The Art Of The Erotic Carefully curated and beautifully packaged erotic art through the ages – 200 works from the world's most important artists. This carefully curated and beautifully packaged book spotlights nearly 200 works from the world's most important artists, including Titian, Paul Cézanne, Picasso, Andy Warhol, Michelangelo, Rembrandt, Edgar Degas, Edvard Munch, Georgia O'Keeffe, Jackson Pollock, Lucian Freud, Louise Bourgeois, Francis Bacon, David Hockney, Gerhard Richter, Cecily Brown, Anselm Kiefer, George Condo, and Anish Kapoor. With its chronological organization, The Art of the Erotic provides insights into human sexuality throughout the ages.

U ime mafije Detektiv Finzi odlazi u Sjedinjene Države, jer je njegova tajnica osvojila putovanje za dvoje u nagradnoj igri. Po dolasku u New York svjedoči ubojstvu te se vrlo brzo nađe upleten u aferu FBI-a i njujorške mafije. Mafijaški boss ga pošalje u potragu za svojim nećakom Charliejem, koji igra ključnu ulogu u prijenosu vlasti sa stare generacije bossova na novu. Potraga ga nanese u Los Angeles, gdje upoznaje zanosnu blues pjevačicu Shar... Senzacionalna serija romana o detektivu Finziju kultnog talijanskog strip autora Maxa Bunkera u Italiji je popularnija čak i od njegove serije stripova o Alanu Fordu. Domaća publika konačno ima priliku upoznati se s briljantnim milanskim privatnim detektivom Riccardom Finzijem, po čijim je slučajevima snimljen igrani film Agenzia Riccardo Finzi... praticamente detective. Finzijeva nonšalancija i spretnost, karakteristične za protagoniste noir krimića, pomiješane su s komičnim cinizmom i zajedljivošću tipičnom za sve Bunkerove likove, a romani iz serije o detektivu Finziju nose i prepoznatljivu burleskno-crnohumornu notu. Luciano Secchi, poznatiji pod pseudonimom Max Bunker, strip scenarist, publicist i novinar, tvorac je svjetski poznatih talijanskih stripova, od kojih je najpopularniji Alan Ford. U mladosti je pisao drame, ali se na veliku sreću svojih čitatelja ipak odlučio za pisanje strip scenarija. Nakon višegodišnje suradnje s izdavačkom kućom Corno, 1983. osniva vlastitu izdavačku kuću Max Bunker Press, u kojoj figurira kao Broj Jedan. Prvi broj stripa Alan Ford izašao je 1970., a u tadašnjoj Jugoslaviji ubrzo je postao najčitaniji strani strip i stekao kultni status. Leksik hrvatskog prijevoda u majstorskoj izvedbi novinara, urednika, pisca, scenarista i prevoditelja Nenada Brixyja ušao je u jezični kod pop-kulture svih postjugoslavenskih zemalja. „Max Bunker jedan je od junaka moje mladosti.“ – Davor Gobac „Bunkerove priče Broja Jedan, a pogotovo Grunfove rečenice zapanjujuće koincidiraju s mojom stvarnošću.“ – Sara Renar „Bunkerov humor sličan je popularnim pajtonovcima.“ – Dalibor Matanić Prikaži više

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Mišel Fuko i politika U Fukou će istovremeno živeti dve rastrzane ličnosti. Prva je ličnost akademika kojeg su usmerili principi vrednosne neutralnosti i normativne sterilnosti, posvećenog uništavanju dokaza i kritici svega postojećeg. Druga je ličnost militantna, upletena u političke borbe, koja prihvata snažne normativne kompromise. Smatramo da je, uz određene manje korekcije, ovo pravilno vrednovanje teorijsko-praktičnog stava Mišela Fukoa i da je on sam eksplicitno ukazivao na ovu distancu između svog akademskog i aktivističkog delovanja. Lusijano Noseto U poslednjoj deceniji, Mišel Fuko je u više navrata izbijao na čelo internacionalnih citatnih indeksa. Razlog za češće i mnogobrojnije pozivanje na njegova dela ne leži samo u popularnosti njegove misli u međunarodnoj akademskoj zajednici, njenom bogatstvu i provokativnosti, nego i u jednom konkretnom razlogu – objavljivanju njegovih predavanja na Kolež de Fransu, najpre na francuskom, a potom u brojnim prevodima koji su objavljeni u protekle dve decenije. Fuko i politika, knjiga Lusijana Noseta, mladog argentinskog filozofa, jedna je u nizu studija koje ne bi mogle nastati bez tih, danas dostupnih predavanja, pre svega kursa Treba braniti društvo iz 1976, i Rađanje biopolitike. (1978–1979), a u manjoj meri Bezbednost, teritorija, stanovništvo (1977–1978) i Kazneno društvo. (1972–1973). Noseto govori o Fukoovim viđenjima evropske tradicije političke filozofije, tehnikama vladanja, raznovrsnim tipovima moći, njegovim konceptima biomoći, biopolitike i guvernmentaliteta, koji su u delima objavljenim za Fukoovog života bili šturo objašnjeni, te su katkad izazivali nesporazume i neopravdane kritike. Noseto je posebno zainteresovan za to u kojoj meri je Fukoova misao upotrebljiva za konkretne političke agende, imajući u vidu argentinske političke prilike. Lusijano Noseto (Luciano Nosetto) rođen je 1979. godine u Argentini. Doktorirao je na Univerzitetu u Buenos Ajresu. Bavi se prevashodno savremenom političkom teorijom, naročito Hanom Arent, Mišelom Fukoom, Karlom Šmitom i Leom Štrausom. Studija „Mišel Fuko i politika“, objavljena na španskom 2014, izuzetno je dobro primljena u stručnim krugovima u nagrađivana u Argentini. Noseto piše o političkoj filozofiji Mišela Fukoa i prvi put sistematizuje Fukoove brojne političke ideje i uvide; otuda je njegov studiozni rad umnogome pionirski i redak u međunarodnoj bibliografiji. Prikaži više

U Fukou će istovremeno živeti dve rastrzane ličnosti. Prva je ličnost akademika kojeg su usmerili principi vrednosne neutralnosti i normativne sterilnosti, posvećenog uništavanju dokaza i kritici svega postojećeg. Druga je ličnost militantna, upletena u političke borbe, koja prihvata snažne normativne kompromise. Smatramo da je, uz određene manje korekcije, ovo pravilno vrednovanje teorijsko-praktičnog stava Mišela Fukoa i da je on sam eksplicitno ukazivao na ovu distancu između svog akademskog i aktivističkog delovanja. Lusijano Noseto U poslednjoj deceniji, Mišel Fuko je u više navrata izbijao na čelo internacionalnih citatnih indeksa. Razlog za češće i mnogobrojnije pozivanje na njegova dela ne leži samo u popularnosti njegove misli u međunarodnoj akademskoj zajednici, njenom bogatstvu i provokativnosti, nego i u jednom konkretnom razlogu – objavljivanju njegovih predavanja na Кolež de Fransu, najpre na francuskom, a potom u brojnim prevodima koji su objavljeni u protekle dve decenije. Fuko i politika, knjiga Lusijana Noseta, mladog argentinskog filozofa, jedna je u nizu studija koje ne bi mogle nastati bez tih, danas dostupnih predavanja, pre svega kursa Treba braniti društvo iz 1976, i Rađanje biopolitike. (1978–1979), a u manjoj meri Bezbednost, teritorija, stanovništvo (1977–1978) i Кazneno društvo. (1972–1973). Noseto govori o Fukoovim viđenjima evropske tradicije političke filozofije, tehnikama vladanja, raznovrsnim tipovima moći, njegovim konceptima biomoći, biopolitike i guvernmentaliteta, koji su u delima objavljenim za Fukoovog života bili šturo objašnjeni, te su katkad izazivali nesporazume i neopravdane kritike. Noseto je posebno zainteresovan za to u kojoj meri je Fukoova misao upotrebljiva za konkretne političke agende, imajući u vidu argentinske političke prilike. Lusijano Noseto (Luciano Nosetto) rođen je 1979. godine u Argentini. Doktorirao je na Univerzitetu u Buenos Ajresu. Bavi se prevashodno savremenom političkom teorijom, naročito Hanom Arent, Mišelom Fukoom, Кarlom Šmitom i Leom Štrausom. Studija „Mišel Fuko i politika“, objavljena na španskom 2014, izuzetno je dobro primljena u stručnim krugovima u nagrađivana u Argentini. Noseto piše o političkoj filozofiji Mišela Fukoa i prvi put sistematizuje Fukoove brojne političke ideje i uvide; otuda je njegov studiozni rad umnogome pionirski i redak u međunarodnoj bibliografiji.

Autor: Lusijano NosetoU Fukou će istovremeno živeti dve rastrzane ličnosti. Prva je ličnost akademika kojeg su usmerili principi vrednosne neutralnosti i normativne sterilnosti, posvećenog uništavanju dokaza i kritici svega postojećeg. Druga je ličnost militantna, upletena u političke borbe, koja prihvata snažne normativne kompromise. Smatramo da je, uz određene manje korekcije, ovo pravilno vrednovanje teorijsko-praktičnog stava Mišela Fukoa i da je on sam eksplicitno ukazivao na ovu distancu između svog akademskog i aktivističkog delovanja.Lusijano NosetoU poslednjoj deceniji, Mišel Fuko je u više navrata izbijao na čelo internacionalnih citatnih indeksa. Razlog za češće imnogobrojnije pozivanje na njegova dela ne leži samo u popularnosti njegove misli u međunarodnoj akademskoj zajednici, njenom bogatstvu i provokativnosti, nego i u jednom konkretnom razlogu – objavljivanju njegovih predavanja na Kolež de Fransu, najpre na francuskom, a potom u brojnim prevodima koji su objavljeni u protekle dve decenije. Fuko i politika, knjiga Lusijana Noseta, mladog argentinskog filozofa, jedna je u nizu studija koje ne bi mogle nastati bez tih, danas dostupnih predavanja, pre svega kursa Treba braniti društvo iz 1976, i Rađanje biopolitike. (1978–1979), a u manjoj meri Bezbednost, teritorija, stanovništvo (1977–1978) i Kazneno društvo. (1972–1973). Noseto govori o Fukoovim viđenjima evropske tradicije političke filozofije, tehnikama vladanja, raznovrsnim tipovima moći, njegovim konceptima biomoći, biopolitike i guvernmentaliteta, koji su u delima objavljenim za Fukoovog života bili šturo objašnjeni, te su katkad izazivali nesporazume i neopravdane kritike. Noseto je posebno zainteresovan za to u kojoj meri je Fukoova misao upotrebljiva za konkretne političke agende, imajući u vidu argentinske političke prilike. Lusijano Noseto (Luciano Nosetto) rođen je 1979. godine u Argentini. Doktorirao je na Univerzitetu u Buenos Ajresu. Bavi se prevashodno savremenom političkom teorijom, naročito Hanom Arent, Mišelom Fukoom, Karlom Šmitom i Leom Štrausom. Studija „Mišel Fuko i politika“, objavljena na španskom 2014, izuzetno je dobro primljena u stručnim krugovima u nagrađivana u Argentini. Noseto piše o političkoj filozofiji Mišela Fukoa i prvi put sistematizuje Fukoove brojne političke ideje i uvide; otuda je njegov studiozni rad umnogome pionirski i redak u međunarodnoj bibliografiji.

Opis Proizvoda U Fukou će istovremeno živeti dve rastrzane ličnosti. Prva je ličnost akademika kojeg su usmerili principi vrednosne neutralnosti i normativne sterilnosti, posvećenog uništavanju dokaza i kritici svega postojećeg. Druga je ličnost militantna, upletena u političke borbe, koja prihvata snažne normativne kompromise. Smatramo da je, uz određene manje korekcije, ovo pravilno vrednovanje teorijsko-praktičnog stava Mišela Fukoa i da je on sam eksplicitno ukazivao na ovu distancu između svog akademskog i aktivističkog delovanja. Lusijano Noseto U poslednjoj deceniji, Mišel Fuko je u više navrata izbijao na čelo internacionalnih citatnih indeksa. Razlog za češće i mnogobrojnije pozivanje na njegova dela ne leži samo u popularnosti njegove misli u međunarodnoj akademskoj zajednici, njenom bogatstvu i provokativnosti, nego i u jednom konkretnom razlogu – objavljivanju njegovih predavanja na Kolež de Fransu, najpre na francuskom, a potom u brojnim prevodima koji su objavljeni u protekle dve decenije. Fuko i politika, knjiga Lusijana Noseta, mladog argentinskog filozofa, jedna je u nizu studija koje ne bi mogle nastati bez tih, danas dostupnih predavanja, pre svega kursa Treba braniti društvo iz 1976, i Rađanje biopolitike. (1978–1979), a u manjoj meri Bezbednost, teritorija, stanovništvo (1977–1978) i Kazneno društvo. (1972–1973). Noseto govori o Fukoovim viđenjima evropske tradicije političke filozofije, tehnikama vladanja, raznovrsnim tipovima moći, njegovim konceptima biomoći, biopolitike i guvernmentaliteta, koji su u delima objavljenim za Fukoovog života bili šturo objašnjeni, te su katkad izazivali nesporazume i neopravdane kritike. Noseto je posebno zainteresovan za to u kojoj meri je Fukoova misao upotrebljiva za konkretne političke agende, imajući u vidu argentinske političke prilike. Lusijano Noseto (Luciano Nosetto) rođen je 1979. godine u Argentini. Doktorirao je na Univerzitetu u Buenos Ajresu. Bavi se prevashodno savremenom političkom teorijom, naročito Hanom Arent, Mišelom Fukoom, Karlom Šmitom i Leom Štrausom. Studija „Mišel Fuko i politika“, objavljena na španskom 2014, izuzetno je dobro primljena u stručnim krugovima u nagrađivana u Argentini. Noseto piše o političkoj filozofiji Mišela Fukoa i prvi put sistematizuje Fukoove brojne političke ideje i uvide; otuda je njegov studiozni rad umnogome pionirski i redak u međunarodnoj bibliografiji.

Opis proizvoda U Fukou će istovremeno živeti dve rastrzane ličnosti. Prva je ličnost akademika kojeg su usmerili principi vrednosne neutralnosti i normativne sterilnosti, posvećenog uništavanju dokaza i kritici svega postojećeg. Druga je ličnost militantna, upletena u političke borbe, koja prihvata snažne normativne kompromise. Smatramo da je, uz određene manje korekcije, ovo pravilno vrednovanje teorijsko-praktičnog stava Mišela Fukoa i da je on sam eksplicitno ukazivao na ovu distancu između svog akademskog i aktivističkog delovanja. Lusijano Noseto U poslednjoj deceniji, Mišel Fuko je u više navrata izbijao na čelo internacionalnih citatnih indeksa. Razlog za češće imnogobrojnije pozivanje na njegova dela ne leži samo u popularnosti njegove misli u međunarodnoj akademskoj zajednici, njenom bogatstvu i provokativnosti, nego i u jednom konkretnom razlogu – objavljivanju njegovih predavanja na Kolež de Fransu, najpre na francuskom, a potom u brojnim prevodima koji su objavljeni u protekle dve decenije. Fuko i politika, knjiga Lusijana Noseta, mladog argentinskog filozofa, jedna je u nizu studija koje ne bi mogle nastati bez tih, danas dostupnih predavanja, pre svega kursa Treba braniti društvo iz 1976, i Rađanje biopolitike. (1978–1979), a u manjoj meri Bezbednost, teritorija, stanovništvo (1977–1978) i Kazneno društvo. (1972–1973). Noseto govori o Fukoovim viđenjima evropske tradicije političke filozofije, tehnikama vladanja, raznovrsnim tipovima moći, njegovim konceptima biomoći, biopolitike i guvernmentaliteta, koji su u delima objavljenim za Fukoovog života bili šturo objašnjeni, te su katkad izazivali nesporazume i neopravdane kritike. Noseto je posebno zainteresovan za to u kojoj meri je Fukoova misao upotrebljiva za konkretne političke agende, imajući u vidu argentinske političke prilike. Lusijano Noseto (Luciano Nosetto) rođen je 1979. godine u Argentini. Doktorirao je na Univerzitetu u Buenos Ajresu. Bavi se prevashodno savremenom političkom teorijom, naročito Hanom Arent, Mišelom Fukoom, Karlom Šmitom i Leom Štrausom. Studija „Mišel Fuko i politika“, objavljena na španskom 2014, izuzetno je dobro primljena u stručnim krugovima u nagrađivana u Argentini. Noseto piše o političkoj filozofiji Mišela Fukoa i prvi put sistematizuje Fukoove brojne političke ideje i uvide; otuda je njegov studiozni rad umnogome pionirski i redak u međunarodnoj bibliografiji.

Priča o lekaru u provincijskoj bolnici carističke Rusije koji besciljno provodi dane izgubivši volju i za svoj redovni posao. Jednog dana u Paviljovu VI, odeljenju za duševne bolesti, sretne svog bivšeg studenta, buntovnog, nemirnog duha. Privučen za svoje pojmove originalnim idejama svoga pacijenta, lekar dosta vremena provodi sa njim i prepuštajući se meditacijama sve više gubi vezu sa stvarnošću. Okolina ga u početku ismejava, da bi na kraju i sam tragično završio život u Paviljonu VI. Ekranizacija istoimene novele Antona Pavloviča Čehova... Režija: Lucian Pintilie Uloge: Dragomir Čumić , Ljuba Tadić , Pavle Vuisić , Slavko Simić , Slobodan Perović , Stevo Žigon , Zoran Radmilović godina proizvodnje: 1978 jezik: srpski zvuk: Dolby Digital 2.0 titlovi: bez titlova regionska zaštita: PAL, svi regioni (kupci van teritorije Evrope moraju imati "multiregion" DVD plejer ili softver) Izdavač: Zmex

Illuminate * "Smart, well-crafted and sophisticated; without a doubt, this belongs on the top of the stack of the current crop of angel books. More, please!" Kirkus Reviews, starred review Haven Terra is a brainy, shy high school outcast. But her life changes when she is awarded an internship at a posh Chicago hotel. As Haven begins falling for Lucian, the dashing sidekick to the glamorous hotel owner, she discovers that these beautiful people are not quite what they seem. With the help of a mysterious book, she uncovers the evil agenda of the hotel staff: they re in the business of buying souls. Will they succeed in wooing Haven to join them in their recruitment efforts, or will she be able to thwart this devilish set s plans to take the souls of her classmates on prom night at the hotel? "

The House Of Dragons When the Emperor dies, the five royal houses of Etrusia attend the Call, where one of their own will be selected to compete for the throne. It is always the oldest child, the one who has been preparing for years to compete in the Trial. But this year is different. This year these five outcasts will answer the call... THE LIAR: Emilia must hide her dark magic or be put to death. THE SOLDIER: Lucian is a warrior who has sworn to never lift a sword again. THE SERVANT: Vespir is a dragon trainer whose skills alone will keep her in the game. THE THIEF: Ajax knows that nothing is free - he must take what he wants. THE MURDERER: Hyperia was born to rule and will stop at nothing to take her throne.

Infatuate Haven Terra is still recovering from an internship that brought her literally to the brink of hell when a trip to New Orleans leads to more trouble. There, while taking part in a student volunteer program, Haven and her friends Dante and Lance run across an enclave of devils known as the Krewe. These shape-shifting devils are more reckless and vicious than any Haven, Lance, and Dante have encountered.Yet the friendssoon discover that their French Quarter housemates are also angels in training, and together they must face off with the Krewe in their quest for wings. But Haven s resolve is tested when Lucian, the repentant devil with whom she was infatuated, resurfaces and asks her for help escaping the underworld. Can he be trusted? Or will aiding him cost Haven her angel wings and her life?"

Freud: Masters of Art Lucian Freud dedicated his life to portraying the people in his world without flattery or refinement. Although his technique and style evolved tremendously over the decades, Freud never wavered in his uncompromising standards or unsentimental approach to his subjects. This introduction to Freud's life and oeuvre opens with an illuminating essay that explores how Freud's adherence to realism and focus on the human figure moved him in and out of the spotlight until the 1980s when renewed international interest in painting and figuration gave his work a new significance. Stunning reproductions of key works are presented chronologically, allowing readers to see how Freud's brushwork, composition, and use of light evolved over the decades. Whether he was painting members of the royal family or the cashier at a London nightclub, Freud imbued his portraits with psychological tension, humanity, and a profound interest in the relationship between painter and model.

The Poster: 200 Years of Art and History The poster is a versatile marketing tool widely used from the 19th century to today for everything from political events to movies. A good poster has many layers, it goes beyond advertising and makes statements about style, history, fashion, and taste at the time. It is these layers that can turn a poster into a work of art. This book showcases 480 posters by more than 200 artists and designers and tells a comprehensive history of the poster. The book includes art nouveau, Bauhaus, pop art, and contemporary posters from preeminent artists such as Alphonse Mucha, Egon Schiele, Pablo Picasso, and Andy Warhol and from noted designers ranging from Lucian Bernhard and A.M. Cassadre to Saul Bass, Tadanori Yokoo, and Stefan Sagmeister. The book also introduces many other leading poster designers whose names are less well-known. Contemporary advertisements for Calvin Klein, United Colors of Benetton, and Coachella are also explored. By tracing the history of the poster, this book shows social developments throughout the world and illuminates how art styles have changed over time.

Keeping An Eye Open: Essays On Art Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.’ Julian Barnes began writing about art with a chapter on Géricault’s The Raft of the Medusa in his 1989 novel A History of the World in 10½ Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, which trace the story of how art made its way from Romanticism to Realism and into Modernism. Fully illustrated in colour throughout, Keeping an Eye Open contains Barnes’ essays on Géricault, Delacroix, Courbet, Manet, Fantin-Latour, Cézanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Howard Hodgkin and Lucian Freud.

Artists' Lives Praised by the Art Newspaper as ‘the best art writer of his generation’, Michael Peppiatt has encountered many European modern artists over more than fifty years. This selection of some of his best biographical writing covers a wide spectrum of modern art, from Van Gogh and Pierre Bonnard, to personal conversations with painter Sonia Delaunay, artist Dora Maar, who was Picasso’s lover in the 1930s and 1940s, and Francis Bacon, perhaps the most famous of the many artists with whom Peppiatt has formed personal friendships. Michael Peppiatt’s lively, engaging writing takes us into the company of many notable art-world personalities, such as the Catalan painter Antoni Tàpies, whom he visits in his studio, and moments of disillusion, such as his meeting with the self-mythologizing artist Balthus. Art criticism blends with anecdote: riding with Lucian Freud in his Bentley, drinking with Bacon in Soho, discussing Picasso’s trousers with David Hockney... This collection of Peppiatt’s most perceptive texts includes under-recognized artists, such as Dachau survivor Zoran Music, or Montenegrin artist Dado, whose retrospective Peppiatt curated at the 2009 Venice Biennale. Remarkably varied in their scope and lucidly written for a general reader, these selected essays not only provide us with perceptive commentary and acute critical judgment, they also give a unique personal insight into some of the greatest creative minds of the modern era. Prikaži više

The Immortal Crown The #1 New York Times bestselling author of the Vampire Academy and Bloodline series returns with the second installment in her acclaimed Age of X series. Religious investigator Justin March and Mae Koskinen--the beautiful supersoldier assigned to protect him--have been charged with investigating reports of the supernatural and the return of the gods, both inside the Republic of United North America and out. With this highly classified knowledge comes a shocking revelation: Not only are the gods vying for human control, but the elect--special humans marked by the divine--are turning against one another in bloody fashion. Their mission takes a new twist when they are assigned to a diplomatic delegation headed by Lucian Darling, Justin's old friend and rival, going into Arcadia, the RUNA's dangerous neighboring country. Here, in a society where women are commodities and religion is intertwined with government, Justin discovers powerful forces at work, even as he struggles to come to terms with his own reluctantly acquired deity. Meanwhile, Mae--grudgingly posing as Justin's concubine--has a secret mission of her own: finding the illegitimate niece her family smuggled away years ago. But with Justin and Mae resisting the resurgence of the gods in Arcadia, a reporter's connection with someone close to Justin back home threatens to expose their mission--and with it the divine forces the government is determined to keep secret. Prikaži više

ČEZAR PETRESKU PRIPOVETKE Prevod - S. Petrović Izdavač - Izdavačko preduzeće za književnost, Bukurešt Godina - 1968 195 strana 20 cm Povez - Broširan Stanje - Kao na slici, tekst bez podvlačenja   SADRŽAJ: Povratak herojaBegunacDva učiteljaMoj prijatelj Žan Ružin valcerVidranova karijeraUjak iz Amerike Učitelj Dominik Stražeru nije više samVodenica kod Đavolje okuke "Cezar Petrescu (Romanian pronunciation: [ˈt͡ʃezar peˈtresku]; December 1, 1892, Cotnari, Iaşi County– March 9, 1961) was a Romanian journalist, novelist and children's writer. He was inspired by the works of Honoréde Balzac, attempting to write a Romanian novel cycle that would mirror Balzac's La Comédie humaine. He was also under the influence of the Sămănătorul critique of Romanian society. As a journalist, Cezar Petrescu made himself known as one of the editors of the magazine Gâ ndirea, alongside Nichifor Crainic and Lucian Blaga. For a long time, he was a member of the National Peasants' Party, and wrote extensively for its press, especially for Aurora. His major work consists of novels such as Î ntunecare ("Darkening"; 1928), Calea Victoriei (the name of a Bucharest avenue; 1930), Dumenica orbului ("The Blind Man's Sunday"; 1934), and Noi vrem pămâ nt ("We Demand Land"; 1938). Notwithstanding his prolific output as a novelist, Petrescu is mostly remembered for his children's book Fram, ursul polar ("Fram, the polar bear"— the circus animal character was named after Fram, the ship used by Fridtjof Nansen on his expeditions). He is buried in Bellu cemetery, in Bucharest. "   Ako Vas nešto zanima, slobodno pošaljite poruku.

On Paper Speaking recently about his early years as an artist Lucian Freud claimed, 'I would have thought I did 200 drawings to every painting in those early days. I very much prided myself on my drawing.' Drawing is fundamental to Freud's development as an artist and to how he sees in a way that that it was not, for example, at the foundation of the work of Francis Bacon. Drawing became an important part of Freud's life from the start and a famous sketchbook, The Freud-Schuster Book, dating back to January 1940 when Freud was in Snowdonia with Stephen Spender, has survived. So too do sketches from Freud's life as a merchant seaman on a cargo vessel in the Atlantic in 1941. His then surreal style lent itself to illustrations and his fascination with animals, birds and fish was revealed in the famous line drawings he produced for Nicholas Moore's book of poems, The Glass Tower (1944). On Paper charts the works on paper, including the etchings, over his entire career. It includes the formative early work, the sketches in preparation for painting his masterpiece, Large Interior W11 (after Watteau) (1983), the sketches of the completed painting in the studio and the astonishing later studies of his mother. The book ends with the etchings of recent years. The works on paper are an extraordinary achievement, providing even deeper insights into the work of the greatest figurative artist of our time. Introduction by Sebastian Smee Essay by Richard Calvocoressi Prikaži više

Opis „It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.“ So begins Pride and Prejudice, Jane Austen’s perfect comedy of manners–one of the most popular novels of all time–that features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of eighteenth-century drawing-room intrigues. „Pride and Prejudice seems as vital today as ever, “ writes Anna Quindlen in her introduction to this Modern Library edition. „It is a pure joy to read.“ Eudora Welty agrees: „The gaiety is unextinguished, the irony has kept its bite, the reasoning is still sweet, the sparkle undiminished. [It is] irresistible and as nearly flawless as any fiction could be.“ This volume is the companion to the BBC television series, a lavish production aired on the Arts and Entertainment Network. The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of literature and thought. For the Modern Library’s seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world’s best books, at the best prices.

Modernists & Mavericks: Bacon, Freud, Hockney And The London Painters Sunday Times Art Book of the Year 2018. 'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' - Grey Gowrie, Financial Times 'All the good stories, and more, are here … this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' - Andrew Marr, Sunday Times A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art. The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and ‘Swinging London’ in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question ‘what can painting do?’ and explored in their diverse ways, but with equal passion, the possibilities of paint. Prikaži više

Keeping an Eye Open: Essays on Art The updated edition of Julian Barnes’ best-loved writing on art, with seven new exquisite illustrated essays ‘Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.’ Julian Barnes began writing about art with a chapter on Géricault’s The Raft of the Medusa in his 1989 novel A History of the World in 10½ Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, which trace the story of how art made its way from Romanticism to Realism and into Modernism. Fully illustrated in colour throughout, Keeping an Eye Open contains Barnes’ essays on Géricault, Delacroix, Courbet, Manet, Morisot, Fantin-Latour, Cézanne, Degas, Cassatt, Redon, Van Gogh, the legendary critic Huysmans, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Howard Hodgkin and Lucian Freud. It also offers new perspectives on the fruitful relationship between writers and artists, and on the rivalry among Russian collectors of French art in the late 19th century. ‘A typically elegant and absorbing book by one of the greatest contemporary English writers.’ Guardian *Books of the Year* ‘Gave me a new confidence in how to understand and, more importantly, enjoy wandering around an exhibition.’ Mariella Frostrup ‘My book of the year.’ Natalie Haynes, Independent Prikaži više

Modernists & Mavericks: Bacon, Freud, Hockney And The London Painters Sunday Times Art Book of the Year 2018 'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' - Grey Gowrie, Financial Times 'All the good stories, and more, are here ... this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' - Andrew Marr, Sunday Times A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and Swinging London in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question what can painting do? and explored in their diverse ways, but with equal passion, the possibilities of paint. Prikaži više

LIANA CASTELFRANCHI VEGAS ALESSANDRO CONTI   L'ARTE DEL MEDIOEVO   Izdavač - Jaca Books, Milano   Godina - 1992   392 strana   32x25 cm   Edicija - Storia dell' arte Europea   ISBN - 8816601558 9788816601550   Povez - Tvrd   Stanje - Kao na slici, tekst bez podvlačenja       SADRŽAJ: PREMESSA   Capitolo primo L'EREDITÀ CLASSICA E LE PREMESSE DELL'ARTE MEDIOEVALE NEI SECOLI IV-VI Dalla crisi costantiniana alla < < rinascita teodosiana> > L'età teodoriciana da Ravenna a Roma Il sesto secolo a Ravenna e a Roma Nota bibliografica   Capitolo secondo LONGOBARDI E CELTI: I PRIMI LABORATORI DI FORME ALTOMEDIEVALI La « Langobardia major» La miniatura celtica Tavole a colori Nota bibliografica   Capitolo terzo L'ARTE CAROLINGIA E LA NASCITA DELL'ARTE MEDIOEVALE NELL'OCCIDENTE EUROPEO Il ruolo guida delle arti decorative: miniatura, avori, oreficerie La « Langobardia» carolingia Nota bibliografica   Capitolo quarto L'ARTE IN EUROPA INTORNO AL MILLE Lo "scriptorium" di Reichenau La miniatura mozarabica L'oreficeria ottoniana La Lombardia ottoniana Nota bibliografica   Capitolo quinto LA NASCITA DEL ROMANICO NELL'OCCIDENTE EUROPEO Tradizione e rinnovamento architettonico nei paesi germanici Architettura normanna e anglo-normanna Architettura in Borgogna Le prime abbazie 'bernardine' dei cistercensi La decorazione scultorea delle chiese in Aquitania e in Borgogna Nota bibliografica   Capitolo sesto IL ROMANICO IN ITALIA L'architettura romanica in Valle Padana < < Inter scultores quanto sis dignus onore claret scultura nunc Wiligelme tua> > I molti aspetti del Romanico italiano Nota bibliografica   Capitolo settimo LE « < ARTI DEL COLORE> > NEL SECOLO XII La pittura in Francia, Spagna e Italia Smalti mosani, avori e miniature inglesi nel secolo XII Tavole a colori Nota bibliografica   Capitolo ottavo « OPERE FRANCIGENO» : LA NASCITA D GOTICO NELL'ILE-DE-FRANCE Aspetti storiografici e problemi di periodizzazione del Gotico Le cattedrali dell'Ile-de-France nel primo periodo gotico (1150-1230) I programmi scultorei delle grandi cattedrali francesi La decorazione scultorea delle cattedrali tedesche Nicolas de Verdun e "l'arte intorno al 1200" Nota bibliografica   Capitolo nono LA SCULTURA ITALIANA DEL DUECENTO E L'INTERPRETAZIONE I GOTICO IN ITALIA Benedetto Antelami e le premesse del Gotico italiano L'arte federiciana Nicola e Giovanni Pisano Arnolfo di Cambio Lorenzo Maitani, Tino da Camaino, Andrea Pisano Nota bibliografica   Capitolo decimo GIOTTO E LA PITTURA ITALIANA NELLA PRIMA METÀ DEL TRECENTO di Alessandro Conti La Basilica di Assisi Cimabue Problemi romani La miniatura nella seconda metà del Duecento Giotto: 1290-1305 Lo stile < < padovano» > di Giotto Alternative al discorso giottesco Gli inizi di Simone Martini Giotto e la sua bottega Ricerche spaziali in Pietro Lorenzetti e Simone Martini Tavole a colori Gli anni di Giotto a Napoli (1326-1333) Il ritorno di Giotto a Firenze, soggiorni a Bologna e Milano La pittura verso il 1340 Nota bibliografica   Capitolo undicesimo LA PITTURA DEL TRECENTO IN VALLE PADANA Rimini e Bologna Lombardia Veneto   Capitolo dodicesimo UNA VICENDA GOTICO INTERNAZIONALE: DA AVIGNONE ALL'« OUVRAIGE DE LOMBARDIE» Avignone La miniatura in Francia La miniatura in Lombardia Gentile da Fabriano Nota bibliografica   DOCUMENTAZIONE GRAFICA   INDICE DEI NOMI   INDICE DEI LUOGHI E DELLE OPERE       Ako Vas nešto zanima, slobodno pošaljite poruku.   Agilulfo Altichiero Ambrogio Andrea Pisano Angilberto Antelami Benedetto Arnolfo Di Cambio Bellosi Luciano Berenson Bernard Bernoardo Vescovo Di Hildesheim Capanna Puccio Carlo Il Calvo Carlo Magno Carlo V Cavallini Pietro Cimabue Clemente Costantino Daddi Bernardo Egberto Da Reichenau Arcivescovo Di Treviri Enrico Federico Di Hohenstaufen Focillon Henri Gaddi Taddeo Gentile Da Fabriano Ghiberti Lorenzo Giotto Giovanni Da Rimini Giovanni Pisano Giusto De Menabuoi Gnudi Cesare Godefroy De Uy Gregorio Magno Jacopino De Bavosi Kitzinger Ernst Longhi Roberto Lorenzetti Ambrogio Lrenzetti Pietro Maestro Delle Ore Del Maresciallo Boucicaut Martini Simone Maso Di Banco Memmi Lippo Nicola Pisano Nicolas De Verdun Orcagna Andrea Orsini Ottone Pacht Otto Petrarca Francesco Pietro Da Rimini Pseudo Jacopino Stefano Fiorentino Suger Denis Teodorico Toesca Pietro Torriti Jacopo Vasari Giorgio Viollet Le Duc Eugene Vitale Degli Equi Volpe Carlo Wiligelmo   Knjiga je na italijanskom jeziku