Udruženje emajliraca Jugoslavije, Zagreb, 1980.god. tvrd povez, 376 strana, knjiga ima potpis bivšeg vlasnika i dobro je očuvna

tvrd povez dobro ocuvano 1 Power Generation Systems is the first to focus on protection of motors and generators from a power generation perspective. It also includes workbook constructions that allow students to perform protection-related calculations in Mathcad® and Excel®. This text provides both a general overview and in-depth discussion of each topic, making it easy to tailor the material to students` needs. It also covers topics not found in other texts on the subject, including detailed time decrement generator fault calculations and minimum excitation limit. The author clearly explains the potential for damage and damaging mechanisms related to each protection function and includes thorough derivations of complex system interactions. Such derivations underlie the various rule-of-thumb setting criteria, provide insight into why the rules-of-thumb work and when they are not appropriate, and are useful for post-incident analysis. The book`s flexible approach combines theoretical discussions with example settings that offer quick how-to information. Protective Relaying for Power Generation Systems integrates fundamental knowledge with practical tools to ensure students have a thorough understanding of protection schemes and issues that arise during or after abnormal operation.

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6. IZDANJE NAJPOZNATIJE KNJIGE IZ ARHITEKTURE I DIZAJNA! Što je za istoriju umetnosti Jansonova knjiga to je u oblasti dizajna interijera upravo ova knjiga. Nije slučajno da se upravo ona i naziva „biblijom dizajna interijera`. Interijeri Arhitektura Dizajn na više od 700 stranica daje detaljan hronološki pregled razvoja, glavnih karakteristika dizajna i uređenja enterijera od praistorije, preko drevnih civilizacija Egipta i antičke Grčke, pa sve do današnjih dana i moderne umetnosti. Posebna pažnja je posvećena povezivanju političkih, ekonomskih i socijalnih komponenti koje su uticale na razvoj dizajna i arhitekture kroz istoriju. Kroz knjigu se opisuje dominantni uticaj dizajna i vrlo uska povezanost untrašnjeg uređenja i arhitekture. Predgovore hrvatskom izdanju knjige napisali su prof. dr. sc. Feđa Vukić, prof. dr. sc. Nenad Fabijanić i Maroje Mrduljaš, d.i.a. ʺSvaka knjiga širi horizont bez otvaranja prozora! Ova govori o visokim dometima iz širokog vremenskog, stilskog i sadržajnog odabira antologijskih primera enterijera i dizajna. Ta se kolekcija nezaustavljivo menja, puni svakim trenom i na mnogim mestima, inspirisana potrebom za zdravim i ugodnim, dostojnim i civilizovanim životom. Još uvek, na žalost, ne za svakoga i svugde. Direktna i lako proverljiva poruka uključuje misao: I ovu ćete knjigu držati u ruci u nekom enterijeru. Osvrnite se!ʺ - Nenad Fabijanić, prof.dr.sc. Kratki sadržaj: I. STARI SVIJET Dizajn u pretpovijesti Egipat Stari istok II. KLASIČNI SVIJET Grčka Rim III: SREDNJI VIJEK Ranokršćanski i bizantski dizajn Romanika Gotika Islamski svijet IV. ISTOK Indija Kina Japan V. RENESANSA Italija: od renesanse do neoklasicizma Španjolska: od španjolsko-maurske umjetnosti do neoklasicizma Francuska: od renesanse do neoklasicizma Engleska: Od renesanse do neoklasicizma Afrika VI. NOVI SVIJET Pretkolumbovska Amerika Rana Amerika VII. MODERNI SVIJET Devetnaesto stoljeće Dvadeseto stoljeće A. SHERRILL WHITON je utemeljitelj i prvi predsednik New York School of Interior Design i utemeljitelj savremenog dizajna enterijera. STANLEY ABERCROMBIE je glavni urednik časopisa Interiors and Interior Design. Objavio je više od 10 knjiga i predavao je na Harvard Graduate School of Design direktor Society of Architectural Historians na kojoj su studirali i neki poznati svetski arhitekti kao Frank Gehry, I.M. Pei, Henry N. Cobbi, Farshid Moussavi i mnogi drugi.

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Izdavač: McGraw-Hill Broj strana: 875 Povez: tvrd Visina: 23 cm Odlično očuvana, ne deluje da je čitana. Predmetne odrednice: analiza mreže, mreža, strujno kolo (kola), struja, Kirhofovi zakoni, Gustaf Kirhof, Kirchhoff`s circuit laws, otpornici, kapacitet, indukcija, impedansa, strujna kola prvog reda, Tellegen`s theorem, Telegenova teorema, Bernard Telegen, Bernard Tellegen, Laplasova transformacija, matrice, determinante, diferencijalne jednačine

Izdavač: McGraw-Hill Book Company, Inc. (New York, Toronto, London) Broj strana: 1197 Povez: tvrd + omot Visina: 24 cm Stanje: ★★★★★ O autoru: Keith Henney (IRE Associate, 1918; Member, 1926; Senior Member, 1943: and Fellow, 1943) was born in McComb, Ohio, on 28 October 1896. He received the B.A. degree from Western Reserve University, Cleveland, Ohio, in 1921, and the M.A. degree from Harvard University, Cambridge, Massachusetts, in 1925. In 1912, Henney had his first experience with radio via a crystal detector and a two-slide tuner. He had his first experience in publishing in Marion, Ohio, where he was a cub reporter on the anti-Harding daily paper. His radio experience continued by means of rotary spark gaps, Thordarson 1-kw transformers, and glass plate condensers in his amateur station 8ZD. He remained a radio amateur, and in 1962, he was operating W1QGU in New Hampshire and K2BH in New York. In 1923, Henney joined the technical staff of the Western Electric Company. The next five years were spent developing a radio laboratory for Doubleday Doran & Company, publishers of `Radio Broadcast.` In 1929, he published his first book, `Principles of Radio,` and in 1962, it reached the sixth edition. He became Associate Editor of `Electronics` upon its founding by the McGraw-Hill Book Company, Inc., New York, N.Y., founded `Electronics,` in 1930, and appointed Henney Associate Editor. The publisher named him Managing Editor in 1934; Editor-in-Chief in 1935; and Consulting Editor in 1946. The following year (1947) he became Editor of `Nucleonics and retired from McGraw-Hill in 1961. Henney edited `Radio Engineering Handbook` (1933), which reached its fifth edition by 1962. He spent his career publishing and editing a variety of technical books related to radio, electronics, and photography. He published `Electron Tubes in Industry` (1934) and `Color Photography for the Amateur` (1938) and co-edited the `Handbook of Photography` (1939). In 1962, Henney was a member of the Harvard Club of New York City; a Fellow of the IRE; a Fellow and Past President of the Radio Club of America, and an Associate of the Photographic Society of America. He served as a Director of the IRE from 1945 to 1948. The IRE awarded Henney a plaque at the 1944 Rochester Fall meeting for `His many years of unselfish service to the radio and electronics industries through the technical press.` Predmetne odrednice: radio inženjering, uputstvo, izrada, komunikacija, indukcija, otpornici, električno kolo, monitoring, televizija, faksimil, avijacija, signalna komunikacija, šifrovana komunikacija, kodirana komunikacija, radiotelegraf

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In four languages Ganz nach dem Vorbild ihres Lehrers präsentierten auch seine Schüler der Öffentlichkeit die eigenen Entwürfe in aufwendig gestalteten Architekturpublikationen, die zum überwiegenden Teil aus Abdrucken ihrer Architekturzeichnungen bestanden. Dabei wurden diese Zeichnungen nicht einfach wie Gemälde isoliert reproduziert. Mit Hilfe von Rahmenleisten formte zum Beispiel Jan Kotera aus seiner Entwurfszeichnung einer Idealstadt am Ärmelkanal gemeinsam mit dem Layout der Buchseite eine graphische Einheit. Veduten, Embleme des britischen Königreichs und der Republik Frankreich und selbst die Beschriftung schloss er mit ein. Besondere Bedeutung bekam auch rein dekoratives, ornamentales Beiwerk wie Lorbeerkränze oder Oscar Felgels originelle Idee, seinen Entwurf einer Hafenstadt mit dem maskenhaften Antlitz von Zierfischen zu schmücken. Parallel dazu, wie sich der architektonische Stil Wagners und seiner Schüler entwickelte, verfestigte sich allmählich auch das Layout der Buchseiten zu streng symmetrischen Gebilden aus Linien und Farbflächen. Wie bei einem Villenentwurf von Oscar Felgel zu sehen, wurde der Baukörper der abgebildeten Architektur in der Zeichnung nicht mehr plastisch modelliert. An Wunibald Deiningers Entwurf der Villa Loser erkennt man, dass nun auch die Beschriftung der Zeichnung wie ein Ornament behandelt und gestaltet werden konnte. Selbst die verschiedenen Darstellungsarten einer Architekturzeichnung wurden genau durchdacht miteinander kombiniert. Ernst Lichtblau beispielsweise verflocht den Aufriss seines Gebäudes für die Forst- und Domänendirektion in Bosnien, der schon in der Strichbildung und Linienführung sehr aufwendig gestaltet ist, so mit der Beschriftung und den Grundrissdarstellungen, dass die Grundrisse beinahe einen schmückend-ornamentalen Charakter annehmen. Auch wie die Umgebung eines Bauwerks dargestellt wurde, ist bemerkenswert: Jan Kotera beispielsweise isolierte am Aufriss seines Hauses Peterek am Prager Wenzelsplatz die Fassade von den benachbarten Häusern und hinterlegte seinem Gebäude eine reine Farbfolie aus einer schwarzen Fläche, die annähernd die Traufhöhen der Nachbarhäuser andeutet. Dazu fügte er einen falschfarbenen Himmel, der in leuchtend hellem Gelb erstrahlt – ein zeichnerisches Motiv, auf das auch Karl Dorfmeister bei seinem gigantischen Projekt einer Volksoper auf dem Kahlenberg zurückgriff. Auf Marcell Kammerers Villenentwurf für Lovran scheint sich das Grün der Pflanzen im Himmel zu spiegeln. Diese besondere Farbwahl könnte durchaus auf die drucktechnischen Möglichkeiten abgestimmt gewesen sein, die es erlaubten, Abbildungen nicht ausschließlich im klassischen Schwarz-Weiß, sondern auch in Blau-Weiß, Grün- oder Orange-Weiß zu reproduzieren. Richard Kurdiovsky

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