Distortion, chorus, and more are all on hand, as are 9 bass-amp models that simulate classic combinations. Five effects can be chained at any time and in any order. You can save these effects in one of the 50 user preset patches. Switch among patches (or banks of patches) quickly with the tap of a toe, so you can change your live or studio sound with ease. You can also change global characteristics to retain a sense of unity among patches. A three-knob tone stack and the overall output level knob do not change as you cycle through your sounds. The pedal sports 60 different effects, and you can edit or add more effects from your computer too. Simply hook the pedal up to your Mac or Windows machine over a USB cable and add effects from Zoom's Guitar Lab software. The B1 Four provides one 1/4" instrument input, one 3.5mm input for mobile devices and media players, and a combined amp/headphone output. The unit runs on four AA batteries, giving you up to 18 hours of run time. You can also power the unit with a dedicated ZOOM AD-16 AC adapter or over USB. Key Features at a Glance Over 60 built-in effects 9 amp models for simulating classic rigs Up to 5 effects can be used simultaneously or chained together in any order Looper records up to 30 seconds (64 beats of CD-quality audio with seamless start and end times) ZOOM Guitar Lab software for creating, editing, and managing effects and patches 68 built-in rhythm patterns, which can be used in conjunction with the Looper 50 memory locations for storing user-created patches Auto Save function for automatic saving of all patch parameters Onboard chromatic tuner supports all standard guitar tunings including open and drop tunings Input jack accepts standard mono guitar cable Both active and passive instruments are supported Auxiliary input jack for connection of personal music players Output jack for connection to amp or headphones Runs on 4 AA batteries Alkaline battery life of 18 hours USB port for firmware updates, power, and connection to ZOOM Guitar Lab Simultaneous Effects 5 Maximum Patches 50 User Patches Sampling Frequency 44.1 kHz AD/DA Conversion 24-Bit, 128x Oversampling Signal Processing 32-Bit, Internal Display 128 x 32 Dot Matrix LCD Input 1 x 1/4" TS Input, Phone Type 1 x 3.5 mm Auxiliary Input, Stereo, Phone Type Input Level 1/4" Instrument: -20 dBu 3.5 mm Auxiliary: -10 dBu Input Impedance 1/4" Instrument: 470 kOhms 3.5 mm Auxiliary: 1 kOhm Output 1 x 1/4" TRS Output (Combined Line and Headphone Jack) Maximum Output Level Line: +2 dBu Headphones: 17 mW + 17 mW Output Impedance Line: ≥10 kOhms Headphones: 32 Ohms Load Signal to Noise Ratio 120 dB Noise Floor -97 dBu AC Adapter 9 VDC, 500 mA, Center Negative (ZOOM AD-16) Battery Power 4 x AA Batteries Battery Life (approx.) About 18 Hours, Continuous Operation with Using Alkaline Batteries USB MIDI: Micro-USB Type-B When Using a Cable Designed only for Power, other USB Functions Cannot be Used Dimensions 6.1 x 5.1 x 1.7" / 15.6 x 13.0 x 4.2 cm Weight 12 oz / 340 g Packaging Info Package Weight 1.445 lb Box Dimensions (LxWxH) 9.4 x 6.8 x 2.4"

Specifications (Looper) Sampling Frequency 44.1 kHz AD/DA Conversion 32 bits Processing 32-bit floating point Recording/Playback Maximum Recording Time: Approx. 6 hours (stereo) Maximum Phrase Memory: 99 Number of Tracks: 2 Data Format: WAV (44.1 kHz, 32-bit float, stereo) Specifications (Rhythm) Rhythm Type 280 types or greater Rhythm Control Intro, Pattern 1, Pattern 1 Fill, Pattern 2, Pattern 2 Fill, Ending Rhythm Kit 16 types Maximum Polyphony 24 voices Effect Reverb (only for rhythm part) Specifications (Common) Memory 99 Nominal Input Level INPUT A/MONO, B: -10 dBu Maximum Input Level INPUT A/MONO, B: +8 dBu Input Impedance INPUT A/MONO, B: 1 M ohm Nominal Output Level OUTPUT A/MONO, B: -10 dBu Maximum Output Level OUTPUT A/MONO, B: +8 dBu Output Impedance OUTPUT A/MONO, B: 1 k ohms Recommended Load Impedance OUTPUT A/MONO, B: 10 k ohms or greater Bypass Buffered bypass Controls RHYTHM switch, LOOP switch VALUE knob, RHYTHM LEVEL knob, LOOP LEVEL knob MENU button, EXIT button Display 16 characters x 2 lines LCD (with backlit) Indicator RHYTHM indicator, LOOP indicator Connectors INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type CTL 1, 2/EXP jack: 1/4-inch TRS phone type MIDI (IN, OUT) jacks: stereo miniature type DC IN jack USB COMPUTER port: USB micro B type Power Supply AC adaptor Current Draw 250 mA Accessories Owner's Manual Leaflet "USING THE UNIT SAFELY" AC adaptor Rubber foot x 4 Options (sold separately) Footswitch: FS-5U Dual footswitch: FS-6, FS-7 Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5 TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535 Size and Weight Width 101 mm 4 inches Depth 138 mm 5-7/16 inches Height (excluding rubber foot) 63 mm 2-1/2 inches Height (including rubber foot) 65 mm 2-9/16 inches Weight (excluding AC adaptor) 620 g 1 lbs 6 oz * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.

Circuit: Analog Bypass: Buffered Bypass Audio: Mono Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included) Dimensions (in): 5.75 x 4.75 x 2.5 Current Draw: 15mA Year Released: 2012 The EHX Deluxe Bass Big Muff is the flagship of EHX bass fuzz and delivers enhancements to the classic Bass Big Muff Pi that are specifically tailored to the needs of the modern bass player. The sturdy foundation of the Deluxe Bass Big Muff is the thunderous tone insprired by the classic Black Russian Big Muff of the ’90s. Added to that is a Blend knob to mix back in your original tone and add definition to your low end. A Gate quiets unwanted hiss for a smooth performance. The ultimate tone-scultor of the pedal is the Crossover section. Here the Fuzz and Dry signals are seperated and run though a High Pass Filter and Low Pass Filter respectively. This creates a tone with fiery top and and a huge, thumping bottom. This is the most versitile Bass Big Muff ever! Pad on the input that’s switchable between 0dB and -10dB ensures the pedal is optimized for use with both passive and active pickups Blend allows a player to mix to taste the direct and distorted signals Three outputs: a 1/4″” effect out, 1/4″” direct (buffered dry) out and XLR DI out give complete control of your output signal and sound Foot-switchable crossover section with a variable low pass filter on the dry signal and a variable high pass filter on the distorted signal give bassists the ability to sculpt their sound Crossover circuit, in conjunction with the Blend control, lets you keep the low-end clear and focused and the high-end bright and cutting Built-in noise gate with an adjust threshold eliminates unwanted noise at any level Tough and compact die-cast chassis 9V battery included

The DD-200 Digital Delay brings together sounds and features inherited from the flagship DD-500 into an even smaller footprint. Twelve different modes offer an inspiring variety of delay colors from modern digital to classic analog, letting you dial up everything from basic echoes to rich ambient pads and everything in-between. There’s also a looper that’s always ready to use, plus a selectable carryover function for seamless transitions between memories. Version 1.1 Update: User Memory Expansion The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change. The Version 1.1 update is available in the Downloads section for each 200 series pedal. Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate Twelve versatile modes provide a wide range of delay types Fast, easy operation with hands-on controls Access 128 user setups from the panel or MIDI program change Recall consecutive memories plus real-time panel setting via footswitch or dedicated panel button Phrase looper with up to 60 seconds of recording time Panel Lock function disables controls to prevent unwanted changes Customizable multi-function footswitches for bypass, tap tempo, memory selection, looper control, and more Support for expanded control via external footswitches, an expression pedal, or MIDI Full MIDI I/O provided with mini TRS jacks (BMIDI-5-35 adaptor cable available separately) Micro USB jack for firmware updates Analog dry through and buffered bypass Runs on PSA-series AC adaptor or three AA-size batteries Twelve Modes, Unlimited Sounds With 12 different modes to choose from, the DD-200 provides nearly any flavor of delay in an amazingly compact size. At your command are super-clean digital delays, gritty analog echoes, and spot-on retro sounds from the Roland RE-201 Space Echo and Binson Echorec 2. There’s also a variety of options for creating reverse effects, lo-fi tones, and pulsing rhythmic sounds with layered delays. And with the Tera Echo, Shimmer, and Pad Echo modes, immersive ambient colors are just a knob twist away. Dial in Sounds Fast The DD-200 features a no-nonsense interface, making it easy to craft inspiring sounds in the heat of the moment. Essential delay parameters are provided on dedicated controls for direct, hands-on access. And in each mode, the function of the PARAM knob changes to parameters tailored for the selected type, delivering extended control with no need to menu dive. Save and Recall Your Favorite Setups The DD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It’s also possible to limit the scrolling range or assign memories directly for even faster recall. If you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device. And by enabling the carryover function, delay repeats will keep sounding as you change memories for smooth, free-flowing transitions. Deep Real-Time Control By default, the DD-200’s multi-function footswitches provide access to basic functions like bypass, memory scrolling, tap tempo, and looper control. But you can easily reassign them to hold, warp, and many other functions. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you’re able to chain multiple 200 series pedals and select memories on all of them at once, and also control a wide range of functions from MIDI devices like the ES-8 and ES-5 effects switchers. Ready-to-Go Looper Any time you’re ready, pressing the DD-200’s two footswitches together puts you into looper mode. Up to 60 seconds of mono recording time is available, and operation is simple and direct with the onboard switches. And since the looper engine functions independently, you’re able to develop expressive loops with any of the DD-200’s rich delay sounds. DD-200 Delay Modes Standard—Clear digital delay. PARAM adjusts the delay attack. Analog—Emulates classic analog “BBD” delays like the BOSS DM series. PARAM controls character and distortion amount. Tape—Emulates the warm tape-based sound of the legendary Roland RE-201 Space Echo. PARAM selects different combinations of three playback heads, and also adjusts the amount of distortion in the delay sound. Drum—Models the drum-based Binson Echorec 2. PARAM selects different combinations of four playback heads, and also adjusts the amount of distortion in the delay sound. Shimmer—Pitch-shifted delay for lush, heavenly textures. PARAM adjusts the delay brightness. Tera Echo—Spacious, animated ambience effect derived from the BOSS TE-2 pedal. PARAM adjusts the sound character. Pad Echo—Newly developed delay sound for creating drifting ambient textures. PARAM adjusts the delay attack. Pattern—Rhythmic sounds with 16 delay lines layered together. PARAM selects different pattern variations. Lo-Fi—Delay sound with fat, distorted character. PARAM adjusts the distortion effect. Dual—Two different delay lines connected in series. PARAM adjusts the time of the second delay. Reverse—Backwards delay for cool psychedelic effects and other unique tones. PARAM adjusts the delay attack. Ducking—Delay with a built-in ducking effect. PARAM adjusts the input sensitivity. SPECIFICATIONSSampling Frequency96 kHzAD/DA Conversion32 bitsProcessing32-bit floating pointModes12 modes STANDARD, ANALOG, TAPE, DRUM, SHIMMER, TERA ECHO, PAD ECHO, PATTERN, LO-FI, DUAL, DUCKING, REVERSEMemory127 + ManualNominal Input LevelINPUT A/MONO, B: -10 dBuMaximum Input LevelINPUT A/MONO, B: +7 dBuInput ImpedanceINPUT A/MONO, B: 2 M ohmNominal Output LevelOUTPUT A/MONO, B: -10 dBuMaximum Output LevelOUTPUT A/MONO, B: +7 dBuOutput ImpedanceOUTPUT A/MONO, B: 1 k ohmsRecommended Load ImpedanceOUTPUT A/MONO, B: 10 k ohms or greaterBypassBuffered bypassControlsON/OFF switch, MEMORY/TAP switch MODE knob, TIME knob, FEEDBACK knob, E. LEVEL Knob, PARAM knob, TONE knob, MOD DEPTH knob TAP DIVISION button, MEMORY buttonDisplay7 segments, 3 characters (LED)IndicatorTAP DIVISION indicator, MEMORY (MAN, 1--4) indicatorsConnectorsINPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type CTL 1, 2/EXP jack: 1/4-inch TRS phone type MIDI (IN, OUT) jacks: Stereo miniature phone type DC IN jack USB port: USB micro B-type (program update only)Power SupplyAlkaline battery (AA, LR6) x 3, AC adaptor (sold separately)Current Draw225 mAExpected Battery Life Under Continuous UseAlkaline: Approx. 4 Hours * These figures will vary depending on the actual conditions of use.AccessoriesOwner's Manual Leaflet "USING THE UNIT SAFELY" Alkaline battery (AA, LR6) x 3 Rubber foot x 4Options (sold separately)AC adaptor: PSA-S series Footswitch: FS-5U Dual footswitch: FS-6, FS-7 Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5 TRS/MIDI cable: BMIDI-5-35SIZE AND WEIGHTWidth101 mm 4 inchesDepth138 mm 5-7/16 inchesHeight63 mm 2-1/2 inchesHeight (including rubber foot)65 mm 2-9/16 inchesWeight610 g 1 lb 6 ozWeight (including battery)680 g 1 lb 8 oz

With six pedal switches and a built-in expression pedal, the G6 lets you fly around your effects just like an analog board. There are 68 built-in rhythm parts on hand for solo performances, and you can loop over 2 hours of material when you have an SD card plugged into the board. In addition, you can expand your palette of sounds with Zoom’s free Guitar Lab software for Mac and Windows, or the Handy iOS app. You can download new effects, amp and cabinet emulators, as well as exclusive patches from a diverse and growing list of pro guitarists. Goodies Galore 240 Patches The G6 has room for 240 patches including 100 presets, so you can build patches for each song in your repertoire and easily cycle through your setlist. Create patches of up to nine effects or seven effects plus emulation. Integrated Pedalboard With 6 stomp switches and an expression/volume pedal, you'll be able to change effects on the fly as you would with an analog pedalboard. Touchscreen Functionality The 4.3" color LCD touchscreen interface makes sound selection a breeze. Rhythm Patterns and More 68 rhythm patterns and a built-in 2-hour looper (with SD card) let you create interesting textures all by yourself. Built-In Audio Interface You can use the G6 as a 2-in / 2-out interface, so you can record killer tones right to your favorite DAW. Works with Multiple Apps The pedal is compatible with Zoom Guitar Lab, as well as the Handy Guitar Lab iOS app. Get access to a host of killer tones, deep parameter editing, and more. Wireless control is possible via a separately available BTA-1 Bluetooth adapter. Sounds Galore Lots of FX The G6 delivers the ultimate collection of Zoom's legendary guitar effects and tones, including brand new Distortion and Modulation effects. New distortion effects include Wave Shaper and Razor Drive. Polyshift is on hand for two-octave modulation, as is a doubling effect called Geminos. Chain up to 9 effects, or 7 effects with amp emulation. Amps The G6 provides a total of 22 cabinet emulations of all modeling amps. Plenty of classic amplifier sounds are included, and you can use them with or without included IR cab responses. Cabs The G6 provides 70 preloaded, full-spectrum impulse responses of cabinets, which is quite useful if you're routing your sound directly into a house PA. These impulse responses were captured by placing the microphone in three different positions. Each cabinet has a recording where the mic was placed 1" away, 12" away, and deeper out into the room. FX Chain up to 9 effects or 7 effects + amp emulation 4 Play Modes Looper Use the Looper to add layers to your sound. Create loops up to 2 hours using an SD/SDXC card. Memory Ideal for organizing your patches for performances, the Memory Mode allows the foot switches to activate one of the 4 patches in each bank. Bank/Patch This mode lets you scroll up and down through your banks and patches by clicking the corresponding foot switch. Effect Board This mode provides a visual representation of your pedal chain. By clicking the assigned foot switch, you can turn on or turn off an effect in your patch. Zoom G6 Specs Simultaneous Effects 9 Patch Memory 240 User Patches Sampling Frequency 44.1 kHz A/D Conversion 24-Bit with 128x Oversampling D/A Conversion 24-Bit with 128x Oversampling Signal Processing 32-Bit Frequency Response 20 Hz to 20 kHz (±0.5 dB, 10-Kilohm Load) Display 4.3" TFT Color LCD (480 × 272) Input 1/4" Phone Jack Rated Input Level: -20 dBu Input Impedance: 550 Kilohms Return 1/4" Phone Jack Rated Input Level: -20 dBu Input Impedance: 1 Megohm Aux Input Stereo Mini Jack: 3.5 mm Rated Input Level: -10 dBu Input Impedance (Line): 10 Kilohms Output Output R Standard 1/4" Phone Jack Maximum Output Level: +11.4 dBu (Output Impedance 10 Kilohms or Higher) Output L/Mono (Phones) Standard 1/4" Phone Jack Maximum Output Level: +11.4 dBu (Output Impedance 10 Kilohms or Higher) Send Standard Stereo Phone Jack Maximum Output Level: +11.4 dBu (when Output Impedance 10 Kilohms or Higher) Headphone 24 mW + 24 mW (at 32-Ohm Load) S/N Ratio 123 dB Noise Floor Left and Right: -99.3 dBu Send: -99.0 dBu Control Input FP02M Expression Pedal Input Power Adapter AC Adapter: 9 VDC (Center Minus Plug), 500 mA (ZOOM AD-16) USB Port: USB 2.0 Micro-B Guitar Lab: USB 1.1 Full Speed Audio Interface: USB 2.0 Full Speed, 44.1 kHz / 32-Bit, 2-In, 2-Out SD Card Standards: Cards Supporting SD/SDHC/SDXC Specifications (Class 10 or Higher) Looper: 44.1 kHz / 16-Bit Stereo WAV IR: 44.1 to 192 kHz, 16- / 24- / 32-Bit WAV Dimensions 9 x 16.5 x 2.6" / 22.8 x 41.8 x 6.5 cm Weight 4.3 lb / 1.9 kg Packaging Info Package Weight 6.745 lb Box Dimensions (LxWxH) 21.4 x 12.8 x 3.7"

Circuit: Analog Bypass: True Bypass Audio: Mono Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included) Dimensions (in): 4.5 x 2.75 x 2.1 Current Draw: 10mA Year Released: 2017 The EHX Tone Corset is a versatile analog compressor featuring a blend control to dial in the purfect amount of parallel compression. In addition to standard Volume and Sustain controls, an Attack control adjusts the response of the compression circuit for increased flexibility. From cowboy plunk to warm and transparent console tones, The Tone Corset fits around any player’s style. Mike Matthews says, “The Tone Corset is the funkiest analog compressor I ever heard on guitar!” Four-knob design provides excellent control and gives the user the ability to precisely shape their instrument’s dynamics The Sustain knob controls the amount of compression applied to the guitar signal. As Sustain is turned clockwise compression and sustain increases The Attack knob adjusts how quickly the compressor recovers. As Attack is turned clockwise the pedal’s response is slower and more initial pick attack comes through The Blend knob adjusts the mix of the dry and compressed signals. As Blend is turned clockwise the signals blends from 100% dry to 100% compressed The Pad switch pads down the input signal to prevent undesirable distortion if the Tone Corset is used with high output humbuckers, bass guitar, etc. True Bypass for maximum signal path integrity 9V battery included

What's in the box? KEMPER PROFILER PowerHead, power cable, user manual. Warranty and return policy: 45 days money back, 36 month warranty. Specifications: Dimensions: 37.8 cm (14.88 inches) x 21.7 cm (8.54 inches) x 17.3 cm (6.81 inches) Weight: 6 kg (14 pounds) Line voltage: 90-275V AC.

Marshall ECC-83 lampa

PLAY AT HOME You can reduce power to 0.5w and use the emulated output making this amp is ideal for those quieter moments. CHOOSE YOUR TONE Using the footswitchable gain channels the DSL delivers anything from clean, classic tones to heavy distortion with extra bite. SELECT YOUR SOUND The studio quality reverb, tone shift, deep and FX loop features allows for you to add depth and shaping to your sound. TECHNICAL SPECIFICATION GENERAL Model DSL5C Range DSL Technology Valve Channels 2 (Split) ELECTRONICS Output wattage 5w (with power reduction option, 1w) Outputs 1 x 1/4" jack speaker output, 16Ω load only, 1 x 3.5mm jack emulated out Inputs 1 x 1/4" jack instrument input, 3.5mm jack Aux in, footswitch Controls Classic gain channel (gain, volume), channel select, ultra gain channel (gain, volume), tone shift button, treble, middle, bass, deep EQ shift, reverb, low power option (on rear) Effects Digital reverb Effects loop Yes, series, send/return SPEAKERS Speaker configuration 1x10" Speaker model Celestion Ten-30 speaker (16Ω, 30w) Unit impedance 16Ω VALVES Preamp valves 2 x ECC83 Power amp valves 1 x 12BH7 ACCESSORIES Footswitch PEDL-90012 included Cable Detachable power cable included DIMENSIONS (INCLUDING FEET AND HANDLE) Weight 12.7 kg / 28 lbs Width 455 mm / 17.9" Height 420 mm / 16.5" Depth 240 mm / 9.4"

Referenca 918 Be the first to write your review!

Marshall ECC-83 lampa

Referenca 1877 Be the first to write your review!

Referenca 1874 Be the first to write your review!

Strauss Rottman pojačalo za el. gitaru GC-60 POWER : 60W SPEAKER : 12” FUNCTION : INPUT, NORMAL ( VOLUME, BASS, TREBLE ) CHANNEL SELECT SWITCH, DRIVE CHANNEL ( GAIN, 3 BAND EQ ) SPRING REVERB, AUX INPUT FOOTSWITCH ( CHANNEL/REVERB) HEADPHONE OUTPUT DIMENSIONS : 52 (L) X 28 (W) X 48 (H)CM Referenca 1704 Be the first to write your review!

Dimenzije 52*6*9/8,5 mm Referenca 1887 Be the first to write your review!

Opis Hercules GSP38WB PLUS stalak za gitaru Herkules GSP38WB PLUS je zidni nosač za gitaru koji poseduje sistem za automatsko zaključavanje, a pokreće ga težina gitare. Kada poželite da svirate svoj instrument dovoljno je da podignete gitaru uvis i stalak će se otključati. Newly designed Auto Grab holder secures the instrument automatically against falling out With foam rubber upholstery and elegant design Proven wooden block base with rotatable short arm for wall mounting With adjustment for narrow necks to min. 28 mm Note: Not suitable for instruments with nitro lacquer Zemlja porekla: Kina

Opis Žice na komad za električne i akustične gitare marke D'Addario - Najveći izbor žica u Beogradu. DAddario PL010 Žica za električnu i akustičnu gitaru (na komad) Description: .010 gauge plain steel string for acoustic or electric guitar Superb, long-lasting tone Perfect as a replacement string or for creating customized sets Made in the U.S.A. for the highest quality and performance Zemlja porekla: SAD

Opis Joyo JF-38 Roll Boost pedala za električnu gitaru. When you need a boost to your guitar signal before you amp for certain song sections it should be boost and not suck tone. A very simple and vital feature. Pure volume boost, with no added coloring so that your guitar signal is kept pristine and intact. So why pay a ridiculous boutique price to do something so simple? Don't. The Joyo Roll Boost will do the job just as good. Specifikacija : True Bypass Wide +38 dB Gain Range Gain Control Rugged Aluminum alloy casing Uses 9V Battery or Adapter Zemlja porekla:Kina

BODY: Basswood, Carved Top NECK: Mahogany, Set-Neck, Heel-less Cutaway FINGERBOARD: Rosewood FINGERBOARD RADIUS: 305R (12″) NUMBER OF FRETS: 22 NUT WIDTH: 43 mm SCALE LENGTH: 628 mm (24-3/4″) PICKUPS: Neck: CPH-1C “Classic Power II”(Alnico-5) Bridge: CPH-1C “Classic Power II”(Alnico-5) CONTROLS: Volume x 2, Tone x 2 3-way PU selector SW TAILPIECE: Aria Original SPT bridge & QH tailpiece HARDWARE: Chrome FINISH: AGCS (Aged Cherry Sunburst)

Made with nickel-plated steel tightly wrapped around a round steel core, these strings provide a bright, warm, and balanced sound with plenty of attack and sustain. Their versatility makes them well-suited for a wide variety of playing styles. This package includes six sets of strings. 6 x Extra Light roundwound string sets made with nickel-plated steel, wrapped tightly around a round steel core wire Balanced brightness and warmth, with attack Produces lasting sustain Suitable for a wide array of music genres Made in the USA

What's in the box? KEMPER PROFILER Rack, power cable, user manual. Warranty and return policy: 45 days money back, 36 month warranty. Specifications: Dimensions: 37.8 cm (14.88 inches) x 21.7 cm (8.54 inches) x 17.3 cm (6.81 inches) Weight: 5.5 kg (12 pounds) Weight: 5.5 kg (12 pounds) Line voltage: 90-275V AC.

Until now, getting your acoustic to sound like it does in the studio when playing on stage has been a difficult, if not impossible, task. Playing an acoustic on stage typically falls into two scenarios: using the onboard piezo or magnetic pickup system to project a fractional representation of your acoustic’s natural warm tone, or sitting stationary on stage with microphones in “the sweet spot” on your acoustic, dramatically limiting your ability to move. With iRig Acoustic Stage, you no longer have to sacrifice great acoustic tone when playing live. iRig Acoustic Stage gives you the best of both worlds — the beautiful, rich sound of your acoustic guitar as if it were mic’d up in the studio AND the freedom to move around without compromising your sound. Sound impossible? Read on… iRig Acoustic Stage is a patented, revolutionary digital microphone system that makes your guitar sound exactly as if it was captured with a classic recording studio setup, giving you full rich studio-quality sound on the stage. It’s a compact acoustic microphone and advanced digital preamplifier and processing unit that recreates a studio microphone set-up providing you with all of the true character and tonal nuance of your acoustic in live playing situations. Simply clip the iRig Acoustic Stage’s microphone to the sound hole, attach it to the iRig Acoustic Stage pre-amplifier processor, then connect the preamp to your amplifier or mixer. iRig Acoustic Stage also features a “Cancel Feedback” button that gets rids of annoying frequency feedback during performance. Once installed and active, you’ll immediately hear what you’ve been missing with your traditional live setup as your acoustic tone comes alive with vibrance, warmth, depth and earthy, woody tone. If you currently perform with an acoustic-electric, iRig Acoustic Stage can greatly enhance your guitar’s live tone. iRig Acoustic Stage features an AUX input with a blend control that lets you blend your guitar’s current pickup system with iRig Acoustic Stage giving you even greater tonal flexibility and a roundness to your sound like you’ve never heard before. Built for the Stage and Project/Home Studio iRig Acoustic Stage provides an enhanced acoustic sound that's perfect for live performance and recording. Getting that "studio" sound in project or home studios with your acoustic is now easier than ever. If you have an audio interface, simply plug iRig Acoustic Stage into the analog input. No interface? No problem! iRig Acoustic Stage also features an integrated class-compliant USB audio output for direct connection to your computer or compatible device. Not only will you get that fantastic sound, but you can also move around freely allowing you to get into the groove and capture your best acoustic performance in your studio. How does it work? iRig Acoustic Stage uses a patented system composed by an hi-tech MEMS microphone and a preamplifier / processor that includes an advanced digital signal processing component performing multiple functions, from instrument calibration to EQ, to feedback cancel. The microphone that clips on to the soundhole of the guitar and captures all of the “air”, harmonics and sonic nuances of your instrument and playing style that is simply missed with traditional piezo and magnetic pickups. The synergy between the microphone and the 32-bit DSP-based preamp system provides amazingly rich, full-spectrum acoustic sound on stage like never before. MEMS Microphone iRig Acoustic Stage uses an ultra-compact MEMS microphone to capture your acoustic’s sound from the soundhole. It can be quickly slid into place in the soundhole of the instrument and easily removed with zero modification to the instrument required. This lets you use iRig Acoustic Stage on all of your acoustic steel string guitars, classical nylon strings guitars and even ukuleles or other stringed instruments with a soundhole. Acoustic Preamp / Built-in DSP The magic of iRig Acoustic Stage comes from the combination between the microphone, the preamp and the signal processing unit. iRig Acoustic Stage analyzes the incoming signal from your guitar — both the overall sound and nuance of the instrument AND the playing technique — and builds the optimum tone profile for the instrument that delivers a warm, round and balanced acoustic sound. The tone profile can then be enhanced through the use of 6 selectable tone presets, depending upon the playing situation. iRig Acoustic Stage gives you 3 presets for steel string instruments — natural, warm, bright — and the same 3 optimized for nylon string instruments. iRig Acoustic Stage The iRig Acoustic Stage processor features high-resolution, 32-bit A/D and D/A audio conversion that accurately reproduces the full range nuance, character and acoustic tonal quality of your guitar — you’ll clearly hear the tones that made you choose that guitar in the first place! Now you can get that sound everywhere you play. Custom Calibration Out of the box, iRig Acoustic Stage is factory calibrated to sound great with most guitars. However, you can also customize the setup and calibrate iRig Acoustic Stage to optimize the overall response of the DSP specifically for your instrument, making the tone even more authentic and perfect for your guitar. The Custom Calibration feature takes just a few minutes and further refines your tone and responds more accurately to your playing style. Perfect for Acoustic-Electrics iRig Acoustic Stage also features an AUX input with a volume (MIX) control. This input is designed for use with your acoustic electric's onboard piezo or magnetic pickup. In unusually loud stage situations, the AUX input allows you to utilize iRig Acoustic Stage in combination with a piezo pickup system and blend in just the right amount of microphone signal while avoiding uncontrollable harsh feedback that can sometimes occur, even with the Cancel Feedback option active. There's also a phase inversion switch that lets you swap the phase of the microphone/AUX signal to prevent cancellation and provide the best possible sound. Cancel Feedback We’ve all been there and experienced the terror of an acoustic on the verge of feeding back and the panic of what to do next to prevent it. Quick, back down the volume… move to the right away from the speaker… get on your left toes and face the sun… whatever it takes! Playing an acoustic on stage in a live setting will almost always generate some type of acoustic feedback on stage. It’s not a matter of if, but when. Thankfully we’ve got you covered with the Cancel Feedback button — a handy “easy to reach” button on the side of the preamp/DSP unit that with the press of an oversize button quickly eliminates the offending frequency from the live sound. The Cancel Feedback feature is active for both the iRig Acoustic Stage MEMS microphone input as well as the AUX input to give you perfect acoustic sound in any setting. USB Digital Recording Output iRig Acoustic Stage also features a class-compliant USB audio output making it perfect for direct connection to a computer or a mobile device for plug-and-play recording in any compatible DAW or recording app. Your acoustic’s true tone, anywhere. With iRig Acoustic Stage on your favorite acoustic, you’ll finally have that warm, brilliant and full bodied acoustic sound while playing live on stage or recording in your studio, so you will sound and play your absolute best. The hi-tech solution for acoustic sound reproduction There are many ways of reproducing your acoustic guitars’ sound, but so far none of them can combine the quality of a studio microphone with the convenience of a built-in pick up. iRig Acoustic Stage addresses this limitation with a breakthrough, advanced product with never-before seen features, with a price comparable with the most affordable solutions on the market. Read below the differences between all of the current systems and why iRig Acoustic Stage beats them all. Under-saddle Piezo pickups Tight and controlled sound High Feedback resistance Typically unnatural and NON-acoustic sound Must be installed in permanent and invasive way External Condenser Microphones High quality acoustic sound Very sensitive to feedback Requires expensive tools to achieve best performance (high quality microphones, high quality preamps) Restricts the player to a particular playing position Internal hybrid systems (Piezo/Mic) Versatile sound Approximate acoustic sound when only mic is used Expensive Normally even the mic sound, being internal, does not offer a totally pure acoustic tone Feedback sensitive (especially on low frequencies) when high % of mic signal is used in the mix Permanent installation Magnetic sound hole pickups Solid sound High feedback resistance Some models are low-priced Typically unnatural and electric-like sound Aesthetically invasive Contact piezo sensors Normally cheap Can be non-invasive on the instrument Can have an approximate acoustic tone Weak signal, normally high impedance output Dark and closed tone High feedback sensitivity Mechanically weak Internal microphones Good / average mic acoustic sound but can be boomy High feedback sensitivity Sometimes boxy sound because of internal mic positioning Fixed installation iRig Acoustic Stage High quality true-acoustic tone Costs similar to entry level magnetic sound hole pickups Feedback reduction control AUX input to blend existing onboard piezo or other pickups Installs in seconds without any modification to the instrument USB digital recording output Features Advanced MEMS microphone clips on to sound hole Preamp/DSP unit Dramatically improves your live acoustic sound 1/4" AUX input with volume for piezo, magnetic pickups or other onboard electronics 1/4" Output with level control for amplifier or PA system USB audio out for recording on a computer or mobile device Cancel Feedback with multiple frequency feedback cancelling 6 tone presets Personal instrument calibration Works on any acoustic, acoustic electric or ukulele with round sound hole Phase switch for optimizing dual source sound

Manufacturer: Marshall Input: Mono jack Number of Switches: 6 Expression Pedal: No LED Display: Yes

General Specifications Nominal diameter 12", 305mm Power rating 30Wrms Nominal impedance Available 8Ω or 16Ω Sensitivity 100dB Chassis type Pressed steel Voice coil diameter 1.75", 44.5mm Voice coil material Round copper Magnet type Ceramic Magnet weight 50oz, 1.42kg Frequency range 75-5000Hz Resonance frequency, Fs 85Hz DC resistance, Re 6.7Ω and 13.1Ω Mounting Information Cut-out diameter 11.1", 283mm Diameter 12.2", 309mm Magnet structure diameter 6.1", 156mm Mounting slot dimensions 0.31",7.9mmØ Mounting slot PCD 11.7", 297mm Number of mounting slots 4 Overall depth 5.3", 135mm Unit weight 10.4lb, 4.7kg

FEATURES Nominal diameter: 12” Power rating: 200W Nominal impedance: 8Ω Sensitivity: 94dB Magnet type: Ferrite Voice coil diameter: 2" Coil material: Copper Cone material: Kevlar loaded paper Former material: Polyimide Surround material: Cloth-sealed Frequency range: 40-3500Hz