Asfora - taster za roletne - vijčani priključci - beli Schneider Electric Asfora push-button switch EPH1300321 is a complete product in color white with 3 rockers. This is a roller blind push-button. The fixing mode of this device is screws or claws. And it's rated current is 10A, with the power range of 2300W. The push-button is 83 mm in width, 83 mm in height and 43 mm in depth, with a projecting depth of 15 mm. Flush mounting is supported so that its box can be recessed into the surface. The surface finish is glossy, which ensures a bright, even an inviting finish. It reaches IP20 degree of protection too. Its connection terminals are lift terminals. Being made of ABS (acrylonitrile butadiene-styrene) material, this switch is very reliable and resistant. The conductor material of copper makes it more reliable. It obtained the VDE certificate as well. What's more, it well satisfied the standard of IEC 60669-1. Also, it has the quality label of CE. Besides, this is a green premium product, taking care of your family as much as possible. And it is mercury free as well as heavy metal free, taking care of the environment all the time. The updated Asfora switches now feature smaller, more compact inserts, a profiled fixing frame, improved wire inlets and release buttons, profiled claws with a return spring, improving the quality and functionality of this push-button. This push-button will help you get the most out of your home interiors with modern stylish design for each room and each time of day. Asfora products are made from high-quality materials that won't yellow over time. The sleek, elegant design harmonizes perfectly with virtually any interior.. Karakteristike Dopunske informacije Dužina ogoljenog dela žice : 13 mm Krutost kabla : fleksibilni Krutost kabla : kruti Krutost kabla : jednožični višežični Provodni materijal : bakar Povezivanje - priključci : vijčani priključci Visina : 83 mm Montaža uređaja : ugradno Opseg snage : 2300 W Broj kablova : 2 kabl(ovi) 2.5-2.5 mm² Nazivna struja : 10 A pri 250 V AC Način fiksiranja : zavrtnji ili kukice51-70 mm Završna obrada : sjajno Funkcija prekidača : za roletne Označavanje : nagore-nadole Širina : 83 mm Projektovana dubina : 15 mm Broj prekidača : 2 Dubina : 43 mm Materijal : ABS (akrilonitril-butadien-stiren) Masa proizvoda : 0.0769 kg Okruženje Sertifikacija proizvoda : VDE Temperatura okoline za rad uređaja : -5-40 °C Standardi : IEC 60669-1 Oznake kvaliteta : CE Ip stepen zaštite : IP20 Osnovne informacije Grupa proizvoda : Asfora Tip proizvoda ili komponente : taster Nijansa boje : bela Tip pakovanja : pakovanje u kesicama Grupa proizvoda : Asfora Prezentacija uređaja : kompletan proizvod

Asfora - taster za roletne, vijčani priključak , bez rama, antracit Schneider Electric Asfora push-button switch EPH1300371 is a mechanism with fixing frame in color anthracite with 3 rockers. This is a roller blind push-button. Its fixing mode is screws or claws. And the rated current of this push-button is 10A, with the power range of 2300W. 71 mm, 71 mm and 43 mm are the width, height and depth respectively, with a projecting depth of 15 mm. The device box can be recessed into the surface with flush mounting type. The painted surface finish helps gain this device aesthetic point, at the same time makes it exceptional wear and corrosion resistant. It reaches IP20 degree of protection too. The connection terminals of this push-button are lift terminals. Being made of ABS (acrylonitrile butadiene-styrene) material, this switch is very reliable and resistant. With conductor material of copper, this switch is quite resistant. It obtained the VDE certificate as well. The standard of IEC 60669-1 is well satisfied. Also, it has the quality label of CE. Being environmentally friendly, this push-button is a green premium product too. And it is mercury free and heavy metal free, being environment-friendly as always. The updated Asfora switches now feature smaller, more compact inserts, a profiled fixing frame, improved wire inlets and release buttons, profiled claws with a return spring, improving the quality and functionality of this push-button. This push-button will help you get the most out of your home interiors with modern stylish design for each room and each time of day. Asfora products are made from high-quality materials that won't yellow over time. The sleek, elegant design harmonizes perfectly with virtually any interior.. Karakteristike Dopunske informacije Dužina ogoljenog dela žice : 13 mm Krutost kabla : fleksibilni Krutost kabla : kruti Krutost kabla : jednožični višežični Provodni materijal : bakar Povezivanje - priključci : vijčani priključci Visina : 71 mm Montaža uređaja : ugradno Opseg snage : 2300 W Broj kablova : 2 kabl(ovi) 2.5-2.5 mm² Nazivna struja : 10 A pri 250 V AC Način fiksiranja : zavrtnji ili kukice51-70 mm Završna obrada : ofarban Funkcija prekidača : za roletne Označavanje : nagore-nadole Širina : 71 mm Projektovana dubina : 15 mm Broj prekidača : 2 Dubina : 43 mm Materijal : ABS (akrilonitril-butadien-stiren) Masa proizvoda : 0.065 kg Okruženje Sertifikacija proizvoda : VDE Temperatura okoline za rad uređaja : -5-40 °C Standardi : IEC 60669-1 Oznake kvaliteta : CE Ip stepen zaštite : IP20 Osnovne informacije Grupa proizvoda : Asfora Tip proizvoda ili komponente : taster Nijansa boje : antracit Tip pakovanja : pakovanje u kesicama Grupa proizvoda : Asfora Prezentacija uređaja : mehanizam sa montažnim ramom

Asfora - taster za roletne, vijčani priključak , bez rama, aluminijum Schneider Electric Asfora push-button switch EPH1300361 is a mechanism with fixing frame in color aluminium with 3 rockers. This is a roller blind push-button. The device's fixing mode is screws or claws. And the rated current of this push-button is 10A, with the power range of 2300W. It is 71 mm in width, 71 mm in height, and 43 mm in depth, with a projecting depth of 15 mm. What's more, flush mounting is available so that its box can be installed into the surface. Painted surface finish makes it exceptional wear and corrosion resistant. And it reaches IP20 degree of protection too. The connection terminals of this push-button are lift terminals. The switch is made of ABS (acrylonitrile butadiene-styrene), making it as resistant as possible. The conductor material of copper makes it more reliable. It obtained the VDE certificate as well. What's more, it well satisfied the standard of IEC 60669-1. Also, it has the quality label of CE. This push-button is also certified as a green premium product. The updated Asfora switches now feature smaller, more compact inserts, a profiled fixing frame, improved wire inlets and release buttons, profiled claws with a return spring, improving the quality and functionality of this push-button. This push-button will help you get the most out of your home interiors with modern stylish design for each room and each time of day. Asfora products are made from high-quality materials that won't yellow over time. The sleek, elegant design harmonizes perfectly with virtually any interior.. Karakteristike Dopunske informacije Dužina ogoljenog dela žice : 13 mm Krutost kabla : fleksibilni Krutost kabla : kruti Krutost kabla : jednožični višežični Provodni materijal : bakar Povezivanje - priključci : vijčani priključci Visina : 71 mm Montaža uređaja : ugradno Opseg snage : 2300 W Broj kablova : 2 kabl(ovi) 2.5-2.5 mm² Nazivna struja : 10 A pri 250 V AC Način fiksiranja : zavrtnji ili kukice51-70 mm Završna obrada : ofarban Funkcija prekidača : za roletne Označavanje : nagore-nadole Širina : 71 mm Projektovana dubina : 15 mm Broj prekidača : 2 Dubina : 43 mm Materijal : ABS (akrilonitril-butadien-stiren) Masa proizvoda : 0.065 kg Okruženje Sertifikacija proizvoda : VDE Temperatura okoline za rad uređaja : -5-40 °C Standardi : IEC 60669-1 Oznake kvaliteta : CE Ip stepen zaštite : IP20 Osnovne informacije Grupa proizvoda : Asfora Tip proizvoda ili komponente : taster Nijansa boje : aluminijum Tip pakovanja : pakovanje u kesicama Grupa proizvoda : Asfora Prezentacija uređaja : mehanizam sa montažnim ramom

Asfora - taster za roletne, vijčani priključak , bez rama, čelik Schneider Electric Asfora push-button switch EPH1300362 is a mechanism with fixing frame in color steel with 3 rockers. This is a roller blind push-button. Its fixing mode is screws or claws. And the rated current of this push-button is 10A, whose power range is 2300W. The push-button is 71 mm in width, 71 mm in height and 43 mm in depth, and its projecting depth is 15 mm. Flush mounting is available so that its box can be recessed into the surface. The painted surface finish helps gain this device aesthetic point, at the same time makes it exceptional wear and corrosion resistant. This push-button reaches IP20 against solid objects and liquids. The connection terminals of this push-button are lift terminals. The switch is made of ABS (acrylonitrile butadiene-styrene), making it as resistant as possible. With conductor material of copper, this switch is quite resistant. It obtained the VDE certificate as well. This push-button meets the standard of IEC 60669-1. Also, it has the quality label of CE. Being environmentally friendly, this push-button is a green premium product too. The updated Asfora switches now feature smaller, more compact inserts, a profiled fixing frame, improved wire inlets and release buttons, profiled claws with a return spring, improving the quality and functionality of this push-button. This push-button will help you get the most out of your home interiors with modern stylish design for each room and each time of day. Asfora products are made from high-quality materials that won't yellow over time. The sleek, elegant design harmonizes perfectly with virtually any interior.. Karakteristike Dopunske informacije Dužina ogoljenog dela žice : 13 mm Krutost kabla : fleksibilni Krutost kabla : kruti Krutost kabla : jednožični višežični Provodni materijal : bakar Povezivanje - priključci : vijčani priključci Visina : 71 mm Montaža uređaja : ugradno Opseg snage : 2300 W Broj kablova : 2 kabl(ovi) 2.5-2.5 mm² Nazivna struja : 10 A pri 250 V AC Način fiksiranja : zavrtnji ili kukice51-70 mm Završna obrada : ofarban Funkcija prekidača : za roletne Označavanje : nagore-nadole Širina : 71 mm Projektovana dubina : 15 mm Broj prekidača : 2 Dubina : 43 mm Materijal : ABS (akrilonitril-butadien-stiren) Masa proizvoda : 0.065 kg Okruženje Sertifikacija proizvoda : VDE Temperatura okoline za rad uređaja : -5-40 °C Standardi : IEC 60669-1 Oznake kvaliteta : CE Ip stepen zaštite : IP20 Osnovne informacije Grupa proizvoda : Asfora Tip proizvoda ili komponente : taster Nijansa boje : boja čelika Tip pakovanja : pakovanje u kesicama Grupa proizvoda : Asfora Prezentacija uređaja : mehanizam sa montažnim ramom

Imagine John Yoko Personally compiled and curated by Yoko Ono, Imagine John Yoko is the definitive inside story – told in revelatory detail – of the making of the legendary album and all that surrounded it: the locations, the creative team, the artworks and the films, in the words of John & Yoko and the people who were there. Features 80% exclusive, hitherto-unpublished archive photos and footage sequences of all the key players in situ, together with lyric sheets, Yoko’s art installations, and exclusive new insights and personal testimonies from Yoko and over forty of the musicians, engineers, staff, celebrities, artists and photographers who were there – including Julian Lennon, Klaus Voormann, Alan White, Jim Keltner, David Bailey, Dick Cavett and Sir Michael Parkinson. ‘A lot has been written about the creation of the song, the album and the film of Imagine, mainly by people who weren’t there, so I’m very pleased and grateful that now, for the first time, so many of the participants have kindly given their time to “gimme some truth” in their own words and pictures’ Yoko Ono Lennon, 2018 In 1971, John Lennon & Yoko Ono conceived and recorded the critically acclaimed album Imagine at their Georgian country home, Tittenhurst Park, in Berkshire, England, in the state-of-the-art studio they built in the grounds, and at the Record Plant in New York. The lyrics of the title track were inspired by Yoko Ono’s ‘event scores’ in her 1964 book Grapefruit, and she was officially co-credited as writer in June 2017. Imagine John Yoko tells the story of John & Yoko’s life, work and relationship during this intensely creative period. It transports readers to home and working environments showcasing Yoko’s closely guarded archive of photos and artefacts, using artfully compiled narrative film stills, and featuring digitally rendered maps, floorplans and panoramas that recreate the interiors in evocative detail. John & Yoko introduce each chapter and song; Yoko also provides invaluable additional commentary and a preface. All the minutiae is examined: the locations, the key players, the music and lyrics, the production techniques and the artworks – including the creative process behind the double exposure polaroids used on the album cover. With a message as universal and pertinent today as it was when the album was created, this landmark publication is a fitting tribute to John & Yoko and their place in cultural history. Table of Contents Preface • 1. Tittenhurst • 2. Recording Imagine • 3. Album Artwork • 4. Filming Imagine • 5. This Is Not Here • 6. Legacy Prikaži više

Asfora - taster za roletne - vijčani priključci - krem Schneider Electric Asfora push-button switch EPH1300323 is a complete product in color cream with 3 rockers. This is a roller blind push-button. The device's fixing mode is screws or claws. And it's rated current is 10A, whose power range is 2300W. The dimension of this push-button is 83 mm, 83 mm and 43 mm, with a projecting depth of 15 mm. The device box can be recessed into the surface with flush mounting type. The surface finish is glossy, delivering an elegant and high-end feeling to a room. The IP rating of this device is IP20. The connection terminals of this push-button are lift terminals. Being made of ABS (acrylonitrile butadiene-styrene) material, this switch is very reliable and resistant. With conductor material of copper, this switch is quite resistant. It obtained the VDE certificate as well. This equipment is qualified for IEC 60669-1 standard as well. Also, it has the quality label of CE. This push-button is also certified as a green premium product. And it is mercury free, taking care of the environment and your health all the time. The updated Asfora switches now feature smaller, more compact inserts, a profiled fixing frame, improved wire inlets and release buttons, profiled claws with a return spring, improving the quality and functionality of this push-button. This push-button will help you get the most out of your home interiors with modern stylish design for each room and each time of day. Asfora products are made from high-quality materials that won't yellow over time. The sleek, elegant design harmonizes perfectly with virtually any interior.. Karakteristike Dopunske informacije Dužina ogoljenog dela žice : 13 mm Krutost kabla : fleksibilni Krutost kabla : kruti Krutost kabla : jednožični višežični Provodni materijal : bakar Povezivanje - priključci : vijčani priključci Visina : 83 mm Montaža uređaja : ugradno Opseg snage : 2300 W Broj kablova : 2 kabl(ovi) 2.5-2.5 mm² Nazivna struja : 10 A pri 250 V AC Način fiksiranja : zavrtnji ili kukice51-70 mm Završna obrada : sjajno Funkcija prekidača : za roletne Označavanje : nagore-nadole Širina : 83 mm Projektovana dubina : 15 mm Broj prekidača : 2 Dubina : 43 mm Materijal : ABS (akrilonitril-butadien-stiren) Masa proizvoda : 0.0769 kg Okruženje Sertifikacija proizvoda : VDE Temperatura okoline za rad uređaja : -5-40 °C Standardi : IEC 60669-1 Oznake kvaliteta : CE Ip stepen zaštite : IP20 Osnovne informacije Grupa proizvoda : Asfora Tip proizvoda ili komponente : taster Nijansa boje : krem Tip pakovanja : pakovanje u kesicama Grupa proizvoda : Asfora Prezentacija uređaja : kompletan proizvod

Asfora - taster za roletne, vijčani priključak , bez rama, bronza Schneider Electric Asfora push-button switch EPH1300369 is a mechanism with fixing frame in color bronze with 3 rockers. This is a roller blind push-button. The device's fixing mode is screws or claws. And it's rated current is 10A, with the power range of 2300W. It is 71 mm in width, 71 mm in height, and 43 mm in depth, and its projecting depth is 15 mm. The device box can be recessed into the surface with flush mounting type. The painted surface finish helps gain this device aesthetic point, at the same time makes it exceptional wear and corrosion resistant. This push-button reaches IP20 against solid objects and liquids. Its connection terminals are lift terminals. The switch is made of ABS (acrylonitrile butadiene-styrene), making it as resistant as possible. The conductor material of copper makes it more reliable. It obtained the VDE certificate as well. This equipment is qualified for IEC 60669-1 standard as well. Also, it has the quality label of CE. As a green premium product, this device is environmentally friendly as well. The updated Asfora switches now feature smaller, more compact inserts, a profiled fixing frame, improved wire inlets and release buttons, profiled claws with a return spring, improving the quality and functionality of this push-button. This push-button will help you get the most out of your home interiors with modern stylish design for each room and each time of day. Asfora products are made from high-quality materials that won't yellow over time. The sleek, elegant design harmonizes perfectly with virtually any interior.. Karakteristike Dopunske informacije Dužina ogoljenog dela žice : 13 mm Krutost kabla : fleksibilni Krutost kabla : kruti Krutost kabla : jednožični višežični Provodni materijal : bakar Povezivanje - priključci : vijčani priključci Visina : 71 mm Montaža uređaja : ugradno Opseg snage : 2300 W Broj kablova : 2 kabl(ovi) 2.5-2.5 mm² Nazivna struja : 10 A pri 250 V AC Način fiksiranja : zavrtnji ili kukice51-70 mm Završna obrada : ofarban Funkcija prekidača : za roletne Označavanje : nagore-nadole Širina : 71 mm Projektovana dubina : 15 mm Broj prekidača : 2 Dubina : 43 mm Materijal : ABS (akrilonitril-butadien-stiren) Masa proizvoda : 0.065 kg Okruženje Sertifikacija proizvoda : VDE Temperatura okoline za rad uređaja : -5-40 °C Standardi : IEC 60669-1 Oznake kvaliteta : CE Ip stepen zaštite : IP20 Osnovne informacije Grupa proizvoda : Asfora Tip proizvoda ili komponente : taster Nijansa boje : bronzana Tip pakovanja : pakovanje u kesicama Grupa proizvoda : Asfora Prezentacija uređaja : mehanizam sa montažnim ramom

Original, made in Germany Knjizica od 12 str. knjizica 5 Cd 4 Face Value is the debut studio album by English drummer and singer-songwriter Phil Collins, released on 13 February 1981 by Virgin Records.[9][10] After his first wife filed for divorce in 1979, Collins began to write songs during a break in activity from Genesis with much of the material concerning his personal life. The album was recorded from mid-1980 to early 1981 with Collins and Hugh Padgham as producers. Additional musicians include the Phenix Horns, Alphonso Johnson, and Eric Clapton. Face Value was an instant commercial success and reached No. 1 on the UK Albums Chart for three weeks and No. 7 on the US Billboard 200. It has since sold over 5 million copies in the US and over 1.5 million in the UK. The album received widespread praise from critics. Its lead single `In the Air Tonight`, released in January 1981, reached No. 2 on the UK Singles Chart and became known for its drum arrangement and use of gated reverb. In January 2016, Face Value was reissued with bonus tracks and new photography in the style of the original but featuring a present-day Collins.[11] Studio album by Phil Collins Released 13 February 1981 Recorded 1979 (demos) August–December 1980 (overdubs and mix)[1] Studio The Town House, London Old Croft, Shalford, Surrey The Village Recorder, Los Angeles Genre Pop rock[2]R&B[3]art rock[4]experimental popnew wavesoft rock Length 47:49 Label Virgin (UK) Atlantic (North America) WEA (elsewhere) Producer Phil CollinsHugh Padgham Background and writing By 1978, Phil Collins had been a member of English progressive rock band Genesis for almost eight years. After spending the first five as their drummer, he reluctantly accepted the role of frontman of the group in 1975 following the departure of the band`s original singer, Peter Gabriel. Three years later, after departure of guitarist Steve Hackett, Genesis` nine-month world tour to promote ...And Then There Were Three... (1978)[12] became problematic for Collins`s wife Andrea who complained that he was not at home enough and that should he commit to the full tour, she would not be there when he returned.[13] Collins, however, maintained that the band were on the cusp of international breakthrough and the tour would pay dividends for the future.[14] However, at the end of the tour, Andrea decided to take their two children to her parents in Vancouver, Canada. In an attempt to save his marriage, Collins moved to Vancouver, but the attempt failed. Collins returned to England in April 1979, with Andrea having agreed to return with the children.[12][15] With Genesis members Tony Banks and Mike Rutherford working on their solo albums through 1979, Collins used some of his spare time to write songs. He told Modern Drummer early that year: One ambition is to do my own album which will have a lot of variety. I write songy [sic] stuff, as well as some from the Brand X area. I`m also hip to what [Brian] Eno does - those kind of soundtracks which I`ve always been interested in - two or three minutes of just mood. The album, when it does come out, will have a lot of different styles on it.[16] In his home in Shalford, Surrey, named Old Croft, Collins set up a Sequential Prophet-5 synthesiser, piano, Roland CR-78 drum machine, and an 8-track tape machine in his bedroom, and recorded a collection of demos with backing tracks and early lyrics.[17] He was not concerned with the quality of the recordings as what may have lacked in the recordings would have been salvaged with the emotion in the songs. There were numerous times where Collins stopped recording earlier than planned as the ideas were not working in the studio, leaving him to resume the following day.[18] Collins based the majority of Face Value on the divorce he had endured, and used a solo album as an outlet for his feelings.[18] During the conception of the album, Collins had forged a close friendship with John Martyn and contributed towards Grace and Danger (1980), which contained a similar narrative relating to divorce and relationship breakdown. Some of Collins` material that he had written was performed by Genesis on Duke (1980), including `Misunderstanding`, the arrangement of which remained unchanged.[18] He had played `In the Air Tonight` and `If Leaving Me is Easy` to the group, but they were left out as Collins said they were `too simple for the band`.[18] Early album titles included Interiors and Exposure.[18] To release the album, Collins signed a solo contract with Virgin Records for UK distribution.[17] He did so to `leave the nest` and to ensure he could maintain full creative control over the music. Collins also felt that releasing the album on Charisma Records, the same label as Genesis, would have harmed its success due to the preconceived notions people have about bands and labels.[17] Collins thought a new label would benefit the casual listener and appeal to a wider audience.[18] Virgin gave Collins a £65,000 advance on the album.[19] Production Recording Recording sessions for Face Value took place at the Town House in London and the Village Recorder in Los Angeles between August and December 1980. The demos recorded onto 8-track were transferred onto 24-track.[17] According to Classic Albums, in what was considered a controversial move at the time, Collins, who grew up listening to American R&B as a child in Chiswick, decided to incorporate an R&B horn section, hiring the Phenix Horns, who played backup for Earth, Wind & Fire. Collins had asked a contact who knew the group if they were interested in playing, and upon their agreement their leader Thomas `Tom Tom 84` Washington met with Collins who asked him to sing the sections where the horns were to be placed into a tape recorder. The group recorded their parts the following day.[17] Collins produced the album himself with assistance from Hugh Padgham, who would co-produce several of Collins and Genesis`s subsequent albums in the 1980s. Initially he considered George Clinton, Maurice White, or Phil Ramone until he realised that he merely wanted someone to endorse his own ideas.[18] Assistant recording engineer Nick Launay was hired after Collins was impressed with his work with Public Image Limited.[20] Collins was dissatisfied with initial test cuts of the album, describing them like a Queen album, `big, British and upfront`.[18] He then listened to several albums by black musicians including ones by The Jacksons and a collection of soul artists in his own collection, and noticed a common link with technician Mike Reece who worked at a Los Angeles mastering lab. Reece prepared a cut which Collins was satisfied with.[18] Songs The simple style of music on Face Value was reasoned by Collins as his fondness of Weather Report`s simple melodies and for black music.[18] Collins controversially included drum programming rather than just live drum instrumentation despite his reputation as a drummer. Collins said he wanted to experiment with different sounds and was inspired by the work of his former bandmate Peter Gabriel, who had used drum programming on his last album; Collins was part of these sessions. Many of the songs` arrangements were done by Collins and session arranger Thomas `Tom Tom 84` Washington. He incorporated Indian-styled violins, played by L. Shankar, for additional textures. The last recording session for Face Value was in January 1981, prior to the release of the first single, `In the Air Tonight`. Atlantic CEO Ahmet Ertegun advised Collins to perform drums during the verses and opening of the song, whereas the album version does not feature live drumming until the bridge.[citation needed] The album features songs of different genres. While technically a rock and pop offering, the basis of many of the tracks lies in R&B with light funk influences, especially in `I`m Not Moving`, for which Collins sang his backgrounds with a vocoder. `Droned` and `Hand in Hand` are progressive rock instrumentals, with the first featuring an Indian raga sound, while `Hand in Hand` features jazz elements, a black children`s choir from Los Angeles humming the music, and improvisational instrumentation by Collins and the Phenix Horns.[18] `The Roof Is Leaking` has Delta blues and country elements. `Behind the Lines` was originally recorded by Genesis on Duke album as a progressive rock number. Collins worked up a horn-driven R&B/funk-inspired arrangement after speeding up the tape on the Genesis version and thinking that the sped-up version sounded like a Michael Jackson song. The cover of The Beatles` `Tomorrow Never Knows` includes instruments and vocals playing in reverse while Collins provided multi-layered background vocals and sparse drumming. After the song ends, Collins can be heard quietly singing `Over the Rainbow` in reference to the recent murder of John Lennon; this final song is unlisted on most releases of the album (the original US cassette version being an exception), and would be the only time Collins used a hidden track on one of his own releases. Four songs that Collins wrote during the Face Value sessions were ultimately omitted: `Misunderstanding` and `Please Don`t Ask` which appeared in the Genesis album Duke, `How Can You Just Sit There` (which evolved into his 1984 single `Against All Odds (Take a Look at Me Now)`), and what would become `Don`t Lose My Number`, which would not appear until Collins` third album No Jacket Required in 1985. Packaging Collins regarded Face Value as a highly personal project, which gave rise to the iconic cover art with Collins` face in extreme close-up, originally intended to symbolise the listener `getting into his head`; the reverse side of the sleeve shows the rear of his head, although the CD version of the album placed this image on the insert card instead. To emphasise the personal nature of the album, Collins also hand wrote all of the liner and sleeve notes, even down to the legal statements on the outer circumference of the centre label of the disc itself. Both of the main visual elements of Face Value — the facial close-up, and the handwritten notes — would become a motif of Collins` subsequent albums until 1996`s Dance into the Light. When crediting the musicians in the liner notes, rather than write `Phil Collins`, Collins simply wrote `Me`, although in future albums he would write his initials `PC`.[17] Commercial performance Face Value became an immediate success, reaching No. 1 in the UK, Canada, and other European countries, while peaking in the top ten in the US. `In the Air Tonight` became the album`s biggest hit, reaching No. 2 in the UK, No. 1 in three other countries, and becoming a top twenty hit in the US. Other songs such as `I Missed Again` found modest success reaching No. 14 in the UK and No. 19 in the US, while the third single, `If Leaving Me Is Easy`, reached No. 17 in the UK but was not released in America. Sales of the album reached five million in the US and went five-times platinum in the UK and ten-times platinum in Canada. No solo tour was produced from this album. Track listing Original release All tracks are written by Phil Collins, except where noted. Side one No. Title Writer(s) Length 1. `In the Air Tonight` 5:34 2. `This Must Be Love` 3:55 3. `Behind the Lines` lyrics by Mike Rutherford; music by Tony Banks, Collins and Rutherford 3:53 4. `The Roof Is Leaking` 3:16 5. `Droned` 2:49 6. `Hand in Hand` 5:20 Side two No. Title Writer(s) Length 1. `I Missed Again` 3:41 2. `You Know What I Mean` 2:33 3. `Thunder and Lightning` 4:12 4. `I`m Not Moving` 2:33 5. `If Leaving Me Is Easy` 4:54 6. `Tomorrow Never Knows` John Lennon, Paul McCartney 4:15 7. `Over the Rainbow` (unlisted, except on cassette release WEA 1981) lyrics by E.Y. Harburg; music by Harold Arlen 0:32 Total length: 47:32 Personnel Phil Collins – vocals, drums, Roland VP-330 vocoder (1, 6, 10), CR-78 drum machine (1, 6, 12), Prophet-5 synthesizer (1, 2, 5–7, 10–12), Fender Rhodes (1, 2, 9, 11), percussion (2, 10), piano (4–8, 10), handclaps (5, 9), congas (5), marimba (6), acoustic guitar (13) Daryl Stuermer – guitars (1, 2, 3, 6, 7, 9, 11, 12), banjo (4), 12-string guitar (5) Eric Clapton – guitar (4, 11) Joe Partridge – slide guitar (4) John Giblin – bass guitar (1, 9, 10, 12) Alphonso Johnson – bass (2, 3, 6, 7, 11) L. Shankar – violin (1, 5, 7, 12), tamboura (5), `voice drums` (5) J. Peter Robinson – Prophet-5 (3) Stephen Bishop – background vocals (2) Arif Mardin – string arrangements (8, 11) EWF Horns – horns Don Myrick – tenor saxophone (3, 6, 7, 9, 12), alto sax solo (11) Louis Satterfield – trombone (3, 6, 7, 9, 12) Rahmlee Michael Davis and Michael Harris – trumpets (3, 6, 7, 9, 12), flugelhorns (11) Ronnie Scott – tenor saxophone solo (7) Music preparation – Maurice Spears Other background vocals on tracks 6 and 12 by several children`s choirs in Los Angeles Strings on tracks 8 and 11 conducted by Martyn Ford Violins – Gavyn Wright (leader), Bill Benhem, Bruce Dukov, David Woodcock, Liz Edwards, Irvine Arditti, Ken Sillitoe, Peter Oxen and Richard Studt Viola – Roger Best, Brian Hawkins and Simon Whistler Cello – Tony Pleeth, Clive Anstee and Nigel Warren-Green Double bass – Chris Laurence Production Phil Collins – producer Hugh Padgham – assistant producer. engineer Nick Launay – assistant engineer (London) Karen Siegel – assistant engineer (Los Angeles) Trevor Key – photography

Original, made in Germany Knjizica od 12 str. Odlicno ocuvano knjizica 5 Cd 5-/4+ Face Value is the debut studio album by English drummer and singer-songwriter Phil Collins, released on 13 February 1981 by Virgin Records.[9][10] After his first wife filed for divorce in 1979, Collins began to write songs during a break in activity from Genesis with much of the material concerning his personal life. The album was recorded from mid-1980 to early 1981 with Collins and Hugh Padgham as producers. Additional musicians include the Phenix Horns, Alphonso Johnson, and Eric Clapton. Face Value was an instant commercial success and reached No. 1 on the UK Albums Chart for three weeks and No. 7 on the US Billboard 200. It has since sold over 5 million copies in the US and over 1.5 million in the UK. The album received widespread praise from critics. Its lead single `In the Air Tonight`, released in January 1981, reached No. 2 on the UK Singles Chart and became known for its drum arrangement and use of gated reverb. In January 2016, Face Value was reissued with bonus tracks and new photography in the style of the original but featuring a present-day Collins.[11] Studio album by Phil Collins Released 13 February 1981 Recorded 1979 (demos) August–December 1980 (overdubs and mix)[1] Studio The Town House, London Old Croft, Shalford, Surrey The Village Recorder, Los Angeles Genre Pop rock[2]R&B[3]art rock[4]experimental popnew wavesoft rock Length 47:49 Label Virgin (UK) Atlantic (North America) WEA (elsewhere) Producer Phil CollinsHugh Padgham Background and writing By 1978, Phil Collins had been a member of English progressive rock band Genesis for almost eight years. After spending the first five as their drummer, he reluctantly accepted the role of frontman of the group in 1975 following the departure of the band`s original singer, Peter Gabriel. Three years later, after departure of guitarist Steve Hackett, Genesis` nine-month world tour to promote ...And Then There Were Three... (1978)[12] became problematic for Collins`s wife Andrea who complained that he was not at home enough and that should he commit to the full tour, she would not be there when he returned.[13] Collins, however, maintained that the band were on the cusp of international breakthrough and the tour would pay dividends for the future.[14] However, at the end of the tour, Andrea decided to take their two children to her parents in Vancouver, Canada. In an attempt to save his marriage, Collins moved to Vancouver, but the attempt failed. Collins returned to England in April 1979, with Andrea having agreed to return with the children.[12][15] With Genesis members Tony Banks and Mike Rutherford working on their solo albums through 1979, Collins used some of his spare time to write songs. He told Modern Drummer early that year: One ambition is to do my own album which will have a lot of variety. I write songy [sic] stuff, as well as some from the Brand X area. I`m also hip to what [Brian] Eno does - those kind of soundtracks which I`ve always been interested in - two or three minutes of just mood. The album, when it does come out, will have a lot of different styles on it.[16] In his home in Shalford, Surrey, named Old Croft, Collins set up a Sequential Prophet-5 synthesiser, piano, Roland CR-78 drum machine, and an 8-track tape machine in his bedroom, and recorded a collection of demos with backing tracks and early lyrics.[17] He was not concerned with the quality of the recordings as what may have lacked in the recordings would have been salvaged with the emotion in the songs. There were numerous times where Collins stopped recording earlier than planned as the ideas were not working in the studio, leaving him to resume the following day.[18] Collins based the majority of Face Value on the divorce he had endured, and used a solo album as an outlet for his feelings.[18] During the conception of the album, Collins had forged a close friendship with John Martyn and contributed towards Grace and Danger (1980), which contained a similar narrative relating to divorce and relationship breakdown. Some of Collins` material that he had written was performed by Genesis on Duke (1980), including `Misunderstanding`, the arrangement of which remained unchanged.[18] He had played `In the Air Tonight` and `If Leaving Me is Easy` to the group, but they were left out as Collins said they were `too simple for the band`.[18] Early album titles included Interiors and Exposure.[18] To release the album, Collins signed a solo contract with Virgin Records for UK distribution.[17] He did so to `leave the nest` and to ensure he could maintain full creative control over the music. Collins also felt that releasing the album on Charisma Records, the same label as Genesis, would have harmed its success due to the preconceived notions people have about bands and labels.[17] Collins thought a new label would benefit the casual listener and appeal to a wider audience.[18] Virgin gave Collins a £65,000 advance on the album.[19] Production Recording Recording sessions for Face Value took place at the Town House in London and the Village Recorder in Los Angeles between August and December 1980. The demos recorded onto 8-track were transferred onto 24-track.[17] According to Classic Albums, in what was considered a controversial move at the time, Collins, who grew up listening to American R&B as a child in Chiswick, decided to incorporate an R&B horn section, hiring the Phenix Horns, who played backup for Earth, Wind & Fire. Collins had asked a contact who knew the group if they were interested in playing, and upon their agreement their leader Thomas `Tom Tom 84` Washington met with Collins who asked him to sing the sections where the horns were to be placed into a tape recorder. The group recorded their parts the following day.[17] Collins produced the album himself with assistance from Hugh Padgham, who would co-produce several of Collins and Genesis`s subsequent albums in the 1980s. Initially he considered George Clinton, Maurice White, or Phil Ramone until he realised that he merely wanted someone to endorse his own ideas.[18] Assistant recording engineer Nick Launay was hired after Collins was impressed with his work with Public Image Limited.[20] Collins was dissatisfied with initial test cuts of the album, describing them like a Queen album, `big, British and upfront`.[18] He then listened to several albums by black musicians including ones by The Jacksons and a collection of soul artists in his own collection, and noticed a common link with technician Mike Reece who worked at a Los Angeles mastering lab. Reece prepared a cut which Collins was satisfied with.[18] Songs The simple style of music on Face Value was reasoned by Collins as his fondness of Weather Report`s simple melodies and for black music.[18] Collins controversially included drum programming rather than just live drum instrumentation despite his reputation as a drummer. Collins said he wanted to experiment with different sounds and was inspired by the work of his former bandmate Peter Gabriel, who had used drum programming on his last album; Collins was part of these sessions. Many of the songs` arrangements were done by Collins and session arranger Thomas `Tom Tom 84` Washington. He incorporated Indian-styled violins, played by L. Shankar, for additional textures. The last recording session for Face Value was in January 1981, prior to the release of the first single, `In the Air Tonight`. Atlantic CEO Ahmet Ertegun advised Collins to perform drums during the verses and opening of the song, whereas the album version does not feature live drumming until the bridge.[citation needed] The album features songs of different genres. While technically a rock and pop offering, the basis of many of the tracks lies in R&B with light funk influences, especially in `I`m Not Moving`, for which Collins sang his backgrounds with a vocoder. `Droned` and `Hand in Hand` are progressive rock instrumentals, with the first featuring an Indian raga sound, while `Hand in Hand` features jazz elements, a black children`s choir from Los Angeles humming the music, and improvisational instrumentation by Collins and the Phenix Horns.[18] `The Roof Is Leaking` has Delta blues and country elements. `Behind the Lines` was originally recorded by Genesis on Duke album as a progressive rock number. Collins worked up a horn-driven R&B/funk-inspired arrangement after speeding up the tape on the Genesis version and thinking that the sped-up version sounded like a Michael Jackson song. The cover of The Beatles` `Tomorrow Never Knows` includes instruments and vocals playing in reverse while Collins provided multi-layered background vocals and sparse drumming. After the song ends, Collins can be heard quietly singing `Over the Rainbow` in reference to the recent murder of John Lennon; this final song is unlisted on most releases of the album (the original US cassette version being an exception), and would be the only time Collins used a hidden track on one of his own releases. Four songs that Collins wrote during the Face Value sessions were ultimately omitted: `Misunderstanding` and `Please Don`t Ask` which appeared in the Genesis album Duke, `How Can You Just Sit There` (which evolved into his 1984 single `Against All Odds (Take a Look at Me Now)`), and what would become `Don`t Lose My Number`, which would not appear until Collins` third album No Jacket Required in 1985. Packaging Collins regarded Face Value as a highly personal project, which gave rise to the iconic cover art with Collins` face in extreme close-up, originally intended to symbolise the listener `getting into his head`; the reverse side of the sleeve shows the rear of his head, although the CD version of the album placed this image on the insert card instead. To emphasise the personal nature of the album, Collins also hand wrote all of the liner and sleeve notes, even down to the legal statements on the outer circumference of the centre label of the disc itself. Both of the main visual elements of Face Value — the facial close-up, and the handwritten notes — would become a motif of Collins` subsequent albums until 1996`s Dance into the Light. When crediting the musicians in the liner notes, rather than write `Phil Collins`, Collins simply wrote `Me`, although in future albums he would write his initials `PC`.[17] Commercial performance Face Value became an immediate success, reaching No. 1 in the UK, Canada, and other European countries, while peaking in the top ten in the US. `In the Air Tonight` became the album`s biggest hit, reaching No. 2 in the UK, No. 1 in three other countries, and becoming a top twenty hit in the US. Other songs such as `I Missed Again` found modest success reaching No. 14 in the UK and No. 19 in the US, while the third single, `If Leaving Me Is Easy`, reached No. 17 in the UK but was not released in America. Sales of the album reached five million in the US and went five-times platinum in the UK and ten-times platinum in Canada. No solo tour was produced from this album. Track listing Original release All tracks are written by Phil Collins, except where noted. Side one No. Title Writer(s) Length 1. `In the Air Tonight` 5:34 2. `This Must Be Love` 3:55 3. `Behind the Lines` lyrics by Mike Rutherford; music by Tony Banks, Collins and Rutherford 3:53 4. `The Roof Is Leaking` 3:16 5. `Droned` 2:49 6. `Hand in Hand` 5:20 Side two No. Title Writer(s) Length 1. `I Missed Again` 3:41 2. `You Know What I Mean` 2:33 3. `Thunder and Lightning` 4:12 4. `I`m Not Moving` 2:33 5. `If Leaving Me Is Easy` 4:54 6. `Tomorrow Never Knows` John Lennon, Paul McCartney 4:15 7. `Over the Rainbow` (unlisted, except on cassette release WEA 1981) lyrics by E.Y. Harburg; music by Harold Arlen 0:32 Total length: 47:32 Personnel Phil Collins – vocals, drums, Roland VP-330 vocoder (1, 6, 10), CR-78 drum machine (1, 6, 12), Prophet-5 synthesizer (1, 2, 5–7, 10–12), Fender Rhodes (1, 2, 9, 11), percussion (2, 10), piano (4–8, 10), handclaps (5, 9), congas (5), marimba (6), acoustic guitar (13) Daryl Stuermer – guitars (1, 2, 3, 6, 7, 9, 11, 12), banjo (4), 12-string guitar (5) Eric Clapton – guitar (4, 11) Joe Partridge – slide guitar (4) John Giblin – bass guitar (1, 9, 10, 12) Alphonso Johnson – bass (2, 3, 6, 7, 11) L. Shankar – violin (1, 5, 7, 12), tamboura (5), `voice drums` (5) J. Peter Robinson – Prophet-5 (3) Stephen Bishop – background vocals (2) Arif Mardin – string arrangements (8, 11) EWF Horns – horns Don Myrick – tenor saxophone (3, 6, 7, 9, 12), alto sax solo (11) Louis Satterfield – trombone (3, 6, 7, 9, 12) Rahmlee Michael Davis and Michael Harris – trumpets (3, 6, 7, 9, 12), flugelhorns (11) Ronnie Scott – tenor saxophone solo (7) Music preparation – Maurice Spears Other background vocals on tracks 6 and 12 by several children`s choirs in Los Angeles Strings on tracks 8 and 11 conducted by Martyn Ford Violins – Gavyn Wright (leader), Bill Benhem, Bruce Dukov, David Woodcock, Liz Edwards, Irvine Arditti, Ken Sillitoe, Peter Oxen and Richard Studt Viola – Roger Best, Brian Hawkins and Simon Whistler Cello – Tony Pleeth, Clive Anstee and Nigel Warren-Green Double bass – Chris Laurence Production Phil Collins – producer Hugh Padgham – assistant producer. engineer Nick Launay – assistant engineer (London) Karen Siegel – assistant engineer (Los Angeles) Trevor Key – photography