Advanced COSM amps that model vintage classics and deliver highly expressive tones Dual LCDs and panel knobs offer simple and intuitive operation, with direct access to every parameter EZ Tone feature with graphical Tone Grid for constructing new patches, plus Amp Customize and OD/DS Customize functions for easily creating original sounds Unique Accel pedal provides simultaneous control of multiple parameters Powerful A/B Channel Divider for creating dual amp and effects chains that can be blended together or toggled by footswitch, frequency, or picking strength GT-100 Version 2.0—Newly Added Features Two new amp models: BGNR UB Metal and ORNG Rock Reverb New MDP effects powered by innovative BOSS technology: Tera Echo, Overtone, and A-DIST Rotary 2 and Acoustic Guitar Simulator effects types added Monophonic guitar-to-MIDI conversion from normal 1/4-inch guitar input Enhanced USB audio/MIDI interface with multi-channel operation for flexible recording and efficient re-amping Support for BOSS TONE STUDIO editor/librarian for Mac/Windows and new GT-100 Version 2.0 patches, available for free at bosstonecentral.com Version 2.0 software available as a free download for all GT-100 owners Advanced COSM Amps: Beyond Vintage With its next-generation COSM processor, the GT-100 ushers in a new era of expression and sonic capabilities. Recreating the meticulous details of vintage amps and how they behave, the GT-100 excels in not only cloning classic amps, but in creating a new world of unimagined tones as well. The Amp Customize function lets you mutate classic amps beyond reality to construct completely new, unimagined sounds! Simple and Intuitive User Interface The GT-100’s unique dual-LCD and eight-knob user interface provides fast access and intuitive control. There are no menus to navigate; every function is instantly available. The tone-customizing functionality has been improved as well—all patches, amps, and overdrives/distortions can be created from scratch and/or customized with the friendly graphical Tone Grid. New Tonal Possibilities with the Accel Pedal A new dimension of expression is available with the Accel pedal, which enables control of multiple parameters simultaneously, as well as time-variant effects such as Feedbacker, S-Bend, Twist, and more. Experiment with creative combinations of parameters and bring dynamic new sounds to your performances by interacting in real time with this cool pedal. A/B Channel Divider Function Another notable feature in the GT-100 is the versatile A/B Channel Divider. This lets you assign different amps and effects to each channel, either for blending together or switching between them with a footswitch. Going even further, you also have the ability to switch channels by playing strength or frequency range. With each channel capable of driving its own effects and amps settings, the range of tones gets wider and wilder! You can assign smooth, mild lead tones to the mid-to-high pitches, for example, and heavy, cutting tones to the lower notes—the tonal possibilities are endless. Edit and Organize Sounds with BOSS TONE STUDIO Available as a free download for Mac or Windows, BOSS TONE STUDIO gives you an intuitive graphical interface for creating and editing GT-100* effects patches from your computer via USB. The software also makes it easy to organize and archive patches, and to load them as needed for different gigs and recording sessions. If your computer has Internet access, BOSS TONE STUDIO provides an integrated connection to the BOSS TONE CENTRAL website, where you can preview and download free gig-ready patches created by top guitar pros directly into the GT-100. *GT-100 Version 2.0 software is required for compatibility with BOSS TONE STUDIO. BOSS TONE CENTRAL: Your Web Home for Free Patches, Instructional Vids, Artist Tips, and More BOSS TONE CENTRAL is the ultimate destination for all players that use BOSS products. Evolving to include a growing selection of BOSS gear, this site gives you access to lots of premium content, including demo videos and free patches created by famous guitarists, touring pros, and session players. Check back often for new patches, how-to videos, artist interviews, and much more. If you love BOSS effects, BOSS TONE CENTRAL is the place to be! AD Conversion24 bits + AF method *AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (S/N) ratio of the A/D and D/A converters.DA Conversion24 bitsSampling Rate44.1 kHzProgram Memories400: 200 (User) + 200 (Preset)Effect TypeCOMP, PREAMP(*1), OD/DS(*2), EQ, FX1/FX2(*3), DELAY, CHORUS, REVERB, PEDAL FX, NS1/NS2, ACCEL FX *1 PREAMP NATURAL CLEAN, FULL RANGE, COMBO CRUNCH, STACK CRUNCH, HiGAIN STACK, POWER DRIVE, EXTREME LEAD, CORE METAL, JC-120, CLEAN TWIN, PRO CRUNCH, TWEED, DELUXE CRUNCH, VO DRIVE, VO LEAD, MATCH DRIVE, BG LEAD, BG DRIVE, MS1959 I, MS1959 I+II, R-FIER VINTAGE, R-FIER MODERN, T-AMP LEAD, SLDN, 5150 DRIVE, BGNR UB METAL*, ORNG ROCK REVERB*, CUSTOM *2 OD/DS MID BOOST, CLEAN BOOST, TREBLE BOOST, CRUNCH, NATURAL OD, WARM OD, FAT DS, LEAD DS, METAL DS, OCT FUZZ, A-DIST*, BLUES OD, OD-1, T-SCREAM, TURBO OD, DIST, RAT, GUV DS, DST+, METAL ZONE, '60S FUZZ, MUFF FACE, CUSTOM *3 FX1/FX2 T.WAH, AUTO WAH, SUB WAH, ADV. COMP, LIMITER, SUB OD/DS, GRAPHIC EQ, PARA EQ, TONE MODIFY, GUITAR SIM., AC.GUITAR SIM*, SLOW GEAR, DEFRETTER, WAVE SYNTH, SITAR SIM., OCTAVE, PITCH SHIFTER, HARMONIST, OVERTONE*, SOUND HOLD, AC. PROCESSOR, PHASER, FLANGER, TREMOLO, ROTARY1, ROTARY2*, UNI-V, PAN, SLICER, VIBRATO, RING MOD., HUMANIZER, 2X2 CHORUS, SUB DELAY, TERA ECHO* *Newly Added Features (Version 2.0) A-DIST is available in OD/DS and in SUB OD/DS of FX2. OVERTONE and TERA ECHO are only available in FX2.Nominal Input LevelINPUT: -10 dBu RETURN: -10 dBu AUX IN: -20 dBuInput ImpedanceINPUT: 1 M ohm RETURN: 100 k ohms AUX IN: 47 k ohmsNominal Output LevelOUTPUT: -10 dBu/+4 dBu SEND: -10 dBuOutput ImpedanceOUTPUT: 2 k ohms SEND: 2 k ohmsDynamic Range100 dB or greater (IHF-A)DisplaysGraphic LCD (132 x 64 dots, backlit LCD) x 2ConnectorsINPUT jack (1/4-inch phone type) AUX IN jack (Stereo miniature phone type) OUTPUT L/MONO, R jacks (1/4-inch phone type) PHONES jack (Stereo 1/4-inch phone type) EXT LOOP jacks (SEND, RETURN; 1/4-inch phone type) AMP CONTROL jack (1/4-inch phone type) SUB CTL1, 2/SUB EXP jack (1/4-inch TRS phone type) USB port MIDI connectors (IN, OUT) DC IN jackPower SupplyDC 9 VCurrent Draw600 mAAccessoriesAC adaptor(PSB-1U + AC Cord Set) USB Cap Owner’s ManualOptions (sold separately)Footswitch: FS-5U Dual Footswitch: FS-6, FS-7 Expression Pedal: FV-500L/500H, EV-30, Roland EV-5 AC adaptor (PSB-1U) *When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there. (PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A)SIZE AND WEIGHTWidth542 mm 21-3/8 inchesDepth271 mm 10-11/16 inchesHeight80 mm 3-3/16 inchesWeight4.8 kg 10 lbs. 10 oz.

Plug your guitar into the Ruby '63 and choose from numerous legendary mic/speaker pairings, boosts, and amp models, including popular hot-rod options, with more available for download. Featuring built-in mic and speaker pairings derived from the OX Amp Top Box, everything from mellow chimes to complex overdrive can easily be attained, while classic tube-driven vibrato and tremolo effects can unleash a universe of sonic possibilities. Whether you are looking to get out in front of your amp or simply add some quintessentially British tonal flavor to your guitar sound, the Ruby '63 amplifier pedal delivers expressive album-ready studio tones at the flip of a switch. Powerful UAFX Dual Engine The Ruby '63 features dual-engine processing combined with UAD audio-modeling expertise for an extremely authentic emulation of the classic '60s British tube amp sound. Cabinet/mic emulations can be bypassed for simply adding overdrive or tonal flavor to your sounds. With treble booster, preamp boost, and speaker swaps, the Ruby '63 is equipped to produce album-ready tones with the flip of a switch. World-Class Amp Modeling Drawing from the custom mic and speaker pairings of UAD's award-winning OX Amp Top Box, the Ruby '63 provides immediate access to inspiring studio tones. Six unique modeled speaker/mic combos are available to either take on the go or spice up your DAW recording, providing a huge range of sounds. Legendary British Boost Circuits The Ruby '63 features three different types of modeled boost circuits arranged as channels, each with their own distinct voice. The Brilliant channel, based on a '63 top-boost amplifier, adds extra tube for more gain and treble. The Normal channel, based on a '61 non-top-boost amplifier, features more headroom and lower overall gain than Brilliant and works well with other pedals. The Vibrato channel is based on a '63 top-boost amplifier and features its own unique sound and set of inputs. Vibrato can produce tremolo-type tones and attain even slower rates than the original amp. Hot-Rod Classic Boosts The Ruby '63 features two classic boosts, right onboard. This includes the '60's Dallas Rangemaster germanium treble preamp booster (linked to the Brilliant channel), and the preamp section of a '70s Maestro EP-3 tape delay (linked to the Normal channel). Just flip the Boost switch to achieve searing guitar tones. UAFX Mobile App Want to just control all of the Ruby '63 features without having to bend over and adjust knobs? UAD has you covered with a handy Bluetooth pairing function that allows you to alter any available parameter directly from your favorite mobile device through the UAFX Mobile app. Customize features, explore presets, or even download new tones, models, and artist presets all with a few taps. You can even get deep and customize your footswitches for a wide array of functions. Flexible Controls With two footswitches, six knobs, and three flip switches, the Ruby '63 contains a bevy of control for those who want maximum sonic flexibility. Input gain, output gain, high-frequency cut, bass response, treble response, and boost amount all get dedicated rotary knobs, so any amp sound can be quickly dialed in. Speaker type, amp storage, and channel type all get three-position switches for extra flexibility. The dual footswitches default to on/off and preset switching, while further footswitch modes are available with the UAFX Control app. Sophisticated I/O The Ruby '63 provides users with an elegant and efficient I/O arrangement to enable plenty of options right out of the box. One mono input and one mono output are provided for basic use, while a secondary input and output are also provided for stereo linking. A multitude of connection combinations are possible, from sending stereo outs to an interface or stage PA, to sending separate outs to different amps and effects loops—even more options are unlocked when using multiple Ruby '63 pedals in tandem. The 4-Cable mode, compatible only with UAFX amp pedals, allows the addition of another switchable channel to any real guitar amplifier with an effects loop, allowing you to switch between your guitar amp's built-in preamp section and the sounds in your pedals. Built to Last Featuring the timeless design and rugged craftmanship that UA has become known for, the Ruby '63 pedal is built to last decades. Whether taken on the road or used in the studio, this pedal can be relied upon to deliver quality sound on demand. Inputs / Outputs USB I/O 1 x USB Type-C Female Input Audio I/O 2 x 1/4" TS Hi-Z/Instrument Input (Input 2 for Stereo) 2 x 1/4" TS Hi-Z/Instrument Output (Output 2 for Stereo) Input Impedance Mono In: 500 Kilohms Stereo In: 1 Megohms Output Impedance 500 Ohms Maximum Input 12.2 dBu Maximum Output 12.1 dBu Signal to Noise Ratio -115 dB (A-weighted) Frequency Response ± 3dB 20 Hz to 20 kHz AD/DA Conversion 24-bit, 44.1 kHz Wireless Bluetooth 5.0 Bluetooth Frequency 2.400 GHz to 2.4835 GHz Power Power Source AC Adapter with Power Brick (Not Included) DC Input Power 9 VDC at 0.4 A Environmental Certifications CISPR 22 - Class B, IC, Kcc, as per Manufacturer Physical Color Silver Dimensions 5.55 x 3.62 x 2.56" / 14.1 x 9.19 x 6.5 cm (With Knobs and Protrusions) Weight 1.24 lb / 0.56 kg Packaging Info Package Weight 1.77 lb Box Dimensions (LxWxH) 7.1 x 4.9 x 3.1"

Designed with the experience of crafting pedals for more than 10 years, NUX Bumblebee offers you the optimum board space, allowing you to customize your very own pedalboard in the most efficient way. You can assemble the platforms in order the way you like. Designed with the experience of crafting pedals for more than 10 years. NUX Bumblebee offers you the optimum board space. Allowing you to customize your very own pedalboard in the most efficient way. You can assemble the platforms in order the way you like. Solid, Durable and Light-weight NUX Bumblebee is made by anodized aluminum material; which is "solid as a rock, light as a pillow". The bottom of the platforms are carved and well-supported, and gives you some space to cover your cables without losing any strength. And the side parts are strongly holds all the parts together, it can absorb the shock when you hit your pedal footswitch. Organize Everything There are cable organizers in the box. • Dimension 243(L)x 445(W)x 90(H)mm • 6 platform bars • Weight 1.70kg ±0.5kg • Weight w/ bag 2.80kg • Package weight 3.30kg

Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Bypass Buffered bypass Controls FUZZ knob MODE knob LEVEL knob Pedal switch Indicator CHECK indicator (Serves also as battery check indicator) Connectors INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type DC IN jack Power Supply Alkaline battery (9 V, 6LR61) AC adaptor (PSA series: sold separately) Current Draw 60 mA Expected battery life under continuous use Alkaline: Approx. 4 hours *These figures will vary depending on the actual conditions of use. Accessories Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information") Alkaline battery (9 V, 6LR61) Options (sold separately) AC adaptor: PSA series Size and Weight Width 73 mm 2-7/8 inches Depth 129 mm 5-1/8 inches Height 59 mm 2-3/8 inches Weight (including battery) 405 g 15 oz * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.

Plug into the standard 1/4-inch jack and play rich and expressive polyphonic synth tones with any guitar Completely latency-free playing feel directly connects your hands with the sound Three simultaneous synth sections and four effects processors enable rich, dynamic, and diverse sound creation Shape your normal guitar tone with synth filters, amplifiers, and LFOs to create all-new sounds Graphic LCD display, three assignable footswitches, and dedicated on/off footswitch 70 ready-to-play preset patches and 99 user patches for storing custom sounds Create and archive sounds on your computer with the BOSS Tone Studio editor/librarian and download new sounds at BOSS Tone Central Works with bass and other electronic instruments as well Access Expressive New Sounds via a Standard 1/4-Inch Input With the SY-300, tapping into BOSS’ legendary guitar synth technology has never been easier. While our other synth products require a special GK pickup and 13-pin cable to access synth voices, the SY-300 can be used with any guitar via a standard 1/4-inch cable. Powered by ultra-fast DSP and newly developed innovations from the BOSS engineering team, the SY-300 performs its amazing synth magic in real time, with no lag whatsoever. This delivers a latency-free playing experience that’s a natural extension of your normal guitar, letting you to play freely and organically without altering your technique in any way. A True Analog-Style Synth for Guitar The SY-300 features a powerful polyphonic synthesis engine with three separate sections, bringing a limitless range of fresh tones to your arsenal. Just like a keyboard player with a classic analog synth, you have complete creative freedom to build sounds with a full palette of synthesis parameters—select different wave shapes, tweak them with filter, amp, and pitch controls, modulate them with LFOs, and layer oscillators for rich, complex tones. There’s even a step sequencer (with tap tempo control) for creating dynamic melodies and arpeggios simply by playing a single note on your guitar! And with the cool Blender function, you can instantly mix and match synth settings from other patches to discover inspiring new sounds with no heavy lifting at all. Shape Your Normal Guitar Sound with Synth Parameters Beyond its amazing synth voices, the SY-300’s synth engine can be used to process your normal guitar sound in many compelling ways. Apply filtering to alter the basic tonality, and use the amplifier parameters to alter the attack and decay characteristics. After that, add some sweeping movement to the sound with the LFO section. With these powerful controls, you’re able to extend your regular axe with an endless supply of unique creative textures, from subtle to otherworldly. Maximize Tones with High-Impact Effects Effects play a huge role in synthesizer sound design, and the SY-300 is filled with options to take your tones into the stratosphere. Four simultaneous effects engines are available, each packing a number of effects types including overdrives and distortions, Slow Gear, Isolator, Slicer, and many others. Some types can even perform two effects at once, such as chorus and delay or delay and reverb. Use the effects to process synth sounds, your straight guitar sound, or both at once—it’s up to you. Powerful Control Options and Versatile Connectivity Controlling the SY-300 while performing is simple. Using the four built-in footswitches, you can bypass the synth sound, scroll through patches, and control three different parameters of your choosing per patch. Two external footswitches or an expression pedal can also be connected for even more real-time control if needed. The Thru output lets you to send your dry guitar sound directly to your pedals or amp, or it can be used along with the Return jack as an effects loop. Dual output pairs (Main and Sub) offer assignable signal routing options to integrate with any setup, while MIDI In and Out/Thru jacks are provided for interfacing with switchers, drum machines, and other MIDI gear. USB Interface for Computers The SY-300 is equipped a USB audio interface to capture audio tracks directly into music production software on your computer. You can record the SY-300’s synth and effects sounds, or just monitor them while recording a dry signal. Then, feed that signal back into the SY-300 to “re-synth” the sound and create the perfect tone for your mix. You can feed other tracks from your DAW into the SY-300 as well, processing them with the synth engine and effects to create cool new sounds for your productions. The SY-300’s USB connection also allows you to build and organize patches with the dedicated BOSS Tone Studio editor and download new patches from the BOSS Tone Central website. SPECIFICATIONSOscillatorsThree OSCILLATOR (wave: SIN, SAW, TRI, SQR, PWM, DETUNE SAW, NOISE, INPUT)EffectsEffect (FX) x 4 Type: TOUCH WAH, COMPRESSOR, LIMITER, OD/DS, EQ, SLOW GEAR, DELAY, CHORUS, REVERB, PHASER, FLANGER, TREMOLO, ROTARY, UNI-V, PAN, SLICER, ISOLATOR, LO-FI, DELAY+REVERB, CHORUS+DELAY, CHORUS+REVERBPatch MemoriesUser: 99 Preset: 70AD Conversion24 bits + AF method * AF method (Adaptive Focus method): This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.DA Conversion24 bitsSampling Rate44.1 kHzNominal Input LevelINPUT: -10 dBu RETURN: -10 dBuInput ImpedanceINPUT: 2.2 M ohms RETURN: 220 k ohmsNominal Output LevelMAIN OUTPUT: -10 dBu SUB OUTPUT: -10 dBuOutput ImpedanceMAIN OUTPUT: 2 k ohms SUB OUTPUT: 2 k ohmsRecommended Load ImpedanceMAIN OUTPUT L/R: 20 k ohms or greater SUB OUTPUT L/R: 20 k ohms or greater PHONES: 16 ohms or greaterLCDGraphic LCD (132 x 64 dots, backlit LCD )ConnectorsINPUT jack: 1/4-inch phone type THRU jack: 1/4-inch phone type RETURN jack: 1/4-inch phone type MAIN OUTPUT R (MONO) jack: 1/4-inch phone type MAIN OUTPUT L (PHONES) jack: 1/4-inch phone type SUB OUTPUT R (MONO) jack: 1/4-inch phone type SUB OUTPUT L jack: 1/4-inch phone type MIDI (IN, OUT/THRU) connectors EXP/CTL4, 5 jack: 1/4-inch TRS phone type USB port: USB type B DC IN jackPower SupplyAC adaptorCurrent Draw400 mAAccessoriesAC adaptor Owner's manual Leaflet "USING THE UNIT SAFELY"Options (sold separately)Footswitch: FS-5U, FS-5L, FS-6, FS-7 Expression pedal: Roland EV-5, BOSS FV-500L/500HSIZE AND WEIGHTWidth255 mm 10-1/16 inchesDepth191 mm 7-9/16 inchesHeight70 mm 2-13/16 inchesWeight (excluding AC Adaptor)1.75 kg 3 lbs 14 oz.

Circuit: Analog Bypass: True Bypass Audio: Mono Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included) Dimensions (in): 5.75 x 4.75 x 2.5 Current Draw: 22mA Year Released: 2018 Did you know? The circa 1991 Sovtek “Civil War” Big Muff (dubbed that because of its blue and gray chassis) used the same circuit as the “Tall Font Green Russian” Big Muff and our EHX Green Russian Big Muff! The new EHX Sovtek Deluxe Big Muff expands on that big, wooly sound with the addition of the Deluxe Big Muff’s advanced controls while paying homage to the Civil War Big Muff aesthetic. It’s all here in one integrated pedal. The Sovtek signature sound. The devastating low end, crisp highs and non-scooped mids, plus the advanced control of the Deluxe Big Muff in a single, completely integrated pedal. We’ve kept the familiar Sustain, Tone and Volume knobs, and we’ve added a ton of extras from the Deluxe Big Muff for those who crave its deep sound shaping abilities. A fully integrated pedal that combines the “Civil War” / “Tall Font” Green Russian Big Muffs plus the Deluxe Big Muff Pi Foot-switchable MIDS EQ section that delivers extensive sound shaping control High Q / Low Q switch Wicker switch to open up high frequency bandwidth Noise Gate Expression pedal input 9V battery included

Expressive Synth Sounds, No Programming Needed The SY-1 transforms any guitar or bass into a versatile synthesizer that’s fun, inspiring, and ready to play. Backed by advanced tech first developed for the SY-300, this super-cool pedal delivers a huge selection of analog-style synth sounds while occupying minimal space on your board. What’s more, all the sounds are polyphonic, allowing you to play both single notes and chords. Plug-and-Play and Latency-Free The SY-1 can be used with any guitar or bass via a standard 1/4-inch cable, providing an easy, plug-and-play experience. Thanks to custom DSP and the latest BOSS innovations, the SY-1 offers latency-free performance that’s a natural extension of your instrument, letting you to play freely and organically without altering your normal technique in any way. A Universe of Synth Sounds Inside With its 11 categories and 121 total sounds, the SY-1 puts an enormous array of synth colors at your fingertips. Expressive leads, sweeping pads, layered organs, fat basses, and more are all on tap, plus a variety of rhythmic synth patterns that are a blast to jam with. And with the grab-and-go Tone/Rate and Depth knobs, you’re able to adjust any synth voice just how you like, including changing the pitch on some sounds. At Home in Any Rig As a standard BOSS compact, the SY-1 drops into a serial pedal chain like any other stomp. But with the send/return loop and dedicated mix controls, it’s also possible to blend one or more pedals in parallel with the SY-1’s synth voices. For example, you can patch drive pedals in the loop, and then send the combined output to mod, delay, and reverb pedals for overall processing. The send can be used as a direct out as well, enabling you to route synth and guitar sounds to separate destinations. Enhance Performances with Real-Time Control The SY-1 offers a numbers of ways to make your synth performances even more dynamic and expressive. Pressing and holding the pedal switch sustains the last-played synth sound, allowing you to jam with regular guitar over the top. You can also connect an external footswitch for tap tempo and octave-shift effects, or plug in an expression pedal for continuous Tone/Rate control. SY-1 Sound Types LEAD 1/2—A wide range of sounds suitable for single-note soloing. PAD—Full tones that work great with chords, from layered pads to synth brass and more. BASS—Fat synth bass sounds, including filtered and sub-octave tones. STR—Classic analog-style strings, including layered voices and sweeping textures. ORGAN—A large selection of organ sounds, including many with rotary-style modulation. BELL—Percussive synth sounds with metallic resonance. SFX 1/2—A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more. SEQ 1/2—Pulsating sounds with rhythmic pitch or filter changes. Nominal Input LevelINPUT, RETURN: -20 dBuInput ImpedanceINPUT, RETURN: 2.2 M ohmsNominal Output LevelOUTPUT, SEND: -20 dBuOutput ImpedanceOUTPUT, SEND: 1 k ohmsRecommended Load Impedance10 k ohms or greaterBypassBuffered bypassControlsPedal switch GUITAR/BASS switch TYPE knob VARIATION knob TONE knob DEPTH knob EFFECT knob DIRECT knobIndicatorCHECK indicator (Serves also as battery check indicator)ConnectorsINPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type SEND jack: 1/4-inch phone type RETURN jack: 1/4-inch phone type EXP/CTL jack: Stereo 1/4-inch phone type DC IN jackPower SupplyAlkaline battery (9 V, 6LR61) AC adaptor (PSA series: sold separately)Current Draw85 mAExpected battery life under continuous useAlkaline: Approx. 3 hours *These figures will vary depending on the actual conditions of use.AccessoriesOwner's manual Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information") Alkaline battery (9 V, 6LR61)Options (sold separately)AC adaptor: PSA series Footswitch: FS-5U Dual footswitch: FS-6, FS-7 Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5SIZE AND WEIGHTWidth73 mm 2-7/8 inchesDepth129 mm 5-1/8 inchesHeight59 mm 2-3/8 inchesWeight (including battery)450 g 1 lb

Advanced BOSS technology in a compact tabletop looper that can be operated with your hands Two simultaneous stereo phrase tracks with dedicated controls and loop status indicators Four Input FX and four Track FX simultaneously available for processing loops with DJ and sampler-style effects 64 phrase memories (8 memories x 8 banks), each containing two phrase tracks, custom effects/playback settings, and more Expanded external control via optional footswitches or expression pedal and MIDI XLR mic input with phantom power, mono/stereo instrument inputs, and stereo aux input 17 onboard rhythm patterns, including odd-measure beats USB for phrase import/export and DAW integration with computers Two Stereo Tracks and 64 Phrase Memories The RC-202 offers two stereo loops with dedicated fingertip controls and animated status indicators. You also have 64 phrase memories for storing and recalling your live loop creations, organized in eight different banks for easy access while performing. As you work, you can save your loops to the current phrase memory without ever stopping playback. This convenient feature lets you seamlessly save and switch memories to perform different song structures and ever-evolving arrangements. Intensive FX Equipped with powerful multi-effects capabilities, the RC-202 offers more real-time processing than any other looper. Four Input FX and four Track FX are available simultaneously, with numerous effects types on tap for loop creation and playback. As you record, you can enhance the sound with Input FX like P. Shift, Lo-Fi, Ring Mod, and more. Track FX such as Beat, Filter, Slicer, and others provide DJ and sampler effects for high-impact processing during playback. The effects can be quickly adjusted with large, easy-to-grab knobs, and turned on/off as you go via dedicated panel buttons. Powerful Performance Control The RC-202’s panel is filled with hands-on buttons and knobs for maximum creative control while looping. There’s also a jack for connecting up to two footswitches or an expression pedal. Via MIDI, extensive control is possible from a MIDI foot controller or keyboard. MIDI also allows for synchronization with an RC-505 or a second RC-202, as well as drum machines and other devices. Audio Connections and USB The RC-202 is outfitted with an XLR mic input, mono/stereo instrument inputs, and a stereo aux input. All inputs can be used at once, letting you capture and mix multiple audio sources as you build loops. It’s also possible to send a click track to headphones only, a great feature for monitoring while performing. Via USB, you can plug into your computer to archive WAV loops or load up RC-202 phrases with live backing tracks or sounds for sampler-style triggering. The RC-202 also functions as a USB audio/MIDI interface, making it easy integrate with music software for stage performing with a laptop, audio recording, MIDI sync, and more. Nominal Input LevelINPUT MIC (variable): -40 dBu (typ.), -10 dBu (max) INPUT INST: -10 dBu AUX IN: -20 dBuInput ImpedanceINPUT MIC: 4 k ohms INPUT INST: 1 M ohm AUX IN: 22 k ohmsNominal Output LevelOUTPUT: -10 dBuOutput ImpedanceOUTPUT: 1 k ohmRecommended Load ImpedanceOUTPUT: 10 k ohms or greaterRecording/PlaybackMaximum Recording Time: Approx. 3 hours (stereo) Maximum Phrase Memory: 8 Memory x 8 Bank Number of Tracks: 2 Data Format: WAV (44.1 kHz, 16-bit linear, stereo)Effect Type(INPUT FX/TRACK FX)LPF BPF HPF PHASER FLANGER SYNTH LO-FI RING MODULATOR GUITAR TO BASS SLOW GEAR TRANSPOSE PITCH SHIFT ROBOT VOCAL DIST VOCODER NATURAL COMP HARD COMP NATURAL LIM HARD LIM PHONE VOX EQ LOW ISOLATOR MID ISOLATOR HIGH ISOLATOR OCTAVE AUTO PAN MANUAL PAN TREMOLO SLICER DELAY PANNING DELAY TAPE ECHO GRANULAR DELAY ROLL CHORUS REVERB BEAT REPEAT *1 BEAT SHIFT *1 BEAT SCATTER *1 VINYL FLICK *1 *1 TRACK FX onlyEffect Type (MASTER FX)COMP REVERBRhythm Type17Display7 segments, 3 characters (LED)USBMass Storage Class Audio/MIDIConnectors INPUT MIC jack: XLR type (balanced, phantom power: DC 48 V, 10 mA Max) INPUT INST (L/MONO, R) jacks: 1/4-inch phone type AUX IN jack: Stereo miniature phone type Phones jack: Stereo miniature phone type OUTPUT (L/MONO, R) jacks: 1/4-inch phone type CTL 1, 2/EXP jack: 1/4-inch TRS phone type USB port: USB B Type MIDI (IN, OUT) connectors DC IN jackPower SupplyAC adaptorCurrent Draw400 mAAccessoriesAC adaptor Owner's manual Leaflet "USING THE UNIT SAFELY"Options (sold separately)Footswitch: FS-5U, FS-6, FS-7 Expression pedal: Roland EV-5, FV-500L, FV-500HSIZE AND WEIGHTWidth239 mm 9-7/16 inchesDepth175 mm 6-15/16 inchesHeight55 mm 2-3/16 inchesWeight(excluding AC Adaptor)0.95 kg 2lbs. 2 oz.

But the AD-10 takes acoustic preamp design to an all-new level with its standout feature—BOSS’s groundbreaking Acoustic Resonance processing. This advanced tech restores the complex body and string resonances that are lost with most pickup systems, bringing back the expressive, organic vibe that’s so vital to the acoustic experience. And the features keep on coming, with transparent anti-feedback controls, memories for sound setups, an 80-second looper, USB audio, and much more. Hugely powerful yet simple to use, the compact AD-10 is your all-in-one companion for realizing impressive acoustic tones in every performing environment. Professional preamp/DI for performing and recording with acoustic-electric guitar Acoustic Resonance restores the warm and rich resonance lost with most pickup systems Four-band EQ and variable low-cut filter tuned to deliver optimized tone shaping for acoustic guitar Multi-band compressor with MDP technology provides transparent dynamics control Newly developed anti-feedback functions control feedback while maintaining balanced tone Two channels with independent EQ for connecting two instruments or blending multiple pickup sources Onboard ambience, delay, and chorus effects with multiple sound types and adjustable parameters Boost function with adjustable tone setting Memory function for storing 10 sound setups Onboard looper with 80 seconds of recording time XLR and ¼-inch connectivity for interfacing with PA systems, stage monitors, amps, and external effects USB audio interface functionality for computer recording and playback Fast and accurate built-in tuner Compact and portable design; runs on AC adapter or six AA-size batteries All the Tools You Need in One Portable Package With its advanced BOSS technologies and comprehensive design approach, the AD-10 is a dream come true for serious acoustic players who are constantly striving for the very best sound reproduction. Its vast tone-shaping features and intuitive, hands-on controls enable anyone to dial in exceptional sounds quickly and easily. Advanced feedback-fighting capabilities are also on board, making it simple to tackle the sound issues that inevitably come up in different performance venues. And with 10 onboard memories, it’s possible to save favorite setups for different instruments and songs. The AD-10 also supports power via an included AC adapter or batteries, offering great flexibility for any performing situation. Restore True Acoustic Tone with BOSS’s Acoustic Resonance By far, the most widely used pickups in acoustic stage guitars are saddle-based piezos. But despite some upsides like great feedback immunity, their noted drawback is a hard, sterile, and “quacky” sound. This is because they only pick up sound from the bridge area, leaving out the body and string resonances that complete the guitar’s rich, complex sound. Magnetic sound hole pickups and other types of systems also provide incomplete sound reproduction, resulting in their own tonal drawbacks. Of course, playing into a microphone can deliver natural results, but using one is impractical in all but the most controlled stage environments. That’s where the AD-10’s innovative Acoustic Resonance feature comes in. Using sophisticated BOSS technology, Acoustic Resonance analyzes your pickup signal and recreates the missing body and string resonances, restoring the elements that are essential for natural acoustic sound. The AD-10’s Acoustic Resonance implementation has been greatly expanded from previous generations, offering more powerful processing, three different resonance types, and the ability to balance the tonal characteristics to perfectly match your performing needs. Preserve Your Sound with Multi-Level Feedback Protection Because of their highly resonant construction, acoustic guitars are prone to problems with low-frequency feedback in stage situations. There are many variables that factor into the severity of feedback issues, including the instrument type, the pickup system, the location of the instrument relative to the speakers, and more. The advanced processing engine in the AD-10 goes well beyond the capabilities of other preamps, providing multiple levels of feedback protection that are engineered to produce maximum results with little-to-no tone coloration. Your first line of defense is the AD-10’s feedback reduction function, which employs newly developed BOSS technology to seek out and gently suppress the offending feedback frequency. At the same time, your overall tone is subtly balanced as needed for transparent sonic results. For those real problem situations, the AD-10 also includes two separate notch filters that can be tuned manually or set for automatic scanning to instantly vanquish feedback in the background as you play. Each filter notches out both the fundamental and first overtone of the feedback frequency, and the depth of the filters can be adjusted as necessary for the smallest possible tonal impact. Two-Channel Design with Wide-Range EQ and Exceptional Audio Quality The AD-10 has two input channels, allowing you to set up tones for two different stage guitars, blend two pickup sources from a single instrument, or even use two instruments at once. The signal path is engineered for warm, accurate tone with ultra-low noise, and each input has adjustable sensitivity for fully optimized processing with different pickup types. Each channel can be adjusted with an EQ section that offers four bands (including parametric midrange) and a widely variable low-cut filter. Unlike standard EQs found in other preamps, adjusting the AD-10’s EQ bands engages multiple interlocking parameters under the hood, allowing for precise tonal shaping with subtle tweaks. It’s also possible to defeat the EQ if desired, and to adjust the phase of each channel independently. Onboard BOSS Effects, Optimized for Acoustic Guitar Alongside its powerful abilities to shape and maintain your core acoustic tone, the AD-10 includes a wide-range of built-in effects that sound great and are easy to use. The single-knob compressor delivers much more than meets the eye, employing BOSS’s acclaimed MDP tech to transparently control your dynamics with intelligent processing. Acoustic guitars love reverb, and the AD-10’s Ambience effect offers three types of high-quality reverberation specially tuned for guitar. There’s also a delay with standard, mod, and reverse types, plus three different variations of BOSS’s famous sound-widening stereo chorus effect. Useful Performance Functions for Acoustic Musicians The AD-10 also includes many thoughtful elements to enhance your live performances. The soft-touch footswitches are designed for unobtrusive operation in quiet acoustic settings, and can be configured to select memories, turn effects on/off, access the onboard tuner, and more. With the AD-10’s looper, you have a convenient tool that’s always at the ready for practice, jamming, and stage creativity. The on-demand boost function is great for kicking up the volume for solos or reducing the volume for heavy strumming, and it even includes an adjustable tone control for changing the sound when engaged. Audio Connections and External Control On the rear panel of the AD-10, stereo XLR jacks provide a DI feed to the front of house, while stereo ¼-inch jacks allow you to connect to your stage amp setup or headphones for monitoring. From the AD-10’s panel, you can choose to send signals to the outputs with or without effects, or assign input channels one and two to independent outputs. There’s also an effects loop for patching in external effects, and a jack for connecting up to two footswitches or an expression pedal for controlling looper functions, volume, tap tempo, anti-feedback scan, and more. In addition, the AD-10 functions as a two-in/two-out USB audio interface, enabling you to record tracks to a DAW and play computer music through the AD-10’s audio outputs.

Compact and powerful floor multi-effects with a simple knob-based interface Eight simultaneous effects categories, each with multiple effects types Dial up tones with the ease of using your favorite stompboxes Includes a massive selection of top-quality effects, from classic BOSS stomps to the latest MDP effects Updated flagship-level COSM amps derived from the GT-100 Eight multifunction footswitches and expression pedal Manual mode for stompbox-style on/off; Memory mode for switching complete patch setups Delay section includes Phrase Loop function with 38 seconds of recording Runs on six AA batteries or optional PSA-series AC adapter USB audio/MIDI interface built in Free BOSS TONE STUDIO software allows you to edit and organize tones on your computer, and also preview and download free patches directly from the BOSS TONE CENTRAL website A Huge Selection of BOSS Effects in One Pedal No matter what style you play, it’s easy to craft your own personal sound with the ME-80’s wide range of built-in effects. A complete history of gig-ready BOSS tone processing is at your command, from multiple overdrives and distortions to wahs, mod effects, pitch shifters, delays, and beyond. BOSS’ groundbreaking Multi Dimensional Processing (MDP) technology is represented with the unique, spacious ambience of Tera Echo and the distinctive tone-shaping possibilities of Overtone. Updated COSM preamps include new additions such as Crunch and Metal, plus an AC preamp designed for acoustic/electric guitar. The onboard expression pedal can be used for foot volume and pedal effects like wah, octave shift, and Freeze, and it’s also possible to control effects parameters such as mod rate, delay oscillation, and more for expressive real-time sound shaping. Instant Gratification with Dedicated Knobs Unlike typical menu-driven multi-effects processors that are complicated and unintuitive, using the ME-80 is as easy as using a stompbox. Effects are organized into eight logical categories that can all be active at the same time. Seven categories contain multiple effects types to choose from, plus dedicated knobs for selecting a type and adjusting it with a set of parameters you’d find in the pedal version of the effect. The Pedal FX category has its own knob for quickly assigning a particular effects type or function to be controlled by foot with the expression pedal. With this familiar and friendly interface, you’re able to dial up and play great tones instantly, just like using a large pedalboard filled with your favorite stomps. But a major advantage over that pedalboard is that you can to save all the current knob settings to one of the ME-80’s 36 user patch locations, allowing you to recall custom effects configurations at the touch of a pedal. Stompbox Immediacy or Multi-FX Power: You Decide The hands-on experience that stompbox control provides is perfect for tweaking tones as you go. However, there are times when switching among an entire group of preset effects is more efficient, such as when you’ve set up complex tones for different songs. The flexible ME-80 supports either approach, giving you the best of worlds. In Manual mode, the categories function like individual stomp effects, with instant adjustment via the panel knobs and on/off control with dedicated footswitches. By entering Memory mode, seven footswitches are automatically reconfigured to select user or preset patches and patch banks, letting you recall complete multi-effects setups directly. One footswitch on the ME-80 is dedicated just for mode switching, so you can toggle between Manual and Memory modes any time you want, even in the middle of a song. New Footswitch Design Delivers Twice the Control The ME-80 offers easy usability while performing, with eight multifunction footswitches for direct control of effects on/off, bank/patch selection, and mode switching, plus convenient access to alternate functions such as tap tempo, tuner, looper control, and more. A special control (CTL) function is also assignable in each patch, letting you toggle grouped effects on/off or adjust a specified parameter in real time. The newly developed footswitch style provides two switches in the space occupied by one in previous designs, allowing BOSS to equip the ME-80 with a generous array of foot-operated controls while keeping the unit extremely compact and mobile. In addition to the eight main footswitches, the expression pedal is equipped with an integrated toe switch that toggles between foot volume and the current Pedal FX setting. USB Audio/MIDI Interface Built In Via USB, you can connect to your computer and capture the output of the ME-80 directly into your favorite DAW to record pro tones with COSM preamps and effects. It’s also possible to monitor the ME-80’s effects sound while recording an unprocessed signal into a DAW track. MIDI transfer over USB is also supported, allowing you to select ME-80 patches from your computer, send expression and control pedal data into your software, and swap patches via BOSS TONE STUDIO. Edit and Organize Tones and Connect to the Web with BOSS TONE STUDIO Available as a free download, the BOSS TONE STUDIO application provides an inviting graphical interface for tweaking the ME-80’s effects from your Mac or Windows computer through USB. The software makes it easy to save, edit, and organize your patches, and to load them into the ME-80 as needed for different gigs and other applications. If your computer has Internet access, BOSS TONE STUDIO also provides an integrated connection to the BOSS TONE CENTRAL website, allowing you to preview and download gig-ready patches created by top guitar pros directly into your ME-80! In addition to expanding your palette of tones, these free patches provide solid foundations for creating your own patches with the ME-80’s extensive array of effects. AD Conversion24 bits + AF method AF method (Adaptive Focus method) * This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.DA Conversion24 bitsSampling Frequency44.1 kHzPatches36 (User) + 36 (Preset)PedalsPedal switch x 8 Expression pedal x 1Nominal Input LevelGUITAR INPUT: -10 dBu AUX IN: -20 dBuInput ImpedanceGUITAR INPUT: 1 M ohm AUX IN: 27 k ohmsNominal Output LevelGt. AMP OUTPUT L/MONO, R: -10 dBu REC OUT/PHONES: -10 dBuOutput ImpedanceGt. AMP OUTPUT L/MONO, R: 2 k ohms REC OUT/PHONES: 44 ohmsRecommended Load ImpedanceGt. AMP OUTPUT L/MONO, R: 10 k ohms or greater REC OUT/PHONES: 16 ohms or greaterConnectorsGUITAR INPUT jack: 1/4-inch phone type Gt. AMP OUTPUT L/MONO, R jack: 1/4-inch phone type REC OUT/PHONES jack: Stereo miniature phone type AUX IN jack: Stereo miniature phone type USB COMPUTER port: USB type B DC IN jackDisplay7 segments, 2 digits LEDPower SupplyAlkaline battery (AA, LR6) x 6 or Carbon-zinc battery (AA, R6) x 6 or AC adaptorCurrent Draw200 mAExpected battery life under continuous useAlkaline: Approx. 7 hours Carbon: Approx. 2 hours * These figures will vary depending on the actual conditions of use.AccessoriesOwner's Manual Alkaline battery (AA, LR6) x 6 "Read Me First" LeafletOption (sold separately)AC adaptor: PSA seriesSIZE AND WEIGHTWidth447 mm 17-10/16 inchesDepth231 mm 9-1/8 inchesHeight70 mm 2-13/16 inchesWeight3.6 kg 7 lbs. 15 oz.SIZE AND WEIGHT (MAXIMUM HEIGHT)Width447 mm 17-10/16 inchesDepth231 mm 9-1/8 inchesHeight91 mm 3-5/8 inchesWeight3.6 kg 7 lbs. 15 oz.0 dBu = 0.775 Vrms

Based on BOSS’s acclaimed Tube Logic approach, the comprehensive AIRD system in the GT-1000 brings unparalleled musical response and flexibility to a digital guitar processor. AIRD amplifiers live and breathe like real tube amps, providing inspiring feel and authentic tonal dynamics that were previously unattainable in a digital processor. Sophisticated AIRD Output Select functionality takes things even further, letting you achieve consistently great sound with any setup, from standard guitar amps to full-range playback systems. The GT-1000 also features a huge range of cutting-edge BOSS effects, with numerous routing options and extensive real-time control at your command. And with the convenience of built-in Bluetooth®, you can adjust sounds, configure control assignments, and organize patches wirelessly from your mobile device using the BOSS Tone Studio app. Packing immense power in a streamlined pro design, the GT-1000 is a game changer that brings new levels of creative expression to all guitarists and bassists. Flagship amp/effects processor with uncompromising sound quality and unmatched expressiveness Industry-leading 32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate throughout Next-generation BOSS DSP engine, custom designed specifically for music applications AIRD (Augmented Impulse Response Dynamics) technology realizes BOSS’s acclaimed Tube Logic concept in a digital guitar processor, delivering natural feel and optimized integration with all types of external devices Highly expressive amplifiers, meticulously crafted with AIRD Massive selection of onboard effects, including BOSS MDP effects and algorithms directly ported from the DD-500, MD-500, and RV-500 pedals Amps and effects can be routed in numerous series and parallel combinations Ultra-fast patch switching and delay carryover Innovative Stompbox feature greatly simplifies using common effects settings in many different patches Easy operation with large display and six user-assignable switching knobs Ten footswitches and integrated expression pedal with user-configurable assignments and LED colors High-resolution tuner with two display modes and mono or polyphonic operation ¼-inch main outputs and XLR sub outputs with independent AIRD Output Select settings; loop for external stereo or mono effects Support for external control via footswitches, expression pedals, MIDI, and USB Built-in Bluetooth for wireless editing via BOSS Tone Studio app for iOS and Android mobile devices USB audio/MIDI interface for computer-based recording and editing Latest GT-1000 Update: Version 3.1 (March 2020) New FX Expansion mode provides four simultaneous FX blocks, up from three in normal mode (GT-1000 operation is mono when FX Expansion mode is selected) Distortion effect type now available in FX blocks, with identical parameters to those included in the dedicated DS1 and DS2 distortion blocks Ten input memories for saving optimized level settings for different guitars; input memories can be selected globally or stored with user patches Onboard user IR slots increased from 4 to 16 New AIRD Output Select types for use with the Power Amp In feature on the Katana-50 MkII, Katana-100 MkII, and Katana-100/212 MkII amplifiers Version 3 Additions (April 2019) bass support and enhanced performance functionality Three AIRD bass preamps: NATURAL BASS, X-DRIVE BASS, and CONCERT Sixteen bass effects, including an MDP compressor, overdrives and distortions, touch wah, flanger, and more Manual and Pedalboard modes for direct-access control AIRD Output Select library additions: 11 guitar types and 2 bass types Version 2 Additions (January 2019) Four AIRD preamps: MATCH COMBO, BG COMBO, ORNG STACK, BGNR UB METAL Three overdrive/distortion types: CENTA OD, HM-2, METAL CORE Three Master Delay types: SPACE ECHO, TAPE ECHO PX, BIN DRUM ECHO Designed for Unparalleled Sound Quality The GT-1000 is BOSS’s most advanced amp/effects processor to date, built for no-compromise audio performance. To start, it’s the first-ever guitar multi-effects unit with 32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate throughout. There’s an all-new DSP engine as well, specially designed for music applications and featuring over three times the power of previous generations. This immense processing muscle unlocks far greater sonic detail than ever before possible, making it quick and easy to get the sounds you’re after without endless parameter tweaks and microscopic EQ adjustments. If you’ve shied away from other amp/effects processors because they’re hard to dial in and missing that “real deal” vibe, the GT-1000 is sure to change your mind. AIRD: A Revolution in Digital Amp Processing At its core, the GT-1000 harnesses BOSS’s breakthrough AIRD technology for previously unattained musical power. Based on the comprehensive Tube Logic concept behind the renowned Katana, Waza, and Blues Cube amplifiers, AIRD takes the amp processor to a new level of performance, flexibility, and practical usability. The tube amplifiers that guitarists love are interactive, highly expressive musical instruments that are far more than the sum of their individual components. The Tube Logic design philosophy fully realizes this interactive experience, and it’s been hugely successful in the self-contained guitar amps where it’s been employed. However, bringing this approach to a guitar processor like the GT-1000 introduces many challenges, because players will use it with a variety of external amplification systems that add their own characteristics to the sound. BOSS developed AIRD to address these challenges, employing sophisticated techniques to ensure that the GT-1000’s groundbreaking musical response can be consistently experienced with any rig. Highly Musical Guitar Amplifiers, Crafted with AIRD The GT-1000 is loaded with immensely expressive guitar amplifiers, all meticulously crafted with AIRD. In contrast to traditional modeling methods, AIRD reproduces the complex internal component interactions of tube amps in every way, from guitar input to speaker output and everything in-between. The result is a complete interactive system that’s a living, breathing instrument, just like your favorite high-end tube amp. A key focus of AIRD is the reactive amp/speaker relationship, which is essential to the dynamic feel and musical responsiveness of tube amplifiers. This vital relationship is fully brought to life with the GT-1000’s amps, producing guitar tones that are alive with punch, presence, and depth. Thanks to AIRD, your sound always feels great under your fingers and “sits in the mix” properly, delivering a truly organic musical experience that’s never been available from a digital guitar processor until now. The GT-1000 features a wide range of BOSS original amplifiers suitable for all guitar styles, from super-clean to ultra-heavy. A number of amp types employ Multi-Dimensional Processing (MDP) technology for dynamic, nuanced tone that reaches beyond the capabilities of analog designs. Classic tube amps throughout history are included as well, from coveted vintage combos to modern high-gain heads. Two amps can be used at once in a single patch, so you’re able to switch between two sounds, blend amps for complex tones, or achieve big, expansive sound in stereo setups. Optimized Performance for Every Playing Application AIRD enables the GT-1000 to smoothly flow into any creative setup, allowing you to enjoy great tone and response with minimal adjustments. By choosing from a large selection of AIRD Output Select types, you can perfectly tailor the GT-1000 for any destination, whether it’s a guitar amp input, an amp effects return, a power amp driving guitar speakers, or a full-range monitoring system. There are built-in AIRD Output Select types for a wide variety of amps, plus two user locations for loading additional selections from the GT-1000 AIRD Output Select Library software. AIRD is fully integrated into the GT-1000’s amplifiers at every level, so you’ll always experience their authentic sound and interactive response with any setup. And with the ability to apply different AIRD Output Select settings to the main and sub outputs, you can optimize the sound for two destinations at once, such as a guitar amp input and a direct feed to a house PA. The GT-1000's outputs also include independent ground lift functions, making it easy to tackle any hum issues that might be introduced with external devices. Extraordinary Effects As you’d expect from a flagship BOSS processor, the GT-1000 is loaded with all types of effects, from overdrives and distortions to specialty effects like Slicer, Slow Gear, and a host of others. Many selections harness BOSS’s MDP tech, which intelligently adapts to your dynamics and playing register to achieve the perfect sound. Advanced algorithms from the renowned DD-500 Digital Delay, MD-500 Modulation, and RV-500 Reverb pedals are included too, along with sophisticated Acoustic Resonance processing inherited from the AD-10 pedal for acoustic/electric guitar. Amps and effects can be configured with various series and parallel routing options, and signal paths can be divided and mixed at multiple points. Patch switching is ultra-fast thanks to the GT-1000’s speedy DSP, and delay carryover is also possible. There are two effects loops as well, allowing you to connect your favorite external effects and preamps. The New Bass Multi-Effects Flagship BOSS’s powerful GT-10B was a longtime favorite of creative bassists, providing top-flight amps, effects, and DI capabilities in one convenient floorboard. Now, the GT-1000 takes bass processing to new heights with next-generation sound quality, ultra-flexible performance features, and an even more compact size. Three AIRD bass preamps are provided for shaping your core tone, while eight different overdrive/distortion effects are available for additional color and gain. There’s an MDP bass compressor as well, plus chorus, flanger, touch wah, and many other effect types specially tuned for bass. Streamlined Design, Ready to Travel In today’s music world, players need to travel as light as possible, and BOSS designed the GT-1000 for maximum control in a minimum amount of space. In comparison to other processors in its class, it offers a compact, streamlined design that’s easy to carry and set up. The metal chassis is both strong and light, and features an array of freely assignable footswitches and an integrated expression pedal. Newly developed specifically for the GT-1000, the low-profile footswitches reduce size and weight while maintaining the rugged durability that all BOSS gear is famous for. Intuitive Interface With the GT-1000’s large display and six switching knobs, the process of creating and adjusting sounds is smooth and efficient. Four different Play screen layouts provide alternate viewing options for various patch functions, and you can customize the knobs for quick access to specific parameters. While editing, the signal chain is clearly displayed, and it’s simple to select effects blocks, adjust parameters, and change the order. The available parameters for selected effects can be displayed in layers, letting you see everything at once on screen. An innovative new workflow feature in the GT-1000 is the ability to save any effect as a “Stompbox.” Parameter adjustments to a Stompbox are reflected in all patches where it’s used, basically mimicking the way you’d use physical pedals. This is ideal for effects where you use the same settings most of the time, but just need to make small adjustments occasionally. Now, you can make those changes quickly across multiple patches, eliminating the hassle of tweaking and saving each patch separately. Intensive Performance Control With its ten footswitches and expression pedal with toe switch, the GT-1000 gives you comprehensive creative control on stage and in the studio. And if you’re a power user, there’s support for additional control via external switches, pedals, MIDI, and USB. By default, the main footswitches are assigned to select patches, patch banks, and three control assignments. But you can reassign the switches to control nearly any function. Using the GT-1000’s switching knobs and powerful Assign Matrix, control assignments are quick and intuitive. It’s also possible to assign different colors to the status LEDs above the switches, and easily view the current switch assignments with a Play screen option. Manual and Pedalboard Modes for a Stompbox-Style Experience While all of the GT-1000’s footswitches are freely assignable per patch, there might be times when you need even more control. Manual mode allows you to set up on/off access to any amp or effect on a secondary layer, which you can toggle between with a footswitch assignment. The all-new Pedalboard mode takes an even more direct approach for players wanting a traditional stomp experience, providing a dynamic effects layout that’s outside the normal patch structure and always ready to go when needed. What’s more, all footswitch modes now provide top-level access to function assignment and parameter control for assigned effects, letting you make tweaks on the fly with no deep menu diving. USB Audio/MIDI and Wireless Editing via Bluetooth The GT-1000’s well-organized panel interface is a breeze to navigate, but things get even easier with your smartphone or tablet. The GT-1000 is equipped with onboard Bluetooth—a first for a pro-level amp/effects processor—allowing you to wirelessly manage sounds from the dedicated BOSS Tone Studio app for iOS and Android. Whether at home, in rehearsal, or on stage, you can comfortably tweak the GT-1000 from your device without having to bend over and edit via the hardware. It’s even possible to record a riff with the GT-1000’s built-in looper, and then roam the venue and adjust tones from the audience position! The GT-1000 includes a USB audio/MIDI interface as well, with multi-channel audio operation for flexible computer recording and efficient re-amping. A Recording mode allows you to choose from a variety of built-in speaker and microphone types, and it’s also possible to import WAV-format speaker impulse responses with the GT-1000 IR Loader software. USB can also be used to edit and organize sounds with the desktop version of the BOSS Tone Studio editor for Mac and Windows.

Tabletop Loop Station that can be operated with the hands, perfect for beatboxers, vocalists, and club performers Five simultaneous stereo phrase tracks, with dedicated controls and independent volume faders Wide range of Input FX and Track FX for processing loops, including DJ and sampler-style effects Independent play mode and tempo sync settings enable a flexible combination of track behaviors and advanced performance options 99 phrase memories, each containing five phrase tracks, custom effects/playback settings, and more 85 onboard rhythm patterns, including odd-measure beats External control via MIDI and optional footswitches or expression pedal USB for phrase import/export and DAW integration with computers XLR mic input with phantom power, mono/stereo instrument inputs, and stereo aux input Version 2.0: Newly Added Features Up to three effects can be used simultaneously in both the Input FX and Track FX sections New effects types, including Ring Modulator, Slow Gear, Pitch Bend, and others Extended parameters added to previous effects, including dotted and triplet note values for tempo syncing New targets for external foot control, ideal for musicians who play guitar, keyboards, and other instruments Assign functions have been increased from 8 to 16, providing expanded performance control via the front panel, external footswitches, expression pedal, and MIDI Enhanced Phrase Memory functions such as individual track monitoring via headphones, quantized loop recording, and more Added system functions, including loop indicator status settings and more Five Stereo Tracks with Dedicated Controls The RC-505 features five stereo phrase tracks that can play simultaneously, the most yet in a BOSS Loop Station. Independent record/overdub/play and stop buttons for each track let you capture and control loop performances with your fingertips, and dedicated volume faders allow you to mix loop levels on the fly. Each track can have its own playback mode (multi, single, one-shot, reverse, etc.) and tempo sync settings, providing an unlimited range of creative looping behaviors. Powerful FX Onboard With the RC-505’s large selection of built-in effects, it’s easy to enhance your sounds as you perform. Input FX allow you to process the sound during loop recording, while Track FX provide further processing options for phrase playback. Six dedicated on/off buttons—three each for Input FX and Track FX—can be loaded with your favorite effects, while grab-and-go knobs let you tweak parameters such as filter cutoff and effect depth in real time. With the Version 2.0 update, the assigned effects can now be used simultaneously, and newly added effects types offer even more processing options to choose from. Global compressor and reverb effects are also on hand, perfect for adding some finishing polish to the overall sound. Phrase Memories and Rhythms 99 phrase memories provide onboard storage for phrase track data, various playback and effects settings, and more. A combination of frequently used settings can be saved as a User Set, which you can easily load to quickly reconfigure any phrase memory, even in the heat of performing. 85 different onboard rhythms offer backing for loop recording, with a large selection of odd-measure beats for advanced looping. The rhythm part can be routed to the rear-panel Phones jack only, giving you a dedicated click track for monitoring purposes. With the Version 2.0 update, it’s possible to route individual phrase tracks to the headphones as well. Audio Inputs and USB The RC-505 is outfitted with a number of simultaneous inputs, allowing you to capture and mix a variety of different audio sources as you build loops. There’s an XLR microphone jack with phantom power, mono/stereo ¼-inch inputs for guitars, synths, or other instruments, and a mini-jack for connecting a smartphone or other stereo device. Via USB, you can plug into your computer and import/export WAV audio phrases, great for loop archiving or loading up phrases with live backing tracks or sounds for sampler-style triggering. The RC-505 also functions as a USB audio/MIDI interface, making it easy integrate with music software for stage performing with a laptop, audio recording, MIDI sync, and more. Customized Looping Control The RC-505 lets you set up customized real-time controls, extending your command of looping and many other operations. With the Version 2.0 update, you can specify up to 16 different functions and access them in a variety of ways—with front-panel controls, an external expression pedal or footswitches, and/or various MIDI CC messages. Many newly added target functions are tailor-made for foot control, perfect for looping musicians who have their hands occupied with a guitar, keyboard, and other instrument. The 16 control assignments are stored with phrase memories, allowing you to create and recall custom setups for different songs and performing situations. Nominal Input LevelINPUT MIC (variable): -40 dBu (typ.), -10 dBu (max) INPUT INST (variable): -10 dBu (typ.), +4 dBu (max) INPUT AUX: -20 dBuInput ImpedanceINPUT MIC: 4 k ohms INPUT INST: 200 k ohms INPUT AUX: 22 k ohmsNominal Output LevelLINE OUT: -10 dBuOutput ImpedanceLINE OUT: 2 k ohmsRecommended Load ImpedanceLINE OUT: 10 k ohms or greaterRecording/PlaybackMaximum Recording Time: Approx. 3 hours (stereo) Maximum Phrase Memory: 99 Number of Tracks: 5 Data Format: WAV (44.1 kHz, 16-bit linear, stereo)Effect Type (INPUT FX/TRACK FX)FILTER PHASER FLANGER SYNTH LO-FI GUITAR TO BASS TRANSPOSE ROBOT VOCAL DIST VOCODER COMP EQ ISOLATOR OCTAVE PAN SLICER DELAY TAPE ECHO GRANULAR DELAY CHORUS REVERB BEAT REPEAT *1 BEAT SHIFT *1 BEAT SCATTER *1 VINYL FLICK *1 *1 TRACK FX onlyEffect Type (MASTER FX)COMP REVERBRhythm Type85Display16 characters, 2 lines (backlit LCD)USBMass Storage Class Audio/MIDIConnectorsINPUT MIC jack: XLR type (balanced, phantom power: DC 48 V, 10 mA Max) INPUT INST (L/MONO, R) jacks: 1/4-inch phone type INPUT AUX jack: Stereo miniature phone type PHONES jack: 1/4-inch Stereo phone type LINE OUTPUT (L/MONO, R) jacks: 1/4-inch Stereo phone type CTL 1, 2/EXP jack: 1/4-inch TRS phone type USB port: USB Type B MIDI (IN, OUT) connectors DC IN jackPower SupplyAC adaptorCurrent Draw420 mAAccessoriesAC adaptor Owner's manualOptions (sold separately)Footswitch: FS-5U, FS-6, FS-7 Expression pedal: Roland EV-5, FV-500L, FV-500HSIZE AND WEIGHTWidth420 mm 16-9/16 inchesDepth210 mm 8-5/16 inchesHeight68 mm 2-11/16 inchesWeight1.4 kg 3 lbs. 2 oz.

Three footswitches allow you to initiate effects, which are all editable via three separate LCD screens, each of which boasts four dedicated parameter controls, which change depending on the effect you choose. At the bottom of the pedal are three more foot controls: two scroll pedals for cycling through banks, as well as a third control for tap-tempo and tuner regulation. An 80-second phrase looper is also available to you, for all your looping needs. The pedal provides both instrument and auxiliary inputs, and an output section which gives you a mono 1/4" output and a stereo 1/4" output, useful for monitoring through headphones or implementing stereo effects. A controller input will allow you to hook in compatible expression control pedals, such as the FP02M. Included Software The included Zoom Guitar Lab software for Mac and Windows enables you to manage patches, download new effects, and activate different amp/cabinet emulators. It includes a Patch Manager for effects chains, as well as an Effects Manager with a simple graphic user interface. This provides point-and-click control over re-naming or re-ordering your custom patches. Features at a Glance 67 high-quality stompbox DSP effects 5 new amp emulators, plus 5 cabinet emulators Included ZOOM Guitar Lab Mac/Windows software for allows downloading of additional effects and patches Use up to 7 effects simultaneously, chained together in any order 3 stompbox switches allow effects to instantly be brought in and out Stereo/mono looper allows recording of up to 80 seconds of phrase recording 3 independent editing displays Onboard chromatic tuner with dedicated footswitch supports all standard bass tunings including open and drop-tunings (tuner center-range of 435 to 445 Hz) 68 built-in rhythm patterns which can be used in conjunction with the looper Tap Tempo with dedicated footswitch Auxiliary stereo input jack for connection of smartphones and music players Dual output jacks for connection to bass amps and mono/stereo PA systems Dedicated stereo headphone output jack Control input for ZOOM FP02M external expression pedal Effects Types 80x Simultaneous Effects Up to 7x User Banks 150 banks and patches Sampling Frequency 44.1 kHz AD/DA Conversion 24-bit with 128x oversampling Signal Processing 32-bit Frequency Characteristics 20 Hz to 20 kHz, +1 dB, -3 dB (10-kOhm load) LCD Display 3x 128 x 32 dot-matrix Input Connections 1 x 1/4" phone jack 1 x Stereo 3.5 mm mini jack 1 x Zoom FP02M Control input Input Level 1/4" phone: -20 dBu 3.5 mm mini: -10 dBu Input Impedance 1/4" phone: 470 kOhms (line) 3.5 mm: 10 kOhms (line) Output Connections 1 x 1/4" phone jack, mono 1 x 1/4" phone jack, stereo (combined line / headphone) Output Level Output R: Line +5 dBm (load impedance of 10 kOhms or more) Output L: Line +5 dBm (load impedance of 10 kOhms or more); headphones 15 mW + 15 mW into 32-Ohm load EIN -119 dBu Noise Floor -100 dBu Power Zoom AD-16 AC adapter: 9 VDC (center minus plug), 500 mA USB USB MIDI, USB Micro-B Dimensions 7.1 x 9.2 x 2.3" / 18.1 x 23.4 x 5.8 cm Weight 2.8 lb / 1.3 kg Packaging Info Package Weight 3.69 lb Box Dimensions (LxWxH) 12.95 x 8.05 x 3.15"

Distortion, chorus, reverb, and more are all on hand, as are 13 amp models that simulate classic combinations. Five effects can be chained at any time and in any order. You can save these effects in one of the 50 user preset patches. Switch among patches (or banks of patches) quickly with the tap of a toe, so you can change your live or studio sound with ease. You can also change global characteristics to retain a sense of unity among patches. A three-knob tone stack and the overall output level knob do not change as you cycle through your sounds. The pedal sports 60 different effects, and you can edit or add more effects from your computer too. Simply hook the pedal up to your Mac or Windows machine over a USB cable and add effects from Zoom's Guitar Lab software. The G1 Four provides one 1/4" instrument input, one 3.5mm input for mobile devices and media players, and a combined amp/headphone output. The unit runs on four AA batteries, giving you up to 18 hours of run time. You can also power the unit with a dedicated ZOOM AD-16 AC adapter or over USB. Key Features at a Glance Over 60 built-in effects 13 amp models for simulating classic rigs Up to 5 effects can be used simultaneously or chained together in any order Looper records up to 30 seconds (64 beats of CD-quality audio with seamless start and end times) ZOOM Guitar Lab software for creating, editing and managing effects and patches 68 built-in rhythm patterns, which can be used in conjunction with the Looper 50 memory locations for storing user-created patches Auto Save function for automatic saving of all patch parameters Onboard chromatic tuner supports all standard guitar tunings, including open and drop tunings Input jack accepts standard mono guitar cable Both active and passive instruments supported Auxiliary input jack for connection of personal music players Output jack for connection to amp or headphones Runs on 4 AA batteries Alkaline battery life of 18 hours USB port for firmware updates, power, and connection to ZOOM Guitar Lab Simultaneous Effects 5 Maximum Patches 50 User Patches Sampling Frequency 44.1 kHz AD/DA Conversion 24-Bit, 128x Oversampling Signal Processing 32-Bit, Internal Display 128 x 32 Dot Matrix LCD Input 1 x 1/4" TS Input, Phone Type 1 x 3.5 mm Auxiliary Input, Stereo, Phone Type Input Level 1/4" Instrument: -20 dBu 3.5 mm Auxiliary: -10 dBu Input Impedance 1/4" Instrument: 470 kOhms 3.5 mm Auxiliary: 1 kOhm Output 1 x 1/4" TRS Output (Combined Line and Headphone Jack) Maximum Output Level Line: +2 dBu Headphones: 17 mW + 17 mW Output Impedance Line: ≥10 kOhms Headphones: 32 Ohms Load Signal to Noise Rate 120 dB Noise Floor -97 dBu AC Adapter 9 VDC, 500 mA, Center Negative (ZOOM AD-16) Battery Power 4 x AA Batteries Battery Life (approx.) About 18 Hours, Continuous Operation with Using Alkaline Batteries USB MIDI: USB Micro Type-B When Using a Cable Designed only for Power, other USB Functions Cannot be Used Dimensions 6.1 x 5.1 x 1.7" / 156 x 130 x 42 mm Weight 12 oz / 340 g Packaging Info Package Weight 1.45 lb Box Dimensions (LxWxH) 9.8 x 6.11 x 1.4"

Specifications Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Controls Pedal switch BALANCE knob TONE knob DETUNE knob MODE knob Indicator CHECK indicator (Serves also as battery check indicator) Connectors INPUT jack OUTPUT-A (MONO) jack OUTPUT-B jack AC adaptor jack (DC 9 V) Power Supply Alkaline battery (9V, 6LR61) AC adaptor (sold separately) Current Draw 60 mA Expected battery life under continuous use Alkaline: Approx. 3 hours *These figures will vary depending on the actual conditions of use. Accessories Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information") Alkaline battery (9V, 6LR61) Option (sold separately) AC adaptor (PSA series) Size and Weight Width 73 mm 2-7/8 inches Depth 129 mm 5-1/8 inches Height 59 mm 2-3/8 inches Weight (including battery) 415 g 15 oz * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.

Circuit: Analog Bypass: True Bypass Audio: Mono Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included) Dimensions (in): 4.5 x 2.75 x 2.1 Current Draw: 20mA Year Released: 2023 Liftoff with the EHX Spruce Goose Overdrive, an elevated take on a Bluesbreaker®-style OD with a smooth, rich breakup that retains clarity and dynamics. The Spruce Goose soars with a host of new features including a LIFT switch accessing 3 input gain settings, additional output, and expanded EQ to send your tone flying! From meaty boost to smooth singing leads, the Spruce Goose steers your tone into a variety of inspiring and musical directions. The engine of the Spruce Goose is an overdrive circuit renowned for its natural breakup and amp-like response. This circuit is then elevated to new heights by the LIFT switch which selects between 3 levels of input gain. LIFT effectively works as an input boost, goosing the front end of the drive circuit hitting harder and producing a more compressed, saturated tone while still retaining its dynamic feel and transparent tone. GAIN and VOL knobs adjust for exact drive and output levels. EQ of the pedal consists of a TREBLE knob for taming topping and an active BASS knob to cut or boost bass frequencies. BASS is especially helpful for adding girth to single coil guitars or tightening the low end on warmer humbucker guitars. The Spruce Goose also features mechanical relay true bypass switching with latching and momentary action. Tap the footswitch for a normal latching toggle or press and hold the footswitch for a momentary blast of gain and boost! Great for stepping out in front of the mix for pulling quick lick or moment of sonic chaos. All trademarks are the property of their respective owners. OD circuit inspired by Marshall Bluesbreaker® Enhanced output range LIFT Switch adds gain to push saturation Active BASS Knob sets low end response VOL, GAIN and TREBLE knobs True Bypass Soft FSW w/ latch and momentary action 9V battery included (9V adapter optional)

A Must-Have OD Tone Of The 2000s & Beyond The Warm Audio ODD Box V1 (“ODD” for short) is a hard-clipping, op-amp-based overdrive inspired by an iconic pedalboard staple known for having a “cranked amp” tone. Perfect for boosting, adding breakup, or adding high gain to cleans, the ODD has all the tonal versatility of its inspiration. Delivering all of the sounds of a cranked, saturated tube amp, the ODD features classic-inspired controls, including a UK/US Switch, to flip the personality of ODD from a “British” to an “American” tube amp. True to its inspiration, the ODD delivers the sound of massive, live electric guitar that attracted players like Billy Gibbons, Mark Hoppus, Eric Johnson, J Mascis, Paul Gilbert, and many more to that open tube amp sound. Cranked Tone On Any Stage The ODD brings the coveted “amp-in-a-box” tone to any stage or studio. With a high degree of touch sensitivity combined with powerful drive and tone controls - the ODD sounds like a full stack regardless of volume. The added versatility of the UK/US switch ensures that any guitar or amp will deliver a true cranked-amp tone in any setup. To accurately deliver this artist-favorite tone, the ODD is built with through-hole construction using premium components, including a TLO82CP Op-Amp, 2N7000 transistors, & hand-selected capacitors & resistors. Pedal Settings & Controls The ODD has three critical OD controls on the front with a special addition. Drive controls the amount of clipping, or “overdrive” tone. The tone control increases treble as you turn it clockwise. The Volume control acts like a master output, increasing volume as you turn it clockwise. The UK/US switch quickly changes the personality of the ODD. The UK setting distorts earlier, bumps the upper mids, and increases volume - giving this setting more of a cranked, "chimey" amplifier tone. The US setting has a little more clean headroom, allowing the ODD to act more like a boost at first, and better aligns with traditional tweed-based "edge of breakup" amplifier tones. Technical Specifications Inspired By An Iconic Pedalboard Staple Known For Cranked-Amp Tone Premium Components, Including A TLO82CP Op-Amp, 2N7000 Transistors, & Hand-Selected Capacitors & Resistors Controls: Volume, Drive, Tone, & UK/US Switch Through-Hole Construction True-Bypass Switching 9-Volt Battery Or External 9-18V Regulated DC Adapter (center-negative) Current Draw: 5.5 mA (9V) / 6.5 mA (18V) Custom-Folded Steel Enclosure With A Durable Powder-Coated Finish 1/4" Input And Output Jacks Dimensions: 4.5" x 2.5" x 1.5" Weight: 0.85 lb

Circuit: Digital Bypass: Buffered Bypass Audio: Stereo Power Supply: 9.6VDC-200mA power adapter included Dimensions (in): 4.75 x 4 x 2.25 Current Draw: 135mA Year Released: 2015 The EHX Lester K uses stereo outputs to provide a lush, realistic sound with either stereo or mono inputs. Tube-style overdrive is variable and the speaker balance can be fine-tuned. Switch between adjustable Fast and Slow modes to achieve that iconic sound when the big cabinet ramps up to speed and down. Lush rotary speaker emulation Stereo/mono in/out Tube emulated overdrive Adjustable Fast and Slow modes Classic rotary speaker speed up and down High quality buffered bypass Power adapter included

Circuit: Digital Bypass: Buffered Bypass Audio: Mono Power Supply: 9.6VDC-200mA power adapter included Dimensions (in): 4.75 x 4 x 2.25 Current Draw: 100mA Year Released: 2015 Completing the powerful trilogy forged by the B9 and C9 Organ Machines, the EHX KEY9 emulates the world’s most coveted electric pianos and more. With 9 presets, you can transform your axe and lay down a cool “Riders on the Storm” style groove or some hot funk ala “What’d I Say!” The KEY9 transforms the tone of a guitar and/or keyboard into a convincing electric piano emulation, including several variations of the classic Rhodes and Wurlitzer sounds. The KEY9 also features lively recreations of vibes, mallets, an organ, and even steel drums! Based on the popular EHX B9 and C9 pedals, the KEY9 swerves into electro-acoustic territory via knobs that control DRY and KEY volume, as well as preset-specific features that are adjusted with the CTRL 1 and CTRL 2 knobs. Take it from Mike Matthews who says: “You’ll dig the way the KEY9 turns you into a Rhodes Scholar!” Transforms the tone of your guitar or keyboard 9 presets that were carefully crafted to emulate classic Wurlitzer® and Rhodes® sounds, plus more Presets provide control of the fundamental parameters that help define that instrument’s sound Many presets include adjustable modulation such as tremolo, phaser and chorus Use it with the B9 and C9 Organ Machines to create your own powerful keyboard rig Fast and flawless tracking Power adapter included

Circuit: Digital Bypass: Buffered Bypass Audio: Stereo Power Supply: 9.6VDC-200mA power adapter included Dimensions (in): 4.75 x 3.9 x 2.5 Current Draw: 150mA Year Released: 2018 The EHX Grand Canyon is Electro-Harmonix’s most advanced multifunction delay and looper pedal. It’s equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon’s effects. The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analog bypass with soft switching and more. The Grand Canyon’s 13 modes are: 1. ECHO – pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering 2. MOD – Modulated delay, yields rich flanger, chorus, vibrato, warble and more 3. MULTI – Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats. 4. REVERSE – Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes 5. DMM – Deluxe Memory Man, re-creates the luscious tone of EHX ‘s legendary bucket-brigade delay pedal 6. TAPE – Tape Delay, simulates the organic sound of an analog tape, echo machine including tape distortion, wow and flutter 7. REVERB – Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay 8. PITCH – EHX’s critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats 9.SHIM – Shimmer generates a rich octave-shifted wash of shimmering soundscapes 10. SAMPLE/HOLD – Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected 11. DRUM – Magnetic drum echo that faithfully emulates a classic Binson Echorec® style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns 12. DOUBLE – Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs 13. LOOPER – Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust. Advanced multifunction delay and looper with up to three seconds of delay time 12 effect types that cover a ton of tonal real estate to fuel your creativity: ECHO, MOD, MULTI, REVERSE, DMM, TAPE, REVERB, PITCH, SHIM, SAMPLE/HOLD, DRUM, DOUBLER Tails feature. Select whether the echoes fade out naturally or stops immediately when the pedal is switched to bypass mode Tap tempo with nine tap divide subdivisons Up to 16 minutes of recording time on the fully featured looper Loop audio remains in the Grand Canyon until you erase it, even after removing power 13 presets can be saved or recalled 3-button footswitch connector for remote operation Power adapter included

Circuit: Digital Bypass: Buffered Bypass Audio: Mono Power Supply: 9.6VDC-200mA power adapter included Dimensions (in): 3.65 x 2.0 x 2.0 Current Draw: 100mA Year Released: 2023 Meeting between the original Freeze and Superego pedals is the Pico Deep Freeze Sound Retainer. With the ability to freeze a moment in sound, the Deep Freeze can act as a sustain pedal for holding chords and notes as backing for your playing or as a platform to manipulate your tone into new sounds impossible with a normal guitar. In addition to the original Freeze’s abilities, the Deep Freeze features layering, adjustable attack/decay speeds, glissando, dedicated volume controls, and 3 modes: Latch, Moment, and Auto, making it powerful pedal punching well above its weight. The Deep Freeze allows for instant sound freezing in three modes of operation. Latch freezes sound each time the footswitch is pressed until the effect is bypassed, while Moment mode freezes sound only while the footswitch is held down. Auto mode captured sound automatically each time it senses signal above its threshold for virtually foot-free freezes. These three modes make it easy to operate the Deep Freeze in a way that fits any playing style. Controls on the Deep Freeze let you further tailor the operation of the effect. Separate DRY and EFFECT volume controls let you blend signals from subtle backing to 100% effect experimentation. GLISS adjusts the morph time between freeze sounds creating otherworldly soundscapes. The SPEED/LAYER knob adjusts either the attack/decay time of the effect in Moment and Auto modes, or the amount of layering possible in Latch mode which makes playing impossible chords possible! Compact Pico chassis Instantly capture and freeze input sound Three modes of operation: Latch, Moment, and Auto DRY and EFFECT control volume of each signal separately SPEED adjusts Attack or Decay time in Moment and Auto modes LAYER sets previous layer volume attenuation GLISS sets morph time between frozen sounds Tap Tempo with 3 tap division modes Selectable bypass topologies for flexibility in functionality Power adapter included

The pedal offers tape, analog bucket-brigade, and classic digital effects. Furthermore, a classic effect modeled on the time cube is available from Universal Audio via their website, and can be loaded into the pedal over USB. Tap the tempo with your foot into the pedal, and select the subdivision. In addition to silent switching and true/buffered bypass selection, the pedal offers a bevy of control as well as instant save/recall of your favorite sounds as presets. Note: The required power adapter is available separately. 3 Classic Delays Built-In The pedal offers three classic delay effects, including: Tape EP-III: Three unique 1960s tape echo machines with settings for tape age and preamp color. Analog DMM: Vintage analog bucket-brigade delay textures with enveloping modulation modes and subdivisions. Precision: Pristine digital delays with endless delay trails and optional modulation, derived from the UAD plug-in library. In addition to these three effects, you'll have access to more from the Universal Audio website including a Cooper Time Cube delay. Optional Preamp Saturation Color the sound at will with optional preamp coloration using the Tape EP-III and Analog DMM variants. Powered by Dual-Processor UAFX Engine Dual processors enable you to achieve a powerful and authentic sound and facilitate simple preset loading with instant recall. Each effect gives you controls to take full advantage of the tone. Classic UA Analog Design Just like classic and modern UA gear, this pedal is built to last. It also offers both true and buffered bypassing as well as silent switching onstage and in the studio. Goodies Commensurate with a Delay Pedal This pedal offers an dry analog through path to preserve the integrity of your guitar's tone. You'll be able to use the pedal in mono, stereo, and dual mono setups. It also has a tap tempo switch built into the preset-selection footswitch. Universal Audio GPM-STAR Specs I/O 2 x 1/4" TS Instrument Inputs 2 x 1/4" TS Instrument Outputs USB Type-C for Computer Updates Controls Delay Knob Feedback Knob Mix Knob Division Knob Color Knob Mod Knob Mode Switch Store Switch A/B/C Switch On Footswitch Preset/Tap Footswitch Power Requirements Isolated 9 VDC, Center-Negative, 400 mA Minimum (Power Supply Available Separately) Dimensions Not Specified by Manufacturer Weight Not Specified by Manufacturer Packaging Info Package Weight 1.72 lb Box Dimensions (LxWxH) 7 x 4.9 x 3.1"

Circuit: AnalogAnalog w/ Digital Control Bypass: True Bypass Audio: Mono Power Supply: 9.6VDC-200mA power adapter included Dimensions (in): 4.75 x 4 x 2.25 Current Draw: 45mA Year Released: 2015 The EHX Good Vibes recaptures the iconic chorus/vibrato effect of the 1960s in an updated pedal with features designed to meet the needs of the modern player. Like the original Uni-Vibe®, it uses photocells to create chorus and vibrato with a warm, undulating, liquid groove for a sound and response that’s true to the classic design. Boosted power rails provide 21st century definition and headroom, and an expression pedal input puts free-form control for speed or intensity at your feet. True bypass, too. Very groovy! Selectable Chorus or Vibrato delivers classic 1960’s tone and vibe Simple control set: Volume, Intensity, Speed Expression pedal control of Speed or Intensity Boosted power rails for extended headroom and definition Always-on Speed indicator Rugged and compact die-cast chassis True Bypass Power adapter included

Circuit: Analog Bypass: True Bypass Audio: Mono Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included) Dimensions (in): 4.5 x 2.75 x 2.1 Current Draw: 12mA Year Released: 2013 The EHX OD Glove provides a rich, overtone laden sound that doesn’t get muddy. Responsive controls that take you from sparkling, clean boost through brown crunch and all the way to thick, saturated hi-gain. Advanced features like Tone Shift and selectable 9 or 18V internal voltage for surgical sound sculpting. Versatile MOSFET overdrive/distortion Tone Shift switch Selectable 9V or 18V internal voltage True bypass Tough, compact die-cast chassis 9V battery included