosti – Debi Makomber Ako sutra ne postoji – Gijom Muso Mavrov poslednji uzdah – Salman Ruždi U opasnim godinama – Keli Kiloren Bensajmon Zaustavi vreme za nas – Keti Kan Dečak od stakla – Donato Karizi Devojka koja je pobedila ISIS – Farida Abas i Andrea Hofman Draguljareva kći – Refik Halid Karaj Epitaf za špijuna – Erik Ambler Haremske suze – Roberta Rič Iluzionista – Alis La Plant Nebo pada – Sidni Šeldon Očajne vojvotkinje – Eloiza Džejms Oluja strasti – Amanda Kvik Pesak vremena – Sidni Šeldon Poljubac iz Pariza – Aleksandra Poter Posle tebe – Džodžo Mojes Pripadaš meni – Džasinda Vajlder Sutra i zauvek – Nora Roberts Sutra je novi dan – Sidni Šeldon i Tili Bagšo U pravom trenutku – Lusi Robinson Ema – Džejn Ostin Ne oklevaj ni tren – Džodžo Mojes Orkanski visovi – Emili Bronte Spoznajte svoju sudbinu – Robin Šarma Treća alternativa – Stiven Kavi U jednom trenu – Gijom Muso Vladar iz senke – Donato Karizi Zamka za snove – Stiven King Kristalni vrtovi – Amanda Kvik Smrt bez imena – Santjago Nazarijan Pod tuđim uticajem – Džejn Ostin Biblioteka mrtvih – Glen Kuper Dragulj Indije – Talasa Ali Druga strana ponoći – Sidni Šeldon Gnev Anđela – Sidni Šeldon Gordost i predrasuda – Džejn Ostin Gospodar igre – Sidni Šeldon Kako bih bez tebe – Gijom Muso Kći pustinje – Talasa Ali Lovac na duše – Donato Karizi Ostani kraj mene – Gijom Muso Posle tame – Sidni Šeldon Potraga – Nora Roberts Prosjak pred vratima – Talasa Ali Razum i osećajnost – Džejn Ostin Samo budi ovde – Gijom Muso Šaptač – Donato Karizi Sedam godina kasnije – Gijom Muso Vrati mi se – Gijom Muso Zavet ljubavi – Amanda Kvik Zov anđela – Gijom Muso Dvanaesti uvid – Džejms Redfild Jedanaesti uvid – Džejms Redfild Mostovi okruga Medison – Robert Džejms Voler Pričaj mi o ljubavi TP – Eliza Valmorbida Staljinova ljubavnica – Marek Halter Dok nisam srela tebe – Džodžo Mojes Korisnici, teme istraivanja i korieni fondovi 19992003, knj. 3, priredio Dimitrije Spasojevi, Beograd, 2008. , , 1945, , 2008. , , , 2010.Tito misao, re i delo, autor ivojin B. 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Srndovi, Suzana, Katalog tampane grae u fondovima i zbirkama Arhiva Jugoslavije, knj. 1, Beograd, 1999. , , , , , , Caj na Zamaleku / NULL Miljkovic, Boris Geopoetika, Beograd 106786 Cajevi Marsa / Noci / NULL Pistalo, Vladimir Agora, Zrenjanin 101924* Camera obscura / NULL Milasinovic, Goran Stubovi kulture, Beograd 104518 Camil Sijaric kao pripovjedac / NULL Kovac, Nikola Zavod za udzbenike i nastavna sredstva, Beograd 103907 Canon of insolation and the ice-age problem / NULL Milankovic, Milutin Zavod za udzbenike i nastavna sredstva, Beograd 103588 Car Uros / NULL Stevanovic, Miladin Knjiga Komerc, Beograd 107750 Cardak ni na nebu ni na zemlji / Dela Stanislava Vinavera, Knj. 3 Vinaver, Stanislav Sluzbeni glasnik, Beograd 106041 Carigrad / Price sa Bosfora Radic, RadivojEvoluta, Beograd 104397 Carigradski drum / NULL Ilic, Nenad Plato, Beograd 102950* Carigradski patrijarsi i carevi makedonske dinastije / NULL Stankovic, Vlada Vizantoloski institut, Beograd 105711 Carobna suma / NULL Copic, Branko Srpska Knjizevna Zadruga, Beograd 104986 Carobnjak. Zivot i vreme Nikole Tesle / Biografija jednog genija Sajfer, Mark Dz. Stylos, Novi Sad 108941 Carolija / NULL Bazdulj, Muharem Bulevar, Novi Sad 103329 Carski mauzoleji i konsekrativni spomenici u Felix Romuliani / Imperial Mausolea and Consecration Memorials in F. Romuliana Srejovic, Dragoslav Vasic, Cedomir Srpska akademija nauka i umetnosti, Beograd 101885 Carski rez / i druge price Pavic, Milorad Dereta, Beograd 100378 Carstvo bozje na zemlji / NULL Milosevic, Nikola Filip Visnjic, Beograd 107416 Carstvo granicnog / NULL Milnovic, Vasilije Sluzbeni glasnik, Beograd 107632 Cas anatomije / NULL Kis, Danilo Arhipelag, Beograd 103727 Cas anatomije / Sabrana dela I-XV Kis, Danilo Prosveta, Beograd 100563* Cas Lobotomije / NULL Jovanov, Svetislav Clio, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 106869 Cas opisa casopisa IV / Srpska saljiva periodika Rosulj, Zarko Institut za knjizevnost i umetnost, Beograd 107942 Cas opisa casopisa VI / Zanrovi u srpskoj saljivoj periodoco Rosulj, Zarko Institut za knjizevnost i umetnost, Beograd 103584 Casablanca / Prolecna ljubavna prica Bjelica, IsidoraKnjiga Komerc, Beograd 104999 Casna dokolica / Trifunovic, Stylos, Novi Sad Izabrane pesme Dusko Zubac, Pero 107437 Casopis javnost – 1980 / NULL Cosic Vukic, Ana Sluzbeni glasnik, Beograd 106872 Casopis Nova Evropa: 1920-1941 / Istorijat srpske knjizevne periodike Matovic, Vesna Nedic, Marko Institut za knjizevnost i umetnost, Beograd 108959 Casopis ruski arhiv (1928-1937) i kultura ruske emigracije / u Kraljevini SHS Barac, Stanislava Matovic, Vesna Institut za knjizevnost i umetnost, Beograd 107323 Casovi radosti / NULL Matijevic, Vladan Agora, Zrenjanin 107913 Ceger pun ljubavi / NULL Maticki, Miodrag Cigoja, Beograd 107649 Cekajuci kapitalizam / Nastanak novih klasnih odnosa u Srbiji Lazic, Mladen Sluzbeni glasnik, Beograd 104710 Cekajuci Spasovdan / NULL Crkvenjakov, Aleksandar Zarko Albulj, Beograd 104831 Cekic tautologije: / pregled novih vrsta tehnicke inteligencije u poeziji SFRJ Bozovic, Gojko Despotov, Vojislav Gradska narodna biblioteka Z. Zrenjanin, Zrenjanin 104910 Cele kula i Cegar / NULL Petrovic, Vesna Subotic, Vojislav Republicki zavod za zastitu spomenika, Beograd 108178 Celokupna dela Desanke Maksimovic 1-10 / NULL Maksimovic, Desanka Sluzbeni glasnik, Beograd 101383* Celokupna dela Svetozara Markovica I- XVII / NULL Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 105397 Celokupna dela Svetozara Markovica, Knj. 1-3, 9-10 / NULL Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104018 Celokupna dela Svetozara Markovica, Knj. 11 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104019 Celokupna dela Svetozara Markovica, Knj. 12 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104020 Celokupna dela Svetozara Markovica, Knj. 13 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104021 Celokupna dela Svetozara Markovica, Knj. 14 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 104022 Celokupna dela Svetozara Markovica, Knj. 15 / Evropski izvori o Svetozaru Markovicu Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104023 Celokupna dela Svetozara Markovica, Knj. 16 / Savremenici i saradnici o Svetozaru Markovicu Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104024 Celokupna dela Svetozara Markovica, Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Knj. 17 / Bibliografija Beograd 104013 Celokupna dela Svetozara Markovica, Knj. 4 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104014 Celokupna dela Svetozara Markovica, Knj. 5 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104015 Celokupna dela Svetozara Markovica, Knj. 6 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104016 Celokupna dela Svetozara Markovica, Knj. 7 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 104017 Celokupna dela Svetozara Markovica, Knj. 8 / Srbija na Istoku (Novosadska faza) Markovic, Svetozar Zavod za udzbenike i nastavna sredstva, Beograd 105398 Celokupna dela Svetozata Markovica, Knj 17 / NULL Lukic, Radomir Zavod za udzbenike i nastavna sredstva, Beograd 107862 Central Balkans between Greek and Celtic World / Kale – Krsevica 2001- 2011 Cvjeticanin, Tatjana Narodni muzej, Beograd 109099 Centri srpske kulture XVIII veka / Kijev – Budim – Venecija Fin, Monika Koprivsek, Kristina Akademska knjiga, Novi Sad 106771 Cerka / NULL Albahari, David Stubovi kulture, Beograd 103424 Cesko-srpske arhitektonske veze 1918- 1941 / NULL Damljanovic, T. Republicki zavod za zastitu spomenika, Beograd 103498 Cesko-srpski recnik 1-2 / NULL Djukanovic, Vlado Kacnik, Emilija Mirkovic, Dragutin Zavod za udzbenike i nastavna sredstva, Beograd 109050 Cestoskok / Antologija bezobraznih narodnik prica Zlatkovic, Ivan Laguna, Beograd 105168 Cetiri intervjua: intervjui predsednika republike Srbije / i predsednika Demokratske stranke Borisa Tadica Filimonovic, Milica Nova Evropa, Beograd 100072* Cetiri male zene / NULL Jokic-Kaspar, Ljiljana Stubovi kulture, Beograd 106826 Cetiri price do kraja / NULL Zivkovic, Zoran Admiral Books, Beograd 107998 Cetiri slike srpske apokalipse / NULL Arandjelovic, Goran Laguna, Beograd 105766 Cetrdeset dve izabrane pesme / NULL Radovic, Borislav RAD, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 100456 Cetres cuda / NULL Jovetic, Rastko Narodna Knjiga, Beograd 108432 Cetrnaesti vojvoda i devet baba / NULL Antic, CedomirEvoluta, Beograd 107975 Cetvrtasto mesto / NULL Tesin, Srdjan V. Arhipelag, Beograd 107777 Ceznje / NULL Spiridonovic Savic, Jela Sluzbeni glasnik, Beograd 108390 Chellenges of the 21th Century and the Region / Zbornik Dimitrijevic, Dusko Ladjevac, Ivona Institut za medjunarodnu polit, Beograd 100815* Chilandar / NULL Petkovic, Sreten Republicki zavod za zastitu spomenika, Beograd 100055* Chilandar monastery / NULL Subotic, GojkoSrpska akademija nauka i umetnosti, Beograd 100582 Cigansko groblje / NULL Pavlovic, Zivojin RAD, Beograd 107326 Cilibar, med, oskorusa / NULL Demic, Mirko Agora, Zrenjanin 106934 Cim prezivim ovaj roman / NULL Djurdjevic, Mirjana Agora, Zrenjanin 103363 Cink / NULL Albahari, David Stubovi kulture, Beograd 107808 Cirkus Drainac / Cirkus zivota u kome sam vratolimije izvodio Jesic, Nedeljko Sluzbeni glasnik, Beograd 103969 Cirkus Drainac / Sabrana dela, Tom 9 Drainac, Rade Zavod za udzbenike i nastavna sredstva, Beograd 107566 Citadela / NULL Bjelogrlic, Aleksandar Agora, Zrenjanin 104490 Citajuci Vasu knjigu / NULL Jovanovic Djordjevic, Dejana Mali Nemo, Pancevo 109245 Citanja i pitanja / NULL Klajn, Ivan Dosije, Beograd 105410 Citanja neizvesnosti / Ogledi iz komparatistike Popov, Jovan Svetovi, Novi Sad 106804 Citanje Dostojevskog / Samoubistvo Kabic, Danilo Akademska knjiga, Novi Sad 107073 Citanje gradova / NULL Vuckovic, Radovan Sluzbeni glasnik, Beograd 107444 Citanje prorocanstva / Izreceno i proreceno Demic, Mirko Jovanovic, Bojan Sluzbeni glasnik, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 106533 Citanje savremene proze / NULL Milasinovic, Svetlana Mali Nemo, Pancevo 105020 Citanje slika / NULL Simovic, Ljubomir Stubovi kulture, Beograd 101931 Citanje vode / srpske price o ribolovu Pantic, MihajloStubovi kulture, Beograd 107813 Civot bezumlja / NULL Kostic Selem, Milica Stefanovic, Mirjana D. Sluzbeni glasnik, Beograd 108593 Cizmasi / NULL Mihailovic, Dragoslav Laguna, Beograd 103873 Clanci / Izabrana dela, Knj. 2 Tesla, Nikola Zavod za udzbenike i nastavna sredstva, Beograd 103887 Clanci / Izabrana dela, Knj. 6 Pupin, Mihajlo Zavod za udzbenike i nastavna sredstva, Beograd 104138 Clanci – studije / Sabrana dela, Knj. 10 Petrovic Alas, Mihailo Zavod za udzbenike i nastavna sredstva, Beograd 103905 Clanci, govori, prepiska / Izabrana dela, Tom 6 Milankovic, Milutin Zavod za udzbenike i nastavna sredstva, Beograd 103879 Colorado Springs notes / NULL Tesla, Nikola Zavod za udzbenike i nastavna sredstva, Beograd 108084 Compehensive Dictionary of Law English-Serbian / Veliki pravni recnik englesko- srpski Vukicevic, Branko D. P. Autor, Beograd 105938* Condition of the Cultural and National Heritage in the / Balkan Region, Vol 1 (Conference in Kladovo 23-27 Oct. 2006) Popovic Zivancevic, Mila Narodni muzej, Beograd 107723 Constantine the Great and Edict of Milan 313 / NULL Boric Breskovic, Bojana Popovic, Ivana Narodni muzej, Beograd 106911 Constantine ́s Crossing / NULL Stojiljkovic, Dejan Geopoetika, Beograd 106344 Consul u Beogradu / NULL Cosic, Bora Prosveta, Beograd 108136 Conversation With Goya / Bridges / Signs by the Roadside Andric, Ivo Dereta, Beograd 105706 Corava strana / NULL Markovic, Radovan Beli Srpska Knjizevna Zadruga, Beograd 104905* Corpus vasorum antiquorum / NULL Popovic, Ljubisa Narodni muzej, Beograd 102159 Covek i njegov identitet / NULL Jerotic, Vladeta Ars Libri, Beograd 103083 Covek i voda / NULL Grupa, Autora Etnografski muzej, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 103209 Covek ideja i akcije / NULL Piljevic, Djordje O. Institut za noviju istoriju Srbije, Beograd 106540 Covek iz kuce na bregu / NULL Adasevic, Borivoje Stubovi kulture, Beograd 100074 Covek koga je trebalo ubiti / Politicki krimic sa epilogom Petrovic, Nenad Stubovi kulture, Beograd 100793 Covek koji je ziveo u snovima / NULL Petkovic, Radoslav Stubovi kulture, Beograd 105030 Covek od pepela / NULL Ivanji, Ivan Stubovi kulture, Beograd 107337 Covek u zargonu: Semanticko-derivaciona analiza / zargonizama sa arhisemom covek Knezevic, Zorica Alma, Beograd 109079 Covjek koga su voljeli andjeli / NULL Ognjenovic, Vujica Agora, Zrenjanin 104708 Crkolez – crtezi fresaka / NULL Petrovic, RadeRepublicki zavod za zastitu spomenika, Beograd 108087 Crkva brvnara u Selevcu / NULL Cunjak, Mladjan Regionalni zavod za zastitu spomenika, Smederevo, Smederevo 103426 Crkva pokrova presvete Bogorodice / NULL Prodanovic Rankovic, I. Republicki zavod za zastitu spomenika, Beograd 104232 Crkva Sv. Georgija u Smederevu / NULL Cunjak, Mladjan Muzej u Smederevu, Smederevo, Smederevo 106094* Crkva svetog Jovana Pretece u Crkolezu / NULL Rakic, Zoran Republicki zavod za zastitu spomenika, Beograd 108618 Crkva Svetog Nikole u Nikoljcu / NULL Pejic, Svetlana Republicki zavod za zastitu spomenika, Beograd 104187* Crkva svetog Nikole u Stanicenju / The Church Popovic, Marko Arheoloski institut, Beograd of St. Nicholas in Stanicenje 108079 Crkva Vavedenja Bogorodice u Lipljanu / NULL Davidov Temerinski, Aleksandra Republicki zavod za zastitu spomenika, Beograd 105438 Crkve i manastiri SCG / NULL Verlag, MerkurMerkur-SV, Beograd 103578 Crkvena organizacija u srpskim zemljama / (Rani srednji vek) Zivkovic, TiborZavod za udzbenike i nastavna sredstva, Beograd 108976 Crna Gora i Moravica / Srbija: naselja, poreklo stanovnistva, obicaji. Knj. 29 Celikovic, Borisav Cvijic, Jovan Sluzbeni glasnik, Beograd 106281 Crna Gora i Rusija u vrijeme aneksione krize 1908-1909 / NULL Radusinovic, Milorad Svet knjige, Beograd 102369 Crna Gora i srpsko pitanje / NULL Komatina, Milija Zavet, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 106072 Crna Gora ocima Evrope 1796-1918 / NULL Marjanovic, Momir Prosveta, Beograd 105505 Crna Gora od XVIII veka do 1913. godine / istorijska karta Verlag, Geokarta Geokarta, Beograd 104062 Crna Gora pre i posle ujedinjenja / NULL Djonovic, Nikola Politika, Beograd 101551* Crna Knjiga / NULL Corovic, Vladimir Dosije, Beograd 108476 Crna knjiga: Cenzura u Srbiji 1945-2015 / NULL Lopusina, Marko Prometej, Novi Sad 107298 Crna kutija / NULL Bajac, Vladislav Arhipelag, Beograd 101877 Crna macka u levom tunelu / NULL Lukic, Dragan Interpres, Beograd 107670 Crna Reka / Srbija: naselja, poreklo stanovnistva, 0bicaji. Knj. 22 Celikovic, Borisav Cvijic, Jovan Sluzbeni glasnik, Beograd 108114 Crna ruka / Licnosti i dogadjaji u Srbijji od prevrata 1903. do Solun Kazimirovic, Vasa Prometej, Novi Sad 106529 Crnac u beloj kosulji / NULL Pavkovic, Vasa Prosveta, Beograd 105469 Crnci u Firenci / NULL Rudan, Vedrana Rende, Beograd 104455 Crne cipele / NULL Oltvanji, Oto B92, Beograd 105952 Crne curke / Druga knjiga crnih curaka / NULL Zuric, Vule Fabrika knjiga, Beograd 100075* Crni dani Rake Drainca / Srbija na jugu ili kako se pravi istorija Ivanovic, Ivan Stubovi kulture, Beograd 104084* Crnjanski – prolegomena za patografiju / NULL Berber, Stojan Zaduzbina Andrejevic, Beograd 101690* Crnjanski i Ducic izmedju dva sveta / NULL Popovic, Milenko Draganic, Beograd 100365 Crnjanski i mefistofel / o skrivenoj figuri Romana o Londonu Lompar, Milo Nolit, Beograd 107399 Crnjanski, megalopolis / NULL Vladusic, Slobodan Sluzbeni glasnik, Beograd 102132 Crno sunce / NULL Begenisic, Milivoje Gutenbergova galaksija, Beograd 105749 Crno telo / NULL Barna, Laura Dereta, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 107067 Crno u koloru / Crni humor u srpskom filmu Matijevic, Vladan Sluzbeni glasnik, Beograd Vucinic, Srdjan 105475 Crnogorsko primorje / turisticka karta Verlag, Geokarta Geokarta, Beograd 100766 Crnogorsko srpstvo zbiljskih Srba / NULL Kovijanic, Dragutin Novinsko-izdavacki centar vojska, Beograd 105331 Crta za sabiranje / NULL Nikolic, Danilo Narodna Knjiga, Beograd 106542 Crtez na dlanu / NULL Dugalic, Ljiljana Stubovi kulture, Beograd 100076* Crvena marama, sva od svile / NULL Prodanovic, Mileta Stubovi kulture, Beograd 103408 Crvene price / NULL Zivkovic, MilosCigoja, Beograd 104809 Crvene vestice / NULL Tirnanic, Bogdan Narodna Knjiga, Beograd 100638 Crveni krug / NULL Atanasijevic, Sonja RAD, Beograd 102322 Crveni petao leti prema nebu / NULL Bulatovic, Miodrag Stylos, Novi Sad 106045 Crveni petao leti prema nebu / NULL Bulatovic, Miodrag Zavod za udzbenike i nastavna sredstva, Beograd 102943 Crveni Pjero i druge novele / NULL Krakov, Stanislav Filip Visnjic, Beograd 108699 Crveni presek / NULL Barna, Laura Sluzbeni glasnik, Beograd 109159 Crveni tepih / NULL Dangubic, Ratko Arhipelag, Beograd 102765 Crveno i belo / (srpsko- keltske paralele) Kuic, Ranka Glas srpski, Banja Luka 104237 Crveno i plavo / NULL Mihailovic, Dragoslav NIN, Beograd 101411* Cubrilovici 1914. i kasnije / NULL Ekmecic, Milorad Balkanoloski institut, Beograd 103787 Cudesna hronika noci / NULL Karadzic, Radovan Igam, Beograd 102516 Cudi naseg filma / NULL Colic, Milutin Prometej, Novi Sad 104426 Cudne stvari / NULL Petkovic, Sreten RAD, Beograd Porudž.-Br. Naslov (/ Podnaslov) Autor(i) Izdavač, Mesto 107859 Cudo jezika / Razgovori sa lingvistima Jevtic, Milos Sluzbeni glasnik, Beograd 102695* Cultural heritage of Kosovo and Metohija / NULL Milic, Mileta Republicki zavod za zastitu spomenika, Beograd 108443 Cup komitskog vojvode / NULL Savic, Milisav Dereta, Beograd 104488 Cuprija nad svetom / Leskovac Radovic, Dragan Mali Nemo, Pancevo 109077 Cutanja iz gore / NULL Demic, Mirko Agora, Zrenjanin 100245 Cuvar adrese / NULL Kapor, Momo Knjiga Komerc, Beograd 108937 Cuvar vatre / NULL Manojlovic, Dejan Laguna, Beograd 100816 Cuvari bastine 1947-1997 / NULL Milic, Mileta Republicki zavod za zastitu spomenika, Beograd 104690 Cuvari bengalske vatre / Zivot i smrt u srpskom postkomunizmu 2 Pancic, Teofil XX vek, Beograd 101994 Cuvari kazacke ivice / NULL Arsic, Ljubica B92, Beograd 108435 Cuvari svetinje / NULL Djurdjevic, Mirjana Evoluta, Beograd 108181 Cuvari tradicije / Razgovori sa istrazivacima i tumacima proslosti Jevtic, Milos Sluzbeni glasnik, Beograd 107271 Cvarcic / NULL Savic, Milisav Ariadna, Beograd 106708 Cvat lipe na Balkanu / NULL Kuic, Gordana Alnari, Beograd 102313 Cvetnik / NULL Velimirovic, Vladika Nikolaj Evro, Beograd 105577 Cvetovi i gusari / NULL Tartalja, GvidoBookland, Beograd 104497 Cvetovi sna / NULL Veljkovic, Sasa Mali Nemo, Pancevo Macini, Djuzepe 105161 Slovenska pisma / NULL Platoneum, Novi Sad Macura, Milos 100010* Bitoljsko-prilepska kotlina / Antropogeografska proucavanja Srpska akademija nauka i umetnosti, Beograd 101737* Drustvene nauke o Srbima u Madjarskoj / Zbornik radova sa okruglog stola odrzanog 6-8 dec. 1998 Srpska akademija nauka i umetnosti, Beograd 103010 Naselja i stanovnistvo oblasti Brankovica 1455.godine / NULL Sluzbeni glasnik, Beograd Madzar, Ljubomir 100436 Politicki uzroci siromastva / NULL Izdavacka Knjizarnica Zorana S, Novi Sad Madzarevic, Gradimir 105458* Mediala / NULL Sluzbeni glasnik, Beograd 106043 Sejka / NULL Sluzbeni glasnik, Beograd Magarasevic, Mirko 109057 Antologija srpske erotske poezije / NULL Akademska knjiga, Novi Sad 107229 Evropski pesnici / NULL Akademska knjiga, Novi Sad 109096 I nova turska pisma / Putopisi Akademska knjiga, Novi Sad 107088 Jovan Hristic, izbliza / Portret knjizevnog prijatelja Sluzbeni glasnik, Beograd 108245 Srpska kriticka poezija / NULL Akademska knjiga, Novi Sad 108251 Tragom Crnjanskog / NULL Akademska knjiga, Novi Sad Magazinovic, Maga100564* Moj zivot / NULL Clio, Beograd Mahmutcehajic, Rusmir 108613 Andricevstvo / Protiv etike sjecanja Clio, Beograd Majdanac, Boro 108307 Pozoriste u okupiranoj Srbiji / NULL Altera, Beograd Majenova, Marija Renata 106609 Teorijska poetika / NULL Sluzbeni glasnik, Beograd Majer, Stiven 107626 Sacuvati mir u Bosni: Mitovi, izazovi, sanse / Zbornik Cigoja, Beograd Mak, Dejan 104558 Pariska menazerija / NULLKnjizevna opstina Vrsac, Vrsac Makgauan, Kris 106918 Paleontologija / NULL Kreativni centar, Beograd Mako, Vladimir 107201* The Art of Harmony: Principles of / of Measuring and Proportioning in Byzantine Wall Painting Orion Art, Beograd Maksimovic, Desanka 108178 Celokupna dela Desanke Maksimovic 1-10 / NULL Sluzbeni glasnik, Beograd 101668 Izabrane pesme Desanke Maksimovic / NULL Draganic, Beograd 101977 Nebeski razboj / NULL Interpres, Beograd 107314 Pesme / NULL Srpska Knjizevna Zadruga, Beograd 101617* Sabrane pesme Desanke Maksimovic 1-8 / NULL Draganic, Beograd 104664 Vilina kci / NULL Bookland, Beograd Maksimovic, Goran 105789* Iskustvo i dozivljaj / NULL Filip Visnjic, Beograd 104363 Nikad nije vito tvoje telo / antologija ljubavne lirike srpskog romantizma Srpska Knjizevna Zadruga, Beograd 103634 Roman bez romana / NULL Knjizevna opstina Vrsac, Vrsac 104531 Sabrane komedije Branislava Nusica / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103636 Zalostna pozorja, Knjiga prva / Nevinost. Smrt Stefana Decanskog i dr. Knjizevna opstina Vrsac, Vrsac Maksimovic, Jovan105056 Muski kuvar / NULL Dereta, Beograd Maksimovic, Ljubomir 102587* Grad u Vizantiji / Ogledi o drustvu poznovizantijskog doba Plato, Beograd 107835 Ogledi o politickoj moci u Vizantiji / NULL Srpska Knjizevna Zadruga, Beograd 103705* Srpski nomici / Nomiks in Medieval Serbia Vizantoloski institut, Beograd 100863* Treca jugoslovenska konferencija vizantologa / Krusevac, 10-13 maj, 2000 Vizantoloski institut, Beograd 100182* Uspon vojnog plemstva u Vizantiji XI veka / NULL Vizantoloski institut, Beograd 105673* Vizantijski izvori za isrtoriju naroda Jugoslavije III / NULL Vizantoloski institut, Beograd 105671* Vizantijski izvori za istoriju naroda Jugoslavije I / NULL Vizantoloski institut, Beograd 105672* Vizantijski izvori za istoriju naroda Jugoslavije II / NULL Vizantoloski institut, Beograd 105674* Vizantijski izvori za istoriju naroda Jugoslavije IV / NULL Vizantoloski institut, Beograd 106668* Vizantijski svet i Srbi / NULL Istorijski institut, Beograd 107873 Vizantijski svet na Balkanu / Byzantine World in the Balkans Vizantoloski institut, Beograd 100183* Zbornik radova vizantoloskog instituta 38 / NULL Vizantoloski institut, Beograd 102949* Zbornik radova vizantoloskog instituta 39 / NULL Vizantoloski institut, Beograd 106099* Zbornik radova vizantoloskog instituta 40 / NULL Vizantoloski institut, Beograd 103783* Zbornik radova vizantoloskog instituta 41 / NULL Vizantoloski institut, Beograd 104511* Zbornik radova vizantoloskog instituta 42 / NULL Vizantoloski institut, Beograd 104948* Zbornik radova vizantoloskog instituta 43 / NULL Vizantoloski institut, Beograd 105939* Zbornik radova vizantoloskog instituta Vizantoloski institut, Beograd 44,1-2 / NULL 106286* Zbornik radova Vizantoloskog instituta 45 / NULL Vizantoloski institut, Beograd 106849 Zbornik radova vizantoloskog instituta 46 / NULL Vizantoloski institut, Beograd 108872 zbornik radova vizantoloskog instituta 49 (2012) / NULL Vizantoloski institut, Beograd 108877 zbornik radova vizantoloskog instituta 51 (2014) / NULL Vizantoloski institut, Beograd 108879 zbornik radova vizantoloskog instituta 52 (2015) / NULL Vizantoloski institut, Beograd 108871 Zbornik radova vizantoloskog instituta 53 (2016) / NULL Sluzbeni glasnik, Beograd Maksimovic, Mihailo 106622 Mali bukvar za veliku decu / NULL Sluzbeni glasnik, Beograd Maksimovic, Miroslav 104575* Bas svasta / Sabrani spisi Zavod za udzbenike i nastavna sredstva, Beograd 107070 Poezija, trziste, drzava / NULL Sluzbeni glasnik, Beograd Maksimovic, Vladimir 109282 Zakovana vrata / Srbi i balkanski muslimani Ukronija, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Maksimovic, Vojislav 108831 Bosna i Hercegovina u Prvom svjetskom ratu / Corovicevi susreti 2014 Filip Visnjic, Beograd Makuljevic, Nenad 105354* Privatni zivot kod Srba u devetnaestom veku / NULL Clio, Beograd 105593* Umetnost i nacionalna ideja u XIX veku / NULL Zavod za udzbenike i nastavna sredstva, Beograd Malavrazic, Djordje106215 Sezdeset osma – licne istorije: 80 svedocenja / NULL Sluzbeni glasnik, Beograd Maldini, Slobodan 107644 Leksikon arhitekture i umetnickog zanatstva / NULL Sluzbeni glasnik, Beograd Maldzijeva, Vjara 106850 Juznoslovenski jezici: gramaticke strukture i funkcije / NULL Beogradska knjiga, Beograd Male, Alber 100562* Dnevnik sa srpskog dvora 1892 – 1894 / NULL Clio, Beograd Malesevic, Miroslava 106121 Zensko – etnografski aspekti drustvenog polozaja zene u Srbi / NULL Srpski genealoski centar, Beograd Malesevic, Sinisa 104274 Ideologija, legitimnost i nova drzava / NULL Fabrika knjiga, Beograd Malisic, Vesna 104092 Zoran Djindjic – san o Srbiji / NULL Cigoja, Beograd Malovic, Nikola 108015 Jedro nade / NULL Laguna, Beograd 106442 Lutajuci Bokelj / NULL Laguna, Beograd Mamula, Milanka 108576 Rijaliti roman / Jednogodisnja SMS biografija 16.X 2008 – 16. X 2009 Narodna Knjiga, Beograd Mancic, 106874 Prevod i kritika / NULL Institut za Aleksandra knjizevnost i umetnost, Beograd 107390 Uvod u fantasticnu knjizevnost / NULL Sluzbeni glasnik, Beograd Mancic Milic, Aleksandra 102058 Preverzije / Ogledi o spanskim prevodima iz srpske knjizevnosti RAD, Beograd Mandic, Bozidar 108697 Pertle / NULL Sluzbeni glasnik, Beograd Mandic, Igor 104238 Izmedju dv(ij)e vatre 1996- 1999 / NULL NIN, Beograd 107397 Kaj ste pisali, bre? / Sta ste napisali, bre? Sluzbeni glasnik, Beograd 108812 Oklop od papira / Autobiografski saldokonti 1966-2013 V.B.Z., Beograd 104681 Za nasu stvar / Agonija postkomunitma u Hrvatskoj 1990-1999 XX vek, Beograd Mandic, Slobodan 106255 Nekrsteni dani / NULL Filip Visnjic, Beograd 109082 Ocev novi mandat / NULL Agora, Zrenjanin Mandic, Svetislav 104435 Kad mlidijah ziveti / NULL Srpska knjiga, Ruma Mandic, Velimir 107952 Sarajevo 1914. – svedocenja / Bosna u lancima / Od Terezina do Sarajeva Prosveta, Beograd Mandic Rigonat, Tatjana 102657 Iz zivota ptica / NULL Lom, Beograd Manevic, Zoran 106185 Leksikon Neimara / NULL Gradjevinska knjiga, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Manojlovic, Dejan 108937 Cuvar vatre / NULL Laguna, Beograd Manojlovic, Miroljub 104199 Branicevski almanah / NULL Narodni muzej, Pozarevac, Pozarevac 104200 Pozarevac od turske kasabe do srpske varosi 1804-1858 / NULL Narodni muzej, Pozarevac, Pozarevac 104206 Viminacium 12 / Zbornik radova Narodnog muzeja u Pozarevcu Narodni muzej, Pozarevac, Pozarevac 104207 Viminacium 13/14 / Zbornik radova Narodnog muzeja u Pozarevcu Narodni muzej, Pozarevac, Pozarevac 104202 Viminacium 3 / Zbornik radova Narodnog muzeja u Pozarevcu Narodni muzej, Pozarevac, Pozarevac 104203 Viminacium 4/5 / Zbornik radova Narodnog muzeja u Pozarevcu Narodni muzej, Pozarevac, Pozarevac 104204 Viminacium 7 / Zbornik radova Narodnog muzeja u Pozarevcu Narodni muzej, Pozarevac, Pozarevac 104205 Viminacium 8/9 / Zbornik radova Narodnog muzeja u Pozarevcu Narodni muzej, Pozarevac, Pozarevac 104201 Zabari / NULL Narodni muzej, Pozarevac, Pozarevac Manojlovic, Predrag Miki 108734 A ko si ti? / NULL Sluzbeni glasnik, Beograd Manojlovic, Todor 104828 Pesme / NULL Gradska narodna biblioteka Z. Zrenjanin, Zrenjanin Manojlovic Pintar, 108906 Arheologija secanja / Cigoja, Beograd Olga Spomenici i identiteti u Srbiji 1918-1989 105634 Istorija i secanje – studije istorijske svesti / Zbornik radova Institut za noviju istoriju Srbije, Beograd Manosek, Valter 106658 Holokaust u Srbiji – vojna okupaciona politika / i unistavanje Jevreja 1941- 1942 Sluzbeni list, Beograd Marcetic, Adrijana 106735* Istorija i prica / NULL Zavod za udzbenike i nastavna sredstva, Beograd 108710 O novoj komparatistici / NULL Sluzbeni glasnik, Beograd Marcetic, Milovan 102758 Mera duse / NULL Glas srpski, Banja Luka 100659 Moj Holivud / NULL RAD, Beograd 103289 Prvo lice / NULL Stylos, Novi Sad 107997 Putnik sa dalekog neba / Milos Crmnjanski u prici Laguna, Beograd 103279* Ratno ostrvo / NULL Otkrovenje, Beograd 105757 Taskent / NULL Zavod za udzbenike i nastavna sredstva, Beograd 107540 Zemaljski dugovi / Ivo Andric u prici Laguna, Beograd Maretic, Ernest Gedeon 103748 Istorija srpske revolucije 1804-1813 / NULL Filip Visnjic, Beograd Maric, Ilija 109136 Beleske o Kisu i filosofiji / NULL Bernar, Beograd 103286* Filosofija na Velikoj skoli / NULL Plato, Beograd 106044 Na efeskom putu / NULL Plato, Beograd 103285* O srpskoj filosofiji / Zbornik Plato, Beograd Maric, Jasmina 103311 Kiparska abeceda / NULL Nolit, Beograd Maric, Ljubica 106690 Zapisi Ljubice Maric / NULL Arhipelag, Beograd Maric, Nebojsa 107387 Tragedija / Sasvim kratak uvod Sluzbeni glasnik, Beograd Maric, S. 103466 Ogledi o knjizevnosti / Celokupna dela S. Marica: tom 2 Izdavacka Knjizarnica Zorana S, Novi Sad Maric, Simon 102118 Bezi, pretvoricu te u decaka / NULL Gutenbergova galaksija, Beograd Maric, Sreten 107776 O hermeneutici / NULL Sluzbeni glasnik, Beograd 106145 O jeziku i jezikoslovlju / NULL Sluzbeni glasnik, Beograd 107743 O strukturalizmu / NULL Sluzbeni glasnik, Beograd 106143 O tragediji / NULL Sluzbeni glasnik, Beograd 106144 O tragicnoj ludi / NULL Sluzbeni glasnik, Beograd Maric, Svetislav 104726 Filozofija: prvi srpski recnik filozofije / NULL Dereta, Beograd Maricki, Dusanka 107104 Teorija knjizevne istorije / NULL Sluzbeni glasnik, Beograd Maricki Gadjanski, Ksenija 106653 Anticki svet, evropska i srpska nauka / Zbornik radova Drustvo za anticke studije Srbije, Beograd 106651 Antika i savremeni svet / Zbornik radova Drustvo za anticke studije Srbije, Beograd 106652 Evropske ideje, anticka civilizacija i srpska kultura / Zbornik radova Drustvo za anticke studije Srbije, Beograd Marijan, Vlado St. 107824 Povratak grofa od Takova / NULL Sluzbeni glasnik, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Marijanski Manojlovic, Mirjana 106098* Kasnorimski slemovi iz Berkasova / NULL Muzej Vojvodine, Novi Sad 105947* Rimska nekropola kod Beske u Sremu / NULL Muzej Vojvodine, Novi Sad Marincic, Aleksandar 105813 Zivot Nikole Tesle / NULL Zavod za udzbenike i nastavna sredstva, Beograd Marinkovic, Borivoje 105541 Ogledi o starom srpskom stamparstvu / NULL Dnevnik, Novi Sad 107400 Prelistavanje zaborava / NULL Sluzbeni glasnik, Beograd 106612 Tragom Dositeja / NULL Sluzbeni glasnik, Beograd 106136* Zaboravljeni bratstvenici po peru / NULL Sluzbeni glasnik, Beograd Marinkovic, Cedomila 105637* Slika podignute crkve: predstave arhitekture / na ktitorskim portretima u srpskoj i vizantijskoj umetnosti Centar za naucna istrazivanja , Kragujevac Marinkovic, Darko 108794 Enciklopedija industrijskih odnosa / NULL Sluzbeni glasnik, Beograd Marinkovic, Dusan 108894 Nacrt za sociologiju ideologije / NULL Mediterran Publishing, Novi Sad 107173 Poetika proze Borisava Stankovica / NULL Sluzbeni glasnik, Beograd 107409 Poetika proze Borisava Stankovica / NULL Sluzbeni glasnik, Beograd Marinkovic, Jasna 105724 Pejzazi Beograda u XX veku / Belgrade Landscapes in XXth Century Muzej grada Beograda, Beograd Marinkovic, Mirjana 100923 Turska kancelarija kneza Milosa Obrenovica (1815- 1839) / NULL Istorijski institut, Beograd Marinkovic, Nikola 108573 Daj nam Boze municije / Srpska avangarda na braniku otadzbine Catena Mundi, Beograd Marinkovic, Radmila 106162* Svetorodna gospoda srpska / NULL Drustvo za srpski jezik i knjizevnost Srbije, Beograd Marinkovic, Ranko 104244 Kiklop / NULL Zavod za udzbenike i nastavna sredstva, Beograd Marinkovic, Simeon 105209 Ko se koga uplasio / NULLKreativni centar, Beograd 105210 Kucica u sumi / NULL Kreativni centar, Beograd 105215 Skola u prirodi / NULL Kreativni centar, Beograd 105208 Skola za lisice / NULL Kreativni centar, Beograd 105964* Srpska narodna pesmarica / NULL Kreativni centar, Beograd 101796 Srpske narodne bajke / NULL Kreativni centar, Beograd 101795 Srpske narodne pripovetke / NULL Kreativni centar, Beograd 105211 Sta to zeli kucence Neli / NULL Kreativni centar, Beograd 105212 Sumska prica / NULL Kreativni centar, Beograd 105207 Zmaj ognjeni i priceza / NULL Kreativni centar, Beograd Marinkovic, Snezana 105391* Matejski brod / NULL Narodni muzej Zrenjanin, Zrenjanin 105392* Starcevacka kultura na tlu srednjeg Banata / NULL Narodni muzej Zrenjanin, Zrenjanin 105393* Vincanska kultura na podrucju srednjeg Banata / NULL Narodni muzej Zrenjanin, Zrenjanin Marinkovic, Vladimir 108794 Enciklopedija industrijskih odnosa / NULL Sluzbeni glasnik, Beograd Marjanovic, Borivoje 103590 Karadjordjevi ustanici / NULL Knjiga Komerc, Beograd Marjanovic, Cedomir 101426* Istorija srpske crkve / NULL Ars Libri, Beograd Marjanovic, Milos 100980 Drustvene i kulturne promene u selima vlaske etnicke / zajednice Negotinske krajine Etnografski Institut, Beograd Marjanovic, Milutin 101417 Banja na Limu kod Priboja / Selo, manastir i banjsko leciliste od praistorije do 1941 Srpska akademija nauka i umetnosti, Beograd Marjanovic, Momir 106072 Crna Gora ocima Evrope 1796-1918 / NULL Prosveta, Beograd Marjanovic, Vesna 106381 Maske, maskiranje i rituali u Srbiji / NULL Cigoja, Beograd 103617 Vodic kroz kolekciju predmeta uz bozicne obicaje / Christmas Ritual Items Guide Etnografski muzej, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Marjanovic, Voja 102737 Zivot i delo Branka Copica / NULL Glas srpski, Banja Luka Marjanovic Dusanic, Smilja 109144 Daily Life in Medieval Serbia / NULL Clio, Beograd 103334* Privatni zivot u srpskim zemljama srednjeg veka / NULL Clio, Beograd 108893 Proceedings of the 23rd International Congress of Byzantine / Studies, Belgrade 22-27 August 2016 Srpski nacionalni komitet za Vizantologiju, Beograd 107453 Remanier, metaphraser. Fonctions et / techniques de la reecriture dans le monde byzantin Filozofski Fakultet, Beograd 105968* Sveti kralj / Kult Stefana Decanskog Balkanoloski institut, Beograd 109209 Sveto i propadljivo / Telo u srpskoj hagiografskoj knjizevnosti Balkanoloski institut, Beograd Markov, Mladen 102891 Najlepse price Mladena Markova / NULL Prosveta, Beograd 105565* Teskoba / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103416 Ukop oca / NULL Narodna Knjiga, Beograd Markovic, Alekdansda Sanja 107441 Ulica koju volim / NULL Sluzbeni glasnik, Beograd Markovic, Aleksandar 108133 Pocinje rat: 1914 u dokumentima arhiva Srbije / NULL Arhiv Srbije, Beograd 108126 Ustavi Knezevine i Kraljevine Markovic, Anita 108086 Smederevo. Mali vodic kroz kulturnu bastinu / NULL Regionalni zavod za zastitu spomenika, Smederevo, Smederevo Markovic, Barbi 107060 Izlazenje / NULL Rende, Beograd 109149 Superherojke / NULL Arhipelag, Beograd Markovic, Biljana 102380 Despotov zakonik / Zakon o rudnicima despota Stefana Lazarevica Vajat, Beograd 108460 Justinijanov zakon: srednjovekovna vizantijsko-srpska pravna / kompilacija. Izvori srpskog prava, Knj. XV Srpska akademija nauka i umetnosti, Beograd Markovic, Cedomir 104309* Neolit Crne Gore / NULL Centar za arheoloska istrazivanja, Beograd Markovic, Dragoslav 107115 Secanje i komentari / Dnevnicke beleske Dragoslava-Draze Markovica Sluzbeni glasnik, Beograd Markovic, Goran 107647 Bosanskohercegovacki federalizam / NULL Sluzbeni glasnik, Beograd 108343 Izmisljeni zivot / Oklopdzic-Markovic: prepiska 2003-2007) Clio, Beograd 109160 Tri price o samoubicama / NULL Arhipelag, Beograd Markovic, Gordana 104940* Saopstenja XXXV-XXXVI (2003-2004) / NULL Republicki zavod za zastitu spomenika, Beograd 105399* Saopstenja XXXVII- XXXVIII (2005-2006) / NULL Republicki zavod za zastitu spomenika, Beograd 105584 Spomenicko nasledje Srbije: nepokretna kulturna dobra / od izuzetnog i od velikog znacaja Republicki zavod za zastitu spomenika, Beograd Markovic, Jelica 104697 Medicinski recnik englesko-srpski / Dictionary Gradjevinska knjiga, Beograd 105430 Tehnicki recnik englesko- srpski / Dictionary Gradjevinska knjiga, Beograd Markovic, Mihailo 105684 Drustveno-politicka misao Njegosa / Naucni skup Srpska akademija nauka i umetnosti, Beograd Markovic, Milena 107914 Drame / NULL Lom, Beograd 102658 Istina ima teranje / NULL Lom, Beograd 102659 Pas koji je pojeo sunce / NULL Lom, Beograd 108614 Pesme za zive i mrtve / NULL Lom, Beograd 109072 Pre nego sto sve pocne da se vrti / NULL Lom, Beograd 108139 Tudjina, vecna sudbina / NULL Dereta, Beograd 108562 Zmajeubice / junacki kabare Lom, Beograd Markovic, Milenko 107059 Ogledi o nacionalnom i demokratskom pitanju / Postjugoslovenski slucaj Srbije Sluzbeni glasnik, Beograd Markovic, Miodrag 106793 Prvo putovanje Sv. Save u Palestinu i njegov / znacaj za srpsku srednjovekovnu umetnost Vizantoloski institut, Beograd 109143 Serbian Artistic Heritage in Kosovo and Metohija / Identity, Significance, Vulnerability Srpska akademija nauka i umetnosti, Beograd 108665 Sveti Nikita kod Skoplja / NULL Sluzbeni glasnik, Beograd 108413 Zograf 37 (2013) / NULL Institut za istoriju umetnosti, F.F., Beograd 108832 Zograf 39 (2015) / Zeitschrift Institut za istoriju umetnosti, F.F., Beograd 106655* Zograf 32 (2008) / NULL Institut za istoriju umetnosti, F.F., Beograd 106848* Zograf 33 (2009) / NULL Institut za istoriju umetnosti, F.F., Beograd 107655 Zograf 35 (2011) / NULL Institut za istoriju umetnosti, F.F., Beograd 107702 Zograf 36 (2012) / NULL Institut za istoriju umetnosti, F.F., Beograd 108823 Zograf 37 (2013) / Zeitschrift Institut za istoriju umetnosti, F.F., Beograd 108824 Zograf 38 (2014) / NULL Institut za istoriju umetnosti, F.F., Beograd Markovic, Miroslav 107115 Secanje i komentari / Dnevnicke beleske Dragoslava-Draze Markovica Sluzbeni glasnik, Beograd Markovic, Monah Ignatije 106258 Pravoslavni manastiri u Bosni i Hercegovini / Orthodox Monasteries in Bosnia and Herzegovina Filip Visnjic, Beograd Markovic, Natasa 108863 Ledi Pedzet / i njeni Srbi Plavi Jahac, Beograd 107704 Marina Abramovic / heroina narcisticke umetnosti Plavi Jahac, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Markovic, Predrag 100129 Jugoistocna Evropa 2000 / NULL Stubovi kulture, Beograd 107599 Lisce i prasina / NULL Arhipelag, Beograd 106992 Pamtivek Albahari / NULL Stubovi kulture, Beograd 106991 Pamtivek Simovic / NULL Stubovi kulture, Beograd 106772 The Cinema of Goran Paskaljevic / NULL Stubovi kulture, Beograd 106194 Trajnost i promena / NULL Sluzbeni glasnik, Beograd 104266 Ziveti u Beogradu 1 (1837-Istorijski arhiv 1841) / NULL Beograda, Beograd 104267 Ziveti u Beogradu 2 (1842- 1850) / NULL Istorijski arhiv Beograda, Beograd 104268 Ziveti u Beogradu 3 (1851- 1867) / NULL Istorijski arhiv Beograda, Beograd 107146* Zograf 34 (2010) / Casopis za srednjevekovnu umetnost Institut za istoriju umetnosti, F.F., Beograd Markovic, Radovan Beli 105706 Corava strana / NULL Srpska Knjizevna Zadruga, Beograd 102924 Devet belih oblaka / NULL Filip Visnjic, Beograd 105330 Kavaleri starog premera / NULL Narodna Knjiga, Beograd 100469* Lajkovacka pruga / NULL Narodna Knjiga, Beograd 100470* Limunacija u celijama / NULL Narodna Knjiga, Beograd 103419 Orkestar na pedale / NULLNarodna Knjiga, Beograd 100471* Poslednja ruza Kolubare / NULL Narodna Knjiga, Beograd 108890 Putnikova ciglana / Zaludno pletivo Srpska Knjizevna Zadruga, Beograd 102045* Zivcana japija / NULL Narodna Knjiga, Beograd Markovic, Radul 105112 Srpske narodne poslovice i izreke / NULL Novinsko-izdavacki centar vojska, Beograd Markovic, Ratko 108461 Dva veka srpske ustavnosti / Izvori srpskog prava, Knj. XVII Srpska akademija nauka i umetnosti, Beograd 105516 Prizren carski grad / NULL Narodna i universitetska biblioteka , Pristina Markovic, Slavica 101796 Srpske narodne bajke / NULL Kreativni centar, Beograd 101795 Srpske narodne pripovetke / NULL Kreativni centar, Beograd Markovic, Slobodan G. 108219 Dva veka moderne srpske diplomatije / NULL Balkanoloski institut, Beograd 105519 Evropa i Zapadni Balkan posle velikog prosirenja / Europe and the Western Balkans After the Big Enlargment Institut za evropske studije, Beograd Markovic, Slobodan Z. 104437 Mornar na konju / NULL Srpska knjiga, Ruma 104929 Srpska knjizevnost izmedju dva svetska rata / pojave, pisci i dela Drustvo za srpski jezik i knjizevnost Srbije, Beograd Markovic, Snezana 103725 Pripovetke i predanja levca – novi zapisi / NULL Centar za naucna istrazivanja , Kragujevac Markovic, Svetozar101383* Celokupna dela Svetozara Markovica I-XVII / NULL Zavod za udzbenike i nastavna sredstva, Beograd 105397 Celokupna dela Svetozara Markovica, Knj. 1-3, 9-10 / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104018 Celokupna dela Svetozara Markovica, Knj. 11 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Zavod za udzbenike i nastavna sredstva, Beograd 104019 Celokupna dela Svetozara Zavod za Markovica, Knj. 12 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) udzbenike i nastavna sredstva, Beograd 104020 Celokupna dela Svetozara Markovica, Knj. 13 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Zavod za udzbenike i nastavna sredstva, Beograd 104021 Celokupna dela Svetozara Markovica, Knj. 14 / Clanci, Pisma, Dokumenti, Prilozi (Kragujevacki period) Zavod za udzbenike i nastavna sredstva, Beograd 104022 Celokupna dela Svetozara Markovica, Knj. 15 / Evropski izvori o Svetozaru Markovicu Zavod za udzbenike i nastavna sredstva, Beograd 104023 Celokupna dela Svetozara Markovica, Knj. 16 / Savremenici i saradnici o Svetozaru Markovicu Zavod za udzbenike i nastavna sredstva, Beograd 104024 Celokupna dela Svetozara Markovica, Knj. 17 / Bibliografija Zavod za udzbenike i nastavna sredstva, Beograd 104013 Celokupna dela Svetozara Markovica, Knj. 4 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Zavod za udzbenike i nastavna sredstva, Beograd 104014 Celokupna dela Svetozara Markovica, Knj. 5 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Zavod za udzbenike i nastavna sredstva, Beograd 104015 Celokupna dela Svetozara Markovica, Knj. 6 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Zavod za udzbenike i nastavna sredstva, Beograd 104016 Celokupna dela Svetozara Markovica, Knj. 7 / Clanci, Pisma, Dokumenti, Prilozi (Beogradski period) Zavod za udzbenike i nastavna sredstva, Beograd 104017 Celokupna dela Svetozara Markovica, Knj. 8 / Srbija na Istoku (Novosadska faza) Zavod za udzbenike i nastavna sredstva, Beograd Markovic, Vasilije 101430 Pravoslavno monastvo i manastiri u srednjevekovnoj Srbiji / NULL Ars Libri, Beograd 102171 Pravoslavno monastvo i manastiri u srednjovekovnoj Srbiji / NULL Ars Libri, Beograd Markovic, Vera 102071 Srpsko-ruski recnik / NULLNarodna Knjiga, Beograd Markovic, Veselin 100095* Izranjanje / NULL Stubovi kulture, Beograd 106980 Mi razliciti / NULL Arhipelag, Beograd 109153 Proslost nikad ne prodje / NULL Arhipelag, Beograd 109152 Svetlost na vod / Put na sever Arhipelag, Beograd Markovic, Vladimir 108363 Kroz Makedoniju / NULL Draslar partner, Beograd Markovic, Zlatibor 108126 Ustavi Knezevine i Kraljevine Srbije / NULL Arhiv Srbije, Beograd Markovic Koder, 105163 Mitoloski recnik / NULL Narodna biblioteka Djordje Vuk Karadzic, Kragujevac 106621 Nacala / NULL Sluzbeni glasnik, Beograd 107427 Narecenno / NULL Sluzbeni glasnik, Beograd Markovic Majtenji, Andras 104364 Vojvodina 1848 / Zbornik radova povodom 150te godisnjice madjarske revolucije Prometej, Novi Sad Markovic Nikolic, Ljiljana 104230 Anticke i srednjovekovne nekropole Smedereva / NULL Muzej u Smederevu, Smederevo, Smederevo Markovic Sargic, Ana 107285 Mit u romanu / Postupak mitologizacije Slobodana Dzunica Albatros Plus, Beograd Markovski, Mihal Pavel 106608 Knjizevne teorije XX veka / NULL Sluzbeni glasnik, Beograd Markus, Sasa 108788 Parodija u postmodernom filmu / NULL Filmski centar Srbije, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Marojevic, Igor 108011 Beogradjanke / NULL Laguna, Beograd 108352 Kroz glavu / NULL Dosije, Beograd 107353 Majcina ruka / NULL Laguna, Beograd 106565 Parter / NULL Laguna, Beograd 109045 Price o Kosovu / NULL Laguna, Beograd 106440 Snit / NULL Laguna, Beograd 100804 Tragaci / NULL Stubovi kulture, Beograd 103368 Zega / NULL Stubovi kulture, Beograd Marojevic, Radislav 107131 Estetika otaca crkve / NULL Sluzbeni glasnik, Beograd Marsal, Tim 101468* Igre senki / NULL B92, Beograd Marshall, Tim 101469* Shadowplay / NULL B92, Beograd Martinov, Zlatoje 104493 Preljubnicka biblija / NULL Mali Nemo, Pancevo Martinovic, Miras 102065* Teuta / NULL Geopoetika, Beograd 101440 Vavilonski mudraci / NULL Geopoetika, Beograd Martinovic Bajica, Petar 104060 Milan Nedic / NULL Nikola Pasic, Beograd Marusic, Branko 105557 O osnovnim pitanjima srpske heraldike / O fiktivnom grbu Hercegovine Knjizevna omladina Srbije, Beograd Masic, Dusan 105016 Talasanje Srbije / Knjiga o radiju B92 B92, Beograd Masirevic, Milica 101610* Pastir trazi dno neba / NULL Draganic, Beograd 101940 The shepherd seeks the bottom of the heavens / NULL Draganic, Beograd Mastilo, Natalija 107945 Recnik savremene srpske geografske terminologije / NULL Geografski Fakultet, Beograd Mastilovic, Draga 108831 Bosna i Hercegovina u Prvom svjetskom ratu / Corovicevi susreti 2014 Filip Visnjic, Beograd 109220 Pisci srpske istorije / Corovicevi susreti 2016. godine Filip Visnjic, Beograd Matanovic, Vera 105216 Skola u prirodi – Fruska Gora / NULL Kreativni centar, Beograd Mataric, Mirjana 106777 Engleska knjizevnost kod Srba 1900 – 1945 kroz casopise / NULL Mali Nemo, Pancevo Matavulj, Simo 101658 Bakonja fra Brne / Pripovetke / Izbor iz dela Sime Matavulja Draganic, Beograd 107683 Memoarski i putopisni spisi / Sabrana djela Sime Matavulja, Knj. 5 Zavod za udzbenike i nastavna sredstva, Beograd 107684 Prepiska / Sabrana djela Sime Matavulja, Knj. 7 Zavod za udzbenike i nastavna sredstva, Beograd 105823 Pripovetke I / Sabrana dela, Tom 2 Zavod za udzbenike i nastavna sredstva, Beograd 105824 Pripovetke II / Sabrana dela, Tom 3 Zavod za udzbenike i nastavna sredstva, Beograd 105825 Pripovetke III / Sabrana dela, Tom 4 Zavod za udzbenike i nastavna sredstva, Beograd 105822 Romani: Uskok / Bakonja vra Brne / Sabrana dela, Tom 1 Zavod za udzbenike i nastavna sredstva, Beograd Matic, Andrija 106986 Muzej savremene umetnosti / NULL Stubovi kulture, Beograd 106539 Saht / NULL Stubovi kulture, Beograd Matic, Dragica 108142 Uzicki leksikon / Leksikoni gradova Srbije Sluzbeni glasnik, Matic, Milan 105639 Liberalizam, populizam i demokratija / NULL Institut za politicke studije, Beograd 100313 Mit i politika / NULL Cigoja, Beograd 103133 Partizanska stampa u Srbiji 1941-1944 / NULL Institut za savremenu istoriju, Beograd 103137 Ravnogorska ideja u stampi i propagandi 1941- 1944 / NULL Institut za savremenu istoriju, Beograd Matic, Svetozar 108888 Principi srpske versifikacije / NULL Sluzbeni glasnik, Beograd Matic, Tioslav 107856 Kult mrtvih kod Srba / NULL Albatros Plus, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Matic, Vladan 101439 Album / NULL Geopoetika, Beograd 106487 Zadaci iz ruskog / NULL Prosveta, Beograd Matic, Vojin 107075 Detinjstvo naroda / NULL Sluzbeni glasnik, Beograd Matic, Vojislav 107581 Karlovacke crkve / NULL Platoneum, Novi Sad 105551 Manastir Hopovo / NULL Platoneum, Novi Sad 105547 Manastir Krusedol / NULL Platoneum, Novi Sad 107577 Manastir Sremska Ravanica Vrdnik / NULL Platoneum, Novi Sad 107582 The Chrches of Sremski Karlovci / NULL Platoneum, Novi Sad 107576 The Monastery of Grgeteg / NULL Platoneum, Novi Sad 105552 The Monastery of Hopovo / NULL Platoneum, Novi Sad 105548 The Monastery of Krusedol / NULL Platoneum, Novi Sad 107578 The Monastery of Sremska Ravanica Vrdnik / NULL Platoneum, Novi Sad Matic Panic, Radmila 102401* Miodrag B. Protic / NULL Clio, Beograd Maticki, Milenko 104665 Price o snu i javi / NULL Bookland, Beograd Maticki, Miodrag 107913 Ceger pun ljubavi / NULL Cigoja, Beograd 103633 Davorje, Knjiga druga / NULL Knjizevna opstina Vrsac, Vrsac 107690 Delta / NULL Prometej, Novi Sad 105027 Deseti za molitvu / NULL Stubovi kulture, Beograd 104499 Idu Nemci / NULL Mali Nemo, Pancevo 100614 Istorija kao predanje / NULL RAD, Beograd 102508 Jezik srpskog pesnistva / NULL Prometej, Novi Sad 104342* Knjizevna istorija 125-126 (2005) / Casopis za nauku o knjizevnosti Institut za knjizevnost i umetnost, Beograd 106179 Knjizevna istorija 127 (2005) / NULL Institut za knjizevnost i umetnost, Beograd 104980 Knjizevna istorija 128-129 (2006) / NULL Institut za knjizevnost i umetnost, Beograd 106180 Knjizevna istorija 130 (2006) / NULL Institut za knjizevnost i umetnost, Beograd 105647 Knjizevna istorija 131-132 (2007) / NULL Institut za knjizevnost i umetnost, Beograd 105956 Knjizevna istorija 133 (2007) / NULL Institut za knjizevnost i umetnost, Beograd 106181 Knjizevna istorija 134-135 (2008) / NULL Institut za knjizevnost i umetnost, Beograd 106496 Knjizevna istorija 136 (2008) / NULL Institut za knjizevnost i umetnost, Beograd 106903 Knjizevna istorija 137-138 (2009) / NULL Institut za knjizevnost i umetnost, Beograd 106904 Knjizevna istorija 139 (2009) / NULL Institut za knjizevnost i umetnost, Beograd 106905 Knjizevna istorija 140-141 (2010) / NULL Institut za knjizevnost i umetnost, Beograd 106906 Knjizevna istorija 142 (2010) / NULL Institut za knjizevnost i umetnost, Beograd 104761 Knjizevnost na jezicima manjina u Podunavlju / Zbornik radova Institut za knjizevnost i umetnost, Beograd 106871 Narodne pesme u srpsko- dalmatinskom casopisu / NULL Institut za knjizevnost i umetnost, Beograd 105193 Nemiri mede Zelimira / NULL Bookland, Beograd 106249 Prednosti gipsa / NULL Filip Visnjic, Beograd 106175 Senovite price / NULL Srpska Knjizevna Zadruga, Beograd 106134 Sevdalinke – narodne biser-pesme za pevanje / NULL Sluzbeni glasnik, Beograd 106372* Slika drugog u balkanskim i srednjoevropskim knjizevnostima / Zbornik radova Institut za knjizevnost i umetnost, Beograd 105640 Srem kroz vekove: slojevi kultura Fruske Gore i Srema / Zbornik radova Vukova zaduzbina, Beograd 103310 Svakodnevno hvatanje veverice / NULL Nolit, Beograd 101274* Svetosavska citanka / NULL Zavod za udzbenike i nastavna sredstva, Beograd 108860 Usmena tradicija Banatske vojne granice / Zbornik radova Matica Srpska, Novi Sad Matijevic, Vladan 107323 Casovi radosti / NULL Agora, Zrenjanin 107067 Crno u koloru / Crni humor u srpskom filmu Sluzbeni glasnik, Beograd 108165 Memoari, Amnezije / NULL Sluzbeni glasnik, Beograd 107569 Pisac izdaleka / NULL Agora, Zrenjanin 107322 Prilicno mrtvi / NULL Agora, Zrenjanin 108060 Pristanista / NULL Agora, Zrenjanin 103809 R. C. Neminovno / NULL Narodna Knjiga, Beograd 109025 Susret pod neobicnim okolnostima / NULL Laguna, Beograd 108563 Van kontrole / NULL Agora, Zrenjanin 106939 Vrlo malo svetlosti / NULL Agora, Zrenjanin Matovic, Ivan 102212 Vojskovodja s oreolom mucenika / NULL Novinsko-izdavacki centar vojska, Beograd Matovic, Vesna 106872 Casopis Nova Evropa: 1920-1941 / Istorijat srpske knjizevne periodike Institut za knjizevnost i umetnost, Beograd 108959 Casopis ruski arhiv (1928- 1937) i kultura ruske emigracije / u Kraljevini SHS Institut za knjizevnost i umetnost, Beograd 104757 Pera Todorovic / Zbornik radova Institut za knjizevnost i umetnost, Beograd 108963 Pera Todorovic: novi pogledi: / politicke ideje i knjizevno-publicisticko delo Institut za knjizevnost i umetnost, Beograd 105827 Srpska moderna / NULL Institut za knjizevnost i umetnost, Beograd 106369 Talfj u srpskoj knjizevnosti / Zbornik radova Institut za knjizevnost i umetnost, Beograd 106880 Zanrovi u srpskoj peridoci / NULL Institut za knjizevnost i umetnost, Beograd Matunovic, Aleksandar 100874* Enigma Broz / Ko ste Vi, gospodine predsednice? Cigoja, Beograd Matvejevic, Predrag 108415 Druga Venecija / NULL Hesperia, Beograd 108813 Granice i sudbine / O jugoslavenstvu prije i poslije Jugoslavije V.B.Z., Beograd Mecanin, Radmila 105347 Slovenska mitologija – enciklopedijski recnik / NULL Zepter, Beograd 106734 Uvod u istorijsku poetiku epa i romana / NULL Srpska Knjizevna Zadruga, Beograd Medakovic, Anica 105378* Ostava srebrnih predmeta sa Zidovara / NULL Gradski muzej Vrsac, Vrsac 105377* Zidovar: Naselje bronzanog i gvozdenog doba / Bronze Age and Iron Age Settlement Gradski muzej Vrsac, Vrsac Medakovic, Dejan 107257 Beocin / NULL Prometej, Novi Sad 105267 Dani secanja IV / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104010 Dani, secanja I (1976- 1977) / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104011 Dani, secanja II (1977- 1978) / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104522 Dani, secanja III / NULL Zavod za udzbenike i nastavna sredstva, Beograd 105794 Dani, secanja IV / NULL Zavod za udzbenike i nastavna sredstva, Beograd 107054 Dani, secanja VI (1995- 2000) / NULL Prometej, Novi Sad 107055 Dani, secanja VII (2001- 2004) / NULL Prometej, Novi Sad 107056 Dani, secanja VIII (2005- 2008) / NULL Prometej, Novi Sad 102493* Dunav – reka jedinstva Evrope / Die Donau – Der Strom der europäischen Einheit Prometej, Novi Sad 105132 Efemeris 1-5 / NULL Prometej, Novi Sad 107253 Fruskogorski manastiri / NULL Prometej, Novi Sad 107256 Grgetek / NULL Prometej, Novi Sad 106461* Istrazivaci srpskih starina / NULL Prometej, Novi Sad 104366* Josif II i Srbi / NULL Prometej, Novi Sad 102560 Kamenovi / NULL Prometej, Novi Sad 107254 Krusedol / NULL Prometej, Novi Sad 105133 Motivi / NULL Prometej, Novi Sad 104080 Orlov slet i druge price / NULL Kairos, Sremski Karlovci 101372* Otkrivanje Hilandara / NULL Prometej, Novi Sad 105148 Pisma i govori / NULL Prometej, Novi Sad 104078 Povratak u Rakitje i druge price / NULL Kairos, Sremski Karlovci 104498 Prolazenje / NULL Mali Nemo, Pancevo 104079 Ptice i druge price / NULL Kairos, Sremski Karlovci 100031* Sentandrejski zbornik 03 / NULL Srpska akademija nauka i umetnosti, Beograd 102500 Serben in Wien / NULL Prometej, Novi Sad 101371* Srbi u Becu / NULL Prometej, Novi Sad 103392* Srbi u Zagrebu / NULL Prometej, Novi Sad 102562 Sve cudnije je cudo / NULL Prometej, Novi Sad 105866 Sveta Gora Fruskogorska / NULL Prometej, Novi Sad 107255 Vrdnik Ravanica / NULL Prometej, Novi Sad 106470 Vukovoj zaduzbini / NULL Prometej, Novi Sad 102704* Zapadnoevropski barok i vizantijski svet / Naucni skup: 10-13 Okt. 1989 Srpska akademija nauka i umetnosti, Beograd Medakovic, Milorad 104049 Zivot i obicaji Crnogoraca / NULL Nikola Pasic, Beograd Medenica, Ivan 109034 Tragedija inicijacije / ili nepostojani pric Clio, Beograd Medic, Hristina 108481 Muzika Beogradskih kafana, salona i klubova 1 / Starogradske pesme iz albuma Jovana Frajta Clio, Beograd Medic, Mile 102941 Mnogaja ljeta / NULL Filip Visnjic, Beograd 102652 Najezda tudjih reci na srpski jezik / NULL Nolit, Beograd 102701* Stari slikarski prirucnici II / NULL Republicki zavod za zastitu spomenika, Beograd Medic, Milorad 100823* Stari slikarski prirucnici I / NULL Republicki zavod za zastitu spomenika, Beograd 104709 Stari slikarski prirucnici III / NULL Republicki zavod za zastitu spomenika, Beograd Medovic, Idilko 107574 Gradina na Bosutu / Naselje starijeg gvozdenog doba Platoneum, Novi Sad Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Medovic, Predrag 107574 Gradina na Bosutu / Naselje starijeg gvozdenog doba Platoneum, Novi Sad 105944* Kalakaca: naselje ranog gvozdenog doba / NULL Muzej Vojvodine, Novi Sad 105150 Od pecine do palate / NULL Platoneum, Novi Sad 102448* Praistorija na tlu Vojvodine / NULL Prometej, Novi Sad 105949* Stubarlija: nekropola naselja Feudvar kod Mosorina (Backa) / NULL Muzej Vojvodine, Novi Sad 107906 The Cultural Heritage of Vojvodina / NULL Zavod za kulturu Vojvodine, Novi Sad 104951* Vojvodina u praistoriji / Od Nendertalaca do Kelta Platoneum, Novi Sad Mekenzi, Dejvid 106149 Stojan Protic, srpski novinar i drzavnik / NULL Sluzbeni glasnik, Beograd Meletinski, Jeleazar 106734 Uvod u istorijsku poetiku epa i romana / NULL Srpska Knjizevna Zadruga, Beograd Meljanac, Milos 108110 Prilepski kontrasti / NULL Prometej, Novi Sad Menkovic, Mirjana 108223 Etnografsko nasledje Kosova i Metohije – iz zbirki / Muzeja u Pristini i Etnografskog muzeja u Beogradu Mnemosyne, Beograd 108224 Gradjanska nosnja u Prizrenu u XIX i prvoj Mnemosyne, Beograd polovini XX veka / Muzejske kolekcije kao izvor za istrazivanje kulture odevanj Merenik, Lidija 102452 Beograd: osamdesete / NULL Prometej, Novi Sad 105116 Nadezda Petrovic / NULL Novinsko-izdavacki centar vojska, Beograd Merenik, Slavica 103515 Bibliografija radova o srpskoj revoluciji / NULL Zavod za udzbenike i nastavna sredstva, Beograd Mesanovic, Sanja 100862* Jovan VII Paleolog / NULL Vizantoloski institut, Beograd Meseldzija, Biljana 107758 Englesko-srpski i srpsko- engleski / Dictionary Institut za strane jezike, Beograd Miceta, Luka 108764 Duh pobune / NULL Laguna, Beograd 108000 Povratak kralja / NULL Laguna, Beograd 108800 Stefan Nemanja: povest Srba od doseljavanja na / Balkan do drzave zupana Stefana Nemanje Laguna, Beograd Micevic, Kolja 105240 Mocart / zlocin Marije Terezije Prosveta, Beograd Micic, Biljana 108327 Pesnik okovanih vizija: / poezija i poetika Milana Dedinca Altera, Beograd Micic, Ljubomir 100342 Barbarogenije decivilizator / NULL Filip Visnjic, Beograd Micic, Radovan 102481 Srpska citaonica u Irigu / NULL Prometej, Novi Sad Micic, Srdjan 107364 Kraljevina Jugoslavija i Anslus Austrije 1938. / NULL Sluzbeni glasnik, Beograd Micic Dimovska, Milica 102034 Mrena / NULL Narodna Knjiga, Beograd 102041* Poslednji zanosi MSS / NULL Narodna Knjiga, Beograd 103308 U procepu / NULL Nolit, Beograd 104331 Utociste / NULL Narodna Knjiga, Beograd Mickovic, Slobodan 100371 Aleksandar i smrt / NULL Filip Visnjic, Beograd Micovic, Momcilo 109249 Njegos: u zboru svjetskih velikana / NULL Srpska Knjizevna Zadruga, Beograd Micunovic, Radomir 102115 Povratak u detinjstvo / NULL Gutenbergova galaksija, Beograd Micunovic, Svetlana 102115 Povratak u detinjstvo / NULL Gutenbergova galaksija, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Mihailovic, Ariton 104803 Uspomene iz okupacije / NULL Narodna Knjiga, Beograd Mihailovic, Dragoslav 108593 Cizmasi / NULL Laguna, Beograd 104237 Crveno i plavo / NULL NIN, Beograd 102585 Frede laku noc / NULL Plato, Beograd 107449 Goli Otok / Knjiga cetvrta Sluzbeni glasnik, Beograd 107492 Goli Otok / Knjiga peta Sluzbeni glasnik, Beograd 108994 goli otok / Knjiga prva Sluzbeni glasnik, Beograd 102665 Gori Morava / NULL Lom, Beograd 101241 Kad su cvetale tikve / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104576 Kratka istorija satiranja / NULL Sluzbeni glasnik, Beograd 102895* Najlepse price Dragoslava Mihajlovica / NULL Prosveta, Beograd 109046 Uhvati zvezdu padalicu / NULL Laguna, Beograd Mihailovic, Dusan 104915 Iz srpske dramske bastine / NULL Fakultet dramskih umetnosti, Beograd 104311* Orinjasijenska kremena industrija sa lokaliteta / Crvenka-At u blizini Vrsca Centar za arheoloska istrazivanja, Beograd 106592* Prehistoric Settlements in Caves and Rock-Shelters of Serbia / Upper Paleolithic and Mesolithic Chipped Stone Industries Centar za arheoloska istrazivanja, Beograd Mihailovic, Ljubomir 108991 Monasteres de l ́ Eglise Othodoxe Serbe – Guide / NULL Sluzbeni glasnik, Beograd 108992 Monastries of the Serbian Orthodox Church – Guide / NULL Sluzbeni glasnik, Beograd Mihailovic, Miroslav Cera 103746 Lom / NULL Filip Visnjic, Beograd 103745 Sol na ranu / NULL Filip Visnjic, Beograd Mihailovic, R. 105120 Katarina Ivanovic / NULL Novinsko-izdavacki centar vojska, Beograd Mihailovic, Vojislav 105368 Novac srpskih velikasa iz vremena Carstva / NULL Muzej grada Beograda, Beograd Mihailovic Bahtin, Mihail 107394 Ka filosofiji postupka / NULL Sluzbeni glasnik, Beograd 107391 Rani spisi / NULL Sluzbeni glasnik, Beograd Mihajlov, Dusan 105425 Ekonomski recnik nemacko-srpski / Wörterbuch Gradjevinska knjiga, Beograd 108484 Ekonomski recnik srpsko- nemacki / Wörterbuch Gradjevinska knjiga, Beograd 108485 Recnik bankarskih, berzanskih i racunovodstvenih termina / nemacko-srpski i srpsko- nemacki Gradjevinska knjiga, Beograd Mihajlov, Sasa 108590 Rajko M. Tatic 1900-1979 / NULL Zavod za zastitu spomenika grada Beograda, Beograd Mihajlovic, Borislav Mihiz 102285 Autobiografija – o drugima 1 / NULL Solaris, Novi Sad 102286 Autobiografija – o drugima 2 / NULL Solaris, Novi Sad Mihajlovic, Darko 109205 Srpska diplomatija o dogadjajima u Makedoniji 1903-1904. god / NULL Cigoja, Beograd Mihajlovic, Goran 104634 Sami protiv svih / NULL Glas srpski, Banja Luka Mihajlovic, Jasmina 100229 Dve kotorske price / NULL Dereta, Beograd 104597 Ljubav bez tajni / NULL Dereta, Beograd 100264 Privatna kolekcija / NULL Dereta, Beograd 105072 Putni album / NULL Dereta, Beograd Mihajlovic, Ljubomir 108742 Manastiri Srpske pravoslavne crkve / NULL Sluzbeni glasnik, Beograd Mihajlovic, Mila 109204 Italijanski mornari za Cigoja, Beograd srpsku vojsku / Zalog humanosti u odiseji pakla (1915-1916) Mihajlovic, Milorad 100169* Nova Pavlica / NULL Republicki zavod za zastitu spomenika, Beograd Mihajlovic, Pavle Paja 107134 Dnevnici / NULL Sluzbeni glasnik, Beograd Mihajlovic, Petar 108069 Nista / Roman ni o cemu Geopoetika, Beograd Mihajlovic, Svetlana P. 100457* Poslednja tacka za kruznicu / NULL Narodna Knjiga, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Mihaljcic, Rade 106083* Leksikon srpskog srednjeg veka / NULL Knowledge, Beograd 105401 Monumenta Serbica / spectantia historiam Serbiae Bosnae Ragusii Srpska skolska knjiga, Beograd 102102 Proslost i narodno secanje / NULL Gutenbergova galaksija, Beograd 108458 Zakoni u starim srpskim ispravama / Izvori srpskog prava, Knj. XIII Srpska akademija nauka i umetnosti, Beograd Mijatovic, Bosko 109170 Ilustrovana istorija Beogradskih kafana / Od Turskog hana do Aero kluba Arhipelag, Beograd 107070 Poezija, trziste, drzava / NULL Sluzbeni glasnik, Beograd 106146 Srpski ekonomisti 1850- 1914 / NULL Sluzbeni glasnik, Beograd 109242 Srpski konzervativci 1878- 1914 / NULL Catena Mundi, Beograd Mijatovic, Cedomilj 105713* Hero-Tales and Legends of Serbians / NULL Srpska Knjizevna Zadruga, Beograd 102435 Jelena Balsic / NULL Pesic i sinovi, Beograd 102436 Ljubav na dvoru Nemanjica / NULL Pesic i sinovi, Beograd Mijatovic, Cedomir 107002 Pad Carigrada / NULL Ethos, Beograd Mijatovic, Radic 101848 Popravni dom za roditelje / NULL RAD, Beograd Mijatovic Zivojinov, Vladan 106295 Poslasticarske price / NULL Arhipelag, Beograd Mijovic, Aleksandar 108264 Biodiverzitet Srbije: stanje i perspektive / NULL Zavod za zastitu prirode Srbije, Beograd Mijovic, Dusan 108257 Naucni skup o geonasledju Srbije / 2. naucni skup, Beograd 2004 Zavod za zastitu prirode Srbije, Beograd 108259 Park prirode Stara planina / NULL Zavod za zastitu prirode Srbije, Beograd Mijuskovic, Dragisa T. 107650 Putovanje po Srbiji u godini 1829. / NULL Sluzbeni glasnik, Beograd Mijuskovic, Slobodan 106908 Prva poslednja slika / NULL Geopoetika, Beograd Mikavica, Dejan 107266 Laza Kostic / politicka biografija Prometej, Novi Sad 104997 Politicka ideologija Svetozara Miletica / NULL Stylos, Novi Sad 103754 Poslednji srpski pankalist / Politicko-filozofska biografija Laze Kostica Stylos, Novi Sad 109218 Srbi u Habsburskoj Prometej, Novi Sad monarhiji od 1526. do Miketic, Djordje 108065 Paradajz / NULL Geopoetika, Beograd Mikic, Olga 105553 Manastir Bodjani / NULL Platoneum, Novi Sad 105554 The Monastery of Bodjani / NULL Platoneum, Novi Sad Mikic, Radivoje 103495 Eseji / NULL Zavod za udzbenike i nastavna sredstva, Beograd 101148 Hodocasce Arsenija Njegovana / NULL Zavod za udzbenike i nastavna sredstva, Beograd 105318 Opis price / NULL Narodna Knjiga, Beograd 105319 Orfejev dvojnik / NULL Narodna Knjiga, Beograd 105320 Pesma, tekst i kontekst / NULL Narodna Knjiga, Beograd 106207* Pesnicka posla / NULL Sluzbeni glasnik, Beograd 105316 Pesnicki postupak / NULL Narodna Knjiga, Beograd 107085 Pesnik tamnih stvari / O poeziji Novice Tadica Sluzbeni glasnik, Beograd 106748 Prica i mit o svetu / NULL Agora, Zrenjanin 107852 Prica i mit o svetu / NULL Albatros Plus, Beograd 104713 Prica i znacenje / NULL Filip Visnjic, Beograd 105317 Prica i znacenje / NULL Narodna Knjiga, Beograd 101133 Proljeca Ivana Galeba / NULL Zavod za udzbenike i nastavna sredstva, Beograd Miklja, Dusan 103296 Bilo jednom u Beogradu / NULL Plato, Beograd 102939 Kosmopolitske price / NULL Filip Visnjic, Beograd 103291 Krpljenje paucine / NULL Nolit, Beograd 108703 Leto / NULL Sluzbeni glasnik, Beograd 106446 New York, Beograd / NULL Laguna, Beograd Miklosich, Franc 105401 Monumenta Serbica / spectantia historiam Serbiae Bosnae Ragusii Srpska skolska knjiga, Beograd Miladinov, Brana 107388 Naratoloski recnik / NULL Sluzbeni glasnik, Beograd Miladinovic, Ivan 106275 1968. Poslednji veliki san / NULL Filip Visnjic, Beograd Miladinovic, Mihailo J. 107178 Istorija Srema / NULL Blago Sirmijuma, Sremska Mitrovica Miladinovic, Natasa 107176 Metodologija utvrdjivanja polne pripadnosti / skeleta sa arheoloskih nalazista Blago Sirmijuma, Sremska Mitrovica Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Miladinovic, Sanja 108500 Tematski recnik srpskog jezika 6 / brod – buva Alma, Beograd 108501 Tematski recnik srpskog jezika 7 / Bugarska – busilica Alma, Beograd Miladinovic, Slobodan 107119 Elite raspada / NULL Sluzbeni glasnik, Beograd Miladinovic, Snezana 103019 Zaduzbine / NULL Sluzbeni glasnik, Beograd Milak, Enes 103120 Italija i Jugoslavija 1931- 1937 / NULL Institut za savremenu istoriju, Beograd Milankov, Momcilo 108988 Uhvacen u mrezu predvecerja / NULL Sluzbeni glasnik, Beograd Milankovic, Milutin 108885 Astronomska teorija klimatskih promena / i druge rasprave Zavod za udzbenike i nastavna sredstva, Beograd 103907 Canon of insolation and the ice-age problem / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103905 Clanci, govori, prepiska / Izabrana dela, Tom 6 Zavod za udzbenike i nastavna sredstva, Beograd 103900 Kanon osuncavanja zemlje i njegova primena na problem / ledenih doba 1, Izabrana dela, Tom 1 Zavod za udzbenike i nastavna sredstva, Beograd 103901 Kanon osuncavanja zemlje i njegova primena na problem / ledenih doba 2, Tom 2 Zavod za udzbenike i nastavna sredstva, Beograd 105087 Kroz carstvo nauka / NULL Dereta, Beograd 101890 Kroz vasionu i vekove / NULL Dereta, Beograd 103903 Kroz vasionu i vekove / Kroz carstvo nauka / Izabrana dela, Tom 4 Zavod za udzbenike i nastavna sredstva, Beograd 108884 Matematicka teorija toplotnih pojava / nastalih suncevim zracenjem Zavod za udzbenike i nastavna sredstva, Beograd 103902 Nebeska mehanika / Istorija astronomske nauke / Izabrana dela, Tom 3 Zavod za udzbenike i nastavna sredstva, Beograd 105086 Secanja / NULL Dereta, Beograd 103904 Spisi iz istorije nauke / Izabrana dela, Tom 5 Zavod za udzbenike i nastavna sredstva, Beograd 103906 Uspomene, dozivljaji, saznanja / Izabrana dela, Tom 7 Zavod za udzbenike i nastavna sredstva, Beograd Milankovic, Vera 106178* Srpski duhovni kalendar / NULL Clio, Beograd Milanovic, Aleksandar 108120 Jezik Jovana Subotica / NULL Cigoja, Beograd 107682 Jezik srpskih pesnika / NULL Zavod za udzbenike i nastavna sredstva, Beograd 107936 Jezik vesma polezan / NULL Drustvo za srpski jezik i knjizevnost Srbije, Beograd 103504* Kratka istorija srpskog knjizevnog jezika / NULL Zavod za udzbenike i nastavna sredstva, Beograd 109238 Recnik slavenosrpskog Matica Srpska, jezika / Ogledna sveska Novi Sad Milanovic, Dusica 102898* Maske uma / O ketmanu i ketmanima Narodna Knjiga, Beograd Milanovic, Jasmina105801* Acim Cumic / NULL Zavod za udzbenike i nastavna sredstva, Beograd 108676 Apostoli radikalizma / NULL Sluzbeni glasnik, Beograd 107134 Dnevnici / NULL Sluzbeni glasnik, Beograd Milanovic, Jovan 108991 Monasteres de l ́ Eglise Othodoxe Serbe – Guide / NULL Sluzbeni glasnik, Beograd 108992 Monastries of the Serbian Orthodox Church – Guide / NULL Sluzbeni glasnik, Beograd Milanovic, Milan R. 109221 Stara Hercegovina / Ekonomsko-socijalni pojmovnik Filip Visnjic, Beograd Milanovic, Miodrag 106285 Srpski stari vek / NULL Vandalija, Beograd 109019 Tajni zivot Nikole Tesle / NULL Miroslav, Beograd Milanovic, Stojanka 107413 Milan Curcin u kontekstu srpske avangarde / NULL Sluzbeni glasnik, Beograd Milanovic, Zeljko 107695 Dva pisca i drugi / NULL Sluzbeni glasnik, Beograd 107083 Od slika o drugome ka poetici / Stvaralastvo Dragutina J. Ilica Sluzbeni glasnik, Beograd Milasinovic, Goran 104337 Apsint / NULL Stubovi kulture, Beograd 101924* Camera obscura / NULL Stubovi kulture, Beograd 100094* Heraklov greh / NULL Stubovi kulture, Beograd 105727 Maske Sofije de Montenj / NULL Stubovi kulture, Beograd 107160 Rascepi / NULL Stubovi kulture, Beograd 109065 Slucaj Vinca / NULL Laguna, Beograd 106599 Trougao, kvadrat / NULL Stubovi kulture, Beograd Milasinovic, Svetlana 106533 Citanje savremene proze / NULL Mali Nemo, Pancevo Milcanovic, Rada 101334 Zapis u svetlosti / NULL Prosveta, Beograd Mileker, Feliks 108157 Vrsacki grad: istorijsko- arheoloska skica / NULL Istorijski arhiv, Pancevo, Pancevo Milekic, Zoran 109279 Dositej Obradovic / Srpski velikani Pcelica, Cacak Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Milenkovic, Milos 105683 Istorija postmoderne antropologije: posle postmodernizma / NULL Srpski genealoski centar, Beograd 105682 Istorija postmoderne antropologije: teorija etnografije / NULL Srpski genealoski centar, Beograd 107470 Ka politici srpske antropologije u XXI veku / NULL Srpski genealoski centar, Beograd 104256 Problem etnografski stvarnog / NULL Srpski genealoski centar, Beograd Milenkovic, Nenad 104478 Jaz / NULL Mali Nemo, Pancevo Milenkovic, Pavle 104998 Skola anala / NULL Stylos, Novi Sad Milenkovic, Toma 103516 Skolovanje dece ruskih emigranata u Kraljevini Zavod za udzbenike i Jugoslaviji / 1918-1941 nastavna sredstva, Beograd 106004 Trstenik i okolina / NULL Institut za savremenu istoriju, Beograd Miletic, Antun 106829 Srpski djenerali u zicama / NULL Albatros Plus, Beograd Miletic, Drasko 107043 Kalendari / NULL Dereta, Beograd 106433 pH roman / NULL Dereta, Beograd Miletic, Milkica 107210 Terra d oro / NULL Dereta, Beograd Miletic, Mirko 103622 Krajputasi / NULL Cigoja, Beograd Miletic, Slavica 104673 Religija i identitet na Kosovu / NULL XX vek, Beograd Miletic, Svetozar 103264 O srpskom pitanju / NULL Orpheus, Novi Sad 101384* Sabrana dela Svetozara Miletica I-III / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103909 Sabrana dela Svetozara Miletica, Tom 2/1 / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103910 Sabrana dela Svetozara Miletica, Tom 2/2 / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103911 Sabrana dela Svetozara Miletica, Tom 2/3 / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103912 Sabrana dela Svetozara Miletica, Tom 3 / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103908 Sabrani spisi Svetozara Miletica, Tom 1 / NULL Zavod za udzbenike i nastavna sredstva, Beograd Miletic Stanic, Nada 105945 Pravoslavne crkve u Baranji / NULL Muzej Vojvodine, Novi Sad Mileusnic, Slobodan 100768* Manastiri Srbije 1 – 2 / Monasteries of Serbia 1 – 2 Novinsko-izdavacki centar vojska, Beograd 103456 Srpski manastiri od Hilandara do Libertvila / NULL Srpska Knjizevna Zadruga, Beograd 103022 Svetinje Kosova i Metohije / NULL Novinsko-izdavacki centar vojska, Beograd Milic, Danica 100930 Strani kapital u rudarstvu Srbije do 1918 / NULL Istorijski institut, Beograd Milic, Mileta 102695* Cultural heritage of Kosovo and Metohija / NULL Republicki zavod za zastitu spomenika, Beograd 100816 Cuvari bastine 1947-1997 / NULL Republicki zavod za zastitu spomenika, Beograd 104209 Glasnik drustva konzervatora Srbije 20 / NULL Drustvo konzervatora Srbije, Beograd 104210 Glasnik drustva konzervatora Srbije 21 / NULL Drustvo konzervatora Srbije, Beograd 100173* Saopstenja XXX-XXXI (1996-1997) / NULL Republicki zavod za zastitu spomenika, Beograd 100868* Saopstenja XXXII-XXXIII (2000-2001) / NULL Republicki zavod za zastitu spomenika, Beograd 102703* Saopstenja XXXIV (2002) / NULL Republicki zavod za zastitu spomenika, Beograd Milic, Miodrag 103195 Jugosloveni u koncentracionom logoru Ausvic 1941-1945 / NULL Institut za savremenu istoriju, Beograd 103199 Jugosloveni u koncentracionom logoru Mathauzen / NULL Institut za savremenu istoriju, Beograd Milic, Novica 104852 A B C Dekonstrukcije / NULL Narodna Knjiga, Beograd 103494 Moderno shvatanje knjizevnosti / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104860 Predavanja o citanju / NULL Narodna Knjiga, Beograd 105600 Sta je teorija / NULL Institut za knjizevnost i umetnost, Beograd Milic, Zoran 102129 Iz starih spisa / NULL Gutenbergova galaksija, Beograd Milic A., Dejan 105353 Politicka beseda moderne Srbije / NULL Nomos, Beograd Milicevic, Milan Dj. 100326* Karadjordje u govoru i u tvoru / NULL Cigoja, Beograd 105710 Kljucevi Beograda: Stare slike srpske prestonice / Kratka historija Beograda / Dubrovcani u Beogradu Srpska Knjizevna Zadruga, Beograd 108409 Knez Milos u pricama / NULL Utopija, Beograd 104640 Knezevina Srbija / NULL Book-Marso, Beograd Milicevic, Milic 108127 Balkanski ratovi: fotopis Samsona Cernova / NULL Arhiv Srbije, Beograd 105110 Generali vojske Knezevine i Kraljevine Srbije / NULL Novinsko-izdavacki centar vojska, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Milicevic, Natasa 106663 Jugoslovenska vlast i srpsko gradjanstvo / NULL Institut za noviju istoriju Srbije, Beograd Milicevic, Risto 105466 Hercegovacka prezimena / NULL Svet knjige, Beograd Milicevic, Srdjan 106302 Obecana zemlja / NULL Dereta, Beograd Milicevic, Veljko 106968 Najlepse pripovetke Veljka Milicevica / NULL Ariadna, Beograd Milicevic, Vladeta 100405 Ubistvo kralja u Marselju / NULL Filip Visnjic, Beograd Milicevic Dobromirov, Natasa 107898 Super srpski: Srpski jezik za strance – visoki nivo / Serbian Language for Foreigners – Advanced Level Azbukum, Novi Sad Milikiev, Katarina 108836 Naucnoistrazivacki pristup knjizevnim delima / NULL Cigoja, Beograd Milin, Petar 104827 Frekvencijski recnik Tdora Manojlovica, Knjiga 2 / NULL Gradska narodna biblioteka Z. Zrenjanin, Zrenjanin 104826 Frekvencijski recnik Todora Manojlovica, Knjiga 1 / NULL Gradska narodna biblioteka Z. Zrenjanin, Zrenjanin Milincevic, Vaso 105874 Nikola Tesla i knjizevnost / NULL Biblioteka grada Beograda, Beograd 105979 Osvetljavanja i suocavanja: Studije i clanci / iz srpske knjizevnosti 19. i 20. veka Zavod za udzbenike i nastavna sredstva, Beograd 105522 Velika skola i veliki profesori / NULL Drustvo za srpski jezik i knjizevnost Srbije, Beograd Milinkovic, Mihailo 107486 Gradina na Jelici: ranovizantijski grad i / srednjovekovno naselje Zavod za udzbenike i nastavna sredstva, Beograd Milinkovic, Snezana 106165 Preobrazaji novele: Novela od V. Vrcevica do / tradicija Drustvo za srpski jezik i knjizevnost Srbije, Beograd Milisavljevic, Dragana 107187 Sisojevac: crtezi fresaka / NULL Republicki zavod za zastitu spomenika, Beograd Milisavljevic, Ostoja 104087* Beograd u istoriji / (od postanja do nasih dana) Poslovni biro, Beograd Milisavljevic, Vladimir 108769 Identitet i refleksija / Problem samosvesti u Hegelovoj filozofiji Zavod za udzbenike i nastavna sredstva, Beograd Milisic, Milan 106486 Unutrasnje stvari / NULL Prosveta, Beograd Milivojevic, Era 102068 Art sessions / (Jovan Cekic – Neobicne petlje) Geopoetika, Beograd Milivojevic, Slavisa108218 Svrljiska oblast u praistoriji, antici i srednjem veku / Le region de Svrljig en Serbie orientale – prehistoire, ant Balkanoloski institut, Beograd Milivojevic, Snjezana 108780 Mediji, ideologija i kultura / NULL Fabrika knjiga, Beograd Miljanic, Akim 101943* Prezimena u Crnoj Gori / NULL Beogradska knjiga, Beograd Miljanic, Vukota 101943* Prezimena u Crnoj Gori / NULL Beogradska knjiga, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Miljanov Popovic, Marko 103249 Poslanice / NULL Orpheus, Novi Sad Miljkovic, Bojan 106288* Zitija Svetog Save kao izvori za istoriju / srednjevekovne umetnosti Vizantoloski institut, Beograd Miljkovic, Boris 101437 Caj na Zamaleku / NULL Geopoetika, Beograd 102061 Fabrika hartije / NULL Geopoetika, Beograd 105223 Poljupci, uspomene i razgovori / NULL Geopoetika, Beograd 104607 Uspavanka za lalu / NULL Geopoetika, Beograd Miljkovic, Branko 105567 Izabrane pesme Branka Miljkovica / NULL Srpska Knjizevna Zadruga, Beograd 100738 Najlepse pesme Branka Miljkovica / NULL Prosveta, Beograd 107316 Pesme / NULL Srpska Knjizevna Zadruga, Beograd 102047 Pesme Branka Miljkovica / Narodna Knjiga, NULL Beograd Miljkovic, Ema 108433 Ognjiste koje se ne gasi / NULL Evoluta, Beograd Miljkovic, Mina 104454 Zacaravanje / NULL B92, Beograd Miljkovic Bojanic, Ema 103577 Smederevski sandzak 1476-1560 / Zemlja, naselja, stanovnistvo Istorijski institut, Beograd Miljkovic-Katic, Bojana 100926* Struktura gradskog stanovnistva Srbije sredinom 19. veka / NULL Istorijski institut, Beograd Miljus, Brano 108385 Harmonizacija zakonodavstva Srbije sa pravom / Evropske unije, 2 Institut za medjunarodnu polit, Beograd Miljuskovic, Slobodan 102063 Dokumenti za razumevanje ruske avangarde / NULL Geopoetika, Beograd Millet, Gabriel 105274 L ́ ancien art serbe / NULL Zavod za udzbenike i nastavna sredstva, Beograd Milnovic, Vasilije 107416 Carstvo granicnog / NULL Sluzbeni glasnik, Beograd Milojevic, Dobrivoje 104090 Leksikon bankarstva sa strucnom terminologijom / na nemackom i engleskom jeziku MeGraf, Beograd Milojevic, Miloje 103521 Narodne pesme i igre Kosova i Metohije / NULL Zavod za udzbenike i nastavna sredstva, Beograd Milojevic, Milos S. 104041 Nasi manastiri i kaludjerstvo / NULL Nikola Pasic, Beograd 108803 Odlomci istorije Srba i srpskih – jugoslovenskih zemalja / u Turskoj i Austriji Feniks Libris, Beograd 104035* Odlomci iz istorije Srba i srpskih – jugoslavenskih zemalja / u Turskoj i Austriji I-II Nikola Pasic, Beograd 104040 Putopisi dela prave Stare Srbije I-III / NULL Nikola Pasic, Beograd Milojkovic Djuric, Jelena 107473 Srbi na putevima Balkana, Evrope i Sredozemlja / NULL Zavod za udzbenike i nastavna sredstva, Beograd 106571* Usponi srpske kulture / Muzicki, knjizevni i likovni zivot 1918-1941 Izdavacka Knjizarnica Zorana S, Novi Sad 106519* Usponi srpske kulture: Knjizevni i / umetnicki zivot: 1900-1918 Izdavacka Knjizarnica Zorana S, Novi Sad Miloradovic, Sofija 108511 Obredna praksa – recima o hrani / Na materijalu iz srpskih govora Vojvodine Matica Srpska, Novi Sad 103619 Upotreba padeznih oblika u govoru paracinskog Pomoravlja / Balkanisticki i entomigracioni aspekt Etnografski Institut, Beograd Milosavljevic, Bojana 106050 Forme uctivosti u srpskom jeziku / NULL Uciteljski fakultet, Beograd 108521 Ogovaranje kao govorni zanr svakodnevne komunikacije / NULL Institut za Srpski Jezik, Beograd Milosavljevic, Boris 100157* Vizantijska filozofija u srednjevekovnoj Srbiji / Stubovi kulture, Beograd NULL Milosavljevic, Bosko 106420 Englesko-srpski frazeoloski recnik / Dictionary Zavod za udzbenike i nastavna sredstva, Beograd 106421 Srpsko-engleski recnik idioma / Dictionary Zavod za udzbenike i nastavna sredstva, Beograd 106422 Srpsko-francuski recnik idioma i izraza / Dictionnaire Zavod za udzbenike i nastavna sredstva, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Milosavljevic, Djordje 104823 Gola Vera i druge drame / NULL Narodna biblioteka Vuk Karadzic, Kragujevac 109038 Sentimentalne zavere / NULL Laguna, Beograd Milosavljevic, Dragana 106065 Josanica – crtezi fresaka / NULL Republicki zavod za zastitu spomenika, Beograd Milosavljevic, Dragisa 107358 Izgubljena riznica manastira Mileseve / NULL Sluzbeni glasnik, Beograd 108974 Poslednji cuvari zlatiborske bastine / Etika i poetika prostora starih zlatiborskih brvnara Sluzbeni glasnik, Beograd 105059* Srednjovekovni grad i manastir Dobrun / NULL Dereta, Beograd 104615 Zograf Andrija Raicevic / NULL Dereta, Beograd Milosavljevic, Nebojsa 107555 Zasto volim Kanadu – price iz tudjine / NULL Plato, Beograd Milosavljevic, Olivera 105421 Potisnuta istina / NULL Helsinski odbor za ljudska prava u Srbiji, Beograd Milosavljevic, Petar 102175 Radnicki pokret u Rumuniji II (1917-1941) / NULL Balkanoloski institut, Beograd 102593 Sistem srpske knjizevnosti / NULL Plavi krug, Beograd 102595* Srbi i njihov jezik / NULL Plavi krug, Beograd 102594* Uvod u srbistiku / NULL Plavi krug, Beograd Milosavljevic Milic, Snezana 107810 Figure citanja / NULL Sluzbeni glasnik, Beograd 108615 Ogledavanja / Laza Lazarevic i Simo Matavulj Filozofski fakultet, Nis 108922 Virtuelni narativ / Ogledi iz kognitivne naratologije Izdavacka Knjizarnica Zorana S, Novi Sad Milosevic, Desanka 100176* Djurdjevi Stupovi / NULL Republicki zavod za zastitu spomenika, Beograd 100163 Gracanica monastery / NULL Republicki zavod za zastitu spomenika, Beograd 102692 Le monastere de Sopocani / NULL Republicki zavod za zastitu spomenika, Beograd 100175 Manastir Sopocani / NULL Republicki zavod za zastitu spomenika, Beograd 102691 Monastery Sopocani / NULL Republicki zavod za zastitu spomenika, Beograd Milosevic, Dmitar 105188* Rodoslovi srpskih dinastija / NULL Knjiga Komerc, Beograd Milosevic, Gordana 100857* Mansio Idimum / Rimska postanska i putna stanica kod Medvedje Arheoloski institut, Beograd 100846* Stanovanje u srednjevekovnoj Srbiji / NULL Arheoloski institut, Beograd Milosevic, Monika 108370 Serbian Law in Transition: Changes and Challenges / NULL Institut za uporedno pravo, Beograd Milosevic, Nenad 104423 Pesme sa Save i Dunava / NULL RAD, Beograd Milosevic, Nikola 100378 Carstvo bozje na zemlji / NULL Filip Visnjic, Beograd 100007* Formalisticko i strukturalisticko tumacenje bajke / NULL Srpska akademija nauka i umetnosti, Beograd 102324 Istina i iluzija / NULL Stylos, Novi Sad 103547 Izabrana dela Nikole Milosevica 1-5 / NULL Sluzbeni list, Beograd 103688 Najlepsi eseji Nikole Milosevica / NULL Prosveta, Beograd Milosevic, Petar 107102 Istorija srpske knjizevnosti / NULL Sluzbeni glasnik, Beograd 108645 London, pomaz / NULL Agora, Zrenjanin 108650 Mi Ze Sentandrejci / NULL Agora, Zrenjanin 106125* Poezija apsurda / Vasko Popa Sluzbeni glasnik, Beograd Milosevic, Slobodan 103138 Kulturno-prosvetni rad u NOR-u / NULL Institut za savremenu istoriju, Beograd 103129 Nemacko-italijanski odnosi na teritoriji / okupirane Jugoslavije 1941-1943 Institut za savremenu istoriju, Beograd Milosevic- Djordjevic, Nada 103662 Epske narodne pesme / NULL Lirika, Beograd 100611 Kazivati redom / Prilozi proucavanju Vukove poetike usmenog stvaranja RAD, Beograd 103664 Narodna knjizevnost: basne i bajke / NULL Lirika, Beograd 103665 Narodna knjizevnost: legende, novele, poslovice, pitalice, / NULL Lirika, Beograd 103488 Narodna srpska knjizevnost / NULL Zavod za udzbenike i nastavna sredstva, Beograd 104931 Od bajke do izreke / NULL Drustvo za srpski jezik i knjizevnost Srbije, Beograd Milovanovic, Ivana 108779 Postkonfliktno drustvo i svakodnevica zena / Primena metoda slucaja u istrazivanjusvakodnevice zena KiM Cigoja, Beograd Milovanovic, Jovan 108742 Manastiri Srpske pravoslavne crkve / NULL Sluzbeni glasnik, Beograd 105206 Milovanovic, Kosta Daj mi krila jedan krug / NULL Kreativni centar, Beograd Milovanovic, Krsto 102797 Slave / NULL Glas srpski, Banja Luka Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Milovanovic, Zoran108265 Ptice Djerdapa / Birds of Djerdap Zavod za zastitu prirode Srbije, Beograd Milutinovic, Miroslav 108995 Automobili i dinastija Karadjordjevica 1908- 1941 / NULL Sluzbeni glasnik, Beograd 109001 Automobili i Josip Broz Tito 1912-1980 / NULL Sluzbeni glasnik, Beograd Milutinovic, Zoran 107389 Poststrukturalizam / Sasvim kratak uvod Sluzbeni glasnik, Beograd 105225 Susret na trecem mestu / NULL Geopoetika, Beograd Milutinovic Brada, Miroljub 101793 Hajduci / NULL Kreativni centar, Beograd Milutinovic Sarajlija, Sima 105178 Dika crnogorska / NULL Interpres, Beograd Mimica, Goran 102327* Korografija / NULL Stylos, Novi Sad Minic, Dusica 106311 Srednjovekovni Stalac / Medieval Stalac Arheoloski institut, Beograd Mircetic, Predrag 107696 Postmodernizam / Sasvim kratak uvod Sluzbeni glasnik, Beograd Miric, Kata 108895 Bibliografija Ive Andrica (1911-2011) / NULL Srpska akademija nauka i umetnosti, Beograd Miric, Mihailo M. 104732 Povratnik / NULL Filip Visnjic, Beograd Mirkovic, Ceda 100294 Darkness in the Dark / NULL Dereta, Beograd Mirkovic, Dragutin 103498 Cesko-srpski recnik 1-2 / NULL Zavod za udzbenike i nastavna sredstva, Beograd Mirkovic, Jovan 108037 Zlocini na Srbina u Nezavisnoj drzavi Hrvatskoj / Crimes Against Serbs in the Independent State of Croatia Svet knjige, Beograd Mirkovic, Ljiljana 108344 BozidArt / NULL Clio, Beograd Mirkovic, Mirko 101549 O pravnom polozaju srpske crkve u proslosti / NULL Dosije, Beograd Mirkovic, Miroslava 107504 Ancient Rome and the Danube / The Danube- Emperors Inscriptions in Djerdap-Lower Canyon Miroslava Mirkovic, Beograd 108546 Rea Silvia and Seven Roman Kings / Kinship and Power in Early Rome Miroslava Mirkovic, Beograd 105470 Rimska drzava pod kraljevima i u doba Republike / (753-27. pre Hr.) Istorija i institucije Dosije, Beograd 105471 Rimska drzava u doba Principata i Dominata / od Abgusta do Konstantina (27. pre Hr. – 337 n.e.) Dosije, Beograd 104512* Römer an der mittleren Donau / Römische Straßen und Festungen von Singidunum bis Aquae Miroslava Mirkovic, Beograd 104873* Römische Städte und Filozofski Fakultet, Festungen an der Donau / Akten der regionalen Konferenz, Beograd 16.-19. Oktober 2003 Beograd 104952* Sirmium – Istorija rimskog grada od I do kraja VI veka / NULL Filozofski Fakultet, Beograd Mirkovic, Nikola 106733 Izabrane studije i kritike / NULL Srpska Knjizevna Zadruga, Beograd Mirkovic, Zeljka 104248 Recnik masinske tehnike englesko-srpski / Dictionary Orion Art, Beograd Mirkovic, Zivko M. 102166 Istorija opstehriscanske i srpske pravoslavne crkve / NULL Ars Libri, Beograd Mirkovic Seljacki, Milica 107081 Parodije Stanislava Vinavera / NULL Sluzbeni glasnik, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Misailovic, Milenko108740 Komika i etika narodne erotike / Po Vuku Karadzicu i ostalim izvorima Sluzbeni glasnik, Beograd Misic, Vojvoda Zivojin 107007 Moje uspomene / NULL Institut za savremenu istoriju, Beograd Misic, Sasa 107121 Albanija: Prijatelj i protivnik / Jugoslovenska politika prema Albaniji 1924-1927 Sluzbeni glasnik, Beograd Misic, Sinisa 109278 Srbija 1217. / Nastanak kraljevine Evoluta, Beograd 101739* Svetoarhandjelovska hrisovulja / NULL Istorijski institut, Beograd Miskovic, Milic 103014* Ustav Knjazestva Serbije / Sretenjski ustav Sluzbeni glasnik, Beograd Misnic, Veselin 100645 Tresnje boje trule visnje / NULL RAD, Beograd Mitic, Miodrag 102945 Kako nam se dogodio Rambuje / NULL Filip Visnjic, Beograd 100403* Poete u fraku / NULL Filip Visnjic, Beograd Mitic, Srboljub 104173 Licna karta / NULL Zavod za udzbenike i nastavna sredstva, Beograd Mitrovic, Andrej 100337 Klio pred iskusenjima / NULL Cigoja, Beograd 106299 Kultura i istorija / NULL Arhipelag, Beograd 106090 O bozjoj drzavi i zlom spasenju / NULL Arhipelag, Beograd 107489 Prodor na Balkan: Srbija u planovima / Austro- Ugarske i Nemacke: 1908- 1918 Zavod za udzbenike i nastavna sredstva, Beograd 108143 Srbija u Prvom svetskom ratu / NULL Sluzbeni glasnik, Beograd 103374 Strane banke u Srbiji 1878-1914 / NULL Stubovi kulture, Beograd 109181 Ustanicke borbe u Srbiji 1916-1918 / NULL Zavod za udzbenike i nastavna sredstva, Beograd Mitrovic, Bozidar 105876 Kolovenija – najstarija civilizacija / NULL Pesic i sinovi, Beograd Mitrovic, Dragana 108386 Western Balkans: From Integration to Stabilisation / Zbornik Institut za medjunarodnu polit, Beograd Mitrovic, Gordana 104300* Voda – smisao trajanja / Drustvo Water – a Sense of Duration konzervatora Srbije, Beograd Mitrovic, Katarina 107130 Jurisdikcija katolicke crkve u Sremu / NULL Sluzbeni glasnik, Beograd Mitrovic, Ljubisa 105292 Balkan / granica i most medju narodima Zavod za udzbenike i nastavna sredstva, Beograd Mitrovic, Marija 104961 Pregled slovenacke knjizevnosti / NULL Izdavacka Knjizarnica Zorana S, Novi Sad 106069* Svetlost i senke / Kultura Srba u Trstu Clio, Beograd Mitrovic, Mihajlo 107572 Arhitektura Beograda 1950-2012 / NULL Sluzbeni glasnik, Beograd Mitrovic, Mirjana 100155* Sveto stado / NULL Stubovi kulture, Beograd Mitrovic, Momcilo 103211 Domovi i menze studenata Beogradskog univerziteta 1838-1998 / NULL Institut za noviju istoriju Srbije, Beograd 103205 Izgubljene iluzije / Prilozi za drustvenu istoriju Srbije 1944-1952 Institut za noviju istoriju Srbije, Beograd 106018 Muslimanski logor Visoko 1992-1993. / Dnevnik i kazivanja logorasa Institut za noviju istoriju Srbije, Beograd 106016 Srpska nacionalna cast pred zakonom 1945. godine / NULL Institut za noviju istoriju Srbije, Beograd 106664 Tri dokumenta o ibeovcima / NULL Institut za noviju istoriju Srbije, Beograd 106019 Visoko. The Moslem War Camp 1992-1993 / Diary and Testimonies Institut za noviju istoriju Srbije, Beograd Mitrovic, Nemanja 105306 Drug Petar Pan / NULL Narodna Knjiga, Beograd 106528 Luda cara Troglava / NULL Prosveta, Beograd 103359 Nerasvetljeni Svetozarov nestanak / NULL Geopoetika, Beograd 106543 Rim ili mir / NULL Stubovi kulture, Beograd 106989 Romansa sa vevericom / NULL Stubovi kulture, Beograd Mitrovic, Predrag 105051 San urgentne noci / NULL Filip Visnjic, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Mitrovic, Vladimir 106824* Arhitektura XX veka u Vojvodini / Archtecture of the 20th Century Vojvodina Akademska knjiga, Novi Sad Mitrovic, Zivan 104066 Srpske politicke stranke / NULL Politika, Beograd Mladenov, Marin 107283 Belina Beloga / Stilisticko- tropoloski ogledi o prozi R.B. Markovica Albatros Plus, Beograd 103503 Bugarsko-srpski recnik / NULL Zavod za udzbenike i nastavna sredstva, Beograd Mladenovic, Aleksandar 106516 Istorija srpskog jezika / Odabrani radovi Cigoja, Beograd 106376* Iz istorije srpskog jezika / NULL Cigoja, Beograd 108449 Kosovsko-metohijski zbornik 4 / NULL Srpska akademija nauka i umetnosti, Beograd 106378* Povelje i pisma Despota Stefana / NULL Cigoja, Beograd 106379* Povelje kneza Lazara / NULL Cigoja, Beograd 103704 Srpski dijalektoloski zbornik 49 / Rjecnik dubrovackog govora Institut za Srpski Jezik, Beograd 103709 Srpski dijalektoloski zbornik 50 / Govori severne Metohije Institut za Srpski Jezik, Beograd 105005 Srpski dijalektoloski zbornik 51 / NULL Institut za Srpski Jezik, Beograd 105685 Srpski dijalektoloski zbornik 53 / NULL Institut za Srpski Jezik, Beograd 106343 Srpski dijalektoloski zbornik 54 / Zeitschrift Institut za Srpski Jezik, Beograd Mladenovic, Bozica 100955 Dnevnik Koste Milovanovica Pecanca od Izvori za istoriju srpskog naroda u XIX i XX veku Istorijski institut, Beograd 104902 Porodica u Srbiji u Prvom svetskom ratu / NULL Istorijski institut, Beograd 105692 Toplicki ustanak 1917 / NULL Istorijski institut, Beograd Mladenovic, Milan 102656 Decak iz vode / NULL Lom, Beograd Mladenovic, Olivera 100973 Kolo u juznih Slovena / NULL Etnografski Institut, Beograd Mladenovic, Tanasije 102440 Ah, vreme osrednjosti / NULL Prometej, Novi Sad 101377* Izabrana dela Tanasija Mladenovica I-VII / NULL Zavod za udzbenike i nastavna sredstva, Beograd 103674 Sene i opomene / NULL Narodna biblioteka, Smederevo, Smederevo Mladenovic, Zivomir 109196 Laza Kostic: Zivot i knjizevno delo / NULL Cigoja, Beograd 103327* Neobjavljene pesme Vuka Karadzica / NULL Cigoja, Beograd 105903* Srpski realisti / NULL Cigoja, Beograd Mladjenovic, Branko 107999 Bunker Swing / NULL Laguna, Beograd Mojasevic, Miljan 100043* Juznoslovenske teme u Kotinskom listu / Veze nemacko-srpske Vukove i Vukovog doba Srpska akademija nauka i umetnosti, Beograd 108330 Srbi u nemackom mnjenju Vukovog doba / NULL Srpska akademija nauka i umetnosti, Beograd Mojzita, Miroslav 103430 Beograd – Beleske 1995- 2001 / NULL Clio, Beograd Mokranjac, Aleksandra 108733 Grad i hram / NULL Sluzbeni glasnik, Beograd 107036 Opsenarenje / NULL Srpska Knjizevna Zadruga, Beograd Moljkovic, Ilija 106138* Slucaj Student / NULL Sluzbeni glasnik, Beograd Molnar, Aleksandar 101982 Rasprava o demokratskoj ustavnoj drzavi 1-4 / Knj. 1: Pravo na otpor tiraniji Fabrika knjiga, Beograd 101983 Rasprava o demokratskoj ustavnoj drzavi 1-4 / Knj. 2: Klasicne revolucije – Nizozemska- Engleska – Fabrika knjiga, Beograd SAD 101984 Rasprava o demokratskoj ustavnoj drzavi 1-4 / Knj. 3: Moderne revolucije – Francuska – Rusija – Nemacka Fabrika knjiga, Beograd 101985 Rasprava o demokratskoj ustavnoj drzavi 1-4 / Knj. 4: Gradjanska neposlusnost Fabrika knjiga, Beograd 102073 Rasprava o demokratskoj ustavnoj drzavi 1-4 / Sve cetiri knjige zajedno Fabrika knjiga, Beograd 105953 Rasprava o demokratskoj ustavnoj drzavi 5 / Od kulta Votana do holokausta Fabrika knjiga, Beograd Mombauer, Anika 108345 Uzroci Prvog svetskog rata / NULL Clio, Beograd Moravcevic, Nikola 106293 A Brandenburg Concerto / NULL Arhipelag, Beograd Moravcevic, Nikola 105026 Albion, Albion / NULL Stubovi kulture, Beograd Moravcevic, Nikola 106959 Albion, Albion / A Historical Novel Arhipelag, Beograd 106957 Becu na veru / NULL Arhipelag, Beograd 109167 Braca Andjelovici / NULL Arhipelag, Beograd 106689 Brandenburski koncerto / NULL Arhipelag, Beograd 109166 Marko Mrnjavcevic / NULL Arhipelag, Beograd 107302 Poslednji despot / NULL Arhipelag, Beograd 107597 Radicevo zavestanje / NULL Arhipelag, Beograd 104471 Selected Essays / NULL Stubovi kulture, Beograd 109165 Srpske vlastelinke / NULL Arhipelag, Beograd 106687 Svetlost Zapada / Lux Occidentalis Arhipelag, Beograd 106088 Vitez u doba zla / Despot Stefan Visoki Arhipelag, Beograd 106688 Vreme vaskrsa / NULL Arhipelag, Beograd 107978 Zapisi o srpskom carstvu / NULL Arhipelag, Beograd Moravic Balkanski, Vesna 105208 Skola za lisice / NULL Kreativni centar, Beograd Autor Porudž.-Br.Naslov (/ Podnaslov) Izdavač, Mesto Moskovljevic, Milos S. 102125 Recnik savremenog knjizevnog jezika s jezickim savetnikom / NULL Gutenbergova galaksija, Beograd Moskovljevic, Olga 104054 Knjiga na lomaci / NULL Nikola Pasic, Beograd Mrazovic, Pavica 107469 Gramatika srpskog jezika za strance / NULL Izdavacka Knjizarnica Zorana S, Novi Sad Mrdakovic, D. 103676 Smederevo, grad prestonica / Zbornik tekstova Narodna biblioteka, Smederevo, Smederevo Mrdakovic, Dragan 104222 Mons Aureus 1 – 2003 / Casopis za knjizevnost, umetnost i drustvena pitanja Narodna biblioteka, Smederevo, Smederevo 104223 Mons Aureus 1 – 2004 / Casopis za knjizevnost, umetnost i drustvena pitanja Narodna biblioteka, Smederevo, Smederevo 104224 Mons Aureus 2 – 2004 / Narodna biblioteka, Casopis za knjizevnost, umetnost i drustvena pitanja Smederevo, Smederevo 104225 Mons Aureus 5/6 – 2004 / Casopis za knjizevnost, umetnost i kulturu Narodna biblioteka, Smederevo, Smederevo 104226 Mons Aureus 7 – 2005 / Casopis za knjizevnost, umetnost i drustvena pitanja Narodna biblioteka, Smederevo, Smederevo Mrdjenovic, Dusan 101606 Miroslavljevo jevandjelje / Istorijat i komentari Dosije, Beograd Mrgic, Jelena 109186 Leksikon gradova i trgova srednjovekovnih srpskih zemalja: / prema pisanim izvorima Zavod za udzbenike i nastavna sredstva, Beograd 106788 Severna Bosna 13-16. vek / NULL Istorijski institut, Beograd 108411 Zemlja i ljudi: iz istorije zivotne sredine / Zapadnog Balkana Equilibrium, Beograd Mrkalj, Zona 107454 Na casovima srpskog jezika / NULL Zavod za udzbenike i nastavna sredstva, Beograd 107925 Nastavno proucavanje narodnih pripovedaka i predanja / NULL Drustvo za srpski jezik i knjizevnost Srbije, Beograd Mrsevic Radovic, Dragana 106166* Frazeologija i nacionalna kultura / NULL Drustvo za srpski jezik i knjizevnost Srbije, Beograd 109012 Naucni sastanak slavista u vukove dane 45/1 / Lingvisticki pravci prve polovine 20. veka Medjunarodni slavisticki centar, Beograd 109013 Putevima srpskog jezika knjizevnosti i kulture 1 / Skup slavista. Predavanja Medjunarodni slavisticki centar, Beograd 109014 Putevima srpskog jezika knjizevnosti i kulture 2 / Skup slavista. Predavanja Medjunarodni slavisticki centar, Beograd Mrsic, Sinisa 109186 Leksikon gradova i trgova srednjovekovnih srpskih zemalja: / prema pisanim izvorima Zavod za udzbenike i nastavna sredstva, Beograd Mulic, Roman 103749 Istorija srpske revolucije / Svedocanstvo velikih savremenika Filip Visnjic, Beograd Munitic, Ranko 102519 Filmski neprijatelji / NULL Prometej, Novi Sad 102520 Filmski prijatelji / NULL Prometej, Novi Sad Musicki, Lukijan 107076 Moje strune / NULL Sluzbeni glasnik, Beograd 105707 Pesme Lukijana Musickog / NULL Srpska Knjizevna Zadruga, Beograd Musovic, Ejup 100170 Dzamije u Novom Pazaru / NULL Republicki zavod za zastitu spomenika, Beograd 100978 Etnicki procesi i enticka struktura / NULL Etnografski Institut, Beograd 100984 Tutin i okolina / NULL Etnografski Institut, Beograd Musovic, Tafil 108688 Djurdjevdan Mustedanagic, Lidija 102323* Groteskni brevijar Borislava Pekica / NULL Stylos, Novi Sad Mutavdzic, Predrag 107872 Balkan i Balkanologija / Uvod u studije Jugoistocne Evrope