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"Sabrana dela - Vladeta Jerotić - V kolo" obuhvata raznovrsne teme i radove Vladete Jerotića. Ovi naslovi uključuju "Povratak ocima", "120 pitanja i 120 odgovora", "Milan Rakić i religija", "Prikazi i preporuke", "Psihijatrija i religija", "Savremenost ruske religiozne filosofije" i "Premudrosti Solomonove". Ovi tekstovi se bave različitim aspektima religije, filozofije, psihijatrije i kulturnih pitanja. Vladeta Jerotić je autor koji je proučavao i analizirao širok spektar tema i nudio duboke uvide u ljudsku prirodu i društvo kroz svoja dela. Povratak ocima - Vladeta Jerotić 120 pitanja i 120 odgovora - Vladeta Jerotić Milan Rakić i religija - Vladeta Jerotić Prikazi i preporuke - Vladeta Jerotić Psihijatrija i religija - Vladeta Jerotić Savremenost ruske religiozne filosofije - Vladeta Jerotić Premudrosti Solomonove - Vladeta Jerotić

"Sabrana dela - Vladeta Jerotić - V kolo" obuhvata raznovrsne teme i radove Vladete Jerotića. Ovi naslovi uključuju "Povratak ocima", "120 pitanja i 120 odgovora", "Milan Rakić i religija", "Prikazi i preporuke", "Psihijatrija i religija", "Savremenost ruske religiozne filosofije" i "Premudrosti Solomonove". Ovi tekstovi se bave različitim aspektima religije, filozofije, psihijatrije i kulturnih pitanja. Vladeta Jerotić je autor koji je proučavao i analizirao širok spektar tema i nudio duboke uvide u ljudsku prirodu i društvo kroz svoja dela. Povratak ocima - Vladeta Jerotić 120 pitanja i 120 odgovora - Vladeta Jerotić Milan Rakić i religija - Vladeta Jerotić Prikazi i preporuke - Vladeta Jerotić Psihijatrija i religija - Vladeta Jerotić Savremenost ruske religiozne filosofije - Vladeta Jerotić Premudrosti Solomonove - Vladeta Jerotić

"Sabrana dela - Vladeta Jerotić - I kolo" čini deo kolekcije sabranih dela Vladete Jerotića. Ova knjiga obuhvata različite teme, uključujući analizu autoriteta i slobode, razmatranje ljudskog identiteta, proučavanje ličnosti narkomana i neurotične pojave u savremenom društvu, razmišljanja o bolesti i stvaranju, kao i psihoanalizu i njen odnos prema kulturi i psihoterapiji neuroza. Vladeta Jerotić bio je poznat srpski lekar, profesor, filozof i pisac čija su dela istraživala duboka pitanja ljudske prirode, psihe i društva. Kroz svoje knjige, Jerotić je pružio duboka razmišljanja i analize o ovim temama, pomažući čitaocima da bolje razumeju složene aspekte ljudske egzistencije. Između autoriteta i slobode - Vladeta Jerotić Čovek i njegov identitet - Vladeta Jerotić Ličnost narkomana - Vladeta Jerotić Neurotične pojave našeg vremena - Vladeta Jerotić Bolest i stvaranje - Vladeta Jerotić Neuroza kao izazov - Vladeta Jerotić Psihoanaliza i kultura - Vladeta Jerotić Psihodinamika i psihoterapija neuroza

Boja CRNA Veličina 44 Pol Muški

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Tvrdi povez sa omotom. Omot je oblepljen zastitnikom za omote, tako da je zasticen i ne moze da se skida. Na rikni dve nalepnoce biblioteke i na najavnoj strani nalepnica biblioteke. Van toga, knjiga deluje necitano. 1090 strana. Malo redje u ponudi. Das Passagen-Werk or Arcades Project was an unfinished project of German philosopher and cultural critic Walter Benjamin, written between 1927 and his death in 1940. An enormous collection of writings on the city life of Paris in the 19th century, it was especially concerned with Paris` iron-and-glass covered `arcades` (known in French as the passages couverts de Paris). Benjamin`s Project, which many scholars[1] believe might have become one of the great texts of 20th-century cultural criticism, was never completed due to his suicide on the French-Spanish border in 1940. The Arcades Project has been posthumously edited and published in many languages as a collection of unfinished reflections. The work is mainly written in German, yet also contains French-language passages, mainly quotes. Parisian arcades began to be constructed around the beginning of the nineteenth century and were sometimes destroyed as a result of Baron Haussmann`s renovation of Paris during the Second French Empire (ca. 1850–1870). Benjamin linked them to the city`s distinctive street life and saw them as providing one of the habitats of the flâneur (i.e., a person strolling in a locale to experience it).[2] Benjamin first mentioned the Arcades Project in a 1927 letter to his friend Gershom Scholem, describing it as his attempt to use collage techniques in literature.[3] Initially, Benjamin saw the Arcades as a small article he would finish within a few weeks.[4] However, Benjamin`s vision of the Arcades Project grew increasingly ambitious in scope until he perceived it as representing his most important creative accomplishment. On several occasions Benjamin altered his overall scheme of the Arcades Project, due in part to the influence of Theodor Adorno, who gave Benjamin a stipend and who expected Benjamin to make the Arcades project more explicitly political and Marxist in its analysis.[3] It contains sections (convolutes) on arcades, fashion, catacombs, iron constructions, exhibitions, advertising, interior design, Baudelaire, The streets of Paris, panoramas and dioramas, mirrors, painting, modes of lighting, railroads, Charles Fourier, Marx, photography, mannequins, social movements, Daumier`s caricatures, literary history, the stock exchange, lithography, and the Paris Commune. It influenced Marshal McLuhan`s studies in media theory.[5] The notes and manuscript for the Arcades Project and much of Benjamin`s correspondence had been entrusted to Benjamin`s friend Georges Bataille before Benjamin fled Paris under Nazi occupation. Bataille, who worked as a librarian at the Bibliothèque Nationale, hid the manuscript in a closed archive at the library where it was eventually discovered after the war.[8] The full text of Benjamin`s unfinished magnum opus was published in English translation by Harvard University Press in 1999 after years of difficult editorial work undertaken by Rolf Tiedemann [de], the editor of the landmark 1982 German edition. The publication of the Arcades Project has given rise to controversy over the methods employed by the editors and their decisions involving the ordering of the fragments. Critics argue that this reconstruction makes the book akin to a multi-layered palimpsest.[9] The Arcades Project, as it stands, is often claimed to be a forerunner to postmodernism.[10]

Nema narocitih znakova koriscenja; kao na slici, mozda neki znaci malog udaranja. Malo redje u ponudi. This book collects together works by four `writers` on the fringes of the Dada movement in 1920`s Paris. These four took the nihilism of the movement to its ultimate conclusion, their works are remnants of lives lived to the limit and then cast aside with nonchalance and abandon: Vache died of a drug overdose, Rigaut shot himself, Cravan and Torma simply vanished, their fates still a mystery. Yet their fragmentary works - to which they attached so little importancestill exert a powerful allure and were a vital inspiration for the literary movements that followed them. Vache`s bitter humour, Cravan`s energetic invective, Rigaut`s dandyfied introspection, and Torma`s imperturbable asperity: all had their influence. This collection contains biographical introductions to each author as well as personal recollections by their contemporaries. It is said of Cravan, the self-proclaimed poet and boxer, that he `put all of his genius into his life.` All four of the writers here were, in a way, performance artists, with their art being their lives?complete with dramatic finale. Rigaut shot himself in the heart. Vache overdosed on opium, and both Cravan and Torma vanished without a trace. Which isn`t to say their lives didn`t influence Dada, the short-lived, professionally disruptive approach or the Surrealists who followed. None of the writers here was prolific: a result, no doubt, of short lives, wartime interruptions, the time and energy needed create personae and the difficulty involved in writing to suit a philosophy devoted to destroying art and literature. By and large, the choppy prose reveals the preoccupation with word games, undermining poetic norms and epater le bourgeois and is most valuable for the window it gives on the movement and its anti-art, freedom-at-all-costs inspiration. The works show a quirky, egocentric, tongue-in-cheek style, the kind that, by the sheer force of its outrage, created a new way of looking at the world and defined a literary era. Copyright 1995 Reed Business Information, In

Na najavnoj strani posveta hemiskom olovkom. Van toga kao necitana. Malo redje u ponudi. Prvo izdanje. Tvrdi povez; 1088 strana. Fernando Pesoa - Biografija FINALIST: 2022 PULITZER PRIZE IN BIOGRAPHY A NEW STATESMAN AND SPECTATOR BOOK OF THE YEAR 2021 `A revelation. Such a revolutionary literary discovery seems unlikely to be on offer again. It`s that good` Sunday Times `A masterpiece of literary biography. Zenith has produced a work in some ways as astonishing as those of Pessoa himself` John Gray, New Statesman For many thousands of readers Fernando Pessoa`s The Book of Disquiet is almost a way of life. Ironic, haunting and melancholy, this completely unclassifiable work is the masterpiece of one of the twentieth century`s most enigmatic writers. Richard Zenith`s Pessoa at last allows us to understand this extraordinary figure. Some eighty-five years after his premature death in Lisbon, where he left over 25,000 manuscript sheets in a wooden trunk, Fernando Pessoa (1888-1935) can now be celebrated as one of the great modern poets. Setting the story of his life against the nationalistic currents of European history, Zenith charts the heights of Pessoa`s explosive imagination and literary genius. Much of Pessoa`s charm and strangeness came from his writing under a variety of names that he used not only to conceal his identity but also to write in wildly varied styles with different imagined personalities. Zenith traces the back stories of virtually all of these invented others, called `heteronyms`, demonstrating how they were projections, spin-offs or metamorphoses of Pessoa himself. Zenith`s monumental work confirms the power of Pessoa`s words to speak prophetically to the disconnectedness of modern life. It is also a wonderful book about Lisbon, the city which Pessoa reinvented and through which his different selves wandered. `Definitive and sublime` New York Times `Completely superb and magisterial. Finally, this extraordinary poet gets the great biography he deserves. Unsurpassable` William Boyd Publisher ‎Allen Lane (29 July 2021) Language ‎English Hardcover ‎1088 pages

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TAJNA DOKTIRNA 1-2 - Helena Petrovna Blavacka Kapitalno delo hermetičkog učenja, na približno 2000 strana izlaže ideju: 1. KOSMOGENEZA – o nastajanju i nestajanju svetova, o kosmičkoj evoluciji i duhovnim zakonima koji upravljaju svetom 2. ANTROPOGENEZA – o duhovnoj evoluciji rasa i pojedinaca. МЕТАPHYSICA Beograd 2006. tvrd povez, 1940 strana knjige su vrlo dobro očuvane Jedan od največih umova XX veka, Albert Ajnštajn, izuzetno je cenio ovo delo i smatrao ga Svetim gralom savremene nauke!

Duboke, kožne cipele-čizmice, jednom nošene, (mogla sam staviti i opciju NEKORIŠĆEN, doslovno su nove, stavila sam opciju POLUDUBOKE, ali se mogu smatrati i dubokim čizmicama), nemaju nikakvo oštećenje, broj 38. (ja nosim 37 inače, tako da je malo drugačiji kalup), unutra obložene, tako da su vrlo tople. Lepe, praktične i kvalitetne, elegantne, ali i sportske. Ne mogu da ih nosim zbog visoke platforme i to je jedini razlog zašto ih prodajem. Cena je malo veća, jer sam ih ja još skuplje platila, jer je u pitanju kvalitet kože. Kontaktirajte me putem poruke na ovoj stranici.

KLASIČNA KULTURA ISLAMA I i II Nerkez Smailagić I Teologija, filozofija, znanost II Zajednica, država, pravo, književnost, umjetnost Zagreb 1973. godine, 595 + 478 strana, tvrd povez, veći leksikonski format, zaštitni omoti koji su iskrzani, kao što se vidi na slikama. Knjige su odlično očuvane, unutrašnjost izvanredna. Kapitalno izdanje koje se nije ponovilo, tiraž rasprodat odavno. # 555

Boja Teget Veličina 41, 42, 42.5, 43, 43.5, 44, 44.5, 45, 46

Boja Crna Veličina 41, 42, 43, 44, 45, 46

Boja Roze Veličina 37, 38, 38.5, 39, 39.5, 40, 40.5, 41