50 Years Of Glastonbury 50 Years of Glastonbury celebrates the mud and mayhem that makes the festival one of the most popular musical events in the world, for fans and for artists, alike. Packed with incredible photographs and stories of the acts and attendees who have made Glastonbury a phenomenon, this is a visual feast showing line-ups from each festival and outstanding photographs of headliners and cult acts from the festival's extraordinary history.

D&Ad 50 Years Excellence in visual thinking. Celebrating 50 years of outstanding creativity in design and art direction. The annual D&AD Awards honor outstanding creativity, originality, technical excellence, and innovation in design and advertising. Every year, thousands of entrants submit a host of crazy, beautiful, thought-provoking, sublime and, occasionally, winning entries. Panels of rigorous judges debate, sometimes for days on end, to decide on the best work, which all appears in the annual book; the best of the best get nominations, favorites receive a Yellow Pencil, and sometimes but not always, there is an entry that is so incredible that it receives the highest accolade: a Black Pencil. For this special anniversary volume, each of the last 50 years is represented by a D&AD president, board member, or judge - including Terence Conran (1966), David Abbott (1975), Lord Snowdon (1980), Tim Delaney (1992), and Paul Brazier (2009) - who shares his or her favorites from the year. Interviews and essays from luminaries such as Neville Brody complete the picture. Often it is the pencil-winners that have been selected, though occasionally it is an outsider or even an entry not even featured in the annual. That each year's selections are chosen by one individual makes this 50th anniversary book unique; you may agree, you might be surprised, or perhaps you'll simply marvel at how trends have changed. The highlights of the last 50 years are interspersed with stories, biographies and statistics documenting the history of D&AD and the development of the industry, through the experiences of creative individuals who have been most involved with its evolution. From the birth of TV advertising in the sixties to the digital revolution of the 2000s, D&AD has lived through it all and helped to shape what it is today. This is the chance to explore the best from the world of creative communications over the past five decades. Prikaži više

50 Years Of Shoot! 50 Years of Shoot! brings back fond memories of a time when sideburns and haircuts were long, shorts were short and England's World Cup victory was a recent event. They'll recall when a footballer's favourite meal was steak and chips, he drove a Ford Capri and his biggest dislike was ignorant people. Ah, it was a different world back then! For younger readers, this will be a history lesson, proof positive that their father's heroes really did exist – and they were quite good too. The book comprises a selection of page lifts from back issues of the magazine, featuring everybody's favourite weekly features, such as 'You Are the Ref!', 'Football Funnies', 'Shoot Us A Line' and 'Ask The Expert', etc., and stories and action photographs from the key issues of the day.

50 Years - Don't Stop Fleetwood Mac je jedan od bendova čiji su albumi najprodavaniji u istoriji rok muzike. Bend startuje turneju 3. oktobra 2018. godine u SAD-u. Ovo izdanje slavi uspešnu karijeru Fleetwood Mac-a. Kolekcija sadrži numere koje nikada ranije nisu digitalizovane, poput “Oh Well - Pt. I”, “Rattlesnake Shake”, “The Green Manalishi (With The Two Prong Crown)” kao i retke fotografije benda. 1. Don’t Stop 2. Go Your Own Way 3. Dreams 4. The Chain 5. Landslide 6. Rhiannon (Will You Ever Win) (Single Version) 7. Everywhre 8. Little Lies 9. Never Going Back Again (Live) 10. Tusk 11. Sara (Single Version) 12. Gypsy 13. Hold Me 14. Big Love 15. Seven Wonders 16. Save Me (Single Version) 17. Peacekeeper 18. Albatross 19. Man Of The World 20. Oh Well - Pt. I

50 Years - Don't Stop Fleetwood Mac je jedan od bendova čiji su albumi najprodavaniji u istoriji rok muzike. Bend startuje turneju 3. oktobra 2018. godine u SAD-u. Ovo izdanje slavi uspešnu karijeru Fleetwood Mac-a. Kolekcija sadrži numere koje nikada ranije nisu digitalizovane, poput “Oh Well - Pt. I”, “Rattlesnake Shake”, “The Green Manalishi (With The Two Prong Crown)” kao i retke fotografije benda. DISK 1 1. Shake Your Moneymaker 2. Black Magic Woman 3. Need Your Love So Bad 4. Albatross 5. Man Of The World 6. Oh Well - Pt. I 7. Rattlesnake Shake 8. The Green Manalishi (With The Two Prong Crown) 9. Tell Me All The Things You Do 10. Station Man (Single Version) 11. Sands Of Time (Single Version) 12. Spare Me A Little Of Your Love 13. Sentimental Lady (Single Version) 14. Did You Ever Love Me 15. Emerald Eyes 16. Hypnotized 17. Heroes Are To Hard To Find (Single Version) DISK 2 1. Monday Morning 2. Over My Head (Single Version) 3. Rhiannon (Will You Ever Win) (Single Version) 4. Say You Love Me (Single Version) 5. Landslide 6. Go Your Own Way 7. Dreams 8. Second Hand News 9. Don’t Stop 10. The Chain 11. You Make Loving Fun 12. Tusk 13. Sara (Single Version) 14. Think About Me (Single Version) 15. Fireflies (Single Version) 16. Never Going Back Again (Live) DISK 3 1. Hold Me 2. Gypsy 3. Love In Store 4. Oh Diane 5. Big Love 6. Seven Wonders 7. Little Lies 8. Everywhre 9. As Long As You Follow 10. Save Me (Single Version) 11. Love Shines 12. Paper Doll 13. I Do (Edit) 14. Silver Springs (Live-Edit) 15. Peacekeeper 16. Say You Will 17. Sad Angel Prikaži više

Celebrate 50 years bossa nova Vinicius se Moraes/ Roberto Paiva/ Antonio Carlos Jobim - Orfeu da Conceicao

Star Trek: 50 Artists 50 Years To coincide with the 50th anniversary of the original Star Trek TV series, CBS Consumer Products have commissioned a series of art pieces to celebrate moments, characters, storylines and episodes from the franchise. Artists from around the world as well as famous fans have contributed lovingly made posters, photos, sculptures, comic strips, textiles and much more to commemorate this beloved show. Foreword by Nicholas Meyer.

Jane Goodall: 50 Years At Gombe A lot has happened since Stewart, Tabori & Chang first published Jane Goodall: 40 Years at Gombe in the Autumn of 1999. Most recently, Gombe has contributed ground-breaking AIDS research; established programmes to improve sanitation, health care and education within neighbouring Tanzanian communities; and empowered locals to pursue reforestation initiatives and refugee aid programs.The accomplishments of the past ten years alone have given the Jane Goodall Institute a great deal to celebrate. In honour of the field site's 50th anniversary, STC is proud to release Jane Goodall: 50 Years at Gombe, a compelling pictorial tribute to her life, her studies of the chimpanzees and her unflagging efforts to motivate human beings on their behalf. With a new format, a redesign, more than a dozen new photographs, and updated text throughout, this revised edition retraces five decades of compassion and discovery.

Vazno obavestenje Dostupno za slanje od prve polovine Maja (Svi koji su kupili zakljucno sa 12 Aprilom, paketi se salju 19-og i 20-og Aprila) Hvala na divnoj saradnji i nastavljamo u istom ritmu do kraja godine :-) Samo originali Fleetwood Mac 50 Years, Don`t Stop 3CD Deluxe Edition in a Special Digipack

50 Years Of The Playboy Bunny For the first time ever, Playboy presents the complete, official account of the iconic Playboy Bunny. Coinciding with the Bunny's 50th anniversary, this richly illustrated book presents stunning pictorials of famous and classic Bunnies from the likes of Debbie Harry, Lauren Hutton, and Gloria Steinem as well as rare images unearthed from the Playboy vault. A fascinating narrative charts the 50-year history of the Bunny, from the opening of the first Playboy club in Chicago to the making of a global empire. Former Bunnies and Playboy legends share insider secrets: a former "Bunny Mother" dishes on daily life in the clubs, Hugh Hefner reminisces on the swinging '60s, and his brother Keith discusses Bunny etiquette. With oodles of gorgeous Bunnies and a foreword by Hef himself, this is the perfect gift for any Playboy fan.

Rolling Stones: 50 Years of Rock The Rolling Stones' origins date back to the boyhood friendship of Mick Jagger and Keith Richards, forged in 1951. Their acquaintance was interrupted when both families moved in the mid-Fifties but got rekindled in October 1960, when the two ran into each other at a train station and Richards noticed the imported R&B albums Jagger was carrying under his arm. Jagger, a student at the London School of Economics, was a hardcore blues aficionado, while Richards' interest leaned more toward Chuck Berry-style rock and roll. Richards soon joined Jagger's group, Little Boy Blue and the Blue Boys.Several years later Richards and Jagger met Brian Jones and the three clicked, forming the Rolling Stones. Joined by drummer Charlie Watts and bassist Bill Wyman, the band would come to epitomize the darker, bluesier and more boldly sexual side of rock and roll in a kind of ongoing counterpoint with the Beatles' sunnier, more pop-oriented vistas. Five decades later, no one has yet stripped the Rolling Stones of their title as the World's Greatest Rock and Roll Band. In a 2002 interview in USA Today, Richards said: "People thought it couldn't be done. We never thought of trying it. We are just here. It's a vague mission you can't give up until you keel over."

Impact: 50 Years Of The Cfda IMPACT is the definitive celebration of the 50th anniversary of the Council of Fashion Designers of America, exploring the effect of the careers of America's most influential designers over the last five decades. Anchored by Patricia Mear's illuminating essay on the history of the CFDA, the book incorporates over three hundred designer's personal statements and images. Illustrated with many never before seen images from the most important names in American fashion accompanied by insightful and reflective essays written by the designers themselves, this is the ultimate Fashion who's who and celebration of this important Fashion organisation. Accompanied by elegant photographs of career-changing moments, this book is the definitive word on the voice of American Fashion.

Planet Jarre (50 Years Of Music) CD 1: Oxygene, Pt. 1 Oxygene, Pt. 19 First Rendez Vous Millions of Stars Chronology, Pt. 1 Oxygene, Pt. 20 Equinoxe, Pt. 2 Waiting for Cousteau The Heart of Noise (The Origin) CD 2: Industrial Revolution, Pt. 2 Oxygene, Pt. 4 Equinoxe, Pt. 5 Oxygene, Pt. 2 Zoolookologie Bells Equinoxe, Pt. 4 Magnetic Fields, Pt. 2 Rendez-Vous II, Pt. 4 Fourth Rendez-Vous Chronology, Pt. 4 CD 3: Coachella Opening Arpegiateur Automatic, Pt. 1 feat. Vince Clarke Exit feat. Edward Snowden Equinoxe, Pt. 7 Oxygene, Pt. 8 Stardust feat. Armin van Buuren Herbalizer Revolutions CD 4: Ethnicolor Souvenir de Chine Blah Blah Cafe Music for Supermarkets Roseland (Le pays de rose) La cage Erosmachine Hypnose La chanson des granges brulées Happiness Is a Sad Song Aor Bleu Last Rendez Vous

u dobrom stanju Tvrd povez, zaštitni omot, veliki format ma kvalitetnom papiru, teška- Private Eye: The First 50 Years : an A-Z Adam Macqueen Private Eye Productions, Limited, 2011 - 311p To mark the 50th anniversary of the magazine in 2011, Adam Macqueen has produced a fascinating A-Z history of Private Eye. An amazing compendium of the first 50 years of Private Eye magazine which is a mix between humourous and also covering the serious investigations and stories that were broken by the magazine. They have always been a thorn in the side of the establishment and so not everyone`s favourite publication but a vital source of investigative and campaigning journalism. Hardcover: 312 pages Publisher: Private Eye Productions Ltd.; 1st edition (12 Sept. 2011) Language: English ISBN-10: 1901784568 ISBN-13: 978-1901784565 Product Dimensions: 29.7 x 3 x 21 cm Having read Adam Macqueen`s commendably exhaustive encyclopaedia of Private Eye, the British satirical fortnightly, I now feel I know rather more about Lord Gnome`s organ than I wish to. Still, this could be because I knew a fair bit about it to begin with, and Macqueen`s book has only filled in the blanks. I`ve been with the Eye for nearly four of its five decades – I remember cutting out and pasting a cartoon clipped from its pages on to a school exercise book in 1972, when I was 12. As I recall it depicted Lord Longford – known for, among other things, his zealous campaign against pornography – walking past a couple of sniggering schoolboys, one of whom is whispering to the other, apropos of the bare-domed peer: `They say it makes you go bald.` Needless to say, my teacher took a dim view of this decal, the creator of which I`m ashamed to say I can`t remember, although it may have been the incomparable McLachlan, just one of the many great cartoonists to have found a home at the Eye over the years. My pedagogues at secondary school also took a dim view of the Eye-inspired satire rag I photocopied and distributed, and which was named – in an homage to Dave Spart, their parody Trotskyite columnist – `The Alternative Voice`. I don`t think I got that close to being expelled for my shameless guying of teachers, revelations of their eccentricities and outright malfeasance, but it was made fairly clear that things would go badly for me if I didn`t desist. What I`m trying to say is that the Eye and I have form, and when I grew big enough not simply to be a reader and emulator but also a target of its pasquinades, I confess I felt nothing but – as the late, lamented Peter Cook, the organ`s one-time proprietor, would`ve put it, in character as Sir Arthur Streeb-Greebling – `stupefying pride`. I have never, ever considered cancelling my subscription – to do so would be beyond infra dig. To respond to a guying from the Eye is, as anyone in British public life should know, a very stupid thing to do, calling forth the well-attested-to `Curse of Gnome`. Recipients of this inky-black spot include stellar egotists such as Piers Moron and Andrew `Brillo Pad` Neill (a deliberate misspelling of both their last names is rigorously enforced Eye house style); rampaging financiers such as the late Sir `Jams` Goldsmith and `Tiny` Rowland; press barons such as the Dirty Digger and the late `Cap`n Bob` Maxwell. Indeed, of the latter – who tried to snow the peskily truth-seeking Eye under with a blizzard of litigation during the early 90s, as his publishing empire sank into the murky waters of its own gross turpitude – it might almost be said that Lord Gnome stood behind him on the deck of his yacht and gave him a hefty shove. (That`s enough Curse of Gnome, Ed.) I make no apology for lacing this review with some of the in-jokes that Private Eye has established as its stock-in-trade during the past half-century. Frankly, if you`re interested in the evolution of British politics and society and haven`t at least a nodding acquaintance with the City commentary of `Slicker`, the poetical works of EJ Thribb (aged 17-and-a-half), the agricultural updates of `Muckspreader`, the architectural ones of `Piloti`, the investigative journalism of the late Paul Foot – and the very much current Francis Wheen – and the parodies by Craig Brown, then you`ve no real business being here at all. Private Eye is, quite simply, as integral to British public life as the Times used to be – and this parallel is deeply instructive. Founded in 1961 by a cabal of ex-public school boys – Christopher Booker, Richard Ingrams, Willie Rushton and Peter Usborne, who did their own mini-satire rags at Shrewsbury then Oxford before linking up with the nascent `satire boom` centred on Peter Cook`s Soho Establishment Club – Private Eye has always had a deeply equivocal attitude towards the higher-ups it attempts to drag down. Macqueen quotes Ingrams quoting his own hero, William Cobbett, to explain the Eye`s terms of engagement: `When [a man] once comes forward as a candidate for public admiration, esteem or compassion for his opinions, his principles, his motives, every act of his life, public or private, becomes the fair subject of public discussion.` It`s a purist satirical modus operandi, more pithily encapsulated by Ingrams as `get the shits`. But what it isn`t, of course, is necessarily anti-establishment. On the contrary, with his brown corduroys and his general air of tweed-on-the-brain, Ingrams, who presided over the Eye for roughly half of its half-century, would seem the very epitome of a certain kind of English gentleman. His friend – and one-time `young fogey` – AN Wilson describes Ingrams as `deeply solipsistic`, and having met him on a few occasions I can testify to his almost pathological reticence; but while he`s inclined to style himself as an anarchist, what I suspect has always animated Ingrams is a desire not to destroy the state but purify it. And what infuriates him is not the exercise of power per se – let alone the existence of hierarchies and their ideologies of tradition – but the abuse of that power. He, like his successor Ian Hislop (also ex-public school and Oxford), is a regular Anglican communicant. The Eye has thus always been a fairly broad church in terms of its political spectrum, stretching all the way from Foot`s revolutionary socialism to Christopher Booker`s flat-earth conservatism. But what all Eye-types evince – and Macqueen, who works there, is no exception – is a love of their own clique. Ingrams conceived of the Eye as `journalism done by a gang of friends`, and since those friends shared the prejudices of their class-of-origin they were writ large over the years. Perhaps the most egregious example of this was the late Auberon Waugh. Defenders of his rather vicious attacks always pointed to their fantastical contextualisation as if this rendered them inert, but while personally Bron – as he was known – would never have been as crass as he was in print (and he did have redeeming features, including tireless campaigning for the victims of the Biafran war), he nonetheless exhibited all the de-haut-en-bas of his fictive alter-ego. I always suspected – and I knew him slightly – that his ill-repressed rage was actually a function of his status as the epigone`s epigone. After all, it can never have been easy stepping into his father`s shoes, Evelyn having been an incomparably greater misogynist, antisemite and homophobe. To be fair to Hislop, in recent years the Eye has mostly been purged of its bigotry, while its record of speaking truth to power remains intact. To look back over the catalogue of its stories, from the Profumo scandal, to Deepcut, from T Dan Smith to Trafigura, is to turn back the pages of a book of wholly honourable revelation. That Private Eye shares many of the characteristics of the establishment it lampoons – male and Oxbridge-dominated – is perhaps inevitable, such is the way of a body politic that renews itself organically rather than through the violent purgation of regime change. However, there are signs that the Eye is in danger of becoming a less bilious organ and lapsing into the condition of an inert growth. Hislop himself is a distinctly cosy figure, what with his heart-warming TV doccos and long-term residency at Have I Got News for You. He is also, I suspect, a fairly wealthy man, and while this in and of itself shouldn`t put him in danger of full co-option as National Treasure, it puts him on the at-risk list. Then there are those in-jokes, which may have entered the lingua-franca of pol` speak in the Westminster village – and the wider world – but precisely because of that now seem like so much arcana. The joke-writing team at the Eye still defers to the arch-Oldies, while even Hislop and his writing partner Nick Newman have been at it for over a quarter-century. I seldom bother with the humorous pages of the Eye any more – nothing is that funny even twice, let alone 1,250 times. But when all is said and done, while Private Eye may not be perfect, it`s the only Private Eye we have, and for its unrivalled contribution to keeping the nation`s candidates for public admiration on their toes, we should remain very grateful indeed. • Will Self časopis private eye

Label: Music On Vinyl – MOVLP1600, Red Bullet – MOVLP1600 Format: 3 x Vinyl, LP, Compilation Country: Europe Released: 2016 Genre: Rock Style: Classic Rock, Pop Rock Tracklist A1 Please Go 2:55 A2 That Day 2:30 A3 If You Leave Me 2:16 A4 Daddy Buy Me A Girl 2:41 A5 In My House 3:56 A6 Sound Of The Screaming Day 2:51 A7 Just A Little Bit Of Piece In My Heart 5:19 A8 Where Will I Be 3:51 B1 Another 45 Miles 4:45 B2 Back Home 3:52 B3 Holy Holy Life 3:54 B4 She Flies On Strange Wings 4:30 B5 Buddy Joe 3:49 C1 Radar Love 6:23 C2 Instant Poetry 4:52 C3 (Kill Me) Ce Soir 6:17 C4 Sleepwalkin` 5:01 C5 Bombay 3:52 D1 Weekend Love 4:14 D2 Long Blond Animal 3:36 D3 Twilight Zone 7:55 D4 The Devil Made Me Do It 3:22 D5 When The Lady Smiles 5:39 E1 Clear Night, Moonlight 3:25 E2 Something Heavy Going Down 4:40 E3 Quiet Eyes 4:03 E4 My Killer, My Shadow 4:07 E5 Turn The World Around 5:31 E6 Going To The Run 3:57 F1 Temporary Madness 3:22 F2 I Can`t Sleep Without You 3:27 F3 Hold Me Now 3:42 F4 Burning Stuntman 4:03 F5 Paradise In Distress 5:43 F6 Still Got The Keys Of My Old Chevrolet 3:50

Argentine sovereignty over Mavlinas 50 years after the Ruda statement Na engleskom i argentiskom jeziku Stanje knjige kao na priloženim slikama - ocena 7 od 10 Mek povez

GOLDEN MILESTONE - 50 YEARS OF THE AA Edited by David Keir and Bryan Morgan The Automobile Association, London, 1955 tvrde korice, ilustrovano, 240 str. Korice knjige su mestimično promenile boju, ima mrlja, manjih oštećenja i malo potamneo hrbat. Unutrašnjost čista i veoma dobra, bogato ilustrovano, odličan i malo deblji papir.

50 years a surgeon - Robert T. Morris 240 str. Očuvanost kao na slikama. Ako Vas nešto zanima, blagoizvolite poslati poruku. Ovo je jedini primerak na sajtu na dan postavljanja! POGLEDAJTE I OSTALE predmete KOJE PRODAJEM POPUST NA VIŠE KUPLJENIH PREDMETA, PITAJTE! KLIKNITE NA LINK http://www.kupindo.com/Clan/zambezi/SpisakPredmeta ---------------------------55-150-------------------------------- 04112022Ej4

Opis proizvoda Najbolji i najdugovečniji holandski rok bend Golden Earring proslavio svoju 50. godišnjicu 2016 godine. Formiran kao The Tornados 1961. godine, preimenovan u The Golden Earrings, a zatim skraćen na Golden Earring, bend je izbacivao hit za hitom već kao njihov prvi singl „Please Go“ iz 1965. Bend je prošao izuzetno dobro preko okeana sa svojim ogromnim hitom. „Radar Love“, koja je od tada postala glavna tema na Rock radiju.

Pirelli - The Calendar: 50 Years And More Celebrating the 50th anniversary of the legendary Pirelli calendar, this retrospective volume brings together all calendar images from 1964-2014 from such greats as Richard Avedon, Peter Beard, Annie Leibovitz, Peter Lindbergh, and Mario Testino, as well as behind-the-shoots insights from art directors Derek Forsyth and Martyn Walsh, and many exclusive unpublished images. Standard TASCHEN edition. The notoriously exclusive Pirelli Calendar, featuring glamorous shots of beautiful women, was first published in 1964. Reserved for important clients and VIPs, the calendar has since grown into a legend of its own, showcasing the beauty of models such as Alessandra Ambrosio, Gisele Bündchen, Naomi Campbell, Laetitia Casta, Cindy Crawford, Penélope Cruz, Milla Jovovich, Heidi Klum, Angela Lindvall, Sophia Loren, and Kate Moss. In celebration of the 50th anniversary of the now-legendary institution that is the Pirelli Calendar, TASCHEN brings you a retrospective volume reproducing the complete calendars, photographed by Richard Avedon, Peter Beard, Patrick Demarchelier, Nick Knight, Karl Lagerfeld, Inez van Lamsweerde and Vinoodh Matadin, Annie Leibovitz, Peter Lindbergh, Sarah Moon, Uwe Ommer, Terry Richardson, Herb Ritts, Mario Sorrenti, Bert Stern, Mario Testino, Bruce Weber, and many more. Bonus features include rarely and never-before-seen behind-the-scenes images of the shoots, the unpublished 1963 calendar, and a selection of "censored" images deemed too risqué by the editors of the time. With an introduction by Philippe Daverio and an interview with art directors Derek Forsyth and Martyn Walsh. Prikaži više

VA - 50 years of country 8CDa box , izdanje Disky . Sve odlično očuvano !!

Tito Puente - 50 years of swing 3CDa , izdanje RMM Records . Izuzetna kompilacija !!! Made in USA ! CD1 - 5 CD2 - 5 CD3 - 5 Buklet 24 strane - 5 Kartonska navlaka - 5-

50 Years Of Recuperation Of The Situationist International The Situationist International was a small group of international political and artistic agitators with roots in Marxism and Lettrism. They played a central role in the theory underlying the 1968 European uprisings. They managed to use public money to publish Mustapha Khayati's pamphlet On the Poverty of Student Life and distributed thousands of copies, making the Situationists well known throughout the nonstalinst left. They were among the occupiers of the Sorbonne and defended barricades in the riots. A pointed, original, and engaged investigation of what remains vital in the endlessly provocative legacy of the Situationist International (SI) 1957-1972, one of the most important and political avant-garde groups to emerge after World War II; and how this might open the way to new practices in today's digital culture. Reassesses some of the lesser-known figures and projects that emerged from the Situationist movement, including the contributions of two women, Michele Bernstein whose "strategic novel, Tous les Chevaux du Roi (All the King's Men) about her relationship with Guy Debord has recently been reissued in France, and Jacqueline de Jong, founder of the Situationist Times. This book gathers carefully selected images of the Situationists and their work, including vintage photos never published before, as well as work by contemporary artists and groups inspired by Situationist ideas, such as the Bernadette Corporation and the Radical Software Group. A part of the FORuM Project Publication series published in association with the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University. Prikaži više