The V67G is a side-address mic with a 1" gold-sputtered large diaphragm capable of capturing plenty of detail. Its somewhat wide cardioid polar pattern yields generous pickup at the front and sides of the mic while offering significant rejection of sound at the rear, which helps lessen the presence of room noise in home recordings. To further optimize the V67G for vocal sessions, accessories such as a foam windscreen, pop filter, and shockmount are available separately. Designed for Vocals Designed mainly for vocals, the V67G combines Class-A FET circuitry and a transformer-coupled output resulting in a pure and warm sound that's akin to the mellow vibe of an old-school tube mic. Rather than opting for transparency, its frequency response features a thicker midrange that adds body to vocals. Large-Diaphragm Condenser Capsule The V67G has a 1" gold-sputtered diaphragm and a fairly wide cardioid pickup pattern that is least sensitive to sound behind the mic. Large-capsule condensers such as the V67G are very sensitive, readily revealing subtle sonic details. Phantom Powered Due to its balanced XLR output and solid-state condenser electronics, the V67G should be connected via an XLR mic cable (available separately) to the mic input of a device that can supply 48V phantom power. Features at a Glance 1" gold-sputtered diaphragm Class-A FET circuitry Transformer-balanced output 30 Hz to 20 kHz frequency response 130 dB maximum SPL 48V phantom powered XLR 3-pin connector Includes stand mount and zipper pouch MXL V67 Specs Microphone Primary Applications Studio Recording Form Factor Large Diaphragm Mic / Stand/Boom Mount Intended Sound Sources Vocals Sound Field Mono Operating Principle Pressure Gradient Capsule Condenser Diaphragm 1.0" / 25 mm Polar Pattern Cardioid Orientation Side Address Circuitry Solid-State Pad None High-Pass Filter None Tone Adjustment None Gain Adjustment None Indicators None On-Board Controls None Windscreen None Performance Frequency Range 30 Hz to 20 kHz Maximum SPL 130 dB SPL (.5% THD) Impedance 200 Ohms Sensitivity -36.5 dBV/Pa Signal-to-Noise Ratio 74 dB A-Weighted Equivalent Noise Level 20 dB A-Weighted Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male (on Mic) Headphone Connector None Power Bus Power None Operating Voltage 48 V ± 4 V (Phantom Power) Operating Current Consumption 3 mA Physical Color Green Mounting Mic Clip/Stand Adapter (Included) Included Case Zipper Pouch Included Filters None Dimensions ø: 1.85 x L: 7.24" / ø: 4.7 x L: 18.39 cm Weight 1.3 lb / 0.59 kg

Aston Origin The multi-award winning Aston Origin is a high-performance cardioid condenser microphone utilising a one inch (1″) gold evaporated capsule. It's versatile enough to use with any instrument and, for singer-songwriters, excels on acoustic guitar and vocals. Its hand-selected capsule is paired with high-end transformerless circuitry using only the finest components. The Origin is designed to deliver direct, smooth and intimate sound… for a supremely natural and transparent recording. Aston Swiftshield SwiftShield combines the Aston Swift shock mount and the Aston Shield pop filter into one bundle to give you the perfect setup for your studio vocal mic. The Aston Swift shock mount takes microphone mounting to the next level of ease. With 2 quick release spring clips designed to fit the Origin, and a wide range of other mics, from 40-60mm diameter, mounting your microphone takes seconds. We have reconceived the shock system, and as with all our products worked from the ground up on an entirely new design idea. The ‘ShockStar’ suspension eliminates the need for fiddly rubber bands, but offers a high level of elasticity for maximum isolation. Aston Origin The Origin was our first design, the start of it all, and represents the fundamental essence of the Aston brand. Beautiful, superb engineering, a sound to rival some of the very best mics in the world… the Origin is the first mic ever made which brings this level of technical excellence and performance to the project studio market. Origin and Swiftshield - the perfect partners Aston has become synonymous for innovative and emotive design. Our microphones are not only exceptional recording tools and multiple award-winning products, delivering vocal and instrument recording to rival the very best in the world, but works of engineering art. If you already own an Aston mic, you’ve already experienced the exquisite attention to detail throughout, as well as the incredible performance. As standard every Origin comes with a built in pop filter and internal shock mounting system which elevates the performance bar compared to other mics. In many applications you can use the Origin just as it is, but if you want to get the best results possible, and style your mic to look the mutts nuts in your studio environment, then the Aston SwiftShield takes things to a whole new performance level. The Aston Swift shock mount, is not only elegant, and designed specifically to show off your mic in all its glory with its open-fronted design, but boasts the fastest mic mounting system in the world. Combined with Aston’s internal shock absorbing system, the Swift gives supreme performance in seconds. The Shield clips on and off the Swift mount quickly and easily when switching between vocal and instrument applications. Utilising Aston’s Hextech perforation acid etching process, the Shield gives excellent plosive (pop) control without affecting the tone of your recordings at all. The SwiftShield combo is the perfect partner for getting the ultimate performance from your Origin (and it looks awesome too!). Transducer Type Condenser Acoustic Operating Principle Pressure Gradient Directional Polar Pattern Cardioid Frequency Response 20Hz – 20kHz (+/-3dB) Equivalent Noise Level 18dB A-Weighted Sensitivity at 1kHz into 1kohm 23.7mV/Pa Maximum SPL for THD 0.5% 127dB Signal-to-Noise Ratio (rel. 94dB SPL) 76dB A-Weighted Pad Switch -10dB Low-Cut Filter 80Hz Product length 125 mm / 4.92 in Product width 54 mm / 2.13 in Product weight 450 g / 0.99 lb

Aston Element, with its all-new Ridyon™ capsule technology for superior performance at low cost, ships complete with a custom shock mount and pop shield. Like all Aston mics, Element incorporates a huge amount of innovation. Everything from the capsule technology, the chassis design, the magnetic pop filter, and even the backlit-LED logo 48V phantom power indicator (or as we like to call it, cool light!) massively go beyond the limits of products normally sold at this price point. Not only is Element extremely affordable, but it will consistently outperform all mics in its class. This is something which you really don’t have to take our word for because over 4000 customers from all across the world have helped us to define the sound of Element in peer-reviewed blind listening tests against the biggest brands in the business. During the course of this 3-month public testing series, we have developed the sound of the mic using data collected from these comparison tests, which have included major brand competitors such as Blue, Rode, AKG, Audio Technica, and Neumann. Blind listening test results We spent a total of over 18 months developing the Aston Element; much longer than most products take in this class. More usual would be 6-9 months, which gives you some indication of just how complex this microphone package is. The first 15 month period of our R&D process involved the development of our new Ridyon capsule technology, the acoustic housing for this (which involved a LOT of testing) and the design and prototyping of the chassis, the grille diffuser and many other pieces of proprietary technology in both the mic and the shock mount and pop shield accessories. The final 3 months, however, has been all about public choice. Rather than simply putting a new technology straight to market, we engaged in public blind listening tests (by this we mean that coded audio files were made available to the public to audition and rank in order of preference) across 3 separate sessions from May 1st to July 15th. The results of this process, a world’s first in the ProAudio industry, are what have determined the sound of the final product… the world’s first ‘People’s Microphone’ – Aston Element. The Sessions Session 1 included our first Aston Element prototype in its raw form up against the 5 dominant, big-brand competitors chosen as the best of the best in their class. These included mics from Audio Technica, Rode, AKG, Blue, and Neumann. Before we even got to these 5 mic brands we tested mics from over 20 different brands to pick the best in class (that, with the exception of Neumann, being sub $500 mics… the Neumann was somewhat more expensive!) Voting in the first round highlighted which mics the public preferred on 3 sources, male and female vocals, and acoustic guitar (the same 3 sources chosen throughout the tests), and what was liked and disliked about the sound of the raw Element prototype. This enables us to discard 2 brands form the test so that in Session 2 we had the top 3 competitor mics chosen by the public and 2 new versions of Element. By the end of the 2nd session, we had a much clearer picture of what people wanted from our mic, driven by the voting, subjective comments made about the competitor mics, and the relative preferences for 2 very different sounding Aston prototypes. So, by session 3 we had only 2 remaining competitor mics… representing AKG and Neumann brands. We also had 4 different Element prototypes, each with different voicings based on preferences from the first 2 rounds. This enabled us to home in on the final sound and give our customers a wide range of choice for the final sound, whilst also making sure that the final Aston Element mic was able to at least equal, or hopefully out-perform the top 2 competitors on the market. In the final analysis one Element prototype was the clear winner in the Session, beating both the Neumann and AKG mics (as well, of course, as all the other competitor mics that had come before in early testing and the first 2 sessions), as well as the other 3 prototype versions. In Summary Firstly, ALL the mics chosen for these sessions are very good examples of entry level mics from each brand. We did not make this easy for ourselves. We wanted the best so we could make our own mic as good as possible. As the sessions progressed it was clear that the voting got closer and more difficult for participants to rank in each successive round. This is something you see not only in the subjective comments, but in social media threads about the project. That’s a good thing, because as you get better and better quality and performance, it becomes more difficult to chose between products as the differences are much smaller… so we knew we were on the right track. Another interesting proof of data is that it was very clear that different mics performed better or worse on different sources as you’d expect… in other words one mic does not fit all. For this reason, we always suggest, where possible, that it’s a great idea to have a couple of different mics in your cupboard to choose from if you have the budget. Our aim, with Element, is not to say “Element is the best mic” … that’s silly because these things are very subjective. No, our aim was to ensure that our entry level mic has the best possible sound, performance and quality and that it comes with the best accessories possible for people who only have the budget for one mic, or want to add a new, high performance mic to their collection, without having to spend a fortune. The Element, in the final round, outperformed the other mics in the test on both male and female vocals… but was narrowly beaten by both the Neumann and AKG on guitar. The total vote count across all 3 sources showed Element as the clear winner, both in total votes, and in winning 2 out of the 3 source tests, vocals, of course, being the big one as they (on any non-instrumental track) are the most important element of the recording. It is also important to state, at this point, that the full raw data for the summary information above has been peer reviewed by Music Tech Magazine and Sound on Sound magazine, two of the most influential and respected independent pro-audio publications in the world. We have also chosen not to name names when it comes to specific mic models as we have a great deal of respect for these brands and the quality of their microphone products. At no point do we wish to suggest that Aston is ‘better than another brand’… we have used key models from each competitor brand as a way to gauge the relative performance of our own mic, and although Element came top in the rankings after 3 rounds, there is a lot of love for each of the mics involved in our tests, both from us at Aston, and from the public voting in the sessions. And the final word… none of this means that ‘Element is best’ – we would never suggest that because mic sound is a subjective choice. But it does mean that Element can consistently out-perform all other sub $500 brands in subjective choice tests (and some more expensive ones too!). Combine this with all the cool accessories and it’s got to be your No.1 choice as a first studio mic, or to add to your collection. Transducer Type Moving coil Directional Polar Pattern Cardioid Frequency Response 20Hz – 20kHz Equivalent Noise Level 3.8 dBA (A-weighted) Sensitivity at 1kHz into 1kohm ave. 12mV/Pa Maximum SPL for THD 0.5% 132dB Product length 163 mm / 6.4 in Product width 58 mm / 2.28 in Product weight 275g / 0.6 lb

Inside the vintage-style body are quality components—a 6-micron, gold-sputtered diaphragm and an FET preamp with a balanced output. These allow the MXL 990 to impart tight lows and mids along with sweet highs. The mic's directional response helps reduce the background noise that plagues many home recordings. Unlike battery-powered miniature mics, the MXL 990 needs to be plugged into the XLR mic input of any audio interface, mixing board, or microphone preamp that can supply 48V phantom power. For Singers and Working Musicians With silky highs and solid lows and midrange, the MXL 990 offers the tonal performance needed to meet the standards of analog and digital recording systems. Equally capable for vocals and instruments like piano and acoustic guitar, the MXL 990 produces full-bandwidth tone and a healthy output level that requires less gain than typical dynamic microphones. High Quality for Home Studios Many home recording setups don't have the acoustic treatment that professional studios utilize to absorb and disperse sound evenly. As a result, room ambience and background noise are problems commonly experienced at home. The MXL 990 has a cardioid polar pattern, which picks up very little sound behind the mic. This enables it to capture more of the sound in front of it and less of everything else. Phantom Powered As a condenser mic with a FET preamp, the MXL 990 requires phantom power to operate in any environment. So, it should be connected via an XLR cable (available separately) to a mixing board, a microphone preamp, or an audio interface that can send +48V phantom power. Hard Mount Mic Stand Adapter The ES edition of the 990 opts for the MT-001 hard mount mic stand adapter in place of the custom shockmount that comes with the standard 990. The MT-001 occupies less space than a shockmount, making it friendly for placement in tight spots such as between a snare and tom, or nearly touching a speaker cab's grille. MXL 990es Specs Microphone Primary Applications Studio Recording Form Factor Large Diaphragm Mic / Stand/Boom Mount Intended Sound Sources Vocals, Speech/Voice Over, Instrument Sound Field Mono Operating Principle Pressure Gradient Capsule 1 x Condenser Polar Pattern Cardioid Orientation Side Address Circuitry Solid-State (FET) Pad None High-Pass Filter None Tone Adjustment None Gain Adjustment None Indicators None On-Board Controls None Windscreen None Performance Frequency Range 20 Hz to 20 kHz Maximum SPL 130 dB SPL (.5% THD) Impedance 200 Ohms Sensitivity 15 mV/Pa Equivalent Noise Level 20 dB A-Weighted Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male (on Mic) Headphone Connector None Power Operating Voltage 48 V ± 4 V (Phantom Power) Physical Color Silver Mounting Mic Clip/Stand Adapter (Included) Included Case None Included Filters None Dimensions ø: 2.36 x L: 5.11" / ø: 5.99 x L: 12.98 cm Weight 1.2 lb / 0.5 kg

Superior broadcast sound quality High Sensitivity Super-cardioid polar pattern Highly directional polar response Natural sounding audio both on and off-axis Designed to withstand adverse environmental conditions Extremely low handling noise High level of immunity to radio frequency interference True Condenser (external RF biased) Includes weatherproof aluminium cylinder for transport, SM8 shock mount and wind shield 10 year extended warranty when you register your microphone Like the NTG3, the NTG8 features low self-noise, natural sound without colouration both on and off-axis, and RF bias technology to ensure that it is almost completely resistant to high humidity environments which could cause other condenser microphones to fail. The NTG8 is finished in matte black and supplied with a specially designed shock mount (SM8) that is engineered to provide excellent handling noise isolation, cable management and versatile mounting options for the microphone. A rugged weatherproof aluminium cylinder is also included, providing ultimate protection for the microphone when in transport or storage. The WSNTG8 windshield completes the package, providing light environmental protection. The RØDE NTG8 long shotgun microphone is designed in Australia and covered by RØDE Microphones' industry leading 10 year warranty. NTG8 Specifications Acoustic Principle Line Gradient Active Electronics RF Bias Capsule 0.50" Polar Pattern Address Type End Frequency Range 40Hz - 20kHz Output Impedance 25Ω Maximum SPL 124dBSPL Maximum Output Level 8.2mV (@ 1kHz, 1% THD into 1KΩ load) Sensitivity -20.0dB re 1 Volt/Pascal (97.50mV @ 94 dB SPL) +/- 2 dB @ 1kHz Equivalent Noise Level (A-weighted) 8dBA Power Options Weight 345.00g Dimensions 559.00mmH x 19.00mmW x 19.00mmD Output Warranty 1 year with free extension to 10 years following registration here IN THE BOX: NTG8 RF-bias Long Shotgun Microphone SM8 Shock Mount for Long Shotgun Microphones WSNTG8 Windscreen RCNTG8 storage cylinder

BEYERDYNAMIC MM1 MEASUREMENT MIC The Beyerdynamic MM 1 is a measurement microphone designed specifically for measuring sound reinforcement and PA systems. It is designed to work with spectrum analyzers for measuring frequency response and sound pressure levels of loud speaker systems. The MM 1 is the ideal microphone for the measurements of audio signals in the research, development, for reverberation testing and other applications. The MM 1 mic's narrow tubular construction ensures that the microphone has negligible influence on the sound field so that an increase in pressure level is avoided due to the linear frequency response. Requires phantom power. Features: Linear frequency response Omnidirectional polar pattern Calibrated open circuit voltage Narrow tubular construction Specification MM 1 Measurement Microphone Transducer type: Condenser (back electret) Operating principle: Pressure Polar pattern: Omnidirectional, diffuse field calibrated Open circuit voltage at 1 kHz (0dB = 1V/Pa) : 15 mV/Pa (_ -36.5 dBV) ± 1 dB Nominal impedance: 330 Ohms Load impedance: ≥ 2.2 k Ohms Connector: 3-pin XLR Length: 133 mm Shaft diameter: 19 mm Head diameter: 9 mm Weight without cable: 88 g Frequency response: 20 - 20,000 Hz (50 - 16,000 Hz ± 1.5 dB) Max. SPL at 1 kHz: 128 dB S/N ratio rel. to 1 Pa: > 57 dB A-weighted equivalent SPL: approx. 28 dB(A) Power supply: 12 - 48 V phantom power Current consumption: approx. 3.4 mA Microphone Response: 20 - 20,000 Hz Microphone Impedance: 330 ohms Microphone Maximum SPL: 128 dB Microphone Signal-to-Noise: >57 dB Microphone Sensitivity: 15mV/Pa(= -36.5 dBV )± 1 dB Microphone Self Noise: 28 dB(A) Microphone Connector: 3-pin XLR male Microphone Powering: 12-48 V phantom power Physical Height: 133mm x 19/9mm x 9mm Physical Weight: 88g Frequency Curve Image:

WA-47jr ponosno koristi prilagođenu reprodukciju kapsule k47 stila, dizajniranu sa istim šablonom i frekventnim odzivo kao i vintage dizajn. Našu verziju ove kapsule (model# WA-47-B-80v) pažljivo proizvodi australijski proizvođač kapsula sa pažljivom preciznošću i sposobnošću koja omogućava da se najvažniji sonični komad klasičnog mikrofona čuje i utiče na ton i potpis WA-47jr. WA47jr ima nizak nivo buke i diskretnu putanju signala, kada je uparen sa ovom odličnom pravom kapsulom stila '47, omogućava mu da dobije veoma sličan ton klasičnom mikrofonu iz '47, ali po mnogo nižoj ceni. WA-47jr koristi istu k47 stil kapsulu pronađenu u našem flagship WA-47 kondenzatorskom mikrofonu. Wa-47jr kolo koristi visokokvalitetne Toshibine FET-eve, Wima filmske kondenzatore i Panasonic elektrolitičke kondenzatore. Kolo je modernizovano i jednostavnije od klasičnog mikrofona iz '47 cevi, ali komponente i sklopovi su vrhunski, i imaju kvalitet zvuka i ton koji udara daleko iznad svega što smo ikada čuli u ovom cenovnom rangu. Mi u Warm Audiu smo veoma uzbuđeni što ćemo doneti ovaj FET kondenzatorski mikrofon iz '47 stila i klasičan ton na tržište po tako pristupačnoj ceni. Uvereni smo da ćete uživati u prelepim snimcima sa WA-47jr. ________________________________________ Rođen iz potrebe Prilikom dizajniranja našeg prvog mikrofona znali smo da će najveći izazov biti ponuditi kapsulu koja je izgrađena po visokom standardu i cenjena u opsegu koji svakodnevno muzičari i inženjeri mogu da priušte. Već smo znali gde da nađemo sjajne transformatore mikrofona, precizne otpornike, polostirene, tantalne i WIMA filmske kondenzatore; Ali shvatili smo da kvalitetna pristupačna kapsula za mikrofon koja je ispunila naše specifikacije jednostavno nije postojala. Znali smo da moramo da razvijemo sopstvenu liniju kapsula. WA (Warm Audio) brend kapsule rezultat je višegodišnjeg istraživanja, životnog veka slušanja i strasti prema velikom zvuku. Iznad svega, Warm Audio kapsule potiču iz želje da se kupcima da daleko više kvaliteta/vrednosti od onoga na šta su navikli kada kupuju pristupačan mikrofon. Svaka Warm Audio kapsula se pravi u istoj maloj kući za sklapanje u okruženju čiste sobe, i pakuje se u sopstveno zaštitno kućište sa draguljima do trenutka kada se ubacuje u mikrofon.. Svaka kapsula je vizuelno pregledana i električno testirana na nesavršenosti. Svaka kapsula se takođe pravi sa svim mesinganim delovima (bez teflona ili drugog materijala za uštedu troškova), i pažljivo je odrana od iste zalihe visoke čistoće NOS Mylar (PET film). Uvereni smo da ćete biti jednako zadovoljni našim kapsulama za mikrofon kao i mi da ćemo ih ponuditi, kao i da će vam pružiti ceo život sjajne snimke i uživanje. Tehničke specifikacije FET kondenzatorski mikrofon bez transformatora stila '47 Kastomizovana prava kapsula stila '47 capsule Model# WA-47-B-80v. Obrada kapsule: pozlaćena, dvostrka velika dijafragma, single backplate, 6 mikronski NOS mylar (PET film). Polarni paterni: kardioidni, oblik osmice i omnidirekcioni Pad: -10db High-pass filter: 70Hz Self-noise: 9dBA Dinamički opseg: 138dBA Potpuno diskretna signalna putanja, Toshiba FET-ovi, Wima film kondenzatori, Panasonic elektrolitski kondenzatori Maksimalni SPL: 147/157dB (@1kHz 1kOhms 0.5% THD, 0/-10dB) Frekventni opseg: 20 Hz~20 kHz Osetljivost: 10mV/Pa or -40dB Izlazna impedansa: 100 ohms Ocenjena impedansa opterećenja: ≥1kOhms Ekvivalentni šum: 10dBA (IEC651) Ukupna težina: 1.1 lbs Prečnik mikrofona: 52mm Dužina mikrofona: 210mm Uključeno: Shockmount, hard mount, torbica sa rajsferšlusom

Hear The Emulations Antelope plug-ins serve up a treasure trove of vintage analogue mics with uncanny accuracy, delivering all the character and expressiveness heard on countless hit records. Available in VST, AU and AAX formats for both macOS and Windows, they provide everything you’ve come to expect from our industry-leading FPGA FX, with minimal latency, a high degree of oversampling and precise floating-point calculations. Ilok 2 or 3 required. Not included in the pack. Verge (small diaphragm condenser modeling microphone) Microphone type: Instrumental Diaphragm: Back-electret condenser Polar Pattern: Cardoid Freq. response: 40Hz ~ 20kHz Sensitivity: -40dB | 10mV/Pa (+/-3dB) Self-noise: 25dB(A) Max input SPL: 146dB SNR: 69dB(A) Output impedance: 65 Ohms Power Requirements: 48V DC Phantom Power Output Connector: 3-pin male XLR Color: Black matte Weight (mic body): 0.34 lbs. (155 grams) Dimensions (mic body): 6.1″ x 0.87″ (155mm x 22mm) Breakout Cable: not included Mount: Shock absorber type In The Box Verge microphone Microphone cable /3pin Shock mount Quick Start Guide and Upgrade Guide Serial numbers Activation codes for the Verge Mic Emulations Ilok 2or 3 required. Not included in the box

High-quality condenser capsule that delivers warmth and presence for a clear, professional sound. Directional cardioid pickup pattern optimised to reduce room sound and other extraneous noise. Smooth frequency response that sounds incredible in a wide variety of applications. In-built pop filter for reducing plosives. Unique detachable magnetic desk stand to mitigate knocks and bumps and is easy to remove. Integrated 360-degree swing mount for quick and easy positioning on a desktop, mic stand, or studio arm. Studio-grade headphone amplifier with precision level control and switchable zero-latency monitoring for eliminating distracting echo. Class-compliant USB output that works seamlessly with computers and tablets, simple to use – just plug in and hit record. The NT-USB Mini features a studio-grade headphone amplifier and a high-quality 3.5mm headphone output, complete with precision volume control, allowing you to easily monitor your audio. There is also a switchable zero-latency monitoring mode for eliminating distracting echo when tracking vocals or recording instruments. It is incredibly easy to set up and use, with simple controls, an in-built pop filter and a class-compliant USB output that works seamlessly with computers or tablets, no drivers or software needed. Just plug into your Mac, PC or tablet with the included USB cable and hit record. The NT-USB Mini features a unique detachable magnetic desk stand – not only does this provide a sturdy base on any desktop, it also makes it easy to remove and attach to a mic stand or studio arm. This and the unique 360-degree swing mount means you can position the mic wherever it needs to be to get the best recording possible. The NT-USB Mini is the perfect addition to any desktop or home studio setup. At just 89mm wide and 141mm tall, it’s very compact, taking up only a fraction of precious desktop real estate. It also looks fantastic – sleek and stylish, with clean lines and a modern aesthetic. Hard-wearing steel and reinforced nylon resin construction ensure the NT-USB Mini is ready to take on the rigours of recording anywhere and everywhere. NT-USB Mini Specifications ACOUSTIC & ELECTRICAL SPECIFICATION Acoustic Principle Pressure gradient Active Electronics Electret condenser, A/D and USB interface Polar Pattern Cardioid Frequency Range 20 Hz – 20 kHz Input SPL @ 1% THD 121dB (A-weighted, as per IEC651) Sample Rates 48 kHz Bus Powered Yes Bit Depth 24-bit Analog Outputs 3.5mm headphone Computer Connectivity USB - simultaneous I/O Mono input, stereo output Output Connection USB-C OS Requirements macOS 10.12 / Windows 10 Warranty 1 year with free extension to 2 years following registration here MECHANICAL SPECIFICATION Weight (g) 585 Dimensions (mm) Height: 141.9 Width: 54.5 Diameter (base): 89.3 IN THE BOX: NT-USB Mini STUDIO-QUALITY USB MICROPHONE USB Cable Thread Mount Adapter

Stealth was developed in partnership with 92 top engineers, producers and artists (the Aston 33 development panel) who participated in a series of blind listening tests designed to create the best possible sound… the resulting four voice settings, Vocal 1, Vocal 2, Guitar and Dark, offer a range of world class sounds to suit almost every application. The making of Stealth - The Aston 33 and the blind testing process The Aston 33 (so named after the original members) is now a panel of more than 120 top producers, engineers and artists who work with Aston on new product development to ensure every mic is best in class before it is released to the market. They perform blind listening tests on a range of possible versions of each new mic, plus ‘industry standard’ models from key manufacturers and vote on performance on a variety of sources (vocals, guitars and so on). In tests the panel do not know which mics they are listening to, so the resultant votes can’t be affected by brand reputation, or an expectation of how a certain microphone should sound. Some surprising results arose from the Stealth project testing. For example the prototype Stealth voicing that consistently came top in the voting for female vocal takes came off worst for male vocals and vice versa, regardless of the pitch of the singer! Furthermore a different voicing came top for ALL guitar sources, from finger picked acoustic through to mic’d distorted guitar cabs. These discoveries, derived from more than 9000 data samples, were the catalyst for the Aston team to set about reimagining the microphone from the ground up. Stealth truly excels at capturing professional quality audio in almost every situation, and masters them all. Transducer Type Moving coil Directional Polar Pattern Cardioid Frequency Response 20Hz – 20kHz (+/-3dB) Equivalent Self Noise Level 10dB A-weighted Sensitivity at 1kHz into 1kohm - passive mode Average 1 mV/Pa (varies across 4 voices) Sensitivity at 1kHz into 1kohm - active mode Average 150 mV/Pa (varies across 4 voices) Maximum SPL for THD 0.5% 140dB Product length 196 mm / 7.72 in Product width 58 mm / 2.28 in Product weight 692 g / 1.52 lb

Inside the vintage-style body are quality components—a 6-micron, gold-sputtered diaphragm and an FET preamp with a balanced output. These allow the MXL 990 to impart tight lows and mids along with sweet highs. The mic's directional response helps reduce the background noise that plagues many home recordings. Unlike battery-powered miniature mics, the MXL 990 needs to be plugged into the XLR mic input of any audio interface, mixing board, or microphone preamp that can supply 48V phantom power. For Singers and Working Musicians With silky highs and solid lows and midrange, the MXL 990 offers the tonal performance needed to meet the standards of analog and digital recording systems. Equally capable for vocals and instruments like piano and acoustic guitar, the MXL 990 produces full-bandwidth tone and a healthy output level that requires less gain than typical dynamic microphones. High Quality for Home Studios Many home recording setups don't have the acoustic treatment that professional studios utilize to absorb and disperse sound evenly. As a result, room ambience and background noise are problems commonly experienced at home. The MXL 990 has a cardioid polar pattern, which picks up very little sound behind the mic. This enables it to capture more of the sound in front of it and less of everything else. Phantom Powered As a condenser mic with a FET preamp, the MXL 990 requires phantom power to operate in any environment. So, it should be connected via an XLR cable (available separately) to a mixing board, a microphone preamp, or an audio interface that can send +48V phantom power. Shockmount and Stand Adapter Two mounting options are included with the MXL 990. For the cleanest recordings, use the shockmount, which absorbs vibration noise. Switch to the mic stand adapter if you're positioning the mic in an extremely tight space where the shockmount wouldn't fit. Features at a Glance Side-address design with vintage body style Condenser capsule with a 6-micron, gold-sputtered diaphragm Cardioid polar pattern attenuates ambience and background noise High sensitivity and full frequency response (30 Hz to 20 kHz) FET preamp with balanced output Internally wired with Mogami XLR output connector Requires 48V phantom power Includes custom shockmount, mic stand adapter, and carrying case MXL 990 Specs Microphone Primary Applications Studio Recording Form Factor Large Diaphragm Mic / Stand/Boom Mount Intended Sound Sources Vocals, Speech/Voice Over, Instrument Sound Field Mono Operating Principle Pressure Gradient Capsule 1 x Condenser Polar Pattern Cardioid Orientation Side Address Circuitry Solid-State Pad None High-Pass Filter None Tone Adjustment None Gain Adjustment None Indicators None On-Board Controls None Windscreen None Performance Frequency Range 30 Hz to 20 kHz Maximum SPL 130 dB SPL (.5% THD) Impedance 200 Ohms Sensitivity 15 mV/Pa Signal-to-Noise Ratio 80 dB A-Weighted Equivalent Noise Level 20 dB A-Weighted Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male (on Mic) Headphone Connector None Power Bus Power None Operating Voltage 48 V ± 4 V (Phantom Power) Operating Current Consumption 3 mA Physical Color Silver Mounting Mic Clip/Stand Adapter, Shockmount (Included) Included Case Hard Case Included Filters None Dimensions ø: 2.36 x L: 5.11" / ø: 5.99 x L: 12.98 cm Weight 1.2 lb / 0.5 kg

"The MXL 2003a is an excellent choice as an all-around instrument and vocal mic if you are unable to drop thousands of dollars on a vintage or boutique mic. It is one of the best LDC's in its price range (around $170 street) and performs as well as mics that cost 2 or 3 times as much. Kudos to MXL for bringing to the market a great sounding mic for very small change." - Aaron Rutten ("The Modern Vocalist Journal") All-purpose mic with a vintage-modeled capsule design Transformerless FET preamp for a smooth, even response Outstanding realism for recordings of any instrument Bass roll-off and attenuator to fit any recording situation Excellent for recording any style of music SPECIFICATIONS Type: Pressure gradient condenser mic Diaphragm: 3 micron gold-sputtered Frequency Response: 20Hz - 20kHz Polar pattern: Cardioid Sensitivity: -42.9 dB re 1 V/Pa Output Impedance: 200 ohms Equivalent noise: -11 dB (A-weighted IEC 651) S/N Ratio: 83 dB Max SPL for .5% THD: 152 dB SPL Power Requirements: 48V phantom power (±4V) Current Consumption: 6.6mA Size: 50mm x 190mm/1.97 in. x 7.48 in. Weight: 453.59g/1 lb Metal Finish: Black with black grille

OMNIPRESENT YET UNIQUE The Neumann U 87 Ai is a true legend. Introduced in 1967, it has shaped the sound of countless hit records for the past 50 years. And when those hits were announced on the radio, many a DJ sat before a U 87 Ai. The legend continues: To this day, no professional recording studio is complete without a Neumann U 87 Ai. The U 87 Ai is the epitome of a large diaphragm condenser microphone. Its tapered body and iconic headgrille design have become part of the collective consciousness: This is what a studio microphone looks like. The same is true of its sound: The U 87 Ai represents studio quality; it has become the gold standard by which other microphones are measured. What sets the U 87 Ai apart is its unique combination of linearity and character. Although its on-axis frequency response is remarkably flat, it does exert certain charisma. It just sounds right! This makes the U 87 Ai both versatile and instantly recognizable. CLASSIC NEUMANN ENGINEERING Technically speaking, the U 87 Ai is a traditional design whose timeless formula has remained unchanged for decades. The U 87 Ai uses the same dual diaphragm condenser capsule design as its predecessor, the no less legendary U 67 of the early 1960s. Its head amplifier, too, is based on the same design principles as its tube driven predecessor, but the U 87 Ai realizes them by means of a unique FET circuit with a minimal signal path and a transformer balanced output, ensuring maximum signal integrity and high common mode rejection. The result is a studio microphone of unmatched clarity. Its natural sound and unique midrange presence make the U 87 Ai the ultimate vocal microphone, praised by singers and engineers alike, as well the prime choice for speech applications, such as voice over, dubbing, and audio books. Due to its balanced response in each of its three directional patterns, the U 87 Ai is also a versatile microphone for anything from acoustic guitar to drums overheads. Due to its solid bass response and excellent midrange detail, it is often seen in front of bass and guitar cabinets. For classical recordings, the U 87 Ai is frequently used as a spot mic for soloists, e.g. cello. A stereo pair of U 87 Ais is the preferred choice of many engineers for recording piano in virtually any genre from pop and jazz to classical music. The world’s most famous studio microphone Classic sound, instantly recognizable yet versatile Balanced frequency response Three polar patterns: omni, cardioid, figure-8 Switchable low cut and pad Very low self-noise Acoustical operating principle Pressure gradient transducer Directional Pattern Omnidirectional, cardioid, figure-8 Frequency Range 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa ± 1 dB (Omni/cardioid/8) Rated Impedance 200 ohms Rated load impedance 1 kohms Equivalent noise level, CCIR 1 26/23/25 dB (Omni/cardioid/8) Equivalent noise level, A-weighted 2 15/12/14 dB-A (Omni/cardioid/8) Maximum SPL for THD 0.5% 3 117 dB (cardioid) Maximum SPL for THD 0.5% with preattenuation 4 127 dB Signal-to-noise ratio, CCIR (re. 94 dB SPL) 5 68/71/69 dB (Omni/cardioid/8) Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 6 79/82/80 dB (Omni/cardioid/8) Maximum output voltage -6 dBu Supply voltage (P48, IEC 61938) 48 V ± 4 V Current consumption (P48, IEC 61938) 0.8 mA Matching connector XLR 3 F Weight 500 g Diameter 56 mm Length 200 mm

Large 1" capsule with gold sputtered diaphragm and internal shock mounting Ultra low noise Wide dynamic range Class ‘A’ valve circuitry Hand-selected and graded 6922 twin-triode valve Dedicated Power Supply High strength welded and heat-treated steel mesh head Continuously variable polar patterns. From omni, through cardioid to figure 8, controlled at the power supply. 10 year extended warranty when you register your microphone High-performance specifications (including a maximum SPL of 162dB) are combined with the character and subtleties of the legendary mics of the 1950s to provide a microphone that not only provides world-class vocals but is perfectly at home recording a wide range of instruments both up-close or in a wider ‘room’ capacity. The RØDE K2 microphone is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty. K2 Specifications Acoustic Principle Pressure Gradient Active Electronics Valve/tube impedance converter with bipolar output buffer Capsule 1.00" Polar Pattern Address Type Side Frequency Range 20Hz - 20kHz Output Impedance 200Ω Maximum SPL 162dBSPL Maximum Output Level 30.0mV (@ 1kHz, 1% THD into 1KΩ load) Sensitivity -36.0dB re 1 Volt/Pascal (16.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz Equivalent Noise Level (A-weighted) 10dBA Power Options Weight 815.00g Dimensions 208.00mmH x 55.00mmW x 55.00mmD Output Warranty 1 year with free extension to 10 years following registration here IN THE BOX: K2 Variable Pattern Dual 1" Condenser Valve Microphone SM2 Microphone Shock Mount RC2 Rugged Microphone Case

The NT1-A is designed to last you a lifetime. Specifications: Acoustic Principle: Externally polarised 25 mm (1") condenser Active Electronics: JFET impedance converter with bipolar output buffer Pickup Pattern: Cardioid Frequency Response: 20 Hz ~ 20 kHz Output Impedance: 100 ohms Sensitivity: -31.9 dB re 1volt/pascal (25 mV @ 94 dB SPL) +/- 2 dB Equivalent Noise: 5 dBA SPL (per IEC651, IEC268-15) Maximum Output: + 13.7dBu (@ 1% THD into 1k ohms) Dynamic Range: 132 dB (per IEC651, IEC268-15) Maximum SPL: 137 dB (@ 1% THD into 1 K ohms) Signal/Noise: > 88 dB (1kHz rel 1 Pa; per IEC651, IEC268-15) Power Requirements: Phantom P48, P24 Matched pair has been acoustically matched for equal sensitivity from each mic. Includes certificate of testing.

The dimensions (diameter 22 mm, length 93 mm) of the analog KM A and digital KM D output stages are identical. As a result, all accessories can be used in combination with both output stages. Upon request, a mechanical adapter AR 100 KA can be supplied to adapt microphone capsules of the KM 100 system (AK series) to the KM A and KM D output stages. The digital Neumann microphone technology (Solution-D) will no longer be part of the Neumann product portfolio from 2021. Last order date for dealers will be 31 July 2020. After that, the products will be available as long as stock lasts. Service for all Solution-D hardware products is guaranteed until 31 Dec 2030. The Remote Control Software (32 Bit, available also as VST plug-in) for the digital Neumann microphones is compatible with Windows 98SE – Windows 10 and Mac OS 8.6 – Mac OS X 10.14.6. There will be no further updates of the RCS software.

As is true with many classic microphones, engineers who have worked with different versions of these microphones often prefer the warmer, more forgiving nature of the earlier commercially available models. The desire to re-introduce the warm tone of this classic mic at an affordable price to an all new generation of recording artists was the inspiration behind the WA-87 Black. It All Starts With The Microphone The importance of a good microphone cannot be overstated; but unfortunately, finding a truly great microphone within a budget has always been challenging for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones are financially out of reach for most people. We applied all that we know about bridging this barrier into crafting a microphone that reaches the level of quality and sonics mostly found only in top shelf products, yet sells for a price that is down to earth. Image by: Dante Lattanzi of Cealum Music Production Quality Components Make A Better Mic The WA-87 Black features all discrete, premium components such as Fairchild FETs, tantalum, polystyrene, and WIMA film capacitors, and is rounded off with a CineMag USA output transformer. The WA-87 Black proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate/dual diaphragm capsule found in the early ‘87 microphones. Born Out Of Need When designing our first microphone we knew that the single greatest challenge would be to offer a capsule that was built to a high standard and priced in a range that every-day musicians and engineers could afford. We already knew where to find great microphone transformers, precision resistors, polystyrene, tantalum and WIMA film capacitors; but we came to realize that a quality affordable microphone capsule that met our specifications simply wasn’t out there. We knew we would have to develop our own line of capsules. The WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with our microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment. Technical Specification Download Product Manual LARGE CONDENSER STUDIO MICROPHONE BASED ON THE CLASSIC “87-STYLE” CIRCUIT. POLAR PATTERNS: CARDIOID, FIGURE OF EIGHT, AND OMNIDIRECTIONAL. WA-87-B-50V CAPSULE. REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR WIRE TERMINATION) K87 CAPSULE. -10DB PAD. CINEMAG USA OUTPUT TRANSFORMER. FREQUENCY RESPONSE: 20HZ - 20KHZ. SPL: .5% THD @ 125DB (WITHOUT PAD),132DB. DIAPHRAGM: 6 MICRON THICKNESS, 1 INCH DIAMETER, GOLD SPUTTERED MEMBRANE, NOS MYLAR (PET FILM). OUTPUT: 150 OHMS, 24K GOLD PLATED, 3 PIN XLR. HIGH PASS FILTER: 80HZ. NOISE: -117DB. MICROPHONE INCLUDES SHOCK MOUNT, HARD MOUNT AND WOOD BOX. COLOR: BLACK.

Milled from a single piece solid brass, the body of the CK6+ was designed to give the microphone a solid feel and the included custom retro shock mount prevents unwanted vibrations from traveling up into the microphone. The CK6+ has separate -10 dB pad & 80 Hz LF roll off switches.... The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track. All of these features come together to give you a fully professional microphone and a completely unbeatable value. Specifications Type: True Transformerless Condenser Polar Pattern(s): Cardioid Capsule: 32mm 6 Micron Single Backplate Custom Designed Capsule Frequency Response: 35-20,000 Hz +/- 3.5dB Output Impedance: <=200 Ohms Maximum SPL: 136dB (0.5% THD @1000Hz) Equivalent Noise Level: <17dB Output Connector: Male XLR 3-pin High-Pass Switch: 80 Hz 6dB/octave Attenuation Switch: -10 dB Power Requirement: Standard 48 Volt Phantom / 5mA Included Accessories: Shockmount Wooden Box in Metal Carrying Case Dimensions: 155mm x 46mm Weight: .4 kg / .9 lb Finish: Polished Nickel trim / Metallic Cabernet Red Body Features Uses Include: Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc Standard Items Supplied: Avantone CK-6 Cardioid FET Microphone Avantone Custom Retro Shockmount Elegant padded genuine wooden Mic box Padded Aluminum storage / travel case Owners Manual

Pressure gradient transducer Directional characteristic: Cardioid Frequency range: 20 Hz - 20 kHz Peak SPL: 144 dB Nominal impedance: 50 Ohm Rated load impedance: 1 kOhm Equivalent noise level, A-weighted: 12 dBA Required +48 V Phantom power Diameter: 52 mm Length: 116 mm Weight: approx. 260 g Colour: Nickel

The CV-12 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950’s & 1960’s…but at a fraction of their cost! Our rugged CV-12 microphone body and capsule assembly are precision machined of brass. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill. The transformer coupled tube circuitry has its origins in famous European vintage designs. Any studio can proudly offer the CV-12 as a primary vocal mic…It exudes class visually as well as sonically. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CV-12 mic is able to produce professional results with a warm, pleasing sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. Specifications Type: Tube-Type True Condenser Microphone Capsule: Dual-sided 32mm center-terminated gold-sputtered Mylar (6 micron) Polar Patterns: 9 patterns selectable at PS-12 power supply Frequency Response: 20Hz - 20kHz +/- 3dB Output Impedance: <=250 Ohms / transformer isolated Maximum SPL: 136dB (0.5% THD @1000Hz) 146dB with pad engaged Equivalent noise level: <17dB S/N Ratio: 78dB Sensitivity: -35dB Output Connector: Male XLR 7 pin w/ special power supply & cables Tube Type: 6072A High-Pass Switch: 80 Hz 6dB/octave Switch Attenuation Switch: -10dB Switch Power Requirements: Dedicated PS-12 Power Supply w/ selectable 115/230 VAC capability Finish: Polished Nickel trim / Metallic Cabernet Red Body Weight: .8 kgs / 1.8 lbs Dimensions: 237mm x 46mm / 9.5" x 1.8" Features Uses Include: Studio vocals, acoustic guitar, mandolin, drum overheads, room mic, piano 9-Pattern Tube Microphone w/ dual 32mm gold sputtered thin Mylar capsules -10 dB pad & 80 Hz LF metal roll off toggle switches Hand selected Russian made 6072A Tube Rear vents aid in stabilizing internal temperature to help secure tube longevity Each CV-12 Mic has a serial number Standard Items Supplied: Avantone CV-12 Tube Microphone Avantone Custom Retro Shockmount W/ Extra Elastic bands Avantone PS-12 Multi-Pattern Power supply with cables Elegant padded genuine wooden mic box Premium Grade 6072A Tube Padded aluminum storage / travel case Owner's Manual

Odličan mikrofon, odrađuje posao veoma kvalitetno i zahvalan u svakom smislu. Kupljen nov u radnji, a vreme je za bolji i kvalitetniji. Srećna kupovina!!

- Mogucnost Bluetooth povezivanja sa uredjajima ga cini savrsenim mikrofonom za zabavu. - Poseduje LED BOX sa svetlosnim efektima na sve cetiri strane koje menjaju boje u ritmu pevanja. - Na sebi poseduje zvučnik tako da ujedno može imati i tu funkciji 2 x 3 w. - Muziku moze puštati i preko fles memorije zato sto poseduje USB slot. - Takodje mozete muziku pustati i preko mikro SD kartice. - Mozete da uhvatite sve moguce FM stanice i na njemu slusati Vas omiljeni radio. - Kabal za punjenje mu sluzi i kao antena. - Poseduje punjivu Li-ion bateriju kapaciteta 2600mah. - Na mikrofonu postoji opcija podesavanja zvuka i EHO. - Vreme punjena 2h, vreme rada oko 6h. - Puni se preko usb kabla koji ide u kompletu sa mikrofonom.

Komplet sadrži: 1. FM bežični mikrofon 2 kom. 2. Risiver 1 kom. 3. Adapter džek (sa 6mm na 3.5mm) 1 kom. 4. Kabl za povezivane risivera 1 kom. Sistem je podešen na dve frekvencije i potrebno je da ga uključite u miksetu, pojačalo, muzički stub ili DVD koji podržava karaoke. Uz kabl ide i adapter (prelaz sa 6mm džek na 3.5mm džek) pa možete priključiti i na kompjuter. Moguce licno preuzimanje u Beogradu ili saljem postexpresom pouzecem. Za dodatne informacije pozvati ili SMS i Viber.

Set bezicni mikrofoni dva mikrofona Pogodno za predavanja, konvencije, koncerte, probe, klubove, zurke (karaoke), prezentacije, priredbe, igraonice. . . Frekvencijski opseg: UHF, Frekvencijski odziv: 50Hz do 18KHz, Domet: od 50 do 80m, Napajanje: 2 AA baterije, Opcije korišćenja: bežično, Frekvencija 690 MHz, Veza: P10 konektor, Crna boja Set sadrzi: Dva bezicna mikrofona Konektor za povezivanje Bateriju za napajanje konektora Baterije za napajanje mikrofona Kabl za punjenje baterije konektora Mogucnost Licnog Preuzimanja na Novom Beogradu Slanjem Brzom Postom!