Opis proizvoda Proizvođač Oleo Mac - Italija Idealan za kućnu upotrebu za usitnjavanje zemlje za sađenje. Odlična kombinacija upravljivosti, male težine i jednostavnosti Robustna čelična konstrukcija ojačana čeličnim štitnikom koji sprečava oštećenje sistema prenosa od udara kamenja prilikom rada Ergonomske ručke povećavaju udobnost prilikom rada Tehničke karakteristike Model motora: Emak K 800 Zapremina: 182 cm³ Brzine: 1 napred + 1 nazad Rotor: 3+3 noža - sa štitnicima Radni zahvat 80 cm Podesiva visina ručki Dimenzije: 140x80x82 cm Težina: 60 Kg Dodaj u korpu

Austrian Audio applied its masterful microphone-design expertise to the CC8 small-diaphragm condenser mic, and the results are impressive, indeed. Featuring a modern transformerless design built around a custom handcrafted true-condenser capsule, the CC8 is superbly engineered to deliver rich, classic sound in the Viennese tradition. Equipped with 10 and 20dB preattenuation pads, the CC8 achieves a stunning 156dB maximum SPL, which makes it ideal for high-decibel onstage and studio applications such as drum overheads and percussion. But the CC8’s pristine sonics and fast transient response also lend it to the capture of strings, piano, steel-string guitar, and other acoustic instruments where nuance is critical. A switchable 60Hz/120Hz highpass filter further enhances the versatility of this incredible microphone. Add the CC8 stereo set to your mic locker today and hear what you’ve been missing. Amazing versatility and value Designed, engineered, and manufactured in Vienna, the City of Music, the CC8 delivers outstanding performance, flexibility, build quality, and value — but then, that’s what we expect from Austrian Audio. The CC8 boasts class-leading dynamic range, with a robust 156dB SPL handling and a 16dB equivalent noise level. Combined with its versatile cardioid polar pattern and excellent off-axis response, this means you can deploy it onstage on, let’s say, drum overheads — with high-gain guitar amp stacks on either side — and it will pick up the subtleties of the drummer’s cymbal work. Meanwhile, in the studio, it will flawlessly capture the nuances of a quiet classical string quartet performance, with thrilling realism in the playback. Whatever you aim the Austrian Audio CC8 at, you will be impressed with the results. Now, that’s what we call value! Outstanding build quality and performance As a class, small-diaphragm condenser mics are the precision, fine-tipped arrows in the recording engineer’s quiver. In contrast with large-diaphragm designs (which offer their own unique advantages), their low-mass capsules allow for the speed to optimally capture the sparkling detail in transient-rich sources such as acoustic guitar and cymbals. With its Austrian pedigree, the CC8 naturally not only excels in such applications, but also on relatively low-dynamic sources like classical ensembles and choirs. And you can be confident when using a pair of them for stereo pickup, as each CC8 is precision calibrated to within +/-0.5dB at 1kHz. Whether you work in music recording, live sound, or broadcasting, the Austrian Audio CC8’s linear frequency response, beautifully natural and open sound, and smooth, silky highs make it a mic you will reach for constantly. Austrian Audio: the new Vienna classics Carrying on the legacy of high-end Viennese transducer and microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: “Making Passion Heard.” Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna’s rich musical heritage. That vision is realized in Austrian Audio’s proprietary handcrafted capsules and the superior build quality of their products. Features: True-condenser technology Modern transformerless design Precise cardioid pattern; excellent off-axis response Frequency range: 20Hz–20kHz Precision calibrated to within +/-0.5dB at 1kHz Metal housing, cap, and grille Switchable 2nd order highpass filter: 60Hz, 120Hz 10dB, -20dB preattenuation pads enable max SPL of 156dB Equivalent noise level: 16dB SPL (A-weighted) Includes Mic Clips, Windshields, Stereo Bar, and Carry Case

Specifikacija proizvoda Radni pritisak 6.2 bara Potreban vazduh 13 l/s Prihvat 1" Moment pritezanja 2.440 Nm Masa 7.3 kg

Dimitrije Popović rođen je 4. 3. 1951. g. na Cetinju. Akademiju likovnih umetnosti u Zagrebu završio je 1976.g. u klasi prof. Šime Perića. Godine 1974. boravi u Parizu gde upoznaje pariskog kolekcionara gospodina Davriera, te u sastavu njegove zbirke izlaže 1978. u galeriji Alexander Braumuller s umetnicima: Ernstom Fuc-hsom, Dalijem, Dadom Đurićem, M. Klervveinom, Leonor Fini, Victorom Braunerom i drugima. U Pforzheimu 1982. g., Galerija Liberta i Universal Fine Arts iz Washingtona, mu organizuju zajedničku izložbu grafika s Dalijem! Iste godine, povodom velikog jubileja »Leonardo a Milano 1482-1982«, izlaže ciklus crteža Omaggio a Leonardo« u milanskoj Palazzo Sormani. Povodom 27 međunarodnog umetničkog festivala »Due mondi« grad Spoleto, u kome se ovaj festival održava, mu organizuje izložbu slika, crteža i grafika. Dimitrije Popović je do sada izlagao na 45 samostalnih i više od 200 zajednickih izložbi. O njegovom stvaralaštvu do sada su objavljene 4 monografije i snimljeno 6 dokumentarnih filmova. Dobitnik je 18 nagrada. Tehnika : Suva igla, akvarel, gvaš, olovka Dimenzije : 59 (h) x 48 (w) cm sa ramom; 39,5 (h) x 29 (w) cm bez rama; Naziv slike : „ Omaggio a Leonardo “ Godina nastanka : 1986. Potpis sa godinom, desno u donjem uglu. Slika je kupljena od autora Sertifikat o autentičnosti Drveni ram + antirefleksno staklo SVAKA PROVERA JE MOGUĆA-LIČNA KOLEKCIJA PRODAJE SE ZBOG ODLASKA U INOSTRANSTVO.

Peć za pečenje porcelanskih slika i ostale keramike i stakla. Italijanska Checceto, korišćena za pečenje porcelanskih slika

Sličica ima baš mnogo, na upit odgovaram, Kraljevina Jugoslavija i stotinjak posle rata, period od 1928-58me.Sve sličice su žive nikad korišćene za razne naše albume, La Cinjon, Mirim, Šonda, Nestle, Glumci, Grič, Ledo itd. Neverovatna kolekcija za prave kolekcionar, ima ceo set nevidjeno retkih Šondinih gradova u Kraljevini, ne postoji album ali su to naše prve ikada sličice iz čokolada 1922ga

LITIJUMSKA BATERIJA Motor bez četkica Snaga motora 250W Voltaža motora 36V Brzina 25km/h Maksimalna pređena udaljenost 30km Gume 20*1.75 Dužinja kočenja 5m Međuosovinsko rastojanje 1180mm Dimenzije: 1780x630x1110mm Litijumska baterija Dopuna potrošene energije 0.5kWh Prednja kočnica- bubanj Zadnja kočnica- bubanj Dva sedišta Korpa za stvari sa prednje strane Vreme punjenja baterije 6-8h LED svetlo prednje Displej Pedale 024/415-5300

Ekstra retko i nevidjeno na ovim prostorima, očuvano kao novo, ne verujem da ima igde da se nadje i nikad više. Pkv, Ledo, Eskimo, Upi, C proizvod, Somboled

Create Content Like Never Before Rode takes their world-class podcast production studio to a new level with the Rodecaster Pro II. The Rodecaster Pro II blends everything you need for podcasting, streaming, and studio recording into a single, streamlined production console. Users with limited experience can get started fast, thanks to the intuitive layout and RGB color-coded workflow. The Rodecaster Pro II has enough inputs for four hosts and effortlessly connects to phones, USB, and Bluetooth sources. Plus, there are individual headphone outputs for each host. Rodecaster Pro II also includes stellar factory presets, APHEX-powered DSP, and onboard effects to help you achieve a pro-level sound. Whether you're a veteran podcaster or a livestream star in the making, the Rodecaster Pro II is your best bet for pro-level audio production. Onboard APHEX processing and effects polish your sound The Rodecaster Pro II comes equipped with a quad-core audio engine that puts outstanding processing power at your fingertips. Rode outfitted this podcasting production console with a suite of APHEX processors to push productions into a league of their own. You get access to APHEX's legendary Aural Exciter, Big Bottom, and Compellor. Furthermore, Rode included onboard effects — reverb, delay, and pitch shifting, to name but a few — to add a pro-level sheen to any podcast or livestream. Customize your workflow One of the reasons content creators are so excited about Rodecaster Pro II is its fully customizable workflow. This podcast production studio has a flexible 9-channel mixer with six physical faders and three virtual channels, each with integrated pan control. Each channel is individually assignable, letting you assign any analog, USB, Bluetooth, or SMART pad source to any fader in any order you want. You can also link analog inputs for stereo mic pairs, outboard gear, and other instruments. The Rodecaster Pro II includes a 5.5-inch full-color touchscreen with haptic feedback and a rotary controller for quick, hands-on navigation. Whether your workflow is counterintuitive or straightforward, the Rodecaster Pro II is ready for it. High-gain, low-noise preamps High-quality preamps are a necessity for today's content creation environment. Thankfully, the Rodecaster Pro II includes four exceptional Revolution preamps. These pro-level mic pres have a low-noise design and provide up to 76dB of gain. That means you can plug in your lowest output dynamic mics into Rodecaster Pro II and crank them up without injecting distracting noise into your signal or relying on microphone lifters and boosters. Better still, Revolution preamps flaunt a clean and transparent response that allows every detail to translate in the mix. Flexibility for any creator's setup Everybody's setup is different, even in top-of-the-line podcast studios. Rode knows this, so they designed Rodecaster Pro II to integrate seamlessly into any rig. It comes loaded with four combination inputs to accommodate any combination of mic, line, and instrument level devices. Want to add a backing track? Thanks to the crystal-clear audio streaming provided by advanced Bluetooth technology, that's no problem. What's more, dual USB-C interfaces let you connect two computers or mobile devices. A remote co-host's zoom feed on your smartphone can go into one USB-C port while the other USB-C port connects to a computer to record the audio. We're just scratching the surface of Rodecaster Pro II's outstanding flexibility. Use it on its own or with your DAW The Rodecaster Pro II is as flexible as they come — and it's ready to record right away with a microSD card. Seriously, you can get up and running in mere minutes as you're enjoying the complimentary candy that includes in every box. What's more, the Rodecaster Pro II functions as a USB audio interface, allowing you to connect to your computer via USB. Whether you're recording interviews for upcoming podcast episodes or streaming directly to Twitch or TikTok Live, Rodecaster Pro II is more than prepared. The podcast studio that gets better over time Users of the original Rodecaster Pro will remember the regularly-scheduled firmware upgrades that unlocked the podcast production studio's true potential. For the Rodecaster Pro II, Rode follows the same pattern. They're already updating the Rodecaster Pro II's firmware to give you greater production flexibility, add new features, and ensure software compatibility with future product releases. Each update will be available at no cost to you and downloadable directly to your Rodecaster Pro II via Wi-Fi, Ethernet, or USB. Upgraded SMART pads Instead of eight standard sound pads, Rode outfitted the Rodecaster Pro II with an octet of newly designed SMART pads. SMART pads don't just trigger intro music, sound effects, and jingles; they're customizable to a wild degree. Every pad is fully customizable and can toggle voice effects on and off, send MIDI commands to your DAW or external hardware, adjust the mixer's functionality, and even mute profanity. There are eight banks of eight pads for up to 64 unique actions. The Rodecaster Pro II's SMART pad matrix puts total creative control at your fingertips. Rode Rodecaster Pro II Podcast Production Studio Features: The ultimate podcast production and streaming studio Dual USB-C interfaces connect to two computers or mobile devices simultaneously Customizable 9-channel mixer provides flexible operation Fully programmable SMART pads control every aspect of your production Combination inputs let you connect microphones, instruments, and line-level devices 4 Revolution preamps offer 76dB of gain without injecting extra noise into the signal Onboard effects and APHEX audio processing add a professional polish to your recordings 5.5-inch full-color touchscreen provides at-a-glance monitoring 4 headphone outputs and stereo outs offer flexible monitoring Bluetooth connectivity delivers high-definition and wireless audio monitoring microSD card reader lets you record and store audio onboard 24-bit/54kHz resolution preserves your audio quality Phantom power lets you use condenser microphones Offers ten production languages (English, Chinese, Japanese, Korean, French, German, Italian, Spanish, Portuguese, Hindi)

Lot slagalica sa slika,Nostalgija prve kategorije!!! slagalice idu samo u lotu,za pojedinacnu prodaju na ovoj aukciji nemojte pitati!!!

PLOČA JE U ODLIČNOM, SAVRŠENOM STANJU!! VINIL: 5 NM OMOT: 5 Incidents A1 The Earth Trembles A2 Punishment A3 Pain A4 Death A5 Pleasure A6 Admiration Moments B1 Lament B2 Rest B3 Solar Eclipse B4 Genesis B5 Dusk B6 Nocturnal Silence

SPECIFIKACIJE: Frequency Audio frequency range 50-15000Hz Amplification ~50W digital class D amplifiers Max SPL 100dB Wireless Features Audio-BroadCasting-Digital – Technology RF-Band 1.8 –1.9 GHz Range up to 50-100m (Condition dependent) Dimensions Diameter: 115 mm Height: 200 mm Cord length 5 m Weight 1.5 kg Standby power consumption 1.74W (Limitation 2W)

Text Oglasa Prodavac prihvata svu odgovrnost za ovaj predmet oglasavanja. IN predmet broj: 77213 TEMERIN Klizalište posao sezonski TEMERIN Klizalište posao sezonski Plata 65000-75000 din. Kontakt tel: 0691163031

Mesta za sedenje: 4 Kapacitet vode: 795L Unutrašnji prečnik: 145cm Spoljni prečnik: 196cm prečnik: 196 cm Visina: 71cm

Dajem časove gitare i klavira. Konkretno akordi i pjesme, step by step, do pravljenja repertoara za sviranje po kafićima iz dugogodišnjeg iskustva. Nema puno teorije samo praksa, tehnika i spremanje za realnu svirku. Takođe za mlađe malo drugačiji model, prilagođen uzrastu. Žanrovi, izvođači po izboru. Cena korektna.

u antologijskoj knjizi Srpska umetnost od XIX (19-og) do pocetka XX (20-og) veka, ciji je autor Slobodan Maldini Videti i primer procene cene rada slicnih dimenzija lista sa aukcije u prilogu. Marko MURAT Autoportret, rukopis (1933) mastilo na kartonu 9,3 x 14,2 cm signature, zapisi Marko Murat rođen je u Luki Šipanskoj 1864. godine. Umetničko obrazovanje stekao je na Akademiji u Minhenu. Godine 1898. učestvovao je u osnivanju Udruženja srpskih umetnika za plastične umetnosti i muziku u Beogradu. Bio je jedan od umetnika koji su 1900. predstavljali Srbiju na Svetskoj izložbi u Parizu. Bio je jedan od osnivača Lade 1904. i član istog društva do 1910. Do početka rata bio je član Medulića, društva srpsko-hrvatskih umetnika. U njegovom slikarskom opusu srećemo brojne pejzaže, među kojima dominiraju oni iz okoline Dubrovnika, zatim brojne portrete, ali je negovao i istorijsko slikarstvo. Марко Мурат Murat Marko.jpg Информације Датум рођења 30. децембар 1864. Место рођења Лука Шипанска (Аустроугарска) Датум смрти 14. октобар 1944. Место смрти Дубровник (Југославија) Дела Марко Мурат (Лука Шипанска поред Дубровника, 30. децембар 1864. – Дубровник, 14. октобар 1944) — српски сликар који је након студија у Минхену, радио у Београду, а затим се у Дубровнику посветио бризи о културним споменицима као конзерватор. Стварао је пејзаже (махом из околине Дубровника), портрете и историјске композиције. Његово најпознатије дело је велика историјска композиција „Улазак (Долазак) цара Душана у Дубровник“, за коју је добио бронзану плакету на светској изложби у Паризу 1900. године. Био је римокатоличке вероисповести Живот и дело „Долазак цара Душана у Дубровник“ „Дах дубровачког пролећа“ Основну школу и гимназију је 1883. године завршио у Дубровнику и после је три године студирао теологију у Задру. 1886. године је отишао на студиј у уметничкој академији у Минхену у Немачку и диплпмирао је 1893. године а затим путовао по Риму и Паризу. Од 1898. се настанио у Београду и ту предавао у Другој београдској гимназији и Уметничко-занатској школи, а једно време је био и предавач цртања краљевићу Александру Карађорђевићу. У склопу делегације која је представљала Краљевину Србију на Светској изложби у Паризу 1900. године, Марко Мурат се представио историјском композицијом „Улазак (Долазак) цара Душана у Дубровник“, за коју је награђен бронзаном плакетом. Поред њега, у делегацији је учествовао и Паја Јовановић са монументалном композицијом „Проглашење Душановог законика“, за коју је добио златну плакету. За време рата је био у Дубровнику и ту је хапшен и прогањан (као Србин, католичког верског опредељења) од аустријских власти. После рата је постао управник за надлештво уметности и споменике у Дубровнику. Био је један од првих импресиониста на словенском југу који је доследно радио у пленеру и тако израдио многе пејзаже из Дубровника и његове околине а радио је и историјске композиције као и портрете. Временом је његова палета постала затворенија и ликови пластичнији. Излагао је на свим значајнијим изложбама у Југославији у Београду и Загребу али и у иностранству у Софији, Минхену, Паризу, Риму, Бечу, Лондону итд.

Premium Sound, Portable PA Package Plug into the lightweight BA-330, and you won't believe your ears! Not only does this portable PA system give you four channels of amazing sound, but it can also be battery powered, so you can take that great sound anywhere. It's even got built-in effects right onboard, so you can add a professional sheen to your sound. Need to play backing tracks? Use the auxiliary input to play music from your MP3 or CD player (there's even a built-in pocket to hold it!). The Roland BA-330 is your take-anywhere PA! Roland BA-330 Portable Stereo Digital PA System Features: All-in-one portable digital PA system you can use anywhere Powerful, high-quality stereo sound for audiences up to 100 people No setup required; just plug in and go Powered by AC power or by eight AA batteries Four custom-designed 6.5" speakers and two tweeters for wide stereo projection Built-in effects: EQ, reverb, delay, and wide (on/off per channel) 4-channel configuration: two channels for mic/instruments plus two channels for stereo inputs Stereo Aux input with dedicated volume-control knob Advanced Intelligent Anti-feedback function Built-in tilt-back stand lets you monitor at an optimum angle Speaker stand mount built in

Tehnička specifikacija The MX422 is a four channel, microphone/line mixer with balanced XLR inputs and outputs. The unit is ideal for the broadcast and video markets. It has the same features of other ENG / portable mixers without the extremely high price. Applications include: DV Field Production Electronic News Gathering Location Recording (Dialogue and Music) Digital Recording Broadcast Remotes Desktop Mixing for Video Post Production FEATURES Four servo-balanced XLR Inputs Two transformer-balanced XLR Outputs Switchable Output Level ( Line level, or -30 dB pad) 1/4" TRS Stereo Monitor Input and Auxiliary Input Switchable 48 Volt Phantom Power for each input Switchable 100 Hz Low Cut filters for each input Main and Back-up battery compartments, never lose power Level and Pan controls for each channel Built in Limiter with variable Threshold control 20 Hz Slate tone with Slate Microphone included Switchable 1 kHz setup Tone Calibrated VU meters 1/4" and 3.5mm Headphone/Earphone Outputs with selectable Source Input (Main mix or Monitor input),and Level control Canvas case included Rolls PS27 external power supply included PRODUCT SPECIFICATIONS Input Impedance: Mic: 10K Ohms XLR balanced Source: 22K Ohms RCA Limiter Threshold: -5 dB to off fully clockwise: No Limiting Setup Frequency: 1 kHz Slate Frequency: 20 Hz Output Attenuator: -30 dB Self Noise: -57 dB maximum -90 dB typical Max Gain: +65 db S/N Ratio: 115 dB Frequency Response: 20 Hz - 30 kHz | +0, -3 dB Low Cut: 100 Hz Trim Range: 0 to + 38 dB Max Input: 0 dBV Current Draw: 45 mA with no Phantom Power or Signal. Phantom Power: +48 VDC Connectors: 4 ea. Female XLR, 2 ea. Male XLR, 3 ea. 1/4", 1 ea. 1/8" (3.5mm), 1 Center Negative power jack. Power: 12VDC / 200 mA Size: 9.5" W x 7.25" D x 2.375" H Weight: 4 lbs