Kawai KDP90 električni klavir je naslednik veoma popularnog modela KDP80. Novi KDP90 donosi novu i poboljšanu mehaniku, veću polifoniju, kao i kvalitetnije tonove. Odličan električni klavir za učenike osnovnih i srednjih muzičkih škola. Pouzdani Kawai kvalitet električnih klavira.

Vrsim Otkup Elektricnih Klavira Yamaha Clavinova, Kawai, Casio, Korg i ostalih. ISPLATA ODMAH ! ! ! ! !

Opis proizvoda KAWALA - Better With You

Label: EMI – 00602445186129 Format: Vinyl, LP, Limited Edition Country: UK Released: 4 Mar 2022 Genre: Pop Style: Indie Pop, Folk 1 Hold Back The Years 3:01 2 Searching 2:24 3 Marathon 3:03 4 Ticket To Ride 3:02 5 Sailor 3:08 6 Hypnotized 3:50 7 Echoes 2:57 8 Good Like This 3:39 9 Jesse C`mon 2:26 10 Never Really Here For Long 3:26

ANARCHY-Ready Steady Go 1981. JAPAN PUNK LP MINT Tracklist A1 Ready Steady Go A2 頭の中 A3 ファッション A4 わからない地図 A5 平和の裏側 A6 Rock`n`Roll B1 Dancing Doll B2 High Way B3 時の流れ B4 アナーキー・ミュージック B5 Hey! ブービー・ジョー Credits All Noised by – Anarchy Art Direction – Shigenari Ohnishi Assistant Engineer – Susumu Yamazaki, Takeo Suzuki Bass – Nobuyoshi Teraoka Coordinator – Takashi Furui Cutting Engineer – Shizuo Nomiyama Design – Kyoji Kawai Drums, Percussion – Takao Kobayashi Guitar – Yasunari Henmi Guitar, Backing Vocals – Shinichi Fujinuma Illustration – Shigenari Ohnishi Music Director – Takafumi Muraki Photography – Masataka Nakano Producer – Music Planters Recorded at – Kitty Izu Studio & Hitokunchizaka Studio Recording Engineer – Yuji Yamazaki Supervisor – Akira Higashimoto Vocals – Shigeru Nakano

Originalni jugoslovenski filmski plakat (69 x 48 cm) za dokumentarni film Kamikaze aka Od Perl Harbura Do Hirosime (1980). Stanje kao na fotografijama. Kamikaze Perry Wolff Duncan Elliott Gunnar Hansen Masahiro Kawano Jugoslavija Ex Yu

Originalni jugoslovenski filmski plakat (69 x 48 cm) za film Godzila Protiv Megalodona (1973). Stanje kao na fotografijama. Godzilla vs. Megalon ゴジラ対メガロ Gojira tai Megaro Katsuhiko Sasaki Hiroyuki Kawase Yutaka Hayashi Robert Dunham Japan Jugoslavija Ex Yu

Slasher Maidens, Vol. 4 Meidou Academy has been attacked by the cult known as the Ultra Reincarnation Party. After defeating Kawase, one of the executives, the students retrieve their mementos and begin their counterattack! However, three more high-ranking members of the Ultra Reincarnation Party yet stand in the way. With their backs against the wall again, a dreadful memento user appears before Innami and the others! The Ultra Reincarnation Party's assault draws to a close...and after the fighting comes Asuma's reward! Has the time has come at last for him to lose his virginity!?

maxi cd singl,strano izdanje,jedinstveno i raritetno na našem tržištu.omot kao na slikama,disk ispravan i u odličnom stanju. Tracklist 1 The Magic Position Cello – Rozaliya Rashkova Clarinet [Bass Clarinet] – Derek Apps Drums – Richard Eigner Glockenspiel – Flip Fillip* Handclaps – Anna at Eastcore*, Jeremy `Circlesquare` Shaw*, Patrick Pulsinger, Patrick Wolf, Richard Eigner Trombone – Mark Rudland Viola – Raphael Handschuh Violin [Austrian String Quartet 1st Violin] – Andreas Kaufmann Violin [Austrian String Quartet 2nd Violin] – Alexej Barer Violin [Solo Violin] – Victoria `Superstar` Sutherland* Vocals, Ukulele [Baritone Ukelele], Dulcimer–Patrick Wolf 3:56 2 The Marriage Vocals, Voice [Deep Breath], Dulcimer [Appalachian Mountain Dulcimer], Synthesizer [Kawali Synth], Bodhrán, Bells [Morris Bells] – Patrick Wolf 2:45

LEGENDARY GUITARS MUSIC Šifra artikla: 376189 Isbn: 9780785841319 Autor : Tony Bacon Izdavač : CHARTWELL Legendary Guitars draws direct lines between the mid-century originals and many of today's most highly-prized instruments. Alongside classic originals, you'll see great examples of more recent instruments, showing how today's guitar makers have produced fresh interpretations that draw on the vene... Detaljnije Legendary Guitars draws direct lines between the mid-century originals and many of today's most highly-prized instruments. Alongside classic originals, you'll see great examples of more recent instruments, showing how today's guitar makers have produced fresh interpretations that draw on the venerable '50s and '60s templates. The guide details everything from highly accurate (and highly priced) vintage remakes and artist models to the broader influences and mashup qualities of modern retro creations. The work of more than 50 guitar brands-past and present-is highlighted, including Airline, Ampeg, Antoria, Aria, Baldwin, Bigsby, Burns, Coral, Danelectro, Eko, Epiphone, Fender, Framus, Futurama, Gibson, Goya, Gretsch, Grimshaw, Guild, Guyatone, Hagstrom, Harmony, Hofner, Hopf, Ibanez, Kawai, Kay, Kent, Kustom, La Baye, Magnatone, Messenger, Micro-Frets, Mosrite, National, Rickenbacker, Silvertone, Stratosphere, Supro, Teisco Del Rey, Tokai, Vega, Vox, Wandre, Watkins, and Yamaha. Ime/Nadimak Email adresa Poruka POŠALJI Kategorija MUSIC Autor Tony Bacon Težina specifikacija 0.5 kg Izdavač CHARTWELL Pismo Latinica Povez Tvrd Godina 2022 Format 23x32 Strana 288 Obavezni kolačići čine stranicu upotrebljivom omogućavanjem osnovnih funkcija kao što su navigacija stranicom i pristup zaštićenim područjima. Sajt koristi kolačiće koji su neophodni za pravilno funkcionisanje naše veb stranice kako bi se omogućile određene tehničke funkcije i tako vam pružilo pozitivno korisničko iskustvo. Statistički kolačići anonimnim prikupljanjem i slanjem podataka pomažu vlasnicima web lokacija da razumeju kako posetioci komuniciraju sa stranicom. To su kolačići koji omogućavaju web analitiku sajta, odnosno analizu upotrebe naših stranica i merenje prometa, koje sajt sprovodi u cilju poboljšanja kvaliteta i sadržaja ponuđenih usluga. Marketinški kolačići se koriste za praćenje posetilaca putem web stranice. Koriste se za prikazivanje relevantnih oglasa korisnicima i podsticanje da učestvuju, što je važno za nezavisne izdavače i oglašavače. Sajt koristi Google Analytics kolačiće ads/ga-audiences i collect, te Facebook kolačiće fr i tr.

Povelja, 2014. Knjiga nekorišćena, ali dobila pegice usled premeštanja s police na policu. ILIJA BAKIĆ: VREME ZVANO TELO Kajoko Jamasaki (1956) prisutna je u srpskoj literaturi više decenija kao prevodilac, promoter japanske kulture u Srbiji i srpske u Japanu te, konačno, kao pesnikinja intimistički intoniranog glasa. Knjiga „Vodeni cvetovi“ nastavak je avanture poetskih traganja odnosno produbljivanja već dosegnutih horizonata. Zbirku čine tri ciklusa „Plamen u školjki“, „Mesečevo mleko“ i „Svetlosna buba“; iako formalno odeljeni stihovi se prepliću i prelivaju između segmenata gradeći labavu ali prepoznatljivu celinu tako da je, u konačnom iščitavanju, utisak da je reč o delu koje je fokusirano na nekoliko tema (ali sadrži i pesme koje sa tim težištima ne korespondiraju u potpunosti). Osnovni toponimi ove mape-knjige su refleksije (savremene) svakodnevice kroz koju se prelamaju emotivna stanja poetskog subjekta odnosno, kao njihov kontrapunkt, ljudska stradanja u teškim vremenima. Kroz čitavu zbirku protkano je i dvojstvo kultura, japanske i srpske, ali se insistira na jedinstvenom, ljudskom temelju obe dok su razlike tek posledice kompleksnih okolnosti. Uprkos svim spoljnim razlikama patnje nesrećne dece i njihovih majki u zemljotresu i ratu istovetne se jer u svima stradaju nevina tela i duše, uništavaju se, gube dragoceni životi, neke moguće radost, dobra dela, konačno poništena su čuda prirode i postojanja. Ti se gubici ne mogu nadoknaditi ali je nužno sećati ih se; zaboravljanje stradalnika potvrdilo bi snagu ubica ili stihija, tih bezobzirnih sila nad čovečnošću. Poštovanje seni nestalih jedna je od važnih emocija kojih se ne treba stideti jer žive vezuje sa onima kojih nema, izoštrava percepciju i dubinu sagledavanja sopstvenog postojanja a, s druge strane, zalog je trezvenijem, mudrijem odnosu prema potomcima i njihovom vaspitavanju kao celovitih ličnosti. U takvom je stavu otklon od ultimativne matrice potrošačkog Zapada koji poznaje samo sadašnjost kao ključni trenutak u kome se egzistencija potvrđuje jedino kroz hedonistička uživanja i nekontrolisano trošenje u tzv Potrošačkom Raju u kome su svi večno mladi, lepi, nasmejani i bezbrižni. Takav svet poznaje samo stimulansima napumpane emocije, nesposoban je za nijanse i fine, diskretne nagoveštaje, slutnje. Nasuprot toj anomaliji koja se proglašava za jedini mogući način postojanja, poezija „Vodenih cvetova“, u delovima koji su, barem nominalno, okrenuti svakodnevici, zaranja u delikatno preplitanje detalja koji lako izmiču ovlašnom, nepažljivom posmatranju a u kojima se – u pripremi hrane, bojama namirnica, predelima, običnim razgovorima – krije esencija zadovoljstva jednog života. Ma koliko se smenjivanje dana i rutinskih aktivnosti čini trivijalnim, neuzvišenim upravo ta i takva kolevka jedinke/porodice jeste temelj osećanja sigurnosti i ispunjenosti. Tek kad se čovek izmakne iz tog utočišta, kada se neplanirano zagubi na nekom stranom aerodromu, postaje mu jasno šta znače te svakodnevne sitnice, naizgled nebitna opažanja i slučajne misli. U trenucima izmeštenosti iz poznatog prostora i određenog sleda događaja (koji je jedinka ustrajno gradila) razotkrivaju se i koreni značenja termina kakvi su Zemlja majke, Zemlja moga čoveka, Zemlja leptira, maternji jezik, strani jezik, njegov/moj grad... Osetljivost na te „opšte“ pojmove varira od ličnosti do ličnosti, zavisno od njene sposobnosti da se ona, osetljivost, artikuliše i formuliše nesavršenim sistemom znakova kakav je jezik. Reči, stihovi, poezija kao forma u kojoj se dešava pesnikinjino stvaralaštvo ali i kao životni stav, način opazanja/posmatranja okruženja i sebe u njemu, sa svim vrlinama, manama, snagom i slabostima, sporadično se pominju u stihovima jer je to tek tren namernog samoodređenja, imenovanja sopstvenog svetonazora koji je, u krajnjem, osmislio i ispisao sve stihove i odredio njihov ton i značenja. Poezija je, pak, (još jedan) svet/svemir kome pesnikinja pripada. Svest o tom svetu jednako je važna kao i pripadanje porodici, deci, voljenom biću. To je jedan od parametara onoga što se naziva „ispravna orijentacija u prostoru i vremenu i prema ljudima“ i potrebno je, povremeno, samom sebi ponoviti te krucijalne istine. Otuda i snažan, bezmalo prosvetljujući doživljaj otkrovenja voljene osobe, onoga koji zaklanja pogled. Takvim se trenucima potvrđuje životna radost, volja za postojanjem uprkos nevolja, ružnih uspomena, neizvesne budućnosti, strahova i kolebanja. Jer prepreke koje, iz dana u dan, iskrsavaju guše taj polet. Zato pesnikinja piše „Dišem duboko, da mi se povrati / vreme, zvano telo, koje sam / negde izgubila.“ („Niti za vez“). To priželjkivano, duboko disanje nije uvek lagodno, ume da bude bolno i teško ali je nužno potrebno da bi se, uprkos svom neprijateljskom okruženju, svom talogu dotadašnjeg postojanja, povratila osnovna radost življenja (ma koliko ono bilo prolazno). Knjiga „Vodeni cvetovi“ traga za skrivenom, zagubljenom punoćom života, za svim njegovim licima (ne uvek ugodnim) i, u konačnom svođenju utisaka, zrači radošću i plemenitim emocijama. Kajoko Jamasaki (Kanazava, 14. septembar 1956) jeste profesorka japanologije na Filološkom fakultetu Univerziteta u Beogradu, pesnikinja i književna prevoditeljka.[1] Biografija Diplomirala je na Filološkom fakultetu Hokaido univerziteta u Saporu (Japan). Bila je na specijalizaciji od 1979. do 1980. godine na Filozofskom fakultetu u Sarajevu. Godine 1981. boravila je na specijalizaciji na Institutu za glasbeno narodopisje (SAZU) u Ljubljani. Magistrirala je i doktorirala na Filološkom fakultetu u Beogradu.[2] Članstvo Član Udruženja književnih prevodilaca Srbije Član Srpskog književnog društva, potpresednica Upravnog odbora Član Nihongo kyoiku renraku kaigi (Asocijacija nastavnika japanskog jezika kao stranog, Tokio) Član AEJ (Asocijacija profesora japanskog jezika kao stranog u Evropi) Saradnik Matice srpske Bibliografija Poezija Torino tameni, – Shoshi Yamada, Tokyo, 1995. Ubusuna, rodina, – Shoshi Yamada, Tokyo, 1999. Bara: mishiranu kuni, – Shoshi Yamada, Tokyo, 2001. Hisoyakana asa, Shoshi Yamada, Tokyo, 2004. Atosu, shizukana tabibito, Shoshi Yamada, Tokyo, 2008. Skriveno jutro, Centar za kulturu, Palanka 2001. Rodina, ubusuna, Studentski kulturni centar, Beograd, 2004. Sanovnik, reka, Rad, Beograd, 2005. Olujni breg, Rad, Beograd, 2008. Zbirka eseja Kaitai jugosurabia, – Tokyo: Asahi shuppan, 1993. Aruhi mura wa senjo ni natta, – Tokyo: Shueisha, 1995. Sokokara aoi yami ga sasayaki, – Tokyo: Kawade shobo shinsha, 2003. Studija Japanska avangardna poezija: u poređenju sa srpskom poezijom, Filip Višnjić Beograd, 2004. Antologija Četiri godišnja doba: savremena japanska haiku poezija, 1. izdanje – Beograd: Nova, 1994. Uvodna studija; izbor i komentari (zajedno sa H. Jamasaki-Vukelićem i S. Mitrovićem), 2. dopunjeno izdanje, Studentski kulturni centar, Beograd. Tekst za kompoziciju Torino tameni, za mešoviti hor (kompozitor: Ko Matsushita) – Tokyo: Ongaku no tomo sha, 2000. Bara, mishiranu kuni, (kompozitor: Ko Matsushita) – Tokyo: Kawai, 2008. Hikari o mamoru mono tachi, za ženski hor i klavir (kompozitor: Ko Matsushita), – Tokyo: Kawai, 2008. Miohayami, kantata za mešoviti hor, klavir i udaraljke (kompozitor: Ko Matsushita) – Tokyo: Kawai, 2009. Prevod Wakaki hi no kanashimi/Danilo Kiš, prevod dela Rani jadi na japanski – Tokyo: Tokyo sogensha, 1995. Shisha no hyakka jiten/Danilo Kiš, prevod dela Enciklopedija mrtvih na japanski – Tokyo: Tokyo sogensha, 1999. Niwa, hai/Danilo Kiš, prevod dela Bašta, pepeo na japanski – Tokyo: Kawade shobo shinsha, 2009. Literatura o piscu SUGA, Atsuko: Tabi dewa nazeka yoku nemuri, Tori no tameni, Gojuso/Atsuko Suga //Hon ni yomarete (Knjige su me čitale). – Tokyo: 1998. Wada, Tadahiko: Venetsuiya, mizuno yume (Venecija, san o vodi). – Tokyo: Chikuma shobo, 2000. pp. 273-274; Koe, imidewa naku (Glanovi, ne značenje). – Tokyo: Heibonsha, 2004. pp. 25-36., 37-49.. pp. 127-139. GENDAISHI daijiten (Veliki rečnik savremene poezije):Yamasaki, Kayoko / Motoo Ando, Makoto Ooka, Minoru Nakamura //Gendaishi daijiten (Veliki rečnik savremene poezije): –Tokyo, 2008. pp. 676–677. – Rečnička odrednica. BOŠKOVIĆ, Dragan: (Bez)utešno putovanje / Dragan Bošković // Književni magazin: Mesečnik Srpskog književnog društva. – Beograd : Srpsko književno društvo. – br. 55 – 56 (januar – februar 2006). pp. 39–40. Prikaz knjige „Sanovnik, reka“, Rad, Beograd, 2005; Kada se vode povuku / Dragan Bošković // Povelja: časopis za književnst, umetnost i kulturu: Narodna biblioteka „Stefan Prvovenčani“ Kraljevo. – god. XXXIV, 3/2004. pp. 179–181. – Prikaz knjige „Rodina, ubusuna“, SKC, Beograd, 2004. VUČKOVIĆ, Radovan: Monografija o japanskoj avangardnoj poeziji// Književna istorija. – Beograd:za književnost i umetnost, XXVII, br. 127 (2005). pp. 709–713. - Prikaz knjige „Japanska avangardna poezija u poređenju sa srpskom“, Filip Višnjić, Beograd, 2004. VESELINOVIĆ, Sonja: Pesma ispod prozirnog sveta / Sonja Veselinović // Beogradski književni časopis, Književno društvo „Hiperboreja“ Beograd. – god. II, br. 5 (15. decembar 2006). pp. 212–214. – Prikaz knjige „Sanovnik, reka“, Rad, Beograd, 2005. NENADOVIĆ, Svetlana: Kajoko Jamasaki-Vukelić: / Svetlana Nenadović //Dete je otac čoveka. knj.3. –Beograd: Radio-televizije Srbije, 2008. pp. 88-93. – Intervju. (Biblioteka Knjiga sećanja) STOJANOVIĆ – Pantović, Bojana: Nebeski oblici: Kajoko Jamasaki: „Rodina, ubusuna“, pogovor Dragan Bošković, SKC, 2004 / Bojana Stojanović – Pantović //Oštar ugao. –Zrenjanin: Agora, 2008. pp. 139–141. Nagrade i priznanja Dobitnik je godišnje nagrade za prevod na inostrani jezik za 1995/96. godinu (Srpski P.E.N. Centar). Povelje za izuzetan doprinos prevođenju srpske književnosti (Udruženje književnih prevodilaca Srbije), 2011. Povelja Morave (UKS), 2011.[3]

Various – Blade (Music From And Inspired By The Motion Picture) Unofficial release.. 1 Mystikal– The Edge Of The Blade Executive-Producer – Master P Producer – KLC Written-By – KLC, Mystikal 4:12 2 Gang Starr Featuring M.O.P.– 1/2 & 1/2 Co-producer – M.O.P. Producer – DJ Premier, The Guru* Written-By – Chris Martin (6), Eric Murry*, Jamal Grinnage, Keith Elam 4:17 3 KRS-One Featuring Channel Live– Blade Featuring – Channel Live Written-By – Hakim Green, Lawrence Parker*, Vincent Morgan (2) 3:11 4 Down 2 Earth Featuring Rome (3)– Fightin` A War Featuring – Rome (3) Written-By – Al McKnight, Eric Allen (7), Jerome E. Woods*, Nathan Cruise 4:01 5 P.A.*– Reservations Written-By – James Hollins, Kawan Prather, Maurice Sinclair 4:26 6 Wolfpak– Gangsta Bounce Written-By – Arthur Clark (2), Hector Vasquez 5:27 7 Kasino– Things Ain`t The Same Written-By – Damon Blackmon*, Kimani Davis, Sharief Bouchet 4:33 8 Bounty Killer Featuring Mobb Deep & Rappin` Noyd*– Deadly Zone Featuring – Mobb Deep, Rappin` Noyd* Producer – Nashiem Myrick Written-By – Albert Johnson, Kejuan Muchita, Nashiem Myrick, Rodney Price, Tajuan Perry 5:00 9 Majesty* Featuring Bizzy Bone– Blade 4 Glory Written-By – Bizzy Bone, Majesty*, Nathan Crow 3:45 10 Mantronik* vs. EPMD– Strictly Business (Mantronik MBA Radio Edit) Written-By – Bob Marley, Erick Sermon, Parrish Smith 3:36 11 Roger S.* Featuring Soulson– Wrek Tha Discotek Rap – Soulson Written-By – Roger Sanchez 6:13 12 New Order– Confusion (Pump Panel Reconstruction Mix) Remix – The Pump Panel Written-By – Arthur Baker, Bernard Sumner, Gillian Gilbert, Peter Hook, Stephen Morris 10:12 13 Expansion Union– Playing With Lightning Written-By – Chylow Parker, George Rodriguez (2), James Bernard 4:31 14 DJ Krush– Dig This Vibe Written-By – DJ Krush 4:54 15 Junkie XL– Dealing With The Roster Written-By – Patrick Ian Tilon*, Tom Holkenborg Cover : EX - CD : VG ++/EX - LIČNO PREUZIMANJE NIJE MOGUĆE NI U KAKVOJ VARIJANTI!!!!

disk: 5 omot, bogat booklet: 5 odlicno stanje P!NK ‎– M!ssundaztood Label: Arista ‎– 74321 913242, BMG ‎– 74321913242 Format: CD, Album, Enhanced Country: Europe Released: 28 Jan 2002 Genre: Rock Style: Pop Rock TracklistHide Credits 1 Get The Party Started 3:12 2 18 Wheeler 3:45 3 M!ssundaztood Guitar – Linda Perry 3:36 4 Dear Diary 3:29 5 Eventually 3:34 6 Numb 3:07 7 Just Like A Pill Mixed By – Kevin `KD` Davis* 3:56 8 Family Portrait Producer – Scott Storch Recorded By – Oscar Ramirez, Wassim Zreik Written-By – S. Storch* 4:57 9 Misery Arranged By [Strings] – Richie Supa*, Wayne Hood Backing Vocals [Featuring] – Steven Tyler Drums, Bass, Guitar – Marti Frederiksen Guitar [Solo] – Richie Sambora Keyboards, Strings, Drums [Loop] – Wayne Hood Mixed By – Marti Frederiksen Piano, Organ [B3] – Jim Cox Producer, Arranged By – Marti Frederiksen, Ricie Supa* Recorded By – Marti Frederiksen, Richard Chychki* Written-By – R. Supa* 4:31 10 Respect Human Beatbox [Featuring] – Scratch 3:22 11 Don`t Let Me Get Me 3:30 12 Gone To California Bass, Electric Piano, Synthesizer – Linda Perry Organ – David Seigel Saxophone, Harmonica – Jimmy Z 4:34 13 Lonely Girl Vocals [Featuring] – Linda Perry 4:20 14 My Vietnam 5:16 Includes 15 Catch-22 3:51 Companies, etc. Phonographic Copyright (p) – Arista Records, Inc. Copyright (c) – Arista Records, Inc. Manufactured By – Disctronics, UK Credits A&R [Direction] – Kawan `KP` Prather* Art Direction, Design – Jeff Schulz Backing Vocals – P!nk Coordinator [A&R] – Celeste Moses, Christie LaRocque Creative Director – Joe Mama-Nitzberg Drum Programming – Damon Elliott (tracks: 3, 12, 14, 15), Linda Perry (tracks: 1, 4, 5, 10, 13) Drum Programming [Additional] – Linda Perry (tracks: 12) Drum Programming, Bass, Piano – Damon Elliott (tracks: 3) Executive-Producer – Antonio `LA` Reid*, Pink* Mastered By – Herb Powers Jr. Mixed By – Dave `Hard Drive` Pensado* (tracks: 1, 3 to 5, 8, 10, 12 to 15), Dave Way (tracks: 2, 6, 11) Mixed By [Assistant] – Dave Guerrero (tracks: 1, 3 to 5, 8, 10, 12 to 15), Tim LeBlanc (tracks: 2, 6, 11) Photography By – Terry Richardson Producer – Damon Elliott (tracks: 3, 10, 12, 14, 15), Linda Perry (tracks: 1, 3 to 5, 10, 12 to 15) Producer, Arranged By – Dallas Austin (tracks: 2, 6, 7, 11) Recorded By – Carlton Lynn (tracks: 2, 6, 7, 11), Damon Elliott (tracks: 3, 10, 15), Linda Perry (tracks: 1, 4, 5, 10, 12 to 15) Recorded By [Additional], Programmed By [Pro Tools] – Bernd Burgdorf (tracks: 1, 4, 5, 10) Recorded By [Assistant] – Doug Harms (tracks: 2, 6, 7, 11) Sound Designer [Midi & Sound Design] – Rick Sheppard (tracks: 2, 6, 7, 11) Written-By – D. Austin* (tracks: 2, 6, 7, 11), L. Perry* (tracks: 1, 3 to 5, 10, 12 to 15), P!nk (tracks: 2 to 8, 10 to 12, 14, 15)

Original, made in USA Knjizica od 20 str. knjizica 5 Cd 3+ ima nekoliko sitnih povrsinskih linijica koje ne uticu na reprodukciju zvuka, radi besprekorno Label: Matador – OLE 333-2 Format: CD, Album, Reissue, Digipak Country: US Released: Genre: Electronic, Pop Style: J-pop 1 La Dépression Featuring – Grand-Prix* 2:15 2 Rolls Royce Featuring – Ikeda Satoshi* 6:34 3 A New Song Arranged By [Horns] – Kubota Haruo* Featuring – Kato Hisashi* 4:20 4 Week-End Electric Piano – Kawano Shin* Featuring – Kato Hisashi* 4:03 5 Magic Twin Candle Tale Featuring – Bread & Butter (4) 5:13 6 Concerto 4:29 7 Such A Beautiful Girl Like You Featuring – Suzuki Momoko* 4:00 8 Playboy Playgirl 5:10 9 La Règle Du Jeu Lyrics By – Konishi Yasuharu* Music By – Tsutsumi Kyouhei* 4:20 10 I Hear A Symphony Orchestrated By – Tatsuya Murayama 3:46 11 Drinking Wine Featuring – Saito Makoto* 4:25 12 The Great Invitations Featuring – Arichika Masumi* Orchestrated By – Kubota Haruo* 4:09 13 Stars Featuring – Saito Makoto* 4:23 Manufactured By – WEA Manufacturing Phonographic Copyright ℗ – Matador Copyright © – Matador Manufactured By – www.lynic.com Glass Mastered At – Lynic – 95658 Pressed By – Lynic – 95658 Producer – Konishi Yasuharu* Vocals [Featuring] – Nomiya Maki* Written-By – Konishi Yasuharu* (tracks: 1 to 8, 10 to 13) Track 2 is incorrectly listed as lasting 8:14 in the booklet. Track 9 is incorrectly listed as lasting 3:50 in the booklet. Includes a 20 page booklet. Pizzicato Five (1985-2001) was a Japanese pop group best known to audiences in the West in their later incarnation as a duo of Maki Nomiya and Yasuharu Konishi. The group was formed in 1985 by Konishi and fellow founding bandmates Keitarō Takanami, Ryō Kamomiya, Mamiko Sasaki, and Shigeo Miyata. Miyata left the group almost immediately but the four remaining members kept the name Pizzicato Five. Last members: Yasuharu Konishi (1984–2001) - Songwriter, bass guitar, guitar, keyboards, vocals. Yasuharu Konishi (小西 康陽 Konishi Yasuharu?, born February 3, 1959 in Sapporo, Hokkaido) was the only founding member to stay with the group until the end. He is a music producer now. Maki Nomiya (1990–2001) - Lead vocal. Maki Nomiya (野宮 真貴 Nomiya Maki?, born March 12, 1960 in Kushiro, Hokkaido) was the third vocalist of this group. She is also a solo singer, a narrator, a fashion model and a dress designer now. Former members Keitarō Takanami (1984–1994) - Guitar, keyboards and vocals. Keitarō Takanami (高浪 慶太郎 Takanami Keitarō?, born May 6, 1960 in Nagasaki, Nagasaki) was one of the founding members, and he is a guitarist and a music producer now. He changed his name to 高浪敬太郎 (Keitarō Takanami) later, and was also known as `K-taro.` Mamiko Sasaki (1984–1987) - Lead vocal. Mamiko Sasaki (佐々木 麻美子 Sasaki Mamiko?) was one of the founding members and was the first vocalist of this group. Ryō Kamomiya (1984–1987) - Keyboards. Ryō Kamomiya (鴨宮 諒 Kamomiya Ryō?, born March 23, 1962 in Shinjuku, Tokyo) was one of the founding members, and is a composer and an arranger now. Takao Tajima (1987–1990) - Lead vocal, guitar, harmonica. Takao Tajima (田島 貴男 Tajima Takao?, born April 24, 1966 in Ota, Tokyo) was the second vocalist of this group. He had already come out as Original Love`s vocalist then. He is a solo singer and is also a music producer now.

Booklet 24 strane 5 / CD 5- Sarah Brightman – Harem Label: Angel Records – 7243 5 57535 2 6 Format: CD, Album, Copy Protected Country: Europe Released: 2003 Genre: Electronic, Classical Style: Modern Classical, Downtempo, Contemporary, Ambient Tracklist Hide Credits 1 Harem Adapted By – Peterson* Lyrics By [English] – Frank Peterson, Sarah Brightman Lyrics By, Music By – Ferrer Trinidade*, Frederico de Brito Mandolin – Jiri Burda Ney – Reda Bdir* Vocals [Additional] – Jaz Coleman 5:45 2 What A Wonderful World Lyrics By, Music By – George David Weiss, George Douglas 3:40 3 It`s A Beautiful Day Adapted By – Christopher von Deylen, Frank Peterson Backing Vocals – Frank Peterson Lyrics By – Christopher von Deylen, Frank Peterson, Sarah Brightman Music By – Puccini* Narrator – Chiara Ferraú Sitar – Peter Weihe Tabla – Kuljid Bhamra* 3:56 4 What You Never Know Keyboards [Additional] – Matthias Meissner Lyrics By, Music By – Stephan Moccio Piano – Stephan Moccio 3:24 5 The Journey Home Choir – Andrew Playfoot, Anna Samant, Dean Hussain, Jonathan Penton, Nina Bromham, Sarah Leatherbarro Lyrics By, Music By – A.R. Rahman, Don Black Percussion – Kuljid Bhamra* Vocals [Ad Lib] – Shweta Shetty 4:55 6 Free Choir – Gregorian Keyboards [Additional], Programmed By [Additional] – Matthias Meissner Lyrics By – Sarah Brightman, Sophie B. Hawkins Music By – Matthias Meissner, Thomas Schwarz Violin, Soloist – Nigel Kennedy 3:45 7 Mysterious Days Lyrics By – Bezalel Aloni, Klaus Hirschburger Music By – Frank Peterson, Lukas Hilbert, Ofra Haza Sitar – Peter Weihe Sitar [Electric], Backing Vocals – Lukas Hilbert Vocals [Sample] – Ofra Haza 5:17 8 The War Is Over Featuring – Kazem Al Saher Lyrics By – Kristian Draude, Patrick Benzner, Sarah Brightman Lyrics By [Arabic] – Kareem Al Iraqi* Music By – Frank Peterson, Kristian Draude, Patrick Benzner Piano [Acoustic] – Michael Soltau Programmed By [Additional] – Christian Draude Violin, Soloist – Nigel Kennedy 5:14 9 Misere Mei Adapted By – Frank Peterson Choir – The Bach Choir Lyrics By, Music By – Alegri* 0:55 10 Beautiful Lyrics By, Music By – Hitchcock*, Freeman* Violin, Soloist – Aboud Abdel Ali* 4:36 11 Arabian Nights Lyrics By [Alone] – Sarah Brightman Lyrics By [Hamesha] – Shweta Shetty Lyrics By [Promise] – Violet (10) Lyrics By [Seimitar Moon] – Brian Johnson, Sarah Brightman Lyrics By [Voyage] – Sarah Brightman Music By [Alone] – Frank Peterson, Peter Murray*, Rachel Shaw Music By [Hamesha] – Frank Peterson, Sarah Brightman Music By [Promise] – Frank Peterson Music By [Seimitar Moon] – Kristian Draude Music By [Voyage] – Carsten Heusmann, Frank Peterson, Sarah Brightman Vocals [Additional] – Natacha Atlas, Shweta Shetty 8:50 12 Stranger In Paradise Adapted By – Frank Peterson, Sarah Brightman Choir – The Bach Choir Conductor – Mike Reed* Lyrics By, Music By – Alexander Borodin, Alexander Glasunow*, George Forrest, Nikolai A. Rimsky-Korsakoff*, Robert Wright* Orchestra – The London Symphony Orchestra 4:27 13 Until The End Of Time Lyrics By – Sarah Brightman Music By – Frank Peterson, Lukas Hilbert, Sarah Brightman Ney – Reda Bdir* 12:22 14 Guéri De Toi Lyrics By – F. Kocourek* Music By – Matthias Meissner, Thomas Schwarz Violin, Soloist – Nigel Kennedy 3:49 Pause Unmute Remaining Time-0:10 Picture-in-Picture Fullscreen Companies, etc. Manufactured By – EMI Uden Phonographic Copyright ℗ – Nemo Studios, Hamburg Copyright © – Nemo Studios, Hamburg Licensed To – Angel Records Recorded At – Nemo Studios, Hamburg Recorded At – Sono Studio, Beirut Recorded At – Rudolfinum Studio Recorded At – ART Studios (5) Recorded At – Angel Studios Recorded At – Abbey Road Studios Recorded At – Studio Versailles Recorded At – Proloton Studio Recorded At – Copthorne Studios Recorded At – Maison de Musique, Toronto Mixed At – Nemo Studios, Hamburg Mastered At – Gateway Mastering Published By – Warner Chappell Music Published By – Petersongs Published By – Abilene Music Inc. Published By – Sony Publishing Published By – The Really Useful Group PLC Published By – Cappellmeister Published By – Wolff Songs Published By – BMG Ufa Published By – Chrysalis Music Publishing Published By – Hit & Run Music Published By – Chappell & Co. Credits Art Direction – Rob O`Connor Backing Vocals – Gunther Laudahn (tracks: 3, 10, 13), Violet (10) (tracks: 2, 6, 7, 8) Bass – Trevor Barry (tracks: 2, 4, 8, 11) Conductor [Prague Symphony Orchestra] – Adam Klemens Conductor [The Bach Choir] – Adrian Partington Contractor [London Symphony Orchestra Fixed] – Sue Mallet Contractor [Prague Symphony Orchestra Sessions Fixed And Organized] – Petr Polivka* Contractor [The Bach Choir Fixed] – Chris Lean Coordinator [Production Coordinator] – Dergham Owainati, Tina Mueller*, Zak Biddu for Big Life Management* Copyist – Peter Murphy Design – Stylorouge Drums – Frosty Beedle* (tracks: 2, 4, 8, 11) Engineer – Frank Peterson, John Timperley, Michael Soltau Engineer [Local Studio Engineering] – Andrew Dudman, Cenek Kotzman*, Dennis Preiss, Lubos Novacek*, Mat Bartram, Niall Acott, Sameh Hamandi, Samuel Pospisil* Guitar – Peter Weihe (tracks: 1, 2, 4, 7, 8, 11, 14) Kanun [Kanoun] – Amir Abdel Magid* (tracks: 1, 10, 13) Keyboards [Additional], Percussion [Additional], Programmed By [Additional] – Frank Peterson Keyboards, Programmed By – Michael Soltau Legal [Legal Affairs] – Fred E. Goldring, Goldring, Hertz & Lichtenstein Management – Peter Asher, The Sanctuary Group* Mastered By – Bob Ludwig Mixed By – Frank Peterson, Michael Soltau Ney [Kawala] – Ibrahim Fathie* (tracks: 1, 5, 13) Orchestra – The Prague Symphony Orchestra (tracks: 1 to 8, 10, 11, 13, 14) Orchestrated By – Jaz Coleman (tracks: 1 to 8, 10, 11 13, 14) Percussion – Rony Barrak (tracks: 1, 4, 7, 10, 11, 13) Photography By – Simon Fowler (2) Producer – Frank Peterson Producer [Additional] – Sarah Brightman Vocals, Keyboards [Additional] – Sarah Brightman Notes • Track 14 is a bonus track. Track 9 is misspelled `Misere` instead of `Miserere`. Track 11 (`Arabian Nights`) is divided in 5 pieces: `Scimitar Moon`, `Voyage`, `Promise`, `Hamesha` and `Alone`. Track 1 is adapted from `Cancao do Mar`. • Info from the CD: ℗ & © 2003 Nemo Studios under exclusive license to Angel Records Made in the EU • Info from the back cover: Printed in the EU ℗ & © 2003 Nemo Studios under exclusive license to Angel Records This label copy information is the subject of copyright protection. All rights reserved © 2003 Nemo Studios under exclusive license to Angel Records Copy controlled • Info from the insert: Local studio engineering by: Dennis Preiss (Nemo Studios) Samuel Pospisil (Sono) Lubos Novacek, Cenek Kotzman (Rudolfinum) Niall Acott & Matt Bartram (Angel Studios) Sameh Hamandi (Art Studio) Andrew Dudman (Abbey Road Studios) Recorded in 2002/2003 at: Nemo Studios (Hamburg / Germany) Sono Studio (Beirut / Lebanon) Rudolfinum Studio (Prague / Tchech Republic) Art Studio (Cairo / Egypt) Angel Studios (London / United Kingdom) Abbey Road Studios (London / United Kingdom) Studios Versailles (Paris / France) Proloton Studio (Hamburg / Germany) Copthorne Studio (Maidenhead / United Kingdom) Maison de musique (Toronto / Canada). Mixed at Nemo Studios (Hamburg / Germany). Mastered at Gateway Mastering (USA). Nigel Kennedy appears courtesy of EMI Classics. Kadim al Sahir appears courtesy of Rotana / EMI Music Arabia • Some copies have 2 stickers on the box: - red one (rectangle): `Inkl. IT`S A BEAUTIFUL DAY Der Hit aus der ZDF ROSAMUNDE PILCHER Kampagne` - transparent one (round): `COPY CONTROLLED See reverse for details Details siehe Rückseite Voir au verso pour détails Más información en la contraportada` • Publishers: Track 1 - Warner Chappel Music Track 2 - Warner Chappel Music / Abilene Music, Inc. Track 3 - Petersongs / Warner Chappel Music Track 4 - Sony Publishing Track 5 - The Really Useful Group Track 6 - Petersongs / Warner Chappel Music Track 7 - Petersongs / Warner Chappel Music Track 8 - Petersongs / Warner Chappel Music / Cappellmeister / Wolf Songs - BMG ufa. Track 9 - Petersongs / Warner Chappel Music Track 10 - Chrysalis Music Publishing Track 11 (parts 1 to 4) - Petersongs / Warner Chappel Music Track 11 (part 5) - Hit and Run Music / Petersongs / Warner Chappel Music Track 12 - Chappel & Co. / Warner Chappel Music Track 13 - Petersongs / Warner Chappel Music Barcode and Other Identifiers Barcode (Text): 7 243-5-57535-2 6 Barcode (Scanned): 0724355753526 Matrix / Runout (Variant 1): EMI UDEN 5575352 @ 1 Mastering SID Code (Variant 1): IFPI L046 Mould SID Code (Variant 1): IFPI 155D Matrix / Runout (Variant 2): EMI UDEN 5575352 @ 4 Mastering SID Code (Variant 2): IFPI L046 Mould SID Code (Variant 2): IFPI 1420 Other (Variant 2, Etched in the matrix area): 3-1-4-NL Matrix / Runout (Variant 3): EMI UDEN 5575352 @ 5 Mastering SID Code (Variant 3): IFPI L047 Mould SID Code (Variant 3): IFPI 15A9 Other (Variant 3, Etched in the matrix area): 4-1-1-NL Rights Society: BEL-BIEM Label Code: LC 0110

Booklet 5- / CD 4 P!nk ‎– M!ssundaztood Label: Arista ‎– 74321 91324 2, BMG ‎– 74321913242 Format: CD, Album, Enhanced, Reissue Country: Europe Released: 2002 Genre: Rock, Pop Style: Pop Rock TracklistHide Credits 1 Get The Party Started Backing Vocals – P!nk Instruments [All], Drum Programming – Linda Perry Mixed By – Dave `Hard Drive` Pensado* Mixed By [Assisted By] – Dave Guerrero Producer – Linda Perry Recorded By – Linda Perry Recorded By [[Additional Recording], Programmed By [Pro Tools Programming] – Bernd Burgdorf Written-By – L. Perry* 3:12 2 18 Wheeler Backing Vocals – P!nk MIDI Controller, Sound Designer – Rick Sheppard Mixed By – Dave Way Mixed By [Mix Assistant] – Tim LeBlanc Producer, Arranged By – Dallas Austin Recorded By – Carlton Lynn Recorded By [Assisted By] – Doug Harms Written-By – D. Austin*, P!nk 3:45 3 M!ssundaztood Backing Vocals – P!nk Drum Programming, Bass, Piano – Damon Elliott Guitar – Linda Perry Mixed By – Dave `Hard Drive` Pensado* Mixed By [Assisted By] – Dave Guerrero Producer – Damon Elliott, Linda Perry Recorded By – Damon Elliott Written-By – L. Perry*, P!nk 3:36 4 Dear Diary Backing Vocals – P!nk Drum Programming – Linda Perry Mixed By – Dave `Hard Drive` Pensado* Mixed By [Assisted By] – Dave Guerrero Producer – Linda Perry Programmed By [Pro Tools Programming] – Bernd Burgdorf Recorded By – Linda Perry Written-By – L. Perry*, P!nk 3:30 5 Eventually Backing Vocals – P!nk Instruments [All], Drum Programming – Linda Perry Mixed By – Dave `Hard Drive` Pensado* Mixed By [Assisted By] – Dave Guerrero Producer – Linda Perry Programmed By [Pro Tools Programming] – Bernd Burgdorf Recorded By – Linda Perry Written-By – L. Perry*, P!nk 3:35 6 Numb Backing Vocals – P!nk MIDI Controller, Sound Designer – Rick Sheppard Mixed By – Dave Way Mixed By [Mix Assistant] – Tim LeBlanc Producer, Arranged By – Dallas Austin Recorded By – Carlton Lynn Recorded By [Assisted By] – Doug Harms Written-By – D. Austin*, P!nk 3:08 7 Just Like A Pill Backing Vocals – P!nk MIDI Controller, Sound Designer – Rick Sheppard Mixed By – Kevin `KD` Davis* Producer, Arranged By – Dallas Austin Recorded By – Carlton Lynn Recorded By [Assisted By] – Doug Harms Written-By – D. Austin*, P!nk 3:57 8 Family Portrait Mixed By – Dave `Hard Drive` Pensado* Mixed By [Assisted By] – Dave Guerrero Producer – Scott Storch Recorded By – Oscar Ramirez, Wassim Zreik Written-By – P!nk, S. Storch* 4:57 9 Misery Arranged By [String Arrangement] – Wayne Hood Arranged By [String Arrangements] – Richie Supa* Backing Vocals – P!nk, Steven Tyler Drums, Bass, Guitar, Mellotron – Marti Frederiksen Featuring – Steven Tyler Guitar [Solo] – Richie Sambora Keyboards, Loops [Strings & Drums Loop] – Wayne Hood Mixed By – Marti Frederiksen Piano, Organ [B3] – Jim Cox Producer, Arranged By – Marti Frederiksen, Ricie Supa* Recorded By – Marti Frederiksen, Richard Chychki* Written-By – R. Supa* 4:32 10 Respect Backing Vocals – P!nk Drum Programming – Damon Elliott, Linda Perry Featuring, Human Beatbox – Scratch Instruments [All] – Linda Perry Mixed By – Dave `Hard Drive` Pensado* Mixed By [Assisted By] – Dave Guerrero Producer – Damon Elliott, Linda Perry Programmed By [Pro Tools Programming] – Bernd Burgdorf Recorded By [Additional Recording Assisted By] – Jonathon Merritt* Recorded By [Additional Recording By] – Bernd Burgdorf Written-By – L. Perry*, P!nk 3:22 11 Don`t Let Me Get Me Backing Vocals – P!nk MIDI Controller, Sound Designer – Rick Sheppard Mixed By – Dave Way Mixed By [Mix Assistant] – Tim LeBlanc Producer, Arranged By – Dallas Austin Recorded By – Carlton Lynn Recorded By [Assisted By] – Doug Harms Written-By – D. Austin*, P!nk 3:30 12 Gone To California Backing Vocals – P!nk Bass, Electric Piano [Rhodes], Synth – Linda Perry Drum Programming – Damon Elliott Drum Programming [Additional] – Linda Perry Mixed By – Dave `Hard Drive` Pensado* Mixed By [Assisted By] – Dave Guerrero Organ – David Seigel Producer – Damon Elliott, Linda Perry Recorded By – Linda Perry Recorded By [Sax, Harmonica & Organ] – Damon Elliott Saxophone, Harmonica – Jimmy Z Written-By – L. Perry*, P!nk 4:34 13 Lonely Girl Backing Vocals – Linda Perry Featuring – Linda Perry Instruments [All], Drum Programming – Linda Perry Mixed By – Dave `Hard Drive` Pensado* Mixed By [Assisted By] – Dave Guerrero Producer – Linda Perry Recorded By – Linda Perry Written-By – L. Perry* 4:20 14 My Vietnam Backing Vocals – P!nk Drum Programming – Damon Elliott Instruments [All] – Linda Perry Mixed By – Dave `Hard Drive` Pensado* Mixed By [Assisted By] – Dave Guerrero Producer – Damon Elliott, Linda Perry Recorded By – Linda Perry Written-By – L. Perry*, P!nk 5:16 15 Catch-22 Drum Programming – Damon Elliott Instruments [All] – Linda Perry Mixed By – Dave `Hard Drive` Pensado* Mixed By [Assisted By] – Dave Guerrero Producer – Damon Elliott, Linda Perry Recorded By – Linda Perry Written-By – L. Perry*, P!nk 3:49 Primis Player Placeholder Companies, etc. Phonographic Copyright (p) – Arista Records, Inc. Copyright (c) – Arista Records, Inc. Phonographic Copyright (p) – BMG Entertainment Copyright (c) – BMG Entertainment Distributed By – BMG Published By – Stuck In The Throat Published By – Famous Music Corporation Published By – P!nk Publishing Designee Published By – EMI April Music Inc. Published By – Cyptron Music Published By – EMI Blackwood Music Inc. Published By – Scott Storch Music Published By – TVT Published By – Super Supa Songs Produced For – DARP, Inc. Recorded At – LP Studios, Sherman Oaks, CA Recorded At – Larrabee Sound Studios Recorded At – Pinetree Studios Recorded At – DARP Studios Recorded At – The Enterprise Recorded At – Drive By Studios Recorded At – Sony Music Studios, Los Angeles Mixed At – The Enterprise Mixed At – Larrabee North Mixed At – MF Studios Mastered At – Hit Factory Mastering Pressed By – SNA – 10240220 Credits A&R [Coordinator] – Celeste Moses, Christie LaRocque A&R [Direction] – Kawan `KP` Prather* Art Direction, Design – Jeff Schulz Creative Director – Joe Mama-Nitzberg Executive-Producer – Antonio `LA` Reid*, P!nk Management – LS Management, Inc., RD Worldwide Management BV* Management [Bernd Burgdorf Represented By] – Jim Phelan (2) Management [Business] – Jerome Levanthal Management [Dave `Hard Drive` Pensado Represented By] – Jac Coleman Management [Legal Representation] – Donald Passman*, J. Eugene Saloman* Management [Linda Perry Represented Exclusively By] – Katrina Sirdofsky Mastered By – Herb Powers Jr. Other [Director Programming] – Lee Taft Other [Enhanced CD Production By] – Masterdisk Other [Hair Coloring] – Kristoff Other [Hairstyling] – Alberto Guzman Other [Makeup] – Devra Kinery Other [Stylist] – Patti Wilson Photography By – Terry Richardson Notes Track 1 Published by Stuck In The Throat/Famous Music Corp. (ASCAP) Recorded at LP Studios, Sherman Oaks, CA Additional recording & pro tools programming at Larrabee Studios, LA, CA Mixed at The Enterprise, Burbank, CA Track 2 Published by P!nk Publishing Designee/EMI-April Music, Inc. (ASCAP)/Cyptron Music/EMI Blackwood Music Inc. (BMI) Produced & arranged for DARP, Inc. Recorded at Pinetree Studios, Miami Beach, FL & DARP Studios, Atlanta, GA Mixed at Larrabee Studios North, North Hollywood, CA Track 3 Published by P!nk Publishing Designee/EMI-April Music, Inc./Stuck In The Throat/Famous Music Corp. (ASCAP) Recorded at The Enterprise, Burbank, CA Mixed at The Enterprise, Burbank, CA Track 4 Published by P!nk Publishing Designee/EMI-April Music, Inc./Stuck In The Throat/Famous Music Corp. (ASCAP) Recorded at LP Studios, Sherman Oaks, CA Mixed at The Enterprise, Burbank, CA Track 5 Published by P!nk Publishing Designee/EMI-April Music, Inc./Stuck In The Throat/Famous Music Corp. (ASCAP) Recorded at LP Studios, Sherman Oaks, CA Mixed at The Enterprise, Burbank, CA Track 6 Published by P!nk Publishing Designee/EMI-April Music, Inc. (ASCAP)/Cyptron Music/EMI Blackwood Music Inc. (BMI) Produced & arranged for DARP, Inc. Recorded at Pinetree Studios, Miami Beach, FL & DARP Studios, Atlanta, GA Mixed at Larrabee Studios North, North Hollywood, CA Track 7 Published by P!nk Publishing Designee/EMI-April Music, Inc. (ASCAP)/Cyptron Music/EMI Blackwood Music Inc. (BMI) Produced & arranged for DARP, Inc. Recorded at Pinetree Studios, Miami Beach, FL Mixed at Larrabee Studios North, North Hollywood, CA Track 8 Published by P!nk Publishing Designee/EMI-April Music, Inc./Scott Storch Music/TVT (ASCAP) Recorded at The Enterprise, Burbank, CA Mixed at The Enterprise, Burbank, CA Track 9 Published by Super Supa Songs, Inc./EMI-April Music, Inc. (ASCAP) Recorded at Drive By Studios, North Hollywood, CA Mixed at MF Studios, Monrovia, CA Steven Tyler appears courtesy of Columbia Records Track 10 Published by P!nk Publishing Designee/EMI-April Music, Inc./Stuck In The Throat/Famous Music Corp. (ASCAP) Recorded at LP Studios, Sherman Oaks, CA Additional recording at Sony Studios, Santa Monica, CA Mixed at The Enterprise, Burbank, CA Scratch appears courtesy of MCA Records Track 11 Published by P!nk Publishing Designee/EMI-April Music, Inc. (ASCAP)/Cyptron Music/EMI Blackwood Music Inc. (BMI) Produced & arranged for DARP, Inc. Recorded at Pinetree Studios, Miami Beach, FL & DARP Studios, Atlanta, GA Mixed at Larrabee Studios North, North Hollywood, CA Track 12 Published by P!nk Publishing Designee/EMI-April Music, Inc./Stuck In The Throat/Famous Music Corp. (ASCAP) Recorded at LP Studios, Sherman Oaks, CA Mixed at The Enterprise, Burbank, CA Sax, harmonica & organ recorded at The Enterprise, Burbank, CA Track 13 Published by Stuck In The Throat/Famous Music Corp. (ASCAP) Recorded at LP Studios, Sherman Oaks, CA Mixed at The Enterprise, Burbank, CA Track 14 Published by P!nk Publishing Designee/EMI-April Music, Inc./Stuck In The Throat/Famous Music Corp. (ASCAP) Recorded at LP Studios, Sherman Oaks, CA Mixed at The Enterprise, Burbank, CA Track 15 Published by P!nk Publishing Designee/EMI-April Music, Inc./Stuck In The Throat/Famous Music Corp. (ASCAP) Recorded at LP Studios, Sherman Oaks, CA Mixed at The Enterprise, Burbank, CA Mastered for PM Entertainment at Hit Factory Mastering, NYC On inserts: ℗ 2001, 2002 & © 2002 Arista Records, Inc. Distributed by the local BMG company. A unit of BMG Entertainment. Made in the EU. On disc: ℗ & © 2001 BMG Entertainment Enhanced part contains photo gallery and lyrics for `Get The Party Started` and `Just Like A Pill`. Catalog numbers: 74321 91324 2 on spines & both booklets 74321913242 on disc Barcode and Other Identifiers Barcode (Text): 7 43219 13242 0 Rights Society: BIEM/GEMA Label Code: LC 03484 Matrix / Runout: 10240220 [SNA logo ifpi L596 SNA letters] 2 / 74321.91324.2 Mastering SID Code: ifpi L596 Mould SID Code: IFPI 1A25