Iz recenzije: ’’Delo Svete Marije (Skopcove) Dostojevski i današnjica nije suvoparni rad eksperta za rusku književnost, nego lično viđenje suštine stvaralaštva slavnog pisca. Ono što je ova pesnikinja i svetiteljka naših dana prepoznala kao samu srž dela Dostojevskog, prikazala je sažeto i jezikom koji ne zamara čitaoca. Naprotiv. Knjiga se čita zaista u jednom dahu. I na kraju svaki čitalac zažali što tekst nije duži.’’

Ako se osećate nesnađeno u sopstvenom životu i ako vam više ni do čega nije stalo, to znači da živite na autopilotu. Ne mislite o budućnosti, vučete se kroz život dok drugima izgleda da držite sve konce u svojim rukama. Vreme je da se trgnete! Ako nastavite ovako, upropastićete se. Ova knjiga vam pokazuje kako da se resetujete i pronađete novu motivaciju za ispunjeniji i srećniji život. Iz recenzije: „Vreme je da napravite smelu i odgovornu promenu u životu, a Prestanite da živite na autopilotu pravi je vodič koji vam je za to potreban.” Mari Forleo, autorka knjige Everything is Figureoutable, vodećeg bestselera Njujork tajmsa

U Lanskenet, mali grad u Francuskoj, jednog dana stiže Vijan Roše. Odlučuje da preko puta crkve otvori čokolateriju. Čokolaterija i Vijanine poslastice izazvaće oprečne reakcije meštana... Iz recenzija: „Vijan privlači nepodobne i neprilagođene. Čokolada joj je puna dobrote i utehe. Od njene radnje vodi put ka boljem životu. Čokolada je roman pun vedrine i nade.“ Guardian „Priča o grehu, krivici, radosti i ljubavi, zaslađena drskim čokoladnim delikatesima, koja će vas raznežiti i obodriti.“ Publishers Weekly „Slatko, bogato i opojno poput najfinijeg čokoladnog musa. Pažnja osobama koje su na dijeti: ova bujna proza puna je opisa ukusnih poslastica koje bi mogle da istope i najjaču volju.“ Wall Street Journal „Poslastica kojoj će malo ko odoleti.“ New York Times Book Review

Odlomak: Pogled mu se susrete sa profesorovim. Kraljević se iza okruglih naočara smeškao, držeći pred ustima viljušku sa nabodenom kriškom paradajza. Prineo ju je zubima i snažno zagrizao. Momiru se učini da čuje tiho krckanje, kao da paradajz u sebi ima sitne kosti. „Ima gorih i opasnijih stvari od službi. Rade ti o glavi.“ Kraljević se kažiprstom kucnu po slepoočnici. „U glavi. Nisi ni svestan toga.“

U tami budućnosti, gde celokupno čovečanstvo živi u poslednjem postojećem gradu, samo jedan čovek dovoljno je hrabar da pronikne u tajne univerzuma. Nakon što je istražila svemir i zavladala zvezdama, ljudska vrsta izgubila je okršaj protiv Osvajača i naterana je da se povuče u poslednji bastion čovečanstva – izolovani, visokotehnološki grad Dijaspar. Čovečanstvo, praktično besmrtno zahvaljujući bankama memorije koje omogućuju vaskrsenje, u Dijasparu živi već milenijumima. A onda dolazi do anomalije: novo ljudsko biće je rođeno. Alvin je potpuno jedinstven i nije živeo ranije, ali to nije jedino što ga razlikuje od njegovih sunarodnika. Alvin se ne boji pustoši izvan grada i poseduje neutaživu želju da napusti Dijaspar, otisne se u istraživanje i shvati šta se zapravo desilo sa čovečanstvom nakon što im je uskraćen pristup zvezdama. Napisan daleke 1956. godine, roman Grad i zvezde predstavlja novu verziju Klarkovog prvog romana Ka spuštanju noći, u kojoj je autor revidirao prethodno delo i dopunio ga svim što je u međuvremenu naučio o pisanju. Ova majstorska vizija budućnosti smatra se jednim od njegovih najboljih ostvarenja.

Lepo očuvan, skoro bez pisanja Endre Pap Zagorka Lozanov - Crvenković

Lepo očuvano Autor - osoba Potocki, Jan, 1761-1815 = Potocki, Jan, 1761-1815 Naslov Rukopis nađen u Saragosi / Jan Potocki ; [preveo s francuskog Slobodan Petković] Jedinstveni naslov Manuscrit trouvé à Saragosse. srp Vrsta građe roman Jezik srpski Godina 1964 Izdavanje i proizvodnja Beograd : Prosveta, 1964 (Beograd : Kultura) Fizički opis 303 str. ; 20 cm Drugi autori - osoba Petković, Slobodan Subotin, Stojan Zbirka Svetski klasici ; ǂkolo ǂ4, 20 ISBN (Pl.) Napomene Prevod dela: Manuscrit trouvé à Saragosse / Jan Potocki Str. 297-[304]: Pogovor / Stojan Subotin. Potocki [poto`ck’i], Jan, poljski književnik (Pików, danas Pykiv, Ukrajina, 8. III. 1761 – Uładówka, danas Uladivka, Ukrajina, 2. XII. 1815). Potomak magnatske velikaške obitelji, obrazovanje stekao u Švicarskoj i Francuskoj. Pisao isključivo na francuskom jeziku. Prosvjetitelj i svjetski putnik; zastupnik u poljskom Sejmu (1788–92). Boravio u Njemačkoj (1793–96) i Sankt Peterburgu (1798–1805), putovao u Tursku, Egipat, Maroko, na Kavkaz i u Mongoliju. Objavio je tri arheološke studije o podrijetlu Slavena, putopise, ciklus dramskih jednočinki Parade (Recueil de Parades, 1793) te fantastični roman Rukopis pronađen u Zaragozi (Manuscrit trouvé à Saragosse, 1803–15; prijevod na poljski 1847). Taj mu je strukturalno i motivski kompleksan roman, radnjom smješten u imaginarnu Španjolsku, koji stilom i konstrukcijom podsjeća na zaplete u Pričama iz tisuću i jedne noći, nakon prijevoda na engleski jezik (1961) i filma Wojciecha Jerzyja Hasa (1965) donio svjetsku slavu. Postoje zapravo dva romana pod tim naslovom (prvi iz 1804, drugi iz 1810) i oba su autentična, a ipak različita. Prva verzija je vedrija i neodoljiva. Druga, ozbiljnija i dalekosežnija, još neodoljivija, nudi nam prerađen, konačan i celovit tekst. Njihov originalni francuski autograf je najzad, dvesta godina od nastanka, pronađen u jednoj od poljskih biblioteka, gde je bio zaturen tako da za njega niko nije znao. Sad možemo prvi put s poverenjem u autentičnost da se predamo čitanju tog vrhunskog dela kao dvostrukom poklonu, jer ovo je prvi srpski prevod sa izvornika onakvog kakvog je pisac ispisao. U Rukopis nađen u Saragosi zaklinjali su se Luis Bunjuel, Rože Kajoa, Martin Skorseze, Frensis Ford Kopola, Nil Gejman, Salman Ruždi... A i vi ćete, ne manje od njih. U Nacionalnom arhivu u Poznanju, Fransoa Rose i Dominik Trijer otkrili su, 2002, nepoznate delove Rukopisa nađenog u Saragosi Jana Potockog, u prepisima na hartiji sa datiranim vodenim žigom, i došli do zaključka da zapravo postoje dve autentične verzije romana. U svom istraživanju, Rose i Trijer upustili su se u detektivski posao: sastavili spiskove u kojima bi se mogli naći rukopisi, počev od arhiva dece Jana Potockog i njihovih potomaka, analizirali istorijate fondova, tragali po arhivima u petnaest zemalja... Na sreću, Potocki je pisao na engleskoj hartiji koja nosi vodeni žig sa godinom proizvodnje i, uz identifikovanje rukopisa prepisivača i kvaliteta mastila, dva istraživača uspela su da rekonstruišu vreme i etape nastajanja i nestajanja Rukopisa. Tako je pouzdano utvrđeno da zapravo postoje dva romana pod naslovom Rukopis nađen u Saragosi, koji odražavaju različite filozofske koncepcije dela u zamisli Potockog. Dva romana dopunjavaju se kao dva krila velikog diptiha, ali je i svaki od njih autonomno delo, koje su nazvali Rukopis nađen u Saragosi (1804) i Rukopis nađen u Saragosi (1810). U ovoj knjizi je roman iz 1810. godine. Tags: Španska poljska knjizevnost fantastika fantasticna postmodernizam postmoderni roman preteča postmoderne knjizevnosti

Obojeni program 46: Teks Izdavač: Veseli četvrtak Datum izdavanja: 18.02.2021. Naslovna strana: Alessandro Piccinelli Scenario: Antonio Serra / Fabrizio Accatino / Majo / Mauro Boselli / Moreno Burattini Crtež: Alfonso Font / Giorgio Trevisan / Majo / Patrizia Mandanici / Raffaele Della Monica Naslov originala: Teton Pass / Attenti Al Lupo! / Una Trappola Per Kit / La Voce Del Killer / L’ultimo Dei Mimbres Broj originala: 16 Naslov epizode: Klanac Titon / Pazite na vuka! / Zamka za Kita / Ubičin glas / Poslednji mimbres Format: A5 Povez: meki Boja: kolor Broj strana: 162 NOVO, u celofanu!

Obojeni program 14: Teks Izdavač: Veseli četvrtak Datum izdavanja: 22.10.2017. Naslovna strana: Gary Frank Scenario: Francesco Testi / Jacopo Rauch / Luca Barbieri / Mauro Boselli / Moreno Burattini Crtež: Alessandro Bocci / Maurizio Dotti / Mauro Laurenti / Michele Rubini / Walter Venturi Naslov originala: Il mescalero senza volto / Rio Quemado / Un cavallo di pezza / Amici per la morte / Chupacabras! Broj originala: 10 Naslov epizode: Meskalero bez lica / Rio Kemado / Krpeni konj / Prijatelji do smrti / Čupakabre! Format: A5 Povez: meki Boja: kolor Broj strana: 160 NOVO, u celofanu!

Obojeni program 40: Teks Izdavač: Veseli četvrtak Datum izdavanja: 22.10.2019. Naslovna strana: Maurizio Dotti Scenario: Andrea Cavaletto / Claudio Nizzi / Giorgio Giusfredi / Mauro Boselli / Pasquale Ruju Crtež: Alessandro Poli / Enrico Bertozzi / Marco Soldi / Pasquale Frisenda / Roberto Zaghi Naslov originala: Sparate sul pianista / Io ucciderò Tex Willer / Giustizia! / Abilene, Kansas / Dal tramonto all’alba Broj originala: 12 Naslov epizode: Pucajte u pijanistu / Ubiću Teksa Vilera / Pravda! / Abilin, Kanzas / Od sumraka do svitanja Format: A5 Povez: meki Boja: kolor Broj strana: 130 NOVO, u celofanu!

Dobro očuvana knjiga... K179

diskovi 5 omoti 5 zaštitna kartonska omotnica zacepljena

odlično očuvan disk knjižica se otvara kao poster ocena 5 P1

odlično očuvana vellok

Iz recenzije: ’’Pripovedanje koje intenzivno posreduje pojedinačna iskustva predstavlja prozaistički credo Marka Stojkića, najavljen njegovim prvim romanom pod naslovom Veštice. U Vešticama, prema tome, životne izbore bar triju žena, predstavnica triju generacija, čitalac prati kroz vešto smenjivana poglavlja – u „zadatim” perspektivima, ili prelomljena kroz sveznajući vizir. On je, u stvari, bitan izvor čitalačkog užitka u ovom romanu, tako da Stojkić emulira glas uglađenog analitičara, ironičara, ponekad i skeptika, ali i, po potrebi, liričara koji ne preza od uranjanja u poširok leksički korpus. Još draže mu je, reklo bi se, filtriranje svih ovih raspoloženja kroz glas i delovanje neobičnih (anti)junakinja. Ovo je tek površinski sloj: jezik, tako „upeglan”, a stilski raznolik, od Stojkićevih Veštica pravi pažnje vredan književni otisak ženskog iskustva u našoj stvarnosti.’’

NARODNA ISTORIJA (SHS) - MIH. M. STANOJEVIC V. Valozic, 1927 109 str. Meki povez. Coskovi savijeni. Udzbenik za IV razred osnovne skole. Vrlo dobro ocuvano.

Alan Ford trobroj 6

Farmakologija za 2. razred medicinske Autori Milenko Milošević i Vladislav Varagić Korice kao na slici

SIGRID UNDSET P T O L E Ć E R A D BEOGRAD 1958 Predgovor VLADIMIR PETRIĆ ............................................................. FOTOGRAFIJA AUTORKE LATINICA TVRDE KORICE 340 STRANA ODLIČNO !!!!!!!!!!!!!

Obojeni program 28: Teks Izdavač: Veseli četvrtak Datum izdavanja: 28.11.2018. Naslovna strana: Claudio Villa Scenario: Roberto Recchioni Crtež: Pasquale Del Vecchio Naslov originala: La strada per Serenity Broj originala: 7 Naslov epizode: Put za Sereniti Format: A5 Povez: meki Boja: kolor Broj strana: 162 NOVO, u celofanu!

Super minds - priručnik za nastavnike 1 / Lusi Frino, Herbert Puhta, Ginter Gerngros, Piter Luis-Džons

kao nov

diskovi i omot kao novi

Original, made in Austria Knjizica od 10 str. Odlicno ocuvano Ottmar Liebert (born 1 February 1959) is a German guitarist, songwriter and producer best known for his Spanish-influenced music. A five-time Grammy Award nominee, Liebert has received 38 Gold and Platinum certifications in the United States, as well as certifications in Canada, Australia and New Zealand. His debut album Nouveau Flamenco (1990) was certified Platinum in the United States. Ottmar Liebert – Leaning Into The Night/Inclinado En La Noche Label: Sony Classical – SK 63105 Format: CD, Album Country: Europe Released: 1997 Genre: Jazz, Latin, Folk, World, & Country Style: Flamenco, Contemporary Jazz, Easy Listening Tracklist Hide Credits 1 Secreto From Impresiones Intimas Composed By – Mompou* 4:39 2 Buleria De Las Golondrinas Composed By – Liebert* 4:06 3 Prelude No. 3 Composed By – Villa-Lobos* 5:38 4 Yasmeen Composed By – Liebert* 5:09 5 Adagio Assai From Concerto For Piano & Orchestra In G Major Composed By – Ravel* 4:09 6 The Winding Road / La Primavera Composed By – Liebert* 4:08 7 The Call Composed By – Castro-Neves* 4:45 8 Premiere Gymnopedie Composed By – Satie* 3:23 9 Morning Arrival In Goa Composed By – Liebert* 6:19 10 Pavane Pour Une Infante Defunte Composed By – Ravel* 5:31 11 Bombay Composed By – Liebert* 5:02 12 ` O Mio Babbino Caro ` From Gianni Schicchi Composed By – Puccini* 3:15 Companies, etc. Phonographic Copyright ℗ – Sony Music Entertainment Inc. Copyright © – Sony Music Entertainment Inc. Distributed By – Sony Music Recorded At – Ocean Way Recording Recorded At – Spiral Subwave Mixed At – Ocean Way Recording Mastered At – The Mastering Lab Credits Arranged By [Orchestra], Conductor – Oscar Castro-Neves Art Direction – Nancy Donald Bass – Charles Domanico*, Drew D. Dembowski*, Susan Ranney Bass Guitar, Bass [Low Bass] – Jon Gagan Cello – Anne Karam, Antony Cooke, Armen Ksajikian, David Low, David Speliz*, Douglas Davis, John Walz, Roger Lebow, Sebastian Toettcher, Todd Hemmenway Clarinet – Gary Gray (5) Design – Hooshik Engineer – Gary Lyons, Geoff Gilette*, Stefan Liebert Flute – Glen Garrett (2), Louise M. Ditullio* French Horn – James W. Thatcher* Guitar – Ottmar Liebert Harp – Gayle Levant Keyboards – Ralph Grierson Mastered By – Doug Sax Mastered By [Assisted By] – Millicent Bly Mixed By – Geoff Gilette*, Oscar Castro-Neves, Stefan Liebert Oboe – Phillip Ayling* Percussion – Mark Clark Photography By – Reisig & Taylor Producer – Oscar Castro-Neves, Ottmar Liebert, Stefan Liebert Viola – Carole Kleister-Castillo*, Carrie Holzman-Little*, Denyse N. Buffum*, John Scanlon, Keith Greene, Marlow Fisher, Michael Ramos (2), Mihail Zinovyev, Pamela Goldsmith, Rick Gerding, Robin Ross (2), Roland Kato, Simon Oswell, Victoria Miskolczy* Violin – Alan Grunfeld, Anatoly Rosinsky, Armen Garabedian, Arnold Belnick, Berj Garabedian, Bruce Dukov, David Ewart, Dimitrie Leivici, Endre Granat, Eun-Mee Ahn, Galina Golovin, Gary Kuo, Haim Shtrum, Isabella Lippi, Jay Rosen, Jayme Miller, Karen Jones (2), Katia Popov, Kenneth Yerke, Kwihee Shamban, Lily Ho Chen, Marc Sazer, Nicole Bush, Patricia Johnson*, Polly Sweeney, Rachel Robinson, Ralph Morrison III*, Rene M. Mandel*, Richard L. Altenbach*, Robert Brosseau, Robin Olson, Ron Clark, Ronald Folsom, Sid Page, Tamara Hatwan Notes Recorded at Spiral Subwave in Santa Fe, New Mexico, in January and February 1997 and at Ocean Way Recording in Hollywood, California, in February 1997 Mixed March 1997 © 1997 Sony Music Entertainment Inc. ℗ 1997 Sony Music Entertainment Inc.

Original, made in EU Knjizica od 12 str. Omot 5 Cd 4+ The Altar and the Door is the third studio album by American Christian rock band Casting Crowns, released on August 28, 2007 on Beach Street Records and Reunion Records. Produced by Mark A. Miller, the album was inspired by lead singer Mark Hall`s experience looking at the MySpace pages of his youth ministry students. The album`s main theme is the difference between how Christians feel in church and the compromises they make outside of it. Its musical tone, which Hall says is different and more progressive, incorporates more of a rock sound than their previous, more polished studio efforts. The Altar and the Door received positive to mixed reviews from critics upon its release. Particular praise was given to the lyrics and the album`s overall concept, but some critics felt the album`s sound was mediocre and uninventive. The album received the award for Pop/Contemporary Album of the Year at the 39th GMA Dove Awards. It sold 129,000 copies in its first week, a record for a Christian album with no secular media support, enabling a debut at number one on the Billboard Christian Albums chart and number two on the Billboard 200 and Digital Albums charts, only blocked on the latter charts by the soundtrack for High School Musical 2. It later topped the Catalog Albums chart in 2010. The 18th best-selling Christian album of the 2000s, The Altar and the Door has sold 1.2 million copies and has been certified Platinum by the Recording Industry Association of America (RIAA). The lead single from The Altar and the Door, `East to West`, was one of the most successful Christian singles of the 2000s, spending a total of 19 weeks atop the Billboard Christian Songs chart and peaking at twenty-five on the Bubbling Under Hot 100 Singles chart. While not as successful as `East to West`, follow-up singles `Every Man` and `Slow Fade` were both top five hits on the Christian Songs chart. Background and recording The main ideas for The Altar and the Door were inspired roughly eighteen months before the album`s release. Lead vocalist Mark Hall and his co-youth pastor were encouraged by one of their students to look at MySpace. According to Hall, “It wasn’t any major surprise, but we did see a lot of kids who had two worlds going on. MySpace can be Spring Break for the brain, this place you can go and not think anyone’s ever going to find out. Kids would be listed as Christians and then show their porn star name or what kind of kisser they are. They were just presenting so many contradictions on one page. The temptation was to just get upset and think that’s terrible. But MySpace isn’t really a big problem – it’s just revealing what the problem is`.[2] He noted that this situation isn`t unique to teenagers and that while at church `we [Christians] want to serve [God]` but when `we get out there in the world ... it’s just different. We want to be accepted; we want friends. The compromises start coming in small little increments until you’re just kind of out there. Church becomes more of a guilt activator than a place to go to be with the Lord. It’s a nasty place to live, and we all live there`.[2] Hall says that `When we’re at the altar, everything’s clear, and it all makes perfect sense, and we know how to live. We know what’s right and what’s wrong. The struggle is getting this life at the altar out the door ... That’s the problem; we’re finding ourselves somewhere in the middle`.[2] Hall elaborated in a separate interview that `Somewhere between the altar and the door, it all leaks out and I`m out here wondering what to do, rationalising things instead of living the life that`s in me. So the struggle that we have as believers is trying to get those truths (that are) in our heads and highlighted in our Bibles out to our hands and feet. The songs are all the things that happen in the middle of that`. Although Hall says that he `always think[s] lyrics first`, he felt that `Once we [Casting Crowns] got into the recording I knew we were in for something different, a more progressive approach to the music. These songs sounded different in my head; they`ve been a big challenge for us as a band. And the music definitely sets the tone for the whole project`.[3] The Altar and the Door was produced by Mark A. Miller. Most of the recording and all of the mixing for the album was done by Sam Hewitt at Zoo Studio in Franklin, Tennessee and My Refuge Studio in McDonough, Georgia; additional recording was done by Michael Hewitt and Dale Oliver at those same locations. The strings on The Altar and the Door were arranged by Bernie Herms and recorded by Bill Whittington and Steve Beers at The Sound Kitchen in Franklin, Tennessee. The album was mastered by Richard Dodd.[4] Track listing No. Title Writer(s) Length 1. `What This World Needs` Hector Cervantes, Mark Hall 4:41 2. `Every Man` Mark Hall, Bernie Herms, Nichole Nordeman 4:46 3. `Slow Fade` Mark Hall 4:38 4. `East to West` Mark Hall, Bernie Herms 4:26 5. `The Word is Alive` Mark Hall, Steven Curtis Chapman 5:21 6. `The Altar and the Door` Mark Hall 4:42 7. `Somewhere in the Middle` Mark Hall 5:05 8. `I Know You`re There` Jeff Chandler 3:49 9. `Prayer for a Friend` Mark Hall 2:50 10. `All Because of Jesus` Steve Fee 11:09 Personnel Credits adapted from the album liner notes.[4] Casting Crowns Hector Cervantes – Electric guitar Juan DeVevo – Acoustic guitar, electric guitar Melodee DeVevo – Violin, background vocals Megan Garrett – Piano, keyboard, background vocals Mark Hall – Vocals Chris Huffman – Bass guitar Andy Williams – Drums Additional musicians Jim Gray – Conductor Stephen Lamb – Copyist John Catchings – Cello Anthony Lamarchina – Cello Carole Rabinowitz – Cello Monica Angell – Viola Chris Farrell – Viola Jim Grosjean – Viola Gary Vanosdale – Viola David Angell – Violin Janet Darnall – Violin Conni Ellisor – Violin Gary Gordetzky – Violin Stefan Petrescu – Violin Pam Sixfin – Violin Alan Umstead – Violin Cathy Umstead – Violin Mary Kathryn Vanosdale – Violin Karen Winkelmann – Violin