Odlična Zvučna/Muzička kartica Creative Sound Blaster Audigy SB0160 EAX 5.1 Veoma dobra zamena za integrisanu zvucnu kareticu na ploči. Radi na svim sistemima Series : Sound Blaster Audigy ES Model : SB0160 Channels : 5.1 Sample Rate : 96KHz Digital Audio : 24-bit SNR : 100dB Polyphony : 1024 Voices Features : EAX Advanced HD, DirectSound 3D, Dolby Digital Operating Systems Supported : Windows 98SE, 2000, ME, XP, Vista, 7, 8, 8.1, 10, 11 Ispravna i testirana. Pogledajte i ostale moje oglase!

Iskusite čari multikanalngo surround zvuka i kreirajte kvalitetan zvučni sistem! Hardverski ubrzani EAX efekti vam omogućavaju generisanje različitih tipova zvučnih efekata sa lakoćom! - 7,1 / 5.1 kanala - Frekvencija 24-bit- rate 192 kHz- Tip Interni- Model Sound Blaster Audigy FX PCIe - Povezivanje Slušalice / Prednji: 1 x 3.5mm džek Zadnji: 1 x 3.5mm džek Centar/Subwoofer: 1 x 3.5mm džek Linija U: 1 x 3.5mm džek Mikrofon U: 1 x 3.5mm džek - Digital-audio 600 Ohms - OS: Windows® 10, Windows® 8, Windows® 7, Windows Vista® SP1 i više.

Polovna ispravna Creative Sound Blaster X-Fi SB0460 7.1Channel zvucna za pci slot.Probana pod vindowsom 7(vidi sliku). Sa neta: The Sound Blaster X-Fi XtremeMusic sound card harnesses the full power of the Creative X-Fi Xtreme Fidelity audio processor to upgrade any existing library of MP3 or any music files to the Xtreme Fidelity audio standard. With the X-Fi Xtreme Fidelity 24-bit Crystalizer, MP3 music and movies are converted to Xtreme Fidelity, which delivers an experience beyond the original CD or DVD recordings. Features & Specifications: 24-bit Analog-to-Digital conversion of analog inputs at 96kHz sample rate 24-bit Digital-to-Analog conversion of digital sources at 96kHz to analog 7.1 speaker output 24-bit Digital-to-Analog conversion of stereo digital sources at 192kHz to stereo output 16-bit to 24-bit recording sampling rates: 8, 11.025, 16, 22.05, 24, 32, 44.1, 48 and 96kHz ASIO 2.0 support at 16-bit/44.1kHz, 16-bit/48kHz, 24-bit/44.1kHz 24-bit/48kHz and 24-bit/96kHz with direct monitoring Enhanced SoundFont support at up to 24-bit resolution Audio Performance (Rated Output @ 2Vrms) Signal-to-Noise Ratio (20kHz Low-pass filter, A-Weighted) Stereo Output: 109dB Front and Rear Channels: 109dB Center, Subwoofer and Side Channels: 109dB Total Harmonic Distortion + Noise at 1kHz (20kHz Low-pass filter) = 0.004% Frequency Response (-3dB, 24-bit/96kHz input ) = <10Hz to 46kHz Frequency Response (-3dB, 24-bit/192kHz input) = <10Hz to 88kHz (Stereo only) Connectivity FlexiJack (Performing a 3-in-1 function, Digital I/O 1 / Line In / Microphone) via 3.50mm mini jack Line level out (Front / Rear / Side / Center / Subwoofer) via 3.50mm mini jacks AUX_IN line-level analog input via 4-pin Molex connector on card One AD_Link (26 pin) connector for linking to the X-Fi I/O Console (upgrade option)

Polovna ispravna VIA M-AUDIO AP192K REV-E za pci slot + kablovi.Imate sliku u radu pod windosom xp. Sa neta: Sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz from internal clock. Analogue I/O: two inputs and two outputs, balanced/unbalanced quarter-inch jack sockets, maximum input level +14.2dBu. Digital I/O: S/PDIF in and out on phono co-axial, sync`able to external sample rates from 32kHz to 192kHz, supporting AC3 and DTS pass-through, plus MIDI In and Out. Converters: AKM 5385A dual-bit delta-sigma 24-bit/192kHz (A-D), AKM 4358 multi-bit 24-bit/192kHz (D-A). Dynamic range: 113dBA (A-D), 109dBA (D-A). Frequency response: ±0.5dB, 20Hz to 80kHz at 192kHz sample rate. THD + noise: 0.0006 percent (inputs), 0.0023 percent (outputs).

STUDIO JE SVUDA GDE STE VI 18i8 has a way in for everyone, sa četiri linijska ulaza za mikrofon, od kojih su dva ulaza i za priključenje instrumenata, i četiri fiksna ulaza. Potom, postoje četiri balansirana linijska izlaza i prekidač za zvučnik i dva nezavisna izlaza za slušalice ka monitoru, takoda možete da miksujete i svirate kako god hoćete. Šta god da snimate, gde god da se nalazite, možete poneti sa sobom ceo studio. VAŠI SNIMCI SE RAZVIJAJU VEĆ 30 GODINA Mi proizvodimo pretpojačala za mikrofone već 30 godina, a pretpojačala treće generacije su najbolja za koje je Scarlett ikad čuo. 24-bitni/192kHz konverteri omogućavaju da Vaši snimci budu jasni i precizni. Air modalitet unosi živost u vokale, dodavajući jedinstvene precizne detalje. Decenije našeg iskustva znače da Scarlett zvuči baš kao i Vi. NAPRAVITE NEVEROVATNE SNIMKE BUBNJA Uz pomoć ADAT-a, možete unaprediti Vaše mogućnosti za snimanje, uz još 8 ulaza u Vaš Scarlett 18i8 uz pomoć pretpojačala za mikrofon kao što je Scarlett OctoPre ili Scarlett OctoPre Dynamic. To je dovoljan broj kanala da se ozvuči mikrofonom cela ritam sekcija. OVO JE NAČIN ZA VAŠE ZVUČNO OGLAŠAVANJE Focusrite Control omogućava Vam da na jednostavan način usmerite Vaš audio i zvučni miks, povratnu petlju (loopback) i monitor mikseve, sa Vaših Mac®, PC, iPad®, iPhone® ili iPod touch® uređaja. Pošaljite, strimujte, uzorak – jednostavno. NAŠA TEHNOLOGIJA JE ZVUK Neverovatno pouzdan, Focusrite hardver Vas neće izneveriti. Ukoliko pak naiđete na problem, možete se osloniti na naš globalni tim za podršku i dvogodišnu garanciju kako bi se problem rešio. Zvuk. SVI ALATI KOJI SU VAM POTREBNI ZA PRODUKCIJU, NA ISPRAVAN NAČIN, ODMAH Vaš18i8 audio interfejs dolazi sa celokupnim asortimanom softvera za snimanje, zvukovima i priključcima koje možete odabrati: Avid® Pro Tools® | First Focusrite Creative Pack: stotine virtuelnih instrumentalnih zvukova, 500MB lupova, i efekata sjajnog zvuka Ableton® Live Lite™: vodeći softver za snimanje muzike u industriji Tromesečna Splice Sounds pretplata: Pristupite milionima snimaka, lupova i zvučnih preseta visokog kvaliteta, bez plaćanja autorskih prava, sa svakodnevnim novim izdanjima XLN Audio Addictive Keys: Pristupite jednoj od četiri virtuelne tastature kada registrujete vaš prvi Focusrite ili Novation hardver. Softube Time and Tone Bundle: tri od Softube eha svetske klase, priključaka za odlaganje i distorziju kao i mastering alatka laka za upotrebu Focusrite Crveni Plug-in Suite: precizno oblikuje naš klasični Red 2 ekvilajzer i Red 3 kompresor Focusrite Control: usmerite vaš audio i cue miks, povratnu petlju i monitor mikseve, sa Vaših Mac®, PC, iPad®, iPhone® ili iPod touch uređaja. DETALJNE SPECIFIKACIJE Uvek navodimo vrednosti performansi 'iz stvarnog sveta' (merene prema AES17 standardu). Neke kompanije navode chipset performanse, što može dovesti do zabune, a evo i zašto. Da biste provetili podržane operativne sisteme, kliknite ovde. PODRŽANE FREKVENCE UZORKOVANJA 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz ULAZI ZA MIKROFON Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 111dB (A-weighted) THD+N <0.0012% Buka EIN -128dBu (A-weighted) Maksimalna ulazna jačina 9dBu (pri minimalnoj jačini) Opseg jačine 56dB Impedansa 3kΩ LINIJSKI ULAZI 1-4 (PROMENLJIVA JAČINA) Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 110.5dB (A-weighted) THD+N <0.002% Maksimalna ulazna jačina 22dBu (pri minimalnoj jačini) Opseg jačine 56dB Impedansa 60kΩ LINIJSKI ULAZI 3-6 (FIKSNA JAČINA) Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 110.5dB (A-weighted) THD+N <0.002% Maksimalna ulazna jačina 18dBu (pri minimalnoj jačini) Impedansa 44kΩ ULAZI ZA INSTRUMENTE Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 110dB (A-weighted) THD+N <0.03% Maksimalna ulazna jačina 12.5dBu (pri minimalnoj jačini) Opseg jačine 56dB Impedansa 1.5MΩ LINIJSKI/IZLAZI ZA MONITOR Dinamički opseg (linijski izlazi) 108dB THD+N <0.002% Maksimalna izlazna jačina (0 dBFS) 15.5dBu Impedansa 430Ω IZLAZI ZA SLUŠALICE Dinamički opseg 104dB (A-weighted) THD+N <0.002% Maksimalna izlazna jačina 7dBu Impedansa <1Ω

AKCIJA VAŽI ZA GOTOVINSKO PLAĆANJE! US-16X08 SPECIFICATIONS Sampling frequency 44.1k/48k/88.2k/96kHz Quantization bit rate 16/24bit Analog audio inputs MIC IN(IN 1-8) Connector XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED Input impedance 2.4k ohms Nominal input level GAIN:MAX -68dBu (0.0003Vrms) GAIN:MIN -12dBu (0.195Vrms) Maximum input level +8dBu (1.947Vrms) Gain 56dB INST IN (IN 9-10) Connector 6.3mm(1/4") TS-jack(T:HOT, S:GND), UNBALANCED (When set to "INST" at LINE/INST switch) Input impedance 1M ohms or more Nominal input level GAIN:MAX -57dBV (0.0014Vrms) GAIN:MIN -12dBV (0.251Vrms) Maximum input level +8dBV (0.2512Vrms) Gain 45dB LINE IN (IN 9-10) Connector 6.3mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND), BALANCED (When set to "LINE" at LINE/INST switch) Input impedance 10k ohms Nominal input level GAIN:MAX -41dBu (0.0069Vrms) GAIN:MIN +4dBu (1.228Vrms) Maximum input level +24dBu (12.182Vrms) Gain 45dB LINE IN (IN 11-16) Connector 6.3mm(1/4") TS-jack(T:HOT, S:GND), UNBALANCED (When set to "-10dBV" at LEVEL switch) Input impedance 10k ohms or more Nominal input level -10dBV (0.3162Vrms) Maximum input level +10dBV (3.162Vrms) LINE IN (IN 11-16) Connector 6.3mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND), BALANCED (When set to "+4dBu" at LEVEL switch) Input impedance 10k ohms Nominal input level +4dBu (1.228Vrms) Maximum input level +24dBu (12.182Vrms) Analog audio outputs LINE OUT (LINE OUT 1-8) Connector 6.3mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND), BALANCED Output impedance 100ohms Nominal output level +4dBu (1.228Vrms) Maximum output level +24dBu (12.177Vrms) PHONES Connector 6.3mm(1/4") stereo phone jack Maximum output level 70mW+70mW or more (THD+N 0.1% or less, 32ohms loaded) MIDI IN / OUT Connector Din 5-pin Format Standard MIDI format USB Connector USB B type 4-pin Format USB2.0 HIGH SPEED mass storage class Power Dedicated AC adapter (GPE248-120200-Z, included) Power consumption 12W Dimensions 52" W ×2.32" H ×8.62" D inch 445mm W ×59mm H ×219mm D Weight 2.8kg / 6.11lb Operating temperature 5 to 35˚C Accessories Rack mount adapter, USB cable, User's manual, warranty card, dedicated AC adapter (GPE248-120200-Z) Audio performance Frequency response LINE OUT(BALANCED) 44.1k/48k Hz 20Hz to 20kHz, +/-0.3dB(JEITA) 88.2k/96k Hz 20Hz to 40kHz, +/-0.3dB(JEITA) THD 0.008% or less S/N ratio 100dB or more Crosstalk 100dB or more EIN -125dBu or less Computer system requirements Windows OS Windows 7(32-bit SP1, 64-bit SP1), Windows 8.0(32-bit, 64-bit), Windows 8.1(32-bit, 64-bit) * For further information of the latest OS version, please click here. Compatible computers Windows-compatible computer with a USB 2.0 port CPU type/speed Dual core/2 GHz or faster Memory 2GB or more DRIVER ASIO2.0, WDM(MME) Macintosh OS OS X Mountain Lion(10.8), OS X Mavericks(10.9) * For further information of the latest OS version, please click here. Compatible computers Apple Macintosh computer with a USB 2.0 port CPU type/speed Dual core/2 GHz or faster Memory 2GB or more DRIVER Core Audio, Core MIDI

Big Volume Knob Easy to reach on the top surface, the knob is solid aluminum with rubber grip for good weight and feel Inputs Two combo XLR/TRS inputs are front mounted for easy access. High quality pre-amps insure crystal clear signal path. Low noise mic pre-amps support 48V phantom power. Controls Inputs, buttons and knobs are placed conveniently on the top surface of the SRI-2. No need to to look down to see what is engaged.. All is clearly in view while recording. LED indicators on all buttons and knobs able you to monitor yours settings even in dimly lit studios. Ample Power from Headphone output One of the most powerful headphone outputs in a USB powered device. Create tracks and overdubs with plenty of clarity and power. Works with headphones up to 250 ohm. Peak Meter Clear LED indicators help to clearly see you signal levels to avoid clipping Record Anywhere Compact, robust and USB powered. Take it with you anywhere. Use it on the go on your laptop or iPad with the included Cubasis LE Software (with Apple iPad Camera Connection Kit, not included) Includes Cubase LE for windows and OSX WDM / ASIO / Core Audio No drivers needed for Windows or OSX. Fluid Audio Windows driver is supplied for an even more flexible setup. For DAW usage, drivers is needed. Latency Direct-monitoring knob provides zero-latency tracking Essential Features: Anodized aluminum chassis housing and master volume knob Professional grade 24-bit/192kHz digital conversion 2 class A microphone preamps with +48 V phantom power 2 x XLR/TRS combo inputs on the front panel for Line / Mic / Instrument recording 4 TRS outputs, for 2 monitor pairs with A / B button 1 headphone output with separate volume control, 2 x 75mW LED indicators on all knobs Powered by USB 2.0 connection Cubase LE DAW software included via download for PC and Mac Cubasis LE DAW for iPad (IOS 9 and later) OS support: OSX 10.6.4 and newer, Windows 7/8/8.1 and Windows 10 x86/x64

ANALOG IN: Input 1/2 Connector: TRS/XLR combo jacks (XLR: 2 hot, TRS: TIP hot) Input gain: 0 – 43 dB Input impedance: 2.6 k Ω (MIC IN) 1.1 M Ω (when Hi-Z ON) Maximum input level: +2.7 dBu (MIC IN) /+20.7 dBu (TRS IN) Phantom power: +48V ANALOG IN: Mic In Supported Zoom Input Capsules: XYH-6, MSH-6, SGH-6, EXH-6, SSH-6, XYH-5 ANALOG OUT: Main Out L/R Connector: TRS phone jacks (unbalanced) Maximum output level: +10 dBu (at 0 dBFS) Output impedance: 330 Ω ANALOG OUT: Line Out 1/2 Connector: RCA (coaxial) Maximum output level: +8 dBu (at 0 dBFS) Output impedance: 1kΩ ANALOG OUT: Phones Connector: Standard stereo phone jack 30 mW x 2 (into 32 Ω load) Maximum output level: +10 dBu (at 0 dBFS) Output impedance: 33 Ω DIGITAL IN/OUT: S/PDIF Optical Connector: TOSLINK Supported sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz DIGITAL IN/OUT: S/PDIF Coaxial Connector: RCA (coaxial) Supported sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz Frequency characteristics: At 44.1 kHz: ±1.5 dB: 20 Hz - 20 kHz At 96 kHz: ±2 dB: 20 Hz - 40 kHz Input conversion noise: Measured EIN: -119.5 dB (IHF-A) at 43 dB, 150 Ω input Number of audio recording and playback channels: Recording: 4 channels Playback: 4 channels Sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz Bit depth: 24-bit Interface: USB 2.0 MIDI IN/OUT: 5-pin DIN jack Power Source: USB bus power (Type B) ZOOM AD-17 (Micro-B) DC 5V power supply (Micro-B) 2 AA batteries (4 hours continuous operation with phantom power off) Power consumption: 5W maximum Dimensions: 198.8 mm (D) 92.3 mm (W) 42.7 mm (H) Weight (main unit only): 310 g *0dBu=0.775Vrms

Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Analog inputs 16 x 1/4" TRS line inputs (balanced/unbalanced) Analog outputs 16 x 1/4" TRS line outputs (balanced) Digital I/O 2 banks (16 ch) of ADAT optical at 1x sample rates 1 bank (8 ch) of SMUX optical at 2x sample rates Stereo TOSLink (optical S/PDIF) on Bank A (optional) Total I/O 32 inputs and 32 outputs (64 total) at 1x sample rates 24 inputs and 24 outputs (48 total) at 2x sample rates 16 inputs and 16 outputs (32 total) at 4x sample rates Computer I/O 1 x Thunderbolt (compatible with 1 and 2) 1 x USB 2.0 audio class compliant USB 3.0 and iOS compatible 1 x AVB Ethernet (requires OS X Yosemite) Computer I/O channels Thunderbolt (44.1 to 96 kHz): 128 in/out Thunderbolt (176.4 to 192 kHz): 64 in/out USB 2.0 (44.1 to 48 kHz): 64 in/out USB 2.0 (88.2 to 96 kHz): 32 in/out USB 2.0 (176.4 to 192 kHz): 24 in/out AVB Ethernet: 16 to 128 in/out, depending on host computer speed Sync I/O 1 x word clock in 1 x word clock out Network I/O 1 x RJ45 AVB/TSN Ethernet (1 Gbps) AVB streams (8 channels per stream) 16 in / 16 out @ 44.1 or 48 kHz 16 in / 16 out @ 88.2 or 96 kHz 8 in / 8 out @ 176.4 or 192 kHz Front panel 5 x switches • menu navigation 324 x 24 pixel LCD for level meters / menu nav 1 x AC power switch Power International 100-240V autoswitching supply 50-60 Hz • 0.5A max Dimensions and weight (width x depth x height, enclosure only) 19 x 7 x 1.75 inches 48.3 x 17.75 x 4.5 cm 5.0 lbs / 2.27 kg with rack brackets removed: 17.25 inches (43.8 cm) wide 4.9 lbs / 2.22 kg Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended Mac OS X version 10.8 or later Available Thunderbolt, USB 2.0 or AVB Ethernet port* A large hard drive (at least 500 GB for recording) *AVB Ethernet audio interface operation requires OS X Yosemite Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available USB 2.0 or 3.0 port Available Ethernet port for firmware updates A large hard drive (at least 500 GB for recording) Web App Support Any web client platform: Mac, Windows, Linux, iOS, Android Any web browser: Safari, Firefox, Chrome, Opera, Explorer, etc. Web client must be connected to the same network as the MOTU AVB interface by wire or Wi-Fi. Included Software Thunderbolt and USB 2.0 drivers MOTU Discovery App for Mac & PC (finds connected MOTU interfaces) MOTU Discovery App for iOS (available from Apple App Store) MOTU Pro Audio Control web app (served from the hardware itself) MOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer) AudioDesk 4.0 for Mac & PC (separate download) Operating Systems For computer audio I/O: Mac OS X 10.8 or later; Windows 7 or later For web app control: Mac, Windows, Linux, iOS, Android Analog I/O Specifications Connector type Dynamic range (A-weighted) THD+N (unweighted) Max level Trim range (in 1 dB steps) Line output 1/4" TRS, balanced, tip hot 123 dB -110 dB +20 dBu 24 dB (-4 to +20 dBu) Line input 1/4" TRS, bal/unbal, tip hot 117 dB -110 dB +24 dBu 22 dB (+2 to +24 dBu) Compatible Mac Software The 16A ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows Software The 16A ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Steinberg Cubase Propellerhead Record & Reason Image Line FL Studio Sony Vegas Pro Sony Sound Forge Sony Acid Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) 16A Feature Summary Superb audio quality For example, the balanced TRS analog outputs produce 123 dB dynamic range and -110 dB THD+N (0.0003%) at -1 dBFS, Unweighted, 1 kHz. 64 simultaneous audio channels Sixteen balanced/unbalanced TRS analog inputs and outputs, plus 2 x 8-channel ADAT optical ports for 32 inputs and 32 outputs. Universal connectivity Connects to a computer with Thunderbolt, standard AVB Ethernet or audio class compliant high-speed USB 2.0 (compatible with USB 3.0 and iOS). Discovery app and web app software works alongside any host audio software. On-board DSP with mixing and effects Flexible 48-input digital mixer modeled after large format mixing consoles, with 12 stereo busses and DSP effects, including reverb, 4-band EQ, gate, and compression. 32-bit floating point processing The 16A's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality. Modeled vintage effects processing Classic reverb. Compression modeled after the legendary LA-2A compressor. EQ modeled after British analog console EQs. System expansion and audio networking Add a 2nd MOTU AVB interface (1248, 8M or 16A) with a simple Cat-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB Switch (sold separately). Build a network with multiple interfaces and computers using standard AVB switches and network cabling, with ultra-low network latency, even over long cable runs (hundreds of meters). Stream hundreds of audio channels among devices and computers on the network. Matrix routing and splitting Flexible, matrix-style audio routing and splitting for any analog or digital input, computer channel or network stream to any other output, computer, or network device. Split any single input to unlimited multiple output destinations. 256 channels of network audio I/O for your host computer Record and monitor up to 128 networked audio channels in and out, simultaneously, through the Thunderbolt connection to a host computer. Web app control Control on-board DSP, mixing, device settings, and network audio routing from web app software running in your favorite browser on a laptop, tablet or smart phone connected by wire or Wi-Fi to your local area network. Stand-alone mixing with wireless control Connect an Apple Airport™ or other Wi-Fi router directly to the 16A with a standard Ethernet cable and control the 16A's powerful mixing and DSP effects from your smart phone or tablet, without a computer. Great for live sound mixing. ADAT digital I/O Connect outboard digital processors, digital mixers or other gear. 16 channels at 44.1/48 kHz or 8 channels at 88.2/96 kHz. Comprehensive metering The large backlit 324 x 24 LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

You name it, you connect it Its flexibility in connectivity and expansion is unrivalled – Analog, ADAT, MADI, AES, SPDIF. USB 2, USB 3 and Thunderbolt technology are standard on the Fireface UFX+. The UFX+ has an impressive channel count: 12 analog + 16 ADAT + 2 AES + 64 MADI = 94 channels input plus output = 188 channels in total. Thunderbolt technology gives the Fireface UFX+ real PCI Express audio performance under Mac and Windows, with lowest latency, lowest system overhead and lowest CPU load. The Fireface UFX+ is fully Thunderbolt technology compatible under Windows, including hot-plugging. All new AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free. New low impedance Hi-Power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power as well as volume on any phones, high or low impedance. Comprehensive MADI Connectivity The Fireface UFX+ opens the doors to a host of RME and 3rd party digital and analog I/O solutions. Expanding your analog channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series. To further enhance MADI flexibility, the Fireface UFX+ boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I/O (12 analog plus 16 ADAT plus AES), the MADI I/O is still available via RME’s integrated hardware mixer TotalMix FX. Word Clock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode even supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial. TotalMix-FX Flexible Routing & Mixing with TotalMix FX Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians. TotalMix FX DSP Effects TotalMix FX includes a complete effects system: EQ, Reverb, Dynamics & Delay TotalMix FX for iPad™ App TotalMix FX for iPad™ adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad™. ARC USB ARC USB Remote Control - Plug’n Play Plus The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch. The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX+. Direct to Disc USB recording All 188 input and output channels can be individually chosen for recording and playback DURec (Direct USB Recording) DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the front USB port. The Fireface UFX+ and Fireface UFX II records on USB thumb drives or hard drives with up to 2 TB capacity. The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. The Direct USB Recording converts the Fireface UFX Series both into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks. Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software. SPECS RME Audio Fireface UFX+ ANALOG AD, Line In 1-8, rear Resolution AD: 24 bit Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz THD: < -110 dB, < 0.00032 % THD+N: < -104 dB, < 0.00063 % Channel separation: > 110 dB Maximum input level: +19 dBu Input: 6.3 mm TRS jack, electronically balanced Input impedance: 8 kOhm unbalanced, 12 kOhm balanced Input sensitivity switchable to Lo Gain, +4 dBu Input level for 0 dBFS @ Lo Gain: +19 dBu Input level for 0 dBFS @ +4 dBu: +13 dBu Variable gain: 0 to +12 dB Minimum level for 0 dBFS: +1 dBu, -1.2 dBV Microphone In 9-12, front As AD, but: Input: XLR, electronically balanced Input impedance: 3.4 kOhm Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA Gain range: 75 dB Maximum input level, Gain 0 dB: +18 dBu Maximum input level, Gain 75 dB: -57 dBu CLIP LED: 0 dBFS • SIG LED: -60 dBFS Instrument In 9-12, front As AD, but: Input: 6.3 mm TS jack, unbalanced Input impedance: 1 MOhm Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA Gain range: 42 dB Maximum input level, Gain 8 dB: +21 dBu Maximum input level, Gain 50 dB: -21 dBu DA, Line Out 3-8, rear Resolution: 24 bit Dynamic range (DR): 115 dB RMS unweighted, 118 dBA Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz THD: < -110 dB, < 0.00032 % THD+N: < -104 dB, < 0.00063 % Channel separation: > 110 dB Maximum output level: +19 dBu Output: 6.3 mm TRS jack, servo-balanced Output impedance: 75 Ohm unbalanced, 150 Ohm balanced Output level switchable Hi Gain, +4 dBu, -10 dBV Output level at 0 dBFS @ Hi Gain: +19 dBu Output level at 0 dBFS @ +4 dBu: +13 dBu Output level at 0 dBFS @ -10 dBV: +2 dBV DA - Stereo Monitor Output XLR (1-2) As DA, but: Output: XLR, balanced Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV Output level at 0 dBFS @ 24 dBu: +24 dBu Output level at 0 dBFS @ Hi Gain: +19 dBu Output level at 0 dBFS @ +4 dBu: +13 dBu Output level at 0 dBFS @ -10 dBV: +2 dBV DA - Stereo Monitor Output Phones (9-12) As DA, but: Output: 2 x 6.3 mm TRS stereo jack, unbalanced Maximum output level at 0 dBFS, High: +19 dBu Maximum output level at 0 dBFS, Low: +2 dBV Output impedance: 2 Ohm Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)

BEST IN CLASS Audio Quality Equipped with the same ESS Sabre32 Ultra™ DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity. ☑ ESS Sabre32 Ultra™ DAC technology for superb analog sound ☑ The same converter technology used in audio interfaces costing thousands ☑ Measured 120 dB dynamic range on outputs ☑ Measured -129 dBu EIN on mic inputs ☑ ESS-driven headphone output BEST IN CLASS Speed The M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer). BEST IN CLASS Metering When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right. LIVE STREAMING Loopback The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding! TECH SPECS Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Mic/line/guitar 2 x XLR/TRS "combo jack" mic/line/Hi-Z guitar inputs Independent preamp gain, 48V phantom power and monitor switch for each input Analog inputs 2 x 1/4" line in Analog outputs 4 x 1/4" TRS line out (balanced, DC coupled) 4 x RCA (unbalanced) analog out (mirrored) 1 x 1/4" TRS stereo headphone Computer I/O 1 x USB-C (compatible with USB Type A) 2.0 audio class compliant MIDI I/O 1 x MIDI IN 1 x MIDI OUT 16 MIDI channels to/from computer host Headphone 1 x 1/4" TRS stereo phone Phantom power 2 x individual +48V Front panel 1 x 1/4" TRS headphone output 2 x XLR/TRS combo inputs 1 x potentiometer • monitor vol 1 x potentiometer • phone vol 1 x potentiometer • input monitor mix 2 x potentiometer • mic/line/guitar input gain 5 x switches • (2) 48V, (2) MON and (1) 3-4 160 x 120 pixel full-colored LCD with input and output level meters Power Bus-powered through USB Dimensions and weight (width x depth x height, enclosure only) 8.25 x 4.25 x 1.75 inches 20.955 x 10.8 x 4.5 cm 1.55 lbs / 0.7 kg System Requirements Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended macOS version 10.11 or later (Optional driver requires 10.13 or later) Available USB port A large hard drive (at least 500 GB for recording) Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available USB port A large hard drive (at least 500 GB for recording) Class-Compliant Support USB audio class compliant for plug-and-play operation on Mac or iOS (no driver required) Included Software MOTU Performer Lite Ableton Live 10 Lite 6GB of loops and sounds from Big Fish Audio, LucidSamples, Loopmasters and MOTU Analog I/O Connector type Dynamic range (A-weighted) THD+N (unweighted) Max level Line Output 1/4" TRS, balanced, tip hot 120dB -110dB +16dBu Line Input 1/4" TRS, bal/unbal, tip hot 115dB -106dB +18dBu Mic input XLR, balanced, pin 2 hot 115dB -129dBu EIN +10dBu (at minimum gain) Phones 1/4", TRS stereo 115dB -110dB +12.5dBu Compatible Mac Software The M4 ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Performer Lite MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Presonus Studio One Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows Software The M4 ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Performer Lite MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Cockos Reaper Image Line FL Studio Native Instruments Kontakt Presonus Studio One Propellerhead Record & Reason Sony Vegas Pro Sony Sound Forge Sony Acid Steinberg Cubase Waves stand-alone apps (and plug-ins, via compatible host) M4 Feature Highlights 4-in / 4-out USB audio interface with studio-quality sound Best-in-class audio quality driven by ESS Sabre32 Ultra™ DAC Technology Best-in-class speed (ultra-low latency) for host software processing Best-in-class metering for all inputs/outputs with a full-color LCD 2x mic/line/hi-Z guitar inputs on combo XLR/TRS Individual preamp gain and 48V phantom power for each input 2x balanced 1/4-inch line inputs Hardware (direct) monitoring for each input (mono or stereo for inputs 1-2, stereo for inputs 3-4) Monitor mix knob to balance live inputs and computer playback Measured -129 dB EIN on mic inputs 4x balanced, DC-coupled 1/4-inch TRS outputs Measured 120 dB dynamic range on the 1/4-inch balanced TRS outputs 4x RCA (unbalanced) analog out (mirrored) 1x headphone out (driven by ESS converters) with independent volume control MIDI in/out Support for 44.1 to 192 kHz sample rates USB audio class compliant for plug-and-play operation on Mac (no driver required) Windows driver with 2.5 ms Round Trip Latency (32 sample buffer at 96 kHz) Mac driver (optional, for 2.5 ms RTL@32/96 kHz and loopback feature) iOS compatible (USB audio class compliant) Driver loopback for capturing host output, live streaming and podcasting Bus powered USB-C (compatible with USB Type A) with power switch (USB cable included) Rugged metal construction Workstation software included (MOTU Performer Lite 10 and Ableton Live Lite 10) 100+ instruments (in Performer Lite) Over 6 GB of included free loops, samples and one-shots from industry leading libraries Kensington security slot Built in the USA Two-year warranty

Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Analog inputs 8 x XLR/TRS combo-style mic/line/instrument inputs Preamp gain: 0 to +53 dB (digitally controlled) TRS max level with pad: +17 dbU (V-limit at +7) Analog outputs 8 x 1/4" TRS line out (balanced, DC coupled) Max level: +20 dBu (digitally adjustable -4 to +20) 1 x 1/4" TRS stereo headphone Digital I/O 2 banks (16 ch) of ADAT optical at 1x sample rates 1 bank (8 ch) of SMUX optical at 2x sample rates Stereo TOSLink (optical S/PDIF) on Bank A (optional) Total I/O 24 inputs and 26 outputs (50 total) at 1x sample rates 16 inputs and 18 outputs (34 total) at 2x sample rates 8 inputs and 10 outputs (18 total) at 4x sample rates Computer I/O 1 x Thunderbolt (compatible with 1 and 2) 1 x USB 2.0 audio class compliant USB 3.0 and iOS compatible 1 x AVB Ethernet (requires OS X Yosemite) Computer I/O channels Thunderbolt (44.1 to 96 kHz): 128 in/out Thunderbolt (176.4 to 192 kHz): 64 in/out USB 2.0 (44.1 to 48 kHz): 64 in/out USB 2.0 (88.2 to 96 kHz): 32 in/out USB 2.0 (176.4 to 192 kHz): 24 in/out AVB Ethernet: 16 to 128 in/out, depending on host computer speed Sync I/O 1 x word clock in 1 x word clock out Network I/O 1 x RJ45 AVB/TSN Ethernet (1 Gbps) AVB streams (8 channels per stream) 16 in / 16 out @ 44.1 or 48 kHz 16 in / 16 out @ 88.2 or 96 kHz 8 in / 8 out @ 176.4 or 192 kHz Headphone 1 x 1/4" TRS stereo phone (assignable) Phantom power 8 x individual +48V Front panel 1 x 1/4" TRS headphone output 1 x digital rotary encoder • phone volume 8 x digital rotary encoders • mic preamp gain 16 x switches • (8) Pad and (8) 48V Phantom switch 324 x 24 pixel LCD for level meters / menu nav 1 x AC power switch Power International 100-240V autoswitching supply 50-60 Hz • 0.5A max Dimensions and weight (width x depth x height, enclosure only) 19 x 7 x 1.75 inches 48.3 x 17.75 x 4.5 cm 4.6 lbs / 2.08 kg with rack brackets removed: 17.25 inches (43.8 cm) wide 4.5 lbs / 2.04 kg Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended Mac OS X version 10.8 or later Available Thunderbolt, USB 2.0 or AVB Ethernet port* A large hard drive (at least 500 GB for recording) *AVB Ethernet audio interface operation requires OS X Yosemite Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available USB 2.0 or 3.0 port Available Ethernet port for firmware updates A large hard drive (at least 500 GB for recording) Web App Support Any web client platform: Mac, Windows, Linux, iOS, Android Any web browser: Safari, Firefox, Chrome, Opera, Explorer, etc. Web client must be connected to the same network as the MOTU AVB interface by wire or Wi-Fi. Included Software Thunderbolt and USB 2.0 drivers MOTU Discovery App for Mac & PC (finds connected MOTU interfaces) MOTU Discovery App for iOS (available from Apple App Store) MOTU Pro Audio Control web app (served from the hardware itself) MOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer) AudioDesk 4.0 for Mac & PC (separate download) Operating Systems For computer audio I/O: Mac OS X 10.8 or later; Windows 7 or later For web app control: Mac, Windows, Linux, iOS, Android Analog I/O Specifications Connector type Dynamic range (A-weighted) THD+N (unweighted) Max level Trim range (in 1 dB steps) Line output 1/4" TRS, balanced, tip hot 123 dB -110 dB +20 dBu 24 dB (-4 to +20 dBu) Line input 1/4" TRS, bal/unbal, tip hot 112 dB -102 dB +17 dBu (with pad) 53 dB Mic input XLR, balanced, pin 2 hot 112 dB -104 dB +24 dBu (with pad) 53 dB Phones 1/4", TRS stereo 102 dB -92 dB Max. 80 mw 128 dB Compatible Mac software The 8M ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows software The 8M ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Steinberg Cubase Propellerhead Record & Reason Image Line FL Studio Sony Vegas Pro Sony Sound Forge Sony Acid Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) 8M Feature Summary Superb audio quality For example, the balanced TRS analog outputs produce 123 dB dynamic range and -110 dB THD+N (0.0003%) at -1 dBFS, Unweighted, 1 kHz. 50 simultaneous audio channels Eight XLR/TRS combo inputs with individual preamps/pad/48V power, 8 balanced/unbalanced TRS analog outs, and 2 x 8-channel ADAT optical ports for 24 inputs and 26 outputs. Flexible mic/guitar inputs Eight combo jacks provide balanced analog input, hi-Z 1/4” guitar input or XLR mic input with individual phantom power and pad. Precision Digital Trim™ Digitally controlled analog preamp gain provides accurate adjustments in 1 dB increments from either the front panel controls or web app software, with the ability to save gain settings. V-Limit™ overload protection Hardware-based input limiter on the mic/guitar inputs prevents digital clipping and distortion from overloaded signal levels up to +9 dB over zero. Universal connectivity Connects to a computer with Thunderbolt, standard AVB Ethernet or audio class compliant high-speed USB 2.0 (compatible with USB 3.0 and iOS). Discovery app and web app software works alongside any host audio software. On-board DSP with mixing and effects Flexible 48-input digital mixer modeled after large format mixing consoles, with 12 stereo busses and DSP effects, including reverb, 4-band EQ, gate, and compression. 32-bit floating point processing The 8M's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality. Modeled vintage effects processing Classic reverb. Compression modeled after the legendary LA-2A compressor. EQ modeled after British analog console EQs. System expansion and audio networking Add a 2nd MOTU AVB interface (1248, 8M or 16A) with a simple Cat-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB Switch (sold separately). Build a network with multiple interfaces and computers using standard AVB switches and network cabling, with ultra-low network latency, even over long cable runs (hundreds of meters). Stream hundreds of audio channels among devices and computers on the network. Matrix routing and splitting Flexible, matrix-style audio routing and splitting for any analog or digital input, computer channel or network stream to any other output, computer, or network device. Split any single input to unlimited multiple output destinations. 256 channels of network audio I/O for your host computer Record and monitor up to 128 networked audio channels in and out, simultaneously, through the Thunderbolt connection to a host computer. Web app control Control on-board DSP, mixing, device settings, and network audio routing from web app software running in your favorite browser on a laptop, tablet or smart phone connected by wire or Wi-Fi to your local area network. Stand-alone mixing with wireless control Connect an Apple Airport™ or other Wi-Fi router directly to the 8M with a standard Ethernet cable and control the 8M's powerful mixing and DSP effects from your smart phone or tablet, without a computer. Great for live sound mixing. ADAT digital I/O Connect outboard digital processors, digital mixers or other gear. 16 channels at 44.1/48 kHz or 8 channels at 88.2/96 kHz. Comprehensive metering The large backlit 324 x 24 LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Analog inputs 8 x 1/4" TRS line inputs (balanced/unbalanced) Max level: +24 dBu (range -96 to +22) Analog outputs 8 x 1/4" TRS line out (balanced, DC coupled 5v) Max level: +20 dBu (range -4 to +20) 1 x 1/4" TRS stereo headphone Digital I/O 1 bank (8 ch) of ADAT optical at 1x sample rates 1 bank (4 ch) of SMUX optical at 2x sample rates Switchable to stereo TOSLink (optical S/PDIF) Total I/O 16 inputs / 18 outputs (34 total) at 1x sample rates 12 inputs / 14 outputs (26 total) at 2x sample rates 8 inputs / 10 outputs (18 total) at 4x sample rates Computer I/O 1 x Thunderbolt 1 (Mac and Win) Thunderbolt 2 & 3 compatible 1 x USB 3.0 (Mac and Win) USB 2.0 and iOS compatible (class compliant) 1 x AVB/TSN Ethernet (Mac only) Requires OS X 10.11 or later Computer I/O channels Thunderbolt (44.1 to 96 kHz): 128 in/out Thunderbolt (176.4 to 192 kHz): 64 in/out USB 3.0 (44.1 to 96 kHz): 128 in/out USB 3.0 (176.4 to 192 kHz): 64 in/out AVB/TSN Ethernet: 16 to 128 in/out depends on host computer speed Headphone 1 x 1/4" TRS stereo phone (assignable) Network I/O 1 x RJ45 AVB/TSN Ethernet (1 Gbps) AVB streams (8 channels per stream) 8 in / 8 out @ 44.1 or 48 kHz 8 in / 8out @ 88.2 or 96 kHz 8 in / 8 out @ 176.4 or 192 kHz Front panel 1 x 1/4" TRS headphone output 1 x digital rotary encoder • phone volume 5 x switches • menu navigation 160 x 128 pixel RGB LCD for level meters / menu nav Power switch Power External 12-18V DC power supply 1.0A max • tip pos or neg Dimensions and weight (width x depth x height, enclosure only) 8.6 x 7 x 1.75 inches 22 x 17.75 x 4.5 cm 2.2 lbs / 1.0 kg Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended Mac OS X version 10.8 or later Available Thunderbolt, USB or AVB/TSN Ethernet port* A large hard drive (at least 500 GB for recording) *AVB/TSN Ethernet audio interface operation requires OS X 10.11 or later Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available Thunderbolt or USB port Available Ethernet port for firmware updates A large hard drive (at least 500 GB for recording) Web App Support Any web client platform: Mac, Windows, Linux, iOS, Android Any web browser: Safari, Firefox, Chrome, Opera, Explorer, etc. Web client must be connected to the same network as the MOTU interface by wire or Wi-Fi. Included Software MOTU Discovery App for Mac & PC (finds connected MOTU interfaces) MOTU Discovery App for iOS (available from Apple App Store) MOTU Pro Audio Control web app (served from the hardware itself) MOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer) AudioDesk 4.0 for Mac & PC (separate download) Operating Systems For computer audio I/O: Mac OS X 10.8 or later; Windows 7 or later For web app control: Mac, Windows, Linux, iOS, Android Analog I/O Specifications Connector type Dynamic range (A-weighted) THD+N (unweighted) Max level Trim range (in 1 dB steps) Line output 1/4" TRS, balanced, tip hot 123 dB -110 dB +20 dBu 24 dB (-4 to +20) Line input 1/4" TRS, bal/unbal, tip hot 117 dB -110 dB +24 dBu 118 dBu (-96 to +22) Phones 1/4", TRS stereo 108 dB -100 dB Max. 80 mw 128 dB Compatible Mac Software The 8A ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Cockos Reaper Propellerhead Record & Reason Native Instruments Kontakt Steinberg Cubase Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows Software The 8A ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Cockos Reaper Image Line FL Studio Propellerhead Record & Reason Sony Vegas Pro Sony Sound Forge Sony Acid Steinberg Cubase Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) 8A Feature Summary Superb analog audio quality and high-end converters Renowned ESS Sabre32 Ultra™ DAC technology delivers 123 dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 16A. Ultra-low latency and proven, high-performance MOTU drivers Round-trip latency (RTL) performance as low as 1.6 ms at 96kHz over Thunderbolt™ with high-performance DAW hosts. Mobile operation and universal connectivity Connects to your computer with Thunderbolt™, super-speed USB 3.0 or AVB/TSN Ethernet for up to 256 audio channels (128 in and 128 out). Class-compliant firmware and Industry standard drivers work with any audio apps. Connects to iPad™ with a standard camera connection kit (adapter). 34 simultaneous audio channels 8 x 8 balanced analog, 8-channel ADAT optical and independent phone out for 16 inputs and 18 outputs. DSP mixing and effects processing Flexible 48-input digital mixer with 7 stereo aux busses, 3 group sends, access to 64 network inputs, and DSP effects, including reverb, 4-band EQ, gate and compression. 32-bit floating point processing The 8A's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality. Modeled vintage effects processing Classic reverb. Compression modeled after the legendary LA-2A compressor. EQ modeled after British analog console EQs. Flexible matrix routing and splitting Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the audio network. Stand-alone operation with wireless control Connect an Apple® Airport™ or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects. Web app control from any device Control everything from your favorite web browser on a laptop, tablet and smartphone connected to your local Wi-Fi network. System expansion Add a 2nd MOTU AVB-equipped interface with a simple CAT-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB/TSN Switch (sold separately). AVB/TSN audio networking Build a network with multiple interfaces and computers using standard AVB/TSN switches and network cabling, with ultra-low network latency, even over long cable runs (100 meters point to point). Stream hundreds of audio channels among devices and computers on the network. Optical I/O Connect outboard digital processors, digital mixers or other gear. 8 channels of ADAT at 44.1/48 kHz, 4 channels of SMUX at 88.2/96 kHz or stereo TOSLink (optical S/PDIF) up to 96 kHz. Comprehensive metering The full-color LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk® Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Digital I/O 1x BNC MADI in 2x BNC MADI out (mirrored) 1x optical MADI in/out 64/56 ch @ 1x, 32/28 @ 2x, 16/14 @ 4x Total I/O 128 in / 128 out (256 total) at 1x sample rates 64 in / 64 out (128 total) at 2x sample rates 32 in / 32 out (64 total) at 4x sample rates Computer I/O 1 x USB 2.0 audio class compliant USB 3.0 and iOS compatible Computer I/O channels 64 in/out at 1x (44.1 to 48 kHz) 32 in/out at 2x (88.2 to 96 kHz) 24 in/out at 4x (176.4 to 192 kHz) Headphone 1 x 1/4" TRS stereo phone (assignable) Network I/O 1 x RJ45 AVB/TSN Ethernet (1 Gbps) AVB streams (8 channels per stream) 8 in / 8 out @ 44.1 or 48 kHz 8 in / 8 out @ 88.2 or 96 kHz 4 in / 4 out @ 176.4 or 192 kHz Front panel 1 x 1/4" TRS headphone output 4x switches for menu navigation 160 x 128 RGB LCD for level meters / menu Power External 12-18V DC power supply 1.0A max • tip pos or neg Dimensions and weight (width x depth x height, enclosure only) 8.6 x 7 x 1.75 inches 22 x 17.75 x 4.5 cm 2.0 lbs / 0.9 kg Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended Mac OS X version 10.8 or later Available USB 2.0 or 3.0 port A large hard drive (at least 500 GB for recording) Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available USB 2.0 or 3.0 port A large hard drive (at least 500 GB for recording) Web App Support Any web client platform: Mac, Windows, Linux, iOS, Android Any web browser: Safari, Firefox, Chrome, Opera, Explorer, etc. Included Software MOTU Discovery App for Mac & PC (finds connected MOTU interfaces) MOTU Discovery App for iOS (available from Apple App Store) MOTU Pro Audio Control web app (served from the hardware itself) MOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer) AudioDesk 4.0 for Mac & PC (separate download) Operating Systems For computer audio I/O: Mac OS X 10.8 or later; Windows 7 or later For web app control: Mac, Windows, Linux, iOS, Android Compatible Mac Software The M64 ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Presonus Studio One Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows Software The M64 ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Cockos Reaper Image Line FL Studio Native Instruments Kontakt Presonus Studio One Propellerhead Record & Reason Sony Vegas Pro Sony Sound Forge Sony Acid Steinberg Cubase Waves stand-alone apps (and plug-ins, via compatible host) M64 Feature Summary 256 channels of MADI I/O Optical MADI (64 channels in and out), plus independent coaxial/BNC MADI (64 channels in and out) with extra duplicate output, in all standard formats and sample rates. Flexible repeater, router, converter and splitter Send any input to any output, or split to multiple output channels. Convert optical MADI to coax MADI. Includes routing to and from the computer, plus any devices on the AVB-TSN network. Stand-alone operation with wireless control Connect a standard Wi-Fi router with a standard Ethernet cable for wireless control of device settings, routing/splitting, powerful 48-channel mixing and DSP effects. DSP mixing and effects processing Flexible 48-input digital mixer with 7 stereo aux busses, 3 stereo groups, access to 64 network inputs, and DSP effects, including reverb, 4-band EQ, gate and compression. Ultra-low latency and proven, high-performance MOTU drivers Universal connectivity over high-speed USB 2.0 (3.0 and iOS compatible) and AVB. Renowned drivers deliver industry-leading low latency and rock solid performance. Convenient headphone monitoring Assignable front-panel headphone output with volume control allows for monitoring of any stereo channel pair. Word clock I/O Standard word clock input and output for resolving to other digital audio gear or house sync. Comprehensive metering The full-color LCD lets you view all signal activity at a glance with detailed metering for all I/O. Access hardware settings from a simple and convenient menu. Modeled vintage effects processing Classic reverb. Compression modeled after the legendary LA-2A compressor. EQ modeled after British analog console EQs. Web app control from any device Control everything from your favorite web browser on a laptop, tablet and smartphone connected to your local Wi-Fi network. System expansion Add a 2nd MOTU AVB-equipped interface with a simple CAT-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB Switch (sold separately). AVB-TSN audio networking Build a network with multiple interfaces and computers using standard AVB-TSN switches and network cabling, with ultra-low network latency, even over long cable runs (100 meters point to point). Stream hundreds of audio channels among devices and computers on the network. Audio analysis tools includes a full-screen real-time FFT display, spectrogram “waterfall” display, full-featured oscilloscope, X-Y plot and phase analyzer. AudioDesk Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

Apollo Solo is the world’s finest Thunderbolt 3-powered desktop recording audio interface for Mac and Windows — delivering class‑leading audio conversion, two Unison™ mic preamps, and a suite of onboard UAD plug-ins for recording album‑quality results, in real time. This compact 2x4 interface starts with esteemed Apollo A/D and D/A conversion to sonically outperform anything in its class. And with its Unison technology and built-in UAD‑2 processing, you can record through classic studio tools including the UA 610‑B Tube Preamp & EQ, LA‑2A and 1176 compressors, and more — with near‑zero latency. NOW YOU CAN: Record with class-leading A/D and D/A conversion — as heard on hundreds of hit records Track with near-zero latency through mic preamp and guitar amp emulations from Neve,® API,® Fender,® and more using Unison™ technology* Mix with included UAD plug‑ins like the Teletronix® LA‑2A and 1176 compressors, Pultec® EQs, and more Includes LUNA Recording System — a fully-integrated and inspiring music production application (Mac only) Create on-the-go with a sonically superior, bus-powered interface with rugged all‑metal construction Enjoy clear, detailed monitoring with the best-sounding headphone amplifier in its class Unison™ Technology for Stunning Mic and Guitar Preamp Emulations Apollo Solo's Unison technology gives you the tone, touch, and “feel” of the world's most sought‑after preamps. These include the bundled UA 610‑B Tube Preamp, plus authentic mic preamp emulations from Neve® and API,® plus guitar amp emulations from Fender® and Marshall® — complete with their signature impedance, gain stage “sweet spots,” and component‑level circuit behaviors.* The secret to Unison is its hardware‑software integration between Apollo Solo’s mic preamps and its onboard UAD-2 processing. Simply place a Unison preamp plug-in on your mic input in Apollo's Console software, and it physically reconfigures Apollo’s impedance and gain staging — giving you the classic tube and transformer sounds of the world’s most recorded mic preamps and guitar amps.

Powered by four SHARC processors, the standalone DSP accelerator provides extensive plug-in instantiation for large mixes without taxing the host computer, and while delivering world-class analog emulation. Other benefits of the Thunderbolt 3 equipped DSP accelerator include greater UAD plug-in instances (the interface requires less of its own DSP to function when compared with previous versions), improved performance at higher sample rates, and reduced UAD plug-in latency. Additionally, the unit can supercharge existing Apollo interfaces and other UAD-2 DSP Accelerator systems by creating expanded systems for running complex mixes. Included with the unit is the company's Analog Classics bundle, featuring the UA 610-B Preamp and EQ, along with legacy editions of the LA-2A Classic Audio Leveler, 1176LN / 1176SE Classic Limiting Amplifier, Fairchild 670 Tube Limiter, Pultec Pro Equalizers, UA Precision Enhancer Hz, CS-1 Precision Channel, and RealVerb Pro plug-ins. Note: Thunderbolt cable required and available separately. Run UAD Powered plug-ins via Thunderbolt 3 connections on new Macs Run UAD Powered Plug-Ins via Thunderbolt 1 and 2 connections with an Apple Thunderbolt 3 to Thunderbolt 2 Adapter (available separately) 4 SHARC processors offer a substantial DSP boost for running large mixes Includes Analog Classics Plus plug-in bundle Access over 100 plug-ins from Ampex, Lexicon, Roland, Studer, Neve, Manley, SSL, EMT, and more (sold separately) Take UAD plug-ins on the road for mixing on Thunderbolt-equipped Macs Dual Thunderbolt 3 ports for convenient daisy-chaining of Thunderbolt peripherals Combine with other UAD-2 devices, including UAD-2 PCIe card(s), Apollo audio interfaces, and additional Satellites Compatible with Pro Tools, Logic Pro, Cubase, Live, and more Universal Audio UAD-2 Satellite TB3 Specs Form Factor Tabletop Connectivity Host Connection / USB 2 x USB Type-C (Thunderbolt 3) Compatibility OS Compatibility Windows 10 (64-Bit Only) macOS 10.12 or Later *As of November, 2021: check with manufacturer for the most up-to-date compatibility Supported Drivers/API & Plug-Ins AAX (64-Bit) Audio Units (AU) RTAS VST Storage Requirements 6 GB Required Hardware Thunderbolt 3 Cable (Not Included) Available Thunderbolt Port Thunderbolt 3 to Thunderbolt Adapter (Not Included, Required for Thunderbolt 1 and 2 Connections) Internet Connection Required for Software/Driver Download, Plug-In Authorization Packaging Info Package Weight 4.95 lb Box Dimensions (LxWxH) 8.5 x 8.5 x 5.6"

PREGLED Mikrofonska pretpojačala: 2 Fantomsko napajanje: Da Ulazi za instrumente: 2 Linijski ulazi: 2 Air mod: Da Auto pojačanje: Da Clip Safe: Da Linijski izlazi: 4 Izlazi za slušalice: 1 Loopback: Da Povezivost: USB Type-C Protokol: USB 2.0 Forma: Desktop Simultani I/O: 6 x 6 (uključujući Loopback ulaze) A/D rezolucija: 24-bit/192 kHz USB napajanje: Da (1.5A) PODRŽANI SAMPLE RATES 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz MIKROFONSKI ULAZI Frekventni odziv: 20-20kHz ± 0.06dB Dinamički opseg: 116dB (A-Weighted) THD+N: -100dB pri 8dB pojačanju EIN šum: -127dBu (A-Weighted) Maksimalni ulazni nivo: 16dBu Opseg pojačanja: 69dB Impedanca: 3kΩ VARIJABILNI LINIJSKI ULAZI Frekventni odziv: 20-20kHz ± 0.05dB Dinamički opseg: 115dB (A-Weighted) THD+N: -100dB pri pri 8dB pojačanju Maksimalni ulazni nivo: 22dBu Opseg pojačanja: 69dB Impedanca: 60kΩ FIKSNI LINIJSKI ULAZI Frekventni odziv: 20-20kHz ± 0.02dB Dinamički opseg: 115.5dB (A-Weighted) THD+N: -105dB Maksimalni ulazni nivo: 22dBu Impedanca: 60kΩ ULAZI ZA INSTRUMENTE Frekventni odziv: 20-20kHz ± 0.15dB Dinamički opseg: 113dB (A-Weighted) THD+N: -80dB pri minimalnom pojačanju Maksimalni ulazni nivo: 12dBu Opseg pojačanja: 62dB Impedanca: 1MΩ LINIJSKI IZLAZI (balansirani) Frekventni odziv: 20-20kHz ± 0.02dB Dinamički opseg: 120dB THD+N: -112dB Maksimalni izlazni nivo: 16dBu Impedanca: 100Ω IZLAZI ZA SLUŠALICE Frekventni odziv: 20-20kHz ± 0.1dB @ 33Ω / 300Ω Dinamički opseg: 112dB @ 33Ω 115dB @ 300Ω THD+N: -99dB @ 33Ω -108dB @ 300Ω Maksimalni izlazni nivo: 5dBu u 33Ω 11dBu u 300Ω Maksimalna izlazna snaga: 57mW u 33Ω 27mW u 300Ω Impedanca: 11Ω ANALOGNO - DIGITALNI KONVERTER THD+N: -110dB Dinamički opseg: 120dB DIGITALNO - ANALOGNI KONVERTER THD+N: -115dB Dinamički opseg: 130dB (A-Weighted) NAPAJANJE USB: 1.5A Eksterno (opciono): 7.5W

Stara zvučna kartica Creative Sound Blaster Live 5.1 SB0220 sa originalnim diskom sa drajverima za windows 98/SE i XP,ispravna. What exactly makes 5.1 better than existing 4-channel sound cards? The most significant change is the addition of a centre channel. With the centre channel, the front soundstage is expanded. Sounds from movies make use of the centre channel to localize dialogue and on-screen sound effects, while using the other speakers for ambience, music and surround effects. This could translate very well when used for games that support 3D sound, and playback of Dolby Digital encoded material on the PC! Features/Specifications: Sound Blaster Live! 5.1 PCI Sound Card OEM General Features: Hollywood-Quality Digital Audio Engine User-selectable bit rates from 8-bit to 16-bit. User-selectable sample rates from 8kHz to 48kHz. All sound sources are handled with 32-bit precision for highest quality output. Analog and Digital I/O modes supported. Hardware full-duplex support Utilizes AC97 audio codec. Supports MPU-401 UART mode. IBM® compatible 15-pin joystick port with analog support. Support for digital and DirectInput™ game devices. Playback and Recording Sources: Sound Blaster® 16 Emulation in DOS box and real mode DOS. 64 audio channels Each channel can operate in 8 bit or 16 bit mode. 48kHz recording from AC97 sample rate converted to 8 common rates to host memory. Playback Recording Sources: CD_IN, AUX_IN, LINE_IN, MIC_IN, TAD, MIDI andWave, CD-SPDIF IN. Full duplex recording and playback. MIDI Interface via MIDI/Game port EMU10K Music Synthesis Engine Features: 64-voice hardware polyphony 64 hardware and 1024 PCI wave-table synthesis 48 MIDI channels with 128 GM & GS-. compatible instruments and 10 drum kits Uses SoundFont technology for user-definable wave-table sample sets Loads up to 32MB of samples into host memory for professional music reproduction. Effects Engine: E-mu Systems EMU10K1™ patented effects processor. Supports real-time digital effects like reverb, chorus, echo, flanger, etc. Customizable effects architecture allows audio effects and channel control. Full bass, treble, and effects controls Bass management functionality for center & subwoofer channels in 5.1 mode. Only Bass Management Configuration 0 with Bass (LFE) redirection implemented. Environmental Audio and 3D Audio Technology User-selectable settings are optimized for headphones, 2, 4, and 5.1 speaker setups. Accelerates Microsoft DirectSound and DirectSound3D, EAX. Technical Specs: Frequency Response: 10Hz - 44KHz SPDIF Output: 48 KHz Signal to Noise Ratio: 96db Sampling Rate for Playback/Recording (Stereo) 8KHz-48KHz Supply Voltage Requirement (Loading) +5, +12, -12 Volt Current Consumption (Typical) 300, 500, 30 mA respectively Microphone Impedance: 600 Ohms Line-In Impedance: 50 KOhms CD Audio-In Impedance: 50 KOhms Microphone Sentivity 10 - 200mVpp Connectors: TAD, CD-In, Aux-In, CD-SPIDF, SPIDIF-10 (internal) 3 Line Out jacks, Line in, Microphone, Digital Out jacks (external) Package Includes: Soundblaster 5.1 Digital PCI card Drivers CD

NOW YOU CAN: Create classic-sounding music productions, livestreams, and podcasts on Mac, PC, iPad, and iPhone Record your voice or guitar with rich full sound using Vintage Mic Preamp mode Add clarity and punch to voice, instruments, and other sources with an analog compressor based on UA’s iconic 1176 Produce with an essential suite of audio and music software including Ableton, Melodyne, UJAM's Virtual Drummer, Marshall, Ampeg, and more Collaborate with Best-in-Class Audio Quality From the team that brought you the game-changing Apollo interface, Volt 276 delivers superior studio sound quality, with more character and tone than any USB interface in its class. Capture a Classic Vocal with Vintage Mic Preamp Mode Few sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 276 gives you the rich, full sound of this classic UA mic/line/instrument preamp, thanks to its built-in tube emulation circuitry, a UA exclusive. Control Volume Peaks with UA Compression Get album-ready punch and presence with Volt 276's onboard 76 Compressor — an innovative analog circuit inspired by UA's classic 1176 Limiting Amplifier. The 76 Compressor features three perfectly tailored presets to tame voice, guitars, synths, and drum machines. Just plug in, pick a setting, and play. Easy In, Easy Out Volt 276 gives you simple 2-in/2-out audio connections. Just plug your mics, guitars, or synths into the front panel. Then connect your speakers or headphones to monitor your audio with no latency. With Volt, you’ll be creating like a pro, fast. Stay Inspired with a Curated Suite of Audio Software Some audio interfaces give you a smattering of random audio apps. Not Volt. Instead, we put together a bundle of serious music production tools, virtual instruments, and plug‑ins from the industry's best. iPad & iPhone Ready Traveling light? Plug Volt 276 into your iPad or iPhone, and you can easily create beats and samples, record your band’s rehearsals, and edit songs anywhere.* Capture Inspiration for Years to Come Featuring rugged metal construction, retro wood sides, and sleek industrial design, Volt 276 elevates your production space with impeccable style, built to last decades. Included Software Offering a powerful DAW, vintage guitar and bass amps, industry-leading virtual instruments, and much more, Volt gives you everything you need to start producing music, podcasts, and livestreams, right out of the box. Marshall Plexi Classic Amplifier Live 11 Lite Melodyne Essential Ampeg® SVT-VR Classic Bass Amp LX480 Essentials Virtual Drummer DEEP Virtual Bassist DANDY LABS Marshall Plexi Classic Amp Bundle by Softube Create with an expertly modeled version of the iconic British amp that invented the sound of rock. Plus, shape your tones further with the included Softube Time & Tone Bundle, featuring additional reverb, delay, compression, and saturation plug-ins. Ableton Live 11 Lite Packed with all the effects, instruments, and features you need to make professional music productions, Live is fast, fluid, and flexible software for music creation and performance. Melodyne Essential by Celemony Easily correct the pitch of recordings and samples with quick, intelligent note-based processing, and tune vocal and instrument tracks for more professional-sounding recordings and mixes. Ampeg^® SVT-VR Classic Bass Bundle by Plugin Alliance Get all the massive, earth-shaking tube tone of Ampeg’s iconic bass amp. Plus, use the bx_tuner for quick tuning and the powerful bx_masterdesk plug‑in to add the final touch to any source. LX480 Essentials by Relab Development Add lush dimension and ambience with Relab's expert model of this classic '80s digital reverb unit. You can also add complex delay and modulation textures for space and movement to your tracks. Virtual Drummer DEEP by UJAM From classic soul and funk rhythms of the ‘60s and ‘70s to contemporary pop and rock styles, DEEP sports UJAM’s dynamic "round-robin" algorithm, giving you drum tracks that sound like the real thing. Virtual Bassist DANDY by UJAM Get classic flatwound bass sounds for soul, pop, blues, and rock tracks with UJAM's custom-made DSP algorithms. DANDY automatically follows the key and chord you play, intelligently selecting musical bass articulations to make your tracks shine. LABS by Spitfire Audio Delivering on-the-spot inspiration for music productions, soundtracks, and podcasts, LABS is a curated virtual instrument library that features strings, pianos, percussion, synths, guitars, and more. Key Features Desktop 2-in/2-out USB 2.0 audio interface with class-leading 24-bit/192 kHz audio conversion for Mac, PC, iPad, and iPhone Vintage Mic Preamp mode for recording voice or guitar with the rich, full sound of a classic UA tube preamp Built-in 76 Compressor adds instant clarity and punch to voice, instruments, and other sources with all-new analog circuit based on UA's iconic 1176 Essential suite of audio and music software including Ableton, Melodyne, UJAM's Virtual Drummer, Marshall, Ampeg, and more Studio-quality headphone amplifier for loud, clear monitoring USB bus powered to reduce cable clutter 48V phantom power for condenser microphones Direct Monitoring for latency-free recording Stylish, rugged construction built to withstand years of use 1-in/1-out MIDI connections USB-C to USB-A cable included System Requirements Mac & PC Available USB 2.0 (or higher) port USB cable (included) Intel, AMD, or Apple Silicon processor (PC) Windows 10 64-bit edition (macOS) 10.14 Mojave or later Internet connection for software downloads iPad & iPhone iPadOS / iOS 14 or later

Dostupne: crna i bela. Eksterna USB zvučna kartica, koja se može koristiti sa desktop ili laptop sistemima. Kompatibilna sa skoro svim operativnim sistemima: Vindovs 98SE/ME/2000/KSP/Server2003/Vista, Linux, MacOS10 ili noviji Specifikacija: model: HT-04S Item No: HT-04S Supply category: temporary interface: USB Input and output interfa: Linear output (rear), measurement input Support voice: 7.1 channel

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