Na prodaju rojevi. Preuzimanje pre bagrema. Pcelinjak se nalazi kod Beograda. Cena dogovor. 0638344744.Vaso

Dajem časove gitare i klavira. Konkretno akordi i pjesme, step by step, do pravljenja repertoara za sviranje po kafićima iz dugogodišnjeg iskustva. Nema puno teorije samo praksa, tehnika i spremanje za realnu svirku. Takođe za mlađe malo drugačiji model, prilagođen uzrastu. Žanrovi, izvođači po izboru. Cena korektna.

Opis proizvoda Referenca u narezivanju do 4”. Dobro radi u sredinama sa padom napona. Isporučuje se u kompletu sa 2” & 4” nareznim glavama, noževima, skidačem strugotine, sekačemi 5l ulja Indukcijski motor pomaže u smanjenju buke. Poseban kondenzatorski start / kondenzatorski motor dozvoljava mašini rezanje velikog spektra materijala pri čemu je očekivan pad napona. 1/4 "-2" Universal Die Head 2 1/2 "-4" udubljena glava omogućava rezanje konusnih ili ravnih NPT / NPSM ili BSPT / BSPP navoja. Konstantno i pravilno podmazivanje radnog komada sa podmazivanjem glave. Tehničke karakteristike Kapacitet cevi: 1/4"-2" (6mm-100mm) pri 36 o/min; 2-1/2"-4" (65mm-100mm) pri 12 o/min; 4"-6" (100mm-150mm) sa 161 zupčastim navojem Kapacitet vijaka: 1/4 "-2" (6mm-50mm) Motor: 1-1 / 2 HP, jednofazni, 60 Hz, indukcioni tip Upravljanje motorom: Obrnuto / Isključeno / Napred, rotacijski tip i integralni nožni prekidač Brzina vretena: 36/12 o/min Brzine: Dvo-brzinski menjač 3:1 Stezna glava: Tip čekića sa zamenljivim umetcima čeljusti Pumpa: Samousisna, tip gerotor, automatski reverzibila, konstantnog protoka Obim isporuke 11931 - 5l reznog ulja Rezna glava, 911 SO BSPT L/Dies Rezna glava, 913 QO BSPT L/Dies 26212 - 1/4"-4" Wheel-Type Cutter 26217 - 1/4"-4" Blade-Type Reamer Wheel, Cutter F229 3&4 HD Dies, 1224 2-1/2"-4 BSPT HS Ključ, Hex 3/16 Ključ, Hex 7/32 Key, Hex 1/4 Nareznice, Univ 1/2-3/4 BSPT Nareznice, Univ 1-2 BSPT Wrench, 3/4 Comb Tool Box Dodaj u korpu

Dodatna oprema: merdevine podloga prekrivka pumpa

u antologijskoj knjizi Srpska umetnost od XIX (19-og) do pocetka XX (20-og) veka, ciji je autor Slobodan Maldini Videti i primer procene cene rada slicnih dimenzija lista sa aukcije u prilogu. Marko MURAT Autoportret, rukopis (1933) mastilo na kartonu 9,3 x 14,2 cm signature, zapisi Marko Murat rođen je u Luki Šipanskoj 1864. godine. Umetničko obrazovanje stekao je na Akademiji u Minhenu. Godine 1898. učestvovao je u osnivanju Udruženja srpskih umetnika za plastične umetnosti i muziku u Beogradu. Bio je jedan od umetnika koji su 1900. predstavljali Srbiju na Svetskoj izložbi u Parizu. Bio je jedan od osnivača Lade 1904. i član istog društva do 1910. Do početka rata bio je član Medulića, društva srpsko-hrvatskih umetnika. U njegovom slikarskom opusu srećemo brojne pejzaže, među kojima dominiraju oni iz okoline Dubrovnika, zatim brojne portrete, ali je negovao i istorijsko slikarstvo. Марко Мурат Murat Marko.jpg Информације Датум рођења 30. децембар 1864. Место рођења Лука Шипанска (Аустроугарска) Датум смрти 14. октобар 1944. Место смрти Дубровник (Југославија) Дела Марко Мурат (Лука Шипанска поред Дубровника, 30. децембар 1864. – Дубровник, 14. октобар 1944) — српски сликар који је након студија у Минхену, радио у Београду, а затим се у Дубровнику посветио бризи о културним споменицима као конзерватор. Стварао је пејзаже (махом из околине Дубровника), портрете и историјске композиције. Његово најпознатије дело је велика историјска композиција „Улазак (Долазак) цара Душана у Дубровник“, за коју је добио бронзану плакету на светској изложби у Паризу 1900. године. Био је римокатоличке вероисповести Живот и дело „Долазак цара Душана у Дубровник“ „Дах дубровачког пролећа“ Основну школу и гимназију је 1883. године завршио у Дубровнику и после је три године студирао теологију у Задру. 1886. године је отишао на студиј у уметничкој академији у Минхену у Немачку и диплпмирао је 1893. године а затим путовао по Риму и Паризу. Од 1898. се настанио у Београду и ту предавао у Другој београдској гимназији и Уметничко-занатској школи, а једно време је био и предавач цртања краљевићу Александру Карађорђевићу. У склопу делегације која је представљала Краљевину Србију на Светској изложби у Паризу 1900. године, Марко Мурат се представио историјском композицијом „Улазак (Долазак) цара Душана у Дубровник“, за коју је награђен бронзаном плакетом. Поред њега, у делегацији је учествовао и Паја Јовановић са монументалном композицијом „Проглашење Душановог законика“, за коју је добио златну плакету. За време рата је био у Дубровнику и ту је хапшен и прогањан (као Србин, католичког верског опредељења) од аустријских власти. После рата је постао управник за надлештво уметности и споменике у Дубровнику. Био је један од првих импресиониста на словенском југу који је доследно радио у пленеру и тако израдио многе пејзаже из Дубровника и његове околине а радио је и историјске композиције као и портрете. Временом је његова палета постала затворенија и ликови пластичнији. Излагао је на свим значајнијим изложбама у Југославији у Београду и Загребу али и у иностранству у Софији, Минхену, Паризу, Риму, Бечу, Лондону итд.

Potreban jednoiposoban namesten stan oko 50kv sa c.g. u sirem centru.

Mikrofon specijalno razvijen za upotrebu u radijskim studijima. Nakon zaslužene pobede u izboru od strane Radeo World/US National Association of Broadcaster (NAB), ovaj mikrofon postaje industrijski standard kada su Broadcast aplikacije u pitanju. Opremljen je vrhunskom HF2 1" pozlaćenom dijafragmom, posebno dizajniranom za prenos vokalnih zvučnih signala, integrisanim pop filterom i On-Air indikatorom koji jasno pokazuje kada je mikrofon u etru. Tehnička specifikacija: * Acoustic Principle: Pressure Gradient * Active Electronics: JFET impedance converter with bipolar output buffer * Capsule: 1.00" * Polar Pattern: Cardeoid * Address Type: End * Frequency Range: 20Hz - 20kHz * Output Impedance: 40Ω * Maximum SPL: 128dB SPL (@ 1kHz, 1% THD into 1KΩ load) * Maximum Output Level: 2.0dBu (@ 1kHz, 1% THD into 1KΩ load * Sensitivity: -34.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz * Equivalent Noise Level (A-weighted): 14dB-A * Power Options : +24V phantom power+48V phantom power * Weight: 577.00gm * Dimensions: 167.00mmH x 50.00mmW x 65.00mmD * Output XLR Output

4-channel power audio amplifier for Rack ArtSound PRL-1204 is a 4-channel power amplifier, class D. The amp is extremely compact and can produce 4 x 120W RMS on 8 Ohms or 4 x 200W on 4 Ohms. Connected to a preamplifier like the ArtSound PM-2S01 it allows you to drive a large power on four different channels. ArtSound PR-1204 is equipped with both comfortable feet for surface mounting and a panel for mounting on a vertical rack. Specs: Type : 4-channel 4 x 120W RMS 8Ohm (200W / 4Ohm) final amplifier, class D Description : 4mm aluminum front panel - metal chassis Other : Protection, clip for Rack, LED Inputs : XLR audio combo jacks inputs / outputs- Loudspeaker binding posts Selection : stereo / parallel / bridge switch Dissipation : Innovative heatsink with air flow Input Sensitivity : 0.775V-1.0V-1.44V Signal / Noise : ?95dB Frequency response : 20Hz - 20KHz THD (10% Rated Power) : <0.1% Other : Class D Power Amplifier CircuitT.HD: <0.1% Power supply : 220V / 50Hz Dimensions (mm) : 483 x 250 x 44mm (19 ” / 1U) Weight : 3.8Kgs

Studijski cevni mikrofon vrhunskih performansi. Izuzetan kvalitet zvuka - budite spremni na iznenađenje! Stara cena: 1200 EUR RASPRODAJA 999 EUR - cevni kondenzatorski mikrofon - frekventni opseg: 20Hz - 20kHz - osetljivost: 12.6mV/Pa - 38 ± 1dB(0dB=1V/Pa 1000Hz) - kardeoidna karakteristika usmerenosti - impedansa ispod 200ohm - sopstveni šum: 16dB - dinamički opseg: 130dB - napajanje putem isporučene eksterne jedinice Isporučuje se vrhunskim amortizerom za montažu i De Luxe koferom.

Čisti kondenzatorski mikrofon. Optimalnog senzibiliteta i čistih soničnih karakteristika. Frekvencijska osjetljivost: 20-20,000 Hz - jednostruka kondenzatorska kapsula velikog promjera - karakteristika usmjerenosti: kardioidna - frekvencijski opseg: 20Hz - 20kHz - osjetljivost mikrofona: -32dB/1V @ 1Pa - nominalna impedansa: 100 Ω - maksimalni nivo zvučnog pritiska: 145dB (na 1kHz sa 1% ukupnih nelinearnih izobličenja), odnosno 155dB sa aktivnim atenuatorom od -10dB - sopstveni šum mikrofona: 12dB - dinamički opseg: 133dB (na 1kHz pri maksimalnom nivou zvučnog pritiska) - napajanje: 48V 3mA (ne isporučuje se uz mikrofon) - prekidači: odsjecanje basova na 80Hz (12dB po oktavi) + atenuacija -10dB - dimenzije: 170mm (dužina) / 53,4mm (maksimalan promjer) - masa: 360g

The API Model 500VPR is powered externally by a tri-polar power supply and is designed to accept API standard format 5.25" X 1.5" modules. The 500VPR is internally wired for PIN 2 hot, and comes with the API L200PS. The input/output jacks are both XLRs. The 500VPR can hold up to ten API modules. API makes several modules to fit this rack, including the 550A, 550b, 560, 525, and 512c. NOTE: Older API 560A series equalizers used pin 15 for a "direct output" and must be disabled on the 560A circuit board edge connector by cutting a trace. This will eliminate 48 volts from damaging the 560A series equalizers.

Obim isporuke: Peščana pumpa Sigurnosne merdevine Podloga za bazen Prekrivka za bazen Težina: 150 kg

Obim isporuke: Peščana pumpa Podloga za bazen Merdevine Prekrivač za bazen

Dodatna oprema: merdevine podloga prekrivka pumpa

Obim isporuke: Sigurnosne merdevine Podloga Prekrivka Peščana pump

Obim isporuke: Peščana pumpa Podloga za bazen Merdevine Prekrivač za bazen

The Austrian Audio OC18. Handcrafted in the heart of Vienna, the City of Music, the OC18 is a versatile large-diaphragm condenser microphone with a fixed cardioid polar pattern, 10 and 20dB pads, and a three-position switchable highpass filter. You can use the OC18 on any source with excellent results. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance. Which means you can confidently use your OC18 along with another OC18 (or the company's multi-pattern OC818 set to cardioid) in a stereo-pair configuration and be assured of stunning results. Outstanding results on any source Austrian Audio pours everything they have learned in 300+ years of combined experience into their products. The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the company's proprietary CKR12 capsule. In keeping with its fixed cardioid polar pattern, the OC18 uses the single-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC18's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10 and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. Versatile cardioid polar pattern If you had to choose only one polar pattern for all the mics in your studio, cardioid would be the one. Although we certainly recommend having multi-pattern microphones such as Austrian Audio's OC818 in your mic locker for tricky recording setups and advanced stereo miking techniques, your cardioid mics will be your "go-to" mics for the vast majority of recording and sound-reinforcement tasks. The OC18 uses the same handmade-in-Vienna CKR12 ceramic capsule as the OC818, but with a single instead of dual diaphragms, which keeps the cost down. After all, if you don't need multiple polar patterns, why pay for them? Otherwise, you're getting the exact same microphone, with identical sonic performance. A great-sounding cardioid condenser mic like the OC18 will enjoy constant use in your studio. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Handmade, single-diaphragm CKR12 ceramic capsule, cardioid polar pattern Austrian Audio OC18 and OC818 mics are matched to within 1dB tolerance for accurate stereo capture Compatible with Austrian Audio OC818 for spaced-pair applications Polar pattern: Cardioid Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent Noise Level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with 10dB pad engaged) Switchable pad: 10dB, 20dB HPF: switchable 40Hz, 80Hz, 160Hz Impedance: 275Ohm (symmetrical) Load impedance: >1kOhm Supply voltage: 48V phantom (<2.2mA) Includes 2 microphones, mic clips, and windscreens

The MS1224 is a 12 channel, 1 into 4 Unity Gain Active Microphone Splitter designed for applications where multiple feeds are required from one set of microphones without the signal degradation experienced with passive splitting solutions. The Unity Gain design principle combined with excellent line driving ability ensures that unity levels are delivered at the end of each feed, even over considerable distance, thereby saving time in recalibrating levels. Each of the MS1224's channels has four independently buffered, transformer balanced outputs and a fifth dedicated parallel Link output. The Link output may be used to provide a direct, non active feed, for instance to the FOH console, or it can be used to daisy chain adjacent channels to provide more output feeds from a single microphone, for instance for Press Box applications. The inputs are electronically balanced with a Pad switch for connection of line level signals. Switchable Phantom Power is provided with a Phantom Presence LED. The MS1224 incorporates a channel monitoring circuit, which is accessed on the PSU unit. Each channel has a Listen button that connects it momentarily both to an LED bargraph and headphone socket on the PSU front panel. The headphone monitor circuit incorporates a dynamics enhancement and protection system. This controls the dynamics of the signal in a way that amplifies very low background levels whilst limiting high signal levels. This enables monitoring of microphone function during set up without the need of a vocalist being present on the mic. It also provides user protection against sudden loud signals. A unique design feature of the MS1224 is the option to configure the way that Input and Output connectors are presented on the front and rear of the unit. As each customer has their own views on this we have given the flexibility of presenting the Input and two Outputs on the front and three Outputs on the rear, or vice-versa. In addition the Output designated as Link can be positioned either below the Input connector, or the top connector of the group of three Outputs. Thereby giving four possible permutations. The required configuration can simply be reconfigured at a later stage.

The ATH-R70x is Audio-Technica’s first pair of open-back reference professional headphones. Together with the ATH-M70x, they stand as a flagship model in A-T’s lineup of professional studio headphones. Featuring specially designed drivers and acoustically transparent housings fashioned from aluminum honeycomb mesh, these headphones provide an accurate and natural open-back sound. They also incorporate a new, improved design of our popular 3D wing support system to provide even greater comfort during the prolonged use often required in professional settings. Robust yet lightweight, and equipped with a unique, dual-sided detachable cable that automatically maintains proper stereo orientation (no matter how it’s attached), the R70x headphones are built for lasting comfort, convenience and audio purity. Features: High-efficiency magnets and pure alloy magnetic circuit design reduce distortion and ensure accurate and extended high-frequency response Carbon composite resin improves structural rigidity to provide detailed transient response Acoustically transparent, aluminum honeycomb-mesh housings provide a natural and spacious open-back sound Breathable fabric earpads and improved wing support provide long-wearing comfort Feather-light weight (approx. 210 g w/o cable) and robust construction make headphones perfectly suited for professional use Unique, dual-sided detachable locking cable is L/R signal independent, always ensuring proper stereo orientation Specs: Type Open-back reference Driver Diameter 45 mm Frequency Response 5 - 40,000 Hz Maximum Input Power 1,000 mW at 1 kHz Sensitivity 99 dB Impedance 470 ohms Weight 210 g (7.4 oz), without cable and connector Accessories Included Protective carrying pouch

The K712 PROs are reference, open, over-ear headphones for precise listening, mixing and mastering. The over-ear design guarantees maximum wearing comfort for fatigue-free mixing and mastering, while providing spacious and airy sound without any compromise. Their precise powerful sound results from improved low-end performance by 3dB. Being hand-crafted in Austria, the K712 PROs represent the high quality and legendary design AKG is known for. These headphones have a genuine soft leather headband for a lightweight and comfortable fit. Their carefully selected transducers provide consistency and accurate localization. The K712 PROs come with a professional mini XLR connector for quick replacement of the cable. Also included is an additional coiled cable and a premium carrying bag. Over-ear design maximum wearing comfort for long work sessions Sophisticated open technology for spacious and airy sound without compromise Improved low-end performance by 3dB for more powerful sound imaging Revolutionary flat wire voice coil for incredible impulse and treble response Made in Vienna, Austria hand-crafted with the highest attention to detail

THE BOARD FOR CREATORS LIVETRAK L-8 Podcasting, Music and Beyond Creators are evolving—and so are we. Zoom LiveTrak L-8 makes it easier than ever to mix, monitor and record professional-sounding podcasts and music performances in one portable, affordable package. Power to the Podcast Podcast creators are a special breed. They require a unique set of audio features, along with the flexibility of a proper mixing console. The LiveTrak L-8 combines Zoom’s famous audio performance with features made for podcasters. Sound Pad Magic Just press a button to play intros, outros, jingles, ads and sound effects. With 6 easily-assignable Sound Pads, the right sound is at your fingertips. First-Time Caller, Long-Time Listener Remote interviews are a snap with the L-8; just connect your phone via the provided TRRS cable. The Mix-Minus function automatically prevents echo and feedback to and from the caller. Or use the USB connection to route audio from Skype, Facetime, Hangouts, Slack and more. Freedom of Speech Zoom’s preamps are famous for a good reason: they’re transparent, powerful and ultra-reliable. The L-8 features six independent Zoom preamps, built to handle anything from a whisper to a raucous debate. Hear Yourself Talk If you can’t hear yourself, how are you supposed to speak your mind? The L-8 is equipped with four headphone outputs, so that each participant can clearly hear what is going on. A Track for Everyone The pros know that when you record everyone on their own separate track it just sounds better and provides more flexibility in the edit. The L-8 records separate tracks directly to your SD card, enabling you to edit them later. On Air, On the Move The Zoom LiveTrak L-8 can run up to 2 ½ hours with just four AA batteries, or on a USB battery, so you can podcast from anywhere. Record Twice, Once Used as an audio interface, the L-8 can record full episodes directly to your computer and an SD card simultaneously. You can also live stream while recording. L-8 is class compliant, enabling connection with iOS devices. Apple Lightning to USB Camera Adapter required. Save Settings. Save Time. Once you’ve dialed in your mix…save it! The L-8 lets you save up to 7 show “scenes” that can be saved and instantly recalled at the press of a button. Alessia Daniele & Kelly Fernandes Toss Out The Rules Podcast Small in Size Big on Sound From singer-songwriters to small bands, the L-8 is the ideal mixer and recorder for musicians who may be small in number, but big on sound. Coming Through Loud & Clear The L-8 features six high performance preamps each with phantom power, a low noise floor (-121dBU EIN), and maximum input gain of +54dB. Additionally there are two each Hi-Z, line-level and USB inputs. You can also fine-tune each channel with EQ and onboard effects. True Multi-Track Recording The L-8 lets you record up to 10 discrete tracks plus a stereo mix directly to an SD card at resolutions up to 24-bit/96 kHz*. You can punch-in and overdub with ease, then transfer your work to your favorite DAW for fine tuning. *Effects, EQ, overdub, and audio interface are not available in 96 kHz. Go Out & Play No outlet? No worries. Get up to 2 ½ hours of power from just four AA batteries. You can also power using a USB battery, and with the L-8’s unique USB connection design, you never have to worry about accidentally disconnecting. “I can mix and record anywhere with the L-8.” —Josh Turner | The Other Favorites Singer, Songwriter, YouTuber… Creator Features 8-channel mixer (6 combo, plus 2 TS) 12-track simultaneous recording, 10-track playback Mix-Minus function preventing audio feedback from dial-in guests TRRS connection and included TRRS cable for phone connectivity 6 assignable Sound Pads, with 13 preset sounds 4 headphone outputs, consisting of 3 custom monitor mixes, plus one main mix 3-band EQ and a low-cut function 7 scene memories for storing mixes 12-in / 4-out USB audio interface Class-compliant mode (for iOS compatibility) Battery operated with four AA batteries or a USB power supply Record up to 24-bit/96kHz, record up to 48kHZ to computer and SD card simultaneously What's in the Box LiveTrak L-8 Mixer/Recorder TRRS Cable USB Cable AD-17 AC Adapter Quick Guide