FRANCISCO DE GOYA EL ESCORIAL Palacio Tapiz ŠPANSKA RAZGLEDNICA NIJE PUTOVALA NIJE KORIŠĆENO GARANCIJA PERFEKT E k s t r a *************

SALZBURG Mirabell garden towards Cathedral and Fort Hohensalzburg Razglednica Nije putovala + Advokatski ljubičasti pečat Ekstra ******

HOLANDSKY MALIAR Žanrovska scena II Druha polovica 17. storočia ČEŠKA razglednica Nije putovala Nije korišćeno Garancija Perfekt Ekstra **********

Bob Dylan – Blood On The Tracks Made in Austria. Booklet na 8 strana. Booklet: 5 CD: 5- Label: Columbia – 512350 2, Columbia – COL 512350 2, Columbia – 5123502000 Format: CD, Album, Reissue, Remastered Country: Europe Released: Mar 2004 Genre: Rock Style: Folk Rock, Country Rock, Blues Rock Blood on the Tracks is the fifteenth studio album by American singer-songwriter Bob Dylan, released on January 20, 1975 by Columbia Records. The album marked Dylan`s return to Columbia Records after a two-album stint with Asylum Records. Dylan began recording the album in New York City in September 1974. In December, shortly before Columbia was due to release the album, Dylan abruptly re-recorded much of the material in a studio in Minneapolis. The final album contains five tracks recorded in New York and five from Minneapolis. Blood on the Tracks initially received mixed reviews, but has subsequently been acclaimed as one of Dylan`s greatest albums by both critics and fans. The songs have been linked to tensions in Dylan`s personal life, including his estrangement from his then-wife Sara. One of their children, Jakob Dylan, has described the songs as `my parents talking`. In interviews, Dylan has denied that the songs on the album are autobiographical. The album reached No. 1 on the Billboard 200 charts and No. 4 on the UK Albums Chart, with the single `Tangled Up in Blue` peaking at No. 31 on the Billboard Hot 100 singles chart. The album remains one of Dylan`s best-selling studio releases, with a double-platinum U.S. certification by the Recording Industry Association of America (RIAA). In 2015, it was inducted into the Grammy Hall of Fame. It was voted number 7 in the third edition of Colin Larkin`s book All Time Top 1000 Albums (2000), in 2003, the album was ranked No. 16 on Rolling Stone`s list of The 500 Greatest Albums of All Time, rising to the No. 9 spot in the 2020 revision of that same list. In 2004, it was placed at No. 5 on Pitchfork`s list of the top 100 albums of the 1970s.

CD i booklet su odlično očuvani. Švedski punk bend. Randy - You Can`t Keep A Good Band Down CD 1. Holy Shit 2. Little Toulouse 3. The Exorcist 4. Me And The Boys 5. Epidemic Ignorance 6. Superstar 7. Step Outside 8. Randy I Don`t Need You 9. They Fear Us 10. You Are What You Fight For 11. Powergame 12. Now And Forever 13. Working Class Radio 14. Out Of Nothing Comes Nothing

Roadrunner Europe 2004. 5- stanje CD izdanja albuma poznatog nu-metal/hardcore sastava sa malo tragova koriscenja i 12 numera: 1 A Bid Farewell 3:55 2 Take This Oath 3:46 3 When Darkness Falls 3:52 4 Rose Of Sharyn 3:36 5 Inhale 1:15 6 Breathe Life 3:18 7 The End Of Heartache 4:58 8 Declaration 3:01 9 World Ablaze 4:59 10 And Embers Rise 1:11 11 Waste Sacrifice 4:18 12 Hope Is... 4:19 Buklet na 8 stranica sadrzi tekstove pesama, dosta fotografija, podatke...

DRESS, 1851 Worn by Queen Victoria Engleska razglednica Nije putovala Nije korišćena Garancija Perfekt Е к с т р а !!!!!!!!!

Greece Grčka razglednica Nije putovala L e p o

Hampton Court Palace, Middlesex. The Great Gatehouse and Moat Bridge, West Front Printed in England Razglednica Nije putovala

PORTRAITE SIR THOAS MORE, 1478-1535 ENGLESKA RAZGLEDNICA NIJE PUTOVALA NIJE KORIŠĆENA GARANCIJA PERFEKT Ekstra !!!!!!!!!!!!! dsp19kb12/2

PORTRAIT CHARLES II, 1630-85 ENGLESKA RAZGLEDNICA FORMAT 16 cm NIJE PUTOVALA NIJE KORIŠĆENA GARANCIJA PERFEKT Ekstra !!!!!!!!!!!!!!! dsp19kb12/2

original o4

ОМОТ 5 ЦД 5 НОВ НЕСЛУШАН

omot i CD 5-

diskovi i omot kao novi

odličan

odličan 5

Made in Western Germany. Omot na 4 strane. Omot: 5 CD: 4+ Label: Hansa – 258 039-222, Hansa – 258 039 Format: CD, Album Country: Europe Released: 1986 Genre: Electronic Style: Synth-pop, Disco In the Middle of Nowhere is the fourth studio album by German duo Modern Talking, released on 10 November 1986 by Hansa Records. The album spawned the single `Geronimo`s Cadillac`, which charted within the top five in Germany and Austria, while entering the top 10 in many others including Switzerland, Sweden and Norway. The album debuted at number one in Germany on 1 December 1986, spending a total of seven weeks within the top 10 on the chart. It was eventually certified gold by the Bundesverband Musikindustrie (BVMI), denoting shipments in excess of 250,000 units in Germany.

Luka Boskovic - Sa Prijateljima Originalno izdanje. Made in Yugoslavia Novo, neotpakovano, u celofanu! Spisak pesama: 01 One For Mc.Koy 02 Blues 42°C 03 You`ve Changed 04 Balkanija 05 Sleeping Car 06 There Is Small Hotel 07 Pink - Paiste (Live) 08 Billie`s Bounce 09 On The Green Dolphin Street 10 `KL` Stanje mozete videti na slikama. Zanrovi: jazz, easy listening pvs1r0

odličan

NEOTPAKOVAN Svi za jednog-jedan za sve 4 Various Artists Released: Jan 1995 Label: Starcevic Production 1. Zar je ovo zivot 2. Dok Loznica mirno spava 3. Jabuka i greh 4. Nikad ne gubi glavu 5. Kad srce srcu kaze zbogom 6. Molitva 7. Kap ulja na vatru 8. Ni po grosa prebijena 9. Da ti je do mene stalo 10. Pijem i pevam 11. Ti u tudjem svetu 12. Samo jos jednom 13. Snovi 14. Negde se cuju zvona 15. Sklopi oci 16. Imam li prava 17. Kestenovo kolo

Peter Gabriel – So Made in Canada. Booklet na 12 strana. Booklet: 5 CD: 5- Label: Geffen Records – GEFMD 24088 Format: CD, Album, Reissue Country: Canada Genre: Electronic, Rock Style: Pop Rock, Synth-pop So is the fifth studio album by English singer-songwriter Peter Gabriel, released on 19 May 1986 by Charisma Records. After working on the soundtrack to the film Birdy (1984), producer Daniel Lanois was invited to remain at Gabriel`s Somerset home during 1985 to work on his next solo project. Initial sessions for So consisted of Gabriel, Lanois and guitarist David Rhodes, although these grew to include a number of percussionists. Although Gabriel continued to use the pioneering Fairlight CMI digital sampling synthesizer, songs from these sessions were less experimental than his previous material. Nevertheless, Gabriel drew on various musical influences, fusing pop, soul, and art rock with elements of traditional world music, particularly African and Brazilian styles. It is Gabriel`s first non-eponymous album, So representing an `anti-title` that resulted from label pressure to properly market his music. Gabriel toured So on the This Way Up tour (1986–1987), with some songs performed at human rights and charity concerts during this period. Often considered his best and most accessible album, So was an immediate commercial success and transformed Gabriel from a cult artist into a mainstream star, becoming his best-selling solo release. It has been certified fivefold platinum by the Recording Industry Association of America and triple platinum by the British Phonographic Industry. The album`s lead single, `Sledgehammer`, was promoted with an innovative animated music video and achieved particular success, reaching number one on the Billboard Hot 100 and subsequently winning a record of nine MTV Video Music Awards. It was followed by four further singles, `Don`t Give Up` (a duet with Kate Bush), `Big Time`, `In Your Eyes`, and `Red Rain`. The album received positive reviews from most critics, who praised its songwriting, melodies and fusion of genres, although some retrospective reviews have criticised its overt commercialism and 1980s production sounds. So was nominated for the Grammy Award for Album of the Year in 1987 but lost to Paul Simon`s Graceland. It has appeared in lists of the best albums of the 1980s, and Rolling Stone included the album in their 2003 and 2020 editions of the 500 Greatest Albums of All Time. In 2000 it was voted number 82 in Colin Larkin`s All Time Top 1000 Albums.

AUGUSTE RODIN R O D E N L`Amour et Psyche RODEN Znameniti francuski vajar FRANCUSKA RAZGLEDNICA NIJE PUTOVALA NIJE KORIŠĆENO GARANCIJA PERFEKT Ekstra ************ dsp12fp1

Original, made in Austria Knjizica od 4 str. Odlicno ocuvano Veoma redak disk. Little Willie Littlefield – ... Goes Rhythm`n Blues Label: CMA (2) – CM 10002 Format: CD, Album Country: Germany Released: 1992 Genre: Blues Style: 1 Bad Bad Whiskey 2:51 2 Going Down Slow 3:16 3 Walk Right In 2:07 4 Waltz Away Boogie 1:58 5 Trembling 2:29 6 Adam Come And Get Your Bone 3:16 7 Prisoner For Tonight 3:46 8 12th Street And Vine 2:24 9 When I Lost My Baby 2:45 10 My Luck Is Bound To Change 2:11 11 Toe Tapping Boogie 2:34 12 Bad Luck 2:08 13 Hold Me Baby 2:07 14 As Time Goes By 2:51 15 Blue And Lonesome 2:51 16 It Took A Long Time, Baby 2:52 Recorded At – Dezibel Tonstudio Piano, Vocals – Little Willie Littlefield Producer – Rolf Schubert Recorded Dec. 9, 1991 at Dezibel - Tonstudio, Cologne / Germany. Jewel case. Barcode: 4010470100021 Label Code: LC 5910 Willie Littlefield, Jr.,[2] billed as Little Willie Littlefield (September 16, 1931 – June 23, 2013),[3] was an American R&B and boogie-woogie pianist and singer[4] whose early recordings `formed a vital link between boogie-woogie and rock and roll`.[4] Littlefield was regarded as a teenage wonder and overnight sensation when in 1949, at the age of 18, he popularized the triplet piano style on his Modern Records debut single, `It`s Midnight`.[5] He also recorded the first version of the song `Kansas City` (originally issued as `K. C. Lovin``), in 1952. Career Early career Littlefield was born in El Campo, Texas, and grew up in Houston with his mother. By 1947, at the age of sixteen, he was already a local attraction in many of the clubs on Dowling Street in Houston and was recording for Eddie Henry, a local record shop proprietor who ran his own label, Eddie`s Records.[6] He formed his first band with the saxophonist Don Wilkerson, a friend from school.[4] Littlefield was strongly influenced by the boogie-woogie pianist Albert Ammons. A particular favourite of his was Ammons`s `Swanee River Boogie`, which he later recorded for Eddie`s Records.[6] Other major influences on Littlefield`s style were the Texas musicians Charles Brown and Amos Milburn.[3] Littlefield learned most of their `chops` and soon developed his own distinctive triplet style, which was widely copied by R&B musicians in the early 1950s, particularly Fats Domino, who incorporated it into his New Orleans rhythm and blues.[6] His first recording, `Little Willie`s Boogie`, was a hit in Texas in 1949 and brought him to the attention of Jules Bihari, of Modern Records in Los Angeles, who was searching for a performer to rival the success of Amos Milburn.[4] Bihari flew to Houston in July 1949 to investigate the city`s black entertainment venues and heard of a `teenage wonder boy pianist` who was causing a stir at the Eldorado Ballroom. Bihari went to hear Littlefield and soon arranged for an audition at a local studio. The session was captured on acetate disc, with Bihari, clearly audible in the background, calling for Littlefield to play popular R&B tunes of the day.[6] Success at Modern records Back at Modern Records, he recorded `It`s Midnight`, which became a national hit, reaching number three on the Billboard R&B chart, and its follow-up, `Farewell`, which reached number five.[7] He became a major nightclub attraction and recorded with West Coast musicians such as Maxwell Davis. Don Wilkerson, Littlefield`s schoolmate and the leading saxophone player in his band, also travelled to Los Angeles, but Milburn promptly persuaded him to lead Milburn`s new band, the Aladdin Chickenshackers.[6] Modern Records booked Littlefield for three recording sessions in October 1949, followed by more sessions over the next two months at Radio Recorders in Hollywood. During these three months alone, over 22 sides were cut – an unusual output compared to that of most other artists, who averaged only two sessions a year. Other musicians at these sessions included the saxophonists Maxwell Davis and Buddy Floyd, the guitarists Chuck Norris and Johnny Moore, and the drummers Al Wichard and Jessie Price.[6] One of his 1950 recordings, `Happy Pay Day`, written by Jack Holmes, was later rewritten by Holmes with entirely different lyrics as `The Blacksmith Blues`, which became a hit for Ella Mae Morse.[8][user-generated source] In 1951, his duet with Little Lora Wiggins, `I`ve Been Lost`, reached number 10 on the R&B chart.[7] In 1952 he moved to the Federal subsidiary of King Records. His first session for Federal produced `K. C. Loving`, written by Jerry Leiber and Mike Stoller and later re-recorded by Wilbert Harrison as `Kansas City`. By 1957 Littlefield had moved to northern California and continued to record for Don Barksdale`s Rhythm label in San Francisco, for which he produced the single `Ruby, Ruby`.[6] Littlefield`s recording and his subsequent releases were not successful, but he remained a popular performer in clubs in the San Francisco area. In the late 1970s he toured Europe successfully, settling in the Netherlands and releasing a number of albums from 1982 into the late 1990s for the Oldie Blues label from Martin van Olderen.[9] After touring for more than 50 years, Littlefield stopped in 2000. After five years of retirement in his adopted home country, the Netherlands, he decided to play again, starting in 2006, declaring, `I went fishing for five years – now I know every herring in Holland by name – it got boring. I feel great and I want to be back with my audience.`[10] In his later years Littlefield continued to perform occasionally, mainly at festivals, particularly in the UK. In 2008 he played at the 20th Burnley Blues Festival, in 2008, and at the 5th annual UK Boogie Woogie Festival at Sturminster Newton in Dorset, in July 2009. He performed at Shakedown Blues Club, at Castor Village Hall, near Castor, Peterborough, in 2006 and made a return appearance in October 2010.[11][12] He died at his home in Voorthuizen, Netherlands, in 2013, at the age of 81. He had cancer.[4] Selected discography Selected singles 1948 (late): `Little Willie`s Boogie` / `My Best Wishes`, Eddie`s 1202 (10` shellac) 1948 (late): `Medley Boogie`, Eddie`s (unreleased) 1949 (early): `What`s the Use` / `Chicago Bound`, Eddie`s 1205 (10` shellac) c. 3/49: `Littlefield Boogie` (flip side, `Sweet Ole Woman`s Blues` by Goree Carter), Freedom 1502 (10` shellac) 1949: `Boogie Woogie Playgirl` / `Swanee River` (piano solo), Eddie`s 1212 (10` shellac) 1949: `Midnight Whistle` / `It`s Midnight`, Modern 20-686 (10` shellac) 1949: `Drinkin` Hadacol` / `Farewell`, Modern 20-709 (10` shellac) c. 12/49: `Come On Baby` / `Merry Christmas`, Modern 20-716 (10` shellac) 1950: `The Moon Is Risin`` / `Frightened`, Modern 20-726 (10` shellac) 3/50: `Your Love Wasn`t So` / `Rocking Chair Mama`, Modern 20-729 (10` shellac) 1950: `Tell Me Baby` / `Why Leave Me All Alone`, Modern 20-747 (10` shellac) 1950: `Cheerful Baby` / `Happy Pay Day`, Modern 20-754 (10` shellac) 10/50: `Trouble Around Me` / `Hit the Road`, Modern 20-775 (shellac, 10`) c. 11/50: `Ain`t a Better Story Told` / `You Never Miss a Good Woman Till She`s Gone`, Modern 20-781 (10` shellac) c. 12/50: `Come On Baby` / `Merry Christmas`, Modern 20-785 (10` shellac) 1951: `Once Was Lucky` / `I`ve Been Lost`, Modern 20-801 (10` shellac) 1951: `Lump in My Throat` / `Mean, Mean Woman`, Modern 837 (10` shellac) 1951: `Life of Trouble` / `Too Late for Me`, Modern 854 (shellac, 10`) 1952: `Sticking on You Baby` / `Blood Is Redder Than Wine`, Federal 12101 (10` shellac, 7` vinyl) c. 11/52: `K. C. Loving` / `Pleading at Midnight`, Federal 12110 (10` shellac, vinyl, 7`) 3/53 : `Turn the Lamps Down Low`, duet with Little Esther [Phillips] (flip side by Little Esther), Federal 12115 (10` shellac, vinyl, 7`) 1953: `The Midnight Hour Was Shining` / `My Best Wishes and Regards`, Federal 12137 (10` shellac, 7` vinyl) 1953: `Rock a Bye Baby` / `Miss K. C.`s Fine`, Federal 12148 (10` shellac, 7` vinyl) 1/54: `Please Don`t Go-o-o-o-oh` / `Don`t Take My Heart Little Girl`, Federal 12163 (10` shellac, 7` vinyl) 1954: `Falling Tears` / `Goofy Dust Blues` Federal 12174 (10` shellac, 7` vinyl) 1955: `Jim Wilson`s Boogie` / `Sitting on the Curbstone`, Federal 12221 (10` shellac, 7` vinyl) 8/57: `Mistreated` / `Baby Shame`, Rhythm 107 (10` shellac, 7` vinyl) 12/57: `Ruby-Ruby`, with the Mondellos (vocal group) / `Easy Go` (instrumental), Rhythm 108 (7` vinyl) 1958: `Theresa`, with female vocal group / `The Day the Rains Came` (instrumental), Rhythm 124 (7` vinyl) 1958: `Ruby-Ruby`, with the Mondellos (vocal group) / `Easy Go` (instrumental), Bullseye 1005 (shellac, 10`, 7` vinyl) 1958: `I Need a Payday` / `I Want a Little Girl`, Rhythm 115 (7` vinyl) c. 4/59: `Kansas City` [`K. C. Loving`] / `The Midnight Hour Was Shining`, Federal 12351 (7` vinyl) 1959: `Goodbye Baby` / `I Wanna Love You`, Rhythm 130 (7` vinyl) 1960: `Ruby-Ruby`, with the Mondellos (vocal group) / `Easy Go` (instrumental), Argyle 1013 (7` vinyl) 1975: `Mac`s Old House` / `San Jose Express`, Blues Connoisseur 1008 (7` vinyl) 1976: `Willie`s Blues` / `I`ll Tell the World I Do`, Blues Connoisseur 1011 (7` vinyl) Albums 1980: Paris Streetlights, Paris Album PLB 2 28508 (recorded May 14, 1980); reissued on CD, 1996, EPM Blues Collection BC 157802[13][14] 1982: Houseparty, Oldie Blues OL 8003 (recorded June 1982) 1983: I`m in the Mood, Oldie Blues OL 8006 (recorded 1983) 1985: Happy Pay Day, Ace CH 150 1987: Plays the Boogie Woogie, Schubert Records SCH-100 (recorded 1987); reissued on CD, 1992, Munich CMA CM 8013 1990: Singalong with Little Willie Littlefield, Oldie Blues OLCD 7001 (recorded 1987) 1992: ... Goes Rhythm `n Blues, CMA Music CMA CM 10002 1993: The Stars of Rhythm `n Blues! CMA Music CMA CM 10007 1994: Yellow Boogie & Blues, Oldie Blues OLCD 7006 (recorded 1994) 1997: The Red One, Oldie Blues OLCD 7005 (recorded June 1997) 2006: Little Willie Littlefield Live, Schubert Records SCH-205 (recorded live in Germany, April 20, 2006) 2008: Old Time Feeling, Stormy Monday 81242[15] Selected compilation albums 1977: K. C. Loving, K.C. 101 (LP) 1980: Volume 1, Ace 10 CH 24 (10` 8-track album) 1981: Volume 2, Ace 10 CH 34 (10` 8-track album) 1984: Jump with Little Willie Littlefield, Ace CHD 114 1993: I`m in the Mood, Oldie Blues OLCD 7002 (recorded 1982, 1983) 1995: Going Back to Kay Cee, Ace CDCHD 503 1999: Kat on the Keys, Ace CDCHD 736 2005: Boogie, Blues and Bounce: The Modern Recordings Volume 2, Ace CDCHD 1056

Vertigo Europe 1996. Vrlo dobro stanje CD izdanja albuma u novoj eri cuvenog heavy/thrash metal sastava sa nesto tragova koriscenja i 14 numera: 1 Ain`t My Bitch Written-By – Hetfield*, Ulrich* 5:04 2 2 X 4 Written-By – Hetfield*, Hammett*, Ulrich* 5:28 3 The House Jack Built Written-By – Hetfield*, Hammett*, Ulrich* 6:39 4 Until It Sleeps Written-By – Hetfield*, Ulrich* 4:30 5 King Nothing Written-By – Hetfield*, Hammett*, Ulrich* 5:28 6 Hero Of The Day Written-By – Hetfield*, Hammett*, Ulrich* 4:22 7 Bleeding Me Written-By – Hetfield*, Hammett*, Ulrich* 8:18 8 Cure Written-By – Hetfield*, Ulrich* 4:54 9 Poor Twisted Me Written-By – Hetfield*, Ulrich* 4:00 10 Wasting My Hate Written-By – Hetfield*, Hammett*, Ulrich* 3:57 11 Mama Said Written-By – Hetfield*, Ulrich* 5:19 12 Thorn Within Written-By – Hetfield*, Hammett*, Ulrich* 5:51 13 Ronnie Written-By – Hetfield*, Ulrich* 5:17 14 The Outlaw Torn Written-By – Hetfield*, Ulrich* 9:53 Prebogat buklet na 32 stranice sadrzi dosta fotografija, tekstove pesama, podatke itd.