Live performance and studio recording analogue mixer with 12 input channels 8 mono input channels with award-winning Midas microphone preamplifiers 2 electronically-balanced stereo line input channels on 1/4" TRS connectors 3 band EQ on mono channels with swept mid band 2 aux sends with pre/post fader switching 60 mm precision long-life faders Rugged chassis construction for durability in portable applications Auto-ranging universal switch-mode power supply 10-Year Warranty Program* Designed and engineered in the U.K. DM12 The compact DM12 honours yourstage or studio desktop space,while providing incredible sonicperformance, amazing versatility – andan unheard of level of affordability. What is the secret behind DM12’ssuperb, studio-quality sound? TheDM12 features 8 award-winning,MIDAS microphone preamplifi ers withtrue +48 V Phantom Power, acclaimedby audio engineers the world over for their transparency and nuancedlow noise, high-headroom design. Add to this TRS Line Inputs on all 12channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ withmid-frequency sweep, 2 switchable pre/post-fader aux sends, 2 monitorouts and 2-track RCA I/O, and you have an analogue work of art – the fullyfeatured DM12!

Despite its tiny footprint, XB-10 is packed with the kinds of specialised broadcast features that normally come at a much higher price. Radio-friendly tools include a telephone communication (telco) channel, mic channel ON switch sensing, stereo channel start/cue outputs for CD deck transport control and automatic muting of speaker outputs. A separate monitor mix can be created for operator and guest or presenter, and the operator can speak off-air to the studio or telephone callers using the ‘Talk’ feature. XB-10’s preamps use low noise discrete transistor circuitry to achieve high gain and excellent linearity. Each mic channel comes equipped with our innovative CompACT compressor to keep the dynamic range of a presenter microphone under control. A variable limiter on the main output ensures that the final mix to air does not saturate expensive broadcast equipment. The plug-n-play USB connection can be used for VoIP telephone calls, recording program material, playing jingles and more. XB-10 FEATURES USB XB-10 comes with a full duplex USB soundcard built-in and many useful routing options for recording and broadcast applications. MUSIQ XB-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope for a variety of sources. OUTPUT LIMITER A variable limiter ensures the level does not exceed a pre-defined level. Back panel option switches allow the limiter to be bypassed. A trim pot is used to vary the threshold and an LED on the front panel indicates when the limiter has triggered. COMPACT COMPRESSOR XB-10 features our ComPACT compressor on each of its mic channels. CompACT (Adaptive Compression Technology) is a program-dependent audio leveller. Unlike other compressors, which are effective only at reducing loud sounds, CompACT combines both downward and upward compression with peak limiting. Low level signals are given a gain boost, mid level signals are mildly compressed with a soft knee response, and high level signals are limited. FEATURE SUMMARY 3 mic/line and 3 stereo inputs Telco channel with optional USB routing for VoIP CompACT compressors on mic channels ON switch logic on mic and telco channels Start/cue logic outputs on stereo channels Separate headphones mix and outputs Auto mutes on control room outputs Remote mute facility on mic channels Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out XLR main outputs with inserts and variable limiter Aux / Alt bus for external processing, recording or auditioning

– 2 balanced Mic/Line inputs on Euroblock connectors – 1 USB/SC/BT/Tuner media player – 4 balanced mono or stereo outputs on Euroblock connectors – Priority Micro – Phantom power on inputs 1 and 2 – Gain and tone control (3 bands) on channels 1 and 2 – Gain adjustment on all inputs – RJ45 connector for MIC-DESK4 microphone control panel – Mute contact on outputs 1 to 4 – Assignment of zones 1 to 4 on each input channel – Signal and Clip display on each input channel – Output level display per zone via Vu meter 3 LEDs – Equalization 2 bands on the front for outputs 1 to 4 – Power supply 110-240v AC or 24v DC

Effortless - Live Mixing LiveTrak’s 12 discrete channels (eight mono plus two stereo) have a 3-band mid-parametric EQ and 16 built-in send effects. Its eight mono channels also have a dedicated compressor. With all these controls plus its 12-segment LED metering, the L-12 offers just what you need for intuitive mixing. Record Everything, Remix Anywhere LiveTrak lets you record 12 discrete tracks up to 24-bit/96 kHz WAV audio to an SD card while simultaneously mixing your live show. Tracks are recorded pre-EQ and effects, so they can be transferred to your favorite DAW for further mixing and editing. *Effects, EQ, overdub, audio interface, ​fader modes A-E, and channels 13-14 (stereo mix) are not available in 96 kHz. Five Custom Monitoring Mixes Each of LiveTrak’s five monitor outputs provides a unique mix, so every performer can create and save a mix that’s tailored to their preferences. Its headphone amplifier delivers volume that stands up in any live environment without the need for a separate headphone monitoring setup. The Channel Strip ( 1 ) All 12 inputs include a channel fader and mute button. The eight mono inputs also include single-knob compression and gain control. Record or playback individual channels with the "Rec/Play" button. Use the "Select" button to apply Channel Strip settings (EQ and panning controls, and "EFX Return" settings) to the selected channel. Easy EQ Control ( 2 ) The L-12 provides a smooth 3-band mid-parametric EQ and a low cut function for each input channel. Plenty of Inputs ( 3 ) The L-12’s combo inputs support XLR or 1/4-inch connections. Channels 1 and 2 offer Hi-Z inputs for connecting an electric guitar or bass. Channels 9/10 and 11/12 have TS line connectivity for keyboards and other audio devices, as well as RCA inputs. Navigation and Display ( 4 ) LiveTrak’s bright, backlit LCD screen and encoder knob let you access an intuitive menu system to create new projects, recall previous projects, and customize your recorder settings. 16 Onboard Effects ( 5 ) The L-12 offers 16 built-in effects with fully adjustable parameters. Choose from delay and reverb effects, then apply them to any channel. Custom Scene Settings ( 6 ) Save up to nine different scenes and recall your custom settings automatically. Each scene saves fader position, EQ settings, pan, mute, and more. The “Fader Mode” buttons allow you to design custom mixes for both the Master and monitor outs. Slate Mic and Metronome ( 7 ) Use the built-in slate mic to record comments or talk-back, and program the metronome to your desired tempo. Flexible Monitoring Options ( 8 ) Five powered headphone outputs can send individual monitor sub mixes to headphones, in-ear monitors, or powered monitor speakers. Headphone output A also features two 1/4" outputs for connection to additional monitors. The main outputs feature XLR connectors to easily connect to your PA.

Processing Input Processing Channels 32 Input Channels, 8 Aux Channels, 8 FX Return Channels Output Processing Channels 16 16 aux buses, 6 matrices, main LRC 100 Internal Effects Engines (True Stereo / Mono) 16 Internal Show Automation (structured Cues / Snippets) 500 / 100 Internal Total Recall Scenes (incl. Preamplifiers and Faders) 100 Signal Processing 40-Bit Floating Point A/D Conversion (8-channel, 96 kHz ready) 114 dB Dynamic Range (A-weighted*) D/A Conversion (stereo, 96 kHz ready) 120 dB Dynamic Range (A-weighted*) I/O Latency (Console Input to Output) 0.8 ms Network Latency (Stage Box In > Console > Stage Box Out) 1.1 ms Connectors Midas PRO Series Microphone Preamplifier (XLR) 32 Talkback Microphone Input (XLR) 1 RCA Inputs / Outputs 2 XLR Outputs 16 Monitoring Outputs (XLR / ¼" TRS Balanced) 2 Aux Inputs/Outputs (¼" TRS Balanced) 6 Phones Output (¼" TRS) 2 (Stereo) Digital AES/EBU Output (XLR) 1 AES50 Ports (Klark Teknik SuperMAC) 2 Expansion Card Interface 32 Channel Audio Input / Output ULTRANET P-16 Connector (No Power Supplied) 1 MIDI Inputs / Outputs 1 USB Type A (Audio and Data Import / Export) 1 USB Type B, rear panel, for remote control 1 Ethernet, RJ45, rear panel, for remote control 1 Mic Input Characteristics Design Midas PRO Series THD+N (0 dB gain, 0 dBu output) <0.01% (unweighted) THD+N (+40 dB gain, 0 dBu to +20 dBu output) <0.03% (unweighted) Input Impedance (Unbalanced / Balanced) 10 kΩ / 10 kΩ Non-Clip Maximum Input Level +23 dBu Phantom Power (Switchable per Input) +48 V Equivalent Input Noise @ +45 dB gain -125 dB (22 Hz-22 kHz, unweighted) CMRR @ Unity Gain (Typical) >70 dB CMRR @ 40 dB Gain (Typical) >90 dB Input/Output Characteristics Frequency Response @ 48 kHz Sample Rate 0 dB to -1 dB (20 Hz-20 kHz) Dynamic Range, Analogue In to Analogue Out 106 dB (22 Hz-22 kHz, unweighted) A/D Dynamic Range, Output (Typical) 109 dB (22 Hz-22 kHz, unweighted) Crosstalk Rejection @ 1 kHz, Adjacent Channels 100 dB Output level, XLR Connectors (Nominal / Maximum) +4 dBu / +21 dBu Output Impedance, XLR Connectors (Unbalanced / Balanced) 50 Ω / 50 Ω Input impedance, TRS Connectors (Unbalanced / Balanced) 20 kΩ / 40 kΩ Non-Clip Maximum Input Level, TRS Connectors +21 dBu Output Level, TRS (Nominal / Maximum) +4 dBu / +21 dBu Output Impedance, TRS (Unbalanced / Balanced) 50 Ω / 50 Ω Phones Output Impedance / Maximum output Level 40 Ω / +21 dBu (Stereo) Residual Noise Level, Out 1-16 XLR Connectors, Unity Gain -85 dBu 22 Hz-22 kHz unweighted Residual Noise Level, Out 1-16 XLR Connectors, Muted -88 dBu 22 Hz-22 kHz unweighted Residual Noise Level, TRS and s Monitor out XLR Connector -83 dBu 22 Hz-22 kHz unweighted Display Main Screen 7" TFT LCD, 800 x 480 Resolution, 262k Colours Channel LCD Screen 128 x 64 LCD with RGB Colour Backlight Main Meter 24 Segment (-57 dB to Clip) Power Switch-Mode Power Supply Auto-Ranging 100-240 VAC (50/60 Hz) ± 10% Power Consumption 120 W Physical Standard Operating Temperature Range 5°C – 40°C (41°F – 104°F) Dimensions 891 x 612 x 256 mm (35.1 x 24.1 x 10.1") Weight 25 kg (55 lbs)

iPad*/Android* tablet controlled 12-input digital mixer for studio and live application 4 award-winning Midas PRO microphone preamplifiers Built-In Tri-Mode Wifi router for direct operation—no need for external routers Dugan*-style Auto-Mixing automatically manages microphone gain sharing USB connector for uncompressed stereo WAV recording and playback 4 digital signal processing effects engines Rack ears and protection bumpers included for flexible rack and onstage applications 6 aux buses and main LR with inserts, full dynamics processing and 6-band parametric or 31-band graphic EQ 2 TRS aux outputs and 2 XLR main outputs plus phones connector 40 bit floating point digital signal processing Free iOS, Android and PC/Mac*/Linux* apps available for remote operation via Ethernet, LAN or WiFi MIDI In/Out allows controlling the mixer via MIDI equipment Future firmware updates, incl. new FX “Plug Ins”, downloadable from midasconsoles.com free of charge Auto-ranging universal switch-mode power supply 10-Year Warranty Program* Designed and engineered in the U.K.

CONTINUITY UI It's your mixer so mix your way. With a massive 206 square inches of screen space operating at a crisp 1080p Full HD resolution, Continuity UI allows you to see and instantly interact with more of what matters, enabling a seamless connection between the physical controls and the displays. The faders react on touch to immediately highlight the active channels for instant visual feedback. The channel rotaries let you work gains or pans, then at the touch of a button, dynamically fold the display to show EQ or compressor parameters across the whole bank. Each screen also features a FastGrab tab on the right-hand side, giving you split-second access to key freely-assignable parameters like aux sends, EQ, compressor and FX on the currently selected or specific channel. The whole system is set up to dynamically surface the information you need at any moment and put control right at your fingertips. Whether you’re an owner/operator looking to build a compact system, or a rental company with existing Allen & Heath stock, the SLink connection on Avantis allows true flexibility by connecting to the entire range of Allen & Heath audio expander hardware. Add a Dante card to your system and you’ve got even more options, with our dedicated Dante expanders, DT168 and DT164-W. GX4816 - THE PERFECT PARTNER I/O 48 XLR Input / 16 XLR Output - 96kHz GX4816 is a 96kHz audio expander that provides high-input-count remote expansion that makes it the ideal I/O expander for Avantis. Each GX4816 is loaded with 48 dLive mic preamps with independent Phantom Power LED indicators, plus 16 XLR line outputs. Additionally, 2 DX ports are provided for connection to up to 4 DX Expanders for further I/O expansion. Connection to a ME Personal Mixing System is possible via the DX2 socket. DX012 - GET MORE OUT OF YOUR SYSTEM 12 Configurable Outputs - Switchable Analogue/AES - 96kHz Perfect for feeding IEM systems and amplifier racks, DX012 offers both analogue and AES digital output options in a compact 1U form factor. Each DX012 provides 12 XLR outputs, configurable as: 12 analogue line outputs 8 analogue line outputs + 4 stereo AES outputs 4 analogue line outputs + 8 stereo AES outputs Right out of the box, Avantis is loaded with powerful processing tools that will easily meet the demands of most users and applications. Want more options? Upgrade your console with Avantis dPack to get additional dLive processing including Dyn8 (up to 16 instances), DEEP Compressors, and the Dual Stage Valve Preamp, plus more models as they’re added. dPACK - DEEP Trusted by platinum selling artists on sellout tours, DEEP puts incredible emulations directly within Avantis’ input and mix channels with zero latency. No burning FX slots, no 3rd party gear hassles and no issues with latency or phase coherency. dPACK - DYN8 Avantis dPack also delivers Dyn8, a powerful and sophisticated processor boasting 4 bands of dynamic EQ and 4 bands of multiband compression. With endless applications including taming vocals, tightening sub-groups or adding sonic glue to a mix, Dyn8 changes the way we think about dynamic processing. dPack enables 16 Dyn8 engines for inserting on Input and Mix channels. A WORLD OF CONTROL Avantis can be controlled using the Avantis Director software, MixPad app, Custom Control app or from our range of remote controllers and GPIO interfaces, with up to 48 IP remote controllers over a standard TCP/IP network. Applications include control of IEM mixes on stage, extra fader banks at FOH, and local control in breakout rooms.

Processing Input Processing Channels 32 Input Channels, 8 Aux Channels, 8 FX Return Channels Output Processing Channels 16 16 aux buses, 6 matrices, main LRC 100 Internal Effects Engines (True Stereo / Mono) 16 Internal Show Automation (structured Cues / Snippets) 500 / 100 Internal Total Recall Scenes (incl. Preamplifiers and Faders) 100 Signal Processing 40-Bit Floating Point A/D Conversion (8-channel, 96 kHz ready) 114 dB Dynamic Range (A-weighted*) D/A Conversion (stereo, 96 kHz ready) 120 dB Dynamic Range (A-weighted*) I/O Latency (Console Input to Output) 0.8 ms Network Latency (Stage Box In > Console > Stage Box Out) 1.1 ms Connectors MIDAS PRO Series Microphone Preamplifier (XLR) 32 Talkback Microphone Input (XLR) 1 RCA Inputs / Outputs 2 XLR Outputs 16 Monitoring Outputs (XLR / ¼" TRS Balanced) 2 Aux Inputs/Outputs (¼" TRS Balanced) 6 Phones Output (¼" TRS) 2 (Stereo) Digital AES/EBU Output (XLR) 1 AES50 Ports (KLARK TEKNIK SuperMAC) 2 Expansion Card Interface 32 Channel Audio Input / Output ULTRANET P-16 Connector (No Power Supplied) 1 MIDI Inputs / Outputs 1 USB Type A (Audio and Data Import / Export) 1 USB Type B, rear panel, for remote control 1 Ethernet, RJ45, rear panel, for remote control 1 Mic Input Characteristics Design MIDAS PRO Series THD+N (0 dB gain, 0 dBu output) <0.01% (unweighted) THD+N (+40 dB gain, 0 dBu to +20 dBu output) <0.03% (unweighted) Input Impedance (Unbalanced / Balanced) 10 kO / 10 kO Non-Clip Maximum Input Level +23 dBu Phantom Power (Switchable per Input) +48 V Equivalent Input Noise @ +45 dB gain (150 ? source) -125 dB (22 Hz-22 kHz, unweighted) CMRR @ Unity Gain (Typical) >70 dB CMRR @ 40 dB Gain (Typical) >90 dB Input/Output Characteristics Frequency Response @ 48 kHz Sample Rate 0 dB to -1 dB (20 Hz-20 kHz) Dynamic Range, Analogue In to Analogue Out 106 dB (22 Hz-22 kHz, unweighted) A/D Dynamic Range, Preamplifier and Converter (Typical) 109 dB (22 Hz-22 kHz, unweighted) D/A Dynamic Range, Converter and Output (Typical) 109 dB (22 Hz-22 kHz, unweighted) Crosstalk Rejection @ 1 kHz, Adjacent Channels 100 dB Output level, XLR Connectors (Nominal / Maximum) +4 dBu / +21 dBu Output Impedance, XLR Connectors (Unbalanced / Balanced) 50 O / 50 O Input impedance, TRS Connectors (Unbalanced / Balanced) 20 kO / 40 kO Non-Clip Maximum Input Level, TRS Connectors +21 dBu Output Level, TRS (Nominal / Maximum) +4 dBu / +21 dBu Output Impedance, TRS (Unbalanced / Balanced) 50 O / 50 O Phones Output Impedance / Maximum output Level 40 O / +21 dBu (Stereo) Residual Noise Level, Out 1-16 XLR Connectors, Unity Gain -85 dBu 22 Hz-22 kHz unweighted Residual Noise Level, Out 1-16 XLR Connectors, Muted -88 dBu 22 Hz-22 kHz unweighted Residual Noise Level, TRS and Monitor out XLR Connector -83 dBu 22 Hz-22 kHz unweighted Display Main Screen 7" TFT LCD, 800 x 480 Resolution, 262k Colours Channel LCD Screen 128 x 64 LCD with RGB Colour Backlight Main Meter 24 Segment (-57 dB to Clip) Power Switch-Mode Power Supply Auto-Ranging 100-240 VAC (50/60 Hz) ± 10% Power Consumption 120 W Physical Standard Operating Temperature Range 5°C – 40°C (41°F – 104°F) Dimensions 891 x 612 x 256 mm (35.1 x 24.1 x 10.1") Weight 25 kg (55 lbs)

Live performance digital console with up to 48 simultaneous input channels 24 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 172 inputs and 172 outputs @ 96 kHz sample rate 8 VCA (Variable Control Association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 18 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Auto-ranging universal switch-mode power supply 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling frequency 96 kHz Latency <2 ms input to master (no compensation) Dynamic range 107 dB, 22 Hz to 22 kHz (no pre-emphasis) Maximum voltage gain 80 dB inputs to subgroups and masters 86 dB inputs to aux and matrix Crosstalk at 1 kHz -100 dB physically adjacent input channels Crosstalk at 10 kHz -90 dB physically adjacent input channels Fader/pan cut off at 1 kHz -100 dB Fader/pan cut off at 10 kHz -100 dB Display screen 1 x 15" daylight-viewable colour screen Dimensions (H x W x D) 685 x 722 x 288.6 mm (27.0 x 28.4 x 11.4") Net weight PRO1 control centre: 21.5 kg Shipping weight Touring (in flight case): 97.5 kg Install (in carton): 28.7 kg Power requirements 100 V to 240 V a.c. ±10%, 50 to 60 Hz Operating temperature range +5°C to +45°C Storage temperature range -20°C to +60°C Frequency Response 0 dB Gain Input Surface I/O Output Surface I/O 20 Hz 0 dB to -1.0 dB 20 kHz 0 dB to -1.0 dB Input Surface I/O Output Surface I/O 20 Hz 0 dB to -1.0 dB 20 kHz 0 dB to -1.0 dB 40 dB Gain Gain Error at 1 kHz 0 dB Gain Input Surface I/O Output Surface I/O Maximum +1.0 dB Minimum -1.0 dB 45 db Gain Input Surface I/O Output Surface I/O Maximum +1.0 dB Minimum -1.0 dB Input CMRR 0 dB Gain Input Surface I/O Output Surface I/O 100 Hz 60 dB 1 kHz 60 dB 45 dB Gain Input Surface I/O Output Surface I/O 100 Hz 90 dB 1 kHz 90 dB Distortion at 0 dBu 0 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.01% 10 kHz 0.01% 45 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% Distortion at +20 dBu 0 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% 45 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% Mixing Noise (All Bus Types) 22 Hz to 22 kHz Unweighted 12 Inputs Gain 0 dB Fader position #NAME? Pan Central Output noise -91 dBu 12 Inputs Gain 0 dB Fader position 0 dB Pan Central Output noise -78 dBu 24 Inputs Gain 0 dB Fader position #NAME? Pan Central Output noise -91 dBu 24 Inputs Gain 0 dB Fader position 0 dB Pan Central Output noise -75 dBu 48 Inputs Gain 0 dB Fader position #NAME? Pan Central Output noise -91 dBu 48 Inputs Gain 0 dB Fader position 0 dB Pan Central Output noise -72 dBu Signal Path Noise 22 Hz to 22 kHz Unweighted 0 dB Gain Input Surface I/O Output Surface I/O Output Noise -86 dBu EIN -86 dBu 45 dB Gain Input Surface I/O Output Surface I/O Output Noise -81 dBu EIN -126 dBu Dynamic Range 22 Hz to 22 kHz Unweighted 0 dB Gain Input Surface I/O Output Surface I/O Maximum Output +21 dBu Dynamic Range 107 dBu 45 dB Gain Input Surface I/O Output Surface I/O Maximum Output +21 dBu Dynamic Range 102 dBu PRO1 Control Surface - DSP/Router System Inputs and Outputs System connectors 6 x AES50 (24 channels of bidirectional digital audio) on etherCon XLR Word clock IN connector BNC Word clock OUT connector BNC Video sync IN connector BNC AES3 sync IN connector 3-pin XLR AES3 sync OUT connector 3-pin XLR PRO1 Control Surface - Analogue Audio System Inputs Connector 3-pin XLR balanced A/D converter 24-bit, 96 kHz with 128 times oversampling Talkback connector 3-pin XLR balanced line Talk connector 3-pin XLR balanced mic with +48 V phantom power PRO1 Control Surface - Analogue Audio System Outputs Connector 3-pin XLR balanced D/A converter 24-bit, 96 kHz with 128 times oversampling Monitor connector 3-pin XLR balanced line Talk connector 3-pin XLR balanced line Headphone connector ¼" Jack (stereo) PRO1 Control Surface - Digital Audio System Inputs and Outputs Input connector AES3 (two channels of digital audio) on 3-pin XLR Sample rates Accepts any frequency 32 kHz - 96 kHz Bypass Sample rate converter can be bypassed Output connector AES3 (two channels of digital audio) on 3-pin XLR Sample rate 48 kHz, 96 kHz, or auto-tracking to inputs Bypass Sample rate converter can be bypassed Word length 16, 20 or 24-bit PRO1 Control Surface - Control Data System Inputs and Outputs System connector etherCon XLR PRO1 Control Centre - Miscellaneous Inputs and Outputs Monitor output connector DVI/DP+ USB host connection USB 2.0 full speed (12.0 Mbs) 5 V, 1A maximum load Lamp connector 4-pin XLR MIDI In, Out and Thru on 5-pin DIN Footswitch connector ¼" Jack Analogue Input Characteristics Surface I/O Load Z 10 k Gain -22.5 dB to +65 dB Maximum Level +24 dBu Connector XLR Talk Mic Load Z 600R Gain +15 dB to +60 dB Maximum Level +6 dB Connector XLR Monitor Load Z 10 k Gain 0 dB Maximum Level +21 dBu Connector XLR Analogue Output Characteristics Surface I/O Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Talk Out Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Monitor Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Headphones Digital I/O Characteristics AES3 Channels 2 Data length 24-bit I/O Input Description notes Conforms to AES3-2003 Connector XLR AES3 Channels 2 Data length 24-bit I/O Output Description notes Conforms to AES3-2003 Connector XLR AES50 Channels 24 Data length 24-bit I/O Bidirectional Description notes Conforms to AES50 -2011 Connector etherCon XLR Miscellaneous Digital Characteristics Word clock I/O IN Description notes Accepts TTL level, 96 kHz square wave; impedance 75 O Connector BNC Word clock I/O OUT Description notes Provides TTL level, 96 kHz square wave Connector BNC AES sync I/O IN Description notes Accepts a 96 kHz digital audio signal conforming to AES3-2003 Connector XLR AES sync I/O OUT Description notes Provides a 96 kHz grade II reference signal conforming to AES3-2003 Connector XLR

Inspired by 40 years of legendary large-format SSL consoles, the Solid State Logic SiX is a 6-channel SuperAnalogue desktop mini mixer offering SSL's high-end sonic signature, powerful analog processing, and versatile configurability in a frame that's equally at home stationed in a studio or living life on the road. It features two mono input channels—each containing a console-grade SuperAnalogue microphone preamp with phantom power, a high-pass filter, and up to 72 dB of gain, plus a line / Hi-Z 1/4" input—and two stereo input channels. The mono channels boast single-knob compressors, 2-band EQ, and balanced insert points for flexible onboard and outboard processing, and all channels are outfitted with smooth 100mm faders. Fully equipped to function as the hub for your recording session operations, the SiX provides a 3-pin XLR talkback mic input with selectable phantom power and LMC (SSL's heralded Listen Mic Compressor), 45 dB of gain, and adjustable output level. Separate talk buttons enable the talkback signal to be sent to either or both of the two cue buses, which can be sourced from the channel cue sends or external inputs. Connect the rear-panel 1/4" foldback outputs to your headphone amps, and plug in control room headphones to the top-panel headphone jack. After all recording is done, this desktop console grants 12-input summing at mixdown. With a G-Series stereo bus compressor on the main mix bus, a pre-fader mix insert, and an alternate B bus (great for parallel mix compression), the SiX is highly capable of handling in-demand mixing styles. Also, its comprehensive control room section accommodates two sets of speakers, source selection, and easy access to mono, dim, and mute functions. Compact desktop-friendly design with angled top panel for ergonomic access to controls Functions as a 6-channel (two mono and two stereo) recording mixer or a 12-input summing mixer Ideal for studio-based music and post production, live stage applications, podcasting, and more Delivers +27 dBu headroom, wide dynamic range, ultralow noise and distortion, and precise imaging Fully balanced signal path except for the headphone output Two mono channels with SuperAnalogue mic preamps, individually switchable phantom power, 1/4" line/Hi-Z inputs, 75 Hz high-pass filters, and balanced insert points Single-knob channel compressors feature signal-dependent attack, release, and ratio parameters with automatic make-up gain and adjustable threshold E-Series-style, gentle, 2-band channel equalizers with up to 15 dB of boost/cut, selectable shelving (at 3.5 kHz and 60 Hz) or bell (at 5 kHz and 200 Hz) modes, and in/bypass buttons Long-throw 100mm faders on all channels and main bus Two stereo cue sends with independent level and pan controls Per-channel PFL solo and 8-segment LED meters Channel mute buttons reroute signal away from the main bus to the B bus Two stereo input channels with -10 to +20 dB trim for line sources such as synthesizers, drum machines, and more G-Series Bus Compressor on the main mix bus; fixed ratio, attack, and release settings give you the classic SSL glue in an instant Two external stereo inputs with adjustable levels Flexible control room section with main and alt speaker outputs, mono and mute switches, and adjustable dim External talkback mic input with phantom power, 45 dB of gain, selectable LMC (Listen Mic Compressor), and adjustable output level Meters have defined segments for +24 dBu and +18 dBu to match the two most common 0 dBFS alignment standards (EBU at 0 dBFS = + 18 dBu, and SMPTE at 0 dBFS = +24 dBu) Gain reduction LED meters for channel compressors and main bus compressor External power supply with locking connector moves the power supply's electromagnetic interference away from the SiX's audio circuits, allowing uncompromising bandwidth with accurate phase and transient response Power rails are ramped on power-up to minimize thumps on monitor and headphone outputs Number of Analog Input Channels 6 Number of Mic Preamps 2 Analog Output Channels 1 x Stereo Master Output 1 x Stereo Control Room/Monitor Output 1 x Stereo ALT Control Room/Monitor Output 1 x Stereo Bus/Subgroup Output 1 x Stereo Foldback/Cue Output 1 x Stereo Headphone Output Mix Routing 2 x Stereo Aux Send per Input Channel Faders & Level Adjustment 3.9" / 100 mm Channel Fader Meters Channel Meter: 8-Segment LED Main Meter: 2 x 12-Segment LED Signal Processing Gain/Trim Range Mic Input: +6 dB to +72 dB Line Input: -3 dB to +63 dB Stereo Line Input: -10 dB to +20 dB Sidechain Filters High-Pass: 50Hz, 6 dB/Octave EQ Parameters High: ±15 dB at 3.5 kHz (Shelving) Hi-Mid: ±15 dB at 5 kHz (Notch/Peak) Low: ±15 dB at 60 Hz (Shelving) Low: ±15 dB at 200 Hz (Notch/Peak) Solo/Mute PFL, Mute per Input Channel Built-In Effects No Performance Headroom Channel: > +27 dBu Channel Compressor: > +26 dBu Channel EQ: > +27 dBu Main Mix: > +24 dBu (into 600 Ohms) > +27.5 dBu () Frequency Response Mic/Line Input to Main Output: 20 Hz to 20 kHz +0.1/-0.3 dB Max Input Level Mic Input: +21 dBu Line/Hi-Z Input: +27 dBu (Mono) +31 dBu (Stereo) I/O Impedance Main Output: 100 Ohms Mic Input: 1.2 Kilohms Hi-Z Input: 1 Megohm Line Input: 10 Kilohms (Mono) 10 Kilohms (Stereo) CMRR Mic Input: > 80 dB Line Input: > 70 dB Stereo Line Input: > 50 dB EIN < -127.5 dBu Noise Floor Channel Compressor: < -90 dBu Channel EQ: < -88 dBu Main Output: < -90 dBu (< -116 dB with Respect to +26 dBu, with One Channel Routed) < -85 dBu (< -111 dB with Respect to +26 dBu, with All Channels Routed) THD+N Mic Input: < 0.0015% (1 kHz) Line Input: < 0.0015% (1 kHz) Stereo Line Input: < 0.0007% (1 kHz) Connectivity Analog Inputs 1 x XLR 3-Pin Talkback Input 1 x DB-25 25-Pin Alt Insert 2 x XLR 3-Pin Mic Input 2 x 1/4" TRS Line/Hi-Z Input 4 x 1/4" TRS Line Input (2 Stereo Pairs) Analog Outputs 1 x 1/4" TRS Headphone Output 2 x 1/4" TRS Bus Output 2 x 1/4" TRS Monitor Output 2 x 1/4" TRS Alt Output 1 x DB-25 Alt/Main/Monitor Output 4 x 1/4" TRS Foldback Output 2 x XLR 3-Pin Main Output Phantom Power +48 V (Selectable on Individual Inputs) Power Power Supply Output 15 VDC at 3.3 A Power Consumption 38 W Physical Rack Mountable No Operating Temperature 34 to 86°F / 1 to 30°C Storage Temperature -4 to 122°F / -20 to 50°C Dimensions 12.2 x 4.7 x 8.6" / 31 x 12 x 21.8 cm (Excluding Trim) 12.2 x 4.7 x 10.6" / 31 x 12 x 27 cm (Including Trim) Weight 7.7 lb / 3.5 kg Packaging Info Package Weight 13.255 lb Box Dimensions (LxWxH) 14.1 x 12.7 x 6.3"

The TASCAM LM-8ST is a 1-space rackmountable line mixer for installation, studio submixing, keyboardists or anyone looking for a great-sounding mix. Eight pairs of balanced 1/4" TRS inputs - switchable from +4 or -10dB - can be bussed to a pair of XLR balanced outputs, labeled ST1 and ST2/AUX. Pre or post-fader bussing is available for the alternate buss, and master output level controls and metering keep signals under control. A microphone input is also provided for announcements or performance. Packed with high-quality audio components, the TASCAM LM-8ST is perfect for any live performance or installation. LM-8ST SPECIFICATIONS Features: 8 stereo channel / 4-buss line mixer (8) stereo 1/4" TRS balanced inputs with -10/+4dB switch 1U rack mountable Mic input with trim control on front panel 2-segment LED meter per channel ST1 and ST2/AUX level control per channel ST1 and ST2/AUX master level controls Each channel switchable to ST2 (pre fader) or AUX (post) output 1/4" and 1/8" stereo headphone outputs XLR balanced ouptuts for ST1 and ST2/AUX Stereo balanced buss output/input for cascade Ground lift switch and terminal Applications: Boardroom Conference room Health club Restaurant House of worship Keyboard mixer Effects return submixer One-man performance stage mixer

20 Inputs for Bigger Sound The LiveTrak L-20 is designed to mix bigger. It features 20 inputs (16 mono mic/line inputs and two stereo inputs), all with independent 3-band mid-parametric EQ. The 16 mono inputs offer stand-alone compressor control. 22 Tracks of Recording Record 20 discrete channels plus a stereo mix directly to an SD card. The LiveTrak L-20 captures pristine audio in resolutions up to 24-bit/96 kHz.* At -128 dBu EIN with +60 dB maximum input gain, the L-20 is equipped with our quietest and most advanced preamps ever. Mix down finished songs on the L-20 or transfer your discrete tracks to a DAW to perfect later. 

*Effects, EQ, overdub, audio interface, and fader modes A-F are not available in 96 kHz. Create Six Custom Monitor Mixes With six independent monitor outputs for musicians, each output can have its own custom mix, complete with effects, that can easily be switched from a powerful headphone output, to a balanced line output for stage monitors. And One for the House The LiveTrak L-20 features a dedicated 7th output for the FOH engineer. The sound engineer can monitor the main mix and any of the sub mixes, thus adjusting them to the musicians’ satisfaction. Channel Strip All 20 inputs include a channel fader as well as dedicated mute and solo buttons. The 16 mono inputs include single-knob compression and gain control. Record or playback individual channels with the "Rec/Play" button. EQ Control The L-20 provides a smooth 3-band mid-parametric EQ and a variable frequency low-cut for each channel. Use the "Select" button to apply Channel Strip settings to the selected channel. 2 EFX Sends The L-20 offers 20 built-in effects with adjustable parameters. Choose from delay and reverb effects, then apply them to any channel using two dedicated EFX busses. Broad Connectivity The L-20’s combo inputs support XLR or ¼-inch connections. Channels 1-2 offer Hi-Z inputs for electric guitar or bass. Channels 17/18 and 19/20 have TS line connectivity for keyboards and other audio devices, as well as RCA inputs. Navigation and Display The LiveTrak L-20’s bright, backlit LCD screen and encoder knob let you access an intuitive menu to create new projects, recall previous projects, and customize your recorder settings. Slate Mic and Metronome Use the built-in slate mic to record comments or talk-back. Push the tempo button to program the metronome to your desired tempo. Transport Controls and Overdub Button Transport controls include Record, Play/Pause, Stop, Fast Forward, and Rewind. The overdub button allows you to record additional tracks to your current project. Six Custom Monitor Mixes The “Fader Mode” buttons allow you to design custom mixes for both the master and monitor outs. For each output, easily switch between a powerful headphone output and a balanced line output for stage monitors. Headphone Output for FOH The L-20 includes a dedicated headphone output for front-of-house, enabling them to monitor any of the custom sub mixes as well as the master mix. Custom Scene Settings Create and save up to nine different scenes to recall fader position, EQ settings, pan, mute, and more. Big Beautiful Interface Although the LiveTrak L-20 is designed to work as a stand-alone recording and mixing console, it can also be used as a 22-in/4-out USB audio interface. Audio Interface mode lets you route inputs to any DAW or streaming software, even while recording to an SD card. Additionally, audio can be routed from your computer into the L-20 to be mixed with your live performance. Class compliant mode, which enables connection with iOS devices, is supported as well.* *Apple Lightning to USB Camera Adapter required. Wireless Mixing The LiveTrak L-20 offers wireless control* via a free iOS mobile app "L-20 Control" featuring most onboard functions, including Fader Levels and Modes, Scenes, EQ, EFX sends, returns, parameters, and more. You can even manage your Effects Library and Scene Library right from your device. Control it all on either large Monitor Out view with a mini transport, or a mini Monitor Out view with expanded Transport controls. * Zoom Bluetooth adapter (ex. BTA-1) required. Communication at up to 10 meters is possible in an unobstructed indoor space with BTA-1 units. LiveTrak L-20 Features 20 discrete channels (16 mono plus 2 stereo) with XLR or ¼-inch connectivity 22-track simultaneous recording, 20-track playback 22-in/4-out USB audio interface connectivity Records up to 24bit/96kHz audio to SD card 48V phantom power Hi-Z connectivity (channels 1-2) 26dB pad (channels 3-16) Built-in compression control (Channels 1-16) Solo buttons for individual channels Variable frequency low-cut control Main outputs plus 6 customizable monitor outputs Dedicated headphone output for sound engineer Scene saving function, up to 9 scenes saved at a time 20 built-in chorus, delay and reverb effects with adjustable parameters Two effect busses Built-in slate mic Class-compliant mode (for iOS compatibility) Compatible with Remote Mixer app for iPad Automatic recording starting/stopping capability Pre-record function Import/export projects with USB 2.0 host port Compatible functions for ZOOM FS01 footswitch Automatic power-save function What's in the Box Included with the L-20 LiveTrak L-20 AD-19 AC Adapter USB 2.0 Cable Quick Guide Optional Accessories RKL-12 Rack Mount Adapter BTA-1 Bluetooth Adapter FS01 Momentary Footswitch CBL-20 Carrying Bag

Klark Teknik DN32-MADI MADI uređaji se široko koriste u raznim profesionalnim audio aplikacijama, uključujući trajnu instalaciju, zvuk turneje, snimanje uživo/studija i emitovanje. DN32-MADI kartica za proširenje omogućava vašoj Midas M32 ili Behringer Ks32 digitalnoj konzoli da razmenjuje 24-bitni višekanalni audio tok na 44,1 ili 48 kHz sa bilo kojim drugim uređajem kompatibilnim sa MADI. Protokoli koje podržava DN32-MADI uključuju AES10-1991 sa maksimalno 56 k 56 kanala i AES10-2003 sa 64 k 64 kanala. DN32-MADI je opremljen optičkim dupleks SC konektorima (IEC874-19) za povezivanje sa MADI uređajima pomoću višemodnog optičkog kabla. Klark Teknik je uspešno testirao višemodne kablovske veze dužine 500 metara, dok je moguća udaljenost do 2 km. Dvostruki BNC konektori su takođe dostupni za prenos preko standardnih koaksijalnih kablova od 75 oma dužine do 100 metara. Ako koristite i optički i koaksijalni interfejs, koaksijalni I/O služi kao redundantna veza i automatski se aktivira kada optička veza postane nedostupna. I BNC koaksijalni i optički ulaz mogu funkcionisati kao izvor taktnog signala za mikser. Alternativno, koaksijalni i optički izlazi mogu da prenesu unutrašnji takt reči konzole na spoljne uređaje. Ulazni tok DN32-MADI kartice može da sadrži do 64 kanala, od kojih se 32 mogu koristiti na konzoli. Slično, 32 od ovih internih signala mogu se preneti na MADI izlazni tok, zamenjujući signale odgovarajućih ulaznih kanala.

Mackie DL16S digitalna mikseta 16-kanalna digitalna miks konzola sa daljinskim upravljačem, idealna za moderan zvuk uživo. Zahvaljujući scenskom dizajnu, robusnoj konstrukciji i gumenom uglu, veoma je izdržljiv i može se postaviti praktično bilo gde. Ovo je podržano digitalnom obradom i integrisanim Wi-Fi, što omogućava da se uređaj kontroliše sa računara ili pomoću mobilnog uređaja. Mixpult ima Onik + pretpojačala, Master Fader kontrolu, USB zvučnu karticu za jednostruko snimanje, DSP procesor sa četiri efekta ili fleksibilno rutiranje uključujući slanje i grupisanje. Uređaj ima 8k KSLR mikrofonskih ulaza, 6k XLR-1/4'' kombinovanih, 2k XLR-1/4'' kombinovanih (mikrofon, linija, Hi-Z) 6k stereo podgrupa, 13k izlazna magistrala, 6k grupa za isključivanje zvuka, 1k RJ45 I/O za eksterne uređaje, 1k USB tip B i 1k ¼ '' izlaz za slušalice. Ulazni kanali uključuju 4-pojasni parametarski ekvilajzer, kapiju, kompresor i spektrograf. Izlazi uključuju 4-pojasni EK + HPF / LPF, precizan 31-pojasni ekvilajzer, kompresor / limiter, kompenzaciju kašnjenja i spektrograf.

Soundking Dks20-a digitalna mikseta 6 Dca grupa 2 Isključite zvuk grupa DSP sa 8 efekata 4 korisnički definisana dugmeta 7" Hd ekran osetljiv na dodir 2 korisnički definisana sloja povezivanje ulaznih kanala Rs485 podrška za centralni kontrolni interfejs Prenos signala kroz ulazni i izlazni kanal daljinsko upravljanje sa bilo kog uređaja sa pregledačem koji podržava Html5

Mini hifi digitalni bluetooth audio pojačavač snag pogodan za vaš dom, automobil kao i za rođendaonice,klubove, kafiće, igraonice i ostale vidove zabave..Paket uključuje: Audio pojačalo i daljinski upravljač. Specifikacije: Boja Crna Modelʹ: BT-309A Ulazni napon: AC 220V / DC12V (u automobilu) bluetooth podrška Izlazna snaga: 100V + 100V Izvršna snaga: 400W+ 400W Otpor opterećenja: 4Ω -16Ω 2 kanala Impedanca opterećenja: 4-16Ō SNR: > 88 db FM frekvencija: 87.5-108MHz Stopa distoracije: 0.05% Frekvencija: 10Hz-20KHz Osetljivost: 0.25mV-220mV RC napajanje: CR2052 baterija (ugrađena) Veličina: pribl. 20k20.5k5.5cm / 7.87k8.07k2.17 '' Karakteristike: - Ugrađeni LCD ekran sa funkcijom pozadinskog osvetljenja. -SD kartica, MP3 format, podrška za Bluetooth bežičnu vezu. - Podržava FM stereo radio. - Dva ulaza za mikrofon, karaoke sistem u vašem domu ili automobilu. - Sa visokom frekvencijom, basom i kontrolom jačine zvuka, veoma se lako koristi - Niska distorzija pruža jasniji, jači i snažniji zvuk. - Dva glavna kanala. Sa funkcijom daljinskog upravljanja. -DC / AC napajanje. Potpuno novo-neotpakovano. Šaljem brzom poštom a moguće je i lično preuzimanje u Novom Sadu.

Audio mikseta snimanje 48V Fantomski efekti napajanja 4 kanala audio mikseta sa USB (Eu utikačem) * Audio mikser Bluetooth 48V Phantom Pover za Karaoke Ktv Match Parti 4-mono kanala i 2 grupe stereo kanala. Jednostavan, fleksibilan, visoko efikasan, fini i super linearni mikropojačalo. Sa ugrađenim DSP digitalnim efektom Overload lamo može prilagoditi svoju lakoću u skladu sa događajem preopterećenja radi upozorenja. Tačka umetanja je jednaka za monokanalni i glavni izlaz za povezivanje spoljnog procesora signala. 2-AUKS izlazi, svi mogu prelaziti na pre / post fader i povezivati se sa spoljnim procesorom. * Visoka tačna kolona sa tri nivoa boje, kako bi se efektivno prikazao izlaz. 60 mm visoki precizni prigušivač POT-a. Ugrađeno napajanje izvorom prekidača, fleksibilnije i praktičnije. Tip priključka: EU Veličina: 18,3 * 18,5 * 5,7cm Materijal: plastika Boja: Crna Sadržaj pakovanja: 1 Mikseta

Originalna americka mikseta fender 2x300 wati sa efektima.Uz miksetu se dobija i trafo koji prebacuje 110 volti na 22o volti

Svaki od 8 mikrofonskih kanala ima 4-band dual sweep Perkins EQ i kvalitetno Onyx mikrofonsko pretpojačalo, dok 4 stereo kanala poseduju 3-band EQ. Tu su i 4 Aux odziva za monitorsko miksovanje na bini, Cue miksovanje za slušalice u studiju, i za slanje efekata. Svaki od navedenih kanala (uključujući i Aux sends & Master) mogu da se povežu putem FireWire iinterfejsa sa DAW-om po vašem izboru. Značajan broj mikrofonskih inputa čine Onyx 1620i sjajnim izborom za bendove, jer svaka proba/svirka može lako postati i snimljeni sešn, obzirom da svaki instrument može da se snimi na poseban mikrofon. Prva dva kanala Onyx-a 1620i imaju dugme koji transformiše input u DI nivoa instrumenta, što je idealno za gitare i el. baseve. Talkback sekcija sa integrisanim mikrofonom omogućuje komunikaciju sa izvođačima iz kontrolne sobe studija, ili kroz monitore sa muzičarima na bini. 16-kanalni premijum analogni mikser sa integrisanim 24-bit/96kHz FireWire I/O Kompatibilni softver: Pro Tools M-Powered 8, Final Cut Pro, Logic, Ableton Live, Cubase, Sonar Final Cut Pro Elegantni kanalni regleri i master fejderi od 60 mm Fantomsko napajanje (48V) za svaki od mikrofonskih ulaza Total # Of Inputs: 16. Mic/Line Inputs: 8 x Microphone Inputs 12 x Line Inputs (channels 1 & 2 can be switched to Hi-Z instrument level) Stereo Line Inputs: 3-band Perkins EQ on stereo line channels AUX Sends: 4, AUX Returns: 4 Stereo Returns, Inserts: 8 x Channel Inserts 2 Trk Master I/O; 2 x Balanced XLR Outputs with Mic or Line-Level Output Button ALT I/O 2 x TRS 1/4" Alt. Output; Stereo RCA Tape Input & Output Monitor Outputs: 2 x Balanced TRS 1/4" Control Room Outputs (with dedicated volume knob) 1 x Stereo 1/4" Headphone Output (with dedicated volume knob) EQ Section: 8 x 4-Band EQ with a High Mid Sweep and a Low Mid Sweep 4 x 3-Band EQ (on stereo channels) Solo/Mute: Yes, on every channel Channel Level Control: 60mm Channel & Master Faders Trim/Gain Control: Rotary Knob Phantom Power : Yes, +48V (on every mic channel with individual buttons) Metering: 12-Segment LED Master Meter, 2-Segment LED Meter On Every Channel Frequency Response: Mic input to any output with all gain stages at unity: +0/-0.5 dB, 20 Hz to 20 kHz Stereo channel line input to any output with all gain stages at unity: +0/-0.5 dB, 20 Hz to 20 kHz FireWire In & Out at 44.1 kHz: +/-0.5 dB, 20 Hz to 20 kHz, -3 dB at 21 kHz FireWire In & Out at 96 kHz: +/-0.5 dB, 20 Hz to 20 kHz, -3 dB at 45 kHz Total Harmonic Distortion (THD): 20 Hz to 20 Hz, 20 Hz to 80 kHz Bandwidth Mic Input at Insert (+4 dBu in, 0 dB gain, +4 dBu out): 0.0057% Power Supply: Universal AC Power Supply, 100 VAC - 240 VAC, 50 - 60 Hz Dimensions: 485 x 422 x 110.2mm Weight: 9.1 kg

Compact live performance digital console control centre with up to 64 simultaneous input channels 8 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 156 inputs and 164 outputs @ 96 kHz sample rate Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam Advanced MCA (mix control association) channel control and navigation 8 VCA (variable control association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 20 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Dual redundant auto-ranging universal switch-mode power supplies 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling rate 96kHz Latency delay <2 ms (Input to Master output with no latency compensation) Dynamic range 106 dB, 22 Hz to 22 kHz Maximum voltage gain 80 dB, Inputs to Subgroups and Masters 86 dB, Inputs to Aux and Matrix Crosstalk -100 dB physically adjacent input channels Fader/pan cut off -100 dB Frequency Response 0 dB to -1.0 dB, 20 Hz to 20 kHz Gain Error @ 1kHz ±1.0 dB Input CMRR 0 dB gain -60 dB +45 dB gain -90 dB Distortion @ 0 dBu 0 dB gain 0.01% +45 dB gain 0.03% Distortion @ +20 dBu 0 dB gain 0.03% +45 dB gain 0.03% Noise Floor 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -81 dBu, 22 Hz to 22 kHz (unweighted) Equivalent Input Noise (EIN) 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -126 dBu, 22 Hz to 22 kHz (unweighted) Dynamic Range 0 dB gain 106 dB, 22 Hz to 22 kHz (unweighted) +45 dB gain 102 dB, 22 Hz to 22 kHz (unweighted) Analogue Audio System Inputs Mic/Line Inputs Quantity 8 Connector 3-pin XLR balanced mic/line input with +48 V phantom power A/D converter 24 bit, 96 kHz with 128 x oversampling Gain -22.5 dB to +65 dB Maximum input level +6 dBu Input impedance 10 kOhm Talk Mic Input Quantity 1 Connector 3-pin XLR balanced mic input with +48 V phantom power Mic gain +15 dB to +60 dB Maximum input level +6 dBu Input impedance 600 Ohm Talk Back Input Quantity 1 Connector 3-pin XLR balanced line input Maximum input level +21 dBu Input impedance 10 kOhm Analogue Audio System Outputs Line Outputs Quantity 8 Connector 3-pin XLR balanced line output D/A converter 24 bit, 96 kHz with 128 x oversampling Maximum signal level +21 dBu Master Outputs Quantity 3 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Monitor Outputs Quantity 4 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Talk Output Quantity 1 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Headphone Output Quantity 2 Connector ¼" Jack (stereo Maximum signal level +21 dBu Digital Audio System Inputs and Outputs AES3 Inputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 32 kHz to 96 kHz Bypass Sample rate converter bypass AES3 Outputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 48 kHz, 96 kHz or auto-tracking to inputs Bypass Sample rate converter bypass Word length 16, 20 or 24 bit AES50 Audio Quantity 6 Format Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz) Connector Neutrik etherCON with status LEDs Redundancy N+1 cable redundancy (X & Y) Ethernet Control Data Quantity 1 Connector Neutrik etherCON with status LEDs Redundancy Dual cable redundancy (1 & 2) Word Clock Input Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Word Clock Output Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Video Sync Input Quantity 1 Format Horizontal video sync (black burst), HD & SD formats Connector 75 Ohm BNC AES3 Sync Input Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR AES3 Sync Output Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR Output 96 kHz Grade II reference clock Other Interfaces Screen Output Quantity 1 Format DVI-C USB Interface Quantity 2 Format USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load Connector USB Type A MIDI Interface Quantity 3 Format MIDI IN, MIDI OUT, MIDI THRU Connector 5-pin DIN Footswitch Input Quantity 1 Format Contact closure Connector ¼" TS jack Lamps Quantity 2 Format 5 V, 12 W supply Connector 4-pin XLR Displays Quantity 1 Type 15" daylight-viewable colour TFT LCD screen Power Power Supplies Quantity 2 Format PRO1/PRO2/PRO2C Series Power Supply Module (MKT-PSU-7) Connector IEC mains inlet Mains Input Voltage 100 to 240 VAC, 50 to 60 Hz Redundancy N+1 power supply redundancy Power Consumption 110 VAC 1 PSUs - 1.6 A, 170 W 2 PSUs - 1.7 A, 185 W 230 VAC 1 PSUs - 0.8 A, 165 W 2 PSUs - 0.9 A, 180 W Physical Dimensions 882 mm wide x 730.3 mm deep x 274.9 mm high (34.7" x 28.7" x 10.8") Net weight 37.0 kg (81.4 lbs) Operating temperature range +5°C to +40°C Storage temperature range -20°C to +60°C

Akcija - Mixeta sa snagom - Pro Audio 2 x 350w - 6 kanala - digitalni procesor - dupli ekvilajzer - levi - desni main - odlican mixer ,saljemo po potrebi . Konga Music Shop. Kraljevica Marka 20 - na samom cosku zgrade. Novi Sad.

In 1997 Soundcraft launched the Spirit FX16 which immediately became popular with its 16 direct outputs and built-in effects unit in wide ranging applications. 10 years later Soundcraft has given the FX16 an overhaul bringing it in line with the Soundcraft Professional range using the latest 24-bit, digital Lexicon® effects processor and creating the Soundcraft FX16ii™. The Soundcraft FX16ii mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level. The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from. The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space. Features 26 inputs 16 mono microphone channels. 4 stereo returns 4-bus architecture, with sub-group routable to mix Built-in 24 bit Lexicon digital effects processor 32 FX settings Tap Tempo 3 FX parameter adjust rotaries User FX settings store function Direct outputs for multi-track recording individually switch-able for pre-post-fade operation Inserts on all mono channels Inserts on stereo mix output Classic Soundcraft 3-band EQ with swept mid-band Stereo 18dB/octave 100Hz high-pass filter Dual global +48V phantom power split channels 1-8 and 9-16 Channel Mute control 10-segment tri-coloured metering Two sub-group outputs Separate mono sum output Integral universal power supply Applications: Live Sound: Bands, Small Venues, Clubs, Conferences, Schools, Houses of Worship Studio Recording: Digital/Analogue Multi-tracking (8 or 16 track), Small/Home Studios, Pre-/Post-Production.

SYSTEM FEATURES 4/7 input channels mixer Built-in MP3 player to play music in multiple formats Connect USB to PC to play the stereo audio Built-in DSP Phantom power switch (+48V) Ultra euphonious 3 band (High-Mid-Low) equalizer on all channels Rugged metal chassis Built-in multiple power supply (100-240V) for worldwide use >

DSP EFFECTORS This mixer has 32-bit dual engine DSP and 24-bit ADC/DAC converter, it has 99 different digital effects, like PITCH SHIFTER, TREMOLO, RADIO VOICE and so on. Meanwhile, you can adjust the time interval of every effects manually according to your own needs. SUB OUTPUTS Indenpendent SUB buttons on all channels, control to send the audio signal to USB output for monitoring and track recording. SUB TO MAIN button can send the SUB signal to MAIN OUT. SYSTEM FEATURES 8/12/16 input channels mixer Built-in Bluetooth, connect with mobilephone or other bluetooth player Built-in MP3 player to play music in multiple formats and record, with LED display Connect USB to PC to play/record the stereo audio Preset 99 digital effects LOW CUT, POST/PRE, MUTE, SOLO, MAIN and SUB buttons on all mono channels 9-Band stereo graphic equalizer Indenpendent MP3 equalizer (2 band : High-Low) Two AUX outputs Two kinds of master output (XLR+6.35Jack) Rugged metal chassis Built-in multiple power supply (100-240V) for worldwide use