Naomi Klajn NE LOGO Prevod: Vesna Hadžić i Jelena Stakić Prošarana ubedljivim izveštajima iz prve ruke, zasnovana na više od sto intervjua s mladim aktivistima antikorporacijskog pokreta i reklamnim agentima, sa vođama sindikata i rukovodiocima korporacija, knjiga “Ne logo” Naomi Klajn nudi nam novo viđenje našeg doba. U jednakoj meri kulturalna analiza, potrošački dnevnik, politički manifest, novinarski izveštaj, “Ne logo” je prva knjiga koja svedoči o nastanku novog otpora koja taj prosvećeni antikorporativni anarhizam smešta u kontekst savremene popularne kulture i ekonomije. Korporacije se najviše boje potrošača koji postavljaju pitanja.

’’No Logo’’ jedan je od prvih istraživačkih radova u kojem su jasno razotkrivene posledice globalističke ekonomije u 90-tim godinama XX stoleća, dakle sve one promene koje su se dogodile nakon ekplozija multinacionalnih korporacija. ’’No Logo’’ je kulturološka analiza i izvrstan izveštaj o središnjim problemima u novim uslovima informatičkog doba, odnosno načinu na koji funkcioniše korporativna Amerika, i važan publicistički rad koji uverljivo dočarava mračno i bezoblično naličje kapitalizma.

No logo 'No Logo'' jedan je od prvih istraživačkih radova u kojem su jasno razotkrivene posljedice globalističke ekonomije u 90-tim godinama XX. stoljeća, dakle sve one promjene koje su se dogodile nakon ekplozija multinacionalnih korporacija. ''No Logo'' je kulturološka analiza i izvrstan izvještaj o središnjim problemima u novim uvjetima informatizacijskog doba, odnosno načinu na koji funkcionira korporativna Amerika, i važan publicistički rad koji uvjerljivo dočarava mračno i bezoblično naličje kapitalizma.

No Logo Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience - classics which will endure for generations to come. When No Logo was first published, it became an instant bestseller and international phenomenon. Its riveting expose of the branded and corporate world in which we live became a rallying cry for rebellion and self-determination. Engaging, humanising and inspiring, No Logo is a book that defined both a generation and its language of protest. Its analysis is as timely and powerful as ever.

Logo Design Sure signs Diverse logos from around the world A good logo can glamorize just about anything. Now available in our popular Klotz format, this sweeping compendium gathers diverse brand markers from around the world to explore the irrepressible power of graphic representation. Organized into chapters by theme, the catalog explores how text, image, and ideas distil into a logo across events, fashion, media, music, and retailers. Featuring work from both star names and lesser-known mavericks, this is an excellent reference for students and professionals in design and marketing, as well as for anyone interested in the visuals and philosophy behind brand identity.

Logo Beginnings Countless global brands, including Rolex, BMW, Louis Vuitton, and the New York Yankees, still use logos that were designed over 100 years ago. Yet there has never been a monograph devoted to the origins of logo design. In the second half of the 19th century, the trademark replaced traditional symbols such as the family coat of arms as a promotional and identifying symbol for companies. At first, the designs were often still figurative; only gradually did they develop into the abstract marks that have become fixtures in everyday life today. Author Jens Müller, described as the “logo detective” by Wired magazine, examined historical trademark registers, international corporate archives, and early design publications to unearth more than 6,000 logos from 1870 to 1940. This unparalleled collection traces the development of modern trademarks and sheds light on forgotten designs and early versions of famous logos. The catalog is divided into four design categories: “Figurative,” “Form,” “Effect,” and “Typographical.” Each chapter is then systematically subdivided according to basic elements of design such as circle, line, overlap, and outline, thus offering a new perspective on design principles that are still relevant today. Along with an extensive picture section, the book comprises an introduction by Jens Müller on the history of the trademark as well as a reproduction of the first comprehensive examination of modern corporate logos: the influential design pioneer F.H. Ehmcke’s (1878–1965) illustrated essay “Wahrzeichen―Warenzeichen” (Symbols―trademarks) from 1921. Also included are ten case studies of famous trademarks, including those of 3M, NBC, Shell, and Olivetti, and numerous rare images illustrating the―at times varied, at times consistent―developments in international logo design and the birth of the corporate identity. Logo Beginnings is not only a fundamental and inspiring graphic design manual but also an excellent read for anyone interested in social, cultural, and corporate history and the fascinating impact of trademarks. It is also the perfect complement to the TASCHEN classic Logo Modernism. Prikaži više

LOGO DESIGN GRAPHIC DESIGN Šifra artikla: 283378 Isbn: 9783836556347 Autor : Julius Wiedemann Izdavač : TASCHEN A good logo can glamorize just about anything. Now available in our popular Klotz format, this sweeping compendium gathers diverse brand markers from around the world to explore the irrepressible power of graphic representation. Organized into chapters by theme, the catalog explores how text, ima... Detaljnije A good logo can glamorize just about anything. Now available in our popular Klotz format, this sweeping compendium gathers diverse brand markers from around the world to explore the irrepressible power of graphic representation. Organized into chapters by theme, the catalog explores how text, image, and ideas distil into a logo across events, fashion, media, music, and retailers. Featuring work from both star names and lesser-known mavericks, this is an excellent reference for students and professionals in design and marketing, as well as for anyone interested in the visuals and philosophy behind brand identity. Ime/Nadimak Email adresa Poruka POŠALJI Kategorija GRAPHIC DESIGN Autor Julius Wiedemann Težina specifikacija 0.5 kg Izdavač TASCHEN Pismo Latinica Povez Tvrd Godina 2015 Format 16x20 Strana 664 Obavezni kolačići čine stranicu upotrebljivom omogućavanjem osnovnih funkcija kao što su navigacija stranicom i pristup zaštićenim područjima. Sajt koristi kolačiće koji su neophodni za pravilno funkcionisanje naše veb stranice kako bi se omogućile određene tehničke funkcije i tako vam pružilo pozitivno korisničko iskustvo. Statistički kolačići anonimnim prikupljanjem i slanjem podataka pomažu vlasnicima web lokacija da razumeju kako posetioci komuniciraju sa stranicom. To su kolačići koji omogućavaju web analitiku sajta, odnosno analizu upotrebe naših stranica i merenje prometa, koje sajt sprovodi u cilju poboljšanja kvaliteta i sadržaja ponuđenih usluga. Marketinški kolačići se koriste za praćenje posetilaca putem web stranice. Koriste se za prikazivanje relevantnih oglasa korisnicima i podsticanje da učestvuju, što je važno za nezavisne izdavače i oglašavače. Sajt koristi Google Analytics kolačiće ads/ga-audiences i collect, te Facebook kolačiće fr i tr.

LOGO R.I.P. GRAPHIC DESIGN Šifra artikla: 335192 Isbn: 9789063692902 Autor : The Stone Twins Izdavač : LAURENCE KING A tribute and major survey of fifty defunct logos. Includes NASA, British Steel, and Pan Am. Including a foreword by Gert Dumbar and featuring design classics NASA, British Steel, BOAC, and Pan Am, Logo R.I.P. is a commemoration of defunct logos that were once an integral part of the landscape, o... Detaljnije A tribute and major survey of fifty defunct logos. Includes NASA, British Steel, and Pan Am. Including a foreword by Gert Dumbar and featuring design classics NASA, British Steel, BOAC, and Pan Am, Logo R.I.P. is a commemoration of defunct logos that were once an integral part of the landscape, our visual culture, and our lives. Many are icons of their time or can be deemed design classics. In this updated edition, several iconic trademarks (AT&T, Kodak, Lucent, Rover, and Xerox) are added to the logo graveyard. Each entry includes a short obituary (design and cultural history) to ensure that, although these logos may be gone, they are not forgotten. Ime/Nadimak Email adresa Poruka POŠALJI Kategorija GRAPHIC DESIGN Autor The Stone Twins Težina specifikacija 0.5 kg Izdavač LAURENCE KING Pismo Latinica Povez Tvrd Godina 2012 Format 12x19 Strana 196 Obavezni kolačići čine stranicu upotrebljivom omogućavanjem osnovnih funkcija kao što su navigacija stranicom i pristup zaštićenim područjima. Sajt koristi kolačiće koji su neophodni za pravilno funkcionisanje naše veb stranice kako bi se omogućile određene tehničke funkcije i tako vam pružilo pozitivno korisničko iskustvo. Statistički kolačići anonimnim prikupljanjem i slanjem podataka pomažu vlasnicima web lokacija da razumeju kako posetioci komuniciraju sa stranicom. To su kolačići koji omogućavaju web analitiku sajta, odnosno analizu upotrebe naših stranica i merenje prometa, koje sajt sprovodi u cilju poboljšanja kvaliteta i sadržaja ponuđenih usluga. Marketinški kolačići se koriste za praćenje posetilaca putem web stranice. Koriste se za prikazivanje relevantnih oglasa korisnicima i podsticanje da učestvuju, što je važno za nezavisne izdavače i oglašavače. Sajt koristi Google Analytics kolačiće ads/ga-audiences i collect, te Facebook kolačiće fr i tr.

Logo Modernism Modernist aesthetics in architecture, art, and product design are familiar to many. In soaring glass structures or minimalist canvases, we recognize a time of vast technological advance which affirmed the power of human beings to reshape their environment and to break, radically, from the conventions or constraints of the past. Less well-known, but no less fascinating, is the distillation of modernism in graphic design. This unprecedented TASCHEN publication, authored by Jens Müller, brings together approximately 6,000 trademarks, focused on the period 1940–1980, to examine how modernist attitudes and imperatives gave birth to corporate identity. Ranging from media outfits to retail giants, airlines to art galleries, the sweeping survey is organized into three design-orientated chapters: Geometric, Effect, and Typographic. Each chapter is then sub-divided into form and style led sections such as alphabet, overlay, dots and squares. Alongside the comprehensive catalog, the book features an introduction from Jens Müller on the history of logos, and an essay by R. Roger Remington on modernism and graphic design. Eight designer profiles and eight instructive case studies are also included, with a detailed look at the life and work of such luminaries as Paul Rand, Yusaku Kamekura, and Anton Stankowski, and at such significant projects as Fiat, The Daiei Inc., and the Mexico Olympic Games of 1968. An unrivaled resource for graphic designers, advertisers, and branding specialists, Logo Modernism is equally fascinating to anyone interested in social, cultural, and corporate history, and in the sheer persuasive power of image and form. Prikaži više

LOGO SA TRAKTORA IMT

logo sa masine od starog stamparskog noza....

Njegos u bronzi 26 x 26 cm

Naomi Klajn Samizdat B92 2003

Opis Naomi Klajn Samizdat B92 2003

Introducing Logo Boris Allan Izdavač: Granada Publishing Ltd, London 1985; Detaljnije: mek povez, strana VIII+111, ilustracije, 24cm, stanje: vrlo dobro. Jezik: engleski.

Batman Mini Logo lampa. Proverena, funkcionalna. Prečnik lampe oko 16 cm.

Mesingani tanjiric ili tacna plus oznaka za z. kupatilo..

Detalji predmeta Stanje Nekorišćeno Detaljno stanje Odlično Materijal Keramika!? Originalnost Original Kulturno dobro Predmet koji prodajem nije kulturno dobro ili ovlašćena institucija odbija pravo preče kupovine Tacna , logo Plazma. Kom. 1 Pitajte!

Rokovnik Betmen Logo sa očaravajućim i prekrasnim koricama i praznim stranama između njih za sve Vaše buduće šišmiš memoare. Ovo nije običan rokovnik sa običnim koricama. Ne, znajte da ove korice svetle. Tačnije, ovde na koricama jedan detalj sija. Klikom na dugme u ćošku rokovnika taj detalj nekoliko sekundi pre nego se ugasi. Karakteristike: Dimenzije: 15 x 25 x 3 cm, Težina: 345 grama Zemlja uvoza: Španija, Zemlja porekla: Kina.

RELJEF BRONZA potpisan težina 6kg prečnik 41 cm Oto Logo je rođen u Beogradu 1931. godine, gde je završio i Akademiju primenjenih umetnosti, na vajarskom odseku. Ostao je da zivi i radi u Beogradu. Izlagao je na velikom broju kolektivnih izlozbi u zemlji i inostranstvu. Priredio je samostalne izlozbe u sledecim gradovima: Beograd, Pariz, Venecija, Skoplje, Sarajevo, Lijez, Brisel, Nis, Cirih, Minhen, Njujork, Zagreb, Dubrovnik, Arandjelovac, London, Novi Sad, Struga, Ohrid, Zemun, Mionica… Posle visegodisnje pauze Oto Logo je izlagao svojih devet exponata na grupnoj izlozbi, “ Fashion Avenue Art” u Audi salonu u Beogradu, maja 2008. god. Logo je bio autor velikog broja skulptura, bista i spomenika a, prema njegovim rečima, napravio je 1.215 skulpltura, od čega više od 500 bista, kao i 32 spomenika. Među njima su i spomenici Živojinu Mišiću i Jovanu Cvijiću, te Marku Miljanovu u Podgorici, Veljku Vlahoviću u Kolašinu, Habibu Burgibi u Susu u Tunisu… Dobitnik je i niza nagrada, među kojima su prva nagrada na jugoslovenskom konkursu za zlatnu značku Sterijinog pozorja u Novom Sadu (1958), Zlatna igla ULUS-a (1961), prva nagrada za skulpturu na VI Oktobarskom salonu u Beogradu (1965), Oktobarska nagrada Grada Beograda (1967), Zlatno dleto ULUS-a (1974), prva nagrada na izložbi “ NOB u delima likovnih umetnika Jugoslavije” u Beogradu (1976), orden Velikog oficira za kulturne zasluge, Tunis (1977)… priznanje za vrhunski doprinos nacionalnoj kulturi. . . Clan je ULUS-a od 1955. god Umro je u Beogradu 2016. god i sahranjen u Aleji zasluznih gradjana.

Detalji predmeta Stanje Polovno Format Single Stanje kao na slikama. skladiste: single 7/4 tag: ploca ploce gramofonske muzicke muzika za gramofon lp single ep maxi domace domaca strana strane bjb jugoton diskos rtb vinili

Upaljaci sa logom automobilacena za komad 600 do 1000 din

Ranac LOGO je izrađen od polyester materijala. Ranac LOGO je klasičnog izgleda sa ručkom za nošenje preko jednog ramena. Jednostavan dizajn, odlična završna obrada i full komfor odlikuju ovaj ranac.

Mek povez, potpuno nekorišćeno, čisto i očuvano kao novo. Lična predaja knjige u Beogradu.

NO LOGO - Naomi Klein stanje kao na slikama