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The Poster: 200 Years of Art and History The poster is a versatile marketing tool widely used from the 19th century to today for everything from political events to movies. A good poster has many layers, it goes beyond advertising and makes statements about style, history, fashion, and taste at the time. It is these layers that can turn a poster into a work of art. This book showcases 480 posters by more than 200 artists and designers and tells a comprehensive history of the poster. The book includes art nouveau, Bauhaus, pop art, and contemporary posters from preeminent artists such as Alphonse Mucha, Egon Schiele, Pablo Picasso, and Andy Warhol and from noted designers ranging from Lucian Bernhard and A.M. Cassadre to Saul Bass, Tadanori Yokoo, and Stefan Sagmeister. The book also introduces many other leading poster designers whose names are less well-known. Contemporary advertisements for Calvin Klein, United Colors of Benetton, and Coachella are also explored. By tracing the history of the poster, this book shows social developments throughout the world and illuminates how art styles have changed over time.

Artists' Lives Praised by the Art Newspaper as ‘the best art writer of his generation’, Michael Peppiatt has encountered many European modern artists over more than fifty years. This selection of some of his best biographical writing covers a wide spectrum of modern art, from Van Gogh and Pierre Bonnard, to personal conversations with painter Sonia Delaunay, artist Dora Maar, who was Picasso’s lover in the 1930s and 1940s, and Francis Bacon, perhaps the most famous of the many artists with whom Peppiatt has formed personal friendships. Michael Peppiatt’s lively, engaging writing takes us into the company of many notable art-world personalities, such as the Catalan painter Antoni Tàpies, whom he visits in his studio, and moments of disillusion, such as his meeting with the self-mythologizing artist Balthus. Art criticism blends with anecdote: riding with Lucian Freud in his Bentley, drinking with Bacon in Soho, discussing Picasso’s trousers with David Hockney... This collection of Peppiatt’s most perceptive texts includes under-recognized artists, such as Dachau survivor Zoran Music, or Montenegrin artist Dado, whose retrospective Peppiatt curated at the 2009 Venice Biennale. Remarkably varied in their scope and lucidly written for a general reader, these selected essays not only provide us with perceptive commentary and acute critical judgment, they also give a unique personal insight into some of the greatest creative minds of the modern era. Prikaži više

On Paper Speaking recently about his early years as an artist Lucian Freud claimed, 'I would have thought I did 200 drawings to every painting in those early days. I very much prided myself on my drawing.' Drawing is fundamental to Freud's development as an artist and to how he sees in a way that that it was not, for example, at the foundation of the work of Francis Bacon. Drawing became an important part of Freud's life from the start and a famous sketchbook, The Freud-Schuster Book, dating back to January 1940 when Freud was in Snowdonia with Stephen Spender, has survived. So too do sketches from Freud's life as a merchant seaman on a cargo vessel in the Atlantic in 1941. His then surreal style lent itself to illustrations and his fascination with animals, birds and fish was revealed in the famous line drawings he produced for Nicholas Moore's book of poems, The Glass Tower (1944). On Paper charts the works on paper, including the etchings, over his entire career. It includes the formative early work, the sketches in preparation for painting his masterpiece, Large Interior W11 (after Watteau) (1983), the sketches of the completed painting in the studio and the astonishing later studies of his mother. The book ends with the etchings of recent years. The works on paper are an extraordinary achievement, providing even deeper insights into the work of the greatest figurative artist of our time. Introduction by Sebastian Smee Essay by Richard Calvocoressi Prikaži više

Modernists & Mavericks: Bacon, Freud, Hockney And The London Painters Sunday Times Art Book of the Year 2018. 'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' - Grey Gowrie, Financial Times 'All the good stories, and more, are here … this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' - Andrew Marr, Sunday Times A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art. The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and ‘Swinging London’ in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question ‘what can painting do?’ and explored in their diverse ways, but with equal passion, the possibilities of paint. Prikaži više

Keeping an Eye Open: Essays on Art The updated edition of Julian Barnes’ best-loved writing on art, with seven new exquisite illustrated essays ‘Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.’ Julian Barnes began writing about art with a chapter on Géricault’s The Raft of the Medusa in his 1989 novel A History of the World in 10½ Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, which trace the story of how art made its way from Romanticism to Realism and into Modernism. Fully illustrated in colour throughout, Keeping an Eye Open contains Barnes’ essays on Géricault, Delacroix, Courbet, Manet, Morisot, Fantin-Latour, Cézanne, Degas, Cassatt, Redon, Van Gogh, the legendary critic Huysmans, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Howard Hodgkin and Lucian Freud. It also offers new perspectives on the fruitful relationship between writers and artists, and on the rivalry among Russian collectors of French art in the late 19th century. ‘A typically elegant and absorbing book by one of the greatest contemporary English writers.’ Guardian *Books of the Year* ‘Gave me a new confidence in how to understand and, more importantly, enjoy wandering around an exhibition.’ Mariella Frostrup ‘My book of the year.’ Natalie Haynes, Independent Prikaži više

LIANA CASTELFRANCHI VEGAS ALESSANDRO CONTI   L'ARTE DEL MEDIOEVO   Izdavač - Jaca Books, Milano   Godina - 1992   392 strana   32x25 cm   Edicija - Storia dell' arte Europea   ISBN - 8816601558 9788816601550   Povez - Tvrd   Stanje - Kao na slici, tekst bez podvlačenja       SADRŽAJ: PREMESSA   Capitolo primo L'EREDITÀ CLASSICA E LE PREMESSE DELL'ARTE MEDIOEVALE NEI SECOLI IV-VI Dalla crisi costantiniana alla < < rinascita teodosiana> > L'età teodoriciana da Ravenna a Roma Il sesto secolo a Ravenna e a Roma Nota bibliografica   Capitolo secondo LONGOBARDI E CELTI: I PRIMI LABORATORI DI FORME ALTOMEDIEVALI La « Langobardia major» La miniatura celtica Tavole a colori Nota bibliografica   Capitolo terzo L'ARTE CAROLINGIA E LA NASCITA DELL'ARTE MEDIOEVALE NELL'OCCIDENTE EUROPEO Il ruolo guida delle arti decorative: miniatura, avori, oreficerie La « Langobardia» carolingia Nota bibliografica   Capitolo quarto L'ARTE IN EUROPA INTORNO AL MILLE Lo "scriptorium" di Reichenau La miniatura mozarabica L'oreficeria ottoniana La Lombardia ottoniana Nota bibliografica   Capitolo quinto LA NASCITA DEL ROMANICO NELL'OCCIDENTE EUROPEO Tradizione e rinnovamento architettonico nei paesi germanici Architettura normanna e anglo-normanna Architettura in Borgogna Le prime abbazie 'bernardine' dei cistercensi La decorazione scultorea delle chiese in Aquitania e in Borgogna Nota bibliografica   Capitolo sesto IL ROMANICO IN ITALIA L'architettura romanica in Valle Padana < < Inter scultores quanto sis dignus onore claret scultura nunc Wiligelme tua> > I molti aspetti del Romanico italiano Nota bibliografica   Capitolo settimo LE « < ARTI DEL COLORE> > NEL SECOLO XII La pittura in Francia, Spagna e Italia Smalti mosani, avori e miniature inglesi nel secolo XII Tavole a colori Nota bibliografica   Capitolo ottavo « OPERE FRANCIGENO» : LA NASCITA D GOTICO NELL'ILE-DE-FRANCE Aspetti storiografici e problemi di periodizzazione del Gotico Le cattedrali dell'Ile-de-France nel primo periodo gotico (1150-1230) I programmi scultorei delle grandi cattedrali francesi La decorazione scultorea delle cattedrali tedesche Nicolas de Verdun e "l'arte intorno al 1200" Nota bibliografica   Capitolo nono LA SCULTURA ITALIANA DEL DUECENTO E L'INTERPRETAZIONE I GOTICO IN ITALIA Benedetto Antelami e le premesse del Gotico italiano L'arte federiciana Nicola e Giovanni Pisano Arnolfo di Cambio Lorenzo Maitani, Tino da Camaino, Andrea Pisano Nota bibliografica   Capitolo decimo GIOTTO E LA PITTURA ITALIANA NELLA PRIMA METÀ DEL TRECENTO di Alessandro Conti La Basilica di Assisi Cimabue Problemi romani La miniatura nella seconda metà del Duecento Giotto: 1290-1305 Lo stile < < padovano» > di Giotto Alternative al discorso giottesco Gli inizi di Simone Martini Giotto e la sua bottega Ricerche spaziali in Pietro Lorenzetti e Simone Martini Tavole a colori Gli anni di Giotto a Napoli (1326-1333) Il ritorno di Giotto a Firenze, soggiorni a Bologna e Milano La pittura verso il 1340 Nota bibliografica   Capitolo undicesimo LA PITTURA DEL TRECENTO IN VALLE PADANA Rimini e Bologna Lombardia Veneto   Capitolo dodicesimo UNA VICENDA GOTICO INTERNAZIONALE: DA AVIGNONE ALL'« OUVRAIGE DE LOMBARDIE» Avignone La miniatura in Francia La miniatura in Lombardia Gentile da Fabriano Nota bibliografica   DOCUMENTAZIONE GRAFICA   INDICE DEI NOMI   INDICE DEI LUOGHI E DELLE OPERE       Ako Vas nešto zanima, slobodno pošaljite poruku.   Agilulfo Altichiero Ambrogio Andrea Pisano Angilberto Antelami Benedetto Arnolfo Di Cambio Bellosi Luciano Berenson Bernard Bernoardo Vescovo Di Hildesheim Capanna Puccio Carlo Il Calvo Carlo Magno Carlo V Cavallini Pietro Cimabue Clemente Costantino Daddi Bernardo Egberto Da Reichenau Arcivescovo Di Treviri Enrico Federico Di Hohenstaufen Focillon Henri Gaddi Taddeo Gentile Da Fabriano Ghiberti Lorenzo Giotto Giovanni Da Rimini Giovanni Pisano Giusto De Menabuoi Gnudi Cesare Godefroy De Uy Gregorio Magno Jacopino De Bavosi Kitzinger Ernst Longhi Roberto Lorenzetti Ambrogio Lrenzetti Pietro Maestro Delle Ore Del Maresciallo Boucicaut Martini Simone Maso Di Banco Memmi Lippo Nicola Pisano Nicolas De Verdun Orcagna Andrea Orsini Ottone Pacht Otto Petrarca Francesco Pietro Da Rimini Pseudo Jacopino Stefano Fiorentino Suger Denis Teodorico Toesca Pietro Torriti Jacopo Vasari Giorgio Viollet Le Duc Eugene Vitale Degli Equi Volpe Carlo Wiligelmo   Knjiga je na italijanskom jeziku