izd NOVA HOLDING 1994

Posveta na prvoj neutralnoj strani koju mozete da pocepate - knjiga jednom procitana - odlcino ocuvana - prodaje se u stanju kao na slikama

Fischer Bücherei odlično očuvana DEUTSCH.9

Izdavač: Plato, Beograd Biblioteka Posle Orfeja Povez: broširan Broj strana: 216 Veoma dobro očuvana. S A D R Ž A J: - Jedanaesti prst - Priča o duši i telu - Duga noćna plovidba - Steznik - Polubrat - Ruski hrt - Blato - Šešir od riblje kože - Krevet za tri osobe - Duše se kupaju poslednji put - Peglana kosa - Dva studenta iz Iraka PRIČE SA SAVSKE PADINE - Tuniski beli kavez u vidu pagode - Čarobni kladenac - Žitije - Lovci na snove - Treći čovek (K-103)

stanje kao na slikanju. Solidno očuvane knjige. Svako dobro i zdravlje vam želim!

Erskine Caldwell - Georgia Boy Signet, 1953 163 str. meki povez stanje: dobro, posveta na prvoj strani. Signet Books #760 | James Avati cover, line drawings in text by Birger Lundquist are reproduced from the Swedish Edition of Georgia Boy. Collection of 14 short stories. In this appealing collection of fourteen interrelated stories, twelve-year-old William Stroup recounts the ludicrous predicaments and often self-imposed hardships his family endures. Playing on the tension between Martha, his hardworking, sensible mother, and Morris, his disarmingly likable but shiftless and philandering father, William tells of Pa`s flirtation with a widow, his swapping match with a band of gypsies, his battle of wits with a traveling silk-tie saleswoman, and his get-rich-quick schemes based on selling Ma`s old love letters and collecting scrap iron.Often caught in the middle of the Stroups` bungles is Handsome Brown, their yard hand, as well as a number of animals with all-too-human qualities: Ida, the mule; Pretty Sooky, the runaway calf; College Boy, the fighting cock; a small flock of woodpeckers that favor Handsome`s head over a tree; and goats who commandeer the roof of the Stroups` house. Georgia Boy was a special book to Caldwell, and its humor is less in the service of social criticism than in other works in which he dealt with poor white southerners. Beneath Georgia Boy`s folksy lightheartedness, however, lie the problems of indigence, racism, and apathy that Caldwell confronted again and again in his fiction. Classics, American, Southern

IVO ANDRIĆ THE DAMNED YARD AND OTHER STORIES Prevod - Celia Hawkesworth, Svetozar Koljević, Joseph Schallert, Ronelle Alexander, Felicity Rosstyn, Lenore Grenoble Izdavač - Dereta, Beograd Godina - 2020 342 strana 21 cm ISBN - 978-86-6457-291-0 Povez - Tvrd Stanje - Kao na slici, tekst bez podvlačenja SADRŽAJ: The Story of the Vizier`s Elephant The Bridge on the Žepa In the Guest-House Death in Sinan`s Tekke The Climbers A Letter from 1920 Introduction to The House on its Own Alipasha A Story The Damned Yard `The novel is written in 1954. Ćamil, a wealthy young man of Smyrna living in the last years of the Ottoman Empire, is fascinated by the story of Džem, ill-fated brother of the Sultan Bajazet, who ruled Turkey in the fifteenth century. Ćamil, in his isolation, comes to believe that he is Džem, and that he shares his evil destiny: he is born to be a victim of the State. Because of his stories about Džem’s ambitions to overthrow his brother, Ćamil is arrested under suspicion of plotting against the Sultan. He is taken to a prison in Istanbul, where he tells his story, to Petar, a monk. Out of these exotic materials, Andrić has constructed a book of great clarity, brevity and interest. No doubt it will be read by some as a political parable about the tyranny of the State, but also as a quite simply story about ill-fortune and human misunderstanding, fear and ignorance. Džem and Ćamil are doomed – and the certainty of their persecution is sometimes relieved, sometimes intensified by the stupidity and fright of the people who cross their ill-starred lives. Construction takes up most of the book’s space: the central story of Džem as related by Ćamil lasts only a chapter or two. For the rest of the time the reader strips layer off layer, as one narrator passes him on the next. There is an interesting passage that helps to explain this method, at the moment when Ćamil starts narrating Džem’s story in the first person. “I” is a word, we are told, which fixes the position of the speaker in such a way that the exercise of will is no longer possible, and the speaker strength is exceeded – strength, presumably, to break out of the identification that all his past actions and thoughts force upon him when he uses the word. “I” is both a confession and an imprisonment. The fact that the novel passes the reader on from one narrator to the next rather suggests that the author is taking constant evasive action, lest he betray himself or his reader into the kind of “personal confession” which seals the fate of Ćamil. What exactly this game of form flirting with meaning signifies, must be left to the individual reader. The movement is centripetal, towards Džem’s story, and then disperses. Details within the story are made to mimic this form. Thus when Peter receives the message telling him of his impending release: “Two younger prisoners...were chasing around using him as the centerpoint of ever narrowing circles. Annoyed, he tried to break away from these exuberant youths when one of them brushed against him and he felt a folded scrap of paper thrust into his hand. The youths continued their chase but now in widening circles...” The reader is led on just such a chase in the course of the novel. The effect of this is to make the plot seem more like a poetic image than an ordinary plot: capable, therefore, of as many meanings as are the images of an allusive poem. Yet the language is simple and direct, not at all “poetic”. The characters are remarkable alive, even in conversation. Karađoz, the governor of the goal, is a spidery authoritarian, who loves to torment the charges he loves. The prisoners “complained about the way one complains about one’s life and curses one’s destiny...it would have been hard for them to imagine life without him”. “The Devil’s Yard” is justified, as all symbolic and figurative novels must be, by the extent to which it touches the emotions. It is extremely moving. Fear, horror, despair, amusement at times – all these indicate that the threat of the meaning has been recognized.` Ako Vas nešto zanima, slobodno pošaljite poruku. Knjiga je na engleskom jeziku Prokleta Avlija Silija Hoksvort Džozef Šalert, Ronel Aleksander, Felisiti Roslin, Lenor Grenobl

Broj strana: 108 Povez: Broš Pismo: Latinica Format: 21cm Zbirka pripovedaka beogradske spisateljice Jelene Trajanovski Stanković (1985.) „Priče iz predgrađa duše“ predstavlja svojevrsnu slagalicu sastavljenu od deset priča, tematski različitih ali senzibilitetom, stilski i po dramskom efektu koji u čitaoca izazivaju upečatljivo jedinstvenih, što od nje čini skladnu književnu celinu. Živopisan kaleidoskop u njima oslikanih likova karakteriše iznad svega snažna realističnost, a opisani događaji čiji su oni akteri, te njihove međusobne kompleksne i dramski uzbudljive veze intenzivni su i životni – čak i kada je glavni lik jedna umetnička slika – zbog čega čitava zbirka odaje nepretenciozan ali uverljiv utisak celovitoga, samodovoljnog univerzuma, kao otrgnutog od stvarnog, materijalnog sveta.

VIKTOR PELJEVIN POSLEDNJE PESME POLITIČKIH PIGMEJA PINDOSTANA - P NA 5 Prevod - Natalija Nenezić Izdavač - Plato Books, Beograd; B&S, Beograd Godina - 2009 188 strana 20 cm Edicija - Biblioteka Savremena proza ISBN - 978-86-447-0474-4 978-86-6115-014-2 Povez - Broširan Stanje - Kao na slici, tekst bez podvlačenja SADRŽAJ: Sala karijatida koje pevaju Hranjenje Kufuovog krokodila Nekropandur Fridmanov prostor Asasin `P5 je zbirka od pet priča, međusobno vrlo različitih, ali koje sagledane zajedno održavaju tipičan književni svet Viktora Peljevina. U jednoj priči čitalac se gorko smeje saznajući kako funkcioniše sprega organizovane prostitucije, biznisa i vlasti, u drugoj se suočava sa aktuelnim trendovima gej parada čiji učesnici postaju i policajci, u ostalim pričama Peljevin nas vraća u daleku prošlost, egipatsku mitologiju ili priče s Orijenta, u kojima se susreću Istok i Zapad, nauka, magija i religija, a u kojima se verovatno kriju istine o našem dobu.` Ako Vas nešto zanima, slobodno pošaljite poruku. Viktor Pelevin P5 Farewell Songs Of The Political Pygmies Of Pindostan

priredio Vojislav Đurić Srpska književna zadruga 1990 575 strana odlična očuvanost

Odabrana dela I (Milan Narandžić, Čudan svet) i II(Vasa Rešpekt,Večiti mladoženja,Pita hiljadu forinata,Pogled na knjižestvo,Iz memoara) Jakov Ignjatović, Srpska književnost u 100 knjiga, 1971 izdanje Matice Srpske i Srpske književne zadruge, tvrdi povez očuvano

Ciklus priča u kojima se istražuje kako događaji iz privatne ili porodične prošlosti utiču na naše današnje postupke, odluke i namere. Da li se prošlost završava ili je ona sastavni deo naših svakodnevnih iskustava? To postaje odlučno i podsticajno pitanje knjige priča Prošlost nikad ne prođe. Marković u novim pričama istrajno istražuje na koje se sve načine prošlost obnavlja u savremenom trenutku, kako ono što je minulo učestvuje u novom iskustvu svakodnevice. Ta pitanja pisac ispituje na primeru šest junaka u šest sasvim različitih situacija. Ali ono što ove junake i ove situacije dovodi u nedvosmislen kontekst jeste upravo ta duga ruka prošlosti od koje nije moguće pobeći, niti napraviti odlučnu distancu. Oblikovana na ovakav način, knjiga priča Veselina Markovića ima, zahvaljujući jedinstvenoj temi i zaokruženoj i usredsređenoj pripovedačkoj perspektivi, romaneskni okvir koji ovoj knjizi daje celovitost, a pričama u njoj dodatnu produbljenost i međusobni dijalog. Junaci Markovićevih priča neprestano preispituju događaje iz vlastite prošlosti koji su ih preobrazili, obeležili ili odredili i zbog kojih se pokazuje da prošlost nikada ne prolazi već svom snagom učestvuje u oblikovanju novih izazova. Marković iznova potvrđuje kako je veliki majstor stila i jezika, kao i psihološke motivacije radnje i psihološke iznijansiranosti u unutrašnjoj drami njegovih junaka. Povez:Tvrdi Format:14x21 Broj strana:128 Biblioteka:Zlatno runo Veselin Marković (Beograd, 1963), romansijer, pripovedač i esejist. Diplomirao je Jugoslovensku i opštu književnost na Filološkom fakultetu u Beogradu. Magistrirao je na Filozofskom fakultetu u Novom Sadu, a doktorirao na Filološkom fakultetu u Beogradu. Objavio je sledeće knjige: Šta propuste oni koji umru u snu (knjiga pripovedaka, 1992), Marsel Prust i drugi realisti (studija, 1996), Preimućstva kruga (knjiga pripovedaka, 2001), Izranjanje (roman, 2001), Mi različiti (roman, 2010), Uporedni svetovi (studija o Vladimiru Nabokovu, 2011), Svetlost na vodi (putopis, 2015) i Prošlost nikad ne prođe (knjiga pripovedaka, 2017). Markovićeva proza objavljivana je u Norveškoj, Sloveniji, Italiji, Sjedinjenim Američkim Državama, Velikoj Britaniji, Poljskoj i Bugarskoj. Objavio je i veći broj eseja, studija, kritika, prevoda sa engleskog i novinskih tekstova. Roman Izranjanje dobio je Vitalovu nagradu. Roman Mi različiti dobio je tri nagrade: Nagradu grada Beograda, „Bora Stanković“ i „Matijević“, a nacrt tog romana dobio je stipendiju „Borislav Pekić“. Sa suprugom Snežanom, sinom Damjanom i ćerkom Emom živi u Strazburu.

O. Henry - Best Stories of O. Henry Garden City Books, New York, 1945 340 str. tvrdi povez stanje: dobro-, otpis iz biblioteke, Ex-library, No Jacket. With An Introduction by Bennett A. Cerf and Van Cartmell To say that these are the `best` stories of O. Henry may be considered editorial temerity, but it can be said without reservation that they represent O. Henry at his best. The editors made one essential attribute their criterion of choice -- entertainment value. Except for space limitations, the list of selections could have been expanded almost indefinitely, for O. Henry`s appeal is universal. He lived in many parts of the United States, varying in locale from a Texas ranch to New York City, and his observation and keen insight into the characters of people he encountered enabled him to write with deep feeling and understanding. When he writes of Texas, a Texan will recognize the spirit and flavor of his own country and the same may be said of any section of the country that O. Henry visited. Perhaps the most notable characteristics of O. Henry`s writing are the amazing ingenuity of his plots, the incisive brevity of his stories and his somewhat adventurous choice of words. The 38 stories in this collection include The Gift of the Magi, A Cosmopolitan in a Cafe, Man About Town, The Cop and the Anthem, The Love-Philtre of Ikey Schoenstein, Mamman and the Archer, Springtime a la Carte, From the Cabby`s Seat, An Unfinished Story, The Romance of a Busy Broker, The Furnished Room, Roads of Destiny, The Enchanted Profile, The Passing of Black Eagle, A Retrieved Reformation, The Renaissance at Charleroi, Shoes, Ships, The Hiding of Black Bill, The Duplicity of Hargraves, The Ransom of Red Chief, The Marry Month of May, The Whirligig of Life, A Blackjack Bargainer, A Lickpenny Lover, The Defeat of the City, Squaring the Circle, Transients in Arcadia, The Trimmed Lamp, The Pendulum, Two Thanksgiving Day Gentlemen, The Making of a New Yorker, The Lost Blend, A Harlem Tragedy, A Midsummer Knight`s Dream, The Last Leaf, The Count and the Wedding Guest, and A Municipal Report. William Sydney Porter Fiction, Short Stories

SAVREMENA SVETSKA PRIČA I i II Priredio David Albahari Prosveta, Beograd, 1982. Tvrd povez, 288 + 290 strana. Očuvane. Zaštitni omoti malo iskrzani i požutele. Borhes, Nabokov, Harms, Beket, Bucati, Kortasar, Selindžer, Škvorcki, Markes, Fuentes, Kundera...

Najbolje putopisne priče Efraima Kišona Izdavač: Weltbild, Augsburg Povez: tvrd Broj strana: 320 Ilustrovano. Veoma dobro očuvana. Mit Ephraim Kishon unterwegs: eine Weltreise des Humors in 13 Ländern von Holland bis Griechenland, von Ungarn bis in die USA, von Deutschland bis in die Türkei. Lesevergnügen für Weltenbummler und Reise-Profis, für alle, die von fremden Ländern träumen oder in Gedanken die Fahrt in das Land ihrer Sehnsucht antreten wollen. (K-154)

Alfa 1981. 387 str. manja oštećenja omota papir potamneo sa strane Kraljica od Sabe Vu-Co-Tjen Teodora Eleonora akvitanska Katarina Howard Kristina švedska

Čikino dete - Tadija Kostić Novo Nekorisceno L4-II

Antologija savremene hispanoameričke pripovetke, knjiga je u vrlo dobrom stanju. Izdavač:SKZ Povez:tvrd Broj strana:376 Težina:540g k-57

PRIČE O MESECIMA I DANIMA - Redžinald Kazens Izdavač: BOOK & MARSO Beograd Godina izdanja: 2007. Povez: tvrd Broj strana: 142 Pismo: latinica Stanje: Odlično

CARLS BUKOVSKI - PRICE O OBICNOM LUDILU Prosveta, 1982 287 str. Meki povez. Vrlo dobro ocuvana knjiga.

POSVETA NA PREDLISTU.SVE OSTALO JE U DOBROM STANJU Izdavač : VULKAN IZDAVAŠTVO Broj strana 224 Povez knjige Mek Čarobni svetovi jednog od najboljih savremenih pisaca brišu granice između stvarnosti i mašte. Jednom davno, u dalekoj zemlji Alifbeji, u jednom tužnom gradu, najtužnijem na svetu, toliko tužnom da mu je čak i ime zaboravljeno, živeo je veseli momčić Harun, jedino dete pripovedača Rašida Halife, čija je vedrina bila čuvena u čitavom žalosnom velegradu. Zbog nepresušnog izvora lepih priča, Rašid je imao ne samo jedan nego dva nadimka. Za svoje obožavaoce bio je Rašid, Okean Ideja, pun veselih priča, baš kao što je more puno mrgud-riba; a za zavidljivu konkurenciju bio je Šah Bla-Blah. A onda, jednog kobnog dana, sve će krenuti po zlu: Harunova majka napustila je dom, a njegovom ocu odjednom ponestaje priča. Rešen da svom ocu vrati pripovedački dar, Harun na krilima ptice odlazi do Mora priča i započinje bajkovito putovanje neobičnim zemljama, čudesnim poput onih o kojima Rašid pripoveda. Ova savremena bajka prepuna verbalnih trikova elokventna je odbrana umetnosti, obojena magičnim nijansama klasika kakvi su Čarobnjak iz Oza i Alisa u zemlji čuda. `Ovo je knjiga za svakoga ko voli dobru priču. Pored toga, delo je pravog genija književnosti.` Stiven King

Horhe Bucay - Price za razmisljanje Ovo je zbirka priča, u kojima se istražuju jednostavni, a ipak duboki aspekti života, različite strane ljudske prirode, i upoznaju ljudske slabosti i vrline. Osnovne teme su ljubav, mržnja, prijateljstvo, zavisnost od drugih i nemogućnost da živimo bez njih. Neke od ovih priča događaju se svakodnevno, a druge su plod piščeve mašte i kreativnosti. Ispričane su u stilu bajki, sa zanimljivim zapletima i neočekivanim, često duhovitim, raspletima. Autoru nije cilj da podučava, niti da daje lekcije i gotove odgovore na životne dileme, već da podstakne na razmišljanje. Između redova, u duhu i atmosferi svake priče skriveno je njeno značenje, koje sami otkrivamo ako se zamislimo. Jer, mudrost se postiže samo kada se pređe trnovit put upoznavanja sebe. Pričajući ove priče, Horhe Bukaj stvara za nas magiju: čitanje je zabavno i lako, i skoro neosetno stižemo do dubokog uvida u ljudsku prirodu i svoju sopstvenu suštinu. ocuvana k21+

odlicno,,novo DERETA,,,mek povez,,,21 cm,,,395 str,,,1.deretino izdanje 2017 a-2

Nova 25, numerisana 002, 1987. Tvrd povez, manji format, 136 strana. Lepo očuvana. Ima posvetu autorke na predlistu. s

Turske price Ivo Andric Laguna 2011 Mek povez latinica 233 str. Najbolje price naseg nobelovca Iz licne kolekcije,savrseno stanje