odličan

Odlicno ocuvano.. Lion Fojhtvanger ovim romanom ne samo da predstavlja slikarski put Fransiska Goje, jednog od najvećih svetskih slikara, već uspeva da dočara i okruženje u kome se taj genije razvija. To je Španija XVIII veka, španski kraljevski dvor, svet bludnica, intriga i ratnih sukoba, sve pod budnim okom Inkvizicije čija je senka sve prekrila...

Memoari jedne gejše Autor: Artur Golden Izdavač: Narodna knjiga - Alfa, Beograd Biblioteka Mega Hit Godina : 2002. Tvrde korice Latinica Broj strana: 166 Stanje: vrlo dobro Troškove slanja snosi kupac Lično preuzimanje moguće u centru Beograda Polica 2 stst

Tihana iz Erga Fantastični roman Autor: Predrag Urošević Edicija Plava Ptica Knjiga 80 Izdavač Prosveta, Beograd Godina izdanja: 1981. GOD. Zaštitni omot Tvrde korice Pismo: Ćirilica Broj strana: 324 str. Ilustrovano Stanje: vrlo dobro Troškove slanja snosi kupac Lično preuzimanje moguće u centru Beograda Polica 1 stst

Stephane Grappelli-Stephane Grappelli CD Compilation (1989) Made in France Jazz Collection stanje diska neslusan,prednji omot 4 Strane. !!!DISK ULTRA REDAK I KOLEKCIONARSKI PRIMERAK!!!!

Chris Rea - Still so far to go...The best of 2CDa , originalno izdanje Jazzee Blue / Rhino . Zapakovano !! NOVO !

DRUNA 1 - MORBUS GRAVIS 1 - Paolo Eleuteri Serpieri IZDAVAČ: DEČJE NOVINE – 1987.GOD, OBIM: 64 STRANA U BOJI, VELIKI FORMAT. OČUVANO KAO NA FOTOGRAFIJAMA, PO MOM MIŠLJENJU ODLIČNO OČUVANO. ZA SVA OSTALA PITANJA KORISTITE KUPINDO PORUKE. 397/2022

Hemfri Karpenter je ovu knjigu zasnovao na razgovorima sa prijateljima i porodicom Dž. R. R. Tolkina, kao i kroz potpun pristup njegovim zapisima, dokumentima, pismima, dnevnicima i drugim pisanim dokumentima koja su mu omogućila da pronikne u sve njegove tajne. Zato se ova knjiga smatra naboljom i najpotpunijom biografijom Tolkinovog života, i odlična je za razumevanje magičnog sveta koje je slavni pisac stvarao.„Duboko osećanje da su seoski predeli Zapadnog Midlenda njegov istinski zavičaj opredeljivalo je prirodu njegovog naučnog rada još od studentskih dana. Isti motivi koji su ga naveli da proučava Beovulfa, Gavejna i Anahoretski tipik stvorili su sada jedan lik koji je otelovljivao sve ono što je on voleo u vezi sa Zapadnim Midlendom: gospodina ’Bilba Baginsa’, hobita.Sam Tolkin bio je svestan sličnosti između tvorca i tvorevine. „Ja sam u stvari hobit po svemu osim po veličini“, napisao je jednom. „Volim bašte, drveće i nemehanizovane farme; pušim lulu i volim dobru jednostavnu hranu (koja nije držana u frižideru), a prezirem francusku kuhinju; volim, pa se čak i usuđujem i da ih nosim u ovo sivo vreme, živopisne prsluke. Volim pečurke (iz polja); imam vrlo jednostavan smisao za humor (za koji čak i moji blagonakloni kritičari smatraju da je naporan); odlazim na počinak kasno i kasno ustajem (kad je moguće). Ne putujem mnogo.“Čitajući Tolkinovu biografiju saznaćete mnogo toga o nastanku kultnih likova u Tolkinovom imaginarijumu, kao i o samom njegovom životu, privatnom i profesorskom.

Nakon što je u svoje prve dve knjige pokazala kako se patnja može okončati propitivanjem stresnih misli koje su njen uzrok uz pomoć procesa samoispitivanja koji naziva „Rad”, Bajron Kejti nas sada u knjizi Hiljadu imena za radost poziva da otkrijemo slobodu koja se nalazi na drugoj strani ispitivanja misli. Stiven Mičel, poznati prevodilac Tao Te Kinga, odabrao je neke od najzanimljivijih delova iz tog drevnog spisa kako bi podstakao Kejti da govori o najbitnijim stvarima sa kojima se svi mi suočavamo: život i smrt, dobro i zlo, ljubav, posao i ostvarenje. Rezultat toga je ova knjiga koja nam ponovo daje bezvremene uvide Tao Te Kinga zajedno sa živopisnim i lucidnim pogledom na život Bajron Kejti koja već trideset godina – još otkako se „probudila za stvarnost” jednog jutra 1986. godine – živi ono o čemu je Lao Ce pisao pre više od dve i po hiljade godina. Kejtina duboka, vedra mudrost nije samo teoretska, ona je apsolutno autentična, i to je ono što ovu knjigu čini neodoljivom. To je prikaz žene koja je nepokolebljivo radosna, bilo da pleše sa svojom malom unukom ili da zatekne svoju kuću praznu jer je opljačkana, bilo da stoji ispred čoveka koji se sprema da je ubije ili se uputila na avanturu idući do kuhinje, bilo da sazna kako će oslepeti ili dobije loš rezultat na kvizu „Kakva si u vođenju ljubavi?” ili su joj dijagnostikovali rak. Dok čitate te priče o potpunoj opuštenosti u svim okolnostima, Kejti ne samo da opisuje probuđeni um već vam daje priliku da ga vidite i osetite na delu, pokazujući vam da je to takođe i vaš um. Možda verujete da je sloboda bila dostižna pre više hiljada godina nekolicini probuđenih učitelja, ali da je takvo postojanje izvan dosega ljudi koji žive u ovom modernom svetu, a svakako izvan vašeg domašaja. Knjiga Hiljadu imena za radost ima moć da promeni to uverenje.

Redovne fizičke i mentalne vežbe tokom celog života doprineće opštem zdravlju i sreći.Od prvog objavljivanja pre četvrt veka, Ishrana za prevenciju raka jedan je od najpopularnijih vodiča za prevenciju i ublažavanje bolesti od koje se najviše strepi u društvu. Oslanjajući se na najsavremenija istraživanja raka, Mičio Kuši i Alek Džek predstavljaju program ishrane koji je moguće sigurno i jednostavno primeniti kod kuće, uz delić troškova koje imamo za uobičajene obroke i medicinsku negu. Ovo potpuno izmenjeno i dopunjeno izdanje u čast 25. godišnjice uključuje:• Opširnije smernice o ishrani i nove recepte.• Novo istraživanje o 20 najčešćih vrsta raka.• Nove načine kombinovanja makrobiotike sa hemioterapijom, zračenjem i još mnogo toga.• Najnovije statistike, studije i tretmane.• Ulogu pozitivnih emocija u procesu isceljenja.

Istražuj i otkrij sve tajne životinjskog sveta!Uz brojne očaravajuće fotografije i ilustracije, ovaj atlas vas vodi na fascinantno vizuelno putovanje od upoznavanja neverovatnih stvorenja s kojima delimo našu planetu do otkrivanja velikih i neverovatnih tajni.Ovaj izuzetno ilustrovani atlas životinja predstavljen je kao enciklopedija i namenjen je najmlađima. Karte koje prikazuju u kojim oblastima žive pojedine životinjske vrste i ilustracije koje dočaravaju život životinja u različitim godišnjim dobima pomoći će vam da upoznate životinje svih kontinenata i saznate kako one žive (o staništima, navikama u ishrani i ciklusima života životinja).

Od istaknutog lekara, pionira u radu sa decom s bihevioralnim poteškoćama i autora proslavljenog dela Eksplozivno dete, stiže nam potpuno nov pristup razumevanju i pomaganju ovoj deci, ali i preobražaju školske discipline.Česti odlasci kod direktora. Kazne. Udaljavanja sa nastave. Isključenja. Ovo su uobičajeni alati za disciplinovanje dece koja ne poštuju školska pravila i imaju poteškoća da se slože s drugarima; kao da ne poštuju autoritet niti ih zanima učenje i ometaju ostale u usvajanju znanja. Ali postoji veliki problem s ovim strategijama: nemaju pozitivan uticaj na većinu ovakvih učenika. Vreme je za promenu pravca. Doktor Ros V. Grin predstavlja nam inovativnu, jasnu i praktičnu alternativu. Oslanjajući se na istraživanja neuronauka, dr Grin nudi novi koncept za razumevanje poteškoća dece s bihevioralnim problemima i objašnjava zašto je tradicionalna disciplina neefikasna kada se suoči s ovim izazovom. Ističe da su deca dobra ako to mogu i odgovorno tvrdi da ona ne traže pažnju, nisu manipulativna, ne iskušavaju naše strpljenje, ne stavljaju nas pred svršen čin, niti su nemotivisana, već jednostavno nisu sposobna da se ponašaju u skladu sa situacijom. A kada odrasli spoznaju prave uzroke problematičnog ponašanja i počnu da uče decu tim veštinama onako kako ih ona mogu razumeti, postižu se neverovatni rezultati: deca prevazilaze prepreke; smanjuju se nezadovoljstvo i bes vaspitača, roditelja i školskih drugara; učenici bolje uče i bolje se osećaju.U ovoj knjizi dr Grin opisuje kako njegov isprobani pristup zasnovan na dokazima, koji se zove „Zajedničko rešavanje problema”, može pomoći deci u školi.Njegova živa, zanimljiva priča sadrži i:• Alate za prepoznavanje okidača i nerazvijenih sposobnosti koje izazivaju problematično ponašanje.• Precizna uputstva kako radikalno popraviti odnos sa decom – uz mnogo primera koji pokazuju kako se to radi.• Dijalozi, pitanja i odgovori, i priča koja se provlači kroz celu knjigu – o jednom detetu s bihevioralnim poteškoćama, njegovim nastavnicima, roditeljima i disciplini u školi.• Praktična uputstva za uspešno planiranje i saradnju predavača, roditelja, školskog sistema i dece.

Srbija kakvu ne poznaješ! Otkrij sve činjenice i čuda Srbije, istraži prelepe gradove i kreni na krstarenje rekama i spremi se za planinarenje do najviših vrhova planina! Uz ilustrovane pregledne reljefne karte otkrij zanimljive i važne geografske karakteristike Srbije, kao i osnovne podatke o istoriji i kulturi svakog grada.

Original, made in EU Novo, u celofanu Redak disk Mentor i ucitelj Luja Armstronga King Oliver And His Creole Jazz Band* – 1923 Label: Classics (11) – CLASSICS 650 Series: The Classics Chronological Series – 650 Format: CD, Compilation, Remastered Country: France Released: Jul 1992 Genre: Jazz Style: 1 King Oliver`s Creole Jazz Band– Just Gone 2:38 2 King Oliver`s Creole Jazz Band– Canal Street Blues 2:30 3 King Oliver`s Creole Jazz Band– Mandy Lee Blues 2:09 4 King Oliver`s Creole Jazz Band– I`m Going Away To Wear You Off My Mind 2:50 5 King Oliver`s Creole Jazz Band– Chimes Blues 2:48 6 King Oliver`s Creole Jazz Band– Weather Bird Rag 2:38 7 King Oliver`s Creole Jazz Band– Dipper Mouth Blues 2:27 8 King Oliver`s Creole Jazz Band– Froggie Moore 2:59 9 King Oliver`s Creole Jazz Band– Snake Rag 2:58 10 King Oliver`s Jazz Band– Snake Rag 3:15 11 King Oliver`s Jazz Band– Sweet Lovin` Man 2:41 12 King Oliver`s Jazz Band– High Society Rag 2:55 13 King Oliver`s Jazz Band– Sobbin` Blues 3:07 14 King Oliver`s Jazz Band– Where Did You Stay Last Night? 2:27 15 King Oliver`s Jazz Band– Dipper Mouth Blues 2:13 16 King Oliver`s Jazz Band– Jazzin` Babies` Blues 2:56 17 King Oliver And His Creole Jazz Band*– Alligator Hop 2:19 18 King Oliver And His Creole Jazz Band*– Zulus Ball 2:31 19 King Oliver And His Creole Jazz Band*– Working Man`s Blues 2:10 20 King Oliver And His Creole Jazz Band*– Krooked Blues 2:49 21 King Oliver`s Jazz Band– Chattanooga Stomp 2:57 22 King Oliver`s Jazz Band– London (Cafe) Blues 2:41 23 King Oliver`s Jazz Band– Camp Meeting Blues 2:54 24 King Oliver`s Jazz Band– New Orleans Stomp 2:52 Barcode: 307517065025 Joseph Nathan `King` Oliver (December 19, 1881 – April 10, 1938) was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including `Dippermouth Blues`, `Sweet Like This`, `Canal Street Blues`, and `Doctor Jazz`. He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, `if it had not been for Joe Oliver, Jazz would not be what it is today.` Biography Life Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville in Ascension Parish, and moved to New Orleans in his youth. He first studied the trombone, then changed to cornet. From 1908 to 1917 he played cornet in New Orleans brass bands and dance bands and in the city`s red-light district, which came to be known as Storyville. A band he co-led with trombonist Kid Ory was considered one of the best and hottest in New Orleans in the late 1910s.[2] He was popular in New Orleans across economic and racial lines and was in demand for music jobs of all kinds. According to an interview at Tulane University`s Hogan Jazz Archive with Oliver`s widow Estella, a fight broke out at a dance where Oliver was playing, and the police arrested him, his band, and the fighters. After Storyville closed, he moved to Chicago in 1918 with his wife and step-daughter, Ruby Tuesday Oliver.[3] Noticeably different in his approach were faster tempos, unlike the slow drags in the African-American dance halls of New Orleans.[4] In Chicago, he found work with colleagues from New Orleans, such as clarinetist Lawrence Duhé, bassist Bill Johnson, trombonist Roy Palmer, and drummer Paul Barbarin.[5] He became leader of Duhé`s band, playing at a number of Chicago clubs. In the summer of 1921 he took a group to the West Coast, playing engagements in San Francisco and Oakland, California.[3] On the west coast, Oliver and his band engaged with the vaudeville tradition, performing in plantation outfits.[6] Oliver and his band returned to Chicago in 1922, where they started playing in the Royal Gardens cabaret (later renamed the Lincoln Gardens) as King Oliver and his Creole Jazz Band. In addition to Oliver on cornet, the personnel included his protégé Louis Armstrong on second cornet, Baby Dodds on drums, Johnny Dodds on clarinet, Lil Hardin (later Armstrong`s wife) on piano, Honoré Dutrey on trombone, and Bill Johnson on double bass.[3] Recordings made by this group in 1923 for Gennett, Okeh, Paramount, and Columbia demonstrated the New Orleans style of collective improvisation, also known as Dixieland, and brought it to a larger audience. Armstrong notably had to stand in the corner of the room, away from the horn, because of his powerful playing.[7] In addition, white musicians would visit Lincoln Gardens in order to learn from Oliver and his band.[8] A prospective tour in the midwestern states ultimately broke up the band in 1924.[9] In the mid-1920s Oliver enlarged his band to nine musicians, performing under the name King Oliver and his Dixie Syncopators, and began using more written arrangements with jazz solos. This band led by Oliver at the Plantation Café was in direct competition with Louis Armstrong`s Sunset Stompers, who performed at the Sunset Café.[10] In 1927 the band went to New York, but he disbanded it to do freelance jobs. In the later 1920s, he struggled with playing trumpet due to his gum disease, so he employed others to handle the solos, including his nephew Dave Nelson, Louis Metcalf, and Red Allen. He reunited the band in 1928, recording for Victor Talking Machine Company one year later. He continued with modest success until a downturn in the economy made it more difficult to find bookings. His periodontitis made playing the trumpet progressively difficult.[11] He quit playing music in 1937.[3] Work and influence As a player, Oliver took great interest in altering his horn`s sound. He pioneered the use of mutes, including the rubber plumber`s plunger, derby hat, bottles and cups. His favorite mute was a small metal mute made by the C.G. Conn Instrument Company, with which he played his famous solo on his composition the `Dippermouth Blues` (an early nickname for fellow cornetist Louis Armstrong). His recording `Wa Wa Wa` with the Dixie Syncopators can be credited with giving the name wah-wah to such techniques. This `freak` style of trumpet playing was also featured in his composition, `Eccentric.`[12] Oliver was also a talented composer, and wrote many tunes that are still regularly played, including `Dippermouth Blues,` `Sweet Like This,` `Canal Street Blues,` and `Doctor Jazz.` `Dippermouth Blues,` for example, was adapted by Don Redman for Fletcher Henderson`s Orchestra under the new name of `Sugar Foot Stomp.` Oliver performed mostly on cornet, but like many cornetists he switched to trumpet in the late 1920s. He credited jazz pioneer Buddy Bolden as an early influence, and in turn was a major influence on numerous younger cornet/trumpet players in New Orleans and Chicago, including Tommy Ladnier, Paul Mares, Muggsy Spanier, Johnny Wiggs, Frank Guarente and, the most famous of all, Armstrong. One of his protégés, Louis Panico (cornetist with the Isham Jones Orchestra), authored a book entitled The Novelty Cornetist, which is illustrated with photos showing some of the mute techniques he learned from Oliver. As mentor to Armstrong in New Orleans, Oliver taught young Louis and gave him his job in Kid Ory`s band when he went to Chicago. A few years later Oliver summoned him to Chicago to play with his band. Louis remembered Oliver as `Papa Joe` and considered him his idol and inspiration. In his autobiography, Satchmo: My Life in New Orleans, Armstrong wrote: `It was my ambition to play as he did. I still think that if it had not been for Joe Oliver, Jazz would not be what it is today. He was a creator in his own right.`[1] Hardships in later years, decline and death Oliver`s business acumen was often less than his musical ability. A succession of managers stole money from him, and he tried to negotiate more money for his band than the Savoy Ballroom was willing to pay – losing the job. He lost the chance of an important engagement at New York City`s famous Cotton Club when he held out for more money; young Duke Ellington took the job and subsequently catapulted to fame.[13] The Great Depression brought hardship to Oliver. He lost his life savings to a collapsed bank in Chicago, and he struggled to keep his band together through a series of hand-to-mouth gigs until the group broke up. Oliver also had health problems, such as pyorrhea, a gum disease that was partly caused by his love of sugar sandwiches and it made it very difficult for him to play[14] and he soon began delegating solos to younger players, but by 1935, he could no longer play the trumpet at all.[15] Oliver was stranded in Savannah, Georgia, where he pawned his trumpet and finest suits and briefly ran a fruit stall, then he worked as a janitor at Wimberly`s Recreation Hall (526-528 West Broad Street).[15] Oliver died in poverty `of arteriosclerosis, too broke to afford treatment`[16] in a Savannah rooming house on April 8 or 10, 1938.[17] His sister spent her rent money to have his body brought to New York, where he was buried at Woodlawn Cemetery in The Bronx. Armstrong and other loyal musician friends were in attendance.[18] Honors and awards Oliver was inducted as a charter member of the Gennett Records Walk of Fame in Richmond, Indiana in 2007. Selected compilation discography Papa Joe: King Oliver and His Dixie Syncopators 1926–1928 (Decca, 1969) Louis Armstrong and King Oliver (Milestone, 1974) The New York Sessions (Bluebird, 1989) Sugar Foot Stomp The Original Decca Recordings (GRP, 1992) Dippermouth Blues (ASV Living Era, 1996) Great Original Performances 1923–1930 (Louisiana Red Hot, 1998) Sugar Foot Stomp Vocalion & Brunswick Recordings Vol. 1 (Frog, 2000) The Best of King Oliver (Blues Forever, 2001) The Complete Set: King Oliver`s Creole Jazz Band (Retrieval, 2004) The Complete 1923 Jazz Band Recordings (Off the Record, 2006) King Joe Oliver by Walter C. Allen and Brian A. L. Rust, Jazz Monographs No. 1, February 1956, published by Walter C. Allen Beleville, N.J. (This is the second printing; Jazz Monographs No. 1. October 1955 was the first printing of this biography and discography.)

Original, made in EU Knjizica od 12 str. Odlicno ocuvano Evolve (stylized as ƎVOLVE) is the third studio album by American pop rock band Imagine Dragons, released on June 23, 2017, by Kidinakorner and Interscope Records. After the release of their previous album Smoke + Mirrors (2015) and its respective world tour, a self-imposed hiatus for 2016 and cryptic messages from the band through their social media gained anticipation for their third album; it was finally announced on May 9, 2017, along with the initiation of its pre-order. In comparison to Smoke + Mirrors and their 2012 debut Night Visions, frontman Dan Reynolds called the album an `evolution` for the band. Evolve peaked at number 2 on the US Billboard 200, and received mixed reviews from critics; some acknowledged the band`s claim of evolution, while others described it as lifeless and commercially oriented. It was promoted with the singles `Believer`, `Thunder`, `Whatever It Takes`, and `Next to Me`, as well as a world tour produced by Live Nation and supported with Grouplove and K.Flay that started in September 2017. The album was also nominated for the Grammy Award for Best Pop Vocal Album at the 60th Annual Grammy Awards Background In February 2016, after the success of their second album Smoke + Mirrors and a ten month long world tour, the members of Imagine Dragons vowed to take time off from the band. In an interview with Billboard, lead singer Dan Reynolds stated that the group would be on hiatus for the remainder of the year, explaining `We [Imagine Dragons] haven`t stopped in, like, six years, so we`ve forced ourselves to at least take a year off.`[2] Throughout 2016, the band contributed songs to the soundtracks for Me Before You, Suicide Squad and Passengers, as well as playing at several shows. The band first began preparing their third album on September 13, 2016, with a picture of guitarist Wayne Sermon in the band`s recording studio and continued releasing cryptic messages over the next four months. On January 24, 2017, the band tweeted `goodnight +`,[3] effectively ending the Smoke + Mirrors album cycle. Composition Reynolds had noted that the album, compared to Night Visions and Smoke + Mirrors, is `an evolution for Imagine Dragons`.[4] The album`s sound has been described as pop rock,[5] electronic,[6] pop[7] and EDM[8] while containing elements of R&B and hip hop.[9][10] Personnel Credits adapted from AllMusic.[39] Dan Reynolds – lead vocals, keyboards, backing vocals, acoustic guitar Wayne Sermon – electric guitar, backing vocals, acoustic guitar Ben McKee – bass guitar, keyboards, backing vocals Daniel Platzman – drums, percussion, backing vocals Serban Ghenea – mixing Manny Marroquin – mixing Tom Coyne – mastering Randy Merrill – mastering

U dve knjige Preveo Veljko Lukic Pogovor Aleksandar Flaker Izdavac - Naprijed, Zagreb Godina - 1963. Knjige u dobrom stanju,bez podvlacenja ili ostecenja,bez ispisane posvete,tvrd povez,format 20 cm,375 + 536 str. (00)

Dr Victor Kuhne - Ceux dont on ignore le martyre. (Les Yougoslaves et la guerre), Librairie Kundig, Genève 1917 godine Mek povez. U dobrom stanju. Rikna iskošena od čitanja. Par oštećenja korica na rikni. Na delu listova s početka tekst podvlačen bojicom i grafitnom olovkom i dopisivano uz tekst. 299 strana H/KSJ1

Zbirka recepata za jednostavnu pripremu izvrsnih i zdravih slanih i slatkih jela bez belog brašna, rafinisanih šećera i ulja.

Zbirka recepata za jednostavnu pripremu izvrsnih kolača.

Zbirka recepata za jednostavnu pripremu izvrsnih kolača.

Zbirka recepata za jednostavnu pripremu izvrsnih peciva.