lepe plave boje džemper šupljikavog rada koji odg.vel.l/xl model miš rukava širi render na kraju ruba visine 10cm zanimljiv za baš mnoge kombinacije za preko košulja,majica..uz farmerice se jako lepo uklapa lepo očuvan duž.67cm poluobim render (krajnji rub)49-66cm rukav od vrata 47cm

Prelep i potpuno nov dzemper LC Waikiki, u divnoj boji Fuchsia, nesto izmedju bordo i tamno roze, boja je kao na slici 3. Naznacena velicina je XL, odgovara i za XXL jer je lezeran model. Ima male sliceve sa strane, materijal je 80% akril, 20% poliester. Vrlo rado cu poslati tacne dimenzije. Za sva pitanja sam tu...

Oldtajmer Dimenzija rama 40 x 30 cm Dimenzija fotografije 31,5 x 21,5 cm.

Adel Ghabou original papirus, neotpakovan. Poseduje sertifikat i pecat. Slika nije uramljena, ali dolazi u originalnoj ambalazi. Dimenzije 34 cm x 24 cm.

papir 35x25cm

Photo - BT - art Autorska umetnička fotografija Aleksandar Trajković (r. 1972.) Snimljeno u selu Rsovci (Stara planina), maj 2021. godine. Dimenzija fotografije 18 x 24 cm Dimenzija rama 23,5 x 32 cm

Svetlucava strika na bluza,protkana koncem i zlatnim nitima.Napred Duzina bluze napred je 46cm,a pozadi 52cm Obim ispid miske je 100cm Obim u struku je 80cm Surina naramenice je 5cm Duzina rukava 56cm Velicina XS,pise na bluzi.

Super očuvan, nošen par puta. Može za S i M.

Fotografija čuvenog umetničkog fotografa iz Novog Sada Jovana Polzovića sa njegovom posvetom na poleđini. Stanje kao na slikama. Dva preloma -donji levi ugao. Dimenzije fotografije 24*18 cm

U odličnom stanju, obučen jedva par puta. Fotorafije realno prikazuju stanje. Bez oznake veličine, po mojoj proceni odgovara veličini M. Da li vam odgovara procenite preme sledećim dimenzijama: ramena - 37cm širina(poluobim) - 43cm dužina - 55cm rukav -54cm

NOV SA ETIKETOM, PLAVE LEPE BOJE, ` GRIFFON`, veličina M -L, najbolje se rukovodite merama 50% ACRYLIC , 50 % WOOL MERINOS - RAMENA 43 cm. - PAZUH 52 cm. - RUKAVI 64cm. . DUŽINA 60 cm. - MATERIJAL KVALITETAN BEZ ĆEBANJA; MALO JE RASTEGLJIV, SA STRANE NAŠIVENI DŽEPOVI 11x11 cm. - ZAKOPČAVANJE SA ŠEST MALIH DUGMETA, - BOJA JE ZA NIJANSU SVETLIJA NEGO NA GLAVNOJ SLICI - džemperić nov , cena ispod realne!

Prelep h&m dzemperić miš sive boje sa 3/4 rukavima.Korišćen,bez mana.Broj naznačen na slici.

džemper bele boje sa sarom na prednjoj strani u kom.ciklama,crne,roza i msalina zelene boje brenda marke Logg by H&M vel.S (visine 165m) ali i odg,i vel.M sastav 36% pamuk + 33% polyamid + 27% viskosa +4% alpaca nošen ali lepo očuvan izvolite mere duž.58cm poluobim pazuh 44cm poluobim struk 46cm krajnji rub 43/44cm duž.rukava 70cm(mereno od vrata)

♫ ♪ ♫ COS sivi duks NOVO Ramena nedefinisana, Duzina rukava od pazuha do ruba 33 cm, Duzina od pazuha do ruba artikla 49 cm, Duzina leđa 75 cm. Za sve dodatne informacije stojim Vam na raspolaganju. ❤ Postovani, medju mojim artiklima uglavnom cete naci visoko pozicionirane svetske brendove i uglavnom su to artikli prirodnih materijala/ pamuk, svila, viskoza, lan, vuna/kasmir/ ili visoko kvalitetnih drugih sastava. Izvolite pogledajte i zelim Vam svaki dan od srca nasmejan ❤

BROOKSHIRE PRELEP PRUGASTI DŽEMPER VEL. S, kao nov, topao I kvalitetan, u divnoj kombinaciji boja. Ramena: 38 – 42cm. Grudi (poluobim): 45 – 55cm. Rukavi: 60cm. Dužina: 60cm.

kombinovana tehnika na papiru 50x70cm. 2011/2016.

fotografija iz 1995. Kengo Kuma, arhitekta Bijenale u Veneciji Kengo Kuma (隈 研吾 Kuma Kengo, born 1954) is a Japanese architect and professor at the Graduate School of Architecture at the University of Tokyo. Frequently compared to contemporaries Shigeru Ban and Kazuyo Sejima, Kuma is also noted for his prolific writings. Kuma was born in Yokohama, and attended Eiko Gakuen junior and senior high schools. After graduating in Architecture from the University of Tokyo in 1979, he worked for a time at Nihon Sekkei and Toda Corporation. He then moved to New York City in the USA for further studies at Columbia University as a visiting researcher from 1985 to 1986.[citation needed] Career[edit] In 1987, he founded the `Spatial Design Studio`, and in 1990, he established his own office `Kengo Kuma & Associates`. He has taught at Columbia University, University of Illinois at Urbana-Champaign, and Keio University, where in 2008, Kuma was awarded his Ph.D. in Architecture.[2] As a professor at the Graduate School of Architecture at the University of Tokyo, he runs diverse research projects concerning architecture, urbanity and design within his own Laboratory, Kuma Lab.[3] His office Kengo Kuma & Associates employs over 150 architects in Tokyo and Paris, designing projects of diverse type and scale throughout the world. Philosophy and writings[edit] Kuma`s stated goal is to recover the tradition of Japanese buildings and to reinterpret these traditions for the 21st century. In 1997, he won the Architectural Institute of Japan Award and in 2009 was made an Officier de L`Ordre des Arts et des Lettres in France. Kuma lectures extensively and is the author of numerous books and articles discussing and criticizing approaches in contemporary architecture. His seminal text Anti-Object: The Dissolution and Disintegration of Architecture written in 2008, calls for an architecture of relations, respecting its surroundings instead of dominating them. Kuma`s projects maintain a keen interest in the manipulation of light with nature through materiality. Material theory[edit] Bato Hiroshige Museum Although remaining in continuity with Japanese traditions with the clarity of structural solutions, implied tectonics, and importance of light and transparency, Kengo Kuma does not restrain himself to the banal and superficial use of ‘light’ materials. Instead, he goes much deeper, extending to the mechanisms of composition to expand the possibilities of materiality. He utilizes technological advancements which can challenge unexpected materials, such as stone, into providing the same sense of lightness and softness as glass or wood. Kuma attempts to attain a sense of spatial immateriality as a consequence of the ‘particulate nature’ of the light and establishing a relationship between a space and the natural round[clarification needed] around it.[4] Commune by the Great Wall of China “You could say that my aim is ‘to recover the place’. The place is a result of nature and time; this is the most important aspect. I think my architecture is some kind of frame of nature. With it, we can experience nature more deeply and more intimately. Transparency is a characteristic of Japanese architecture; I try to use light and natural materials to get a new kind of transparency.” –Kengo Kuma[5] In many of Kengo Kuma’s projects, attention is focused on the connection spaces; on the segments between inside and outside, and one room to the next. The choice of materials stems not so much from an intention to guide the design of the forms, but to conform to the existing surroundings from a desire to compare similar materials, yet show the technical advances that have made possible new uses. When dealing with stone work, for example, Kuma displays a different character from the preexisting buildings of solid, heavy, traditional masonry construction. Instead his work surprises the eye by slimming down and dissolving the walls in an effort to express a certain “lightness” and immateriality, suggesting an illusion of ambiguity and weakness not common to the solidity of stone construction.[5] Projects[edit] Key projects include the Suntory Museum of Art in Tokyo, Bamboo Wall House in China, LVMH (Louis Vuitton Moet Hennessy) Group`s Japan headquarters, Besançon Art Center in France, and one of the largest spas in the Caribbean for Mandarin Oriental Dellis Cay.[6] Stone Roof, a private residence in Nagano, Japan, built in 2010, consists of a roof which is meant to spring from the ground, providing a complete enclosure to the home. A local stone was chosen to intimately relate itself to the preexisting natural environment of the mountain side. The exterior stone work is made light and airy by cutting each stone into thin slices and bracing each slice as a pivoting panel. In this way, the heavy quality of stone is diluted and provides the eye with an illusion of lightness, allowing light and air directly into the space within. With this choice of material and construction, a new kind of transparency emerges; one that not only frames nature the way a glass curtain wall would, but also deeply relates itself to the mountain side.[7] In 2016, Kuma also delved into designing pre-fabricated pavilions in partnership with Revolution Precrafted. He designed the mobile multifunctional pavilion named The Aluminum Cloud Pavilion. The structure, composed of aluminum panels joined using Kangou technique, can be used as a teahouse or a space of meditation.[8] Kuma Lab[edit] Kuma Lab is a Research Laboratory headed by Kuma based in the Department of Architecture, Faculty of Engineering at the University of Tokyo`s Hongo Campus that was started in 2009.[3] In 2012, Kuma Lab published the book Patterns and Layering, Japanese Spatial Culture, Nature and Architecture,including the research from various Doctoral Candidate Lab members.[9] Its research topics consist of a comprehensive survey of architectural, urban, community, landscape, and product designs; survey of structural, material, and mechanical designs; and methodology for bridging sustainable, physical, and information designs. Its activities include participation in architectural design competitions, organization and management of regional and international design workshop, joint research with other departments at the University of Tokyo, and research and proposal to aid the recovery from the Great East Japan earthquake. Selected works[edit] Nagasaki Prefectural Art Museum Taikoo Li Sanlitun in Beijing M2 building (1989–1991) Kiro-San observatory (1994) Kitakami Canal Museum (1994) Water/Glass, Atami (1995) Bato Hiroshige Museum (2000) Stone Museum (2000) Great (Bamboo) Wall House, Beijing (2002) Plastic House (2002) LVMH Group Japan headquarters, Osaka (2003) Lotus House (2003) Suntory`s Tokyo office building Nagasaki Prefectural Art Museum (2005) Kodan apartments (2005) Water Block House (2007) The Opposite House, Beijing (2008) Nezu Museum, Minato, Tokyo, (2009) V&A at Dundee[10] (2010) Stone Roof (2010) Taikoo Li Sanlitun, Beijing (2010) Akagi Jinja and Park Court Kagurazaka (2010) Yusuhara Wooden Bridge Museum (2011) Meme Meadows Experimental House, Hokkaido. Japan (2012)[11] Wisdom Tea House (2012)[12] Seibu 4000 series Fifty-two Seats of Happiness tourist train refurbishment (2016)[13] Japanese Garden Cultural Village, Portland, Oregon, USA (2017)

onirično, metafizično i moderno Ovaj rad je originalan i potpisan Zorica, mozda Zorica Sujica vidi sliku, nismo uradili domaci... Tus, 17 x 20 cm potpisan i datiran

prelep tanak dzemperak , moze samo da se ogrne sad u ovo vreme . uz sve prilike. nebo plave boje , na zakopcavanje. rukavi tricetvrt mogu i deca da ga nose mere - ramena 35cm ispod pazuha 42cm rukavi 40cm duzina 53cm

MASSIMO DUTTI džemper sa ojačanim lakotovima Sirina ramena 44 cm, duzina unutrasnjeg sava rukava / od ispod pazuha do ruba rukava/ 46 cm, duzina rukava od ramena 59 cm, poluobim od sava do sava ispod pazuha je 55 cm, duzina sava od pazuha do ruba artikla je 43 cm, duzina ledja 64 cm. Za sve dodatne informacije Vam stojim na raspolaganju. ❤ Postovani, medju mojim artiklima uglavnom cete naci visoko pozicionirane svetske brendove i uglavnom su to artikli prirodnih materijala/ pamuk, svila, viskoza, lan, vuna/kasmir/ ili visoko kvalitetnih drugih sastava. Izvolite pogledajte i zelim Vam svaki dan od srca nasmejan ❤

Bluza sa smaknutim rukavima, ispod krudi je lastiž, a na donjem delu pertla za podešavanje širine. sastav je 100% pamuk. Dužina je 60cm, širina (bez lastiža) 47cm, dužina rukava 19cm.

Nekoristen Boja zlatna(sljokice) Velicina 44 Sastav 92% poliamid,8% poliester. Ramena 35 cm Od pazuha do pazuha 40 cm Dužina 58 cm Rukavi 65 cm Kopcanje dva dugmeta po sredini.

Nije koristen!! Velicina M Ramena 38 cm Od pazuha do pazuha 50 cm Dužina 62 cm Rukavi 65 cm

Veličina S 62% akril ,38% poliamid Ramena 36 cm Od pazuha do pazuha 47 cm Dužina 60 cm Rukavi 68 cm

Zanimljiva, topla, meka tunika-džemper, sa rol kragnom, Made in Turkey. Veličina ne piše, po meni ko nosi S ili M, mere bez rastezanja širina ramena 38 cm širina preko grudi 38 cm širina struka 36 cm širina bokova 43 cm dužina 73 cm dužina rukava 56 cm Sastav 70% acril i 30% pamuk Nije postavljena. Zanimljiv ukras na rol kragni, svetlo braon kožica. Izuzetno očuvana, meni deluje da je nova, nekorišćena. Šaljem i kao preporučeno pismo jer je jeftinija poštarina. Za više kupljenih stvari GRATIS poštarina. Pogledajte i ostale moje oglase.