The Austrian Audio OC18. Handcrafted in the heart of Vienna, the City of Music, the OC18 is a versatile large-diaphragm condenser microphone with a fixed cardioid polar pattern, 10 and 20dB pads, and a three-position switchable highpass filter. You can use the OC18 on any source with excellent results. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance. Which means you can confidently use your OC18 along with another OC18 (or the company's multi-pattern OC818 set to cardioid) in a stereo-pair configuration and be assured of stunning results. Outstanding results on any source Austrian Audio pours everything they have learned in 300+ years of combined experience into their products. The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the company's proprietary CKR12 capsule. In keeping with its fixed cardioid polar pattern, the OC18 uses the single-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC18's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10 and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. Versatile cardioid polar pattern If you had to choose only one polar pattern for all the mics in your studio, cardioid would be the one. Although we certainly recommend having multi-pattern microphones such as Austrian Audio's OC818 in your mic locker for tricky recording setups and advanced stereo miking techniques, your cardioid mics will be your "go-to" mics for the vast majority of recording and sound-reinforcement tasks. The OC18 uses the same handmade-in-Vienna CKR12 ceramic capsule as the OC818, but with a single instead of dual diaphragms, which keeps the cost down. After all, if you don't need multiple polar patterns, why pay for them? Otherwise, you're getting the exact same microphone, with identical sonic performance. A great-sounding cardioid condenser mic like the OC18 will enjoy constant use in your studio. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Handmade, single-diaphragm CKR12 ceramic capsule, cardioid polar pattern Austrian Audio OC18 and OC818 mics are matched to within 1dB tolerance for accurate stereo capture Compatible with Austrian Audio OC818 for spaced-pair applications Polar pattern: Cardioid Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent Noise Level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with 10dB pad engaged) Switchable pad: 10dB, 20dB HPF: switchable 40Hz, 80Hz, 160Hz Impedance: 275Ohm (symmetrical) Load impedance: >1kOhm Supply voltage: 48V phantom (<2.2mA) Includes spider mount, mic clip, windscreen, and storage case

Tehnička specifikacija * Absolutely perfectly matched stereo pair thanks to AKGs sophisticated computer-aided matching method * A factory-matched pair of large diaphragm microphones for stunning, three-dimensional recordings * Highest possible correlation over the whole frequency range and virtually identical sensitivity * Created from thousands of individual microphones selected by AKGs sophisticated computer-aided matching method * The cardeoid-only version of the original C 414s capsule delivers AKG-s Legendary Large Diaphragm Sound * Roadworthy Design, All-metal Die-cast body with shock- and scratch-resistant Finish * Outstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise) * Switchable 20 dB Attenuation Pad and Low Cut Switch * Comes complete with Spider-type Shock Mounts, Stand adapters, and Windscreens, a stereo pair certificate and Metal Carrying Case * Designed, Engineered and Built in Vienna, Austria Dodatne informacije Build on the success of the new C 214 and the big demand AKG launched the C 214 Stereo Set. The rugged construction of the C 214 delivers a highly detailed and accurate sound not only in the Studio, but on the road as well. The introduction of the Stereo Set provides users with a complete solution that delivers outstanding performance and excellent quality from a pair of C 214s which comes complete with a comprehensive range of accessories. Realistic stereo recordings require microphones with outstanding performance and excellent quality. It also requires performance consistency and accurate localization from the pair of microphones. Therefore, every factory-matched pair of C 214-s is created from thousands of individual microphones selected by AKGs sophisticated computer-aided matching method and the result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings. The C 214 uses the cardeoid-only version of the legendary C 414 large diaphragm microphone which has been awarded several times and used on thousands of hit records. Since its introduction in 1971 it has been on stage with artists of every musical genre and is also used by leading broadcast facilities the world over. The new C 214 captures sound combining one side of the legendary C 414 dual-capsule system which results in an cardeoid-only design with an outstanding performance close to the famous C 414. The Ultra-Low Noise electronics are capable of handling up to 156 dB SPL but also enable for voice and orchestral instruments as well thanks to a low noise floor. Besides, the C 214 will also work on low phantom power voltages from 12 up to 48 volts. Additional features include an integrated suspension, a 20 dB attenuation pad and a low cut filter. The C 214 stereo set comes complete with two spider-type shock mounts, two stand adapters, two windsocks, a stereo pair certificate and a rugged metal carying case.

Key Features For Voice, Instruments, Drums, and Cabs Omni, Cardioid & Figure-8 Polar Patterns Switchable -10 dB Pad Hinders Distortion Low-Cut Filter Limits Bass Buildup 2-Micron Vapor-Deposited Gold Diaphragm Transformerless Circuitry Tuned for Airy Highs/Mids and Rich Lows Shockmount Inhibits Vibration Noise Includes Protective Case and Dust Cover Operates on 48V Phantom Power

SPECIFIKACIJE: Capsule Type: Condenser Pressure Gradient w/ 34mm capsule Frequency Range: 20Hz/20Khz Polar Pattern: Hyper-cardioid, Cardioid, Omni, Figure of 8 Sensitivity: 12 mv/pa Impedance: 200 ohms SPL: 162 dB w/ 20 dB pad Equivalent Noise: 12 dB(A) Power Requirements: Phantom - 48v +/- 4v Current Consumption: < 4.0 MA Size: 114/188mm H x 51mm W x 38mm D Weight: 490g

Blast From The Past The WA-14 is a classic condenser microphone based on the early 1970's microphone used on countless hit records. The WA-14 utilizes a custom all-brass CK12-style capsule, CineMag USA transformer, and a fully discrete signal path. The WA-14 can be used on an array of sources, such as; punchy/warm intimate lead vocals, acoustic/electric guitars, bass, drums/percussion, strings/orchestral material, and many other sources. The WA-14 provides a realism and thickness that is true to the vintage microphone, but now at an affordable price. All Brass Capsule The WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 back plate as a basis, which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule. Born Out Of Need When designing our first microphone we knew that the single greatest challenge would be to offer a capsule that was built to a high standard and priced in a range that every-day musicians and engineers could afford. We already knew where to find great microphone transformers, precision resistors, polystyrene, tantalum and WIMA film capacitors; but we came to realize that a quality affordable microphone capsule that met our specifications simply wasn’t out there. We knew we would have to develop our own line of capsules. The WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with our microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment. Technical Specification Large Diaphragm Condenser Microphone With Variable Pad And Three Polar Patterns Custom CineMag USA Transformer Frequency Range: 20Hz To 20kHz Output Pad: 0dB, -10dB, -20dB Polar Patterns: Cardioid, Figure Of Eight And Omnidirectional Output Impedance: 150 Ohms Features Custom WA-12-B-60V Edge-Terminated, Dual-Backplate, All-Brass Vintage CK12-Style Capsule 3-Pin Gold Plated XLR Requires +48V Phantom Power Color: Black Includes Shock Mount And Hard Mount

SPECIFIKACIJE: Type: Ribbon-Velocity Studio Microphone Operating Principle: Electrodynamic Pressure Gradient Magnets: Rare Earth Neodymium Frequency Range: 30 Hz/16k Hz Polar Pattern: Figure 8 (Bi-Directional) Sensitivity: > -35 dBV (re 1v/pa) Impedance: 200 ohms SPL: 149 db Equivalent Noise: 15 dB(A) Tube Type: CK5784 / 6J1P sub-miniature glass tube Power Requirements: Dedicated Power Supply, 115V or 230V AC Size: 36mm x 210 mm Weight: 450g

d:vote™ 4099C Clip Microphone for Cello Natural sound and high isolation Superior gain-before-feedback Flexible and easy mounting Mount has no impact on acoustic sound Detachable cable and versatile gooseneck extender Perfect for PA amplification and live recording of a cello, the 4099C offers a sound that is considerably more natural than an internal microphone or pick-up as well as several excellent placement possibilities. The 4099C is a unique clip microphone inheriting the sonic approach from the legendary DPA studio microphones to a new instrument microphone. The 4099C microphone and mounting system is meticulously designed and optimized for the violoncello. This is to ensure the best possible mount and audio reinforcement is achieved when performing live. The 4099C attaches to the C and A string below the bridge and allows for microphone capsule placement in the sweet spot between bridge and fingerboard, offering a unique combination of natural string sound and high audio separation on stage. Representing years of research and development, the 4099 condenser microphones feature supercardeoid polar patterns for superior gain-before-feedback. Fully capable of handling the cello’s dynamic range and subtle details, these microphones live up to their pedigree with sound as accurate as DPA’s other world-class microphones. Despite its tiny, discreet size and elegant, lightweight design, the 4099C is extremely rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument, while the mounting system is designed never to mar or scratch the finish of your instrument nor changing the sonic character of it. Through the use of our extensive adapter system, the 4099 can be used as a standard 48V phantom powered microphone via the included XLR connector and is also compatible with virtually any wireless system. Fleet owners of 4099s will appreciate the multiplicity of using the microphone for a number of different instruments simply by moving the microphone/gooseneck part to another instrument clip from the range. With its very flexible design for a wide variety of mounting and positioning possibilities along with its extremely natural sound, the 4099 is truly a musician’s mic without equal. Continuing DPA’s heritage of sonic excellence, this series of microphones achieves the purest reproduction of your instrument and therefore your full range of expression. Optional gooseneck extension Standard gooseneck length is 140 mm (5.5 in), which can be altered with the optional gooseneck extension unit, adding another 50% to the length, helping to achieve exactly the sweet spot for the instrument. Detachable cables The updated 4099 range features detachable cable from gooseneck, so it’s more convenient to mount the mic on an instrument before connecting it. Furthermore, the choice of different cable qualities makes it possible to tailor your mic to the specific task, such as choosing the heavy duty 2.2 mm cable for PA/Live gigs or the easier-to-hide, thinner miniature cable for personal mounting on instruments where you don’t want the cable weight to interfere with your performance. In case of cable break, service is easy and fast. Adapters for wireless microphones A wide range of connection adapters makes it possible to use DPA miniature microphones with all professional UHF, VHF or digital wireless system available plus 48 V Phantom. DPA has specific adapters for AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Micron, Mipro, Pastega, Telex ProStar, Ramsa, Samson, Sennheiser, Shure, Sony, Toa, Vega and other systems. Each adapter for your cordless microphone is guaranteed to perfectly mate to your system of choice.

Sound Like A Legend The WA-84 is a small diaphragm condenser microphone based on classic microphone circuitry. The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The WA-84 is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass & woodwind instruments, and an array of other sources. Large Sound, Small Size The WA-84 has a very LARGE sound for it’s small size and uniquely uses a heavy Nickel CineMag transformer in it’s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it’s it’s crystal clear, yet smooth, LARGE sound. Boutique Tone We are proud to offer something special to the market-place by using large core transformer technology (CineMag USA) in a small diaphragm condenser microphone package. The result is a circuit that we feel sounds absolutely gorgeous and goes the extra mile in terms of signal integrity and smooth boutique tone. A Look Inside The WA-84 The Capsule The WA-84 utilizes a custom vintage-style capsule designed to emulate classic componentry and design techniques. The WA-84’s capsule is carefully manufactured by an Australian capsule supplier and is precisely reproduced to vintage specs. We are pleased to offer such a high quality capsule in this microphone which allows us to nail the sonics of the most important component of any microphone. The Circuit The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The Transformer The WA-84 utilizes an American made CineMag USA transformer that contributes to the legendary creamy smooth top-end and the BEEFY mid to bottom-end one would hope to get from an 84-style small diaphragm condenser microphone. The Capacitors The WA-84 proudly utilizes Wima, polystyrene and tantalum through-hole capacitors throughout. Technical Specification UTILIZES A CINEMAG USA TRANSFORMER DIRECTIONAL PATTERN: CARDIOID FULLY DISCRETE VINTAGE-STYLE SIGNAL PATH VINTAGE CAPSULE REPRODUCTION PACKAGE INCLUDES: MICROPHONE, CARDIOID CAPSULE, SHOCK-MOUNT, MIC CLIP, WINDSCREEN AND CARRYING CASE 48V PHANTOM POWERED FREQUENCY RANGE: 20HZ - 20KHZ SENSITIVITY: -39DB OR 11MV/PA @ 1KHZ OUTPUT IMPEDANCE: 200Ω RATED LOAD IMPEDANCE: ≥1KΩ PAD: 0DB OR -10DB MAXIMUM SPL: 123/133DB @ 1KHZ, 0.5% THD, 0/-10DB S/N RATIO: 78DBA (IEC651) EQUIVALENT NOISE: 16DBA (IEC651) DYNAMIC RANGE: 107DBA (IEC651) CONNECTOR: 3-PIN GOLD-PLATED XLR WEIGHT: 122G EACH FINISH: NICKEL

Tehnička specifikacija # AKG-s Legendary 1" Edge-Terminated Large Diaphragm Sound # Outstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise) # Roadworthy Design # Integrated Suspension to reduce mechanical Noise # Switchable 20 dB Attenuation Pad and Low Cut Switch # Rugged double mesh Grill for high RF immunity but unaffected Acoustics # All-metal Die-cast body with shock- and scratch-resistant Finish # Spider-type Shock Mount included # Metal Carrying Case included # Designed, Engineered and Built in Vienna, Austria Dodatne informacije AKGs industry-leading C 414 microphones are already a permanent fixture in the worlds biggest recording Studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well. The new C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKG-s patented Back-Plate Technology which results in an outstanding performance close to the famous C 414 B-XLS. timeline Like the C 414 models, the C 214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switchall in an elegant but rugged package. Besides, the C 214 will also work on low phantom power voltages from 12 up to 48 volts. Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The circuitry in the C 214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals. The C 214 comes complete with carrying case, windscreen, and spider suspension mount included.

NT55 uparen u komplet od dva mikrofona sa identičnim karakteristikama. Kompaktni 1/2" kardioidni kondenzatorski mikrofon, nastao kao naslednik NT5 mikrofona, namenjen snimanju ili ozvučavanju: akustičnih instrumenata, hi-hata, činela itd. NT55 ima veoma nizak nivo šuma pri radu i bogat dinamički i frekventni raspon. U kompletu dolazi sa RM5 nosačem mikrofona i NT45-O omnidirekcionalnom kapsulom. NT55 opremljen je prekidačima za podešavanje PAD opcije i hi-pass filtera. Tehnička specifikacija: * Acoustic Principle: Pressure Gradient * Active Electronics: JFET impedance converter with bipolar output buffer * Capsule: 0.50" * Polar Pattern: Cardeoid * Address Type: End * Frequency Range: 20Hz - 20kHz * Output Impedance: 100Ω * Maximum SPL: 136dB SPL (@ 1kHz, 1% THD into 1KΩ load) * Maximum Output Level: 8.0dBu (@ 1kHz, 1% THD into 1KΩ load * Sensitivity: -38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz * Equivalent Noise Level (A-weighted): 15dB-A * Power Options: +48V phantom power * Weight: 110.00gm * Dimensions: 145.00mmH x 20.00mmW x 20.00mmD * Output: XLR Output

Audix Introduces DP4 Instrument Mic Pack Audix Microphones has announced their latest release-the DP4 Instrument Pack, a combination of four essential mics for rhythm sections, sound engineers, and beyond. The new pack consists of the iconic Audix D6 microphone and three i5 microphones in a heavy-duty carrying case. The case also includes three DFLEX mic mounts and three additional cutouts for vocal microphones. The DP4 is a perfect complement of dynamic microphones for close miking of a variety of sources, on-stage or in the studio. "The DP4 was brought about by popular demand. It is mainly aimed at percussion instruments but can serve a wide range of needs," says Cliff Castle, Audix co-founder and VP of Sales. "It's an easy and cost effective way to add four industry standards to your mic arsenal. We're excited about the response we've received even before its release." The i5 microphone is Audix's best-selling instrument microphone. A favorite among fans and sound technicians alike, the mic is versatile enough for a multitude of uses, including percussion of all kinds, guitar cabinets, and horns, and as a general catch-all for almost any application. The i5's smooth and uniform frequency response of 50 Hz-16 kHz and proprietary VLMTM capsule technology provide an uncolored natural sound, allowing every musical nuance to shine through. Able to handle sound pressure levels in excess of 140 dB, the i5 is a perfect fit for all genres of music. The iconic D6 is recognized as an industry standard for kick, bass cabs, and other low-frequency instruments. Widely acclaimed by performers and live sound engineers, it is considered one of the most influential kick drum microphones ever made. The D6 has a tailored frequency response of 30 Hz-15 kHz providing a ground-shaking low end, a defined mid-range, and exceptional clarity and attack. The D6 capsule also features Audix's proprietary VLMTM technology for quick transient response that accurately captures natural sound and ensures that the attack is not lost.

Specs : Microphone Acoustic Principle: Pressure gradient transducer, externally polarized Transducer: 1.0" (25.4 mm) Directional Pattern: Omni, broad-cardioid, cardioid, super-cardioid, figure-8, and an additional four intermediate patterns Frequency Range: 20 Hz - 20 kHz Sensitivity: 23 mV / Pa (-33 dBV), cardioid 20 mV / Pa (-34 dBV), omni 23 mV / Pa (-33 dBV), figure-8 Signal / Noise: FET: 86 dBA Tube: 82 dBA Equivalent Noise Level: FET: 8 dBA, cardioid (IEC 61672-1) 9 dBA, omni (IEC 61672-1) 8 dBA, figure-8 (IEC 61672-1) Tube: 12 dBA, cardioid (IEC 61672-1) 13 dBA, omni (IEC 61672-1) 12 dBA, figure-8 (IEC 61672-1) Dynamic Range: FET: 135 dBA Tube: 128 dBA Maximum SPL for 0.5% THD: FET: 143 dB, 0 dB pre-attenuation 149 dB, 6 dB pre-attenuation 155 dB, 12 dB pre-attenuation 161 dB, 18 dB pre-attenuation Tube: 140 dB, 0 dB pre-attenuation 146 dB, 6 dB pre-attenuation 152 dB, 12 dB pre-attenuation 158 dB, 18 dB pre-attenuation Pad: 6 dB, 12 dB, 18 dB switchable, selectable via remote control Bass Cut Filter: 12 dB / octave at 40 Hz 6 dB / octave at 150 Hz 6 dB / octave at 300 Hz Gain Control: Pre-attenuation pad: 6 dB, 12 dB, 18 dB Impedance: < 200 Ohms (rated) Load Impedance: > 1 kOhm (rated) Dimensions: 7.5 x 2.4 x 1.8" (192.0 x 60 x 46 mm) Net Weight: 1.45 lb (0.66 kg) Power Supply Supply Voltage: 230 VAC, 50 Hz 110 VAC, 60 Hz Current Consumption 170 mA Connectors: Back Panel: 1 x 3-pin XLR female, microphone output 1 x 11-pin XLR female, microphone input 1 x EIC male, power connector Controls: Front Panel: 1 x Pre-attenuation push button 1 x High-pass filter push button 1 x Stageless amplification, rotary knob 1 x Polar pattern selection via jog-dial Back Panel: 1 x Voltage selection switch 1 x On/Off switch Indicators: Front Panel: 1 x Pre-attenuation 1 x High-pass filter 1 x Polar pattern 1 x Stageless amplification Dimensions: 9.8 x 5.9 x 2.8" (250.0 x 150.0 x 70.0 mm) Net Weight: 4.25 lb (1.93 kg) Packaging Info Package Weight: 17.4 lb Box Dimensions (LxWxH): 19 x 17 x 7"

Specs : Microphone Sound Field: Mono, Stereo Capsule: Condenser Diaphragm: 1" / 25.40 mm Polar Pattern: Cardioid, Figure-8, Omnidirectional, Supercardioid, Subcardioid/Wide Cardioid Pattern Selection: Switched Circuitry: Solid-State Pad: -6 dB -12 dB -18 dB High-Pass Filter: 40 Hz, 12 dB/Octave 80 Hz, 12 dB/Octave 160 Hz, 6 dB/Octave Performance Maximum SPL: 132 dB SPL RMS Impedance: 1000 Ohms Sensitivity: 28 mV/Pa Dynamic Range: 121 dB A-Weighted Signal-to-Noise Ratio: 83 dB A-Weighted Equivalent Noise Level: Cardioid: 11 dB A-Weighted Connectivity Output Connectors (Analog): 1 x XLR 3-Pin 1 x LEMO 3-Pin Power Operating Voltage: 48 V Operating Current Consumption: 5.5 mA Physical Dimensions: ø: 1.42 x L: 6.22" / ø: 36 x L: 157.99 mm Weight: 14.9 oz / 422.42 g Packaging Info Package Weight: 4.6 lb Box Dimensions (LxWxH): 10.6 x 9.1 x 7"

Specs : Microphone Sound Field: Mono Operating Principle: Pressure Gradient Capsule: Condenser Diaphragm: 1" / 25.40 mm Polar Pattern: Cardioid Pad: -12 dB High-Pass Filter: 80 Hz, 6 dB/Octave Performance Frequency Range: 20 Hz to 20 kHz Maximum SPL: 136 dB SPL RMS Impedance: 68 Ohms Sensitivity: 41 mV/Pa Dynamic Range: 132 dB A-Weighted Signal-to-Noise Ratio: 90 dB A-Weighted Equivalent Noise Level: 4 dB A-Weighted Connectivity Output Connectors (Analog): 1 x XLR 3-Pin Power Operating Voltage: 48 V Operating Current Consumption: 3.6 mA Physical Dimensions: ø: 2.04 x L: 6.22" / ø: 51.82 x L: 157.99 mm Weight: 13.1 oz / 371.38 g Packaging Info Package Weight: 4.45 lb Box Dimensions (LxWxH): 10.4 x 9.1 x 7"

Spcecs: Microphone Sound Field: Mono Capsule: Condenser Diaphragm: 1" / 25.40 mm Polar Pattern: Cardioid, Figure-8, Supercardioid, Subcardioid/Wide Cardioid Pattern Selection: Switched Circuitry: Solid-State Connectivity Output Connectors (Analog): 1 x XLR 3-Pin Power Operating Voltage: 48 V Physical Packaging Info Package Weight: 1.95 lb Box Dimensions (LxWxH): 9.75 x 7.5 x 3.65"

Specs : Microphone Sound Field: Mono, Stereo Operating Principle: Pressure Gradient Diaphragm: 0.67" / 17.02 mm Polar Pattern: Cardioid Pattern Selection: Switched Pad: -10 dB -20 dB High-Pass Filter: 80 Hz, 12 dB/Octave 160 Hz, 12 dB/Octave Performance Frequency Range: 20 Hz to 20 kHz Maximum SPL: 140 dB SPL Impedance: 1000 Kilohms Sensitivity: -45.6 dBFS Dynamic Range: 110 dB A-Weighted Equivalent Noise Level: 31.6 dB 29.2 dB A-Weighted Connectivity Output Connectors (Analog): 1 x Output Connectors (Digital): 1 x USB (Type Unspecified) Headphone Connector: 1 x 1/8" / 3.5 mm Digital Audio A/D Conversion: 24-Bit Sample Rate: 44.1 kHz 48 kHz 96 kHz Power Operating Voltage: 5 V Operating Current Consumption: 275 mA Physical Dimensions: ø: 2.04 x L: 5.43" / ø: 51.82 x L: 137.92 mm Weight: 10.9 oz / 309.02 g Packaging Info Package Weight: 3.385 lb Box Dimensions (LxWxH): 13.3 x 7.5 x 4.35"

SPECIFIKACIJE: K87-style capsule with low-noise and high headroom Clean, open audio with exceptional fidelity An ideal workhorse condenser mic for vocals, voiceover work, and other pro studio applications Sturdy outer shell made of electroplated nickel and milled brass Modern/vintage switch reconfigures entire circuit to vintage-accurate specs with the flip of a switch 3 built-in polar patterns: cardioid, figure 8, and omnidirectional Optional RF-filter switch captures both versions of the original in a single mic Wide-ranging frequency response of 20Hz–20kHz -10dB pad and 80hZ highpass filter SPL: 117dB (no pad), 127dB (with pad) Beefy American-made transformer with 4 times the iron mass of similar 87-type models Custom 24k gold-sputtered dual diaphragms and backplates Onboard true-cardioid mod, a popular aftermarket feature that’s built right in Includes a custom suspension shock mount Microphone Type:Condenser Polar Pattern:Cardioid, Omnidirectional, Figure-8 Diaphragm Size:1.33" (34mm) Frequency Response:20Hz-20kHz Max SPL:127 dB SPL (with -10dB, 0.5% THD @ 1kHz) Output Impedance:27 ohms Self Noise:<10dB A weighted Pads:-10dB Color:Nickel Connector:XLR Power Source:48V phantom power Dimensions:8.6" x 2.2" Included Accessories:Shockmount

The AVX-ME2 SET includes a bodypack transmitter with lavalier microphone, the plug on receiver and all accessories to operate out of the box with camcorders as well as DSLR cameras. It features self configuring digital transmission which eliminates time-consuming radio frequency setup. The ultra compact receiver rotates around the XLR connector to avoid collision with other devices mounted on your camera. It switches on and off automatically with your camera - saving battery power. The AVX matches perfectly to your camera's input sensitivity without having to adjust the audio level on the microphone. From professional wedding video to documentaries, from street interviews to corporate videos, the AVX just works allowing you to concentrate on creativity. Key Features Very fast setup Plugs directly into XLR audio input Ultra compact receiver Switches on/off by P48 Phantom power Optimized dynamic range Auto frequency management AES 256 encryption License free Accessories included for DSLR use Metal housing Made in Germany Color black Frequency response 20 Hz - 20000 Hz THD, total harmonic distortion typ. 0.1 % Weight Receiver: 87 g (incl energy pack) Audio input 3,5 mm mini jack Audio output XLR Operating temperature -10 °C - + 55°C Signal-to-noise ratio > 90 dB(A) RF output power adaptive up to 250mW (peak) country specific Operating time > 4h (Receiver), typ 15 h (Transmitter with LiIon energy pack) Modulation GFSK (DECT) Audio output level -30 dBu - 0 dBu in 4 Steps Battery Specification Li-Ion 3,7 V DC Dynamic range > 120 dB(A) Frequency band 1880 - 1930 MHz (Country specific) Sampling rates 24 bit / 48 kHz Latency 19 ms What's in the Box Plug-on receiver Energy pack USB charger USB charging cable Bodypack transmitter ME 2 lavalier microphone Microphone clip Hot shoe mount Beltclip XLR to mini jack cable Pouch

Fast, flexible and professional: these characteristics make the ew 112-p G3 the perfect fit for every ambitious reporting team seeking both portability and great sound quality. The nearly invisible clip-on omni-directional microphone transmits its signal via a bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged and packed with features. Features Sturdy metal housing (transmitter and receiver) 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception Enhanced frequency bank system with up to 12 compatible frequencies Adaptive-diversity reception for high reception quality Pilot tone squelch for eliminating RF interference when transmitter is turned off Automatic frequency scan feature searches for available frequencies Enhanced AF frequency range Increased range for audio sensitivity Wireless synchronization of transmitters via infrared interface User-friendly menu operation with more control options Illuminated graphic display (transmitter and receiver) Auto-Lock function avoids accidental changing of settings HDX compander for crystal-clear sound Transmitter and receiver feature battery indicatation in 4 steps Programmable Mute function Contacts for recharging BA 2015 accupack directly in the transmitter or receiver Wide range of accessories adapts the system to any requirement Delivery Includes 1 EK 100 G3 diversity receiver 1 SK 100 G3 bodypack transmitter 1 ME 2 clip-on microphone (omni-directional) 1 CL 1 jack cable 1 CL 100 XLR cable 1 CA 2 camera adaptor 4 AA batteries Operating instructions

SPECIFIKACIJE: Polar pattern: Cardioid Frequency response: 20 - 20,000 Hz Sensitivity: -38.0 (12.6 mV) ref 1V at 1 Pa 1 kHz Maximum sound pressure level: 142 dB, 1% THD Output impedance: 200 Ohm Requires +48V Phantom Power Apollo Channel Strip Presets Dimensions: 128 x 23.5 mm (length x diameter) Weight: 125 g Includes 2x microphone stands, stereo rail, 2x foam windscreens and 2x thread adapters 5/8" to 3/8" SPECIFIKACIJE: Polar pattern: Cardioid Frequency response: 20 - 20,000 Hz Sensitivity: -38.0 (12.6 mV) ref 1V at 1 Pa 1 kHz Maximum sound pressure level: 142 dB, 1% THD Output impedance: 200 Ohm Requires +48V Phantom Power Apollo Channel Strip Presets Dimensions: 128 x 23.5 mm (length x diameter) Weight: 125 g Includes 2x microphone stands, stereo rail, 2x foam windscreens and 2x thread adapters 5/8" to 3/8"

Garancija: 2 godine

X/Y Stereo studijski i lokacijski kondenzatorski mikrofon sa dvostrukom 1/2" kapsulom i pozlaćenom dijafragmom. Obe kapsule su posebno uparene da u potpunosti odgovaraju jedna drugoj, kako dinamički tako i frekventni, a sve u cilju idealnog stereo snimanja. Kapsule su postavljene na 90 stepeni jedna u odnosu na drugu. NT4 se može koristiti u zaista velikom broju raznovrsnih audio aplikacija, od overhead mikrofona za snimanje bubnja ili hora pa sve do lokacijskog mokrofona za snimanje ambijentalnog zvuka. U kompletu sa mikrofonom dolazi RC4 kofer za transport, WS4 zaštitnik od vetra i svi potrebni kablovi za povezivanje mikrofona. Tehnička specifikacija: * Acoustic Principle: Pressure Gradient * Active Electronics: JFET impedance converter with bipolar output buffer * Capsule: 0.50" * Polar Pattern: Cardeoid * Address Type: End * Frequency Range: 20Hz - 20kHz * Output Impedance: 200Ω * Maximum SPL: 143dB SPL (@ 1kHz, 1% THD into 1KΩ load) * Maximum Output Level: 13.9dBu (@ 1kHz, 1% THD into 1KΩ load * Sensitivity: -38.0dB re 1 Volt/Pascal (12.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz * Equivalent Noise Level (A-weighted): 16dB-A * Power Options: 9V Battery; +48V phantom power * Weight: 480.00gm * Dimensions: 231.00mmH x 61.00mmW x 33.00mmD * Output: Minijack or XLR Output

SPECIFIKACIJE: Type: Condenser Pressure Gradient w/ 18mm edge-terminated capsule Frequency Range: 20Hz/24Khz Polar Pattern: Cardioid (Omni available - Special Order) Sensitivity: 11 mv/pa Impedance: 200 ohms SPL: 141 dB Equivalent Noise: 15 dB(A) Tube Type: EF 732 Power Requirements: Dedicated Power Supply, 115V or 230V Size: 28mm x 184 mm Weight: 300 g

SPECIFIKACIJE: Capsule Type: Condenser Pressure Gradient w/ 34mm capsule Frequency Range: 20Hz/22Khz Polar Pattern: 9 - Switchable from omni- to bi-directional Sensitivity: 12mv/pa Impedance: 200 ohms SPL: 140 dB Equivalent Noise: 12 dB(A) Tube Type: CE-6072A Power Requirements: Dedicated Power Supply, 115V or 230V AC Size: 59.5mm x 196mm Weight: 775 g