odlicno

redak goblen ram 55x35 cm goblen 49x38

Predivno oslikano, sa punim nanosom uljanih boja na lanenom platnu, zategnutom na blind ramu, dimenzija 50x35 cm. Slika je nova kao i predivan de luxe drveni ram, čije su spoljne dimenzije48x63 cm.Slika i ram su novi, nekorišćeni.

Slika je delo vrsnog likovnog umetnika, Jekića, poznatog i priznatog likovnog stvaraoca po oslikavanju ssvetaca i manastira. Tako je na prelep način iskazan pejzaž manastira Ostrog, sa likom njegovog utemeljenja Vasilijem Ostroškim. Slika je radjena sa punim nanosom uljanih boja, na lanenom platnu, koje je zategnuto na blind ramu, dimenzija 36x55 cm.Slika je u vrlo dobrom stanju, bez ikakvih moštećenja, a uramljena je u novom drvenom ramu, čija je spoljna dimenzija 48x67 cm.

Potpisana vaza, Kjell Egman za Kosta Bodu, serija Oktobar. Perfektno očuvana sa sertifikat nalepnicom, potpisana. Visina vaze 21 cm.

Materijal: Gips Postoji mogućnost da je nenamernom greškom unešena pogrešna vrsta materijala. Na fotografijama se uglavnom vidi stanje kao i dimenzije.

stari kvalitetan bros sa zelenim kamenom cini mi se na poledjini imanekakav zig li ne razabiram oko 4,2cm x 3,5cm ispao jedan bisercic

Potpisana vaza Rainbow, Bertil Vallien za Kosta Bodu. Perfektno očuvana, visina vaze 24 cm, prečnik otvora 14 cm.

Kompletno popunjen album Vrlo dobro stanje

filmski plakat 99x69cm

Rumunija Romania set polymer novcanica sa slike

platno 120x80cm

Stara minijatura sa motivom pejzaza, reke, topole i planine u pozadini. U dnu stoje inicijali MJ i verovatno je u pitanju neki jugoslovenski slikar. Ulje na lesonitu. Slika je stara najmanje 40 godina.

Masters of the Universe Revelation - Scare Glow. Proizvođač: Mattel. Visina figure: 7` (17,8 cm). Figura je nova, neotpakovana. Slobodno se obratite za sve dodatne informacije.

Masters of the Universe Revelation - Spikor. Proizvođač: Mattel. Visina figure: 7` (17,8 cm). Figura je nova, neotpakovana. Slobodno se obratite za sve dodatne informacije.

Varijacije na temu, komb tehnika EA 8/30 1989. Poznati Autor -Nikola Karan, Preminuo , Zahvaljujem se prijateljici poznavaocu umetnosti na imenu autora. Lepo uramnjen . rucni rad Dimenzije list 15x20 cm sa ramom 21x27

nulta serija

nulta

bez serijskog broja

Sa slike - poništena i gradirana

Atelje 212, program predstave KUĆEVLASNIK I PALIKUĆE iz sezone 1959/60, na kojem su potpisi / autogrami 15 učesnika predstave: - Maja Čučković - Stanko Buhanac - Sima Ilić - Ljuba Tadić - Brana Kravljanac - Radomir Popović - Slobodan Aligrudić - Bekim Fehmiu - Zaga Marjanović - Milutin Butković - Margita Predić-Nušić - Ljubomir Draškić - Stojan Dečermić - Radmilo Ćurčić Petnaesti potpis / autogram ne mogu da identifikujem. Kao na fotografijama.

plivacki klub * Sever *,reklama

Overena kopija na 83 strana sa 45 fotografija i sema (12X17cm.) i 4 priloga.

* Ulje na lesonitu * Slika stara preko 40 godina * Potpis umetnika je `MANDIĆ`

Librarie Garnier Paris Kao na slikama 1923 Retko Učenje abecede na francuskom Prelepo ilustrovano ABÉCÉDAIRE ILLUSTRÉ PAR JACQUES LE CHEVALLIER - LIBRAIRIE GARNIER - É.O. - 1923 Jacques Le Chevallier (July 26, 1896 – 1987) was a French glassmaker, decorative artist, illustrator, and engraver. He was mobilized during World War I; after the war he became a master artisan in the studio of Louis Barillet, with whom he remained until 1945. His collaborators there included Théodore-Gérard Hanssen. Biography Edit His father was a representative in the architecture circles and his mother an art teacher in Paris. As a child, Le Chevallier attended the École natione des Arts décoratifs between 1911 and 1915 where he was a student of Paul Renouard and Eugene Morand. Although mobilized during World War I, Le Chevallier eventually became a master artisan in 1920 in the studio of Louis Barillet with whom he remained until 1945. Le Chevallier was a member of the Société des artistes décorateurs and secretary of the Salon d`Automne, in which he sometimes participated in as an artist doing paintings and watercolors.[1] He was also one of the 25 founding members of the Union des Artistes Moderne (UAM) in 1929. In 1948, Le Chevallier organized the Centre d’Art sacré in collaboration with Maurice Rocher and has been a lecturer in stained glass windows at the École supérieure des Beaux-Arts.[1] His Works Edit He is among others known for his production of luminaries during the 1920s and 1930s. He used industrial materials to create lamps designed for individuals in general or to be used in well-defined architectural projects. Le Chevallier also created a number of stained glass windows in the studio of Louis Barillet, 15 Square de Vergennes, for the French Pavilion at the Exposition international des Arts décoratifs de 1925 in Paris. He worked on the windows of churches and chapels in France, Belgium and Switzerland ( Doullens, La Roche-Posay, Noireau Conde-sur-, Notre Dame du Cap Lihou, Saint-Hilaire-du-Harcouët, Bourg-en-Bresse ) and cathedrals ( Notre-Dame de Paris, Saint-Maurice d`Angers, Saint-Pierre de Beauvais, Saint-Jean de Besançon, Saint-Etienne de Toulouse, Cathedral of Laon, Soissons Cathedral) and abroad in the framework of the Second Reconstruction. He also made the windows of the Church of Our Lady (Liebfrauenkirche) in Trier Among his finest achievements are the works done with the help of his son Borny (Metz) for the Church of Saint-Pierre de Pingusson Expositions Edit Several exhibits are devoted to Le Chevallier in 2007-2008. They include: Piscine de Roubaix Musée départemental de l`Oise in Beauvais la Fondation Solange Bertrand in Montigny-lès-Metz 15 Square de Vergennes in Paris. Abeceda edukacija obrazovanje francuski jezik francuska ucenje francuskog jezika