Audio signal se kontroliše pomoću motorizovanog potenciometra, dok se Volume može kontrolisati putem bilo kog daljinskog na infracrveno značenje (tako što se Phonitor 2 prilagođava signalu daljinskog, 'učeći' da ga 'pročita'). Tradicionalna reprodukcija slušalica proizvodi jednu stereo dužinu po horizontali zvučne slike (180°), odnosno po sredini glave, i to je upravo ono što čini okruženje za miksovanje sa slušalicama problematičnim. Razlog tome je suštinski neprirodna potpuna separacija kanala, koja ne postoji ni u prirodnom sluhu niti u stereo reprodukciji zvučnika. Generalno, dok zvučnici pružaju prevashodno frontalni osećaj sound stage-a, slušanje/monitoring kroz slušalice daje razloženi stejdž (na levo i desno). Phonitor 2 pruža obe opcije, to jest specifične obojenosti slušanja, kombinovane u jednom uređaju. Što se tiče samog monitoringa za slušalice, 'phonitoring-a', Phonitor 2 takođe nudi različite metode. Analitički monitoring za slušalice koji daje impresiju akustičkog 'uvećanja zvuka' ali bez eksternih sobnih upliva. Dok simulacija zvučnika pruža 'mikroskopski' efekat monitoringa, uz uključenu ambijentalnost sobnog prostora. Rad sa Magnifier efektom za slušalice daje filigransku preciznost, odnosno mogućnost da se bezbedno i lako čuju klikovi i slični sićušni defekti, kao i crossfade fine tuning, ili poboljšane uslove za analizu tonalne problematike pojedinačnih numera. Na zvučnicima je znatno teže uočiti ovakve stvari usled nemogućnosti 'auralnog zuma' pri radu. Form Factor: Tabletop, Headphone Channels: Single Channel Headphone Output Power: 1 W per Side into 600 Ohms (1 kHz), 2 W per Side into 300 Ohms (1 kHz) Connectivity Analog Audio I/O: 1 x 1/4" TRS Headphone Output, 2 x XLR 3-Pin Balanced Monitor/Line Output 4 x XLR 3-Pin Balanced Input (2 Stereo Pair), 1 x Stereo RCA Unbalanced Input Performance Frequency Response: 1/4" Headphone Outputs: 10 Hz to 480 kHz -3 dB XLR Monitor, Line Outputs: 4 Hz to 480 kHz -3 dB Maximum Input Level +32.5 dBu, Maximum Output Level +30 dBu Dynamic Range 1/4" Headphone Outputs: 133.6 dB, XLR Monitor/Line Outputs: 134.4 dB Impedance 1/4" Headphone Outputs: 0.18 Ohms, XLR Inputs: 20 Kilohms (Balanced) RCA Inputs: 10 Kilohms (Unbalanced), THD+N 1/4" Headphone Outputs: 0.00091% (at 0 dBu, Unity Gain, 1 kHz, 100-Kilohm Load), XLR Monitor/Line Outputs: 0.00085% (at 0 dBu, Unity Gain, 1 kHz, 100-Kilohm Load) Noise 1/4" Headphone Outputs: -101.12 dBu (Unweighted), -103.98 dBu (A-Weighted), -95.02 dBu (CCIR), XLR Monitor/Line Outputs: -101.87 dB (Unweighted), -104.76 dB (A-Weighted), CMRR 1/4" Headphone Outputs: -106 dBu (1 kHz, 0 dBu Input, Unity Gain), XLR Monitor/Line Outputs: -82 dBu (1 kHz, 0 dBu Input, Unity Gain) Crosstalk, 1/4" Headphone Outputs: -106 dB (1 kHz), XLR Monitor/Line Outputs:-106 dB (1 kHz) Damping Factor 1/4" Headphone Outputs: 180 at 40 Ohms Physical – Dimensions: 305 x 277 x 99 mm, Weight: 4.3 kg

Dijagonala 65“ 165 cm Maksimalna rezolucija UHD 4K (3840X2160) Osvetljenje [cdm2] 400 Kontrast 4100PPI Vidljivi ugao (hor.) [°] 0 Vidljivi ugao (ver.) [°] 0 Vreme odziva [ms] 0 Composite 0 S-Video 0 D-sub 0 HDMI 4 Component 0 SCART 0 PC audio 0 DVI 1 VGA 0 USB 2 Headphone 1 Ostalo P5 procesor Tehnologija OLED Tip TV-a Android TV Zakrivljeni ekran Ne Integrirani WiFi Da Ugrađena kamera Ne 3D naočale u paketu Ne TV tuner DVBT2 USB snimanje Da Procesor Quad Core

MAX OUTPUT POWER EIA AT 1KHz AND 1% THD 8Ω PER CHANNEL 600W 4Ω PER CHANNEL 1000W 8Ω BRIDGED 2000W DISTORTION THD FROM 0.1W TO FULL POWER < 0.1% (Typically) INTERMODULATION SMPTE < 0.1% (Typically) INTERMODULATION DIM 100 < 0.01% (Typically) S/N RATIO > 105dBA (20Hz to 20kHz) DAMPING FACTOR (8Ω) > 100 @ 100Hz SLEW RATE (8Ω) 20V/μs GAIN 32dB FRONT PANEL LED INDICATORS Signal Clip Protect Thermal Forecast REAR PANEL INPUT CONNECTORS 2 x XLR (Female) Input 2 x XLR (Male) Link OUTPUT CONNECTORS 2 x Neutrik Speakon LINK SWITCH Channel A-B Link POWER OPERATION VOLTAGE (internal selection) AC: 115V or 230V (+15% - 25%) 50/60Hz DIMENSIONS (W) 483mm (19ins) (H) 44mm (1.75ins) 1U (D) 358mm (14ins) WEIGHT 7.3kg (16lbs)

Live performance digital console control centre with up to 64 simultaneous input channels 8 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 156 inputs and 164 outputs @ 96 kHz sample rate Advanced MCA (mix control association) channel control and navigation 8 VCA (variable control association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 28 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Dual redundant auto-ranging universal switch-mode power supplies 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling rate 96kHz Latency delay <2 ms (Input to Master output with no latency compensation) Dynamic range 106 dB, 22 Hz to 22 kHz Maximum voltage gain 80 dB, Inputs to Subgroups and Masters 86 dB, Inputs to Aux and Matrix Crosstalk -100 dB physically adjacent input channels Fader/pan cut off -100 dB Frequency Response 0 dB to -1.0 dB, 20 Hz to 20 kHz Gain Error @ 1kHz ±1.0 dB Input CMRR 0 dB gain -60 dB +45 dB gain -90 dB Distortion @ 0 dBu 0 dB gain 0.01% +45 dB gain 0.03% Distortion @ +20 dBu 0 dB gain 0.03% +45 dB gain 0.03% Noise Floor 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -81 dBu, 22 Hz to 22 kHz (unweighted) Equivalent Input Noise (EIN) 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -126 dBu, 22 Hz to 22 kHz (unweighted) Dynamic Range 0 dB gain 106 dB, 22 Hz to 22 kHz (unweighted) +45 dB gain 102 dB, 22 Hz to 22 kHz (unweighted) Analogue Audio System Inputs Mic/Line Inputs Quantity 8 Connector 3-pin XLR balanced mic/line input with +48 V phantom power A/D converter 24 bit, 96 kHz with 128 x oversampling Gain -22.5 dB to +65 dB Maximum input level +6 dBu Input impedance 10 kOhm Talk Mic Input Quantity 1 Connector 3-pin XLR balanced mic input with +48 V phantom power Mic gain +15 dB to +60 dB Maximum input level +6 dBu Input impedance 600 Ohm Talk Back Input Quantity 1 Connector 3-pin XLR balanced line input Maximum input level +21 dBu Input impedance 10 kOhm Analogue Audio System Outputs Line Outputs Quantity 8 Connector 3-pin XLR balanced line output D/A converter 24 bit, 96 kHz with 128 x oversampling Maximum signal level +21 dBu Master Outputs Quantity 3 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Monitor Outputs Quantity 4 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Talk Output Quantity 1 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Headphone Output Quantity 2 Connector ¼" Jack (stereo Maximum signal level +21 dBu Digital Audio System Inputs and Outputs AES3 Inputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 32 kHz to 96 kHz Bypass Sample rate converter bypass AES3 Outputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 48 kHz, 96 kHz or auto-tracking to inputs Bypass Sample rate converter bypass Word length 16, 20 or 24 bit AES50 Audio Quantity 6 Format Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz) Connector Neutrik etherCON with status LEDs Redundancy N+1 cable redundancy (X & Y) Ethernet Control Data Quantity 1 Connector Neutrik etherCON with status LEDs Redundancy Dual cable redundancy (1 & 2) Word Clock Input Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Word Clock Output Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Video Sync Input Quantity 1 Format Horizontal video sync (black burst), HD & SD formats Connector 75 Ohm BNC AES3 Sync Input Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR AES3 Sync Output Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR Output 96 kHz Grade II reference clock Other Interfaces Screen Output Quantity 1 Format DVI-C USB Interface Quantity 2 Format USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load Connector USB Type A MIDI Interface Quantity 3 Format MIDI IN, MIDI OUT, MIDI THRU Connector 5-pin DIN Footswitch Input Quantity 1 Format Contact closure Connector ¼" TS jack Lamps Quantity 2 Format 5 V, 12 W supply Connector 4-pin XLR Displays Quantity 1 Type 15" daylight-viewable colour TFT LCD screen Power Power Supplies Quantity 2 Format PRO1/PRO2/PRO2C Series Power Supply Module (MKT-PSU-7) Connector IEC mains inlet Mains Input Voltage 100 to 240 VAC, 50 to 60 Hz Redundancy N+1 power supply redundancy Power Consumption 110 VAC 1 PSUs - 1.6 A, 170 W 2 PSUs - 1.7 A, 185 W 230 VAC 1 PSUs - 0.8 A, 165 W 2 PSUs - 0.9 A, 180 W Physical Dimensions 1179.6 mm wide x 730.3 mm deep x 274.9 mm high (46.4" x 28.8" x 10.8") Net weight 46.0 kg (101.2 lbs) Operating temperature range +5°C to +40°C Storage temperature range -20°C to +60°C

Compact live performance digital console control centre with up to 64 simultaneous input channels 8 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 156 inputs and 164 outputs @ 96 kHz sample rate Advanced MCA (mix control association) channel control and navigation 8 VCA (variable control association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 20 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Dual redundant auto-ranging universal switch-mode power supplies 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling rate 96kHz Latency delay <2 ms (Input to Master output with no latency compensation) Dynamic range 106 dB, 22 Hz to 22 kHz Maximum voltage gain 80 dB, Inputs to Subgroups and Masters 86 dB, Inputs to Aux and Matrix Crosstalk -100 dB physically adjacent input channels Fader/pan cut off -100 dB Frequency Response 0 dB to -1.0 dB, 20 Hz to 20 kHz Gain Error @ 1kHz ±1.0 dB Input CMRR 0 dB gain -60 dB +45 dB gain -90 dB Distortion @ 0 dBu 0 dB gain 0.01% +45 dB gain 0.03% Distortion @ +20 dBu 0 dB gain 0.03% +45 dB gain 0.03% Noise Floor 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -81 dBu, 22 Hz to 22 kHz (unweighted) Equivalent Input Noise (EIN) 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -126 dBu, 22 Hz to 22 kHz (unweighted) Dynamic Range 0 dB gain 106 dB, 22 Hz to 22 kHz (unweighted) +45 dB gain 102 dB, 22 Hz to 22 kHz (unweighted) Analogue Audio System Inputs Mic/Line Inputs Quantity 8 Connector 3-pin XLR balanced mic/line input with +48 V phantom power A/D converter 24 bit, 96 kHz with 128 x oversampling Gain -22.5 dB to +65 dB Maximum input level +24 dBu Input impedance 10 kOhm Talk Mic Input Quantity 1 Connector 3-pin XLR balanced mic input with +48 V phantom power Mic gain +15 dB to +60 dB Maximum input level +6 dBu Input impedance 600 Ohm Talk Back Input Quantity 1 Connector 3-pin XLR balanced line input Maximum input level +21 dBu Input impedance 10 kOhm Analogue Audio System Outputs Line Outputs Quantity 8 Connector 3-pin XLR balanced line output D/A converter 24 bit, 96 kHz with 128 x oversampling Maximum signal level +21 dBu Master Outputs Quantity 3 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Monitor Outputs Quantity 4 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Talk Output Quantity 1 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Headphone Output Quantity 2 Connector ¼" Jack (stereo Maximum signal level +21 dBu Digital Audio System Inputs and Outputs AES3 Inputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 32 kHz to 96 kHz Bypass Sample rate converter bypass AES3 Outputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 48 kHz, 96 kHz or auto-tracking to inputs Bypass Sample rate converter bypass Word length 16, 20 or 24 bit AES50 Audio Quantity 6 Format Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz) Connector Neutrik etherCON with status LEDs Redundancy N+1 cable redundancy Ethernet Control Data Quantity 1 Connector Neutrik etherCON with status LEDs Word Clock Input Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Word Clock Output Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Video Sync Input Quantity 1 Format Horizontal video sync (black burst), HD & SD formats Connector 75 Ohm BNC AES3 Sync Input Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR AES3 Sync Output Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR Output 96 kHz Grade II reference clock Other Interfaces Screen Output Quantity 1 Format DVI-C USB Interface Quantity 2 Format USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load Connector USB Type A MIDI Interface Quantity 3 Format MIDI IN, MIDI OUT, MIDI THRU Connector 5-pin DIN Footswitch Input Quantity 1 Format Contact closure Connector ¼" TS jack Lamps Quantity 2 Format 5 V, 12 W supply Connector 4-pin XLR Displays Quantity 1 Type 15" daylight-viewable colour TFT LCD screen Power Power Supplies Quantity 2 Format PRO1/PRO2/PRO2C Series Power Supply Module (MKT-PSU-7) Connector IEC mains inlet Mains Input Voltage 100 to 240 VAC, 50 to 60 Hz Redundancy N+1 power supply redundancy Power Consumption 110 VAC 1 PSUs - 1.6 A, 170 W 2 PSUs - 1.7 A, 185 W 230 VAC 1 PSUs - 0.8 A, 165 W 2 PSUs - 0.9 A, 180 W Physical Dimensions 882 mm wide x 730.3 mm deep x 274.9 mm high (34.7" x 28.7" x 10.8") Net weight 37.0 kg (81.4 lbs) Operating temperature range +5°C to +40°C Storage temperature range -20°C to +60°C

Compact live performance digital console control centre with up to 64 simultaneous input channels 8 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 156 inputs and 164 outputs @ 96 kHz sample rate Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam Advanced MCA (mix control association) channel control and navigation 8 VCA (variable control association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 20 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Dual redundant auto-ranging universal switch-mode power supplies 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling rate 96kHz Latency delay <2 ms (Input to Master output with no latency compensation) Dynamic range 106 dB, 22 Hz to 22 kHz Maximum voltage gain 80 dB, Inputs to Subgroups and Masters 86 dB, Inputs to Aux and Matrix Crosstalk -100 dB physically adjacent input channels Fader/pan cut off -100 dB Frequency Response 0 dB to -1.0 dB, 20 Hz to 20 kHz Gain Error @ 1kHz ±1.0 dB Input CMRR 0 dB gain -60 dB +45 dB gain -90 dB Distortion @ 0 dBu 0 dB gain 0.01% +45 dB gain 0.03% Distortion @ +20 dBu 0 dB gain 0.03% +45 dB gain 0.03% Noise Floor 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -81 dBu, 22 Hz to 22 kHz (unweighted) Equivalent Input Noise (EIN) 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -126 dBu, 22 Hz to 22 kHz (unweighted) Dynamic Range 0 dB gain 106 dB, 22 Hz to 22 kHz (unweighted) +45 dB gain 102 dB, 22 Hz to 22 kHz (unweighted) Analogue Audio System Inputs Mic/Line Inputs Quantity 8 Connector 3-pin XLR balanced mic/line input with +48 V phantom power A/D converter 24 bit, 96 kHz with 128 x oversampling Gain -22.5 dB to +65 dB Maximum input level +6 dBu Input impedance 10 kOhm Talk Mic Input Quantity 1 Connector 3-pin XLR balanced mic input with +48 V phantom power Mic gain +15 dB to +60 dB Maximum input level +6 dBu Input impedance 600 Ohm Talk Back Input Quantity 1 Connector 3-pin XLR balanced line input Maximum input level +21 dBu Input impedance 10 kOhm Analogue Audio System Outputs Line Outputs Quantity 8 Connector 3-pin XLR balanced line output D/A converter 24 bit, 96 kHz with 128 x oversampling Maximum signal level +21 dBu Master Outputs Quantity 3 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Monitor Outputs Quantity 4 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Talk Output Quantity 1 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Headphone Output Quantity 2 Connector ¼" Jack (stereo Maximum signal level +21 dBu Digital Audio System Inputs and Outputs AES3 Inputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 32 kHz to 96 kHz Bypass Sample rate converter bypass AES3 Outputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 48 kHz, 96 kHz or auto-tracking to inputs Bypass Sample rate converter bypass Word length 16, 20 or 24 bit AES50 Audio Quantity 6 Format Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz) Connector Neutrik etherCON with status LEDs Redundancy N+1 cable redundancy (X & Y) Ethernet Control Data Quantity 1 Connector Neutrik etherCON with status LEDs Redundancy Dual cable redundancy (1 & 2) Word Clock Input Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Word Clock Output Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Video Sync Input Quantity 1 Format Horizontal video sync (black burst), HD & SD formats Connector 75 Ohm BNC AES3 Sync Input Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR AES3 Sync Output Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR Output 96 kHz Grade II reference clock Other Interfaces Screen Output Quantity 1 Format DVI-C USB Interface Quantity 2 Format USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load Connector USB Type A MIDI Interface Quantity 3 Format MIDI IN, MIDI OUT, MIDI THRU Connector 5-pin DIN Footswitch Input Quantity 1 Format Contact closure Connector ¼" TS jack Lamps Quantity 2 Format 5 V, 12 W supply Connector 4-pin XLR Displays Quantity 1 Type 15" daylight-viewable colour TFT LCD screen Power Power Supplies Quantity 2 Format PRO1/PRO2/PRO2C Series Power Supply Module (MKT-PSU-7) Connector IEC mains inlet Mains Input Voltage 100 to 240 VAC, 50 to 60 Hz Redundancy N+1 power supply redundancy Power Consumption 110 VAC 1 PSUs - 1.6 A, 170 W 2 PSUs - 1.7 A, 185 W 230 VAC 1 PSUs - 0.8 A, 165 W 2 PSUs - 0.9 A, 180 W Physical Dimensions 882 mm wide x 730.3 mm deep x 274.9 mm high (34.7" x 28.7" x 10.8") Net weight 37.0 kg (81.4 lbs) Operating temperature range +5°C to +40°C Storage temperature range -20°C to +60°C

Live performance digital console control centre with up to 168 simultaneous inputs 99 time-aligned and phase-coherent mix buses HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam HyperMAC router with 192 bidirectional channels over copper and optical fibre Provides dual redundant snake connection to the NEUTRON Audio System Engine Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable 10 VCA (variable control association) and 8 POPulation groups 36 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 40 simultaneous multi-channel digital signal processing effects algorithms 29 Midas PRO motorised 100 mm faders 2 daylight viewable 15” full colour TFT display screens Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Three bay auto-ranging universal switch-mode power supply with N+1 redundancy 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling rate 96kHz Latency delay <2 ms (Input to Master output with no latency compensation) Dynamic range 110 dB, 22 Hz to 22 kHz Maximum voltage gain 80 dB, Inputs to Subgroups and Masters 86 dB, Inputs to Aux and Matrix Crosstalk -100 dB physically adjacent input channels Fader/pan cut off -100 dB Frequency Response 0 dB to -1.0 dB, 20 Hz to 20 kHz Gain Error @ 1kHz ±1.0 dB Input CMRR 0 dB gain -80 dB +40 dB gain -90 dB Distortion @ 0 dBu 0 dB gain 0.01% +40 dB gain 0.03% Distortion @ +20 dBu 0 dB gain 0.03% +40 dB gain 0.03% Noise Floor 0 dB gain -89 dBu, 22 Hz to 22 kHz (unweighted) +40 dB gain -87 dBu, 22 Hz to 22 kHz (unweighted) Equivalent Input Noise (EIN) 0 dB gain -89 dBu, 22 Hz to 22 kHz (unweighted) +40 dB gain -127 dBu, 22 Hz to 22 kHz (unweighted) Dynamic Range 0 dB gain 110 dB, 22 Hz to 22 kHz (unweighted) +40 dB gain 108 dB, 22 Hz to 22 kHz (unweighted) Analogue Audio System Inputs Mic/Line Inputs Quantity 8 Connector 3-pin XLR balanced mic/line input with +48 V phantom power A/D converter 24 bit, 96 kHz with 128 x oversampling Gain -25 dB to +60 dB Maximum input level +26 dBu Input impedance 10 kOhm Talk Mic Input Quantity 1 Connector 3-pin XLR balanced mic input with +48 V phantom power Mic gain +15 dB to +60 dB Maximum input level +6 dBu Input impedance 600 Ohm Talk Back Input Quantity 1 Connector 3-pin XLR balanced line input Maximum input level +21 dBu Input impedance 10k Ohm Analogue Audio System Outputs Line Outputs Quantity 8 Connector 3-pin XLR balanced line output D/A converter 24 bit, 96 kHz with 128 x oversampling Maximum signal level +21 dBu Monitor Outputs Quantity 4 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Assignable Outputs Quantity 2 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Talk Output Quantity 1 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Headphone Output Quantity 2 Connector ¼" Jack (stereo Maximum signal level +21 dBu Digital Audio System Inputs and Outputs AES3 Inputs Quantity 4 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 32 kHz to 96 kHz Bypass Sample rate converter bypass AES3 Outputs Quantity 4 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 48 kHz, 96 kHz or auto-tracking to inputs Bypass Sample rate converter bypass Word length 16, 20 or 24 bit AES50 Audio Quantity 3 Format Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz) Connector Neutrik etherCON with status LEDs Redundancy N+1 cable redundancy (X & Y) Snake (Copper) Quantity 2 Format KLARK TEKNIK HyperMAC (192 channels of bidirectional digital audio @ 96 kHz) Connector Neutrik etherCON with status LEDs Redundancy Dual cable redundancy (X & Y) Snake (Fibre) Quantity 2 Format KLARK TEKNIK HyperMAC (192 channels of bidirectional digital audio @ 96 kHz) Connector Neutrik opticalCON DUO Transmission 1.25 Gb/s 1000 base-SX physical layer on 50/125 multimode fibre Redundancy Dual optical fibre redundancy (X & Y) Ethernet Control Data Quantity 2 Connector Neutrik etherCON with status LEDs Redundancy Dual cable redundancy (1 & 2) Word Clock Input Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Word Clock Output Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC AES3 Sync Input Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR AES3 Sync Output Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR Output 96 kHz Grade II reference clock Other Interfaces External Ethernet Tunnel Quantity 1 Connector Neutrik etherCON with status LEDs Screen Outputs Quantity 2 Connector Analogue VGA KVM Inputs Quantity 3 Connector Analogue VGA, USB keyboard & mouse USB Interface Quantity 2 Format USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load Connector USB Type A MIDI Interface Quantity 3 Format MIDI IN, MIDI OUT, MIDI THRU Connector 5-pin DIN Displays Quantity 2 Type 15" daylight-viewable colour TFT LCD screen Displays Quantity 2 Type 15" daylight-viewable colour TFT LCD screen Power Power Supplies Quantity 3 Format PRO Series Power Supply Module (MKT-PSU-2) Connector IEC mains inlet Mains Input Voltage 100 to 240 VAC, 50 to 60 Hz Redundancy N+1 power supply redundancy Power Consumption 115 VAC 2 PSUs - 1.8 A, 207 W 3 PSUs - 1.9 A, 219 W 230 VAC 2 PSUs - 0.8 A, 184 W 3 PSUs - 0.9 A, 207 W Physical Dimensions 1365 mm wide x 940 mm deep x 434 mm high (53.7" x 37.0" x 17.1") Net weight 120 kg (264 lbs) Operating temperature range +5°C to +40°C Storage temperature range -20°C to +60°C

FEATURES A/D CONVERSION Improved overload handling for smoother clipping and analog warmth, handled by PCM4222 D/A CONVERSION Dual DAC architecture for enhanced stereo imaging and signal-to-noise ratio 64-BIT MASTER CLOCKING Sharp conversion timing via 4th gen AFC jitter management technology HIGH-END D/A Dedicated D/A converter for greater convenience, allows monitoring a secondary source TRANSPARENT ANALOG MONITORING A -1dB stepped relay attenuator with 0.05dB precision and full bypass option SOFTWARE CONTROL Super intuitive OS X & Windows compatible software panel DESCRIPTION FIVE HIGH-PERFORMANCE COMPONENTS: A/D CONVERTER WITH OPTIMIZED OVERLOADS HANDLING The famous Burr-Brown (TI) A/D converter PCM4222 is unsurpassed in terms of sound quality and performance. D/A CONVERTER WITH DUAL DAC ARCHITECTURE HIGH-END HEADPHONE AMP WITH A DEDICATED D/A CONVERTER RELAY-BASED ANALOG VOLUME CONTROL FOR ACCURATE MONITORING MASTER CLOCK WITH 4TH GENERATION OF ANTELOPE’S AFC JITTER MANAGEMENT “Given its price and its incredible flexibility and functionality, the Pure2 is an excellent option for mastering and archiving studios.” Photo by Sophie Brill Jessica Thompson is a GRAMMY-nominated mastering and restoration engineer and audio archivist at Coast Mastering in Berkeley, California. Her remaster of Erroll Garner’s iconic live performance The Complete Concert By the Sea (Sony/Legacy) was nominated for Best Historical Album GRAMMY, 2016 FLEXIBLE CONTROL Access all Pure2 features via Mac & PC app or through the front-panel controls All Pure2 features are available in an intuitive software control panel for Mac or Windows provides users the ability to manage all facets of the device operation. Pure2 is also configurable via the front panel with user-definable presets. EASY LIFE We know the engineer’s life is not a glamorous one. So we tried to make it easier. You can set up Pure2 in a couple of minutes. All you actually need is one USB cable (provided in the box) and a laptop of your choosing (Win 7.1 or higher / Mac OSx 10.9 or higher) and you can start capturing stereo audio at 192 kHz. After setting it up, just download the Control Panel, a few clicks and you’re set. SPECIFICATIONS Analog Inputs 2 x Combo Balanced Analog (XLR / 1/4 TRS) factory calibrated to +20dBu Digital Inputs 1 x AES/EBU on XLR (32kHz to 192kHz) @ 110 Ohms terminated 1 x S/PDIF on RCA (32kHz to 192kHz) @ 75 Ohms terminated 1 x TOSLINK on optical fiber: up to 96kHz Word Clock Input 1 x Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz Analog Outputs 1 x Stereo pair of Balanced XLR Outputs from D/A Converter (Main Output) is factory calibrated to 20dBu and user adjustable from 8dBu to 26dBu 1 x Stereo pair Balanced Outputs for monitors (2 x 1/4 TRS) 1 x 1/4 TRS Front Headphones 20dBu Digital Outputs 1 x AES/EBU on XLR (32kHz to 192kHz) @ 110 Ohms terminated 1 x S/PDIF on RCA (32kHz to 192kHz) @ 75 Ohms terminated 1 x TOSLINK on optical fiber: up to 96kHz Word Clock Outputs 8 x Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz USB I/O USB 2.0 Hi-Speed; Data stream up to 480Mbits/192kHz, 4 channels I/O playback/record, Type B External Reference Clock 1 x 10M Atomic Clock Input @ 75 Ohms 1Vpp on BNC 1 x Word Clock Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz A/D Converter Dynamic Range: 122dB THD+N: -105dB D/A Converters Main DAC Dynamic Range 127dB; THD+N -107dB Monitor DAC Dynamic Range 120dB; THD+N -103dB Headphones DAC Dynamic Range 120dB; THD+N -100dB Clock Specifications <+/-0.02 PPM, oven controlled at 64.5°C/ 148.1°F Clock Aging < 1 ppm per year Clock Calibration < +/-0.001 ppm Atomic Clock Input 10MHz @ 1Vpp, BNC Sample Rates (kHz) 32, 44.1, 48, 88.2, 96, 176.4, 192 Operating Temperature 0-50°C, 32-122°F Weight 3 kg, 6.6 lb approx. Dimensions (Approx) 483mm(W) x 44mm(H) x 220mm (D) 19”(W) x 1.75”(H) x 8.66”(D) Power Supply ~110VAC 60Hz/ ~220VAC 50Hz selectable Atomic Clock Input 1 x 10M Input @ 75 Ohms 1Vpp on BNC Fuses 2 x 0.8A 250VAC 5mm x 20mm Type T (or Time delay) System requirements Windows OS: Windows 7/8/8.1/10 Disk Space: Minimum 512 MB available disk space USB: 1x USB 2.0 Port Required USB bandwidth: 80%-90% CPU: Intel or AMD equivalent CPU with at least 2GHz operating frequency Memory (RAM): 4GB Minimum (8GB or more Recommended) MAC OS X: 10.9/10.10/10.11/10.12 (Sierra Recommended) Disk Space: Minimum 512 MB available disk space USB: 1x USB 2.0/3.0 Port Required USB bandwidth: 80%-90% Memory(RAM): 4GB Minimum (8GB or more recommended) CPU: Intel Core 2 Duo (Minimum) Intel Core i3 ™ or higher (Recommended) Additional Info: Internet connection required for product activation.

16 ulaza (9 analognih + 7 digitalnih) (5) 12AX7A i (1) 12AT7 vakuumske cevi Podržava datoteke do DSD512 Dolazi sa ugrađenim DA2 digitalnim audio modulom Opis U dugoj liniji popularnih McIntosh vakuumskih pretpojačala je C2700 cevno pretpojačalo. Koristeći dobro uspostavljenu McIntosh topologiju vakumskih cevi, C2700 takođe poseduje McIntosh naprednu tehnologiju DA2 digitalnog audio modula za kombinovanje vrhunskih digitalnih muzičkih mogućnosti sa vremenski testiranim performansama cevnog pojačala. Dostojan naslednik popularnog DA1 digitalnog audio modula, DA2 ima prošireni skup mogućnosti. DA2 nudi 7 digitalnih ulaza uključujući sve iste konekcije koje se nalaze na DA1 (2 koaksijalna, 2 optička, 1 USB i 1 MCT) plus novu vezu HDMI ARC. Televizori sa kompatibilnim HDMI (ARC) izlazom mogu se povezati na C2700 da biste uživali u zvuku vašeg TV-a preko kućnog audio sistema. Popularni višekanalni audio formati iz Dolby i DTS su podržani i biće stručno konvertovani u 2-kanalni audio za pravilnu reprodukciju. Daljinski upravljač za TV može da kontroliše snagu i jačinu zvuka C2700 kada je CEC komunikacija omogućena i u pretpojačalu i na TV-u. Pored ovih novih HDMI (ARC) funkcija koje se nalaze u DA2, njegov USB ulaz je povećao podršku za DSD reprodukciju do DSD512 u poređenju sa DSD256 ograničenjem DA1. Boja Black Brend McIntosh Broj kanala 2 Dimenzije 444,5 x 193,7 x 457,2 mm Frekvencijski raspon 15Hz - 100kHz, +0, -3dB, 20Hz - 20kHz, +0, -0,5dB Impedansa 22K Ω (nebalansirani), 44K Ω (ulazna, balansirani) Izlazi 3 x balansirani varijabilni, 3 x nebalansirani varijabilni, 6,3 mm (HXD), nebalansirani fiksni Masa 13,4 kg Odnos signal/šum (S/N) 100dB (linijski), 80dB (phono MC), 82dB (phono MM) Osetljivost 0,45mV (phono MC), 4,5mV (phono MM), 450mV (nebalansirani), 900mV (balansirani) Pojačanje 40dB (naponosko za phono MM), 60dB (naponosko za phono MC) Specifičnosti Home Theater PassThru, HXD, Power Guard, Sentry Monitor Ukupna izobličenja (THD) 0,08% Ulazi 2 x koaksijalni, 2 x optički, 2 x XLR, 4 x RCA, HDMI ARC, MCT, phono (MC), phono (MM), USB-B Uvoznik Precizan podatak o uvozniku je dostupan na deklaraciji proizvoda Zemlja porekla Precizan podatak o zemlji porekla je dostupan na deklaraciji proizvoda Prava potrošača Zagarantovana sva prava kupaca po osnovu zakona o zaštiti potrošača

High-Performance 768 kHz 2-Channel ADAT.SPDIF.AES/EBU AD/DA converter RME’s anniversary reference AD/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry’s biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs. The 'Black Edition', limited to 500 units, has a black front plate and does not support rack mounting. RME's anniversary reference AD/DA converter is: A high-end AD/DA converter in professional studio quality A double headphone amplifier in true high-end quality A USB DAC like no other - the most versatile and capable one A high-end AD/DA frontend and headphone amp for iPad / iPhone A multi-format converter (AES, SPDIF, ADAT) with monitoring function A DSD record and playback solution An AD/DA frontend for audio measurement at up to 768 kHz sample rate As the most flexible converter available, the ADI-2 Pro offers balanced/unbalanced analog I/Os, double Extreme Power headphone outputs, SteadyClock FS, 4-stage hardware input and output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD record and Direct DSD playback (256 / 11.2 MHz) Analog or Digital - Options Galore The ADI-2 Pro FS includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio. The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases. As a computer interface the ADI-2 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance. Perfect Sound Capture and Reproduction Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact. The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate. For easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME’s latest SteadyClock FS technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used. High Resolution Display Operation RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages. Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME’s famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display. Extreme Power Headphone Outputs There is no use in boasting about -110 dB THD, when such values are not available in real world operation - for example when a 32 ohm headphone is connected. RME's engineers therefore designed a new headphone output stage that brings the full performance of the premium DAC to the phone jack - even when using low impedance headphones. The Extreme Power design excels with 0.1 Ohm output impedance, a maximum output level of +22 dBu, and a maximum output power of 1.5 Watts - per channel! The two, fully separated stereo headphone outputs deliver the same 120 dBA SNR performance as the line outputs, for a full hum and noise free listening experience. THD is far below -100 dB (0.001%) even at full power, for the most clear and detailed soundstage possible. The Extreme Power design also incorporates current limiting, power surveillance, overload detection and DC protection. A low power mode and a high power mode are provided, for a perfect match from IEM up to planar. Having two stereo outputs, balanced headphone operation is possible. As RME's engineers were not satisfied with the existing techniques they developed a new Advanced Balanced mode for the ADI-2 Pro, that removes most limitations of standard balanced operation, and turns this mode into a a fully new experience. The exclusive Advanced Balanced mode delivers a balanced signal path from the DAC straight to the phone, with 3 dB gain in Signal to Noise Ratio, smoothed out deviations in components, optimized frequency response, super low output impedance (0.2 Ohms), and a maximum output level of +28 (twenty eight) dBu. The Reference Converter The ADI-2 Pro is RME’s reference AD/DA converter, USB DAC, USB interface and headphone amp. It’s numerous use cases make it an ideal choice in many fields, from the home user appreciating innovative solutions offering highest sound quality, the studio owner asking for reference AD/DA conversion, the Hi-Fi enthusiast demanding a flexible yet high-end headphone amplifier, up to the industry using the portable device as front-end for measurement systems. 20 years of RME - cumulated into a precious unit, that once heard and used one will never give away. Promised. Specs: Analog Inputs XLR • Input: XLR, servo-balanced • Input sensitivity switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS • Signal to Noise ratio (SNR) @ +13/19/24 dBu: 120.x dB RMS unweighted, 124.x dBA • Signal to Noise ratio (SNR) @ +4 dBu: 119 dB RMS unweighted, 123 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.5 kHz • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92.7 kHz • Frequency response @ 384 kHz, -1 dB: < 1 Hz – 124 kHz • Frequency response @ 768 kHz, -3 dB: < 1 Hz – 180 kHz • THD @ -1 dBFS: -116 dB, 0.00016 % • THD+N @ -1 dBFS: -112 dB, 0.00025 % • Channel separation: > 110 dB TRS As input XLR, but: • Input: 6.3 mm TRS jack, servo-balanced, fully compatible to TS and RCA Analog Outputs 1/2 XLR • Output level switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS • Signal to Noise ratio (SNR) @ +13/19/24 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +4 dBu: 115 dB RMS unweighted, 118 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz • Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz • Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz • THD @ -1 dBFS: -112 dB, 0.00025 % • THD+N @ -1 dBFS: -110 dB, 0.00032 % • THD @ -3 dBFS: -116 dB, 0.00016 % • Channel separation: > 110 dB • Output impedance: 200 Ohm balanced, 100 Ohm unbalanced 1/2 TS (rear) As output XLR, but: • Output: 6.3 mm TS jack, unbalanced • Maximum output level: +19 dBu • Signal to Noise ratio (SNR) @ +13/19 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +4 dBu: 113 dB RMS unweighted, 117 dBA • Output impedance: 100 Ohm Phones 1/2 As Output 1/2 TS, but: • Output: 6.3 mm TRS jack, unbalanced, stereo • Output impedance: 0.1 Ohm • Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +7 dBu: 114 dB RMS unweighted, 118 dBA • Output level at 0 dBFS, Ref Level +19 dBu, load 100 Ohm or up: +22 dBu (10 V) • Output level at 0 dBFS, Ref Level +4 dBu, load 8 Ohm or up: +7 dBu (1.73 V) • THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 % • THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 % • THD @ +14 dBu, 16 Ohm load, 0.94 Watt: -110 dB Output Phones 3/4 As Output Phones 1/2, but: • Output levels at 0 dBFS: Hi-Power off +7 dBu, Hi-Power On +22 dBu Balanced Phones mode As before, but: • Output levels at 0 dBFS: Hi-Power off +13 dBu (9.8 V), Hi-Power On +28 dBu (19.5 V) • Output impedance: 0.2 Ohm • Signal to Noise ratio (SNR) @ +28 dBu: 120 dB RMS unweighted, 123 dBA • Signal to Noise ratio (SNR) @ +13 dBu: 118.4 dB RMS unweighted, 122 dBA • Output level at 0 dBFS, Hi-Power On, load 150 Ohm or up: +28 dBu (19.5 V) • Output level at 0 dBFS, Hi-Power Off, load 8 Ohm or up: +13 dBu (9.8 V) • Max power @ 0.001% THD: 2.9 W per channel Digital Inputs General • Lock Range: 28 kHz – 200 kHz • Jitter suppression: > 50 dB (2.4 kHz) AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • SPDIF compatible (IEC 60958) SPDIF coaxial • 1 x RCA, transformer-balanced, according to IEC 60958 • AES/EBU compatible (AES3-1992) SPDIF optical • 1 x optical, according to IEC 60958 • ADAT compatible Digital Outputs AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • Single Wire mode, sample rate 44 kHz up to 192 kHz SPDIF coaxial • 1 x RCA, according to IEC 60958 • Single Wire mode, sample rate 44 kHz up to 192 kHz SPDIF optical • 1 x optical, according to IEC 60958 • Sample rate 44 kHz up to 192 kHz Digital • Clocks: Internal, AES In, SPDIF In, ADAT In • Jitter suppression of external clocks: > 50 dB (2.4 kHz) • Supported sample rates for external clocks: 32 kHz up to 192 kHz • Internal Clocks: 44.1 kHz up to 768 kHz General • Included power supply: external switching PSU, 100 - 240 V AC, 2 A, 24 Watts • Standby power consumption: 50 mW • Idle power consumption: 10 Watts, Max. power consumption: 22 Watts • Idle current at 12 V: 850 mA (10 Watts) • Dimensions (WxHxD): 215 x 44 x 130 mm (8.5" x 1.73" x 5.1")

Live performance digital console with up to 48 simultaneous input channels 24 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 172 inputs and 172 outputs @ 96 kHz sample rate 8 VCA (Variable Control Association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 18 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Auto-ranging universal switch-mode power supply 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling frequency 96 kHz Latency <2 ms input to master (no compensation) Dynamic range 107 dB, 22 Hz to 22 kHz (no pre-emphasis) Maximum voltage gain 80 dB inputs to subgroups and masters 86 dB inputs to aux and matrix Crosstalk at 1 kHz -100 dB physically adjacent input channels Crosstalk at 10 kHz -90 dB physically adjacent input channels Fader/pan cut off at 1 kHz -100 dB Fader/pan cut off at 10 kHz -100 dB Display screen 1 x 15" daylight-viewable colour screen Dimensions (H x W x D) 685 x 722 x 288.6 mm (27.0 x 28.4 x 11.4") Net weight PRO1 control centre: 21.5 kg Shipping weight Touring (in flight case): 97.5 kg Install (in carton): 28.7 kg Power requirements 100 V to 240 V a.c. ±10%, 50 to 60 Hz Operating temperature range +5°C to +45°C Storage temperature range -20°C to +60°C Frequency Response 0 dB Gain Input Surface I/O Output Surface I/O 20 Hz 0 dB to -1.0 dB 20 kHz 0 dB to -1.0 dB Input Surface I/O Output Surface I/O 20 Hz 0 dB to -1.0 dB 20 kHz 0 dB to -1.0 dB 40 dB Gain Gain Error at 1 kHz 0 dB Gain Input Surface I/O Output Surface I/O Maximum +1.0 dB Minimum -1.0 dB 45 db Gain Input Surface I/O Output Surface I/O Maximum +1.0 dB Minimum -1.0 dB Input CMRR 0 dB Gain Input Surface I/O Output Surface I/O 100 Hz 60 dB 1 kHz 60 dB 45 dB Gain Input Surface I/O Output Surface I/O 100 Hz 90 dB 1 kHz 90 dB Distortion at 0 dBu 0 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.01% 10 kHz 0.01% 45 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% Distortion at +20 dBu 0 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% 45 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% Mixing Noise (All Bus Types) 22 Hz to 22 kHz Unweighted 12 Inputs Gain 0 dB Fader position #NAME? Pan Central Output noise -91 dBu 12 Inputs Gain 0 dB Fader position 0 dB Pan Central Output noise -78 dBu 24 Inputs Gain 0 dB Fader position #NAME? Pan Central Output noise -91 dBu 24 Inputs Gain 0 dB Fader position 0 dB Pan Central Output noise -75 dBu 48 Inputs Gain 0 dB Fader position #NAME? Pan Central Output noise -91 dBu 48 Inputs Gain 0 dB Fader position 0 dB Pan Central Output noise -72 dBu Signal Path Noise 22 Hz to 22 kHz Unweighted 0 dB Gain Input Surface I/O Output Surface I/O Output Noise -86 dBu EIN -86 dBu 45 dB Gain Input Surface I/O Output Surface I/O Output Noise -81 dBu EIN -126 dBu Dynamic Range 22 Hz to 22 kHz Unweighted 0 dB Gain Input Surface I/O Output Surface I/O Maximum Output +21 dBu Dynamic Range 107 dBu 45 dB Gain Input Surface I/O Output Surface I/O Maximum Output +21 dBu Dynamic Range 102 dBu PRO1 Control Surface - DSP/Router System Inputs and Outputs System connectors 6 x AES50 (24 channels of bidirectional digital audio) on etherCon XLR Word clock IN connector BNC Word clock OUT connector BNC Video sync IN connector BNC AES3 sync IN connector 3-pin XLR AES3 sync OUT connector 3-pin XLR PRO1 Control Surface - Analogue Audio System Inputs Connector 3-pin XLR balanced A/D converter 24-bit, 96 kHz with 128 times oversampling Talkback connector 3-pin XLR balanced line Talk connector 3-pin XLR balanced mic with +48 V phantom power PRO1 Control Surface - Analogue Audio System Outputs Connector 3-pin XLR balanced D/A converter 24-bit, 96 kHz with 128 times oversampling Monitor connector 3-pin XLR balanced line Talk connector 3-pin XLR balanced line Headphone connector ¼" Jack (stereo) PRO1 Control Surface - Digital Audio System Inputs and Outputs Input connector AES3 (two channels of digital audio) on 3-pin XLR Sample rates Accepts any frequency 32 kHz - 96 kHz Bypass Sample rate converter can be bypassed Output connector AES3 (two channels of digital audio) on 3-pin XLR Sample rate 48 kHz, 96 kHz, or auto-tracking to inputs Bypass Sample rate converter can be bypassed Word length 16, 20 or 24-bit PRO1 Control Surface - Control Data System Inputs and Outputs System connector etherCon XLR PRO1 Control Centre - Miscellaneous Inputs and Outputs Monitor output connector DVI/DP+ USB host connection USB 2.0 full speed (12.0 Mbs) 5 V, 1A maximum load Lamp connector 4-pin XLR MIDI In, Out and Thru on 5-pin DIN Footswitch connector ¼" Jack Analogue Input Characteristics Surface I/O Load Z 10 k Gain -22.5 dB to +65 dB Maximum Level +24 dBu Connector XLR Talk Mic Load Z 600R Gain +15 dB to +60 dB Maximum Level +6 dB Connector XLR Monitor Load Z 10 k Gain 0 dB Maximum Level +21 dBu Connector XLR Analogue Output Characteristics Surface I/O Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Talk Out Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Monitor Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Headphones Digital I/O Characteristics AES3 Channels 2 Data length 24-bit I/O Input Description notes Conforms to AES3-2003 Connector XLR AES3 Channels 2 Data length 24-bit I/O Output Description notes Conforms to AES3-2003 Connector XLR AES50 Channels 24 Data length 24-bit I/O Bidirectional Description notes Conforms to AES50 -2011 Connector etherCon XLR Miscellaneous Digital Characteristics Word clock I/O IN Description notes Accepts TTL level, 96 kHz square wave; impedance 75 O Connector BNC Word clock I/O OUT Description notes Provides TTL level, 96 kHz square wave Connector BNC AES sync I/O IN Description notes Accepts a 96 kHz digital audio signal conforming to AES3-2003 Connector XLR AES sync I/O OUT Description notes Provides a 96 kHz grade II reference signal conforming to AES3-2003 Connector XLR

Live performance digital console with up to 48 simultaneous input channels 24 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 172 inputs and 172 outputs @ 96 kHz sample rate Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam 8 VCA (Variable Control Association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 18 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Auto-ranging universal switch-mode power supply 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling frequency 96 kHz Latency <2 ms input to master (no compensation) Dynamic range 107 dB, 22 Hz to 22 kHz (no pre-emphasis) Maximum voltage gain 80 dB inputs to subgroups and masters 86 dB inputs to aux and matrix Crosstalk at 1 kHz -100 dB physically adjacent input channels Crosstalk at 10 kHz -90 dB physically adjacent input channels Fader/pan cut off at 1 kHz -100 dB Fader/pan cut off at 10 kHz -100 dB Display screen 1 x 15" daylight-viewable colour screen Dimensions (H x W x D) 685 x 722 x 288.6 mm (27.0 x 28.4 x 11.4") Net weight PRO1 control centre: 21.5 kg Shipping weight Touring (in flight case): 97.5 kg Install (in carton): 28.7 kg Power requirements 100 V to 240 V a.c. ±10%, 50 to 60 Hz Operating temperature range +5°C to +45°C Storage temperature range -20°C to +60°C Frequency Response 0 dB Gain Input Surface I/O Ouput Surface I/O 20 Hz 0 dB to -1.0 dB 20 kHz 0 dB to -1.0 dB 40 dB Gain Input Surface I/O Ouput Surface I/O 20 Hz 0 dB to -1.0 dB 20 kHz 0 dB to -1.0 dB Gain Error at 1 kHz 0 dB Gain Input Surface I/O Output Surface I/O Maximum +1.0 dB Minimum -1.0 dB 45 dB Gain Input Surface I/O Output Surface I/O Maximum +1.0 dB Minimum -1.0 dB Input CMRR 0 dB Gain Input Surface I/O Output Surface I/O 100 Hz 60 dB 1 kHz 60 dB Input Surface I/O Output Surface I/O 100 Hz 90 dB 1 kHz 90 dB 45 dB Gain Distortion at 0 dBu 0 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.01% 10 kHz 0.01% 45 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% Distortion at +20 dBu 0 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% 45 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% Mixing Noise (All Bus Types) 22 Hz to 22 kHz Unweighted 12 Inputs Gain 0 dB Fader Position #NAME? Pan Central Output noise -91 dBu 12 Inputs Gain 0 dB Fader Position 0 dB Pan Central Output noise -78 dBu 24 Inputs Gain 0 dB Fader Position #NAME? Pan Central Output noise -91 dBu 24 Inputs Gain 0 dB Fader Position 0 dB Pan Central Output noise -75 dBu 48 Inputs Gain 0 dB Fader Position #NAME? Pan Central Output noise -91 dBu 48 Inputs Gain 0 dB Fader Position 0 dB Pan Central Output noise -72 dBu Dynamic Range 22 Hz to 22 kHz Unweighted 0 dB Gain Input Surface I/O Output Surface I/O Maximum Output +21 dBu Dynamic Range 107 dBu 45 dB Gain Input Surface I/O Output Surface I/O Maximum Output +21 dBu Dynamic Range 102 dBu PRO1 Control Surface - DSP/Router System Inputs and Outputs System connectors 6 x AES50 (24 channels of bidirectional digital audio) on etherCon XLR Word clock IN connector BNC Word clock OUT connector BNC Video sync IN connector BNC AES3 sync IN connector 3-pin XLR AES3 sync OUT connector 3-pin XLR PRO1 Control Surface - Analogue Audio System Inputs Connector 3-pin XLR balanced A/D converter 24-bit, 96 kHz with 128 times oversampling Talkback connector 3-pin XLR balanced line Talk connector 3-pin XLR balanced mic with +48 V phantom power PRO1 Control Surface - Analogue Audio System Outputs Connector 3-pin XLR balanced D/A converter 24-bit, 96 kHz with 128 times oversampling Monitor connector 3-pin XLR balanced line Talk connector 3-pin XLR balanced line Headphone connector ¼" Jack (stereo) PRO1 Control Surface - Digital Audio System Inputs and Outputs Input connector AES3 (two channels of digital audio) on 3-pin XLR Sample rates Accepts any frequency 32 kHz - 96 kHz Bypass Sample rate converter can be bypassed Output connector AES3 (two channels of digital audio) on 3-pin XLR Sample rate 48 kHz, 96 kHz, or auto-tracking to inputs Bypass Sample rate converter can be bypassed Word length 16, 20 or 24-bit PRO1 Control Surface - Control Data System Inputs and Outputs System connector etherCon XLR PRO1 Control Centre - Miscellaneous Inputs and Outputs Monitor output connector DVI/DP+ USB host connection USB 2.0 full speed (12.0 Mbs) 5 V, 1A maximum load Lamp connector 4-pin XLR MIDI In, Out and Thru on 5-pin DIN Footswitch connector ¼" Jack Analogue Input Characteristics Surface I/O Load Z 10 k Gain -22.5 dB to +65 dB Maximum Level +24 dBu Connector XLR Talk Mic Load Z 600R Gain +15 dB to +60 dB Maximum Level +6 dB Connector XLR Monitor Load Z 10 k Gain 0 dB Maximum Level +21 dBu Connector XLR Analogue Output Characteristics Surface I/O Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Talk Out Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Monitor Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Headphones Source Z 10R Gain +10 dB Maximum Level +21 dBu Connector ¼" Jack Digital I/O Characteristics AES3 Channels 2 Data length 24-bit I/O Input Description Notes Conforms to AES3-2003 Connector XLR AES3 Channels 2 Data length 24-bit I/O Output Description Notes Conforms to AES3-2003 Connector XLR AES50 Channels 24 Data length 24-bit I/O Bidirectional Description Notes Conforms to AES50 -2011 Connector etherCon XLR Miscellaneous Digital Characteristics Word Clock I/O IN Description Notes Accepts TTL level, 96 kHz square wave; impedance 75 O Connector BNC Word Clock I/O OUT Description Notes Provides TTL level, 96 kHz square wave Connector BNC AES sync I/O IN Description Notes Accepts a 96 kHz digital audio signal conforming to AES3-2003 Connector XLR AES sync I/O OUT Description Notes Provides a 96 kHz grade II reference signal conforming to AES3-2003 Connector XLR Signal Path Noise 22 Hz to 22 kHz Unweighted 0 dB Gain Input Surface I/O Output Surface I/O Output noise -86 dBu EIN -86 dBu 45 dB Gain Input Surface I/O Output Surface I/O Output noise -81 dBu EIN -126 dBu

The ECP2-MKII has become a new favorite of reviewers and enthusiasts alike. A benchmark product in its price bracket, much like other Electrocompaniet products. It incorporates state-of-the-art instrumentation and operational amplifiers and highest quality discrete components in the signal path. Of course it is all DC coupled. The ECP2-MKII introduces new chassis and front plate design, in line with our other products in the Classic Line. It will make your vinyl records sing like no other phono preamplifier we know of, and it seems the industry agrees with us. ADJUSTABLE GAIN The ECP2-MKII can accommodate any imaginable pickup, MM or MC thanks to its extremely configurable input stage, adjustable gain and the ECP 2 MKII is strictly matched to the RIAA curve. BALANCED AUDIO ECP 2 MKII incorporates state-of-the-art instrumentation and operational amplifiers and highest quality discrete components in the signal path. Of course it is all DC coupled. EXPERTS SAYS "...It wears all kinds of music and will be able to lift the sound from the vinyl collection significantly, compared to a built-in phono stage. At the same time, it is also so flexible that you can keep it for many years, no matter what electrical properties the pickup may have...." Lyd og Bilde Phono section Gain @ 1 kHz RCA Adjustable 39,8 – 71,4 dB Gain @ 1 kHz XLR Adjustable 45,8 – 76,4 dB Resistance loading (RL) Adjustable 10 Ω – 47 kΩ Capacitive loading (CL) Adjustable 0 – 350 pF Maximum output level: 17.5 V rms (+ 25 dB V) Overload margin > 31 dB @ 1 kHz Output impedance 100 Ω single-ended, 200 Ω balanced Frequency response 20 – 20 kHz +/- 0.2 dB RIAA Correction Accuracy ± 0,1 dB Subsonic filter -3dB @ 11 Hz, 24 dB/octave Channel separation > 85 dB, 20 – 20 kHz THD + Noise < 0.003 % @ 1 kHz S/N-R 96 dB, 1 kHz, A-weighted, ref. 10 dB V output S/N-R 91 dB, 1 kHz, A-weighted, ref. 5 mV input S/N-R 67.4 dB, 1 kHz, A-weighted, ref. 500 μV input Dimensions Width 470 mm / 18.5 inches Depth 373 mm / 14.6 inches Height 78 mm / 3 inches Weight 9 kg. / 19.8 lbs.

Opis proizvoda Novi 32-kanalni profesionalni NVR Maksimalna podržana rezolucija snimanja 12 MP Snimanje do 32 IP kamere u Full HD rezoluciji Kompresija H.265/ H.264/ MPEG4 Dual-Stream ANR funkcija Ulazni/Izlazni saobraćaj = 320/256 Mbps 3 USB porta eSATA port Mesto za do 8 SATA HDD (Svaki do 6 TB) RAID 0/1/5/10, Mogućnost ugrađivanja DVR-RW, Video izlazi: HDMI1 (4k rezolucija 3840×2160), HDMI2 (Full HD 1920x1080), VGA1 (2k rezolucija 2560×1440), VGA2 (Full HD 1920x1080), 16 alarmnih ulaza/2 izlaza, 1 audio ulaz/ 2 izlaza, 2x 1Gbit LAN, RS-232, RS-485, Rackmount 2U, 19" Besplatan CMS software u kompletu, nadzor putem mobilnog telefona (ANDROID, iOS) Prijavljivanje uređaja na besplatan HIK DDNS, bez HDD.

In addition, Hermes has two integrated parallel mix stages that work with any of the eight processors allowing for comparison of two compressors with different parallel mix settings. The parallel mix stages are stored with the processing chains. Hermes routing is entirely passive using gas-capsuled and gold-plated high-end relays. All active electronics like the I/O stages and the Parallel Mixes use SPL's proprietary and unequaled 120V Technology. Hermes speeds up the workflow in mastering in ways that were previously extremely difficult, and makes the most out of your existing mastering gear. Repatching to hear a simple change is a thing of the past with Hermes – you can change processor sequences on the fly, store them, and compare settings instantly. All with real switches, relays and no software application. Inputs Max. Input Level: +32,5 dBu Max. Input Level (Parallel Mix, Gain active): +28 dBu Input Impedance: 20 kOhm (bal.) Outputs (Speaker Output) Max. Output Level: +32,5 dBu Output Impedance: ‹ 600 Ohm Noise (A-weighted): -121 dBu Noise (A-weighted, Parallel Mix active): -104 dBu Noise (A-weighted, Parallel Mix, Gain active): -102 dBu Crosstalk (at 1 kHz at 0 dBu): -130 dB Crosstalk (at 1 kHz at 0 dBu Parallel Mix active): -110 dB Crosstalk (at 1 kHz at 0 dBu Parallel Mix, Gain active): -80 dB THD & N (at +20dBu): › -112 dBu Common-Mode-Rejection (at 0 dBu): -75 dB Transmission Bandwidth: 10 Hz-200 kHz 10 Hz = -0,12 dB; 100 kHz = -0,3 dB; 200 kHz = -1,2 dB Power Consumption: 0,17 Amp, 230V/50Hz, 30 Watt, 37,6 VA 0,34 Amp, 115V/60Hz, 30 Watt, 37,6 VA Fuses: 230V/50Hz: 1 Amp 115V/60Hz: 2 Amp Dimensions Standard EIA 19 Inch Housing/2U: 482 x 88 x 300 mm / ca. 19" x 3,5" x 11,8" (front panel excl.) Weight: 9kg/ 19,84 lb

The Multichannel Flagship Interface The Fireface UFX III is the center of any multitrack studio, handling up to 94 channels I/O with ease. Its unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME’s famous low latency hardware and driver designs guarantee flawless operation in any mode and application. Packed with professional features, including SteadyClock FS, MADI I/O (64 channels), a powerful DSP, USB 3.0 (full 94 channel I/O Class Compliant ready), TotalMix FX, Direct USB Recording, and support for the Advanced Remote Control USB (available separately), the Fireface UFX III is the professional’s preferred tool for multitrack recording, mixing and mastering. Powerful USB 3 Performance The front panel of the Fireface UFX III provides four high-performance XLR/TRS combo inputs for microphone, instrument and line signals, two stereo headphone jacks with +19 dBu output level, MIDI I/O, and a USB port. In combination with the DURec function (Direct USB Recording), the USB port allows independent recording of selected input and output signals (up to 80 channels) to a connected USB storage medium. The rear panel reveals the full connectivity of the Fireface UFX III. Besides another MIDI I/O, the two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analog outputs with line level (including XLR stereo monitor outputs) are available. With the new Multi-Mode, the two ADAT I/Os can be used as separate optical SPDIF inputs and outputs in addition to the AES I/O. Furthermore, the Fireface UFX III offers an optical MADI interface (SC) with 64 bidirectional channels. The Word Clock connectors (BNC) work as additional coaxial MADI input and output if required. Comprehensive MADI Connectivity The Fireface UFX III opens the doors to a host of RME and 3rd party digital and analog I/O solutions. Expanding your analog channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series. To further enhance MADI flexibility, the Fireface UFX III boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I/O (12 analog plus 16 ADAT plus AES), the MADI I/O is still available via RME’s integrated hardware mixer TotalMix FX. Word Clock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode even supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial. Powerful Applications for Mixing, Monitoring and Measurement included The Fireface UFX III comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DIGICheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians. The additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi. DC-Coupled Outputs - CV/Gate Voltage Control Most audio interfaces are traditionally designed with what is called 'AC-coupled outputs', where capacitors are used to filter out any extreme low frequencies. Whilst these frequencies are generally considered undesirable for audio - eating into headroom and potentially causing damage to other equipment - one instance where DC-coupling remains desirable is the world of modular synthesizers, where static or slow-moving signals are used for control over various parameters such as pitch note values or LFOs. All of the Fireface UFX III’s line-level outputs are fully DC-coupled, allowing for the sending of control voltages (CV) or Gate information to modular synthesizers (such as the popular Eurorack and Moog/MOTM/Synthesizers formats) and other studio hardware. USB 3 Class Compliant Audio The Fireface UFX III operates in two different modes: driver-based USB 3 and Class Compliant. The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions. No proprietary drivers are required, the device will be directly recognized when the CC firmware is loaded. The Fireface UFX III is RME's first audio interface with full USB 3.0 support in Class Compliant Mode. This makes all channels available in driverless operation for Linux, Mac and iPadOS. An iPad Pro with USB C can manage up to 94 channels for recording and playback in TotalMix FX for iPad and on system level. ARC USB Remote Control - Plug’n Play Plus The optional available ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch. The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX III. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX III. DURec (Direct USB Recording) DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the front USB port. The Fireface UFX III records on USB thumb drives or hard drives with up to 2 TB capacity. The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. The Direct USB Recording converts the Fireface UFX Series both into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks. Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software. SPECS Fireface UFX III Analog AD, Line In 1-8, rear Input: 6.3 mm TRS, electronically balanced Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz Filter: Short Delay Sharp, 5 / 5 / 6 samples delay THD @ -1 dBFS: < -120 dB, < 0.0001 % THD+N @ -1 dBFS: < -110 dB, < 0.00032 % Channel separation: > 110 dB Maximum input level: +19 dBu Input: 6.3 mm TRS jack, electronically balanced Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced Input sensitivity switchable between Lo Gain and +4 dBu Input level for 0 dBFS @ Lo Gain: +19 dBu Input level for 0 dBFS @ +4 dBu: +13 dBu Variable digital gain: 0 to +12 dB Minimum level for 0 dBFS: +1 dBu, -1.2 dBV Microphone In 9-12, front As AD, but: Input: XLR, electronically balanced Input impedance @ 1 kHz: 3.4 kOhm Signal to Noise ratio (SNR) @ 0 dB Gain: 117 dB (AES17), 119.5 dBA THD+N @ -1 dBFS, Gain 20 dB: < -110 dB, < 0.00032 % Frequency response @ 44.1 kHz, -0.1 dB: 10.7 Hz – 20.3 kHz Frequency response @ 96 kHz, -0.5 dB: 5.1 Hz – 45.0 kHz Frequency response @ 192 kHz, -1 dB: 3.5 Hz – 88 kHz EIN @ 60 dB Gain, 150 Ohm, A-Weighted: -129.8 dBu Gain range: 75 dB Maximum input level, Gain 0 dB: +18 dBu Maximum input level, Gain 75 dB: -57 dBu CLIP LED: 0 dBFS SIG LED: -60 dBFS Instrument In 9-12, front As AD, but: Input: 6.3 mm TS jack, unbalanced Input impedance @ 1 kHz: 1 MOhm Signal to Noise ratio (SNR): 116 dB (AES17), 118.5 dBA Frequency response @ 44.1 kHz, -0.5 dB: 2.4 Hz – 20.0 kHz Frequency response @ 96 kHz, -1 dB: 1.6 Hz – 28 kHz Frequency response @ 192 kHz, -3 dB: 0.8 Hz – 54 kHz THD+N @ -1 dBFS, Gain 20 dB: < -107 dB, < 0.00045 % Gain range: 42 dB Maximum input level, Gain 8 dB: +21 dBu Maximum input level, Gain 50 dB: -21 dBu DA, Line Out 3-8, rear Output: 6.3 mm TRS jack, servo-balanced Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA Signal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz THD+N: < -110 dB, < 0.00032 % Channel separation: > 110 dB Output level switchable Hi Gain, +4 dBu, -10 dBV Output level at 0 dBFS @ Hi Gain: +19 dBu Output level at 0 dBFS @ +4 dBu: +13 dBu Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu) Output impedance: 75 Ohm DA - Stereo Monitor Output XLR (1-2) As DA, but: Output: XLR, balanced Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV Output level at 0 dBFS @ 24 dBu: +24 dBu Output level at 0 dBFS @ Hi Gain: +19 dBu Output level at 0 dBFS @ +4 dBu: +13 dBu Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu) Output impedance: 150 Ohm DA - Stereo Monitor Output Phones (9-12) As DA, but: Output: 2 x 6.3 mm TRS stereo jack, unbalanced Maximum output level at 0 dBFS, High: +19 dBu Maximum output level at 0 dBFS, Low: +2 dBV Max power per channel @ 32 Ohm load, 0.02% THD: 200 mW (2.5 Vrms, +10 dBu) Signal to Noise ratio (SNR) @ High: 116.5 dB (AES17), 118.5 dBA Signal to Noise ratio (SNR) @ Low: 115 dB (AES17), 117 dBA Output impedance: 2 Ohm MIDI 2 x MIDI I/O via 5-pin DIN jacks Galvanically isolated by optocoupled input Hi-speed mode: Jitter and response time typically below 1 ms Separate 128 byte FIFOs for input and output 1 x MIDI I/O via MADI Invisible transmission via User bit of channel 56 (up to 48 kHz) Invisible transmission via User bit of channel 28 (up to 96 kHz) Digital Clocks: Internal, ADAT, AES, SPDIF, word clock Jitter suppression: > 50 dB (> 1 Hz) Effective clock jitter influence on AD and DA conversion: near zero PLL ensures zero dropout, even at more than 100 ns jitter Digital Bitclock PLL for trouble-free varispeed ADAT operation Supported sample rates: 28 kHz up to 200 kHz Digital Inputs MADI Optical via FDDI duplex SC connector 62.5/125 and 50/125 compatible Coaxial via BNC (Word Clock input), 75 Ohm High-sensitivity input stage (< 0.2 Vpp) Accepts 56 channel and 64 channel mode, plus 96k Frame Standard: up to 64 channels 24 bit 48 kHz S/MUX: up to 32 channels 24 bit 96 kHz S/MUX4: up to 16 channels 24 bit 192 kHz Lock range: 25 kHz – 54 kHz Jitter suppression: > 50 dB (> 1 Hz) AES/EBU 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 High-sensitivity input stage (< 0.3 Vpp) SPDIF compatible (IEC 60958) Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) ADAT Optical 2 x TOSLINK, format according to Alesis specification Standard: 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 4 channels 24 bit 96 kHz Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz Bitclock PLL ensures perfect synchronisation even in varispeed operation Lock range: 31.5 kHz – 50 kHz Jitter suppression: > 50 dB (> 1 Hz) SPDIF optical (ADAT 2) 1 x optical, according to IEC 60958 Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) Word Clock BNC Internal termination 75 Ohm switchable Automatic Double/Quad Speed detection and internal conversion to Single Speed SteadyClock guarantees super low jitter synchronization even in varispeed operation Not affected by DC-offsets within the network Signal Adaptation Circuit: signal refresh through auto-center and hysteresis Overvoltage protection Level range: 1.0 Vpp – 5.6 Vpp Lock Range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) Digital Outputs MADI Optical via FDDI duplex SC connector 62.5/125 and 50/125 compatible Coaxial via BNC (Word Clock input), 75 Ohm High-sensitivity input stage (< 0.2 Vpp) Accepts 56 channel and 64 channel mode, plus 96k Frame Standard: up to 64 channels 24 bit 48 kHz S/MUX: up to 32 channels 24 bit 96 kHz S/MUX4: up to 16 channels 24 bit 192 kHz Lock range: 25 kHz – 54 kHz Jitter suppression: > 50 dB (> 1 Hz) AES/EBU XLR, transformer-balanced, galvanically isolated, according to AES3-1992 Output level Professional 4.5 Vpp, Consumer 2.6 Vpp Format Professional according to AES3-1992 Amendment 4 Format Consumer (SPDIF) according to IEC 60958 Single Wire mode, sample rate 28 kHz up to 200 kHz ADAT 1 x TOSLINK, format according to Alesis specification Standard: 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 4 channels 24 bit 96 kHz Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz SPDIF optical (ADAT 2) 1 x optical, according to IEC 60958 Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (> 1 Hz) Word Clock BNC Max. output voltage: 5 Vpp Output voltage @ 75 Ohm termination: 4.0 Vpp Output impedance: 10 Ohm Frequency range: 27 kHz – 200 kHz General Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts Idle power consumption: 19 Watts Typical power consumption: 22-25 Watts Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5") Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3") Total depth: 240 mm (9.4”) Weight: 3 kg ( 6.6 lbs) Temperature range: +5° up to +50° Celsius (41° F up to 122°F) Relative humidity: < 75%, non condensingAll trademarks are the property of their owners.

Processing Input Processing Channels 32 Input Channels, 8 Aux Channels, 8 FX Return Channels Output Processing Channels 16-Aug 16 aux buses, 6 matrices, main LRC 100 Internal Effects Engines (True Stereo / Mono) 16-Aug Internal Show Automation (structured Cues / Snippets) 500 / 100 Internal Total Recall Scenes (incl. Preamplifiers and Faders) 100 Signal Processing 40-Bit Floating Point A/D Conversion (8-channel, 96 kHz ready) 24-Bit, 114 dB Dynamic Range, A-weighted D/A Conversion (stereo, 96 kHz ready) 24-Bit, 120 dB Dynamic Range, A-weighted I/O Latency (Console Input to Output) 0.8 ms Network Latency (Stage Box In > Console > Stage Box Out) 1.1 ms Connectors MIDAS PRO Series Microphone Preamplifier (XLR) 16 Talkback Microphone Input (XLR) 1 RCA Inputs / Outputs 2-Feb XLR Outputs 8 Monitoring Outputs (XLR / ¼" TRS Balanced) 2-Feb Aux Inputs/Outputs (¼" TRS Balanced) 6-Jun Phones Output (¼" TRS) 1 (Stereo) AES50 Ports (KLARK TEKNIK SuperMAC) 2 Expansion Card Interface 32 Channel Audio Input / Output ULTRANET P-16 Connector (No Power Supplied) 1 MIDI Inputs / Outputs 1-Jan USB Type A (Audio and Data Import / Export) 1 USB Type B, rear panel, for remote control 1 Ethernet, RJ45, rear panel, for remote control 1 Mic Input Characteristics Design MIDAS PRO Series THD+N (0 dB gain, 0 dBu output) <0.01% unweighted THD+N (+40 dB gain, 0 dBu to +20 dBu output) <0.03% unweighted Input Impedance (Unbalanced / Balanced) 10 kO / 10 kO Non-Clip Maximum Input Level +23 dBu Phantom Power (Switchable per Input) +48 V Equivalent Input Noise @ +45 dB gain (150 ? source) -125 dB 22 Hz-22 kHz, unweighted CMRR @ Unity Gain (Typical) >70 dB CMRR @ 40 dB Gain (Typical) >90 dB Input/Output Characteristics Frequency Response @ 48 kHz Sample Rate 0 dB to -1 dB 20 Hz-20 kHz Dynamic Range, Analogue In to Analogue Out 106 dB 22 Hz-22 kHz, unweighted A/D Dynamic Range, Preamplifier and Converter (Typical) 109 dB 22 Hz-22 kHz, unweighted D/A Dynamic Range, Converter and Output (Typical) 109 dB 22 Hz-22 kHz, unweighted Crosstalk Rejection @ 1 kHz, Adjacent Channels 100 dB Output level, XLR Connectors (Nominal / Maximum) +4 dBu / +21 dBu Output Impedance, XLR Connectors (Unbalanced / Balanced) 50 O / 50 O Input impedance, TRS Connectors (Unbalanced / Balanced) 20 kO / 40 kO Non-Clip Maximum Input Level, TRS Connectors +21 dBu Output Level, TRS (Nominal / Maximum) +4 dBu / +21 dBu Output Impedance, TRS (Unbalanced / Balanced) 50 O / 50 O Phones Output Impedance / Maximum output Level 40 O / +21 dBu (Stereo) Residual Noise Level, Out 1-16 XLR Connectors, Unity Gain -85 dBu 22 Hz-22 kHz, unweighted Residual Noise Level, Out 1-16 XLR Connectors, Muted -88 dBu 22 Hz-22 kHz, unweighted Residual Noise Level, TRS and Monitor out XLR Connectors -83 dBu 22 Hz-22 kHz, unweighted Display Main Screen 5" TFT LCD, 800 x 480 Resolution, 262k Colours Channel LCD Screen 128 x 64 LCD with RGB Colour Backlight Main Meter 18 Segment (-45 dB to Clip) Power Switch-Mode Power Supply Auto-Ranging 100-240 VAC (50/60 Hz) ± 10% Power Consumption 70 W Physical Standard Operating Temperature Range 5°C – 40°C (41°F – 104°F) Dimensions 478 x 617 x 208 mm (18.8 x 24.3 x 8.2") Weight 14.3 kg (31.5 lbs)

Canon EOS 5D mark IV Proizvođač: Canon Pozovite nas za najbolju cenu i azurnu informaciju o stanju. Šifra Proizvoda: 5329 30.4MP Full-Frame CMOS Sensor DIGIC 6+ Image Processor 3.2" 1.62m-Dot Touchscreen LCD Monitor DCI 4K Video at 30 fps; 8.8MP Still Grab 61-Point High Density Reticular AF Native ISO 32000, Expanded to ISO 102400 Dual Pixel RAW; AF Area Select Button Dual Pixel CMOS AF and Movie Servo AF 7 fps Shooting; CF & SD Card Slots Built-In GPS and Wi-Fi with NFC € 2.200,00 Dodaj u korpu Canon 5D Mark IV Specs Imaging Lens Mount Canon EF Camera Format Full-Frame (1x Crop Factor) Pixels Actual: 31.7 Megapixel Effective: 30.4 Megapixel Maximum Resolution 6720 x 4480 Aspect Ratio 1:1, 3:2, 4:3, 16:9 Sensor Type CMOS Sensor Size 36 x 24 mm Image File Format JPEG, Raw Bit Depth 14-Bit Image Stabilization None Exposure Control ISO Sensitivity Auto, 100 to 32000 (Extended: 50 to 102400) Shutter Speed Electronic Front Curtain Shutter 1/8000 to 30 Seconds Bulb Mode Metering Method Evaluative, Partial, Spot Exposure Modes Aperture Priority, Auto, Manual, Shutter Priority Exposure Compensation -5 to +5 EV (1/3 EV Steps) Metering Range 0 to 20 EV White Balance Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten Continuous Shooting Up to 7 fps at 30 MP for up to 21 Frames (Raw) / Unlimited Frames Interval Recording Yes Self-Timer 2/10-Second Delay Mirror Lock-Up Yes Video Recording Modes M-JPEG 4:2:2 8-Bit DCI 4K (4096 x 2160) at 23.976p/24.00p/29.97p [500 Mb/s] MOV Full HD (1920 x 1080) at 59.94p [180 Mb/s] Full HD (1920 x 1080) at 23.976p/24.00p/29.97p [90 Mb/s] Full HD (1920 x 1080) at 59.94p [60 Mb/s] Full HD (1920 x 1080) at 23.976p/24.00p/29.97p [30 Mb/s] HD (1280 x 720) at 119.88p [160 Mb/s] MP4 Full HD (1920 x 1080) at 59.94p [60 Mb/s] Full HD (1920 x 1080) at 23.976p/24.00p/29.97p [30 Mb/s] Full HD (1920 x 1080) at 29.97p [12 Mb/s] External Recording Modes Full HD (1920 x 1080) at 59.94p Full HD (1920 x 1080) at 23.976p/24.00p/29.97p Full HD (1920 x 1080) at 29.97p HD (1280 x 720) at 120p Recording Limit Up to 29 Minutes, 59 Seconds for DCI 4K (4096 x 2160) Video Encoding NTSC/PAL ISO Sensitivity Auto: 100 to 32000 Audio Recording Built-In Microphone (Mono) External Microphone Input Audio File Format AAC, Linear PCM (Stereo) Focus Focus Type Auto and Manual Focus Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) Autofocus Points Phase Detection: 61 (41 Cross-Type) Autofocus Sensitivity -3 to +18 EV Viewfinder and Monitor Viewfinder Type Optical (Pentaprism) Viewfinder Eye Point 21 mm Viewfinder Coverage 100% Viewfinder Magnification Approx. 0.71x Diopter Adjustment -3 to +1 Size 3.2" Resolution 1,620,000 Dot Display Type Fixed Touchscreen LCD Flash Built-In Flash No Maximum Sync Speed 1/200 Second Flash Compensation -3 to +3 EV (1/3, 1/2 EV Steps) Dedicated Flash System eTTL External Flash Connection Hot Shoe, PC Terminal Interface Media/Memory Card Slot Slot 1: SD/SDHC/SDXC (UHS-I) Slot 2: CompactFlash (UDMA 7) Connectivity 3.5mm Headphone, 3.5mm Microphone, Canon N3, HDMI C (Mini), USB Micro-B (USB 3.0) Wireless Wi-Fi GPS Yes Environmental Operating Temperature 32 to 104°F / 0 to 40°C Operating Humidity 0 to 85% Physical Battery 1 x LP-E6N Rechargeable Lithium-Ion, 7.2 VDC, 1865 mAh Dimensions (W x H x D) 5.9 x 4.6 x 3" / 150.7 x 116.4 x 75.9 mm Weight 1.76 lb / 800 g (Body Only)

Mass Approx. 900 g (1 lb 15 oz) (body) Approx. 1400 g (3lb 1oz) (with lens hood, XLR handle unit, eyecup, NP-FV70 battery) Dimensions (WxHxD) 120.7 x 103.5 x 274.3 mm (4 7/8 x 4 1/8 x 10 7/8 inches) (With the accessories (lens hood, large eyecup), excluding the grip belt and including the projecting parts) 130.3 x 180.9 x 287 mm (5 1/4 x 7 1/8 x 11 3/8 inches) (With the accessories (lens hood, large eyecup, XLR handle unit) , excluding the grip belt and including the projecting parts) Power Requirements DC In: 8.4 V, Battery: 6.8 V / 7.2 V Power Consumption Approx. 5.5 W (while recording with viewfinder and XAVC HD 1080/60i 50Mbps) Approx. 5.8 W (while recording with LCD and XAVC HD 1080/60i 50Mbps) Operating Temperature 0°C to 40°C (32°F to 104°F) Storage Temperature -20°C to +60°C (-4°F to +140°F) Battery Operating Time Approx. 120 min. with NP-FV70 battery (while recording with LCD, XAVC 1080/60i, 50Mbps) Approx. 200 min. with NP-FV70 battery (while playing with LCD, XAVC 1080/60i, 50Mbps) Recording Format (Video) XAVC QFHD: MPEG-4 AVC/H.264 4:2:0 Long profile XAVC HD : MPEG-4 AVC/H.264 4:2:2 Long profile XAVC Proxy: MPEG-4 AVC/H.264 4:2:0 Long profile AVCHD : MPEG-4 AVC/H.264 AVCHD 2.0 format compatible DV Recording Format (Audio) XAVC QFHD : Linear PCM 2ch, 24bit, 48kHz XAVC HD : Linear PCM 2ch, 24-bit, 48 kHz XAVC Proxy : AAC-LC 2ch, 16bit,48kHz AVCHD : Linear PCM 2ch, 16-bit, 48 kHz / Dolby Digital 2ch, 16-bit, 48 kHz DV : Linear PCM 2ch, 16-bit, 48 kHz Recording Frame Rate XAVC QFHD (3840 x 2160)@29.97p, 25p, 23.98p, 60Mbps XAVC HD (1920 x 1080)@59.94p, 50p, 50 Mbps/35 Mbps XAVC HD (1920 x 1080)@59.94i, 50i, 50 Mbps/35 Mbps/25 Mbps XAVC HD (1920 x 1080)@29.97p, 25p, 23.98p, 50 Mbps/35 Mbps XAVC HD (1280 x 720)@59.94p, 50p,50 Mbps XAVC Proxy (1280 x 720)@59.94p, 50p, 29.97p, 25p, 23.98p, 9Mbps XAVC Proxy (640 x 360)@59.94p, 50p, 29.97p, 25p, 23.98p, 3Mbps Recording Frame Rate AVCHD (1920 x 1080)@59.94p, 50p, PS mode (28 Mbps) AVCHD (1920 x 1080)@59.94i/50i/29.97p/25p/23.98p, FX mode (24 Mbps), FH mode(17 Mbps) AVCHD (1280 x 720)@59.94p, 50p, FX mode (24 Mbps), FH mode (17 Mbps), HQ mode (9 Mbps) DV (720 x 480) @59.94i, 25 Mbps DV (720 x 576) @50i, 25 Mbps Recording/Playback time XAVC QFHD@LPCM [email protected] 60 Mbps Approx. 100 min with 64 GB memory card XAVC QFHD@LPCM 2ch@25p 60 Mbps Approx. 100 min with 64 GB memory card XAVC QFHD@LPCM [email protected] 60 Mbps Approx. 100 min with 64 GB memory card XAVC HD@LPCM 2ch 50 Mbps Approx. 120 min with 64 GB memory card XAVC HD@LPCM 2ch 35 Mbps Approx. 170 min with 64 GB memory card Recording/Playback time XAVC HD@LPCM 2ch 25 Mbps Approx. 220 min with 64 GB memory card AVCHD@LPCM 2ch PS Mode Approx. 290 min with 64 GB memory card Approx. 145 min with 32 GB memory card AVCHD@LPCM 2ch FX Mode Approx. 340 min with 64 GB memory card Approx. 170 min with 32 GB memory card AVCHD@LPCM 2ch FH Mode Approx. 450 min with 64 GB memory card Approx. 225 min with 32 GB memory card DV Approx. 280 min with 64 GB memory card Approx. 140 min with 32 GB memory card Lens Mount Fixed Zoom Ratio 12x (optical), servo Focal Length f=9.3 - 111.6 mm equivalent to f=29.0 - 348.0 mm on 35 mm lens (16:9) equivalent to f=35.5 - 426.0 mm on 35 mm lens (4:3) Iris F2.8 - F4.5 auto/manual selectable Focus AF/MF selectable, 10 mm to ∞ (Wide), 1000 mm to ∞ (Tele) Image Stabilizer ON/OFF selectable, shift lens Filter Diameter M62 mm Imaging Device (Type) 1.0-type (13.2 mm x 8.8 mm) back-illuminated Exmor R CMOS sensor Effective Picture Elements Approx.14.2M pixels (16:9)/Approx.10.6M pixels (4:3) Built-in Optical Filters OFF: Clear, 1: 1/4ND, 2: 1/16ND, 3: 1/64ND Minimum Illumination [60i]*2 3lux (1/60 Shutter Speed, iris/gain AUTO [50i]*3 3lux (1/50 Shutter Speed, iris/gain AUTO) [60i]*2 1.7lux (1/30 Shutter Speed, iris/gain AUTO) [50i]*3 1.7lux (1/25 Shutter Speed, iris/gain AUTO) Shutter Speed [60i]*2 : 1/8 - 1/10,000 (1/6 - 1/10,000 when shooting with 24p) [50i]*3 : 1/6 -1/10,000 Slow & Quick Motion Function [60i]*2 :1080p: Frame rate selectable 1.2.4.8.15.30, 60 fps [50i]*3 : 1080p: Frame rate selectable 1.2.3.6.12.25, 50 fps White Balance Preset (Indoor:3200K, Outdoor:5600K±7 steps, Color temparature set range: 2300-15000K) Onepush A, B, Auto selectable Gain -3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC Gamma Curve Selectable Audio Input XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable Video Output Integrated into Multi/Micro USB jack (×1), Composite 1.0Vp-p, 75Ω Audio Output Integrated into Multi/Micro USB jack SDI Output BNC (x1), 3G/HD/SD SMPTE 424M/292M/259M standards USB Multi/Micro USB jack (x1) Headphone Output Stereo mini jack (x1) Speaker Output Monaural DC Input DC jack Remote Integrated into Multi/Micro USB jack HDMI Output Type A (x1) Viewfinder 1.0 cm (0.39 type) OLED Approx. 1.44M dots LCD 8.8 cm (3.5 type) Approx. 1.56M dots Built-in microphone Omni-directional stereo electret condenser microphone Media Type Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible x1, SD/SDHC/SDXC x1 Wi-Fi / NFC Supported format: IEEE 802.11 b/g/n Frequency band: 2.4 GHz bandwidth Security: WEP/WPA-PSK/WPA2-PSK NFC: NFC Forum Type 3 Tag compliant Streaming: MPEG-2 TS/UDP FTP: FTP, FTPS Reklamacioni period Zagarantovana sva prava kupaca po osnovu zakona o zaštiti potrošača

№5802 Feature Detailed Digital Audio Experience outstanding audio quality from your entire digital music collection. The Mark Levinson № 5802 includes a premium Precision Link II Digital-to-Analog Converter (DAC) that accurately reproduces audio signals and minimizes noise, so you can discover new details in your favorite songs. №5802 Feature Virtually Distortion Free With pristine class-A/B amplification and a highly capable power supply, the № 5802 delivers an abundance of power to your loudspeakers — and fills an entire room with rich, distortion-free sound. №5802 Feature High-Performance Headphone Output Unleash all the performance your headphones can deliver. The № 5802 includes a class-A analog stage to power your headphones. Experience an incredibly personal listening experience — and lose yourself completely in the music. Highlights Nº 5000 Series signature design EuP compliant / low-power standby Highly capable power supply (500+ VA toroidal transformer) Designed and handcrafted in the USA Inputs 1x AES, 1x USB 2.0, 2x coaxial S/PDIF and 2x optical S/PDIF 384 kHz/32 bit PCM and DSD 11.2 MHz capability Bluetooth audio input including aptX HD support MQA full decoding on all digital inputs including asynchronous USB Outputs Line outputs: 1 x RCA stereo (variable) Headphone output: 1 x 1/4-inch/6.35mm jack (front panel) Loudspeaker outputs: 2 pairs high-current binding posts Control Ethernet (RJ45), RS-232 (DB9), 12V trigger input/output and IR input (3.5mm jack) Webpage setup, configuration import/export, software updates Aluminum IR remote control Mark Levinson 5Kontrol app for Android and iOS devices Amplifier Section - Freq Response: <2Hz-20kHz, +0/-0.2dB; <2Hz-100kHz, +0/-3dB - SNR: >103dB (20Hz-kHz, Awtd); >100dB (20Hz-kHz, wideband, unwtd) - THD+ N: <0.035% at 1kHz, 125W, 8 Ohms; <0.18% at 20kHz, 125W, 8Ohms - Output Power: 125W RMS per Channel at 8 Ohms, 20Hz to 20kHz - Output Impedance: - Damping Factor: >82, 20Hz-10kHz; >72 at 20kHz General - Digital: 2 optical Toslink, 1 asynchronous UBS-B, 1 coaxial S/PDIF RCA, - Output: 1 pair RCA, 2 pairs speaker outs (high current, banana sockets) Accept spade lugs with ¼”/6.3mm spacing up to 1/8”3mm thick) - Control: RS-232 Port (DB9), IR in, 12V DC trigger in/out, Ethernet - Mains Voltage: 100VAC, 115VAC, or 230VAC - Power Consumption: Max 500W, Green mode <0.4W, Power Save 7W - Dimensions (HDW): 154 x 507 x 438mm - Weight: 27.6kg

MODEL 1 has a unique offering of six fully featured input channels plus two stereo returns in a small format frame. It has many features not currently available on any comparable device, such as Input pre-amplifier drive control, hybrid filter/swept bell EQ, dual cue system, dual mixer linking system, and a fully balanced Tascam DB25 connector system. MODEL 1 is a purely analogue mixer featuring technology normally found in the finest studio consoles, such as a fully balanced mix buss, zero crossing detection for seamless filter & master EQ routing along high voltage differential power rails. MODEL 1 Features 2 stereo sends The two AUX controls send the channel signal to the Aux mix outputs for use with external effects processors or, in some applications, local monitors. AUX 1 offers either PRE or POST FADE while AUX 2 is internally set to post fader. 2 stereo returns Two basic stereo channels for use as return inputs from external effects processors or other sources. Each return features TRIM to adjust the return signal, input DRIVE circuit, and CUE routing to both Cue A and Cue B. Each Return also feature Metering for visual feedback of the signal level, a rotary LEVEL fader to adjust Mix amount and combined Return 1-2 Low Cut EQ and Master Filter routing. 3 high performance phono preamps 3 high performance turntable inputs, optimized for the club environment in order to minimise the tonal imbalance between vinyl and Digital audio, and to eliminate sub frequency feedback. Each phono input has it's own Individual Turntable Earth Binding for greater flexibility. Studio grade faders Custom TKD 60mm faders. These twin rails faders have been carefully chosen to ensure long life and smooth operation and feature a heavy feel for greater precision. Precision Sculpting EQ SCULPT is a semi-parametric swept bell filter, and consist of two controls,FREQ which sets the centre frequency and CUT/BOOST which adjust the gain or a attenuation at this frequency. The level of cut/boost is asymmetric; maximum boost is limited to +8dB, while the cut is extended to -20dB. Sculpt has a wide Q and a frequency range that covers almost seven octaves. Contouring low & high pass filters As the name implies these two controls allow you to “contour” the frequency range of the audio signal. They consist of low Q, High-Pass and Low-Pass filters designed not to add colour to the sound as they are swept across their frequency range. Analog overdrive A unique feature on every input, the DRIVE control. This control allows the user to adjust the level at which the channel pre-amplifier clips the input signal, thus creating harmonic distortion as a creative effect. DualCue Two independent Cue systems, A and B. Cue A routes to the right hand side headphone monitor and the Cue B routes to the left hand headphone monitor. The DualCue system makes it much easier for two DJs to perform on the mixer together in "Back2Back" setups, as each can select a separate channel to monitor without interfering with the other. This feature also assists DJ's handing off to each other in a smooth and natural way. Mixer Link A system that allows multiple mixers to be linked together, either for use with two or more performers, or as a way to expand the number of channels. When Linked together the mixers share a common balanced mix feeding the PA and Booth monitors. In addition, the two Cue systems are joined allowing interactive cueing between multiple performers. Balanced Mix Bus Fully balanced main mix bus (usually only found in very high end analogue studio consoles) – resulting in >110dB of dynamic range, improved hum rejection, lower noise and crosstalk. Master high & low pass resonant filters The Master Filter consists of a High-Pass Filter (HPF), a Low-Pass Filter (LPF), and a resonance control (RES) to adjust the sharpness of the High-Pass filter. The Master Filter can be used as a swept frequency performance effect, or as pre-set frequency mix tool to instantly cut the Low or High frequencies of any channel routed to the Filter. Signals can be routed to the MF by the Filter select switch found on each channel. Three-band master EQ Three-Band Master EQ with asymmetric cut and boost, -20/+6dB which can be used as a performance affect, as well as a frequency correction tool. Two-band Booth EQ A 2-Band equaliser allowing the user to adjust the frequency response of the Booth monitors to suit their own preference. 100% analog Smooth intuitive controls matched with warm pure analogue circuitry. ZERO Crossing Circuitry All internal routing utilizes our zero-crossing detection system that helps minimize audio switching artifacts for channel filter selection, master filter on/off and master eq on/off. This system allows each of these functions to be used quickly and intuitively as performance effects. Quality Components Beautifully smooth components each controlling one specific function for intuitive on-the-fly creative performances. External Power supply Powered by an external 90W 24V universal voltage PSU. Internally, the 24 volts from the external supply, is converted to just under +/- 20V for the analogue power rails by using high frequency switching technology, giving MODEL 1 some of the highest signal headroom of any professional mixer, irrespective of its application. Dual PSU MODEL 1 offers the utility of powering with dual supplies. This feature - found on premium live sound and recording consoles - can offer greater security by powering the mixer simultaneously with a second supply. In scenarios such as music festivals, each supply can be powered from separate mains phases. In the event of one phase going down the other supply will automatically take over powering the mixer. Built in the UK Built in the UK with our partners DigiCo and Allen & Heath using alloy/steel chassis for maximum strength and minimum weight optimised for touring, club and performance situations. D-Subs In Two fully balanced TASCAM DB25 inputs receiving all 8 Stereo channels for rapid connections to external soundcards and added flexibility in club installs. D-Sub Out Fully balanced TASCAM DB25 output for sending Master, Aux 1 & 2 Sends and Cue B channels down a single connector for rapid connections to external soundcards and added flexibility in club installs. Front mounted record Out Mounted on the front panel at the top of the Master section the RECORD OUT - 3.5mm TRS Jack socket feeds the post Master EQ signal as a pre- fader record output. Nominal level is –2dB MODEL 1 Technical Specifications Maximum output level +28dBu Balanced +23dBu Unbalanced Output Impedance 50R Balanced, 68R Unbalanced Residual Noise -100dBu Un-weighted, 22Hz to 20kHz Dynamic range > 112dB Frequency Response 20Hz - 40kHz +0/-2dB Distortion (THD+N) 0.008% Line In to Mix 1 out, 0dBu Unity Gain Inter-channel Crosstalk < -100dB Left/Right Crosstalk -80dB 1kHz Power consumption 50W maximum Weight 5.40kG Dimensions L 37cm x W 32cm x H 11.5cm

Bežični 5.1 surround zvučnički sistem The luxury of stunning sound. The beauty of a simple set up. Experience the luxury of stunning sound, Chromecast built-in and a simple set up with the Harman Kardon Surround wireless surround sound home theater system. Quickly immerse yourself into your favorite movies and TV shows thanks to the 5 wireless speakers and wireless subwoofer that are all pre-configured, eliminating a complicated setup.All you need is to connect the speakers to power and put them in the right position. Bluetooth-enabled and supported by 4 HDMI inputs and 1 HDMI out with ARC, the Harman Kardon Surround will transform your home with theater quality sound. Stream your favorite songs thanks to Google Chromecast built-in, which enables access to popular music streaming services, or use Bluetooth. Power supply: 100-240V~50/60Hz Total output power: 370W RMS Frequency response: 20Hz-20KHz Center speaker output power: 50W RMS Center speaker transducers: 1.25" (tweeter) + (woofer) Satellite speaker output power: 4 x 50W RMS Satellite speaker transducers: 4 x 1.25" (tweeter) + 2 x 3" (woofer) Subwoofer output power: 120W RMS Subwoofer transducer size: 7" Remote control batteries: 2 x AAA-R03-1.5V Operating temperature and humidity: 0° C - 45° C Bluetooth® : version: 4.2 Bluetooth® transmitter frequency range: 2402 – 2480MHz Bluetooth® transmitter power: < 10dBm Bluetooth® transmitter modulation: GFSK, π /4 DQPSK, 8DPSK What s in the box: 4 x Satellite Speaker 4 x Wall Mount bracket for Satellite Speaker 1 x Center Speaker 1 x Wall Mount bracket for Center Speaker 1 x Subwoofer 2 x Metal Feet for Subwoofer 7 x Power Cable (varies by region) 1 x HDMI Cable 1 x Streaming box 1 x QSG 1 x Warranty Sheet Deklaracija : Naziv: HARMAN KARDON HK SURROUND Vrsta robe: kompleti zvucnika Uvoznik: AVL Projekt Int Doo Zemlja proizvodnje: Kina

Blackmagic Design Pocket Cinema Camera 6K G2 Proizvođač: Blackmagic Design Pozovite nas za najbolju cenu i azurnu informaciju o stanju. Šifra Proizvoda: 8405 € 2.499,00 Dodaj u korpu Super 35 HDR Sensor, Gen 5 Color Science Canon Active EF Mount, Mini XLR Inputs 5" Tilting LCD Touchscreen Does Not Have Internal ND Filters Record 6K 6144 x 3456 up to 50 fps Record up to 120 fps Windowed 2.8K/1080p CFast 2.0 & SD/UHS-II Card Slots Dual Native 400 & 3200 ISO Supports Optional Pro EVF Supports Optional Pro Battery Grip Imaging Lens Mount Canon EF Lens Communication Yes, with Autofocus Support Sensor Resolution Effective: 21.2 Megapixel (6144 x 3456) Image Sensor 23.1 x 12.99 mm (Super35) CMOS Image Stabilization None Built-In ND Filter None Internal Filter Holder No Capture Type Stills & Video Exposure Control Shutter Type Electronic Rolling Shutter ISO Sensitivity 100 to 25,600 Shutter Angle 5 to 360° Advertised Dynamic Range 13 Stops Video Capture Internal Recording Modes ProRes 422/ProRes 422 HQ/ProRes 422 Proxy/ProRes 422LT DCI 4K (4096 x 2160) up to 60.00 fps UHD 4K (3840 x 2160) up to 60.00 fps 1920 x 1080p up to 120 fps Raw 6144 x 3456 at 23.98/24.00/25/29.97/50 fps [49 to 483 Mb/s] 6144 x 2560 at 23.98/24.00/25/29.97/50/59.94 fps [37 to 359 Mb/s] 5744 x 3024 at 23.98/24.00/25/29.97/50/59.94 fps [40 to 395 Mb/s] 4096 x 2160 at 23.98/24.00/25/29.97 fps [28 to 163 Mb/s] 3728 x 3104 at 23.98/24.00/25/29.97 fps [36 to 265 Mb/s] 2868 x 1512 at 23.98/24.00/25/29.97 fps [14 to 101 Mb/s] External Recording Modes 4:2:2 10-Bit via HDMI 1920 x 1080 up to 60.00 fps Raw via USB 6144 x 3456 at 23.98/24.00/25/29.97/50 fps 6144 x 2560 at 23.98/24.00/25/29.97/50/59.94 fps 5744 x 3024 at 23.98/24.00/25/29.97/50/59.94 fps Sensor Crop While Recording 6K (6144 x 2560) in 2.4:1 When Recording in Raw 5744 x 3024 When Recording in Raw 4K (4096 x 2160) When Recording in Raw 3728 x 3104 When Recording in Raw 2868 x 1512 When Recording in Raw Fast-/Slow-Motion Support Yes Built-In Microphone Type Stereo IP Streaming None Interface Media/Memory Card Slot Slot 1: SD/SDHC/SDXC (UHS-II) Slot 2: CFast Video I/O 1 x HDMI Output Audio I/O 2 x Mini XLR Mic/Line (+48 V Phantom Power) Input 1 x 1/8" / 3.5 mm TRS Stereo Mic/Line Input 1 x 1/8" / 3.5 mm TRS Stereo Headphone Output Power I/O 1 x Weipu SF610/S2 (12 to 20VDC) Input Other I/O 1 x USB-C (USB 3.2 / 3.1 Gen 1) Control/Video Output 1 x 1/8" / 3.5 mm (Timecode) Input (Shared with Mic/Line Input) Wireless Bluetooth Control Mobile App Compatible Yes *As of May, 2023: Check with manufacturer for the most up-to-date compatibility Global Positioning (GPS, GLONASS, etc.) None Monitor Size 5" Resolution 1920 x 1080 Display Type Tilting Touchscreen LCD Type Optional, Not Included Focus Focus Type Auto and Manual Focus Environmental Operating Temperature 32 to 104°F / 0 to 40°C Storage Temperature -4 to 113°F / -20 to 45°C Operating Humidity 0 to 90% General Battery Type Sony L-Series Tripod Mounting Thread 2 x 1/4"-20 Female Accessory Mount 1 x 1/4"-20 Female Material of Construction Carbon Fiber, Polycarbonate Dimensions (W x H x D) 7.08 x 4.84 x 4.41" / 17.98 x 12.29 x 11.2 cm Weight 2.65 lb / 1.20 kg

Veličina ekrana: 85″ (216 cm) Rezolucija ekrana: 4K 3840 x 2160 pix Vrsta ekrana: LCD Tip pozadinskog osvetljenja: Direkt LED Ugrađena memorija: 32 GB Smart TV: da Android: da Tjuner: DVB-T/T2/C/S/S2 Slika: -kompatibilnost sa HDR-OM (velikim dinamičkim opsegom): Da (HDR10, HLG, Dolby Vision) -procesor za sliku: 4K HDR Procesor X1 -poboljšavanje jasnoće: 4K X-Realiti PRO -poboljšavanje boja: Triluminos Pro Live Color -poboljšavanje kontrasta: Dynamic Contrast Enhancer -poboljšavanje prikaza pokreta (izvorno HZ): XR 200/240, automatski režim -režimi slike: Živopisno, standardno, bioskopski, igre, grafika, fotografije, prilagođeno, Dolby Vision -senzor: Lagan -NETFLIX calibrated mode Zvuk: -snaga audio izlaza: 10 W + 10 W -vrsta zvučnika: Bass Reflex, X-Balanced -konfiguracija zvučnika: Pun opseg (Bass Reflex) x 2 -podrška za DOLBY audio format: Dolby™ Audio, Dolby™ Atmos -podrška za DTS audio format: DTS digitalni okružujući zvuk -Acoustic auto calibration: Kompenzacija položaja za prostoriju i korisnika Wi-Fi 802.11a/b/g/n/ac, 2,4/5 GHz (za Wi-Fi Direct samo 2,4 GHz) Bluetooth 4.2 LAN Priključci: -ulazi za RF (Zemaljsku/kablovsku) vezu: 1 (sa strane) -ukupan broj HDMI ulaza: 4 (4 sa bočne strane) -USB priključci: 2 (sa strane) -ulaz za kompozitni video: 1 (sa strane, mini-jack) -RJ-45 x 1 (sa strane) -digitalni audio izlazi: 1 (sa strane) -izlazi za slušalice: 1 (sa strane) -CI+ Chromecast built-in Apple airplay Apple homekit HDCP: HDCP 2.3 (za HDMI™ 1/2/3/4) HDMI-CEC BRAVIA SYNC (uključujući HDMI-CEC) Funkcije navedene u HDMI 2.1: eARC/ALLM HDMI audio return channel (ARC): da (eARC/ARC) Promenljiva brzina osvežavanja (VRR): da (za HDMI™ 3/4) Snimanje na USB čvrsti disk: da (1 snim.) (izuzev Italije) Podrška za formatiranje drajvera za USB: FAT16/FAT32/exFAT/NTFS Glasovna pretraga: da/Ugrađeni mikrofon: da Ugrađen prekidač za mikrofon Elektronska programska šema (EPG) Internet pregledač: Vewd Prodavnica aplikacija: da (Google Play prodavnica) Tajmer za uključivanje/isključivanje Merač vremena za isključivanje Teletekst Automatska kalibracija uz CALMAN® Automatsko mapiranje HDR tona Automatski režim slike prema žanru Režim za uštedu energije/režim isključenog pozadinskog osvetljenja Dinamička kontrola poz. osvetljenja Ekološki proizvod Energetska klasa: F Potrošnja električne energije: 154 kWh/1000h VESA standard: 400 x 400 Dimenzije sa postoljem: 1901 x 1170 x 187 mm Dimenzije bez postolja: 1901 x 1090 x 73 mm Težina sa postoljem: 47,8 kg Težina bez postolja: 45,8 kg Boja: crna Kategorije: Televizori preko 55"(INCA), Tv, Audio i Video Brends SONY

SONY KD85X80LAEP UHD SMART 4K Ekran Veličina ekrana: 85" (216 cm) Rezolucija ekrana: 4K 3840 x 2160 pix Vrsta ekrana: LCD Tip pozadinskog osvetljenja: Direkt LED Smart funkcije Ugrađena memorija: 32 GB Smart TV: da Android: da Video Tjuner: DVB-T/T2/C/S/S2 - kompatibilnost sa HDR-OM (velikim dinamičkim opsegom): Da (HDR10, HLG, Dolby Vision) - procesor za sliku: 4K HDR Procesor X1 - poboljšavanje jasnoće: 4K X-Realiti PRO - poboljšavanje boja: Triluminos Pro Live Color - poboljšavanje kontrasta: Dynamic Contrast Enhancer - poboljšavanje prikaza pokreta (izvorno HZ): XR 200/240, automatski režim - režimi slike: Živopisno, standardno, bioskopski, igre, grafika, fotografije, prilagođeno, Dolby Vision - senzor: Lagan - NETFLIX calibrated mode Audio - snaga audio izlaza: 10 W + 10 W - vrsta zvučnika: Bass Reflex, X-Balanced - konfiguracija zvučnika: Pun opseg (Bass Reflex) x 2 - podrška za DOLBY audio format: Dolby™ Audio, Dolby™ Atmos - podrška za DTS audio format: DTS digitalni okružujući zvuk - Acoustic auto calibration: Kompenzacija položaja za prostoriju i korisnika Priključci / Slotovi Wi-Fi 802.11a/b/g/n/ac, 2,4/5 GHz (za Wi-Fi Direct: samo 2,4 GHz) Bluetooth 4.2 LAN Priključci: - ulazi za RF (Zemaljsku/kablovsku) vezu: 1 (sa strane) - ukupan broj HDMI ulaza: 4 (4 sa bočne strane) - USB priključci: 2 (sa strane) - ulaz za kompozitni video: 1 (sa strane, mini-jack) - RJ-45 x 1 (sa strane) - digitalni audio izlazi: 1 (sa strane) - izlazi za slušalice: 1 (sa strane) - CI+ Dodatne funkcije Chromecast built-in Apple airplay Apple homekit HDCP: HDCP 2.3 (za HDMI™ 1/2/3/4) HDMI-CEC BRAVIA SYNC (uključujući HDMI-CEC) Funkcije navedene u HDMI 2.1: eARC/ALLM HDMI audio return channel (ARC): da (eARC/ARC) Promenljiva brzina osvežavanja (VRR): da (za HDMI™ 3/4) Snimanje na USB čvrsti disk: da (1 snim.) (izuzev Italije) Podrška za formatiranje drajvera za USB: FAT16/FAT32/exFAT/NTFS Glasovna pretraga: da/Ugrađeni mikrofon: da Ugrađen prekidač za mikrofon Elektronska programska šema (EPG) Internet pregledač: Vewd Prodavnica aplikacija: da (Google Play prodavnica) Tajmer za uključivanje/isključivanje Merač vremena za isključivanje Teletekst Automatska kalibracija uz CALMAN® Fizičke karakteristike VESA standard: 400 x 400 Dimenzije sa postoljem: 1901 x 1170 x 187 mm Dimenzije bez postolja: 1901 x 1090 x 73 mm Težina sa postoljem: 47,8 kg Težina bez postolja: 45,8 kg Boja: crna Garancija 5 godina garancije obaveznu registracija na sajtu www.sony.eu/activation u roku od 15 dana od dana kupovine.