Take your color mixing to the next level with the ADJ Flat Par QWH12XS professional “low profile” LED fixture. It features twelve 5-Watt QUAD LEDs (4-in-1 RGBW) with smooth RGB color mixing as well as a White LED to get the hard to achieve true cool white. The units “low profile,” sideways power & DMX Ins/Outs and dual hanging brackets make it ideal for mobile entertainers, permanent installations and for inserting into truss or for uplighting. The Flat Par QWH12XS has 8 different DMX channel modes, and may also run in Sound Active or Master/Slave modes. Users can also go “wireless” with the ADJ LED RC2 wireless remote (sold separately). This LED fixture also features: 15 Color Macros, Electronic Dimming (0-100%), IEC AC IN and OUT on rear to daisy chain power and a 25-degree beam angle. The Flat Par QWH12XS LEDs are rated at 50,000 hours, and only draws 80-Watts of power per fixture. Specifications: Ultra bright slim fixture with 12x 5-Watt QUAD LEDs (4-in-1 RGBW- Red, Green, Blue & White) Unique “sit flat” design – Power & DMX Ins/Outs are intelligently designed so the unit can be set flat on the ground or set inside truss Great for performance stages where traditional par cans emit a lot of heat onto performers Low profile case design Wireless infrared remote control up to 15 ft./4.5M (Model: ADJ LED RC2 - sold separately) 8 DMX Channel modes: 1, 2, 3, 4, 5, 6, 7 or 8 channel modes 6 Operational modes: Manual Color Mode; Color Change Mode; Color Fade Mode; Auto (Program Run) Mode; Sound Active Mode and DMX-512 Mode Smooth RGBW color mixing (fast or slow color change operation) QUAD LED (4-in-1) projects no RGB shadows 15 built-in Color Macros Color strobe effect Flicker Free Electronic Dimming: 0 - 100% Beam angle: 25-degree Linkable via 3-pin XLR cable (In/Out) 4-button LED DMX display on rear panel Dual bracket yoke allows fixture to be hung or set on the ground IEC AC IN/OUT outlets on rear to daisy chain power (up to 7 units) Includes gel frame for optional diffusion filters Run all night – No duty cycle Long Life LEDs (50,000 hrs.) Power Draw: 80W max Multi-voltage operation: AC 100-240V, 50/60Hz (IEC power In/Out) Dimensions (LxWxH): 328x280x115mm Weight: 3.2 kg

The DT34 Series is one of the most sold Truss systems in general. The high load capacity and the light weight construction are plus points for this 29cm series. For a fast and stress free build up, the DT Series is equipped with standard sized conical fast couplers. The 50mm tubes are from high grade aluminum and show 2mm wall thickness. The bracing have a diameter of 20mm and also 2mm wall thickness. The system from European production is compatible to the most common systems in the market and self-evident TÜV approved. Specifications: Main tube diameter: 50mm Wall thickness main tube: 2mm Bracing diameter: 20mm Wall thickness bracing: 2mm Alloy: EN-AW 6082 T6 (AlMgSi1) Connection: conical connectors with bolt and splint Delivery includes: 4 conical connectors, 8 bolts, 8 splints Produced according DIN 4112, DIN 4113-1

The Laserworld ES-400RGB is a RGB laser system with a total output power of up to 400mW. The red deode laser module with a wavelength of 650nm, the green DPSS laser module with a wavelength of 532nm and the royal-blue laser module with a wavelenght of 445nm ensure beautiful colors and bright beams. These beams have a diameter of about 3mm and a beam divergence of about 2.0mrad and the projector offers a scan angle of up to 30° as well as a galvo system with up to 30kpps for great projections. About 50 preset basic patterns, like layers, tunnels, fences, waves etc. can be controlled via DMX. A sound-to-light mode as well as a stand-alone mode are available too. For the sound-to-light mode the sensitivity of the integrated adjustable microphone can be altered.There is an on-off switch and a controller for projection size settings at the rear side of this device. The Laserworld ES-400RGB is a innovative solution for fist-time and hobby users, as well as for mobile DJs and it is often used in bars, small to medium sized clubs, at private parties or for home use.

The Laserworld CS-2000RGB is a RGB laser system with a total output power of up to 2,000mW. The red deode laser module with a wavelength of 650nm, the green DPSS laser module with a wavelength of 532nm and the royal-blue deode laser module with a wavelength of 445nm ensure brilliant colors and powerful laser beams. The projector has good beam specifications with a beam diameter of about 3mm and beam divergence of 2.0mrad. At the same time it offers a galvo system with up to 30kpps as well as a scan angle of up to 40°. The Laserworld CS-2000RGB has a professional ILDA interface. Thus own or pre-programmed lasershows can be shown by use of a laser control software, e.g. of Phoenix or Pangolin. Through DMX about 200 preset patterns, like waves, tunnels, circles etc. can be projected in different colors and in a various speed. The laser system has an automatic mode, which runs the pre-programmed patterns without assistance. If the music mode is active, the laser system projects according to the sound. For the music mode the sensitivity of the mircophone can easily be set on the rear side of the projector. There is a key switch, an interlock interface and an on-off switch at the rear side of the device. The Laserworld CS-2000RGB is a powerful whitelight laser systems. This device is well suited for professional applications and it is often used in medium to larger sized clubs and discos as well as for the use in any party location. Technical Specifications: min. typ. total power: 1.500mW 2.000mW power red: >500mW / 650nm power green: >200mW / 532nm power blue: >800mW / 445nm beam specs (full angle): ca. 3mm / 2mrad laser source: Deode, DPSS Laser laser class: 4 operation modes: auto, music, DMX, ILDA scanner: galvo system, 30kpps @4° scan angle: 40° max. basic patterns: ca. 200 (layers, tunnels, fences, waves, ect.) accessories: power cable, manual, interlock connector, key power supply: 85V - 250V AC power consumption: 120 W dimensions: 315/335/110 mm weight: 6.1 kg

The ADJ UV COB Cannon produces a large ultraviolet wash from high output, advanced COB (Chip On Board) UV LEDs–COB LED technology allowing for a powerful LED engine to be placed in a small amount of space. This professional lighting fixture is designed for washing performance stages, theatrical productions and special effects productions. It requires very little maintenance or service due to its sold state electronics. The UV COB Cannon has 3 operational modes (sound active, manual or DMX), has 3 DMX operational modes, 5 selectable dim curves, a 4-Button DMX Display and is flicker free for film and television. This fixture is DMX linkable via 3-pin DMX, and is power linkable via PowerCon connections. The light source is a 100-Watt COB (Chip On Board) UV LED engine. Specification: Super high output UV light cannon Great for performance stages, theatrical productions and special effects productions – requires almost no maintenance – low heat, low power consumption Advanced COB Technology (Chip On Board) produces powerful, smooth UV color 3 Operation modes: Sound Active, Manual, & DMX 3 DMX Channel modes: 1, 2 or 3 channel 4-button digital DMX display Flicker Free operation (No flickering on camera) 5 selectable Dim Curves (Standard, Stage, TV, Architectural & Theatre) LED pulse and strobe effect Electronic Dimming: 0 100% Beam angle: 33 degrees Dual yoke allows fixture to be hung or set on the ground DMX Linkable: 3-pin XLR data connectors Power Linkable: PowerCon connectors (Up to 3 UV COB Cannon’s @ 120V, 5 UV COB Cannon’s @ 220V fixtures) Long Life LEDs Rated at approximately 25,000 hrs.) Power Draw: 120W total (All LED's @ Full) Light Source: 100W COB (Chip On Board) UV LED engine Multi-voltage Operation: Auto switching, AC 100V 240V/50Hz -60Hz Dimensions (LxWxH): 12.75” x 11” x 8”/ 320 x 278 x 200mm Weight: 11 lbs. / 4.98kgs Specifications subject to change without notice

Tehnička specifikacija - RDMX - Remote DMX Addressing - USITT DMX-512 (16-bit resoultion) - 16 DMX Channels - On board menu settings - 3-pin & 5-pin XLR serial input/output - High output luminous-parabolic dichroic reflector - Beam Angle 22-degrees - 10 Dichroic filters, 7 color, UV, CTO, CTB + White - CMY color mixing - 2 gobo wheels, 14 total gobos, 11 metal, 3 glass - 7 interchangeable, indexable, rotating gobos plus open - 7 interchangeable, static gobos plus open - Metal Gobo Size: 26.9mm outside diameter, 23mm image diameter - Glass Gobo Size: 26.7mm outside diameter, 23mm image diameter - Gobo Overlay (Gobo Morphing) - Variable speed strobe effect (1-13) flashes per second - Pre-set variable/random strobe and dimming pulse effect - Dual Flag mechanical dimming system - Beam narrow to wide (5% - 100%) - Variable speed iris macros - Small to large and large to small - Hard edge to soft edge frost - Effect wheel with 3-facet rotating/Indexing Prism & 3D Glass Prism - Both directions at variable speeds - Macro-function for rotating gobos/rotating prisim combinations - Motor driven focus from near to far - Philips +éÔÇťFast Fit MSR300 (300W, 8500±K, 3000 HRS) - Automatic Pan /Tilt position correction - Pan/Tilt Lock - Maximum PAN-movement 630± in 2.0 secs (default) or 540± / 16 bit - Maximum TILT-movement 265± in 1.5 secs / 16 bit - Vector Mode with blackout - Electronic Power Supply Multi-voltage: AC 98V ~ 240V 50/60Hz - Dimensions (LxWxH): 56x356x572mm - Weight: 23.5 kg

11 knjiga ISTORIJA JEVREJA na nemačkom 1866- / Istorija jevrejskog naroda nemački jezik Graetz, H Geschichte der Juden vom Untergang des jüdischen Staates bis zum Abschluß des Talmud ... Geschichte der Israeliten ukoliko je potrebno mogu uslikati detaljnije RETKO U PONUDI! Heinrich Graetz (German: [ɡʁɛts]; 31 October 1817[1] – 7 September 1891) was amongst the first historians to write a comprehensive history of the Jewish people from a Jewish perspective. Born Tzvi Hirsh Graetz to a butcher family in Xions (now Książ Wielkopolski), Grand Duchy of Posen, in Prussia (now in Poland), he attended Breslau University, but since Jews at that time were barred from receiving Ph.D.s there, he obtained his doctorate from the University of Jena.[2] After 1845 he was principal of the Jewish Orthodox school of the Breslau community, and later taught history at the Jewish Theological Seminary in Breslau (now Wrocław, Poland). His magnum opus History of the Jews was quickly translated into other languages and ignited worldwide interest in Jewish history. In 1869 the University of Breslau (Wrocław) granted him the title of Honorary Professor. In 1888 he was appointed an Honorary Member of the Spanish Royal Academy of Sciences. Graetz received his first instruction at Zerkow, where his parents had relocated, and in 1831 was sent to Wollstein, where he attended the yeshivah up to 1836, acquiring secular knowledge by private study. The `Neunzehn Briefe von Ben Uziel` (see Samson Raphael Hirsch) made a powerful impression on him; and he resolved to prepare himself for academic studies in order to champion the cause of Orthodox Judaism. His first intention was to go to Prague, to which place he was attracted by the fame of its old yeshivah and the facilities afforded by the university. Being rejected by the immigration officers, he returned to Zerkov and wrote to Samson Raphael Hirsch, then rabbi of Oldenburg, intimating his desire. Hirsch offered him a home in his house. Graetz arrived there on May 8, 1837, and spent three years with his patron as a pupil, companion, and amanuensis. In 1840 he accepted a tutorship with a family at Ostrowo, and in October 1842 he entered the University of Breslau. At that time the controversy between Orthodoxy and Reform Judaism was at its height, and Graetz, true to the principles which he had imbibed from Hirsch, began his literary career by writing contributions to the `Orient`, edited by Julius Fürst, in which he severely criticized the Reform party, as well as Geiger`s text-book of the Mishnah (`Orient`, 1844). These contributions and his championship of the Conservative cause during the time of the rabbinical conferences made him popular with the Orthodox party. This was especially the case when he agitated for a vote of confidence to be given to Zecharias Frankel after he had left the Frankfurt conference because of the stand which the majority had taken on the question of the Hebrew language. After Graetz had obtained his degree of Ph.D. from the University of Jena (his dissertation being `De Auctoritate et Vi Quam Gnosis in Judaismum Habuerit,` 1845; published a year later under the title `Gnosticismus und Judenthum`), he was made principal of a religious school founded by the Conservatives in Breslau. In the same year he was invited to preach a trial sermon before the congregation of Gleiwitz, Silesia, but failed completely. He remained in Breslau until 1848, when, upon the advice of a friend, he went to Vienna, purposing to follow a journalistic career. On the way he stopped at Nikolsburg, where Hirsch was residing as Moravian chief rabbi. Hirsch, who then contemplated the establishment of a rabbinical seminary, employed Graetz temporarily as teacher at Nikolsburg, and afterward gave him a position as principal of the Jewish school in the neighboring city of Lundenburg (1850). In October 1850, Graetz married Marie Monasch, the daughter of the printer and publisher B. L. Monasch, of Krotoschin.[3] It seems that Hirsch`s departure from Nikolsburg had an influence on Graetz`s position; for in 1852 the latter left Lundenburg and went to Berlin, where he delivered a course of lectures on Jewish history before rabbinical students. They do not seem to have been successful. Meantime his advocacy of Frankel`s course had brought him into close contact with the latter, for whose magazine he frequently wrote articles; and accordingly in 1854 he was appointed a member of the teaching staff of the seminary at Breslau, over which Frankel presided. In this position he remained up to his death, teaching history and Bible exegesis, with a preparatory course on the Talmud. In 1869 the government conferred upon him the title of professor, and thenceforward he lectured at Breslau University. In 1872 Graetz went to Palestine in the company of his friend Gottschalck Levy of Berlin, for the purpose of studying the scenes of the earliest period of Jewish history, which he treated in volumes one and two of his history, published in 1874-76; these volumes brought that great work to a close. While in Palestine, he gave the first impetus to the foundation of an orphan asylum there. He also took a great interest in the progress of the Alliance Israélite Universelle, and participated as a delegate in the convention assembled at Paris in 1878 in the interest of the Romanian Jews. Graetz`s name was prominently mentioned in the anti-Semitic controversy, especially after Treitschke had published his `Ein Wort über Unser Judenthum` (1879–1880), in which the latter, referring to the eleventh volume of the history, accused Graetz of hatred of Christianity and of bias against the German people, quoting him as a proof that the Jews could never assimilate themselves to their surroundings. Graetz`s tomb in the Jewish Cemetery in Wrocław This arraignment of Graetz had a decided effect upon the public. Even friends of the Jews, like Mommsen, and advocates of Judaism within the Jewish fold expressed their condemnation of Graetz`s passionate language. It was due to this comparative unpopularity that Graetz was not invited to join the commission created by the union of German Jewish congregations (Deutsch-Israelitischer Gemeindebund) for the promotion of the study of the history of the Jews of Germany (1885). On the other hand, his fame spread to foreign countries; and the promoters of the Anglo-Jewish Exhibition invited him in 1887 to open the Exhibition with a lecture. His seventieth birthday was the occasion for his friends and disciples to bear testimony to the universal esteem in which he was held among them; and a volume of scientific essays was published in his honor (`Jubelschrift zum 70. Geburtstage des Prof. Dr. H. Graetz,` Breslau, 1887). A year later (27 October 1888) he was appointed an honorary member of the Spanish Academy, to which, as a token of his gratitude, he dedicated the third edition of the eighth volume of his history. As usual he spent the summer of 1891 in Carlsbad; but alarming symptoms of heart disease forced him to discontinue his use of the waters. He went to Munich to visit his son Leo, a professor at the university of that city, and died there after a brief illness. He was buried in Breslau. Besides Leo, Graetz left three sons and one daughter. Works[edit] History of the Jews[edit] Graetz is chiefly known as the Jewish historian, although he did considerable work in the field of exegesis also. His Geschichte der Juden superseded all former works of its kind, notably that of Jost, in its day a very remarkable production; and it has been translated into many languages. The fourth volume, beginning with the period following the destruction of Jerusalem, was published first. It appeared in 1853; but the publication was not a financial success, and the publisher refused to continue it. However, the publication society Institut zur Förderung der Israelitischen Litteratur, founded by Ludwig Philippson, had just come into existence, and it undertook the publication of the subsequent volumes, beginning with the third, which covered the period from the death of Judas Maccabeus to the destruction of the Temple of Jerusalem. This was published in 1856 and was followed by the fifth, after which the volumes appeared in regular succession up to the eleventh, which was published in 1870 and brought the history down to 1848, with which year the author closed, not wishing to include living persons. In spite of this reserve he gravely offended the Liberal party, which inferred, from articles that Graetz contributed to the Monatsschrift, that he would show little sympathy for the Reform element, and therefore refused to publish the volume unless the manuscript was submitted for examination. This Graetz refused to do; and the volume therefore appeared without the support of the publication society. Volumes I and II were published, as stated above, after Graetz had returned from Israel. These volumes, of which the second practically consisted of two, appeared in 1872-75, and completed the stupendous undertaking. For more popular purposes Graetz published later an abstract of his work under the title Volksthümliche Geschichte der Juden, in which he brought the history down to his own time. The fourth volume of the History of the Jews received a detailed review by Rabbi Samson Raphael Hirsch in a series of essays in Vols. II-IV (1855-8) of his monthly journal Jeschurun. In these essays, a 203-page masterpiece of objective critique, Hirsch proves beyond doubt that Graetz is guilty of the utmost sloppiness of scholarship: e.g., Graetz omitted the second halves of quotations which, if quoted in their entirety, flatly contradict his thesis. Graetz claims, on the basis of one or two quotations from certain Talmudic sages, that they `were wont to do` something - despite sources explicitly to the contrary - and goes on to develop these suppositions into theories affecting the entire Torah tradition. Graetz fabricates dates, rearranges generations, speaks of `most of these laws` when in fact his description applies, even by a charitable interpretation, to fewer than half, and in many other ways rewrites the Talmud to support his theses and facilitate the flow of his history. A translation into English was begun by S. Tuska, who in 1867 published in Cincinnati a translation of part of Vol. IX under the title `Influence of Judaism on the Protestant Reformation`. The fourth volume was translated by James K. Gutheim under the auspices of the American Jewish Publication Society, the title being `History of the Jews from the Down-fall of the Jewish State to the Conclusion of the Talmud` (New York, 1873). A five-volume English edition was published in London in 1891-92 as History of the Jews from the Earliest Times to the Present Day (5 vols.; edited and in part translated by Bella Löwy). According to a review in the January–April 1893 edition of Quarterly Review, it `was passing through the press in its English version, and had received the author`s final touches, when Graetz died in September 1891`.[4] In 1919, the Jordan Publishing Co. of New York published a two-volume `improved` edition, with a supplement of recent events by Dr. Max Raisin. Rabbi A. B. Rhine provided the English translation. Exegesis[edit] Graetz`s historical studies, extending back to Biblical times, naturally led him into the field of exegesis. As early as the fifties he had written in the Monatsschrift essays dealing with exegetical subjects, as `Fälschungen in dem Texte der LXX.` (1853) and `Die Grosse Versammlung: Keneset Hagedola` (1857); and with his translation of and commentaries on Ecclesiastes and Canticles (Breslau, 1871) he began the publication of separate exegetical works. A commentary and translation of the Psalms followed (ib. 1882-83). Toward the end of his life he planned an edition of the whole Hebrew Bible with his own textual emendations. A prospectus of this work appeared in 1891. Shortly before the author`s death, a part of it, Isaiah and Jeremiah, was issued in the form in which the author had intended to publish it; the rest contained only the textual notes, not the text itself. It was edited, under the title `Emendationes in Plerosque Sacræ Scripturæ Veteris Testamenti Libros,` by W. Bacher (Breslau, 1892–94). The most characteristic features of Graetz`s exegesis are his bold textual emendations, which often substitute something conjectural for the Masoretic text, although he always carefully consulted the ancient versions. He also determined with too much certainty the period of a Biblical book or a certain passage, when at best there could only be a probable hypothesis. Thus his hypothesis of the origin of Ecclesiastes at the time of Herod the Great, while brilliant in its presentation, is hardly tenable. His textual emendations display fine tact, and of late they have become more and more respected and adopted. Other literary work[edit] Graetz`s activity was not limited to his special field. He enriched other branches of Jewish science, and wrote here and there on general literature or on questions of the day. To the field of general literature belongs also his essay on `Shylock,` published in the Monatsschrift, 1880. In the early years of the anti-Semitic movement he wrote, besides the articles in which he defended himself against the accusations of Treitschke, an anonymous essay entitled `Briefwechsel einer Englischen Dame über Judenthum und Semitismus` (Stuttgart, 1883). To supplement his lectures on Jewish literature he published an anthology of neo-Hebraic poetry under the title `Leḳeṭ Shoshannim` (Breslau, 1862), in which he committed the mistake of reading the verses of a poem horizontally instead of vertically, which mistake Geiger mercilessly criticized (Jüdische Zeitschrift für Wissenschaft und Leben, 1, p. 68-75). A very meritorious work was his edition of the Jerusalem Talmud in one volume (Krotoschin, 1866). A bibliography of his works has been given by Israel Abrahams in The Jewish Quarterly Review (4, pp. 194-203). The Kompert Affair[edit] Graetz`s essay `Die Verjüngung des jüdischen Stammes`, in Wertheimer-Kompert`s Jahrbuch für Israeliten, Vol. X, Vienna, 1863 (reprinted with comments by Th. Zlocisti, in Jüdischer Volks-Kalender, p. 99, Brünn, 1903), caused a suit to be brought against him by the clerical anti-Semite Sebastian Brunner for libeling the Jewish religion. As Graetz was not an Austrian subject, the suit was nominally brought against Leopold Kompert as editor, and the latter was fined (30 December 1863). Graetz had interpreted Isaiah chapters 52 and 53 to refer not to the personal Messiah, but rather to the entire people Israel. Graetz and Kompert were brought to court in Vienna for publishing ideas that were heretical to the Catholic faith, in addition to contradicting Jewish tradition. Viennese rabbis Isaak Noah Mannheimer and Lazar Horowitz defended Graetz, and Azriel Hildesheimer criticized them for doing so; Isaac Hirsch Weiss published a pamphlet entitled Neẓaḥ Yisrael in support of their testimony. This case, known as the `Kompert Affair,` was important in defining the wedge between Orthodox Judaism and the nascent Conservative Judaism championed by the likes of Graetz and Zecharias Frankel. Thus, within the Jewish fold the lawsuit also had its consequences, as the Orthodox raised against Graetz the accusation of heresy because he had denied the personal character of the prophetic Messiah.[citation needed] Legacy[edit] Graetz`s history became very popular and influential in its time. The material for Jewish history being so varied, the sources so scattered in the literatures of all nations, and the chronological sequence so often interrupted, made the presentation of this history as a whole a very difficult undertaking; and it can not be denied that Graetz performed his task with consummate skill, that he mastered most of the details while not losing sight of the whole. Another reason for the popularity of the work is its sympathetic treatment and also Graetz has been credited with seeing a copying error in I Corinthians 1:12 which should have referred to a very early Christian teacher.[5] This history of the Jews is not written by a cool observer, but by a warm-hearted Jew. On the other hand, some of these commendable features are at the same time shortcomings.[according to whom?] Some characterize Graetz`s main elements of Jewish experience through the ages to be `suffering and spiritual scholarship`, while later Jewish scholarly works like Salo W. Baron`s 1937 A Social and Religious History of the Jews, opposed the view of Jewish history as being `all darkness and no light` and sought to restore balance, by writing a social history. Baron strove to integrate the religious dimension of Jewish history into a full picture of Jewish life and to integrate the history of Jews into the wider history of the eras and societies in which they lived. Baron brought very distinctive views to his scholarship. He inveighed against what he termed the `lachrymose conception of Jewish history,` sometimes identified with Heinrich Graetz. In a 1975 interview Baron said: `Suffering is part of the destiny [of the Jews], but so is repeated joy as well as ultimate redemption.` According to Arthur Hertzberg, Baron was writing social history, insisting that spiritual creativity and the political situation were all borne by a living society and its changing forms.[6] tags: Talmud Jevreji Hebrejski jezik istorija jevreja jevrejska država ...

The DT33 Series is one of the most sold Truss systems in general. The high load capacity and the light weight construction are plus points for this 29cm series. For a fast and stress free build up, the DT Series is equipped with standard sized conical fast couplers. The 50mm tubes are from high grade aluminum and show 2mm wall thickness. The bracing have a diameter of 20mm and also 2mm wall thickness. The system from European production is compatible to the most common systems in the market and self-evident TÜV approved. Specifications: Main tube diameter: 50mm Wall thickness main tube: 2mm Bracing diameter: 20mm Wall thickness bracing: 2mm Alloy: EN-AW 6082 T6 (AlMgSi1) Connection: conical connectors with bolt and splint Delivery includes: 3 conical connectors, 6 bolts, 6 splints Produced according DIN 4112, DIN 4113-1

Proffesional wind up stand made of strenghtened steel loads up to 60kg. Installed ratchet lock protects fixed equipment against uncontrolled falling down and damage. It’s an ideal solution for mobile DJ and musicians. Material: steel Load capacity: 60 kg Maximum height: 2,70 m Base spread diameter: 1,54 m Height: 1,60 m Pipe diameter: 35 mm Weight: 12 kg

Tehnička specifikacija - Main tube diameter: 50mm - Wall thickness main tube: 2mm - Bracing diameter: 20mm - Wall thickness bracing: 2mm - Alloy: EN-AW 6082 T6 (AlMgSi1) - Connection: conical connectors with bolt and splint - Produced according DIN 4112, DIN 4113-1 Dodatne informacije The DT34 Series is one of the most sold Truss systems in general. The high load capacity and the light weight construction are plus points for this 29cm series. For a fast and stress free build up, the DT Series is equipped with standard sized conical fast couplers. The 50mm tubes are from high grade aluminum and show 2mm wall thickness. The bracing have a diameter of 20mm and also 2mm wall thickness. The system from European production is compatible to the most common systems in the market and self-evident T+â+ôV approved.

Слободіяда : епійскій спěвЪ у десетЪ пěсама : посмртный остатакЪ владике црногорскогЪ Петра Петровића Нěгоша / (Издао [и приредио] Л.П. НенадовићЪ). - у Земуну : печатано кнЬигопечатнЬомЪ І.К. Сопрона, 1854. Lj.P. Nenadović Epski spev u deset pesama Штампарија Игњата К. Сопрона, Zemun, 1854. Tvrd povez (naknadno koričenje), 215 strana + spisak prenumeranata. Spoljašnjost je kao na slikama, potpis prethodnog vlasnika i pečat knjižare i antikvarnice Tihomira D. Mladenovića, Beograd, Cvetni trg. Na 15 strana nešto poput potpisa crvenom drvenom bojicom što se vidi na jednoj od slika (najdrastičniji primer), u gornjem delu malo obgorela (što takođe možete videti na slikama), pokoji list sa žutim flečicama; sem toga očuvana.

Garancija: 12 meseci

Lepo očuvano za svoju starost DILLA SVETIH MUCSENIKAH ... Po Ivanu Marevichu 1800 Osijek RUINART, TEODERIK (1800) Dilla/ svetih/ mucsenikah/ nehimbena i izabrana/ s trudom i pomnjom/ O. P. Teoderika Ruinarta/ reda s. Benedikta Misnika/ sakuppita, razabrana i na svitlost dana/ a po/ Ivanu Marevichu/ stolne/ Pecsuiske cerkve kanoni-/ ku, svete bogoslovice naucsitelju, xup-/ niku nimetskomu i okolisha istoga/ imena vice-arkidiakonu/ za korist duhovnu svega illiricskoga naroda iz/ latinskoga jezika na illiricski prineshena i u tri dila/ razdilita. Dio pervi. S Dopushtenjem stareshinah/ U Osiku/ slovih Ivana Martina Divalt, priv./ knjigotisca 1800. Dio Pervi. 44 nepag. + 303 str. Dio trechi. 10 nepag. + 364 str. + 3 l. (M S O) Format 18 cm Dilla svetih mucsenikah nehimbena i izabrana / s-trudom i pomnjom o. p. Teodorika Ruinarta reda s. Benedika misnika skuppita, razabrana i na svitlost dana ; a po Ivanu Marevichu ... za korist duhovnu svega illiricskoga naroda iz latinskoga jezika na illiricski prineshena i u tri dila razdilita Ruinart Thierry Marević Ivan [prevoditelj] Izdanje s dopushtenjem stareshinah Nakladnik U Osiku : Slovih Ivana Martina Divalt, privil. knjigotiisca, 1800 Dom Thierry Ruinart (also Theodore, Theodoricus) (1657–1709) was a French Benedictine monk and scholar. He was a Maurist, and a disciple of Jean Mabillon. Of his many works, the one now cited is his Acta sincera, a martyrology, written in Latin (French translation 1732 by Drouet de Maupertuy). His work is one of the main sources of Alphonsus Liguori`s `Victories of the Martyrs`. He was also interested in oenology. In 1729 his nephew Nicolas Ruinart founded the champagne house of Ruinart, which operates to this day (2007). Works Acta primorum martyrum sincera et selecta (1689), often cited in the 1859 edition Tags: Dela svetih mučenika Antikvarne knjige Stare religijske katoličke knjige 19. vek Izdanja iz XIX Antikvarna knjiga na prodaju Hrvatski jezik 18. i prve polovine 19. veka katolicka crkva istorija katolicke crkve

ХОЛМ ЗУНДХАУСЕН ИСТОРИЈА СРБИЈЕ ОД 19. ДО 21. ВЕКА C L I O БЕОГРАД 2ОО8 POLIS а) Србија - Историја - 19-21 врк ............................................................ Пажња !!! Књига која је изазвала велику буру и осуду на српској политичкој сцени и у историјској струци! З а ш т о? Због неких непријатних истина које је аутор изрекао, а које нису пријале режимским и набеђеним `чуварима` националне `ствари`! РЕГИСТАР СЛИКЕ ИЛУСТРАЦИЈЕ МАПЕ Превео с немачког ТОМИСЛАВ БЕКИЋ Ћирилица Тврде корице Омот Обележивач страна Белим коректором на другом и трећем предлисту пребојенo!! 579 страна Без подвлачених страна Без потписа Без печата ЈАКО СОЛИДАН ПРИМЕРАК

STARA KNJIGA IZ 1827 GODINE, DVOJEZIČNA, LATINSKI I MAĐARSKI PLANUM Tabulare Sive Decisiones Curiales Per Excelsam Deputationem A Piae Memoriae Imperatrice Et Regina Hungariae Diva Maria Theresia BUDAE SIMTIBUS TYPO GRAPHIAE REGIAE SCIENTIARUM UNIVERSITATIS HUNGARICAE godina 1827 strana 405 format 40 x 26 Ex libris na prvoj strani i pečat bivšeg vlasnika stanje veoma dobro TAGS: MARIJA TEREZIJA 08.09.2020

Profesionalno pozorišno svetlo Cameo F2 D PO LED fresnel spot svetlo sa mogućnošću podešavanja motkom i temperaturom boje od 5400 K Na licu mesta - Cameo F2 D PO kao profesionalni Fresnel reflektor sa podešavanjem motkom Karakteristike: - LED Fresnel sa temperaturom boje od 5,400 K i 15,000 lm učinkom - Savršena zamena za 1kW fresnele - Verodostojna reprodukcija boja, CRI od 96, TLCI od 97 - Laka operacija sa zemlje. Pan, tilt i zum podešavanje - Varijabilni zum od 15° do 40° - 16-bitno dimovanje sa 4 selektabilne krive i podesivim odzivom - Veoma efikasno hlađenje - RDM kompatibilan - Selektabilne PWM frekvencije do 25 kHz - Flicker free i tiha operacija - Idealan za TV, film, fotografiju i pozorište - Uključuje 8-way klapnu i ram za filtere Cameo F2 D PO je profesionalno fresnel svetlo sa visokokvalitetnim sočivom od 200 mm i ogromnim svetlosnim fluksom od 15,000 lm. Odličan izbor kada je neophodno izvršiti usmeravanje i podešavanje sa zemlje, bez potrebe za penjanjem na merdevine. Projektovani snop svetla ima meke ivice i kontinualno podešavanje širine od 15° do 40°. Ovo RDM kompatibilno spot svetlo poseduje jedan 240 W LED sa očekivanim životnim vekom od 50,000 sati, temperaturom boje od 5,400 K i veoma visok CRI (color rendering index) od 96, što znači da su boje osvetljenih površina prikazane realistično i verodostojno. F2 D PO pruža nekoliko različitih DMX modova i glatko 16-bitno dimovanje sa 4 krive i različitim odzivima. Takođe, nudi selekciju 6 PWM frekvencija od 800 Hz do 25 kHz za flicker free performans. Toplotna cev u kombinaciji sa temperaturom kontrolisanim ventilatorom osigurava efikasno hlađenje. Čvrsto liveno aluminijumsko kućište poseduje OLED displej i rotacioni enkoder za laku konfiguraciju, dok 5-pinski DMX i Power Twist ulazi i izlazi omogućavaju zgodno povezivanje. Uređaj se isporučuje sa klapnom, ramom i napojnim kabelom. Tehnički crtež Korisničko uputstvo DMX tabela Fotometrijska merenja Proizvod: LED FRESNEL spot svetlo Tip: Pozorišni fresnel Osnovne boje: Bela Broj LED-ova: 1 Tip LED-ova: 240 W Frekventi odziv: 1200 Hz , 12000 Hz , 2000 Hz , 25000 Hz , 3600 Hz , 800 Hz Ugao snopa: 15 - 40 °, Field Angle: 29 - 63 ° DMX ulaz: XLR 5-pinski DMX Izlaz: XLR 5-pinski DMX mod: 2-channel 1, 1-channel, 5-channel, 4-channel, 3-channel, 2-channel 2 DMX funkcije: strobe, Dimmer Fine, Dimmer Curve, Dimmer, Device Settings Samostalni modovi: Static, master / slave mode Kontrole: enkoder Indikatori: OLED Displej Napon napajanja: 100 V AC - 240 V AC Potrošnja energije: 250 W Strujni priključak: Neutrik PowerCon Svetlosni fluks: 15058 lm Materijal kućišta: Liveni aluminijum Boja kućišta: Crna Dimenzije sa nosačem: 270 x 292 x 322 mm Težina: 9 kg Pribor: Klapna, ram, napojni kabel

Luster Vesta 229 smoked glass 50.0532 sa blago zadimljenim staklom predstavlja pravi izbor za sve ljubitelje rustike, a odlično će se uklopiti u tradicionalno uređene prostorije. Luster Vesta 229 smoked glass 50.0532 sa pažljivo raspoređenih 16 sijaličnih grla osvetliće prostoriju na najbolji način, stvarajući prijatnu atmosferu toplog porodičnog gnezda. Vesta 229 luster napravljen je od metala, sa staklenim kuglama, blago oprljenim kao da su u njima gorele sveće. Luster Vesta 229 smoked glass 50.0532 je idealan izbor za dnevne i spavaće sobe.

Profesionalno pozorišno svetlo Cameo CL F2 T PO LED Tungsten fresnel spot svetlo sa mogućnošću podešavanja motkom Odlična ušteda energije - Cameo F2 T PO je sada još jednostavniji za rukovanje Karakteristike: - Prirodna reprodukcija boje sa CRI 96, TLCI 97 - Kontinualni zum za uglove svetla od 15° do 40° - Četiri selektabilne dimer krive sa podesivim odzivom - Optimizovan rad uz efikasno pasivno hlađenje i ventilatore kontrolisane temperaturom - RDM mogućnost - Selektabiln PWM do 25 kHz - Flicker free i tiha operacija, idealno za TV, film, pozorište - 8-strana klapna i ram za filtere Cameo F2 T je profesionalno fresnel svetlo sa visokokvalitetnim sočivom od 200 mm i ogromnim svetlosnim fluksom od 14,000 lm. Sada uz mogućnost usmeravanja motkom, Cameo F2 T PO savršen je za precizno manualno podešavanje sa zemlje, bez potrebe za penjanjem na merdevine. Projektovani snop svetla ima meke ivice i kontinualno podešavanje širine od 15° do 40°. Ovo RDM kompatibilno spot svetlo poseduje jedan 240 W Tungsten LED sa očekivanim životnim vekom od 50,000 sati, temperaturom boje od 3,200 K i veoma visok CRI (color rendering index) od 97, što znači da su boje osvetljenih površina prikazane realistično i verodostojno. F2 T pruža nekoliko različitih DMX modova i glatko 16-bitno dimovanje sa 4 krive i različitim odzivima. Takođe, nudi selekciju 6 PWM frekvencija od 800 Hz do 25 kHz za flicker free performans. Toplotna cev u kombinaciji sa temperaturom kontrolisanim ventilatorom osigurava efikasno hlađenje. Čvrsto liveno aluminijumsko kućište poseduje OLED displej i rotacioni enkoder za laku konfiguraciju, dok 5-pinski DMX i Power Twist ulazi i izlazi omogućavaju zgodno povezivanje. Uređaj se isporučuje sa klapnom, ramom i napojnim kabelom. Specifikacija: Proizvod: LED FRESNEL spot svetlo Tip: Pozorišni fresnel Osnovne boje: Topla bela (3,200 K) Broj LED-ova: 1 Tip LED-ova: 240 W Frekventi odziv: 1200 Hz , 12000 Hz , 2000 Hz , 25000 Hz , 3600 Hz , 800 Hz Ugao snopa: 15 - 40 °, Field Angle: 29 - 63 ° DMX ulaz: XLR 5-pinski DMX Izlaz: XLR 5-pinski DMX mod: 2-channel 1, 1-channel, 5-channel, 4-channel, 3-channel, 2-channel 2 DMX funkcije: strobe, Dimmer Fine, Dimmer Curve, Dimmer, Device Settings Samostalni modovi: Static, master / slave mode Kontrole: enkoder Indikatori: OLED Displej Napon napajanja: 100 V AC - 240 V AC Potrošnja energije: 250 W Strujni priključak: Neutrik PowerCon Svetlosni fluks: 15058 lm Materijal kućišta: Liveni aluminijum Boja kućišta: Crna Dimenzije sa nosačem: 357 x 573 x 322 mm Težina: 11.6 kg Pribor: Klapna, ram, napojni kabel Korisničko uputstvo DMX tabela Fotometrijska merenja

Luster Vesta 319 antik mesing crna 35.1253 predstavlja interesantnu kombinaciju modernog i rustičnog, sa 9 sijalica, koja osvetljavaju u različitim smerovima, obezbeđujući dobru osvetljenost prostorije. Luster Vesta 319 antik mesing crna 35.1253 je poput umetničkog dela, zaobljenih linija, u boji mesinga, koje će u potpunosti doći do izražaja u većim prostorijama i koji će sigurno privlačiti poglede. Luster Vesta 319 antik mesing crna 35.1253 napravljen je od metala, a može koristiti halogene ili LED sijalice.

PAR reflektor Cameo ZENIT® Z120 G2 Profesionalni Zoom PAR reflektor druge generacije. 120W RGBW COB sa IP65 zaštitom Karakteristike: - Profesionalno PAR svetlo velike snage sa zumom od 7° do 55° - Patentirana SPIN16® tehnologija za brzo i fleksibilno montiranje uz 16 mm TV spigot - 120 W RGBW COB LED - Miksovanje boja i dimovanje velike rezolucije - Korekcija temperature boje - Varijabilni balans bele - 4 selektabilne dimer krive - Laka konfiguracija pomoću OLED dipsleja i 4 tač dugmeta - Zaključavanje za sprečavanje neautorizovanog korišćenja - RDM mogućnost - Flicker free, idealan za TV i film aplikacije - IP 65 za upotrebu na otvorenom Cameo Zenit Z 120 G2 je RDM omogućen LED PAR velike snage, namenjen za zahtevne profesionalne aplikacije. Koristi jedan 120 W RGBW COB LED dugog životnog veka i 16-bitnu tehnologiju za jasno definisane miksove boja sa maksimalnom uniformnošću. Pokrivajući raspon od 7° do 55° motorizovani zoom pruža fleksibilnost pri osvetljavanju - od čvrsto fokusiranog uskog snopa svetla, do širokog difuznog osvetljavanja. Sa stopom osvežavanja od 3600 Hz za operaciju bez treperenja i IP65 rejtingom, Zenit Z 120 G2 je eminentno pogodan za TV, film i outdoor upotrebu. Napredne odlike ove parke obuhvataju korekciju temperature boje, varijabilni balans bele i 4 selektivne dimer krive sa podesivim odzivom za oponašanje halogenih sijalica. Pored 7 DMX modova, Zenit Z 120 G2 je sposoban i za rad u master, slave ili standalone modu. Osvetljeni displej sa 4 tastera olakšava konfiguraciju i navigaciju kroz meni, dok sigurnosna brava sprečava neautorizovan pristup. Robusno metalno kućište uređaja koristi visoko efikasno hlađenje konvekcijom radi tihe operacije, Neutrik powerCON TRUE 1 strujne konektore i 5-pinske DMX konektore. Podesivi dupli držač sa 16 mm TV spigotom omogućava lako i fleksibilno kačenje i postavljanje uređaja. Specifikacija: Proizvod: LED zoom PAR Tip: Zenit Osnovne boje: RGBW (crvena, zelena, plava, bela) Broj LED-ova: 1 Tip LED-ova: 120 W Refresh rate: 3600 Hz Ugao snopa: 7° - 55° DMX ulaz: XLR 5-pinski DMX Izlaz: XLR 5-pinski DMX mod: 10 / 11 / 17 / 3 / 4 / 5 / 9 kanala DMX funkcije: colour fade , colour jump , colour macro , Colour temperature correction , Dimmer , Dimmer Curve , Dimmer Fine , Dimmer Response , reset , RGBW , RGBW Fine , strobe , Zoom , Zoom Fine Samostalni modovi: colour fade , colour jump , colour macro , Dimmer Curve , Dimmer Response , Display Lock , Master / Slave mode , static colour , strobe , White Balance adjustable Kontrolni tasteri: Mode, Enter, Value Up, Value Down Indikatori: osvetljeni LC Displej Hlađenje: konvekcijom Napon napajanja: 100 V AC - 240 V AC Potrošnja energije: 180 W Strujni priključak: Neutrik powerCON TRUE1 IN (NAC3FX-W) / OUT (NACMFX-W) Materijal kućišta: Metal Boja kućišta: Crna Iluminacija: (55°) 3900 lx @ 1 m , (7°) 62000 lx @ 1 m Svetlosni fluks: 2117 lm Dimenzije: 230 x 230 x 300 mm Težina: 8.3 kg Fotometrijska merenja Tehnički crtež Korisnićko uputstvo

Luster Vesta 303 LED hrom kristal 35.1241 je elegantna visilica u obliku 3 prstena različitih veličina, napravljena od aluminijuma i ukrašena kristalima. Luster Vesta 303 LED hrom kristal 35.1241 se može podešavati po visini i moguće je prilagođavati mu oblik, čime se menja izgled i osvetljenost prostorije. Zahvaljujući prilagodljivoj boji svetla lustera Vesta 303 LED hrom kristal 35.1241, kojom se upravlja pomoću daljinskog upravljača, može se stvoriti željena atmosfera u prostoriji, bilo da želite toplu - idealnu za odmaranje - ili hladnu - pogodnu za rad.

Luster Vesta 300 LED braon 35.1238 umirujuće braon boje i zaobljenih ivica, uneće dah elegancije u prostor. Luster Vesta 300 LED braon 35.1238 ostvaruje dobar balans između lepote i praktičnosti, rustičnog i modernog, pa predstavlja dobar izbor ukoliko želite malo da osvežite svoj dom ili da unesete ravnotežu u boje vašeg prostora. Luster Vesta 300 LED braon 35.1238 je napravljen od aluminijuma i pvc-a, podesive visine i oblika. Boja SMD LED sijalice kod visilice Vesta 300 je boja dnevnog svetla, što je čini idealnom za dnevne sobe i kuhinje.

LED Moving head Cameo EVOS® W3 7 x 40 W LED Wash roto glava sa piksel mapiranjem i zumom Odlike: - LED wash pokretna glava sa svetlosim fluksom od 4.035 lm - 53.000 lx iluminacije na distanci od 1 m - RGB LED sa dodatnim čipom za toplo belu - Idealan za osvetljavanje zahvaljujući CRI > 90 @ 3200 K - Svaki LED može se individualno kontrolisati (pixel mapping) za matriks efekte - Veliki raspon zuma od 4.5° do 55° - Podesiva stopa osvežavanja za flicker-free snimanje kamerom - DMX, RDM, Art-Net3, sACN, KlingNET ili W-DMX mogućnost - Preset LEE filtera za laku upotrebu sa starijim tipovima uređaja - Baterijski displej sa intuitivnim enkoderom za laku offline konfiguraciju Prirodni izgled LED svetla izuzetno je bitan pri izboru roto glave za osvetljavanje i efekte. Ova kompakta ali svestrana LED roto glava nudi baš to, i još mnogo toga. Iako ne zauzima puno mesta na stejdžu ili u magacinu, i dalje se odlikuje istim kvalitetnim karakteristikama kao veći model - EVOS® W7. Toplo beli LED ne samo da omogućava prelepo miksovanje toplih pastelnih boja, već je neverovatan i kod osvetljavanja ljudi i objekata. Ovaj wash-beam uređaj sa singl piksel kontrolom specijalno je dizajniran za rental kompanije sa zahtevnom profesionalnom klijentelom. Sedam 40 W RGBW LED-ova proizvode bogate boje i efekte koji oduzimaju dah. Cameo EVOS® W3 odlikuje se izuzetno visokim indeksom renderovanja boja, a toplo beli LED omogućava osvetljavanje ljudi i objekata prirodno toplom belom ili pastelnim nijansama. Impresivno kontinualno podešavanje zuma od 4.5° do 55° znači da se uređaj može koristiti kao beam i kao wash kao efekat. Drugim rečima, na raspolaganju je moćan, usko usmeren snop, kao i širok ugao koji je idealan za bolje pokrivanje i osvetljavanje. Rad bez treperenja je zagarantovan jer stopa osvežavanja može biti podešena u koracima između 800 Hz i 25 kHz. Softverska kontrola bazirana na mreži izuzetno je fleksibilna uz DMX512, RDM, Art-Net4, sACN, KlingNet, ili W-DMX. Intuitivni enkoder sa baterijski napajanim displejom omogućava nezavisnu operaciju bez priključka na struju. Preset LEE color filteri omogućavaju lako kombinovanje sa konvencionalnim uređajima. Crno ABS kućište opremljeno je ventilatorima kontrolisanim temperaturom, Neutrik TrueOne konektorom za napajanje, kao i kabelom za napajanje od 1 m. Specifikacija: Tip: LED Moving Head Spektar: RGBWW Broj LED-ova: 7 Tip LED-a: 40 W RGBW Ugao snopa svetla: 4.5° - 55° Stopa osvežavanja: 800 Hz, 1200 Hz, 2000 Hz, 3600 Hz, 12000 Hz, 25000 Hz DMX ulaz: Mrežni, XLR 5-pinski DMX Izlaz: Mrežni, XLR 5-pinski DMX mod: 18 / 23 / 33 / 39 / 43 kanala DMX funkcije: Colour presets , Device Settings , Dimmer , Dimmer Fine , Effect patterns , Motion Macro , Pan/Tilt , Pan/Tilt fine , Patterns , Single Pixel Control , strobe , Zoom , Zoom Fine Kontrolni tasteri: Enkoder PAN okretanje: 540° TILT okretanje: 235° Kontrole: ArtNet 4 , DMX512 , KlingNet , RDM , sACN , W-DMX Samostalni modovi: Quicklight , Static Scene Indikatori: LC Displej Napon napajanja: 100 V AC - 240 V AC, 50 / 60 Hz Iluminacija: 53.000 lx Strujni priključak: Neutrik PowerCON TRUE1 IN / OUT Potrošnja energije: 325 W CRI: 2700 K (Ra94) , 3000 K (Ra91) , 3800 K (Ra90) Svetlosni fluks: 4035 lm Materijal kućišta: ABS plastika, najlon, polikarbonat Hlađenje: ventilatori kontrolisani temperaturom Boja kućišta: Crna Dimenzije 290 x 251 x 350 mm Dodaci: 1 m kabel za napajanje sa Neutrik powerCON TRUE1 konektorima, 2 x omega nosači Težina: 7.8 kg Tehnički crtež