Udzbenik hemijskog fakulteta Data materija obradjena temeljno postupno i sistematicno Metodoloski bez predhidnog ored znanja Lepo ilustrovana materija Retko Kapitalno

Mirjana Stajić - Biology of the genus Pleurotus (Jacq.:Fr.) P. Kumm., with special attention to biotechnologically important species , izdanje Biološki fakultet UB . Nova !

5 grafika /Linorez – potpisanih / S.Danilovic Dimenzije 28cm X 20cm Zastakljeni i spremni za kacenje na zid.

Litografija 3/10 Dimenzije bez rama 30x21 cm Ne vidi se od rama poslednji broj godine.

Dragan Malesevic Tapi – Egzodus Dimenzije sa ramom 40cm X 36cm Dimenzije papira 36cm X 32cm Dimenzije otiska 26cm X 20cm Dragan Malesevic Tapi (1949-2002) Kao sedmogodišnjak precrtavao je stripove iz ondašnje `Politike`. Diplomirao je na Ekonomskom fakultetu u Beogradu. Do 1989. živeo je u inostranstvu: Milanu, Beču, Kembridžu, Ženevi, Minhenu, na Bahamima… Prvu izložbu slika imao je 1985. u Rovinju, gde je izlagao uz Miću Popovića i Olju Ivanjicki. Prvu sliku je prodao 1987. u galeriji Prijeko u Dubrovniku za 8.000 DM. Godine 1989. časopis Art News uvrstio ga je među sedam najboljih hiperrealista sveta.

Prodajem grafiku poznatog grafičara Milana Stanojeva iz njegove rane faze, tačnije iz 1967. godine. Grafika je uramljena sa ramom od medijapana crne boje (može se pogledati na fotografiji) i ide sa duplim parspatuom. Odlično očuvana. Veličina rama: 65 x 50,5 cm Veličina grafike: 42 x 32 cm Tehnika: Litografija u boji Godina: 1967. Otisak: A.0. - Autorski otisak - Signirana u donjem delu grafike Naziv dela: Popodnevni časovi Nešto o autoru: Milan Stanojev, rođen 1938. godine u Srbobranu, 1964. godine je diplomirao na grafičkom odseku Akademije likovnih umetnosti u Beogradu, u klasi profesora Boška Karanovića. Prvu izložbu je priredio 1965, a postdiplomske studije je završio 1966. godine. Od 1964. godine je član ULUS-a i Grafičkog kolektiva. Od 1975. godine zaposlen je na Akademiji umetnosti u Novom Sadu. Bavi se grafikom, crtežom i slikarstvom. Priredio je oko pedeset samostalnih i učestvovao na preko tri stotine grupnih izložbi u zemlji i inostranstvu. Kao predstavnik nove figuracije šezdesetih godina, i kao pripadnik mlade generacije umetnika koji su u svom radu davali primat ovoj tehnici, Stanojev je svojim originalnim rukopisom uticao na razvoj modernog i rađanje postmodernog umetničkog izraza u drugoj polovini XX veka. Svoj uticaj umetnik je ostvarivao i kao redovni profesor na Grafičkom odseku novosadske Akademije umetnosti, određujući i na taj način puteve kritičkog poimanja, formiranja ukusa i uspostavljanja kriterijuma savremenog grafičkog jezika. Tokom rada Milan Stanojev je u okviru različitih tematsko-idejnih pristupa istraživao najraznovrsnije mogućnosti grafičke tehnike. Ova izložba ima za cilj da prikaže ključne faze njegovog bogatog grafičarskog opusa, koje su do sada bile uglavnom parcijalno sagledavane. Za sva pitanja sam tu! :) ps. slika, grafika, pop art, dizajn, design, andy warhol, poklon..

Jadran Krnajski, Vetar , akademski slikar imao skoro izlozbu u ULUSu redak primerak litografija AO jedan komad otisak 40x31 50x42 format jedinstveni otisak saljem postekspresom nakon uplate licno preuzimanje po dogovoru

Mihailo STANISAVAC - grafika Mississipi 2 1 od 4 potpisana 34 x 40 cm retkost.

Marko Krsmanovic BEOGRAD 1964 grafika, duboka stampa signirana numerisana 52/200 ukupna velicina nepresavijenog lista 18 x 25 cm mrlje kao na slici

DIMENZIJE SA RAMOM 68 X 30 CM. NEMA POTPIS. PERIOD PRVE POLOVINE DVADESETOG VEKA KLOVN, CIRKUS

dim. 25 x 16 cm nije potpisana, nema pecat...print iz 80tih CYPRUS - RETURN OF ARCHBISHOP MAKARIOS PHOTOGRAPHY NOT SIGNED, NO SEAL René Burri (born 9 April 1933, Zurich) is a Swiss photographer known for his photos of major political, historical and cultural events and key figures of the second half of the 20th century. Burri worked for Magnum Photos and has been photographing political, military and artistic figures and scenes since 1946. He has made portraits of Che Guevara and Pablo Picasso as well as iconic pictures of São Paulo and Brasília. Burri studied in Zurich, Switzerland at the School of Applied Arts from 1949 to 1953, where he worked under Hans Finsler, Alfred Willimann and Johannes Itten. From 1953 to 1955 he began working as a documentary filmmaker while completing military service. During this time he also began working with Leica cameras. Then he worked for Disney as a cameraman until 1955. From 1956 to 1959 he traveled extensively to places including Turkey, Egypt, Syria, Iraq, Jordan, Lebanon, Italy, France, Spain, Greece, Brazil, and Japan, which led to publications in Life, Look, Stern, Paris-Match, Epoca, and New York Times, as well as a photographic essay `El Gaucho` which appeared in Du. Burri first began working with Magnum Photos in 1955 through Werner Bischof, becoming a full member in 1959 and being elected chair of Magnum France in 1982. His first report `Touch of Music for the Deaf` on deaf-mute children was published by Life. In 1965 he assisted with the creation of Magnum Films which lead to his work on the Magnum-BBC joint production of, The Two Faces of China. In 1967 he produced a documentary on the Six-Day War in Jerusalem for German television. He produced the film Jean Tinguely in 1972. In 1963 Burri was working in Cuba when he was able to photograph the revolutionary Che Guevara; these images of Guevara smoking a cigar have become iconic. Notably, after taking the photos, Burri remembers Guevara `scaring the hell out of him`. Describing a situation where an angry Che was pacing his tiny office like `a caged tiger`, while being interviewed by an American woman from Look magazine. While `hectoring` the reporter and `chomping on his cigar`, Che suddenly looked Burri straight in the eye and told him `if I catch up with your friend Andy, I`ll cut his throat` (while slowly drawing his finger across his neck). Andy was Andrew St. George, a fellow Magnum photographer, who had travelled with Che in the Sierra Maestra, and then later filed reports for American intelligence. --------------------------------------------------------- Makarios III, original name Mikhail Khristodolou Mouskos (born August 13, 1913, Pano Panayia, Paphos, Cyprus—died August 3, 1977, Nicosia), archbishop and primate of the Orthodox Church of Cyprus. He was a leader in the struggle for enosis (union) with Greece during the postwar British occupation, and, from 1959 until his death in 1977, he was the president of independent Cyprus. Mouskos, the son of a poor shepherd, studied in Cyprus and at the University of Athens and later at the School of Theology of Boston University. He was ordained in 1946, became bishop of Kition (Larnaca) in 1948, and on October 18, 1950, was made archbishop. During that time Makarios became identified with the movement for enosis, the archbishop of Cyprus having traditionally played an important political role during the Turkish occupation as ethnarch, or head of the Greek Christian community. Opposing the British government’s proposals for independence or Commonwealth status, as well as Turkish pressures for partition in order to safeguard the island’s sizable Turkish population, Makarios met with the Greek prime minister, Alexandros Papagos, in February 1954 and gained Greek support for enosis. The British soon suspected him of being a leading figure in the EOKA, an armed nationalist movement led by Col. Georgios Grivas. Makarios, however, preferred political bargaining to force and negotiated with the British governor in 1955–56. When these talks proved fruitless and Makarios was arrested for sedition in March 1956 and exiled to the Seychelles, the EOKA intensified its violent campaign. In March 1957 Makarios was released from detention in exile; not immediately permitted to return to the country, however, Makarios traveled to Athens before his arrival in Cyprus the following year. In February 1959 Makarios accepted a compromise that resulted in independence for Cyprus. He was elected president of the new republic on December 13, 1959, with a Turkish vice president. Makarios’s administration was marred by fighting between Greeks and Turks, particularly after December 1963, and the active intervention of both Greece and Turkey. Previously a champion of exclusively Greek interests, he now worked for integration of the two communities, measures the Turks repeatedly resisted. In December 1967 he was obliged to accept a Turkish Cypriot Provisional Administration, which managed Turkish minority affairs outside the jurisdiction of the central government. Despite communal strife, he was elected president for a second term in February 1968. Talks between the two communities remained deadlocked over the question of local autonomy. In 1972 and 1973 other Cypriot bishops called for Makarios to resign, but he was returned unopposed for a third term as head of state in 1973. In July 1974 the Greek Cypriot National Guard, whose officers were mainland Greeks, attempted a coup, planned by the ruling military junta in Athens, to achieve enosis. Makarios fled to Malta and then to London, and Turkey invaded Cyprus and proclaimed a separate state for Turkish Cypriots in the north. Makarios, vowing to resist partition of the island, returned to Cyprus in December, after the fall of the mainland Greek military junta.

dim. 20 x 26 cm nije potpisana, nema pecat...print iz 80tih it is not signed, no seal PHOTOGRAPHY PHOTO René Burri (born 9 April 1933, Zurich) is a Swiss photographer known for his photos of major political, historical and cultural events and key figures of the second half of the 20th century. Burri worked for Magnum Photos and has been photographing political, military and artistic figures and scenes since 1946. He has made portraits of Che Guevara and Pablo Picasso as well as iconic pictures of São Paulo and Brasília. Burri studied in Zurich, Switzerland at the School of Applied Arts from 1949 to 1953, where he worked under Hans Finsler, Alfred Willimann and Johannes Itten. From 1953 to 1955 he began working as a documentary filmmaker while completing military service. During this time he also began working with Leica cameras. Then he worked for Disney as a cameraman until 1955. From 1956 to 1959 he traveled extensively to places including Turkey, Egypt, Syria, Iraq, Jordan, Lebanon, Italy, France, Spain, Greece, Brazil, and Japan, which led to publications in Life, Look, Stern, Paris-Match, Epoca, and New York Times, as well as a photographic essay `El Gaucho` which appeared in Du. Burri first began working with Magnum Photos in 1955 through Werner Bischof, becoming a full member in 1959 and being elected chair of Magnum France in 1982. His first report `Touch of Music for the Deaf` on deaf-mute children was published by Life. In 1965 he assisted with the creation of Magnum Films which lead to his work on the Magnum-BBC joint production of, The Two Faces of China. In 1967 he produced a documentary on the Six-Day War in Jerusalem for German television. He produced the film Jean Tinguely in 1972. In 1963 Burri was working in Cuba when he was able to photograph the revolutionary Che Guevara; these images of Guevara smoking a cigar have become iconic. Notably, after taking the photos, Burri remembers Guevara `scaring the hell out of him`. Describing a situation where an angry Che was pacing his tiny office like `a caged tiger`, while being interviewed by an American woman from Look magazine. While `hectoring` the reporter and `chomping on his cigar`, Che suddenly looked Burri straight in the eye and told him `if I catch up with your friend Andy, I`ll cut his throat` (while slowly drawing his finger across his neck). Andy was Andrew St. George, a fellow Magnum photographer, who had travelled with Che in the Sierra Maestra, and then later filed reports for American intelligence.

dim. 20 x 30 cm potpisan signed gipsy gypsy birds crake crow Born in Kruševac in 1973, Serbia, (lives in Belgrade) Graduated in 2002 on the Academy of Arts “Braća Karić”, photography department, Belgrade, Serbia. Founder and editor of the Cenetr for photography, (along with Mihailo Vasiljević), an independent non-profit organization established in Belgrade in 2011 for research, study and promotion of photography. Initiator and editor of Foto Forum, a series of interviews with photographers and artists on which present and promote local contemporary photographic production (Students’ City Cultural Center, 2010-2011) From 2013 lecturer of photography school in Center of Fine Arts & Education Šumatovačka in Belgrade, Serbia He received Dimitrije Bašičević Mangelos award (2008) for the best young visual artist in Serbia Selection from the one-man exhibition 2012 Reconstruction, Street Gallery, Belgrade, Serbia ФОТО, Gallery of Students’ city cultural center, Belgrade, Serbia The Documents, Cultural centre RIBNICA, Kraljevo, Serbia The Documents, Gallery of Centre for Culture in Sopot, Sopot, Serbia Underground shelters, Remont gallery (Interrogation, photographers of new generation in Serbia from 2000), Belgrade, Serbia Photo wall-paper, University Library “Svetozar Marković” in Belgrade, (Disruption, with Stefana Savić), Belgrade, Serbia 2009 The Documents, Salon of the Museum of Contemporary Art, Belgrade, Serbia Night spaces, Gallery Remont, Belgrade; Art gallery Kruševac, Serbia 2007 TV or TV, Gallery of Students’ city cultural center, Belgrade, Serbia 2004 Underground shelters, PIROSCHKA rev, MQ-21, Wien, Austria TV or TV, Gallery of the Youth Centre, Belgrade, Serbia 2003 Images, Gallery Remont, (PUNKT, with Mirijana Stojadinović and Andrija Pavlović), Belgrade, Serbia 2002 Registry, April gatherings, Gallery of the Students Culture Centre, Belgrade, Serbia 2001 Vitak 1999, Gallery of the Students Culture Centre, (with Petar Mirosavljević and Vukašin Nedeljković), Belgrade, Serbia Selection from the group exhibitions: 2013 4th Thessaloniki Biennale of Contemporary: Old Intersections – Make it New (central exhibition: Everywhere but Now), Periptero 6, Thessaloniki, Greece Amuse Me, City Gallery of Ljubljana, Slovenia Voies Off Vestival, Le voyage impossible, Arles, France 2012 Aftermath. Changing cultural landscape, Tendencies of engaged post-Yugoslavian contemporary photography, ParCo 2, Pordenone, Italy; National Museum of Slovenia, Ljubljana, Slovenia; 2013 – Klovićevi dvori, Zagreb, Croatia Photodocuments 02, Salon of Museum of Contemporary Art, Belgrade, Serbia What happened to Museum of Contemporary Art?, Museum of Contemporary Art Belgrade, Serbia 2011 DONUMENTA 2011 / Views: Visions – sketches of Serbian art after 2000, Kunstforum Ostdeutsche Galerie, Regensburg, Germany No Network-Time machine, D-O ARK Underground, site specific intervention, permanent installation, Konjic, BiH 2010 Photo documents, Site specific intervention, Museum of Railway Požega, permanent installation, Požega, Serbia Photonic Moments, The Month of Photography, The New Serbian Photography, Gallery Simulaker, Novo Mesto, Slovenia 25th Nadežda Petrović Memorial “I am what I am”, Art Gallery Nadežda Petrović/Čačanska Gimnazija, Čačak, Serbia 2009 Remont u Puli, Stara Tiskara in Pula, Pula, Croatia Snooze, Scaramuche@Fruit & Flower Deli gallery, New York, USA Land of Promises, Gallery ArtPoint, Wien, Austria; 2008, Cultural centre of Serbia, Paris, France; 2007, Gallery Apollonia, Strasbourg, France 2008 Photonic Moments; Cankarjev dom, Ljubljana, Slovenia It’s raining outside, but I don’t believe that it is; Banja Luka, Repabik of Srpska Still in time, Kunstraum BLAST, Cologne, Germany For a happier tomorrow; Gallery Tom Christoffersen, Copenhagen, Denmark Micro narratives; Musée d’art moderne, Saint Etienne, France 2007 Micro narratives; 48. October salon, Belgrade, Serbia 2006 Recognition; Art Gallery Nadežda Petrović, Čačak, Serbia; 2005 Actual Serbian photography; FOTOHOF Gallery, Salzburg, Austria 2004 VI biennale of the young artists; Vršac, Serbia Strange point of tension; Biljarda, Cetinje, Monte Negro Nus phenomenon; Gallery Nova, Zagreb, Croatia 2002 The annual exhibition of the centre for contemporary arts; Salon of the Museum of Contemporary Art, Belgrade, Serbia 2001 The Month of Photography; The Gallery of the Academy of Arts, Belgrade, Serbia Published Works: Critical Dictionary, 2011; 154-157; edited by David Evans; Black Dog Publication, London, UK; ISBN 978 1 907317 49 1 Artist and Residence program: 2004 KulturKontakt scholarship, Vienna, Austria 2011 Künstlerhaus, Schwandorf, Germany Artist talk performances: 2013 Seven Diferent Initiatives to Overcome…(along with UnaPopović), Künstlerhaus Bremen, Germany 2012 Artist as Audience, Museum of Contemporary Art, Belgrade, Serbia 2011 Documentarism – Appropriation – Revaluation, Galerie Für Zeit Genössische Kunst, Laipzig, Germany Curatorial projects: 2012 In a full light – photographs from the collection of the Center for Photography (along with Mihailo Vasiljević) - as part of the exhibition Photodocuments 02, Remont Gallery, Belgrade

dim. 25,5 x 20,5 cm nije potpisana, nema pecat...print iz 70tih PHOTOGRAPHY NOT SIGNED, NO SEAL , NO STAMP, RC paper René Burri (born 9 April 1933, Zurich) is a Swiss photographer known for his photos of major political, historical and cultural events and key figures of the second half of the 20th century. Burri worked for Magnum Photos and has been photographing political, military and artistic figures and scenes since 1946. He has made portraits of Che Guevara and Pablo Picasso as well as iconic pictures of São Paulo and Brasília. Burri studied in Zurich, Switzerland at the School of Applied Arts from 1949 to 1953, where he worked under Hans Finsler, Alfred Willimann and Johannes Itten. From 1953 to 1955 he began working as a documentary filmmaker while completing military service. During this time he also began working with Leica cameras. Then he worked for Disney as a cameraman until 1955. From 1956 to 1959 he traveled extensively to places including Turkey, Egypt, Syria, Iraq, Jordan, Lebanon, Italy, France, Spain, Greece, Brazil, and Japan, which led to publications in Life, Look, Stern, Paris-Match, Epoca, and New York Times, as well as a photographic essay `El Gaucho` which appeared in Du. Burri first began working with Magnum Photos in 1955 through Werner Bischof, becoming a full member in 1959 and being elected chair of Magnum France in 1982. His first report `Touch of Music for the Deaf` on deaf-mute children was published by Life. In 1965 he assisted with the creation of Magnum Films which lead to his work on the Magnum-BBC joint production of, The Two Faces of China. In 1967 he produced a documentary on the Six-Day War in Jerusalem for German television. He produced the film Jean Tinguely in 1972. In 1963 Burri was working in Cuba when he was able to photograph the revolutionary Che Guevara; these images of Guevara smoking a cigar have become iconic. Notably, after taking the photos, Burri remembers Guevara `scaring the hell out of him`. Describing a situation where an angry Che was pacing his tiny office like `a caged tiger`, while being interviewed by an American woman from Look magazine. While `hectoring` the reporter and `chomping on his cigar`, Che suddenly looked Burri straight in the eye and told him `if I catch up with your friend Andy, I`ll cut his throat` (while slowly drawing his finger across his neck). Andy was Andrew St. George, a fellow Magnum photographer, who had travelled with Che in the Sierra Maestra, and then later filed reports for American intelligence.

Cuveni kolumnista i slikar Bogdan Ibrajter Tane cija se kolumna pojavljuje u svakom nedeljnom broju Politike otprilike na strani 25. Ovo je njegov originalan rad u tehnici tusa na hameru koji je kao sto se vidi po zapisima stampara na samom radu, negde reprodukovan, najverovatnije u Politici, u vreme proslave 600 godina Boja na Kosovu, dakle pored likovne poseduje istoriografsku vrednost. Dimenzije lista 50 x 35 cm, stanje kao na slici; stanje prizora vrlo dobro. Na radu slikar je pored svog potpisa i datovanja - godine 1990, ostavio i sledeci cirilicni zapis: Boj na Kosovu na Vidovdan 1389 godine po cemu se slavi sv. Vid. pastir kod bogatih (rec necitka) u Judeji. Tek posle toga pocinje svetkovina Vidovdana u cast necitko i stradanja Lazara necitko.

dim. 20 x 30 cm potpisana signed b/w photography, fiber-based paper surreal man with bad mud on Born in Kruševac in 1973, Serbia, (lives in Belgrade) Graduated in 2002 on the Academy of Arts “Braća Karić”, photography department, Belgrade, Serbia. Founder and editor of the Cenetr for photography, (along with Mihailo Vasiljević), an independent non-profit organization established in Belgrade in 2011 for research, study and promotion of photography. Initiator and editor of Foto Forum, a series of interviews with photographers and artists on which present and promote local contemporary photographic production (Students’ City Cultural Center, 2010-2011) From 2013 lecturer of photography school in Center of Fine Arts & Education Šumatovačka in Belgrade, Serbia He received Dimitrije Bašičević Mangelos award (2008) for the best young visual artist in Serbia Selection from the one-man exhibition 2012 Reconstruction, Street Gallery, Belgrade, Serbia ФОТО, Gallery of Students’ city cultural center, Belgrade, Serbia The Documents, Cultural centre RIBNICA, Kraljevo, Serbia The Documents, Gallery of Centre for Culture in Sopot, Sopot, Serbia Underground shelters, Remont gallery (Interrogation, photographers of new generation in Serbia from 2000), Belgrade, Serbia Photo wall-paper, University Library “Svetozar Marković” in Belgrade, (Disruption, with Stefana Savić), Belgrade, Serbia 2009 The Documents, Salon of the Museum of Contemporary Art, Belgrade, Serbia Night spaces, Gallery Remont, Belgrade; Art gallery Kruševac, Serbia 2007 TV or TV, Gallery of Students’ city cultural center, Belgrade, Serbia 2004 Underground shelters, PIROSCHKA rev, MQ-21, Wien, Austria TV or TV, Gallery of the Youth Centre, Belgrade, Serbia 2003 Images, Gallery Remont, (PUNKT, with Mirijana Stojadinović and Andrija Pavlović), Belgrade, Serbia 2002 Registry, April gatherings, Gallery of the Students Culture Centre, Belgrade, Serbia 2001 Vitak 1999, Gallery of the Students Culture Centre, (with Petar Mirosavljević and Vukašin Nedeljković), Belgrade, Serbia Selection from the group exhibitions: 2013 4th Thessaloniki Biennale of Contemporary: Old Intersections – Make it New (central exhibition: Everywhere but Now), Periptero 6, Thessaloniki, Greece Amuse Me, City Gallery of Ljubljana, Slovenia Voies Off Vestival, Le voyage impossible, Arles, France 2012 Aftermath. Changing cultural landscape, Tendencies of engaged post-Yugoslavian contemporary photography, ParCo 2, Pordenone, Italy; National Museum of Slovenia, Ljubljana, Slovenia; 2013 – Klovićevi dvori, Zagreb, Croatia Photodocuments 02, Salon of Museum of Contemporary Art, Belgrade, Serbia What happened to Museum of Contemporary Art?, Museum of Contemporary Art Belgrade, Serbia 2011 DONUMENTA 2011 / Views: Visions – sketches of Serbian art after 2000, Kunstforum Ostdeutsche Galerie, Regensburg, Germany No Network-Time machine, D-O ARK Underground, site specific intervention, permanent installation, Konjic, BiH 2010 Photo documents, Site specific intervention, Museum of Railway Požega, permanent installation, Požega, Serbia Photonic Moments, The Month of Photography, The New Serbian Photography, Gallery Simulaker, Novo Mesto, Slovenia 25th Nadežda Petrović Memorial “I am what I am”, Art Gallery Nadežda Petrović/Čačanska Gimnazija, Čačak, Serbia 2009 Remont u Puli, Stara Tiskara in Pula, Pula, Croatia Snooze, Scaramuche@Fruit & Flower Deli gallery, New York, USA Land of Promises, Gallery ArtPoint, Wien, Austria; 2008, Cultural centre of Serbia, Paris, France; 2007, Gallery Apollonia, Strasbourg, France 2008 Photonic Moments; Cankarjev dom, Ljubljana, Slovenia It’s raining outside, but I don’t believe that it is; Banja Luka, Repabik of Srpska Still in time, Kunstraum BLAST, Cologne, Germany For a happier tomorrow; Gallery Tom Christoffersen, Copenhagen, Denmark Micro narratives; Musée d’art moderne, Saint Etienne, France 2007 Micro narratives; 48. October salon, Belgrade, Serbia 2006 Recognition; Art Gallery Nadežda Petrović, Čačak, Serbia; 2005 Actual Serbian photography; FOTOHOF Gallery, Salzburg, Austria 2004 VI biennale of the young artists; Vršac, Serbia Strange point of tension; Biljarda, Cetinje, Monte Negro Nus phenomenon; Gallery Nova, Zagreb, Croatia 2002 The annual exhibition of the centre for contemporary arts; Salon of the Museum of Contemporary Art, Belgrade, Serbia 2001 The Month of Photography; The Gallery of the Academy of Arts, Belgrade, Serbia Published Works: Critical Dictionary, 2011; 154-157; edited by David Evans; Black Dog Publication, London, UK; ISBN 978 1 907317 49 1 Artist and Residence program: 2004 KulturKontakt scholarship, Vienna, Austria 2011 Künstlerhaus, Schwandorf, Germany Artist talk performances: 2013 Seven Diferent Initiatives to Overcome…(along with UnaPopović), Künstlerhaus Bremen, Germany 2012 Artist as Audience, Museum of Contemporary Art, Belgrade, Serbia 2011 Documentarism – Appropriation – Revaluation, Galerie Für Zeit Genössische Kunst, Laipzig, Germany Curatorial projects: 2012 In a full light – photographs from the collection of the Center for Photography (along with Mihailo Vasiljević) - as part of the exhibition Photodocuments 02, Remont Gallery, Belgrade

dim 20 x 30 cm potpisana it is signed ... gipsy gypsy photo photography Born in Kruševac in 1973, Serbia, (lives in Belgrade) Graduated in 2002 on the Academy of Arts “Braća Karić”, photography department, Belgrade, Serbia. Founder and editor of the Cenetr for photography, (along with Mihailo Vasiljević), an independent non-profit organization established in Belgrade in 2011 for research, study and promotion of photography. Initiator and editor of Foto Forum, a series of interviews with photographers and artists on which present and promote local contemporary photographic production (Students’ City Cultural Center, 2010-2011) From 2013 lecturer of photography school in Center of Fine Arts & Education Šumatovačka in Belgrade, Serbia He received Dimitrije Bašičević Mangelos award (2008) for the best young visual artist in Serbia Selection from the one-man exhibition 2012 Reconstruction, Street Gallery, Belgrade, Serbia ФОТО, Gallery of Students’ city cultural center, Belgrade, Serbia The Documents, Cultural centre RIBNICA, Kraljevo, Serbia The Documents, Gallery of Centre for Culture in Sopot, Sopot, Serbia Underground shelters, Remont gallery (Interrogation, photographers of new generation in Serbia from 2000), Belgrade, Serbia Photo wall-paper, University Library “Svetozar Marković” in Belgrade, (Disruption, with Stefana Savić), Belgrade, Serbia 2009 The Documents, Salon of the Museum of Contemporary Art, Belgrade, Serbia Night spaces, Gallery Remont, Belgrade; Art gallery Kruševac, Serbia 2007 TV or TV, Gallery of Students’ city cultural center, Belgrade, Serbia 2004 Underground shelters, PIROSCHKA rev, MQ-21, Wien, Austria TV or TV, Gallery of the Youth Centre, Belgrade, Serbia 2003 Images, Gallery Remont, (PUNKT, with Mirijana Stojadinović and Andrija Pavlović), Belgrade, Serbia 2002 Registry, April gatherings, Gallery of the Students Culture Centre, Belgrade, Serbia 2001 Vitak 1999, Gallery of the Students Culture Centre, (with Petar Mirosavljević and Vukašin Nedeljković), Belgrade, Serbia Selection from the group exhibitions: 2013 4th Thessaloniki Biennale of Contemporary: Old Intersections – Make it New (central exhibition: Everywhere but Now), Periptero 6, Thessaloniki, Greece Amuse Me, City Gallery of Ljubljana, Slovenia Voies Off Vestival, Le voyage impossible, Arles, France 2012 Aftermath. Changing cultural landscape, Tendencies of engaged post-Yugoslavian contemporary photography, ParCo 2, Pordenone, Italy; National Museum of Slovenia, Ljubljana, Slovenia; 2013 – Klovićevi dvori, Zagreb, Croatia Photodocuments 02, Salon of Museum of Contemporary Art, Belgrade, Serbia What happened to Museum of Contemporary Art?, Museum of Contemporary Art Belgrade, Serbia 2011 DONUMENTA 2011 / Views: Visions – sketches of Serbian art after 2000, Kunstforum Ostdeutsche Galerie, Regensburg, Germany No Network-Time machine, D-O ARK Underground, site specific intervention, permanent installation, Konjic, BiH 2010 Photo documents, Site specific intervention, Museum of Railway Požega, permanent installation, Požega, Serbia Photonic Moments, The Month of Photography, The New Serbian Photography, Gallery Simulaker, Novo Mesto, Slovenia 25th Nadežda Petrović Memorial “I am what I am”, Art Gallery Nadežda Petrović/Čačanska Gimnazija, Čačak, Serbia 2009 Remont u Puli, Stara Tiskara in Pula, Pula, Croatia Snooze, Scaramuche@Fruit & Flower Deli gallery, New York, USA Land of Promises, Gallery ArtPoint, Wien, Austria; 2008, Cultural centre of Serbia, Paris, France; 2007, Gallery Apollonia, Strasbourg, France 2008 Photonic Moments; Cankarjev dom, Ljubljana, Slovenia It’s raining outside, but I don’t believe that it is; Banja Luka, Repabik of Srpska Still in time, Kunstraum BLAST, Cologne, Germany For a happier tomorrow; Gallery Tom Christoffersen, Copenhagen, Denmark Micro narratives; Musée d’art moderne, Saint Etienne, France 2007 Micro narratives; 48. October salon, Belgrade, Serbia 2006 Recognition; Art Gallery Nadežda Petrović, Čačak, Serbia; 2005 Actual Serbian photography; FOTOHOF Gallery, Salzburg, Austria 2004 VI biennale of the young artists; Vršac, Serbia Strange point of tension; Biljarda, Cetinje, Monte Negro Nus phenomenon; Gallery Nova, Zagreb, Croatia 2002 The annual exhibition of the centre for contemporary arts; Salon of the Museum of Contemporary Art, Belgrade, Serbia 2001 The Month of Photography; The Gallery of the Academy of Arts, Belgrade, Serbia Published Works: Critical Dictionary, 2011; 154-157; edited by David Evans; Black Dog Publication, London, UK; ISBN 978 1 907317 49 1 Artist and Residence program: 2004 KulturKontakt scholarship, Vienna, Austria 2011 Künstlerhaus, Schwandorf, Germany Artist talk performances: 2013 Seven Diferent Initiatives to Overcome…(along with UnaPopović), Künstlerhaus Bremen, Germany 2012 Artist as Audience, Museum of Contemporary Art, Belgrade, Serbia 2011 Documentarism – Appropriation – Revaluation, Galerie Für Zeit Genössische Kunst, Laipzig, Germany Curatorial projects: 2012 In a full light – photographs from the collection of the Center for Photography (along with Mihailo Vasiljević) - as part of the exhibition Photodocuments 02, Remont Gallery, Belgrade

dim. 25 x 17 cm nije potpisana, nema pecat...print iz 70tih PHOTOGRAPHY NOT SIGNED, NO SEAL , NO STAMP, RC paper René Burri (born 9 April 1933, Zurich) is a Swiss photographer known for his photos of major political, historical and cultural events and key figures of the second half of the 20th century. Burri worked for Magnum Photos and has been photographing political, military and artistic figures and scenes since 1946. He has made portraits of Che Guevara and Pablo Picasso as well as iconic pictures of São Paulo and Brasília. Burri studied in Zurich, Switzerland at the School of Applied Arts from 1949 to 1953, where he worked under Hans Finsler, Alfred Willimann and Johannes Itten. From 1953 to 1955 he began working as a documentary filmmaker while completing military service. During this time he also began working with Leica cameras. Then he worked for Disney as a cameraman until 1955. From 1956 to 1959 he traveled extensively to places including Turkey, Egypt, Syria, Iraq, Jordan, Lebanon, Italy, France, Spain, Greece, Brazil, and Japan, which led to publications in Life, Look, Stern, Paris-Match, Epoca, and New York Times, as well as a photographic essay `El Gaucho` which appeared in Du. Burri first began working with Magnum Photos in 1955 through Werner Bischof, becoming a full member in 1959 and being elected chair of Magnum France in 1982. His first report `Touch of Music for the Deaf` on deaf-mute children was published by Life. In 1965 he assisted with the creation of Magnum Films which lead to his work on the Magnum-BBC joint production of, The Two Faces of China. In 1967 he produced a documentary on the Six-Day War in Jerusalem for German television. He produced the film Jean Tinguely in 1972. In 1963 Burri was working in Cuba when he was able to photograph the revolutionary Che Guevara; these images of Guevara smoking a cigar have become iconic. Notably, after taking the photos, Burri remembers Guevara `scaring the hell out of him`. Describing a situation where an angry Che was pacing his tiny office like `a caged tiger`, while being interviewed by an American woman from Look magazine. While `hectoring` the reporter and `chomping on his cigar`, Che suddenly looked Burri straight in the eye and told him `if I catch up with your friend Andy, I`ll cut his throat` (while slowly drawing his finger across his neck). Andy was Andrew St. George, a fellow Magnum photographer, who had travelled with Che in the Sierra Maestra, and then later filed reports for American intelligence.

ORIGINALNA PRES FOTOGRAFIJA IZ 70tih. NEMA POTPISA. POLISH MIGRANTS dim. 20,5 x 25,5 cm Ernst Haas (March 2, 1921 – September 12, 1986) was a photojournalist and a pioneering color photographer. During his 40-year career, the Austrian-born artist bridged the gap between photojournalism and the use of photography as a medium for expression and creativity. In addition to his prolific coverage of events around the globe after World War II, Haas was an early innovator in color photography. His images were widely disseminated by magazines like Life and Vogue and, in 1962, were the subject of the first single-artist exhibition of color photography at New York’s Museum of Modern Art. He served as president of the cooperative Magnum Photos, and his book The Creation (1971) was one of the most successful photography books ever, selling 350,000 copies.

ORIGINALNA PRES FOTOGRAFIJA IZ 70tih. NEMA POTPISA. DOLE, LEVO OSTECENA dim. 20,5 x 25,5 cm Ernst Haas (March 2, 1921 – September 12, 1986) was a photojournalist and a pioneering color photographer. During his 40-year career, the Austrian-born artist bridged the gap between photojournalism and the use of photography as a medium for expression and creativity. In addition to his prolific coverage of events around the globe after World War II, Haas was an early innovator in color photography. His images were widely disseminated by magazines like Life and Vogue and, in 1962, were the subject of the first single-artist exhibition of color photography at New York’s Museum of Modern Art. He served as president of the cooperative Magnum Photos, and his book The Creation (1971) was one of the most successful photography books ever, selling 350,000 copies.

ORIGINALNA PRES FOTOGRAFIJA IZ 70tih. NEMA POTPISA. dole levo OSTECENA dim. 20,5 x 25,5 cm Ernst Haas (March 2, 1921 – September 12, 1986) was a photojournalist and a pioneering color photographer. During his 40-year career, the Austrian-born artist bridged the gap between photojournalism and the use of photography as a medium for expression and creativity. In addition to his prolific coverage of events around the globe after World War II, Haas was an early innovator in color photography. His images were widely disseminated by magazines like Life and Vogue and, in 1962, were the subject of the first single-artist exhibition of color photography at New York’s Museum of Modern Art. He served as president of the cooperative Magnum Photos, and his book The Creation (1971) was one of the most successful photography books ever, selling 350,000 copies.

dim. 25,5 x 20,5 cm nije potpisana, nema pecat...print iz 70tih PHOTOGRAPHY NOT SIGNED, NO SEAL , NO STAMP, RC paper René Burri (born 9 April 1933, Zurich) is a Swiss photographer known for his photos of major political, historical and cultural events and key figures of the second half of the 20th century. Burri worked for Magnum Photos and has been photographing political, military and artistic figures and scenes since 1946. He has made portraits of Che Guevara and Pablo Picasso as well as iconic pictures of São Paulo and Brasília. Burri studied in Zurich, Switzerland at the School of Applied Arts from 1949 to 1953, where he worked under Hans Finsler, Alfred Willimann and Johannes Itten. From 1953 to 1955 he began working as a documentary filmmaker while completing military service. During this time he also began working with Leica cameras. Then he worked for Disney as a cameraman until 1955. From 1956 to 1959 he traveled extensively to places including Turkey, Egypt, Syria, Iraq, Jordan, Lebanon, Italy, France, Spain, Greece, Brazil, and Japan, which led to publications in Life, Look, Stern, Paris-Match, Epoca, and New York Times, as well as a photographic essay `El Gaucho` which appeared in Du. Burri first began working with Magnum Photos in 1955 through Werner Bischof, becoming a full member in 1959 and being elected chair of Magnum France in 1982. His first report `Touch of Music for the Deaf` on deaf-mute children was published by Life. In 1965 he assisted with the creation of Magnum Films which lead to his work on the Magnum-BBC joint production of, The Two Faces of China. In 1967 he produced a documentary on the Six-Day War in Jerusalem for German television. He produced the film Jean Tinguely in 1972. In 1963 Burri was working in Cuba when he was able to photograph the revolutionary Che Guevara; these images of Guevara smoking a cigar have become iconic. Notably, after taking the photos, Burri remembers Guevara `scaring the hell out of him`. Describing a situation where an angry Che was pacing his tiny office like `a caged tiger`, while being interviewed by an American woman from Look magazine. While `hectoring` the reporter and `chomping on his cigar`, Che suddenly looked Burri straight in the eye and told him `if I catch up with your friend Andy, I`ll cut his throat` (while slowly drawing his finger across his neck). Andy was Andrew St. George, a fellow Magnum photographer, who had travelled with Che in the Sierra Maestra, and then later filed reports for American intelligence.

ORIGINALNA PRES FOTOGRAFIJA IZ 70tih. NEMA POTPISA. dim. 30 x 25,5 cm Ernst Haas (March 2, 1921 – September 12, 1986) was a photojournalist and a pioneering color photographer. During his 40-year career, the Austrian-born artist bridged the gap between photojournalism and the use of photography as a medium for expression and creativity. In addition to his prolific coverage of events around the globe after World War II, Haas was an early innovator in color photography. His images were widely disseminated by magazines like Life and Vogue and, in 1962, were the subject of the first single-artist exhibition of color photography at New York’s Museum of Modern Art. He served as president of the cooperative Magnum Photos, and his book The Creation (1971) was one of the most successful photography books ever, selling 350,000 copies.

Fotografija izuzetnog kvaliteta,na slikarskom platnu. Dimenzije duže stranice slike iznose 1 metar ne računajući beli okvir koji je ostavljen zbog uramljivanja. Autor fotografije je Jovan Njegovic Drndak http://njegovic-photo.com/

Zivko Stojsavljevic (Benkovac, 1900 - Beograd, 1978) Venecija, 1950-te plavo mastilo na hartiji, 26 x 13,5 cm na poledjini zastitnog kartona posveta i signatura autora Kolekcija Pavle Beljanski poseduje veoma slican rad, vidi reprodukciju u katalogu na slici. Dva fotosertifikata.