Garancija: 12 meseci

Slate Digital ML-1 je u srcu vašeg VMS sistema, pružajući pristup širokom nizu klasičnih mikrofona. Ovaj ultra-linearni, zvučno neutralni kondenzatorski mikrofon sa velikim dijafragmama obuhvata čak i najglasnije zvukove sa kliničkom preciznošću - savršeno prazno platno za korišćenje sa emulacijama mikrofona Slate Digital. Osim toga, ML-1 precizno reprodukuje učinak blizine vintage kondenzatora velike dijafragme u kardioidnom načinu rada. U kombinaciji sa digitalnim predpojačalom mikrofona VDS-ONE ili VRS8 audio interfejsom i njihovim neverovatnim VMS softverom, ML-1 vam pruža neviđenu zvučnu fleksibilnost.

The MKE 600's high sensitivity and low-noise circuitry unlock improved sound quality without extreme gain on noisy camera preamps. With a natural roll-off at 40 Hz and a selectable low-cut filter at 100 Hz, the MKE 600 can deliver clear intelligibility while attenuating low-frequency noise such as rumble. Plus, its frequency response incorporates a gentle rise in treble to enhance speech clarity. The lightweight and durable metal housing ensures reliable toughness without weighing down your rig. The included shoe shockmount accommodates mounting the MKE 600 to a camera or tripod. Connect the mic's XLR output to an XLR-equipped mic preamp or use the supplied adapter cable to plug it into the 3.5mm mic input on a camera. Quality Sound The 10" long MKE 600 uses an interference tube and a supercardioid/lobar polar pattern to provide pronounced directivity on-axis along with significant attenuation of sound entering at the sides and rear, making the MKE 600 far more effective at capturing distant sources than the omnidirectional mics found in most cameras. Bass Roll-Off The MKE 600 naturally reduces sub-bass frequencies below 40 Hz to prevent unnatural bass buildup. Activate the switchable low-cut filter at 100 Hz to roll off more low-frequency noise from common sources such as air conditioners and traffic. Battery or Phantom Powered Thanks to its 3-pin XLR output and compliance with 48 VDC phantom powering, the MKE 600 is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters, as well as built-in preamps on many camcorders and cinema cameras. When using devices that don't offer phantom power, the MKE 600 may be powered for up to 150 hours by a single AA battery (included). Approximately 8 hours of operating time remain once the low-battery indicator lights up red. Use the on/off switch to prevent unnecessary battery drain. Ideal for Camera, Tripod, or Boompole Mounting The MKE 600 includes a shoe shockmount for easy placement on your camera or a tripod. To mount the MKE 600 on a boompole or mic stand, use the Rycote InVision INV-HG mkIII shockmount (available separately), which will also impede the transfer of vibrations between your boompole/stand and the mic. XLR to 3.5mm TRS Adapter Cable for Cameras Included with a MKE 600 is a short coiled adapter cable—XLR female to 3.5mm TRS male—that lets you connect the mic directly into a mini-jack mic input on a camera. Windscreen Minimizes Wind Noise The MKE 600 has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners by up to 25 dB. Enhanced attenuation of wind noise is possible with the addition of an optional windshield such as the Rycote 15cm Super-Softie, which also provides high immunity to rain. For maximum reduction of handling noise and wind noise in indoor or outdoor environments, consider a complete windjammer, windshield, and shockmount suspension system such as the Rycote Super-Blimp NTG or the large Rycote Super-Shield Kit (both available separately). Sennheiser MKE 600 Specs Microphone Primary Applications Audio for Video, Location Sound Form Factor Stand/Boom Mount Intended Sound Sources Speech/Voice Over Sound Field Mono Operating Principle Line Gradient Capsule Condenser Polar Pattern Lobar, Supercardioid Orientation End Address Circuitry Solid-State Pad None High-Pass Filter 100 Hz Tone Adjustment None Gain Adjustment None Indicators 1 x Red Single LED (Battery) On-Board Controls High-Pass Filter, On/Off Windscreen Foam (Included) Performance Frequency Range 40 Hz to 20 kHz Maximum SPL 132 dB SPL (Phantom Power) 126 dB SPL (Battery Power) Off-Axis Rejection 5 dB at 60° >15 dB at 120° >10 dB at 180° Sensitivity 21 mV/Pa (Phantom Power) 19 mV/Pa (Battery Power) Equivalent Noise Level 15 dB A-Weighted (Phantom Power) 16 dB A-Weighted (Battery Power) Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male (on Mic) 1 x 1/8" / 3.5 mm TRS Male (on Detachable Cable) Headphone Connector None Power Operating Voltage 48 V ± 4 V (Phantom Power) Operating Current Consumption 4.4 mA (Phantom Power) Battery Type 1 x AA (Not Included) Approximate Battery Life 150 Hours Physical Color Black Mounting Camera/Shoe-Mount (with Included Hardware) Included Case Soft Case Included Filters None Construction Material Metal Operating Temperature 14 to 140°F / -10 to 60°C Dimensions ø: 0.79 x L: 10.08" / ø: 20 x L: 256 mm Weight 4.52 oz / 128 g (Microphone)

Featuring Sennheiser's evolution Lavalier ME 2-II Selectable UHF frequencies within a large bandwidth Up to 10 compatible channels Diversity reception Sennheiser XSW 1-ME2 Specs System Modulation Wideband FM Frequency Range A: 548 to 572 MHz Switching Bandwidth Up to 24 MHz Signal to Noise Ratio ≥ 103 dBA Total Harmonic Distortion ≤ 0.9% Temperature Range Operation: 32 to 104°F (0 to +40°C) Storage -4 to 158°F (-20 to 70°C) Transmitter Synchronization 2.4 GHz, Low Power OQPSK (only active during synchronization) Receiver Principle Double superheterodyne Diversity Antenna switching diversity via internal antennas Sensitivity < 3 μV at 52 dBA RMS S/N (at peak deviation) Frequency Response 50 Hz to 16 kHz (-3 dB) Max Output Voltage At Peak Deviation, 1 kHz AF 1/4" (6.3 mm) Jack Socket (unbalanced): +6 dBu XLR Socket (balanced): +12 dBu Adjustment Range Audio: 45 dB, adjustable in 5-dB steps Power Supply 12 VDC nominal, 300 mA Squelch Adjustable from 3 dBμV to 28 dBμV (combined with pilot tone) Line/Mic Level 20 dB, switchable Material of Construction ABS housing Dimensions 7.9 x 1.7 x 5.0" (200 x 42 x 127 mm) Weight 12 oz (340 g) Bodypack Transmitter Output Power 10 mW Frequency Response Line: 50 Hz to 16 kHz Mic: 50 Hz to 16 kHz Audio Input 1/8" (3.5 mm) jack socket Input Voltage Mic/Line at 3% THD: Typ. 1.V RMS mic / typ. 2.6 V RMS line at -30 dB gain Power Supply 2 x AA batteries, 1.5 V Operating Time Approximately 10 hours Adjustment Range Transmitter Sensitivity: 0 to -30 dB, adjustable in 10 dB steps Material of Construction Rugged ABS housing Dimensions 2.8 x 3.8 x 1.1" (71 x 96 x 28 mm) Weight 3.4 oz (95 g) Lavalier Microphone Specs Microphone Type Condenser, pre-polarized Sensitivity 20 mV/Pa Polar Pattern Omnidirectional Max SPL 130 dB

The MD 445 features a lightweight, rapidly responding aluminum-copper voice coil, which provides a direct, focused sound with greater presence and intensity as well as a richness of the low and middle ranges for a remarkable acoustic closeness. The spring-mounted capsule mitigates handling noise, while the hum-compensation coil eliminates electromagnetic interference. Supercardioid Polar Pattern This high-rejection supercardioid microphone systematically blocks out ambient noise, guaranteeing maximum protection from feedback in the most demanding environments Advanced Design Highly developed aluminum-copper voice coil forms the basis for a noticeably direct and nuanced sound. Rich, Focused Sound The MD 445 provides a direct, focused sound for greater presence and intensity. The sophisticated transparency and the richness of the low and middle ranges create an unparalleled acoustic closeness. Features at a Glance Dynamic vocal microphone Very lightweight, rapidly responding aluminum-copper voice coil High-resolution, direct sound for audibly greater proximity to the vocals Directionality: high-rejection supercardioid High feedback resistance Large-diaphragm diameter Spring-mounted capsule to shield it from body-borne noise Hum-compensation coil to eliminate electromagnetic interference Rugged metal design Sennheiser MD 445 Specs Microphone Form Factor Handheld Sound Field Mono Operating Principle Pressure Gradient Capsule Dynamic Polar Pattern Supercardioid Orientation End Address Pad None High-Pass Filter None Tone Adjustment None On-Board Controls None Windscreen Foam (Included) Performance Frequency Range 40 Hz to 20 kHz Maximum SPL 163 dB SPL Impedance 245 Ohms Load Impedance 1 Kilohms (Minimum) Sensitivity 1.6 mV at 1 kHz Dynamic Range 145 dB A-Weighted Equivalent Noise Level 18 dB A-Weighted Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male (on Mic) Physical Color Black Mounting Mic Clip/Stand Adapter (Included) Dimensions ø: 1.9 x L: 6.9" / ø: 47.5 x L: 174 mm Weight 11.6 oz / 329 g

No stand is needed as the e 901 can be positioned inside a kick drum laying over a towel or pillow—close to the beater for picking up the attack. Alternately, it can also be used on a lectern, conference table, altar, theatrical stage, or pianos and percussion to capture full-bodied voice or instrument sound. The mic is ruggedly constructed, with a slip-free rubber pad underneath so it will stay put. Optimized Frequency Response The e 901 features a frequency response optimized for accurate reproduction of kick drums High Sound Pressure and Fast Transient Reproduction The e 901 handles very-high sound pressure levels and reproduces fast attacks and transients without distortion Half-Cardioid Pickup Pattern The half-cardioid pattern effectively rejects unwanted noise and reflection at the rear of the mic Rubber Damping Plate The e 901 features a slip-free, dampening rubber pad at the bottom that absorbs vibrations Other Features Integrated preamp Gold-plated XLR connector Powered via 48V phantom Sennheiser E901 Specs Microphone Form Factor Boundary/Surface Mount Sound Field Mono Capsule Electret Condenser Polar Pattern Half-Cardioid High-Pass Filter None Performance Frequency Range 20 Hz to 20 kHz Maximum SPL 154 dB SPL Impedance 100 Ohms Load Impedance 1000 Ohms Sensitivity 0.5 mV/Pa Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Male (on Mic) Power Operating Voltage 48 V (Phantom Power) Physical Mounting Instrument Surface Mount Dimensions H: 1.04 x W: 4.13 x L: 4.98" / H: 26.5 x W: 105 x L: 126.5 mm Weight 1.21 lb / 550 g

What is the 55SH Series II best suited to? The Shure 55SH Series II is suited specifically to vocal applications. Therefore, typically live performance, public address as well as for broadcasting, recording, and sound applications where a stand-mounted microphone with a classic look is desirable. What type of polar pattern does the 55SH Series II have? A cardioid (unidirectional) polar pickup pattern is employed to minimize sound pickup from the rear of the microphone. This allows the Model 55SH Series II to be used in close proximity to loudspeakers without creating feedback problems, and it can perform under adverse acoustic conditions where omnidirectional microphones cannot.

Uz PR 20 UT dobijate PR 20 sa ekranom od nerđajuće mreže, držačem za mikrofon, akustičnim vetrobranom od crne pene, u plastičnoj torbi sa patent zatvaračem. Preuzmite detaljne specifikacije Proizvod: PR 20 UT (Utility) Izlazno povezivanje: 3 pin XLR Tip: dinamički Frekventni odziv: 50 Hz – 18 kHz Polarni patern: kardioidni Odbijanje sa zadnje strane@ 180 stepeni van ose: -30 dB Impedansa: 600 ohms balansirano Izlazna jačina: -55 dB @ 1 kHz Težina: 397 g Maksimalni SPL: 145 dB

DPA DC4099 Clip for Drum Clip for drum.

Known for their discreet size and elegance, these mics feature a lightweight design. Yet, d:vote™ 4099 Instrument Microphones are also rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities. A detachable, lightweight cable from gooseneck to the XLR adapter makes it convenient to mount the mic on an instrument before connecting it. The extremely flexible cable does not weigh down the instrument. Flexible adapter system The adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a whole new microphone. And when you make the switch, you won't hear any loss or change in sound quality. The d:fine™, d:screet™ and d:vote™ series of miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come. Find the adapter that fits your wireless system. Optional gooseneck extension The standard gooseneck length is 140 mm (5.5 in). An optional gooseneck extension unit is also available. This adds 50% extra length, which helps reach the sweet spot for some instruments. Detachable cables The d:vote™ 4099 Instrument Microphone series features cables that are detachable from the gooseneck. This makes it more convenient to mount the mic on an instrument before connecting it. This kit comes with 1.6 mm (0.06 in) miniature cables, which are appropriate for personal mounting on instruments. The heavy duty 2.2 mm (0.09 in) cables are ideal for PA and live gigs. You can choose between the different cable qualities, to tailor your mic to a specific task. Learn to mount a d:vote™ Mic placement is important to getting the best sound, regardless of which instrument you play. We have created a visual guide to mounting the d:vote™ Instrument Microphone on various instruments. Check out the guide. Microphone case Consistsg of: 10x d: vote core 4099 instrument microphone 10x Microdot adapter 10x miniature microphone cable 8x clips for violin 3x clips for cello 2x clip for piano 4x clip for guitar 2x clip for sax / trumpet 2x Universal Clip 2x clip for bass 2x clip for drums 1x Peli Case Features The product offers the following features Flat frequency response Excellent phase characteristics Versatile mounting options Gentle yet secure adhesion to instruments Compact, discreet size Detachable cable and versatile gooseneck extender Flexible adapter system fits most professional wireless systems

Dynamic drum mic that's great for low-frequency instruments Perfect for kick drums, floor toms, bass cabinets and tubas Durable metal construction that can take heavy-duty use Robust low-end sound that has plenty of punch Excellent sound that's great for all styles of music Type: Dynamic Frequency Response: 30Hz - 15kHz Polar pattern: Cardioid Sensitivity: -76 dB (+/-3 dB @ 1kHz) Output Impedance: 300 ohms Size: 60 x 130mm Weight: 540g Metal Finish: Black

The FR-351 cardoid mic has a 8mm capsule, while the FR-350 omni mic has a 6mm capsule. These lavalier microphones require 48v phantom power to operate. They are both supplied with foam windscreens and clips.

Great for the Field The mic is easily hidden, but it offers an omnidirectional polar pattern that ensures you'll get an even sound at any angle of address. This makes it great for run-and-gun sound pickup. Handy Includes The included windscreen protects against plosives. The clip makes mounting the mic a cinch. The cable features a splitter with a 3.5mm headphone jack, so you can monitor your audio as you record. When you're done, store everything in the included carrying case. Easy to Use The mic offers no controls and operates in the analog domain. This makes operation a breeze: simply plug it in and play. There's no software to install to make it compatible with your phone. MXL MM160 Specs Microphone Primary Applications Recording to Mobile Device Form Factor Lavalier Intended Sound Sources Vocals Sound Field Mono Capsule Electret Condenser Polar Pattern Omnidirectional Pad None High-Pass Filter None Tone Adjustment None Gain Adjustment None On-Board Controls None Windscreen Foam (Included) Performance Frequency Range 40 Hz to 18 kHz Sensitivity -42 dB at 1 kHz Connectivity Output Connectors (Analog) 1 x 1/8" / 3.5 mm TRRS Male (on Attached Cable) Headphone Connector 1 x 1/8" / 3.5 mm Cable Length 6' / 1.8 m Power Bus Power None Operating Voltage Not Specified by Manufacturer Physical Color Black Mounting Mic Clip/Stand Adapter (Included) Included Case Soft Case Included Filters None Dimensions ø: 0.4 x L: 0.6" / ø: 9.1 x L: 14.3 mm Weight 0.1 lb / 45 g

OVERVIEW The e 602 II is a cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments. FEATURES Rugged, lightweight aluminium body for stable positioning on long microphone boom arms Lightweight high-performance voice coil construction Fast transient response Low frequency extension Ideal for direct use on the most problematic bass signal Frequency-independent directivity provides isolation from other on-stage signals Humbucking coil Integral stand mount WHAT'S IN THE BOX? 1 e 602-II 1 pouch Instructions for use Dimensions: Ø 60 x 153 mm Connector: XLR-3 Frequency response: 20 - 16000 Hz Weight: 318 g Sensitivity in free field, no load (1kHz): 0,25 mV/Pa; (50 Hz) 0,9 mV/Pa Nominal impedance: 350 Ω Min. terminating impedance: 1000 Ω

The supercardioid polar pattern is most effective at eliminating off-axis ambient sound that can cause feedback and residual noise. The dynamic element is capable of being placed in close proximity to excessively loud instruments without resulting in noise or distortion. The e 608's rugged mount is designed for firm placement on instruments during lengthy performances. Specialized for Wind/Percussion/Brass The e 608 miniature dynamic microphone is specialized for capturing wind instruments, percussion, drums and brass instruments. Miniature Profile The miniature profile allows for inconspicuous placement during performances. Supercardioid Polar Pattern The supercardioid polar pattern is effective in rejecting off-axis signal and noise. Adjustable Gooseneck The adjustable gooseneck provides accurate positioning. High SPL Handling The dynamic element is capable of handling extreme sound pressure without noise and distortion. Sennheiser E608 Specs Microphone Capsule Dynamic Polar Pattern Supercardioid Pad None High-Pass Filter None Performance Frequency Range 40 Hz to 16 kHz Impedance 250 Ohms at 1 kHz Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Physical Dimensions ø: 0.7 x L: 7.3" / ø: 17 x L: 185 mm Weight 0.7 oz / 20 g

Low Frequency Response The low frequency response is optimized for accurate reproduction of kick drum, bass guitar cabinets, acoustic bass, tuba, etc. Fast Transient Response The E902 is capable of withstanding high sound pressure levels and fast attacks are reproduced accurately without distortion. Cardioid Polar Pattern The cardioid polar pattern is effective in minimizing off-axis audio and residual noise that may cause feedback. Hum Compensation The built-in hum compensation coil suppresses hum and low frequency noise. Rugged Construction The rugged, durable construction is capable of handling life on the road or in studio. Sennheiser E902 Specs Microphone Capsule Dynamic Polar Pattern Cardioid Pad None High-Pass Filter None Performance Frequency Range 20 Hz to 18 kHz Impedance 350 Ohms at 1 kHz Sensitivity 0.2 mV/Pa at 1 kHz 0.6 mV/Pa at 60 Hz Connectivity Output Connectors (Analog) 1 x XLR 3-Pin Physical Dimensions ø: 2.4 x L: 5.1" / ø: 60 x L: 128.5 mm Weight 15.5 oz / 440 g

WO518 Miniature Omni Condenser Lavaliere Microphone The WO518 is an omni lavaliere clip-on condenser microphone with a frequency response tailored to give accurate, intelligible speech recognition. It is ideally suited for the interview programs of TV broadcasting and video production. The extended bass frequency range of this mic makes it the best choice for cello and double bass sound pick-up. WO518DXLR TA3F connector for PS418D preamp (either phantom power or battery) Features Boosted wire mesh grille increases the HF response Wind screen foam to reduce those unwanted "pop" sounds Flat and wide frequency response, high SPL, high dynamic range, low distortion WO518TQG is for wireless systems Application TV Broadcasting Speech Cello Double Bass Eastern Strings Type: Back electret, Ø6 mm (Ø0.24") Polar Pattern: Omni Frequency Response: 60-15,000 Hz Low Frequency Filter: WO518DXLR 80Hz, 12 dB/oct/(PS418D) Sensitivity: WO518TQG -32 dBV/Pa (25.1 mV) WO518XLR -44 dBV/Pa (6.3 mV) WO518DXLR Phantom: -40 dBV/Pa (10 mV) Battery: -43 dBV/Pa (7.1 mV) Output Impedance: 200 Ω EA0ADXLR Phantom: 200 Ω; Battery: 600 Ω Minimun Load Impedance: 1,000 Ω WO518DXLR Phantom:1,000 Ω;Battery:2,000 Ω S/N Ratio: WO518XLR 72 dB WO518DXLR Phantom: 76 dB; Battery: 75 dB Equivalent Output Noise: WO518XLR 22 dB WO518DXLR Phantom: 18 dB; Battery: 19 dB Max. SPL: WO518XLR 132 dB SPL WO518DXLR Phantom:130 dB SPL;Battery: 126 dB SPL Dynamic Range: WO518XLR 110 dB SPL WO518DXLR Phantom:112 dB;Battery:107 dB Power Requirements: WO518TQG 1.5~9V DC WO518XLR 12~52V DC, 3.5 mA WO518DXLR Phantom: 12~52V DC, 3.5 mA;Battery: 1.5VDC AA/UM3 Finish: Black Connector: WO518TQG TA4F, 1.5-meter cable WO518XLR TA3F, 1.5-meter cable WO518DXLR TA3F, 1.5-meter cable Dimensions: Microphone: Ø8 × 12 mm (Ø0.31" × 0.47") WO518XLR PS418S: Ø21 × 106 mm (Ø0.83" × 4.18"); WO518DXLR PS418D: H × W × D 84 × 63 × 22.5 mm (3.3" × 2.48" × 0.89") Net Weight: Microphone: 20 g (0.7 oz); PS418S: 118 g (4.2 oz)(Only WO518XLR); PS418D: 245 g (8.6 oz)(Only WO518DXLR) Accessories Furnished: WO518TQG S12 HF boost windscreen,S13 windscreen, clip,; WO518XLR S12 HF boost windscreen,S13 windscreen, clip,PS418S preamp WO518DXLR S12 HF boost windscreen,S13 windscreen, clip, 1.5V AA;alkaline battery, PS418D preamp Packaging: Colorful outer packaging

Audix OM7 Designed for touring PA system. Low output gain stage designed to provide maximum gain before feedback in monitors Designed, assembled and tested by Audix in the USA, the OM7 is a dynamic vocal microphone used for professional sound companies, front of house and mixing engineers, and high profile fixed installations. The OM7 is known for its ability to provide unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the OM7 is very resistant to feedback on extremely loud stages, and for performers who tend to “cup” the microphone with both hands. In order to achieve these extraordinary performance benefits, the OM7 is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low gain stage acts as a natural “pad” at the capsule in order to maintain high fidelity at the source. For this reason, the OM7 is best suited for use with high quality mixing consoles with plenty of head room to compensate for the low gain. The OM7 is characterized with a super-tight hypercardioid polar pattern which effectively isolates the vocals from the rest of the instruments on stage. With a wide frequency range of 48 Hz - 19 kHz, the OM7 employs a VLM™ (Very Low Mass) diaphragm for a very clean and punchy sound with exceptional transient response. Well balanced, comfortable to hold and durable, the OM7 is manufactured with very high standards and tight tolerances. Roadworthy construction includes a precision die cast zinc alloy body, black e-coat finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector, and heavy duty nylon clip. Applications Lead or backing vocals Live recording Broadscast Sax, brass, guitar, dobro, flute, percussion, drums Home studio Specifications Type Dynamic Polar Pattern Hypercardioid Frequency Response 48Hz - 19kHz Impedence 150 ohms Sensitivity @1k 0.8 mV/Pa What people are saying about the Audix OM7 "I have been using OM7's for the past 20 years and it is still my absolute favorite live vocal mic." Dave Rat, FOH Red Hot Chili Peppers, Blink 182 "Great clarity, smooth response and tight pattern control with the best off axis rejection of any vocal mic, the OM7 limits our 2 drumkits from leaking into the vocals. This mic is a winner for anyone needing a great sounding vocal mic thats keeps all the other stuff on the stage out of it." Gary Hartung, FOH The Doobie Brothers "With little time to ring out monitors then sprint to FOH on the big festivals makes me thankful for my OM7's. Without that extra 6 to 12 db gain to feedback above the rest, I would never be able to enable the band to hear their vocals properly." With little time to ring out monitors then sprint to FOH on the big festivals makes me thankful for my OM-7s. Without that extra 6 to 12 db gain to feedback above the rest, I would never be able to enable the band to hear their vocals properly." Tommy Rat, FOH Zebrahead "The OM7 has got me out of some tight situations and is a great problem solver. When playing on tight, loud stages there is no other mic that has given me as clear and upfront vocal without all the nasty background noise. On the big stages with bands that only use floor monitors, it cuts away all that wash from the floor mixes, side-fills and backline without compromising the integrity of it's own source." Chris Braun, FOH Blue King Brown, Australia "An important part of my job is making sure that Eddie gets the right vocal sound on stage – after all his performance depends on it. For the past 17 years we’ve used the OM7 to accomplish that task – and it’s never let us down." Karrie Keyes, Monitor Engineer , Pearl Jam

The Interview Kit comes with the SC6-L, two LAV-CLIPs, two WS-LAV windshields, a storage pouch, and two smartLav+ microphones, RØDE's professional grade lavaliers. The smartLav+ is a discreet and portable 4.5mm miniature mic made with omni-directional condenser capsules and Kevlar® reinforced cables, making them suitable for a wide range of film, television and broadcast applications. The SC6-L is a simple input/output breakout box with Lightning® connector to connect directly to iOS devices. With two TRRS inputs and one stereo headphone output, the SC6-L connects to any TRRS devices, including two smartLav+ microphones and headphones for direct monitoring and playback. Optimised to be used with the RØDE Reporter app, the user can enable/disable direct monitoring, alter boost gain, and choose between summed stereo and dual mono. These features can be retained by the SC6-L allowing users to use the SC6-L with other apps, such as the Camera, GarageBand, Voice Memos, etc. SC6-L Mobile Interview Kit Specifications ACOUSTIC & ELECTRICAL SPECIFICATION OS Requirements iOS 11 and higher Bus Powered Yes Direct Monitor Yes Sample Rates 44.1/48 kHz Bit Depth 24-bit Simultaneous I/O 2/2 Computer Connectivity Lightning (iPhone/iPad/iPod) Analog Outputs 3.5mm TRS Headphone Output Output Connection SC6-L: 3.5mm Headphone Output SmartLav+: Gold-plated TRRS plug Power Requirements Powered from iPhone TRRS socket (2.7V) Maximum SPL n/a Equivalent Noise 25 dB Typical Signal to noise Ratio 69 dB Frequency Range SC6L: 20Hz - 20 kHz SmartLav+: 60 Hz - 18 kHz Polar Pattern Omni-directional Active Electronics JFET Acoustic Principle Permanently Polarised Condenser MECHANICAL SPECIFICATION Packed Weight (g) 113g Weight (g) 53g Colour Black Material PC and ABS Plastic IN THE BOX: 2 x smartLav+ Lavalier microphone for smartphones SC6-L Dual TRRS input and headphone output for Apple Devices

Za razliku od većine shotgun mikrofona, polarni patern TM1 nema „zadnji režanj“ koji mu omogućava da izvršava izvanredan posao potiskivanja zvukova sa zadnje i bočne strane, istovremeno očitavajući zvukove ispred sebe. TM1 radi sa fantomskim napajanjem ili njegovom unutrašnjom punjivom litijum-jonskom baterijom. U poređenju sa shotgun mikrofonima koji imaju ugrađene pregrade za baterije i baterije, potpuno metalni TM1 je primetno lakši. Osim toga, nećete trošiti novac na jednokratne baterije. Veličina TM1 je pogodna za upotrebu na kameri, kao i za stubove nosača, postolja ili držače. 4 tastera na TM1 su osvetljena tako da ih možete prilagoditi u uslovima slabog osvetljenja. PAD dugme od -10 dB omogućava vam čisto snimanje glasnih zvukova. Dugme za povišenje visoke frekvencije od + 6 dB povećava oštrinu i jasnoću. Dugosečno dugme čini dijalog razumljivijim i eliminira smetajuće duboke basove, poput slabe tutnjave vozila i klima uređaja. TM1 čak sprema podešavanja vašeg dugmeta kada ga isključite. Penasti vetrobran je uključen za unutrašnju upotrebu, a TM-VS1 krzneni vetrobran dostupan je za upotrebu na otvorenom (prodaje se zasebno). Profesionalni shotgun mikrofon od 11'' kvaliteta za emitovanje koji radi na ugrađenu litijum-jonsku bateriju ili na fantomsko napajanje Kardioidni polarni patern nema „zadnji režanj“ koji omogućava TM1-u da izvrši izvanredan posao pritiskajući zvukove sa zadnje i bočne strane, istovremeno očitavajući zvukove ispred sebe Dugme-taster čini dijalog razumljivijim i eliminiše ometajuću buku, +6 dB dugme za pojačavanje visokih frekvencija povećava oštrinu i jasnoću, -10 dB dugme omogućava vam čisto snimanje glasnih zvukova 150 sati radnog vremena od ugrađene litijum-jonske baterije, taster za napajanje menja boju tako da ukazuje na izvor energije i trajanje baterije, Micro-USB priključak za punjenje u XLR konektoru Srednja dužina je pogodna za montiranje na kameru i za upotrebu na stubu nosača ili postolju, osvetljeni tasteri se lako podešavaju u radnom okruženju sa slabom svetlošću Specifikacije Frekventni odziv: 40 Hz do 20 kHz Akustični princip: Line gradijentni Polarni patern: kardioidni Osetljivost: -35 +/- 3dB Izlazna impedansa: 200 ohM Maksimalni izlaz: 10 dBu Dinamički opseg: 119 dB Maksimalni SPL: 135 dB Odnos signal-šum: 75 dB SPL Filter: High-pass 150 Hz Baterija: 48V fantomsko napajanje ili 1400 mAh ugrađena litijumska baterija (150 sati) Izlazni konektor: 3-pin XLR (balansirani) Dimenzije: 11.1 x .9 x .9" (28.2 x 2.3 x 2.3cm) Težina: 6 oz (171g) Uključeno: 1 x shotgun mikrofon 1 x kratki XLR kabl 1 x štipaljka za mikrofon sa stopom 1 x USB kabl za napajanje 1 x penasti vetrobran 1 x odštampano uputstvo 1 x garantna kartica

Pored odličnog zvuka, Vmic Stereo takođe nudi svestran niz funkcija koje nećete pronaći na konkurentnim proizvodima. Ugrađeni izlaz za slušalice uvek omogućava da čujete zvuk, čak i ako vašoj kameri nedostaje priključak za slušalice. Omogućen je drugi izlaz za povezivanje Vmic Stereo-a sa kamerom ili diktafonom. Sve kontrole su jednostavne za upotrebu i lako im se pristupa. Ima podešavanje pojačanja od + 20 dB tako da možete isključiti bučno predpojačalo u kameri za čistije rezultate, i omogućava vam da odaberete akciju iz daleka. Takođe možete da smanjite osetljivost za -10dB kako biste mogli da snimate glasne objekte ili okruženja. Low cut prekidač čini zvuk razumljivijim i eliminiše neželjene duboke basove, poput ometanja bučnih zvukova iz vozila. Postavka za pojačavanje visokih frekvencija povećava oštrinu i jasnoću zvukova koje snimate. Uključen kabl se može ukloniti što znači da možete da koristite kabl od3.5 mm bilo koje dužine da biste postavili mikrofon u odnosu na kameru. Pored toga, integrisana stopa ima metalni stativ u svojoj osnovi tako da možete lako da prikačite Vmic Stereo na različite dodatne proizvode uz kameru. Penasti vetrobran je uključen za upotrebu u enterijeru, a za eksterijer i jače vetrove možete da koristite VMIC-WS-S krzneni vetrobran koji je specijalno dizajniran za Vmic Stereo (prodaje se posebno). Stereo mikrofon za kameru kvaliteta za emitovanje sa ugrađenim džekom za slušalice, odvojivim izlaznim kablom, čvrstom metalnom konstrukcijom i robusnim integrisanim šokmauntom Sveobuhvatno stereo snimanje zvuka, jednostavan za upotrebu sa svestranim nizom funkcija, + 20 dB prekidač za pojačavanje za postizanje ultra-čistog zvuka, -10 dB prekidač za čisto snimanje glasnih zvukova Low cut prekidač čini zvukove razumljivijim i eliminiše odvraćajuće zvuke tutnjave, podešavanje pojačanja visokih frekvencija povećava oštrinu i jasnoću Integrisana stopa za kameru sadrži metalni 1/4 20 navoj stativa, robustan i čvrst robusni navoj, nefleksibilan i podložan savijanju i oštećenju Radi sa 2 standarne AA baterije sa poklopcem za bateriju koji se lako koristi Frekventni odziv: 35 Hz to 20 kHz Vrsta mikrofona: kondenzatorski Polarni patern: Stereo kardioidni Osetljivost: 37 dB at 1 kHz Odnos signal/šum: 75dB ili više Izlazna impedansa: 600hm ili manje Filter: High-pass 150 Hz Izlazi: 2 x ženski 1.8” (3.5 mm), 1 za slušalice, 1 za povezivanje na kameru Baterija: 2 x AA (alkalna ili litijumska) Dimenzije: 116 x 90 x 171 mm Težina: 244g 1 x Vmic Stereo mikrofon 1 x kratki, spiralni kabl sa pozlaćenim mini-plug konektorima 1 x penasti vetrobran 1 x odštampano uputstvo 1 x garantna kartica

STUDIO QUALITY FOR WIRELESS SYSTEMS The KK 204 capsule head brings studio sound quality to the stage for the most demanding live applications. Simply put, the KK 204 is the best capsule head for the best wireless system, combining Neumann’s famous sense of perfection with Sennheiser’s long standing expertise in live performance engineering. The KK 204 capsule head is based on Neumann’s highly successful, award-winning KMS series of wired stage microphones. While most stage microphones use dynamic capsules, the KK 204 is equipped with a true condenser capsule offering the superior clarity that made Neumann studio microphones famous all over the world. At the same time, the KK 204 possesses the ruggedness required for stage use, thus refuting the myth that condenser microphones must be “fragile”. The KK 204 can stand enormous sound pressure levels of up to 150 dB without clipping, and its tight, frequency-independent cardioid pattern ensures high gain before feedback. The KK 204 has a much smoother frequency response than dynamic microphones and an airy top-end. Compared to dynamic microphones, the Neumann KK 204 has a vastly superior transient response resulting in a more immediate, more emotional vocal sound. In practical terms: effortless intelligibility, without the usual EQ boosts – which further improves feedback resistance. The KK 204 is optimized for close miking; a fixed low cut filter compensates for the proximity effect and ensures clear bass, even if the singer’s lips touch the microphone. The headgrille is made of hardened steel and features a highly effective internal pop screen which also keeps moisture away from the capsule. Thanks to careful Neumann engineering, these acoustic filters do not cause any sibilance problems. APPLICATIONS Neumann capsule heads in combination with Sennheiser wireless systems have proven their outstanding sound quality and reliability on some of the largest stages of the world, including international TV events, such as the Eurovision Song Contest. The KK 204 is designed for vocals and speech on stage and in other feedback-prone environments. It is suited for in-ear monitoring as well as conventional monitoring systems. Neumann sound for Sennheiser SKM 2000/6000/9000 and also EW G4 300/500 wireless systems Tight cardioid pattern without off-axis coloration Feedback resistant, high rejection of rearward sound (180°) Unaffected by extreme sound pressure levels Built-in pop protection, low handling-noise Easy cleaning Directional Pattern Cardioid Frequency Range 40 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm 2.8 mV/Pa ± 1 dB equ. 51 dBV Equivalent noise level, CCIR 1 35 dB Equivalent noise level, A-weighted 2 24 dB-A Maximum SPL for THD 0.5% 3 150 dB Signal-to-noise ratio, CCIR (re. 94 dB SPL) 4 59 dB Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 5 70 dB-A Weight approx. 500 g (incl. transmitter + power supply unit) Diameter 55 mm Length 272 mm (incl. SKM 2000)

The Saramonic Vmic Mini is an extremely compact and lightweight mini-shotgun microphone that mounts directly to DSLR, mirrorless, and video cameras and enables you to easily capture broadcast-quality sound. It can also be connected to smartphones and tablets with an included cable and dramatically improves the sound quality of your mobile productions. The all metal construction and precision cut body of this microphone is a work of art. The size makes it ideal for use with small format DSLR, Mirrorless and video cameras as well as smaller mobile devices. Its ultra-compact size allows the mic to be placed in areas that larger shogun mics just won’t fit. Using the Vmic Mini is incredibly simple. You just plug it in and you’re done. There are no batteries to install or charge, and there are no buttons or switches to operate. It’s truly plug-and-play. A great choice for anyone creating video content on a budget but looking for high-quality gear. Vmic Mini is a lightweight and ultraportable shotgun microphone that will give all of your videos excellent sound. A stand out feature of the Vmic Mini design is the unique microphone shockmount. The wiry shockmounts on some competing microphones are flimsy and prone to bending, this can cause some unwanted audio issues and change the way the microphone picks up sound. The integrated shockmount of Vmic Mini is robust and features a sleek, sweeping and stable design. An advanced uniquely designed bullet like windscreen is included, giving the Vmic Mini its unique and interesting look. It features a sturdy gasket which aids in blocking wind noise, helps to protect the microphone from things like weather and dust, and keeps it securely fastened in place while on the go. Every aspect of the Vmic Mini’s design is top notch, and the built-in locking camera shoe features a metal 1/4 20 tripod thread at the base that gives you near limitless mounting options. Two output cables are included: one that connects to cameras, and another that connects to the headphone jack of smartphones and tablets. Whether you’re shooting with a powerful DSLR, mirrorless, video cam, tablet or a smartphone, the Vmic Mini is a compact and ultraportable shotgun microphone that will give all of your videos excellent sound. Provides clear, broadcast-quality sound to DSLR, Mirrorless and Video Cameras or Smartphones and Tablets Easy-to-use with plug-and-play operation and no batteries required for operation Sleek camera-mountable design that is lightweight and compact, yet features durable metal construction Includes two output cables: one for cameras, one for mobile devices Mounts to camera shoes, camera cages, boom poles, tripods, stands and more Type: 14mm Condenser Microphone Polar Pattern: Cardioid (Uni-Directional) Frequency Range: 75Hz - 20kHz Sensitivity: -35 ±3dB (0dB = 1V/Pa, @ 1kHz) Maximum Input SPL: f=1kHz, THD<5% (105dB) Output Impedance: 200ohm Signal to Noise Ratio: 75dB SPL Weight: 2.43oz (69g) Dimensions: 4.61 x 0.75 x 2.44” (117 x 19 x 62mm) 1 x Mini shotgun microphone with integrated shockmount 1 x Fitted foam windscreen 1 x Short coiled 1/8“ (3.5 mm) TRS to 1/8“ (3.5 mm) TRS output cable with gold-plated right-angle connectors 1 x Short coiled 1/8“ (3.5 mm) TRS to 1/8“ (3.5 mm) TRRS output cable with gold-plated connector for mobile devices 1 x Information card 1 x Warranty card Optional Accessories: VMICMINI-WS Slide-On High-Wind Furry Windscreen for Vmic Mini SR-C2000 3.5mm TRS Male to Lighting Microphone Adapter Cable for iOS Apple Devices SR-C2001 3.5mm TRS Male to USB-C Microphone Adapter Cable for Smartphones, Tablets & Computers with USB-C SR-BSP1C Aluminum Smartphone Holder & Mounting Shoe for Tripods SR-25C35 Short 3.5mm Female to 2.5mm Male Adapter Cable Magic Boom Pole 5-Section 10' Aluminum Boom SR-SC2500 8.2-Foot (2.5m) TRRS Female to TRRS Male Extension Cable SR-SC5000 16.4-Foot (5m) TRRS Female to TRRS Male Extension Cable WM4C-C35 Replacement 3.5mm TRS to 3.5mm TRS Output Cable SR-PMC2 Replacement 3.5mm TRS to 3.5mm TRRS Output Cable for Smartphones, Tablets and Computers

The Shure Beta 56®A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds. FEATURES: Tailored frequency response provides drums, amplified instruments, and horns with studio quality sound Built–in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound Compact design reduces stage clutter Hardened steel mesh grille resists wear and abuse Neodymium magnet for high signal–to–noise ratio output Minimally affected by varying load impedance Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration Legendary Shure quality and reliability Type Dynamic (moving coil) Frequency Response50 to 16,000 Hz NOTE: The curve shows on-axis response at a distance of 2 feet from a uniform sound source. Your response may vary, depending on microphone position.Polar PatternSupercardioid, rotationally symmetrical about microphone axis, uniform with frequencyOutput Level (at 1,000 Hz)Open Circuit Voltage -51 dBV/Pa (2.8 mV)(1 Pa = 94 dB SPL) Impedance Rated impedance is 150 ohms (290 ohms actual) for connection to microphone inputs rated low Z Polarity Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Connector Three-pin professional audio connector (male XLR type) Case Silver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille Adjustable, Locking Stand Adapter Integral, dynamic locking, adjustable through 180 degrees with standard 5/8"-27 thread Net Weight 468 grams (16.7 oz)