Univerzum želi da postignete sve što želite u životu, a uz pomoć ove praktične knjige vi to i možete da učinite. Veruj i dobićeš je moćna referentna knjiga koja proučava četrdeset prirodnih zakona univerzuma kroz realistični pristup. Ove prirodne zakone možete da koristite da biste svesno radili na ostvarivanju svojih ciljeva.Melisa Alvarez posvetila je po jedno poglavlje svakom od ovih zakona, upotpunivši sve opisom zakona i njegovim istorijatom, odgovarajućim afirmacijama, korisnim savetima za primenu zakona i vežbama koje možete odmah da radite. Veruj i dobićeš olakšava nam primenu ovih prirodnih zakona i pomaže nam da razumemo kako nas oni povezuju sa univerzumom. Kada znate kako da pravilno kombinujete svoje misli, osećanja, uverenja i očekivanja sa pozitivnom energijom, duhovno se razvijate i počinjete da živite srećno u izobilju.Rad sa prirodnim zakonima univerzuma dovešće do promena u načinu na koji reagujete na situacije u svom životu. Naučićete kako da prepoznajete pozitivne mogućnosti u svemu, umesto da pretpostavljate najgore ili primećujete ono negativno, i dovešće do toga da se osećate kao jedno sa svime što postoji.Inspirativna knjiga prepuna praktičnih saveta. Duhovni zakoni univerzuma mogu da rade za naše dobro ili protiv nas, a Melisa Alvarez pokazuje nam kako da ih navedemo na to da svaki put rade za nas.

Nema ničega što ne možete biti, raditi ili imati.Ovo je knjiga o vašem ponovnom usklađivanju s energijom Izvora. Ona govori o vašem ponovnom buđenju u jasnovidosti, dobroti i snazi koje vas čine kao ličnost. Napisana je da bi vam pomogla da se svesno vratite spoznaji da ste slobodni i da ste to oduvek bili - i da ćete uvek biti slobodni da pravite sopstvene izbore.U ovoj fascinantnoj knjizi Ester i Džeri Hiks predstavljaju učenje ne-fizičkog entiteta Abrahama, koje će vam pomoći da naučite kako da manifestujete svoje želje i živite radosnim i ispunjenim životom.Uz pomoć Abrahama, shvatićete kako na vaše zdravlje, odnose s ljudima, finansijsko stanje i sva ostala područja života, utiču zakoni Univerzuma koji upravljaju vašom prostorno -vremenskom stvarnošću, i otkrićete moćne procese koji će vam omogućiti da se uskladite sa pozitivnim tokom svog života jer ste rođenjem stekli pravo na sve ono što je dobro. Dobrobit je temelj ovog Univerzuma. Dobrobit je temelj svega što postoji. Ona teče prema vama i kroz vas. Potrebno je samo da joj dozvolite. Poput vazduha koji udišete, sve što je potrebno jeste da se otvorite, opustite i povučete je u svoje biće. Ova knjiga govori o svesnom dopuštanju da se prirodno povežete s bujicom dobrobiti. Njena svrha je da se prisetite ko ste zapravo, kako biste mogli da nastavite da kreirate svoje životno iskustvo na način na koji ste nameravali pre no što ste dospeli u ovo fizičko telo i u ovo veličanstveno iskustvo u kojem ste nameravali da u potpunosti izrazite svoju slobodu na beskrajne, radosne, stvaralačke načine.

„Dobar san je nešto što ne ispuštaš do poslednjeg časa pre nego što se probudiš.”Razdeljen svet. Ljubav pod opsadom.Prošlo je nekoliko meseci otkako je Arija poslednji put videla Perija. Otkako je Peri proglašen za Prvokrvnog Plima. A Arija je dobila nemogući zadatak. Sada će konačno ponovo biti zajedno. Ali njihov ponovni susret je daleko od savršenog. Plime ne vole Ariju, nekadašnju Stanarku. I dok sve strašnije etarske oluje prete neizvesnom opstanku plemena, Arija počinje da veruje da je možda jedini način da ih oboje spase da ostavi Perija.Okruženi lažnim prijateljima i moćnim iskušenjima, Arija i Peri se pitaju da li njihova ljubav može da opstane u večnoj noći. Ova priča o odanosti, opstanku i ljubavi ispunjava sva očekivanja. - Booklist

Pravilnik za najbolje metode roditeljstva, knjiga Šta sjajni roditelji rade, zbirka je strategija za prevazilaženje problematičnog dečjeg ponašanja, stvaranje snažnih porodičnih veza i usmeravanje dece kako bi izrasla u srećne, pažljive i odgovorne odrasle osobe.Šta sjajni roditelji rade je mapa svih stvari koje su vam potrebne kao roditelju i kojima ćete se iznova vraćati. Psiholog Erika Rajšer koristi se rezultatima najnovijih istraživanja iz oblasti dečjeg razvoja i kognitivne nauke, a tako dobijena saznanja obogaćuje stvarnim primerima, korisnim savetima i tehnikama koje roditelji odmah mogu primeniti. Pokazaće vam, između ostalog:• Kako da izbegnete uobičajene roditeljske greške;• Kako da borbu za nadmoć pretvorite u saradnju;• Kako da promenite neželjeno ponašanje, poput kukanja i odugovlačenja, bez vike ili grdnje.Šta sjajni roditelji rade zasnovana je na popularnim roditeljskim radionicama na kojima dr Erika Rajšer spaja istraživanje sa primerima iz stvarnog života i dolazi do poznatih, primenljivih i lako razumljivih rešenja.

Uz pomoć ove radne sveske dete će upoznati svoje okruženje i naučiti da se snalazi u vremenu i prostoru.Na početku, vaše dete će otkriti materijale i boje, a mnogobrojne aktivnosti omogućiće mu da nauči da se snalazi u vremenu i prostoru. Pritom, dete će otkriti živi svet i svoje okruženje zahvaljujući karticama s životnim ciklusima, životinjama i biljkama. Od deteta će se tražiti da razvrstava, upoređuje, vizuelno razdvaja i manipuliše trodimenzionalnim geometrijskim telima. Kako bi realizovalo brojne aktivnosti, zasnovane na Montesori pedagogiji, dete će koristiti materijal koji je priložen na kraju sveske:- šeme za pravljenje trodimenzionalnih geometrijskih tela (kocke, kvadra, piramide, valjka);- karte godišnjih doba;- karte ljudskog tela;- karte životinja i biljaka;- karte životnog ciklusa;- karte emocija i senzacija.

Istražuj i otkrij sve tajne životinjskog sveta!Uz brojne očaravajuće fotografije i ilustracije, ovaj atlas vas vodi na fascinantno vizuelno putovanje od upoznavanja neverovatnih stvorenja s kojima delimo našu planetu do otkrivanja velikih i neverovatnih tajni.Ovaj izuzetno ilustrovani atlas životinja predstavljen je kao enciklopedija i namenjen je najmlađima. Karte koje prikazuju u kojim oblastima žive pojedine životinjske vrste i ilustracije koje dočaravaju život životinja u različitim godišnjim dobima pomoći će vam da upoznate životinje svih kontinenata i saznate kako one žive (o staništima, navikama u ishrani i ciklusima života životinja).

Od istaknutog lekara, pionira u radu sa decom s bihevioralnim poteškoćama i autora proslavljenog dela Eksplozivno dete, stiže nam potpuno nov pristup razumevanju i pomaganju ovoj deci, ali i preobražaju školske discipline.Česti odlasci kod direktora. Kazne. Udaljavanja sa nastave. Isključenja. Ovo su uobičajeni alati za disciplinovanje dece koja ne poštuju školska pravila i imaju poteškoća da se slože s drugarima; kao da ne poštuju autoritet niti ih zanima učenje i ometaju ostale u usvajanju znanja. Ali postoji veliki problem s ovim strategijama: nemaju pozitivan uticaj na većinu ovakvih učenika. Vreme je za promenu pravca. Doktor Ros V. Grin predstavlja nam inovativnu, jasnu i praktičnu alternativu. Oslanjajući se na istraživanja neuronauka, dr Grin nudi novi koncept za razumevanje poteškoća dece s bihevioralnim problemima i objašnjava zašto je tradicionalna disciplina neefikasna kada se suoči s ovim izazovom. Ističe da su deca dobra ako to mogu i odgovorno tvrdi da ona ne traže pažnju, nisu manipulativna, ne iskušavaju naše strpljenje, ne stavljaju nas pred svršen čin, niti su nemotivisana, već jednostavno nisu sposobna da se ponašaju u skladu sa situacijom. A kada odrasli spoznaju prave uzroke problematičnog ponašanja i počnu da uče decu tim veštinama onako kako ih ona mogu razumeti, postižu se neverovatni rezultati: deca prevazilaze prepreke; smanjuju se nezadovoljstvo i bes vaspitača, roditelja i školskih drugara; učenici bolje uče i bolje se osećaju.U ovoj knjizi dr Grin opisuje kako njegov isprobani pristup zasnovan na dokazima, koji se zove „Zajedničko rešavanje problema”, može pomoći deci u školi.Njegova živa, zanimljiva priča sadrži i:• Alate za prepoznavanje okidača i nerazvijenih sposobnosti koje izazivaju problematično ponašanje.• Precizna uputstva kako radikalno popraviti odnos sa decom – uz mnogo primera koji pokazuju kako se to radi.• Dijalozi, pitanja i odgovori, i priča koja se provlači kroz celu knjigu – o jednom detetu s bihevioralnim poteškoćama, njegovim nastavnicima, roditeljima i disciplini u školi.• Praktična uputstva za uspešno planiranje i saradnju predavača, roditelja, školskog sistema i dece.

Srbija kakvu ne poznaješ! Otkrij sve činjenice i čuda Srbije, istraži prelepe gradove i kreni na krstarenje rekama i spremi se za planinarenje do najviših vrhova planina! Uz ilustrovane pregledne reljefne karte otkrij zanimljive i važne geografske karakteristike Srbije, kao i osnovne podatke o istoriji i kulturi svakog grada.

Zahvaljujući ovoj Montesori svesci i njenom prilagođenom materijalu, vaše dete će naučiti matematiku.U prvom delu, kroz aktivnosti razvrstavanja i vizuelnog razdvajanja oblika, boja i veličina, dete će strukturirati svoje mišljenje. Od deteta će se tražiti da manipuliše, upoređuje, povezuje oblike i objekte, da preklapa (pomoću tangrama, sudoku oblika, karata za grupisanje). Ove vežbe odlična su osnova za pripremu učenja geometrije. U drugom delu, dete će učiti brojanje i računanje.Kako bi realizovalo brojne aktivnosti, zasnovane na Montesori pedagogiji, dete će koristiti materijal koji je priložen na kraju sveske:– crvene i plave brojčane kodove za razumevanje pojma jedinice;– hrapave brojeve koje će samo napraviti; – domine, da bi naučilo parne i neparne brojeve;– obojene i zlatne perle i trake za brojanje, upoređivanje i dodavanje;– Segin tabele kako bi naučilo brojeve od 11 do 99;- zlatne perle da bi otkrilo decimalni sistem.

Šta biste uradili kada biste se zaljubili u nekoga ko nije ljudsko biće? Bar ne u potpunosti. I šta biste uradili kada biste shvatili da je ta osoba anđeo? Vaš anđeo - čuvar. Koliko biste daleko otišli zbog ljubavi koja je toliko nebeska da je skoro nedodirljiva? Kada je Adama Kristakisa jednog dana udario auto, desilo se nešto o čemu nije mogao ni da sanja - pomislio je da je mrtav, ali nije bio. Umesto smrti susreo je svog anđela - čuvara, Karolinu. Tada se stvorila snažna veza između njih dvoje i počelo je putovanje zabranjene ljubavi. Međutim, kada se pojavio anđeo - čuvar, pojavio se i anđeo smrti, i tada je započela smrtonosna igra sa mnoštvom zapleta.

„Svetlost dana neće vas zaštititi ni od čega. Loše stvari dešavaju se stalno: ne čekaju da završite sa večerom.”Nekadašnje čudo od pijanistkinje, Nastja Kašnjikov, želi dve stvari: da pregura srednju školu tako da niko ne sazna za njenu prošlost, i da natera dečka koji joj je uzeo sve – njen identitet, njen duh, njenu želju za životom – da plati.Priča Džoša Beneta nije tajna: svaka osoba koju je voleo otrgnuta je iz njegovog života sve dok, u svojoj sedamnaestoj godini, nije ostao potpuno sam. Sada samo želi da ga svi ostave na miru, i ljudi to prihvataju, jer kada je vaše ime sinonim za smrt, svi teže ka tome da vam se sklone s puta.Svi osim Nastje, zagonetne nove devojke koja se uporno pojavljuje i odbija da ode, sve dok se ne uvuče u svaki delić njegovog života. Ali što je više upoznaje, ona je sve zagonetnija. Kako njihova veza postaje snažnija, a pitanja bez odgovora se nagomilavaju, Džoš počinje da se pita hoće li ikada otkriti njene tajne – i da li to uopšte želi.Okean tišine je bogata, snažna i vrhunski zamišljena priča o usamljenom dečku, krhkoj devojci i čudima druge prilike.„Okean tišine me je podsetio da knjige nisu samo zabava; one su mnogo više. Ova je bila mnogo više. Probudila mi je osećanja, osvojila srce, obuzela misli... i postala deo mene.“ Tough Critic Book Reviews

PUČINA / OBIČAN ČOVEK, Branislav Nušić Jugoistok, Beograd, 1943. RETKO IZDANJE , IZDATO ZA VREME II SVETKSOG RATA tvrd povez knjiga je prekoričavana 290 strana za svoje godine veoma dobro očuvana sa uobičajenim tragovima stajanja

Original, made in EU Novo, u celofanu Redak disk Mentor i ucitelj Luja Armstronga King Oliver And His Creole Jazz Band* – 1923 Label: Classics (11) – CLASSICS 650 Series: The Classics Chronological Series – 650 Format: CD, Compilation, Remastered Country: France Released: Jul 1992 Genre: Jazz Style: 1 King Oliver`s Creole Jazz Band– Just Gone 2:38 2 King Oliver`s Creole Jazz Band– Canal Street Blues 2:30 3 King Oliver`s Creole Jazz Band– Mandy Lee Blues 2:09 4 King Oliver`s Creole Jazz Band– I`m Going Away To Wear You Off My Mind 2:50 5 King Oliver`s Creole Jazz Band– Chimes Blues 2:48 6 King Oliver`s Creole Jazz Band– Weather Bird Rag 2:38 7 King Oliver`s Creole Jazz Band– Dipper Mouth Blues 2:27 8 King Oliver`s Creole Jazz Band– Froggie Moore 2:59 9 King Oliver`s Creole Jazz Band– Snake Rag 2:58 10 King Oliver`s Jazz Band– Snake Rag 3:15 11 King Oliver`s Jazz Band– Sweet Lovin` Man 2:41 12 King Oliver`s Jazz Band– High Society Rag 2:55 13 King Oliver`s Jazz Band– Sobbin` Blues 3:07 14 King Oliver`s Jazz Band– Where Did You Stay Last Night? 2:27 15 King Oliver`s Jazz Band– Dipper Mouth Blues 2:13 16 King Oliver`s Jazz Band– Jazzin` Babies` Blues 2:56 17 King Oliver And His Creole Jazz Band*– Alligator Hop 2:19 18 King Oliver And His Creole Jazz Band*– Zulus Ball 2:31 19 King Oliver And His Creole Jazz Band*– Working Man`s Blues 2:10 20 King Oliver And His Creole Jazz Band*– Krooked Blues 2:49 21 King Oliver`s Jazz Band– Chattanooga Stomp 2:57 22 King Oliver`s Jazz Band– London (Cafe) Blues 2:41 23 King Oliver`s Jazz Band– Camp Meeting Blues 2:54 24 King Oliver`s Jazz Band– New Orleans Stomp 2:52 Barcode: 307517065025 Joseph Nathan `King` Oliver (December 19, 1881 – April 10, 1938) was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including `Dippermouth Blues`, `Sweet Like This`, `Canal Street Blues`, and `Doctor Jazz`. He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, `if it had not been for Joe Oliver, Jazz would not be what it is today.` Biography Life Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville in Ascension Parish, and moved to New Orleans in his youth. He first studied the trombone, then changed to cornet. From 1908 to 1917 he played cornet in New Orleans brass bands and dance bands and in the city`s red-light district, which came to be known as Storyville. A band he co-led with trombonist Kid Ory was considered one of the best and hottest in New Orleans in the late 1910s.[2] He was popular in New Orleans across economic and racial lines and was in demand for music jobs of all kinds. According to an interview at Tulane University`s Hogan Jazz Archive with Oliver`s widow Estella, a fight broke out at a dance where Oliver was playing, and the police arrested him, his band, and the fighters. After Storyville closed, he moved to Chicago in 1918 with his wife and step-daughter, Ruby Tuesday Oliver.[3] Noticeably different in his approach were faster tempos, unlike the slow drags in the African-American dance halls of New Orleans.[4] In Chicago, he found work with colleagues from New Orleans, such as clarinetist Lawrence Duhé, bassist Bill Johnson, trombonist Roy Palmer, and drummer Paul Barbarin.[5] He became leader of Duhé`s band, playing at a number of Chicago clubs. In the summer of 1921 he took a group to the West Coast, playing engagements in San Francisco and Oakland, California.[3] On the west coast, Oliver and his band engaged with the vaudeville tradition, performing in plantation outfits.[6] Oliver and his band returned to Chicago in 1922, where they started playing in the Royal Gardens cabaret (later renamed the Lincoln Gardens) as King Oliver and his Creole Jazz Band. In addition to Oliver on cornet, the personnel included his protégé Louis Armstrong on second cornet, Baby Dodds on drums, Johnny Dodds on clarinet, Lil Hardin (later Armstrong`s wife) on piano, Honoré Dutrey on trombone, and Bill Johnson on double bass.[3] Recordings made by this group in 1923 for Gennett, Okeh, Paramount, and Columbia demonstrated the New Orleans style of collective improvisation, also known as Dixieland, and brought it to a larger audience. Armstrong notably had to stand in the corner of the room, away from the horn, because of his powerful playing.[7] In addition, white musicians would visit Lincoln Gardens in order to learn from Oliver and his band.[8] A prospective tour in the midwestern states ultimately broke up the band in 1924.[9] In the mid-1920s Oliver enlarged his band to nine musicians, performing under the name King Oliver and his Dixie Syncopators, and began using more written arrangements with jazz solos. This band led by Oliver at the Plantation Café was in direct competition with Louis Armstrong`s Sunset Stompers, who performed at the Sunset Café.[10] In 1927 the band went to New York, but he disbanded it to do freelance jobs. In the later 1920s, he struggled with playing trumpet due to his gum disease, so he employed others to handle the solos, including his nephew Dave Nelson, Louis Metcalf, and Red Allen. He reunited the band in 1928, recording for Victor Talking Machine Company one year later. He continued with modest success until a downturn in the economy made it more difficult to find bookings. His periodontitis made playing the trumpet progressively difficult.[11] He quit playing music in 1937.[3] Work and influence As a player, Oliver took great interest in altering his horn`s sound. He pioneered the use of mutes, including the rubber plumber`s plunger, derby hat, bottles and cups. His favorite mute was a small metal mute made by the C.G. Conn Instrument Company, with which he played his famous solo on his composition the `Dippermouth Blues` (an early nickname for fellow cornetist Louis Armstrong). His recording `Wa Wa Wa` with the Dixie Syncopators can be credited with giving the name wah-wah to such techniques. This `freak` style of trumpet playing was also featured in his composition, `Eccentric.`[12] Oliver was also a talented composer, and wrote many tunes that are still regularly played, including `Dippermouth Blues,` `Sweet Like This,` `Canal Street Blues,` and `Doctor Jazz.` `Dippermouth Blues,` for example, was adapted by Don Redman for Fletcher Henderson`s Orchestra under the new name of `Sugar Foot Stomp.` Oliver performed mostly on cornet, but like many cornetists he switched to trumpet in the late 1920s. He credited jazz pioneer Buddy Bolden as an early influence, and in turn was a major influence on numerous younger cornet/trumpet players in New Orleans and Chicago, including Tommy Ladnier, Paul Mares, Muggsy Spanier, Johnny Wiggs, Frank Guarente and, the most famous of all, Armstrong. One of his protégés, Louis Panico (cornetist with the Isham Jones Orchestra), authored a book entitled The Novelty Cornetist, which is illustrated with photos showing some of the mute techniques he learned from Oliver. As mentor to Armstrong in New Orleans, Oliver taught young Louis and gave him his job in Kid Ory`s band when he went to Chicago. A few years later Oliver summoned him to Chicago to play with his band. Louis remembered Oliver as `Papa Joe` and considered him his idol and inspiration. In his autobiography, Satchmo: My Life in New Orleans, Armstrong wrote: `It was my ambition to play as he did. I still think that if it had not been for Joe Oliver, Jazz would not be what it is today. He was a creator in his own right.`[1] Hardships in later years, decline and death Oliver`s business acumen was often less than his musical ability. A succession of managers stole money from him, and he tried to negotiate more money for his band than the Savoy Ballroom was willing to pay – losing the job. He lost the chance of an important engagement at New York City`s famous Cotton Club when he held out for more money; young Duke Ellington took the job and subsequently catapulted to fame.[13] The Great Depression brought hardship to Oliver. He lost his life savings to a collapsed bank in Chicago, and he struggled to keep his band together through a series of hand-to-mouth gigs until the group broke up. Oliver also had health problems, such as pyorrhea, a gum disease that was partly caused by his love of sugar sandwiches and it made it very difficult for him to play[14] and he soon began delegating solos to younger players, but by 1935, he could no longer play the trumpet at all.[15] Oliver was stranded in Savannah, Georgia, where he pawned his trumpet and finest suits and briefly ran a fruit stall, then he worked as a janitor at Wimberly`s Recreation Hall (526-528 West Broad Street).[15] Oliver died in poverty `of arteriosclerosis, too broke to afford treatment`[16] in a Savannah rooming house on April 8 or 10, 1938.[17] His sister spent her rent money to have his body brought to New York, where he was buried at Woodlawn Cemetery in The Bronx. Armstrong and other loyal musician friends were in attendance.[18] Honors and awards Oliver was inducted as a charter member of the Gennett Records Walk of Fame in Richmond, Indiana in 2007. Selected compilation discography Papa Joe: King Oliver and His Dixie Syncopators 1926–1928 (Decca, 1969) Louis Armstrong and King Oliver (Milestone, 1974) The New York Sessions (Bluebird, 1989) Sugar Foot Stomp The Original Decca Recordings (GRP, 1992) Dippermouth Blues (ASV Living Era, 1996) Great Original Performances 1923–1930 (Louisiana Red Hot, 1998) Sugar Foot Stomp Vocalion & Brunswick Recordings Vol. 1 (Frog, 2000) The Best of King Oliver (Blues Forever, 2001) The Complete Set: King Oliver`s Creole Jazz Band (Retrieval, 2004) The Complete 1923 Jazz Band Recordings (Off the Record, 2006) King Joe Oliver by Walter C. Allen and Brian A. L. Rust, Jazz Monographs No. 1, February 1956, published by Walter C. Allen Beleville, N.J. (This is the second printing; Jazz Monographs No. 1. October 1955 was the first printing of this biography and discography.)

Original, made in EU Knjizica od 12 str. Odlicno ocuvano Evolve (stylized as ƎVOLVE) is the third studio album by American pop rock band Imagine Dragons, released on June 23, 2017, by Kidinakorner and Interscope Records. After the release of their previous album Smoke + Mirrors (2015) and its respective world tour, a self-imposed hiatus for 2016 and cryptic messages from the band through their social media gained anticipation for their third album; it was finally announced on May 9, 2017, along with the initiation of its pre-order. In comparison to Smoke + Mirrors and their 2012 debut Night Visions, frontman Dan Reynolds called the album an `evolution` for the band. Evolve peaked at number 2 on the US Billboard 200, and received mixed reviews from critics; some acknowledged the band`s claim of evolution, while others described it as lifeless and commercially oriented. It was promoted with the singles `Believer`, `Thunder`, `Whatever It Takes`, and `Next to Me`, as well as a world tour produced by Live Nation and supported with Grouplove and K.Flay that started in September 2017. The album was also nominated for the Grammy Award for Best Pop Vocal Album at the 60th Annual Grammy Awards Background In February 2016, after the success of their second album Smoke + Mirrors and a ten month long world tour, the members of Imagine Dragons vowed to take time off from the band. In an interview with Billboard, lead singer Dan Reynolds stated that the group would be on hiatus for the remainder of the year, explaining `We [Imagine Dragons] haven`t stopped in, like, six years, so we`ve forced ourselves to at least take a year off.`[2] Throughout 2016, the band contributed songs to the soundtracks for Me Before You, Suicide Squad and Passengers, as well as playing at several shows. The band first began preparing their third album on September 13, 2016, with a picture of guitarist Wayne Sermon in the band`s recording studio and continued releasing cryptic messages over the next four months. On January 24, 2017, the band tweeted `goodnight +`,[3] effectively ending the Smoke + Mirrors album cycle. Composition Reynolds had noted that the album, compared to Night Visions and Smoke + Mirrors, is `an evolution for Imagine Dragons`.[4] The album`s sound has been described as pop rock,[5] electronic,[6] pop[7] and EDM[8] while containing elements of R&B and hip hop.[9][10] Personnel Credits adapted from AllMusic.[39] Dan Reynolds – lead vocals, keyboards, backing vocals, acoustic guitar Wayne Sermon – electric guitar, backing vocals, acoustic guitar Ben McKee – bass guitar, keyboards, backing vocals Daniel Platzman – drums, percussion, backing vocals Serban Ghenea – mixing Manny Marroquin – mixing Tom Coyne – mastering Randy Merrill – mastering

U dve knjige Preveo Veljko Lukic Pogovor Aleksandar Flaker Izdavac - Naprijed, Zagreb Godina - 1963. Knjige u dobrom stanju,bez podvlacenja ili ostecenja,bez ispisane posvete,tvrd povez,format 20 cm,375 + 536 str. (00)

Reč jednog od autora: Jedne večeri smo se, „tako“, „mi“, junak ove povesti (Skot Abot) i njen Pripovedač (moja malenkost), zadesili u nekom nepoznatom gradu. Doputovali smo „ovamo“ tragajući za bilo kakvim materijalnim dokazom boravka „ovde“ Trećega: našeg zajedničkog Junaka (Petera Handkea). Žarko Radaković

Zbirka recepata za jednostavnu pripremu izvrsnih i zdravih slanih i slatkih jela bez belog brašna, rafinisanih šećera i ulja.

OMOT 5- CD 5 NOV NESLUŠAN Label: City Records (2) ‎– CD 000 050 Format: CD, Album Country: Yugoslavia Released: 1999 Genre: Electronic, Rock, Pop Style: Downtempo, Euro House, Pop Rock, Acoustic, Europop Tracklist 1 Izbrisaću Tragove 3:39 2 Ljubav Je Moj Greh 3:56 3 Pogledaj Me Sad 3:35 4 Odlazim 4:22 5 Tečeš Mi Kroz Vene 3:57 6 Nemoj Plakati 2:54 7 Strah Od Ljubavi 4:28 8 Premalo Te Poznajem 3:44 9 Nemam Snage 4:11 10 Noć Ni Dan 3:17 Bonus Track 11 Izbrisaću Tragove (Unplugged) 3:19 12 Strah Od Ljubavi (Instrumental) 4:28 Companies, etc. Recorded At – Studio Pink Made By – VTCD Credits Arranged By, Producer – A. Perišić - Romario* Design – Srdjan Vasić Lyrics By – O. Stoiljković* (tracks: 1 to 11) Mastered By – Igor* Music By – A. Perišić - Romario* (tracks: 6), O. Stoiljković* (tracks: 1 to 5, 7 to 12) Musician – A. Perišić - Romario*, Bojan Pejović, Ermin (2), O.Stoiljković* Photography By – Dejan Milićević (2) Recorded By – Dejan* Vocals – Jelena Simić, O.Stoiljković* Notes Recorded in the period July - August 1998. Barcode and Other Identifiers Rights Society: SOKOJ Matrix / Runout: VTCD CD 000 050 Other (Copyrights Year (Cover)): ©1998. Other (Copyrights Year (CD Label)): ©1999.℗

odlično očuvana

Furiozna završnica sage o Pet Zmajeva. RAT ZA MESEC BESNI. NJEGOV ISHOD ODREDIĆE SUDBINU CELOG ČOVEČANSTVA. Stotinu godina u budućnosti, vodi se rat između Pet Zmajeva – pet porodica koje kontrolišu vodeće industrijske kompanije na Mesecu. Svaki klan čini sve što je u njegovoj moći da se uzvere na vrh lanca ishrane – ugovorenim brakovima, korporativnom špijunažom, otmicama i masovnim ubistvima. Domišljatim političkim manipulacijama i pukom snagom volje Lukas Korta se diže iz pepela i grabi kontrolu nad Mesecom. Može ga zaustaviti jedino njegova sestra Arijel, briljantna lunarna pravnica. Prisustvujte konačnoj borbi Zmajeva za apsolutnu vlast u finalu trilogije Luna Ijana Mekdonalda od koje će vam zastati srce. Ijan Mekdonald je rođen 1960. u Mančesteru u Engleskoj. Majka mu je Irkinja, a otac Škot. Sa porodicom se preselio u Severnu Irsku 1965. Osvojio je nagradu Lokus, nagradu Britanske naučnofantastične asocijacije i Memorijalnu nagradu Džon V. Kembel. Trenutno živi u Belfastu.