Originalni  filmski (bioskopski) plakat iz vremena Jugoslavije. Ponoćni ekspres Midnight express 1978. Dimenzije  69 x 49 cm Stanje vidlivo na slikama, ukoliko imate nedoumica, pre kupovine pitajte (kupindo) porukom.

U dobrom stanju, presavijan x2. Pri dnu zacepljen 1cm Gis

JADNICI 1 & 2 - 1957 [6] Dimenzije : 50 x 70cm Stanje : kao na slikama

Originalni jugoslovenski filmski plakat (69 x 48 cm) za film Apokalipsa Dzo (1970). Stanje kao na fotografijama. Apocalypse Joe Un uomo chiamato Apocalisse Joe Anthony Steffen Eduardo Fajardo Mary Paz Pondal Western Jugoslavija Ex Yu

Originalni jugoslovenski filmski plakat (69 x 48 cm) za film Zovem Se Pekos (1966). Odlicno ocuvan! My Name IS Pecos Due once di piombo (Il mio nome è Pecos Robert Woods Peter Carsten Lucia Modugno Western Jugoslavija Ex Yu

VLADO KALEMBER POSTER 47CM X 33 CM, POLITIKA, MOZAIK

Stanje kao na fotografijama. Merry Christmas, Mr. Lawrence, 1983 g. 49cm x 69cm Sretan Božić, gospodine Lawrence (japanski: 戦 場 の メ リ ー ク リ ス マ ス, Hepburn: Senjō no Merī Kurisumasu, `Sretan Božić na bojnom polju`), u mnogim europskim izdanjima poznat i kao Furyo (俘虜, japanski za „ratnog zarobljenika“), [5] je japansko-britanski ratni film iz 1983. Režirala ga je Nagisa Ōshima, scenaristi Ōshima i Paul Mayersberg, a producent Jeremy Thomas. U njemu glume David Bowie, Tom Conti, Ryuichi Sakamoto, Takeshi Kitano i Jack Thompson. Film se temelji na iskustvima Sir Laurensa van der Posta kao ratnog zarobljenika Japanaca u Drugom svjetskom ratu, kako je prikazano u njegovim knjigama Sjeme i sijač (1963.) i Noć mladog mjeseca (1970.). Sakamoto je također napisao partituru i vokalnu temu `Zabranjene boje`, u kojoj glumi David Sylvian. Film je prijavljen na Filmski festival u Cannesu 1983. godine u konkurenciji za Zlatnu palmu. [6] Rezultat Sakamota filmu je donio nagradu BAFTA za najbolju filmsku glazbu. David Bowie as Maj. Jack `Strafer` Celliers Chris Broun as Jack Celliers (aged 12) Tom Conti as Lt. Col. John Lawrence Ryuichi Sakamoto as Capt. Yonoi Takeshi Kitano as Sgt. Gengo Hara Jack Thompson as Gp. Capt. Hicksley Johnny Okura as Kanemoto Alistair Browning as De Jong James Malcolm as Celliers` brother Yuya Uchida as Commandant of military prison Ryunosuke Kaneda as Colonel Fujimura, President of the Court Takashi Naitō as Lt. Iwata Tamio Ishikura as Prosecutor Rokko Toura as Interpreter Kan Mikami as Lt. Ito Hideo Murota as New commandant of the camp David Bowie izabran je za Jack Celliersa nakon što ga je redateljica Nagisa Ōshima vidjela u produkciji Čovjek slon na Broadwayu. Smatrao je da Bowie ima `unutarnji duh koji je neuništiv`. Tijekom snimanja filma, Bowie se začudio da je Ōshima na udaljenom polinezijskom otoku Rarotonga sagradio kamp od dva do tri hektara, ali većina kampa nikada nije snimljena na filmu. Rekao je da je Ōshima `pucao samo na male dijelove po uglovima. Nekako sam mislio da je to rasipanje, ali kad sam vidio film, bio je toliko moćan - sasvim sigurno ste mogli osjetiti kamp tamo.` [7] Bowie je primijetio kako bi Ōshima dao nevjerojatnu količinu usmjerenja svojim japanskim glumcima (`do najsitnijih detalja`), ali kad bi usmjeravao njega ili kolegu zapadnjaka Toma Contija, rekao bi `Molim vas, učinite sve što vi radite.` [8] Bowie je smatrao da je njegova izvedba u filmu `najvjerodostojnija predstava` koju je do tada u svojoj karijeri izveo u filmu. [7] Slijed internata snimljen je na mjestu King`s College, privatne srednje škole u Aucklandu na Novom Zelandu. Na snimci dvoje učenika koji igraju bilijar može se vidjeti još jedan dječak u sobi kako nosi kraljev blejzer. Ostale scene snimane su na raznim mjestima oko Aucklanda, uključujući željeznički kolodvor Auckland. [9] Suprotno uobičajenoj kinematografskoj praksi, Ōshima je film snimio bez žurbe i poslao ga s otoka bez sigurnosnih otisaka. `Sve je to izlazilo iz kamere i spuštalo se do pošte, zamotano u smeđi papir i poslano u Japan`, izjavio je Bowie. Ōshimin urednik u Japanu izrezao je film grubo u roku od četiri dana od povratka Ōshime u Japan. Directed by Nagisa Ōshima Produced by Jeremy Thomas Screenplay by Nagisa Ōshima Paul Mayersberg Based on The Seed and the Sower by Sir Laurens van der Post Starring David Bowie Tom Conti Ryuichi Sakamoto Takeshi Jack Thompson Music by Ryuichi Sakamoto Cinematography Toichiro Narushima Edited by Tomoyo Ōshima Production companies Recorded Picture Company Oshima Productions Distributed by Palace Pictures (UK) Shochiku (Japan) Universal Pictures (US) Release date 10 May 1983 (Cannes) 28 May 1983 (Japan) 25 August 1983 (United Kingdom) Running time 123 minutes Countries United Kingdom Japan[1] New Zealand[2] Languages English Japanese Box office ¥990 million (Japan rentals) $2.3 million (USA)

Stanje kao na fotografijama! 49cm x 69cm Avanture belog ocnjaka film je iz 1974., koji je režirao Tonino Ricci . To je neslužbeni nastavak filma Lucia Fulcija Zanna Bianca, u kojem je Ricci bio direktor druge jedinice. Film je dobio mješovite kritike. Kao i u Fulcijevom filmu, Bijelog očnjaka glumi njemački ovčar. Maurizio Merli: Burt Halloway Henry Silva: Mr. Nelson Renzo Palmer: RCMP Sergeant Gisela Hahn: Katie Benito Stefanelli: Jackson Donald O`Brien: Caroll Luciano Rossi: Bailey Attilio Dottesio Directed by Tonino Ricci Produced by Edmondo Amati Written by Sandro Continenza Giovanni Simonelli Starring Maurizio Merli Music by Carlo Rustichelli Cinematography Giovanni Bergamini Release date 1974 Language Italian Originalan filmski plakat Avala Genex

Stanje kao na fotografijam! 49cm x 69cm Intimni casovi (talijanski: Le ore nude) talijanski je dramski film iz 1964. godine koji je režirao Marco Vicario, a u glavnim ulogama su Keir Dullea i Rossana Podestà. Temelji se na romanu Appuntamento al mare Alberta Moravije. Keir Dullea as Aldo Rossana Podestà as Carla Philippe Leroy as Massimo Bruno Scipioni as Marcello Odoardo Spadaro as Nonno Tina Lepri as Claudia Directed by Marco Vicario Produced by Marco Vicario Written by Tonino Guerra Marco Vicario Starring Keir Dullea Rossana Podestà Music by Riz Ortolani Cinematography Carlo Di Palma Release date 1964 Language Italian Originalan filmski plakat Zeta Film

U dobrom stanju, presavijan x2 g5

Stanje kao na fotografijama 49cm x 69cm Mećava je jugoslavenski igrani film snimljen 1977. godine u režiji Antuna Vrdoljaka. Predstavlja adaptaciju istoimene drame Pere Budaka. Radnja se događa u zabačenom mjestu u zaleđu Dalmacije u međuratnom periodu. Protagonist, čiji lik tumači Slobodan Cica Perović, je seljak kojem spas od siromaštva predstavlja kćer (čiji lik tumači Vera Zima) koju namjerava udati u obitelj susjeda koji se obogatio u Americi, a pri čemu komplikaciju predstavlja to što je kćer prije toga zatrudnjela s lokalnim mladićem. Režija Antun Vrdoljak Scenario Antun Vrdoljak Predložak Mećava; autor: Pero Budak Uloge Slobodan Perović Milka Podrug-Kokotović Fabijan Šovagović Zvonko Lepetić Muzika Pero Gotovac Fotografija Tomislav Pinter Montaža Radojka Tanhofer Studio Jadran film Croatia film Datum(i) premijere 6. jul 1977 Trajanje 88 min. Zemlja SFR Jugoslavija Jezik srpskohrvatski Slobodan Cica Perović Jole Milka Podrug Kokotović Manda, Jolina žena Zvonko Lepetić Toma Mato Ergović Marko Fabijan Šovagović Žandar Vera Zima Maša Vinko Kraljević Perelja Marija Aleksić Anka, Markova žena Kruno Valentić Lukeša Ivo Gregurević Ivan Originalan filmski plakat Croatia Film Zagreb

U dobrom stanju, presavijan x2 gis

U vrlo dobrom stanju, presavijan x2 gis

U dobrom stanju, presavijan x2

Originalni jugoslovenski filmski plakat (69 x 48 cm) za film Sheherazade (1963). Odlicno ocuvan! Shéhérazade Scorching Sands Anna Karina Gérard Barray Antonio Vilar Poki je mala Šeherezada Jugoslavija Ex Yu

U dobrom stanju, presavijan x2. Gornji levi cosak presavijan. Desna ivica malo ostecena u gornjem delu

U dobrom stanju, presavijan x2 g3

U dobrom stanju. Presavijan x2 gis

Originalni jugoslovenski filmski plakat (69 x 48 cm) za crtani film Americka Bajka (1980). Stanje kao na fotografijama. Steven Spielberg presents An American Tail Jugoslavija Ex Yu

48 x 68 cm 2 x presavijen movie poster The Pawnbroker is a 1964 American drama film directed by Sidney Lumet, starring Rod Steiger, Geraldine Fitzgerald, Brock Peters, Jaime Sánchez and Morgan Freeman in his feature film debut. The screenplay was an adaptation by Morton S. Fine and David Friedkin from the novel of the same name by Edward Lewis Wallant. The film was the first produced entirely in the United States to deal with the Holocaust from the viewpoint of a survivor. It earned international acclaim for Steiger, launching his career as an A-list actor. It was among the first American films to feature nudity during the Production Code, and was the first film featuring bare breasts to receive Production Code approval. Although it was publicly announced to be a special exception, the controversy proved to be first of similar major challenges to the Code that ultimately led to its abrogation. In 2008, The Pawnbroker was selected for preservation in the United States National Film Registry by the Library of Congress as being `culturally, historically, or aesthetically significant`. With the rise of Adolf Hitler, Sol Nazerman (Steiger), a German-Jewish university professor, was dragged to a concentration camp along with his family. He saw his two children die (one while riding in a cattle car) and his wife raped by Nazi officers in the camp. Now he operates a pawnshop in East Harlem, while living in an anonymous Long Island housing tract. Numbed by his experiences, he has worked hard not to experience emotions. Nazerman is bitter and alienated, viewing the people around him as `rejects, scum.` He is shown interacting cynically as he bargains with the many desperate characters pawning their goods. Nazerman is idolized by a young Puerto Rican, Jesus Ortiz (Sánchez), who works for Nazerman as his shop assistant, but the youth`s friendship is rebuffed, as are the overtures of Marilyn Birchfield (Fitzgerald), a neighborhood social worker. Nazerman learns that Rodriguez (Peters), a racketeer who uses the pawnshop as a front, makes his money through prostitution. Nazerman recalls his wife`s degradation and wants no part of it. This results in a clash with Rodriguez, who threatens to kill Nazerman. Meanwhile, Ortiz, his feelings hurt when Nazerman says that Ortiz means nothing to him, spitefully arranges for the pawnshop to be robbed by a neighborhood gang. During the robbery, Nazerman refuses to hand over his money. Ortiz takes the gang member`s bullet intended for Nazerman and dies in Nazerman`s arms in the street.

U dobrom stanju, presavijan x2. Nedostaju delici desnih coskova g5

U dobrom stanju, presavijan x2

Aral Oldtimer Galerie - Oldsmobile 1932 Dimenzije oko 37x30 cm Kolekcionarske slike/grafike iz 70-ih godina prošlog veka. Kupovale su se na Aral benziskim stanicama, i/ili dobijale za natankovanih 20 litara, kako piše na promo letku (na drugoj slici). Printovi  su dobro očuvani, u uglovima imaju rupicu kao da su bile pričvršćeni čiodom. (Aral promo letak se NE  prodaje.)

U dobrom stanju, presavijan x2 gis

Leskovac 1954 - Dom Sindikata Širina 15 cm Dužina: 21 cm Slike autentične ponudjenom predmetu Odraz od sunca prilikom slikanja Kov br 5