The fundamental frequencies of an electric bass are about 40 to 600 Hz, but harmonics go all the way up to the ultrasonic frequency range. Many conventional pedal effects make the low end sound thin and lifeless. This usually is not only because of insufficient response in that range, but also because the harmonics are not handled properly. The B2 series from Zoom makes such problems history. 24-bit resolution and a sampling frequency of 96 kHz ensure signal processing power on a par with the best rack-mount devices. The dynamic, wide-range bass signal retains its full impact, and the result is clear, powerful sound that remains a distinct presence also when playing in a band ensemble. Fine nuances of fingering and touch come through without any deterioration. Create your very own bass amp sound and get it whenever and wherever you want. 32-bit DSP ZFX-3 The heart of any multi-effect device is its processor and decoder section. Zoom elevates performance to the next level with its newly developed ZFX-3 chip. 32-bit architecture means outstanding accuracy and smooth and detailed signal processing. Fine nuances of fingering and touch come through without any deterioration. Great Bass Amp Sounds for Any Occasion Sophisticated bass amp modeling allows you to adjust parameters such as speaker cabinet characteristics and low-range response in three levels. Get the dynamic, high-impact bass sound of a large cabinet even with flat-response systems. This is handy when using headphones or studio monitors, or when playing through a small combo amp or other bass amp with low output power. Alternatively, turn the cabinet effect off and use only the characteristics of the amp head. Create your very own bass amp sound and get it whenever and wherever you want, even when using a series of different bass amplifiers on stage. Easily switch between play mode and edit mode Adjust cabinet simulator effect intensity Adjust tone for distortion sound character Adjust the output level of the entire patch Bright LED display Six-Band Linear EQ or Two-Band Parametric EQ Offer Total Flexibility Center frequency allocation and filter slopes of the built-in six-band EQ are optimized for bass guitar. Peaking type filters in the middle range (150Hz, 450Hz, 1kHz, 3kHz) are augmented by shelving type filters at the low and high end (70Hz and 6kHz). This ensures the shortest possible route from creative idea to actual sound. Further flexibility is offered by the possibility to switch to a two-band parametric EQ, for delivering a pin-point boost or cut. The B2 series lets you really take control. Two Bass Synthesizer Types with Different Filtering and Internal Waveforms The full-fledged bass synthesizer uses the built-in DSP sound source triggered by the input bass sound. Select from a choice of three waveform settings (sawtooth, square, PWM) and create sounds of incredible power and resonance. Two types of filtering with excellent tracking are also available, for playing melodious solo phrases. 13 Different Bass Amp and Stomp Box Modeling Choices By digitally simulating the clipping action of analog devices such as tubes and diodes, the unit faithfully duplicates the characteristics of tube amps and vintage effects. Going far deeper than the superficial "tone", this also includes elements such as depth and dynamics. Freely adjust the mix between drive sound and original sound to create deep distortion while your bass delivers a real punch. 47 High-Quality Effects Implemented with 32-Bit Processing Nine modules dedicated to aspects such as dynamics, drive, modulation, and ambiance offer a total of 47 effects. Because the effects are optimized for the bass guitar range, you can freely create various sonic scenarios without impairing the bass foundation of the ensemble sound. A limiter/compressor lets you control peaks and ensure that levels are matched. The auto wah and resonance filter are indispensable for playing that funky sound. The octaver creates a wave of energy in the ultra-low range. The defret effect gives you the sweet tone and smooth transients of a fretless bass. Other features include delay with settings to 5000 ms and hold function, tape echo for that vintage feeling, crystal-clear stereo chorus, as well as flanger, phaser, pitch shifter, and many other studio-class effects. Editing Controls with Analog Feel The three rotary knobs let you tailor three different parameters at the same time. Control sensitivity, attack, and level for the compressor effect, or time, feedback, and mixing level for the delay effect. It's like having an array of stomp boxes ready for action. In play mode, the three knobs adjust cabinet character, drive effect tone, and patch level. This lets you quickly match the unit's performance to the bass guitar amp or room acoustics. Delay time and modulation rate settings can be made directly via the intuitive TAP key input. 40 Ready-to-Use Preset Patches for Stage and Studio The unit comes preprogrammed with settings for duplicating well-known amps and stomp boxes, settings that are modeled on the signature sound of famous bass players, as well as totally original Zoom effect sound creations. Right out of the box, you can enjoy professional-quality bass guitar sound. And for creative leeway, a user area capable of storing another 40 patches is also provided. World's Fastest Patch Change Speed: 8ms The annoying slight muting interval of old when switching patches has been all but eliminated. With its record-setting speed of 0.008 seconds, the B2 series never misses a beat. For example, when changing from backing sound to a solo, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase. No more fear of losing the rhythm when making patch changes. Built-In Auto-Chromatic Tuner Also Supports Multi-String Bass The bass guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445 Hz, and mute tuning without sound output is also possible. ZNR Keeps Playing Pauses Really Quiet The built-in Zoom Noise Reduction (ZNR) provides optimized performance for bass guitar. While minimizing any alteration of the original sound, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release. Integrated Drum Machine with PCM Sound Sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, and many more choices. Rhythm training on your bass guitar has never been more convenient. Optional Foot Switch Allows Versatile Remote Operation When the optional foot switch (FS01) is connected, tap tempo input of settings such as delay time and modulation rate is possible. Other selectable functions include bank switching, drum machine start/stop, and delay hold on/off switching. Ultra-Low-Noise Design: 120 dB S/N Ratio and -100 dB Noise Floor Specifications such as a signal-to-noise ratio of 120 dB and noise floor of -100 dB demonstrate a level of performance that is unsurpassed in this class. Background noise is a thing of the past, leaving the unit free to produce only its own superbly transparent sound. Especially when using reverb effects such as Hall, Room, or Spring, the low noise floor combined with 96 kHz sampling and 32-bit processing results in utterly transparent sound. Sturdy Metal Chassis and Rubber Damping for Superior Toughness and Durability The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the B2 series will not let you down. Its pleasing rounded shape, large bezel protecting the display, and chrome-plated switches and knobs are proof that there is no need to sacrifice good looks for toughness. Two-Way Power Allows Use Just About Anywhere Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 7.5 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adapter (AD-0006) can be plugged in for extended studio work, but on stage you never need to worry about AC power. Expression Pedal Adds Further Versatility to Your Guitar Play Change your sound's parameters in real time. Set the mood with vintage wah, play a pitch shift, or adjust the volume. Or go beyond conventional pedal effects: adjust the mixing ratio of direct sound and synth/drive sound, or control the modulation rate.

FIERCE AS EVER This accurate reproduction lovingly follows the exact specification of the original, rebuilt for today’s guitarist. UNIQUE DESIGN Hand bulit to the orginal specifications and assembled in our UK factory. The iconic pedal is housed in mild steel casing, built to stand the test of time and performing. KEY FEATURES Made in the UK. Hand made, housed in mild steel chassis. The Bass, Middle and Treble controls offering detailed tone-shaping. Authentic vintage reissue. GENERAL Model PEDL-00103 Power 9V battery or a 9V DC power adaptor (not included). Inputs 1 x 1/4" jack Outputs 1 x 1/4" jack Controls Gain, Bass, Middle, Treble and Volume controls. DIMENSIONS Width 110mm / 4.33" Height 67mm / 2.63" Depth 147mm / 5.78" Weight 0.7kg (without battery)

Key Features Active/Passive pickup selector PURE channel for transparent sound JFET channel adds warmth & harmonics Z-TONE variable impedance control creates a wide range of tones Buffers signal for longer pedalboards & cable runs Boost circuit adds volume & drive Alternate outs for mixers & PAs Ground lift switch eliminates buzz & hum Designed and made in Italy The ideal front-end Z-TONE Buffer Boost offers a high-quality instrument preamp with exceptionally low noise and wide frequency response, and multiple circuit topologies to adapt to any type of guitar, pick-up and style. Pick your pickup: PASSIVE: designed to accommodate everything from low-output vintage pickups to hotter modern humbuckers with ultra-low noise and extended frequency response. ACTIVE: bypasses unnecessary gain stages when using active pick-ups, to keep your signal path as direct, transparent and clean as possible. Pure Choose your channel: PURE: a completely transparent and ultra-accurate preamp circuit that won’t color your sound in any way. JFET: a Class A JFET input buffer for subtle harmonic enhancement, midrange focus and warmth. Tone and feel like you’ve never heard Guitar pickups can dramatically change their character depending on impedance - many amps offer a load of 1 MOhms, while pedals can run much lower. That’s why the tone and responsiveness of your guitar can change when plugging into different gear. Z-TONE Buffer Boost gives you the same variable impedance control as our groundbreaking AXE I/O audio interface, from 1 MOhm to 2.2 kOhms. At the maximum impedance, you’ll find your sound tighter, sharper and more precise. Increase the load and the sound becomes thicker and more bold. Z-Tone You can use this control to coax a wider range of sounds from a single guitar, experiment with how the rest of your rig reacts to these changes, or dial in exactly the right vibe regardless of what comes next in your chain. Kick it up a notch Use Z-TONE Buffer Boost to supercharge your sound. The included Boost circuit offers adjustable gain to increase volume & drive, hitting your amp or pedals harder. Always sound your best Long cable runs, low-impedance stomps and complex routing can degrade your guitar’s signal, causing muffled, bassy or lifeless tone. To ensure your signal always stays crystal-clear, Z-TONE Buffer Boost offers a transparent output buffer so you always sound your best. And Z-TONE Buffer Boost offers a true bypass circuit, so it’s completely transparent when not in use. More ways to connect In addition to the “Link” amp & pedal output, Z-TONE Buffer Boost offers a balanced XLR output to connect to mixers & PAs. Skip the amp and perform direct, or mix clean and processed signals to create even more tonal options. A switchable ground lift eliminates noise and hum caused by ground loops, and an unbalanced ¼” output offers additional flexibility. Now you’re ready to connect in any situation. And Z-TONE Buffer Boost runs on a standard 9V battery, +48v phantom power from your mixer or 9V pedal power supply, so it’s easy to drop onto your existing pedalboard. Improve your guitar track forever In the studio, Z-TONE Buffer Boost also lets you record like the pros. Connect the balanced out to your audio interface and mic up your amp – now you can simultaneously record both your amp tone as well as a second DI guitar track. Now you can process and fine-tune at will with the included AmpliTube 4 – all without recording endless takes. Z-TONE_BB See all the ways to use Z-TONE Buffer Boost Learn how to get your best guitar and bass tone using Z-TONE Buffer Boost performing live on stage or recording in a pro recording studio or your home studio. Full AmpliTube version included Z-TONE Buffer Boost comes with full download versions of AmpliTube 4, the hyper-realistic guitar and bass tone studio for Mac/PC. You can easily expand your sonic collection with IK’s range of additional amp and effect models – there are over 280 pieces to choose from, including officially licensed re-creations of gear from Fender®, Orange®, Mesa-Boogie® and other iconic gear manufacturers, as well as guitar legends like Slash, Jimi Hendrix and Dimebag Darrell, all available a la carte. Your guitar’s golden channel Want to add killer Z-TONE tone shaping to all your gear? Check out Z-TONE DI offering the same killer features in a convenient direct box for studio and stage use. Or check out AXE I/O and AXE I/O SOLO, IK’s range of premium audio interfaces offering the same great tone-shaping features, and find out just how easy creating best-in-class guitar recordings can be.

Circuit: Digital Bypass: Buffered Bypass Audio: Mono Power Supply: 9.6VDC-200mA power adapter included Dimensions (in): 3.65 x 2.0 x 2.0 Current Draw: 100mA Year Released: 2023 EHX’s smallest and most powerful compact Polyphonic Octave Generator yet. The Pico POG takes the streamlined simplicity of the Micro and Nano POGs and fits it all into an ultra-compact chassis and adds a powerful tone control. The tightest octave effect now fits on the tightest of pedalboards. The EHX Pico POG features a lighting fast feel that will track every note and chord you play with precision. Dial in Sub Octave to add stumble rumble or monstrous thunder. Add Octave Up for ethereal air or max it out to shred into another galaxy. Perfectly blend 3-voice tones for fat synthy madness. The 3 mode Tone control lets you tailor your sound to fit into any pocket no matter how massive or small. Controls on the Pico POG include dedicated volumes knobs for the SUB OCTAVE, OCTAVE UP, and DRY voices. These three controls act as a mixer for infinite possible voice mixes. The TONE knob features three modes controlled by the FILTER button. In Tone Mode, the knob acts as a tilt-EQ with a flat frequency response in the center, more treble and less bass as you turn the knob clockwise, and less treble and more bass as you turn the knob counterclockwise. In this mode, the EQ is applied to all 3 voices. In Low Pass Filter mode, the knob cuts highs in the Sub and Octave Up voices, while High Pass Filter mode cuts lows in the Sub and Octave Up Voices. Lightning-fast tracking with perfectly precise octave tones 3 volume knobs control level of SUB OCTAVE, OCTAVE UP, and DRY tones TONE knob with 3 filter modes Tone Mode applied tilt-EQ to all output Low Pass Mode applies a resonant low pass filter, which allows low frequencies to pass while cutting higher frequencies of the Sub and Octave Up voices High Pass Mode applies a high pass filter, which allows high frequencies to pass while cutting lower frequencies of the Sub and Octave Up voices Power adapter included

Circuit: Digital Bypass: Buffered Bypass Audio: Mono Power Supply: 9.6VDC-200mA power adapter included Dimensions (in): 4.5 x 2.75 x 2.1 Current Draw: 150mA Year Released: 2017 Packed with more power than pedals taking up more real estate, the compact EHX Canyon Delay & Loopers features a collection of awe-inspiring effects. From pristine digital delay to warm and warbly tape echo, reverse and modulated delays, cascading octave delay and shimmer… even an exquisite Deluxe Memory Man emulation. There are ten different effects in all plus a fully featured looper. Internal or external Tap Tempo with tap divide and a chasm full of intuitive secondary knob controls deliver a truly grand experience. Features 11 modes: 1. ECHO: digital delay 2. MOD: modulated delay 3. MULTI: multi-tap delay 4. REVRS: reverse delay 5. DMM: Deluxe Memory Man 6. TAPE: tape delay 7. VERB: reverb plus delay 8. OCT: octave delay 9. SHIM: shimmer 10. S/H: sample and hold 11. LOOP: looper mode w/max loop length of 62 seconds Delay time of 5 milliseconds to 3 seconds Tap Tempo with tap divide using the built-in footswitch or an external footswitch Tails switch allows you to choose whether echoes repeat or stop immediately when the pedal is switched to bypass Easy access to “hidden” parameters thru Secondary Knob Mode Power adapter included

Distortion, chorus, reverb, and more are all on hand, as are 13 amp models that simulate classic combinations. Some effects benefit from the use of an expression pedal, so you can change the effect's amount in a smooth gradual way. You can tweak the pedal's operation in the digital realm through the G1X Four's display screen, or physically, employing a 5mm hex wrench to change the torque of the pedal itself. Five effects can be chained at any time and in any order. You can save these effects in one of the 50 user-preset patches. Switch among patches (or banks of patches) quickly with the tap of a toe, so you can change your live or studio sound with ease. You can also change global characteristics to retain a sense of unity among patches. A three-knob tone stack and the overall output level knob do not change as you cycle through your sounds. The pedal sports over 70 different effects, and you can edit or add more effects from your computer too. Simply hook the pedal up to your Mac or Windows machine over a USB cable and add effects from Zoom's Guitar Lab software. The G1X Four provides one 1/4" instrument input, one 3.5mm input for mobile devices and media players, and a combined amp/headphone output. The unit runs on four AA batteries, giving you up to 18 hours of run time. You can also power the unit with a dedicated ZOOM AD-16 AC adapter, or over USB. Key Features at a Glance Over 70 built-in effects 13 amp models for simulating classic rigs Up to 5 effects can be used simultaneously Chain effects together in any order Built-in expression pedal Change sensitivity of expression pedal via the menu and display Tweak physical response of expression pedal with a 5mm hex key (available separately) Looper records up to 30 seconds depending on BPM (64 beats of CD-quality audio with seamless start and end times) ZOOM Guitar Lab software for creating, editing and managing effects and patches 68 built-in rhythm patterns, which can be used in conjunction with the Looper 50 memory locations for storing user-created patches Auto save function for automatic saving of all patch parameters Onboard chromatic tuner supports all standard guitar tunings, including open and drop tunings Input jack accepts standard mono guitar cable Both active and passive instruments supported) Auxiliary input jack for connection of personal music players Output jack for connection to amp or headphones Runs on 4 AA batteries Alkaline battery life of up to 18 hours USB port for firmware updates, power, and connection to ZOOM Guitar Lab Simultaneous Effects 5 Maximum Patches 50 User Patches Sampling Frequency 44.1 kHz AD/DA Conversion 24-Bit, 128x Oversampling Signal Processing 32-Bit, Internal Display 128 x 32 Dot Matrix LCD Input 1 x 1/4" TS Input, Phone Type 1 x 3.5 mm Auxiliary input, Stereo, Phone Type Input Level 1/4" Instrument: -20 dBu 3.5 mm Auxiliary: -10 dBu Input Impedance 1/4" Instrument: 470 kOhms 3.5 mm Auxiliary: 1 kOhm Output 1 x 1/4" TRS Output (Combined Line and Headphone Jack) Maximum Output Level Line: +2 dBu Headphones: 17 mW + 17 mW Output Impedance Line: ≥10 kOhms Headphones: 32 Ohms Load Signal to Noise Rate 120 dB Noise Floor -97 dBu AC Adapter 9 VDC, 500 mA, Center Negative (ZOOM AD-16) Battery Power 4 x AA Batteries Battery Life (approx.) About 18 Hours, Continuous Operation with Using Alkaline Batteries USB MIDI: Micro-USB Type-B Power Can be Supplied through USB Port, Disabling other USB Functions Dimensions 6.1 x 8.5 x 2.0" / 156.0 x 216.0 x 52.0 mm Weight 21.5 oz / 610.0 g Packaging Info Package Weight 1.95 lb Box Dimensions (LxWxH) 10.8 x 6.11 x 2.5"

After talking with John at the start of the recording sessions for the latest Dream Theater album, John wanted to look at building on his tone further with Ashdown, he had been using our ABM-600’s for some time now and wanted something to further the relationship and having never done a signature pedal before we wanted to produce something worthy of such a monster player. After talking with his tech and long-term Dream Theater crew chief Maddi we gained an idea of what was required to sit in line with his amps and instrument. The Music Man Bongo has quite a unique tonal quality to it and his signature 6 string sounds and plays like nothing else. Bass distortion requires a strong gain structure to replicate a vast range of frequencies and with Johns playing this needed to be right. John had this to say about it: ‘I absolutely love the pedal, I have been using it in a DAW setting and I think it’s going to translate well in a live show setting as well, it’s always great to have an option like this, I needed this! Thank you for creating such a great pedal. Drive 1: Is great at harmonic distortion. Drive 2: Offers a great tweak in bass presence being able to bring it out without getting in the way of itself.’ The pedal features as above two individual distortions that can be stacked to achieve new levels of gain. A transformer isolated Di for use with FOH or DAW interfaces, built using 1.6mm Zintec with a .9mm alloy over panel ensures the pedal is built to last. Dual VU meters adorn the top of the pedal registering the Input and Output signals of the pedal to ensure a correct gain structure dependant on input source. The pedal will come with a selection of cables and accessories to ensure you can use it straight out the box including 2 x 6ft instrument cables 1 x XLR-XLR cable and a 9v power supply. - Power Requirement - 9-18v External Power Supply Centre Pin Negative - Drive - 2 Channels - H x W x D (mm) - 60 x 180 x 120 - Weight (kg) - 1.2 Drive 1 With Gain, Loud & Tone controls you have complete control over this subtle distortion. Drive 2 A vintage style fuzz provides warm growls to face-melting overdrive. Once you stack with drive 1 the overdrive tones become limitless. Output Comes with a Pro transformer isolated balanced DI output to connect to Front of house or any line level input. Also with a ground lift when required for no unwanted noise.

Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Controls Pedal switch GAIN knob TONE knob LEVEL knob Indicator CHECK indicator (Used for indication of check battery) Connectors INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type DC IN jack Power Supply Carbon-zinc battery (9 V, 6F22) or Alkaline battery (9 V, 6LR61) AC adaptor (PSA series: sold separately) Current Draw 20 mA Expected battery life under continuous use Carbon: Approx. 24.5 hours Alkaline: Approx. 44 hours *These figures will vary depending on the actual conditions of use. Accessories Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information") Carbon-zinc battery (9 V, 6F22) Option (sold separately) AC adaptor (PSA series) Size and Weight ( incl. battery ) Width 73 mm 2-7/8 inches Depth 129 mm 5-1/8 inches Height 59 mm 2-3/8 inches Weight 360 g 13 oz * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.

Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Bypass Buffered bypass Controls DEPTH knob RATE knob EQ knob E.LEVEL knob Pedal switch Indicator CHECK indicator (Used for indication of check battery) Connectors INPUT jack: 1/4-inch phone type OUTPUT A/B jack: 1/4-inch phone type DC IN jack Power Supply Alkaline battery (9 V, 6LR61) AC adaptor (PSA series: sold separately) Current Draw 55 mA Expected battery life under continuous use Alkaline: Approx. 6 hours *These figures will vary depending on the actual conditions of use. Accessories Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information") Alkaline battery (9 V, 6LR61) Options (sold separately) AC adaptor: PSA series Size and Weight Width 73 mm 2-7/8 inches Depth 129 mm 5-1/8 inches Height 59 mm 2-3/8 inches Weight (including battery) 420 g 15 oz * 0 dBu = 0.775 Vrms * The specifications are subject to change without notice.

Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Bypass Buffered bypass Controls GAIN BOOST knob DIST knob TONE/BOTTOM knob LEVEL knob Pedal switch Indicator CHECK Indicator (Used for indication of check battery) Connectors INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type DC IN jack Power Supply Carbon-zinc battery (9 V, 6F22) or Alkaline battery (9 V, 6LR61) AC adaptor (PSA series: sold separately) Current Draw 20 mA Expected battery life under continuous use Carbon: Approx. 16 hours Alkaline: Approx. 30 hours * These figures will vary depending on the actual conditions of use. Accessory Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information") Carbon-zinc battery (9 V, 6F22) Options (sold separately) AC Adaptor: PSA series Size and Weight Width 73 mm 2-7/8 inches Depth 129 mm 5-1/8 inches Height 59 mm 2-3/8 inches Weight (including battery) 395 g 14 oz * 0 dBu = 0.775 Vrms. *The specifications are subject to change without notice.

DD-500 Version 2 Software: New and Improved Control Parameters, Routing Options, and Effects for Increased Performance Flexibility The feature-packed Version 2 software update brings powerful new performance enhancements and unparalleled flexibility to the DD-500. Even more control has been added, with an improved A/B simultaneous mode for advanced routing as well as new Series and Parallel modes. Five new effect types have been added to the current delay algorithms, plus many updated parameters common to all modes. The update also offers lots of user-requested features, including additional MIDI controls, new modulation types, a feedback loop function for inserting external effects, adjustable input and output levels, selectable EQ position, and more. Studio-level sound with class-leading 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate 12 versatile delay modes from vintage to modern deliver unlimited creative possibilities Unrivaled real-time expression with customizable control settings for onboard and external switches Graphic LCD for easy, intuitive operation while performing and editing Onboard patch memories and hands-on controls Equipped with a built-in Phrase Looper, MIDI, USB, and more Selectable buffered-bypass or true-bypass operation Runs on four AA-size batteries or PSA-series AC adapter Dedicated editor software available DD-500 Version 2 Software Newly Added Features Improved A/B Simul mode with more flexible control and input/output options Five newly added effects, including vintage Binson Echorec 2, touch-responsive filter delay, and more Additional detailed tone-editing parameters such as feedback damp and modulation mode More flexible routing options with the new Insert Loop function, selectable EQ insertion position, expanded independent delay connection modes, and more Enhanced effects with extended parameters and sound quality refinements, including stereo pitch shifters and overtone effects for Shimmer mode, effect targets for Slow Attack mode, and more *For complete DD-500 Version 2 software details, please refer to the supplementary manual available in the Support section. Twelve Versatile Delay Modes and Deep Editing Options With the DD-500’s 12 delay modes, you can create any delay sound you can imagine, and then some. Everything you need is here, from warm, gritty vintage delays and tape echo to complex modern delay lines that employ pitch shifting, filtering, and other unique processing. With the hands-on knobs, it’s easy to shape essential parameters and create great sounds immediately. Each delay type also includes a semi-parametric four-band EQ, modulation, ducking, and many other parameters, allowing you to dive deep and refine tones with maximum precision. Unparalleled Sound Quality In the DD-500, every delay mode has been carefully crafted for a unique sonic personality and highly musical tones at every setting, realized by 32-bit AD/DA and 32-bit/96 kHz processing throughout. And while the delay effects are high-end digital, the DD-500 supports analog pass-through on the straight guitar tone, and you also have your choice of buffered- or true-bypass operation. Along with strengthening the analog dry signal, buffered bypass has the added benefit of enabling carryover, so delay trails are not cut off unnaturally when turning the effect off or switching patches. Advanced Features for Stage and Studio Use In the world of sophisticated delay stomps, the DD-500 stands alone in practical usability. The large, integrated LCD fully supports the pedal’s immense capabilities, giving you clear visibility of delay time, patch ID, and more on one screen, plus sane navigation for detailed parameter tweaks, naming, and system management. And via USB, it’s simple to connect to your computer for remote editing and patch backup with the DD-500 Editor. MIDI I/O opens up many additional control options for advanced setups with effects switching systems and other devices. Intensive Real-Time Control With its freely assignable controls, the DD-500 delivers unmatched creative expression and performance flexibility. By default, the A, B, and TAP/CTL switches offer intuitive control for two patches, bypass, bank selection, tap tempo, and more. However, they can be customized to operate in alternate ways, such as providing top-level access to three different delay patches, or allowing you to use two patches at once for layered delay sounds. Instead of tap tempo, you’re able to assign the TAP/CTL switch to various real-time functions like Warp or Twist for a wide range of expressive effects. Even more parameters can be manipulated via MIDI commands or by connecting an optional expression pedal or external switches. DD-500 Delay Modes Standard—Clear digital delay. Analog—Emulates classic analog “BBD” delays like the BOSS DM series. Tape—Emulates the warm sound of tape-based delay units, including the Maestro Echoplex, Binson Echorec 2, and the legendary Roland RE-201 Space Echo. Vintage Digital—Emulations of early digital delays from the 1980s, including Roland’s famous SDE-2000 and SDE-3000 rack units and the BOSS DD-2, the original stompbox digital delay. Dual—Two different delay lines that can be connected in series, parallel, or three different A/B independent modes. Pattern—Sixteen different delay lines that can be set independently for all types of unique rhythmic effects, with Gate mode for slicer-like pattern effects. Reverse—Backwards delay for cool psychedelic effects and other unique tones. SFX—“Special effects” delays with highly unique sound characters. Shimmer—Pitch-shifted delays with stereo pitch-shifter and overtone modes for lush, heavenly textures. Filter—Delay with selectable sweeping or touch-responsive dynamic filter types. Slow Attack—Ethereal delays that fade in with playing dynamics. Tera Echo—Spacious, animated ambience effect derived from the innovative BOSS TE-2 pedal. *The product names mentioned on this page are registered trademarks or trademarks of their respective owners. These names are used because it is the most practical way of describing the sounds that are simulated. DD-500 Assignable Control Functions The following functions can be assigned to the DD-500’s onboard TAP/CTL switch and/or optional external footswitches. These assignments are stored as part of a patch. Tap—Set the delay in time with a song’s tempo. Hold—The delay’s feedback is held continuously while the switch is pressed. Warp—Increases the delay’s feedback and level simultaneously for powerful expressive effects. Twist—Adjusts multiple delay parameters with a single press, creating wild sounds similar to twisting the panel knobs in real time. Moment—Outputs the delay sound only when you hold down the switch. Roll 1/2—Cuts the delay time to 1/2 of the current setting when you hold down the switch. Roll 1/4—Cuts the delay time to 1/4 of the current setting when you hold down the switch. Roll 1/8—Cuts the delay time to 1/8 of the current setting when you hold down the switch. Fade—Fades the delay sound in or out. Assign 1-8—Allows you to assign and control up to eight different delay parameters at once.

Powerful integrated solution for creating a compact professional pedalboard Unlimited sound creation with six simultaneous pedal effects and audio loops for connecting three external pedals 112 built-in effects types for guitar and bass, including delays, reverbs, mod/pitch effects, overdrives, distortions, and more Intuitive user interface for easy patch creation Backlit LCD, editing knobs, and panel LEDs for on/off status of loops and effects Control assign, wave pedal, and other functions for deep real-time expression Equipped with numerous jacks for amp channel switching, effects control, and more MIDI output for working with MIDI-enabled effects Built-in tuner, noise suppressor, and global EQ USB for patch creation and backup via free MS-3 Editor/Librarian software As Versatile As You Need to Be The MS-3’s highly flexible design gives you the freedom to create any kind of effects system, from simple to complex. It can serve as a general-purpose effects unit to augment core tone from three stompboxes, or function as the central hub of an advanced hybrid rig with MIDI gear and channel-switching amps. It even works as a standalone effects processor, making it perfect for fly dates and other times you need to travel light. And if you’re just starting out, the MS-3 provides a solid effects foundation that can be expanded as your experience grows. Three Loops for Your Choice of Effects Via the MS-3’s audio loops, you can connect three different effects devices to the system. You’ll probably want to hook up your favorite drive and booster pedals to the loops, but you can use any effects you like. Once your pedals are connected, you’re able to switch the loops on/off individually, and position the MS-3’s onboard effects around them any way you want. World-Class BOSS Effects Engine To complement the three external loops, the MS-3 is equipped 112 effects types to choose from. They’re organized in six categories, which are available simultaneously: FX1, FX2, Mod1, Mod2, Delay, and Reverb. FX1 and FX2 contain many different types, from overdrives and distortions to compressors, pitch shifters, Slow Gear, and many others. Mod1 and Mod2 offer the famous BOSS chorus and vibrato effects, plus tremolo, flanger, phaser, and more. All the effects are fantastic for guitar, and there’s also a large selection specially optimized for bass. Big Creativity in a Tiny Package The MS-3 is packed with decades of BOSS compact pedal and multi-effects know-how, and offers an ultra-efficient design that lets you dial in inspiring sounds right away. There’s a backlit LCD that clearly shows patch/bank numbers and parameters, plus quick-access knobs for editing and status indicators for all loops and effects. And with 200 patch locations, you have ample memory for storing effects and control setups for instant recall. Complete Foot Control The MS-3’s heavy-duty footswitches give you easy command of the entire system. In Memory mode, the footswitches allow you to select patches and banks. Changing to Manual mode lets you switch loops and effects on/off, and even control multiple effects parameters for intense real-time expression. Your Manual mode assignments can be stored in patches, letting you create dynamic custom setups for different songs and styles. Pro Essentials Going well beyond the basics, the MS-3 provides tons of options for expanded control. You’re able to connect external footswitches for tap tempo, effects on/off, and parameter adjustment, plus expression pedals for volume, wah, pitch shift, and more. Control out jacks are available for switching amp channels and controlling effects that support external input. And there’s even MIDI for sending tempo, PC, and CC information to MIDI-enabled pedals, whether they’re connected to loops or not. In addition, the MS-3’s two audio outputs can be set for full stereo or selectable mono operation per patch, providing great flexibility with dual amp rigs. USB and Remote Editing The MS-3 supports USB for accessing the free MS-3 Editor/Librarian software on a Mac or Windows computer. This lets you edit effects, assign control parameters, set tempos, and more via a convenient graphic interface. You can also back up and restore individual patches, and organize groups of patches into Live Sets for various gigs. SPECIFICATIONSModesMemory mode/Manual modeLoops3AD Conversion24 bits + AF method AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.DA Conversion24 bitsSampling Frequency44.1 kHzEffects112 typesPatches200Nominal Input LevelINPUT: -10 dBu LOOPS L1--3 RETURN: -10 dBuMaximum Input LevelINPUT: +7 dBu LOOPS L1--3 RETURN: +7 dBuInput ImpedanceINPUT: 1 M ohmsNominal Output LevelOUTPUT L/MONO, R: -10 dBu LOOPS L1--3 SEND: -10 dBuOutput ImpedanceOUTPUT L/MONO, R: 1 k ohmsRecommended Load ImpedanceOUTPUT L/MONO, R: 10 k ohms or greater LOOPS 1--3 SEND: 10 k ohms or greaterControlsNumber switches 1--4, MEMORY/MANUAL switch ON/OFF button, MENU button, EDIT button, EXIT button, ENTER button 1--3 knobs POWER switchDisplayGraphic LCD (132 x 32 dots, backlit LCD)IndicatorNumber indicators 1--4, MEMORY/MANUAL indicator On/Off indicators (FX1, MOD1, L1--3, FX2, MOD2, DLY, REV)ConnectorsINPUT jack: 1/4-inch phone type LOOPS L1--3 SEND jacks: 1/4-inch phone type LOOPS L1--3 RETURN jacks: 1/4-inch phone type OUTPUT (L/MONO, R) jacks: 1/4-inch phone type CTL OUT CTL1/2 jack: 1/4-inch TRS phone type CTL IN EXP1 CTL1/2 jack, CTL IN EXP2 CTL3/4 jack: 1/4-inch TRS phone type USB COMPUTER port: USB type B MIDI OUT connector DC IN jackPower SupplyAC adaptorCurrent Draw280 mAAccessoriesAC adaptor Rubber feet x 4 Owner's manual Leaflet "USING THE UNIT SAFELY"Options (sold separately)Footswitch: FS-5U, FS-5L, FS-6, FS-7 Expression pedal: EV-30, FV-500L, FV-500H, Roland EV-5SIZE AND WEIGHTWidth275 mm 10-7/8 inchesDepth97 mm 3-7/8 inchesHeight68 mm 2-11/16 inchesWeight1.1 kg 2 lbs 7 oz

Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Controls Pedal switch TONE knob LEVEL knob DIST knob Indicator CHECK indicator (Used for indication of check battery) Connectors INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type DC IN jack Power Supply Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22) AC adaptor (PSA series: sold separately) Current Draw 10 mA Expected battery life under continuous use Carbon: Approx. 50 hours Alkaline: Approx. 80 hours * These figures will vary depending on the actual conditions of use. Accessories Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information") Carbon-zinc battery (9 V, 6F22) Option (sold separately) AC adaptor (PSA series) Size and Weight ( incl. battery ) Width 73 mm 2-7/8 inches Depth 129 mm 5-1/8 inches Height 59 mm 2-3/8 inches Weight 360 g 13 oz * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.

Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Bypass Buffered bypass Controls TURBO selector knob DIST knob TONE knob LEVEL knob Pedal switch Indicator CHECK indicator (Used for indication of check battery) Connectors INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type REMOTE jack: 1/4-inch phone type DC IN jack Power Supply Carbon-zinc battery (9 V, 6F22) or Alkaline battery (9 V, 6LR61) AC adaptor (PSA series: sold separately) Current Draw 15 mA Expected battery life under continuous use Carbon: Approx. 25.5 hours Alkaline: Approx. 42 hours *These figures will vary depending on the actual conditions of use. Accessories Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information") Carbon-zinc battery (9 V, 6F22) Options (sold separately) AC adaptor: PSA series Size and Weight Width 73 mm 2-7/8 inches Depth 129 mm 5-1/8 inches Height 59 mm 2-3/8 inches Weight (including battery) 395 g 14 oz * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.

Standard Features The industry-standard octave pedal, updated with enhanced features Newly developed tracking technology provides more accurate response and natural feel with no latency Vintage mode faithfully reproduces the mono sound of the original OC-2 Poly mode for chord playing; Range knob sets the note range where the effect is applied Lowest Range setting in Poly mode applies the octave effect to only the lowest note in a chord New octave-up effect, available on its own or blended with octave-down effects Mode switch optimizes the tracking engine for guitar or bass Direct out for wet/dry setups BOSS five-year warranty Specifications Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Bypass Buffered bypass Controls Pedal switch, GUITAR/BASS switch, VINTAGE/POLY switch, DIRECT LEVEL knob, +1OCT knob, -1OCT knob, -2OCT/RANGE knob Indicator CHECK indicator (Serves also as battery check indicator) Connectors INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type DIRECT OUT jack: 1/4-inch phone type DC IN jack Power Supply Alkaline battery (9 V, 6LR61 or 6LF22) AC adaptor (PSA series: sold separately) Current Draw 60 mA Expected battery life under continuous use Alkaline: Approx. 5 hours *These figures will vary depending on the actual conditions of use. Accessories Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information") Alkaline battery (9 V, 6LR61) Options (sold separately) AC adaptor: PSA series Size and Weight Width 73 mm 2-7/8 inches Depth 129 mm 5-1/8 inches Height 59 mm 2-3/8 inches Weight (including battery) 440 g 1 lb * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.

Circuit: Analog Bypass: True Bypass Audio: Mono Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included) Dimensions (in): 4.5 x 2.75 x 2.1 Current Draw: 15mA Year Released: 2016 The EHX Bass Clone Chorus pedal’s core circuitry is nearly identical to the legendary Small Clone chorus, but with added features especially for bass. Chorus is a combination of modulated and dry signals. The Bass Clone’s Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch they provide precise sound shaping that lets you achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top. Compact chorus based on the legendary Small Clone with added features for bass Provides precise sound shaping control for a tight, focused sound with a well-defined low end and shimmering chorus on top Delivers an accurately articulated bottom end with excellent note definition True bypass switching for maximum signal path integrity when in bypass mode Tough, compact die-cast package 9V battery included

Circuit: Digital Bypass: Buffered Bypass Audio: Mono Power Supply: 9.6VDC-200mA power adapter included Dimensions (in): 4.75 x 4 x 2.25 Current Draw: 100mA Year Released: 2016 Now any electric guitar player can have access to nine magically quirky, dark and unique Mellotron® sounds. No more extra devices such as special and cumbersome 13-pin MIDI pickups! In addition to electric guitar, you can trigger the MEL9 with any instrument that produces an electrical output, such as a keyboard or a bass, down to 55 Hz or A1. The polyphonic EHX MEL9 has superior tracking; you can create single notes or chords with ease. The MEL9 will follow guitar bends, dive bombs, slurs, and any other guitar expression/performance techniques you can throw at it! Pays homage to nine of the coolest Mellotron® sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir Works on guitar without modifications, special pickups or MIDI implementation and tracks bends, slides, even whammy dive bombs! Also works with bass guitar down to the open A string as well as keyboards within the limits of its polyphony (5 notes) and range (A1 to A5) Includes independent Effect and Dry volume controls so you can create the perfect mix at the Effects output Dry Output jack outputs your input signal at unity gain Attack control sets the volume swell speed. As it’s turned clockwise the notes fade in more gradually Sustain control adjusts the release time after a sound is stopped. As it’s turned clockwise, the fade out time increase Power adapter included

Circuit: Analog Bypass: True Bypass Audio: Mono Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included) Dimensions (in): 4.5 x 2.75 x 2.1 Current Draw: 12mA Year Released: 2010 Using a high quality bucket brigade chip and the same classic Small Clone circuit, this true analog design has been massaged and tweaked for accuracy and superior sonic qualities. The EHX Neo Clone delivers the Classic Small Clone sound at a price that sweeps the competition away. Same amazing chorus as the legendary Small Clone Pedal board friendly foot print Total analog design Sultry sonic texture with depth control 9V battery included

Specifične komponente koje se koriste u el. kolu pedala su ono što definiše njihov zvuk i reakciju na vaše sviranje, tako da je svaki pojedinačni primerak Foxy Tone-a ručno 'spakovan' uz upotrebu premijum delova. Tražili smo naširoko i vrlo pomno nove/stare (NOS – „new old stock“) Fairchild tranzistore korišćene u originalnoj pedali, i zatim smo ih uparili sa diodama od germanijuma, high-watt karbonskim otpornicima, i kondenzatorima sa filmom – sve to da bismo ponovo oživeli turbulentnost kultne pedale. Ništa na ovom svetu ne zvuči kao istinski bypass Foxy Tone pedale! Kao i original, Foxy Tone Box ima kontrole za Volume, Sustain, i Fuzz (od „Mellow“ do „Brite“), uz prekidač za 'high octave' efekat. Električna gitara jeste najočigledniji izbor, ali Foxy Tone možete da probate i sa sintisajzerima, ritam mašinama, električnim ili akustičnim basom, i drugim instrumentima. From mellow and subdued crunch to all-out searing fuzz and everything in between, this pedal is a virtual library of dirt encased in orange velvet! Components: Carbon Resistors, Germanium 1N34A Diodes, and Film Capacitors Bypass: True Bypass Circuitry Controls: Volume Knob, Sustain Knob, Fuzz Knob Octave Sustain Switch, Bypass/Engage Footswitch Audio Connections: 1 x 1/4" Instrument Input, Phone Type 1 x 1/4" Amplifier Output, Phone Type Power Supply: 9 V Battery or Standard 9 VDC Pedal Adapter (Included) Power Consumption: 1.5 mA Dimensions: 16.5 x 9.5 x 3.8 cm Weight: 0.6 kg

Nominal Input Level MIX INPUT: -10 dBu GUITAR INPUT: -20 dBu Input Impedance MIX INPUT: 1 M ohm GUITAR INPUT: 1 M ohm Nominal Output Level OUTPUT: -20 dBu GUITAR OUTPUT: -20 dBu Output Impedance OUTPUT: 2 k ohms GUITAR OUTPUT: 2 k ohms Recommended Load Impedance 10 k ohms or greater Residual Noise Level Controls ON/OFF pedal FREEZE pedal TYPE buttons COLOR knob TONE knob LEVEL knob SELECT button WRITE button OUTPUT SELECT switch Display Indicators POWER indicator (serves also as battery check indicator) ON/OFF indicator FREEZE indicator Connectors MIX/GUITAR INPUT (R, L/MONO) jacks GK IN connector GUITAR OUTPUT jack OUTPUT (R, L/MONO) jacks DC IN jack Memory 4 Type CRYSTAL, RICH MODULATION, SLOW PAD, BRILLIANT CLEAN Power Supply Alkaline battery (AA, LR6) or Carbon-zinc battery (AA, R6) x 6, AC Adaptor (PSA-series: optional) Current Draw 200 mA (9 V, when used with GK-3) Expected battery life under continuous use Alkaline battery: Approx. 7 hours Carbon-zinc battery: Approx. 2 hours These figures will vary depending on the actual conditions of use Accessories Owner’s Manual Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information) Alkaline Battery (AA, LR6) x 6 Options (sold separately) AC adaptor: BOSS PSA-series Divided pickup: GK-3 (for guitar) V-Guitar: GC-1 GK-Ready Stratocaster® GK Cable: GKC-10 (10 m), GKC-5 (5 m) Unit Selector: US-20 SIZE AND WEIGHT Width 173 mm 6-13/16 inches Depth 158 mm 6-1/4 inches Height 57 mm 2-1/4 inches Weight 1.2 kg 2 lbs. 7 oz.

Specifications Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Bypass Buffered bypass Controls SUSTAIN knob ATTACK knob TONE knob LEVEL knob Pedal switch Indicator CHECK indicator (Serves also as battery check indicator) Connectors INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type DC IN jack Power Supply Carbon-zinc battery (9V, 6F22) or Alkaline battery (9V, 6LR61) AC adaptor (PSA series: sold separately) Current Draw 20 mA Expected battery life under continuous use Carbon: Approx. 10.5 hours Alkaline: Approx. 26 hours *These figures will vary depending on the actual conditions of use. Accessories Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information") Dry battery/9 V type (6F22) Options (sold separately) AC adaptor: PSA series Size and Weight Width 73 mm 2-7/8 inches Depth 129 mm 5-1/8 inches Height 59 mm 2-3/8 inches Weight 380 g 14 oz * 0 dBu = 0.775 Vrms * The specifications are subject to change without notice.

Specifications Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Bypass Buffered bypass Controls STAGE switch RES(Resonance) knob DEPTH knob RATE knob Pedal switch Indicator CHECK indicator (Used for indication of check battery) Connectors INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type EXP/CTL jack: 1/4-inch stereo phone type DC IN jack Power Supply Alkaline battery (9 V, 6LR61) AC adaptor (PSA series: sold separately) Current Draw 50 mA Expected battery life under continuous use Alkaline: Approx. 6 hours *These figures will vary depending on the actual conditions of use. Accessories Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information") Alkaline battery (9 V, 6LR61) Options (sold separately) AC adaptor: PSA series Expression pedal: EV-30/FV-500L/FV-500H, Roland EV-5 Footswitch(momentary-type): FS-5U/FS-6/FS-7 Size and Weight Width 73 mm 2-7/8 inches Depth 129 mm 5-1/8 inches Height 59 mm 2-3/8 inches Weight (including battery) 415 g 15 oz * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.

Circuit: Digital Bypass: Buffered Bypass Audio: Mono Power Supply: 9.6VDC-200mA power adapter included Dimensions (in): 3.65 x 2.0 x 2.0 Current Draw: 100mA Year Released: 2023 The EHX Pico Oceans 3-Verb is an ultra-compact reverb pedal packed with the essentials of ambience with plenty of flexibility and control. This Pico-sized reverberator adds the huge sounds of Spring, Plate, and Hall reverb to any pedalboard while using minimal space. Adjustable decay time, pre-delay / spring length, and tone make the Oceans 3-verb able to create a plethora of spacious sounds. SPRING – pays homage to the classic Fender® 6G15 tube spring reverb PLATE – the lush, warm reverb that got its name as it was originally created by a large metal plate HALL – the rich reverberant sound of a grand concert hall A comprehensive control set allows for tailored sound to any setup. BLEND adjusts from 100% dry to 100% wet. TIME controls the decay time of the reverb. DELAY/SPRING sets the pre-delay time in PLATE and HALL mode or selects between 3 springs lengths in SPRING mode. The TONE control adjusts the overall brightness of the reverb from bright and airy to warm and smoky. Additionally, TAILS bypass can be selected so the reverb continues to decay after the pedal is switched to bypass. This allows for a more natural sounding decay when turn the reverb off. Infinite Reverb can be achieved by maxing out the TIME control in both PLATE or HALL mode or by pressing and holding the footswitch. This creates a building ambient soundscape until you release the footswitch. Compact Pico chassis 3 different reverb types: SPRING, PLATE, & HALL Adjustable Decay, Pre-delay and Tone for flexibility SPRING mode features 3 selectable spring lengths Infinite Reverb function for creating ambient soundscapes Tails Bypass function allows reverb to decay after pedal is bypassed Power supply included

Circuit: Digital Bypass: Buffered Bypass Audio: Stereo Effects Loop: Yes Power Supply: 9.6VDC-200mA power adapter included Dimensions (in): 4.75 x 3.9 x 2.5 Current Draw: 150mA Year Released: 2020 The EHX Oceans 12 is the Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control. A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect. The Oceans 12’s reverbs are: • ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall • SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail • PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and ‘70s • REVERSE – two modes: a reverse reverb effect as well as true reversed echoes • ECHO – three modes: a digital delay with various echo rhythms feeding into a plate reverb • TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb • MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails • DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck • AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that “listens” to your playing and crossfades to a new reverb wash upon detection of newly struck notes. • SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash • POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail • RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail 2 simultaneous, independent, stereo reverb engines Series and parallel control for the dual reverbs 24 presets Stereo in/out or mono send/return with pre and post reverb options Tide Control for stereo image alteration Lo-fi Control Infinite attenuation control Tap tempo to set your pre-delay time, echo time and more Input jack for external expression and 3-button footswitch control Power supply included