Live performance digital console with up to 48 simultaneous input channels 24 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 172 inputs and 172 outputs @ 96 kHz sample rate 8 VCA (Variable Control Association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 18 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Auto-ranging universal switch-mode power supply 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling frequency 96 kHz Latency <2 ms input to master (no compensation) Dynamic range 107 dB, 22 Hz to 22 kHz (no pre-emphasis) Maximum voltage gain 80 dB inputs to subgroups and masters 86 dB inputs to aux and matrix Crosstalk at 1 kHz -100 dB physically adjacent input channels Crosstalk at 10 kHz -90 dB physically adjacent input channels Fader/pan cut off at 1 kHz -100 dB Fader/pan cut off at 10 kHz -100 dB Display screen 1 x 15" daylight-viewable colour screen Dimensions (H x W x D) 685 x 722 x 288.6 mm (27.0 x 28.4 x 11.4") Net weight PRO1 control centre: 21.5 kg Shipping weight Touring (in flight case): 97.5 kg Install (in carton): 28.7 kg Power requirements 100 V to 240 V a.c. ±10%, 50 to 60 Hz Operating temperature range +5°C to +45°C Storage temperature range -20°C to +60°C Frequency Response 0 dB Gain Input Surface I/O Output Surface I/O 20 Hz 0 dB to -1.0 dB 20 kHz 0 dB to -1.0 dB Input Surface I/O Output Surface I/O 20 Hz 0 dB to -1.0 dB 20 kHz 0 dB to -1.0 dB 40 dB Gain Gain Error at 1 kHz 0 dB Gain Input Surface I/O Output Surface I/O Maximum +1.0 dB Minimum -1.0 dB 45 db Gain Input Surface I/O Output Surface I/O Maximum +1.0 dB Minimum -1.0 dB Input CMRR 0 dB Gain Input Surface I/O Output Surface I/O 100 Hz 60 dB 1 kHz 60 dB 45 dB Gain Input Surface I/O Output Surface I/O 100 Hz 90 dB 1 kHz 90 dB Distortion at 0 dBu 0 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.01% 10 kHz 0.01% 45 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% Distortion at +20 dBu 0 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% 45 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% Mixing Noise (All Bus Types) 22 Hz to 22 kHz Unweighted 12 Inputs Gain 0 dB Fader position #NAME? Pan Central Output noise -91 dBu 12 Inputs Gain 0 dB Fader position 0 dB Pan Central Output noise -78 dBu 24 Inputs Gain 0 dB Fader position #NAME? Pan Central Output noise -91 dBu 24 Inputs Gain 0 dB Fader position 0 dB Pan Central Output noise -75 dBu 48 Inputs Gain 0 dB Fader position #NAME? Pan Central Output noise -91 dBu 48 Inputs Gain 0 dB Fader position 0 dB Pan Central Output noise -72 dBu Signal Path Noise 22 Hz to 22 kHz Unweighted 0 dB Gain Input Surface I/O Output Surface I/O Output Noise -86 dBu EIN -86 dBu 45 dB Gain Input Surface I/O Output Surface I/O Output Noise -81 dBu EIN -126 dBu Dynamic Range 22 Hz to 22 kHz Unweighted 0 dB Gain Input Surface I/O Output Surface I/O Maximum Output +21 dBu Dynamic Range 107 dBu 45 dB Gain Input Surface I/O Output Surface I/O Maximum Output +21 dBu Dynamic Range 102 dBu PRO1 Control Surface - DSP/Router System Inputs and Outputs System connectors 6 x AES50 (24 channels of bidirectional digital audio) on etherCon XLR Word clock IN connector BNC Word clock OUT connector BNC Video sync IN connector BNC AES3 sync IN connector 3-pin XLR AES3 sync OUT connector 3-pin XLR PRO1 Control Surface - Analogue Audio System Inputs Connector 3-pin XLR balanced A/D converter 24-bit, 96 kHz with 128 times oversampling Talkback connector 3-pin XLR balanced line Talk connector 3-pin XLR balanced mic with +48 V phantom power PRO1 Control Surface - Analogue Audio System Outputs Connector 3-pin XLR balanced D/A converter 24-bit, 96 kHz with 128 times oversampling Monitor connector 3-pin XLR balanced line Talk connector 3-pin XLR balanced line Headphone connector ¼" Jack (stereo) PRO1 Control Surface - Digital Audio System Inputs and Outputs Input connector AES3 (two channels of digital audio) on 3-pin XLR Sample rates Accepts any frequency 32 kHz - 96 kHz Bypass Sample rate converter can be bypassed Output connector AES3 (two channels of digital audio) on 3-pin XLR Sample rate 48 kHz, 96 kHz, or auto-tracking to inputs Bypass Sample rate converter can be bypassed Word length 16, 20 or 24-bit PRO1 Control Surface - Control Data System Inputs and Outputs System connector etherCon XLR PRO1 Control Centre - Miscellaneous Inputs and Outputs Monitor output connector DVI/DP+ USB host connection USB 2.0 full speed (12.0 Mbs) 5 V, 1A maximum load Lamp connector 4-pin XLR MIDI In, Out and Thru on 5-pin DIN Footswitch connector ¼" Jack Analogue Input Characteristics Surface I/O Load Z 10 k Gain -22.5 dB to +65 dB Maximum Level +24 dBu Connector XLR Talk Mic Load Z 600R Gain +15 dB to +60 dB Maximum Level +6 dB Connector XLR Monitor Load Z 10 k Gain 0 dB Maximum Level +21 dBu Connector XLR Analogue Output Characteristics Surface I/O Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Talk Out Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Monitor Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Headphones Digital I/O Characteristics AES3 Channels 2 Data length 24-bit I/O Input Description notes Conforms to AES3-2003 Connector XLR AES3 Channels 2 Data length 24-bit I/O Output Description notes Conforms to AES3-2003 Connector XLR AES50 Channels 24 Data length 24-bit I/O Bidirectional Description notes Conforms to AES50 -2011 Connector etherCon XLR Miscellaneous Digital Characteristics Word clock I/O IN Description notes Accepts TTL level, 96 kHz square wave; impedance 75 O Connector BNC Word clock I/O OUT Description notes Provides TTL level, 96 kHz square wave Connector BNC AES sync I/O IN Description notes Accepts a 96 kHz digital audio signal conforming to AES3-2003 Connector XLR AES sync I/O OUT Description notes Provides a 96 kHz grade II reference signal conforming to AES3-2003 Connector XLR

The PREZONE2 is a multi-functional stereo preamplifier that lets users control the audio source and volume in two zones and employ selective zone paging. Designed for ease of use, the front panel of the PREZONE2 includes a set of volume, audio source selection, and microphone controls for each zone, providing immediate visual feedback regarding system operation. The PREZONE2 is equipped with four priority levels for audio routing: one emergency input, one paging input, two mic inputs, and four stereo inputs. Each output channel is equipped with an independent mono/ stereo switch on the rear panel, and the PREZONE2 also supports control via mobile-friendly web page, RS-232, or wall panels. It’s audio performance, ease-of-use, and versatile feature set makes the PREZONE2 ideal for a variety of professional audio applications. FEATURES Intuitive front and rear panels Four priority levels for audio routing 24V priority output overrides local volume controls for each zone Two mic/line level inputs with 48V phantom power Four stereo inputs Balanced (Euroblock) and unbalanced (RCA) connectors per output zone Independent mono/stereo switch per output zone Built-in web server for external device control Internal universal power supply Auto standby mode Rack mountable (2RU) CE marked, UL listed, and RoHS compliant Covered by Biamp Systems’ five-year warranty ARCHITECTS & ENGINEERS SPECIFICATIONS The preamplifier shall provide 1 emergency input that shall be triggered by either contact closure or VOX level. The emergency input shall support user adjustable volume and VOX activation level via the rear panel. The preamplifier shall provide 1 paging input connection for receiving microphone or line level analog audio signals via Euroblock connectors. The paging input shall support per zone volume control via the rear panel. The paging input shall support user adjustable gain and chime level via the rear panel. The preamplifier shall provide 2 balanced input connections for receiving microphone or line level analog audio signals via either Euroblock or RCA connectors. Each balanced input shall support user adjustable gain and EQ via the rear panel. The preamplifier shall provide 1 unbalanced input connection for receiving line level analog audio signals via either Euroblock or RCA connectors. The preamplifier shall provide 3 unbalanced input connections for receiving line level analog audio signals via RCA connectors. Each unbalanced input shall support user adjustable gain via the rear panel. The preamplifier shall support 4 priority levels of audio transmission. The preamplifier shall provide 2 balanced output connections for the transmission of line level analog audio signals via Euroblock connectors. The preamplifier shall provide 2 unbalanced output connections for the transmission of line level analog audio signals via RCA connectors. Each output channel shall support switchable mono and stereo modes via the rear panel. Each output channel shall support user adjustable EQ via the rear panel. The preamplifier shall support programmatic control of individual output zones via Euroblock connectors or RJ-45 connector. The preamplifier shall include a switchable standby mode via the rear panel that reduces power consumption to less than 1.8 watts. The standby mode shall activate automatically after 10 minutes if no signal is detected. The standby mode shall be activated/deactivated manually by toggling the standby mode button on the front panel. The preamplifier shall include a RS-232 connection for control data transmission into or out of the preamplifier and such operation shall be externally programmable. The preamplifier shall be rack mountable (2RU). The preamplifier shall be CE marked, UL listed, and shall be compliant with the RoHS directive. Warranty shall be five years. The preamplifier shall be Biamp® PREZONE2. PREZONE2 SPECIFICATIONS INPUTS OUTPUTS Number of Inputs Mic/Line (balanced): 2 Stereo Line (unbalanced): 4 Frequency Response: 20 Hz - 20 kHz Phantom Power (balanced only): +48VDC (7mA/input) Mic Level Control: Yes Emergency Input: Yes Input Priority Levels: 4 Priority Input Contact: Yes Chime: Yes Source Selection per Zone: Yes Tone Control: Yes Wall Panel Controls: Yes VOX Mute: Yes Music Level Control: Yes RS-232: 115200/8-N-1 Number of Outputs: 2 (stereo) Output Connectors Balanced: 3-pin, 0.3-inch Euroblock Unbalanced: RCA Priority Output Contact: Yes Cooling: Convection Overall Dimensions: Height (without feet): 3.5 inches (89 mm) Width (without rack ears): 16.9 inches (430 mm) Depth: 11.4 inches (290 mm) Weight: 8.6 lbs (3.9 kg) Environmental: Ambient Operating Temperature Range: 32 - 104° F (0 – 40° C) Humidity: 0-95% relative humidity (non-condensing) Altitude: 0-6,600 ft (0-2000m) MSL Front Panel Indicators: Signal present, clipping, emergency mode active, paging active, VOX active Power Consumption (100-240VAC 50/60Hz) Normal Operation: 60W Standby Mode: < 1.6W Compliance: FCC Part 15B (USA) UL listed (USA and Canada) CE Marked (Europe) RoHS Directive (Europe)

Compact live performance digital console control centre with up to 64 simultaneous input channels 8 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 156 inputs and 164 outputs @ 96 kHz sample rate Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam Advanced MCA (mix control association) channel control and navigation 8 VCA (variable control association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 20 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Dual redundant auto-ranging universal switch-mode power supplies 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling rate 96kHz Latency delay <2 ms (Input to Master output with no latency compensation) Dynamic range 106 dB, 22 Hz to 22 kHz Maximum voltage gain 80 dB, Inputs to Subgroups and Masters 86 dB, Inputs to Aux and Matrix Crosstalk -100 dB physically adjacent input channels Fader/pan cut off -100 dB Frequency Response 0 dB to -1.0 dB, 20 Hz to 20 kHz Gain Error @ 1kHz ±1.0 dB Input CMRR 0 dB gain -60 dB +45 dB gain -90 dB Distortion @ 0 dBu 0 dB gain 0.01% +45 dB gain 0.03% Distortion @ +20 dBu 0 dB gain 0.03% +45 dB gain 0.03% Noise Floor 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -81 dBu, 22 Hz to 22 kHz (unweighted) Equivalent Input Noise (EIN) 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -126 dBu, 22 Hz to 22 kHz (unweighted) Dynamic Range 0 dB gain 106 dB, 22 Hz to 22 kHz (unweighted) +45 dB gain 102 dB, 22 Hz to 22 kHz (unweighted) Analogue Audio System Inputs Mic/Line Inputs Quantity 8 Connector 3-pin XLR balanced mic/line input with +48 V phantom power A/D converter 24 bit, 96 kHz with 128 x oversampling Gain -22.5 dB to +65 dB Maximum input level +6 dBu Input impedance 10 kOhm Talk Mic Input Quantity 1 Connector 3-pin XLR balanced mic input with +48 V phantom power Mic gain +15 dB to +60 dB Maximum input level +6 dBu Input impedance 600 Ohm Talk Back Input Quantity 1 Connector 3-pin XLR balanced line input Maximum input level +21 dBu Input impedance 10 kOhm Analogue Audio System Outputs Line Outputs Quantity 8 Connector 3-pin XLR balanced line output D/A converter 24 bit, 96 kHz with 128 x oversampling Maximum signal level +21 dBu Master Outputs Quantity 3 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Monitor Outputs Quantity 4 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Talk Output Quantity 1 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Headphone Output Quantity 2 Connector ¼" Jack (stereo Maximum signal level +21 dBu Digital Audio System Inputs and Outputs AES3 Inputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 32 kHz to 96 kHz Bypass Sample rate converter bypass AES3 Outputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 48 kHz, 96 kHz or auto-tracking to inputs Bypass Sample rate converter bypass Word length 16, 20 or 24 bit AES50 Audio Quantity 6 Format Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz) Connector Neutrik etherCON with status LEDs Redundancy N+1 cable redundancy (X & Y) Ethernet Control Data Quantity 1 Connector Neutrik etherCON with status LEDs Redundancy Dual cable redundancy (1 & 2) Word Clock Input Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Word Clock Output Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Video Sync Input Quantity 1 Format Horizontal video sync (black burst), HD & SD formats Connector 75 Ohm BNC AES3 Sync Input Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR AES3 Sync Output Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR Output 96 kHz Grade II reference clock Other Interfaces Screen Output Quantity 1 Format DVI-C USB Interface Quantity 2 Format USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load Connector USB Type A MIDI Interface Quantity 3 Format MIDI IN, MIDI OUT, MIDI THRU Connector 5-pin DIN Footswitch Input Quantity 1 Format Contact closure Connector ¼" TS jack Lamps Quantity 2 Format 5 V, 12 W supply Connector 4-pin XLR Displays Quantity 1 Type 15" daylight-viewable colour TFT LCD screen Power Power Supplies Quantity 2 Format PRO1/PRO2/PRO2C Series Power Supply Module (MKT-PSU-7) Connector IEC mains inlet Mains Input Voltage 100 to 240 VAC, 50 to 60 Hz Redundancy N+1 power supply redundancy Power Consumption 110 VAC 1 PSUs - 1.6 A, 170 W 2 PSUs - 1.7 A, 185 W 230 VAC 1 PSUs - 0.8 A, 165 W 2 PSUs - 0.9 A, 180 W Physical Dimensions 882 mm wide x 730.3 mm deep x 274.9 mm high (34.7" x 28.7" x 10.8") Net weight 37.0 kg (81.4 lbs) Operating temperature range +5°C to +40°C Storage temperature range -20°C to +60°C

In 1997 Soundcraft launched the Spirit FX16 which immediately became popular with its 16 direct outputs and built-in effects unit in wide ranging applications. 10 years later Soundcraft has given the FX16 an overhaul bringing it in line with the Soundcraft Professional range using the latest 24-bit, digital Lexicon® effects processor and creating the Soundcraft FX16ii™. The Soundcraft FX16ii mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level. The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from. The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space. Features 26 inputs 16 mono microphone channels. 4 stereo returns 4-bus architecture, with sub-group routable to mix Built-in 24 bit Lexicon digital effects processor 32 FX settings Tap Tempo 3 FX parameter adjust rotaries User FX settings store function Direct outputs for multi-track recording individually switch-able for pre-post-fade operation Inserts on all mono channels Inserts on stereo mix output Classic Soundcraft 3-band EQ with swept mid-band Stereo 18dB/octave 100Hz high-pass filter Dual global +48V phantom power split channels 1-8 and 9-16 Channel Mute control 10-segment tri-coloured metering Two sub-group outputs Separate mono sum output Integral universal power supply Applications: Live Sound: Bands, Small Venues, Clubs, Conferences, Schools, Houses of Worship Studio Recording: Digital/Analogue Multi-tracking (8 or 16 track), Small/Home Studios, Pre-/Post-Production.

Denon dj prime 4+ dj spisak funkcija 4-deck nezavisna dj kontrola za nastupe bez upotrebe računara 10, 1 inčni hd multi-touch ekran strimovanje muzike preko wi-fi mreže za pristup milionima numera sa amazon music unlimited, tidal, beatsource, beatport, soundcloud go+, dropbox ugrađeni uzorkivač sa 16 slotova za uzorke koji kontrolišu jastučići, kontrola jačine zvuka i rutiranje izlaza prva samostalna funkcija stems za razdvajanje vokala i instrumenata u realnom vremenu (beta 2023) touch fx za interaktivnu manipulaciju zvukom na ekranu osetljivom na dodir 26 glavnih fks sa oled ekranima i kontrolom parametara sveep fx sa 4 dinamička dugmeta (može se kombinovati sa glavnim efektom) ugrađena kontrola osvetljenja za automatske i prilagođene dmx, philips hue i nanoleaf svetlosne emisije (4) usb i (1) sd medijski ulaz za reprodukciju muzike engine remote desktop za bežični pristup muzičkoj biblioteci vašeg računara ugrađena analiza opsega za strimovane numere i sačuvane medije 16 performansi sa režimima hot cue, save loop, auto loop, roll, sampler, slicer i slicer loop robusno metalno kućište i čelična dugmad za maksimalnu pouzdanost namenski xlr zonski izlaz sa ekvilajzerom i kontrolom jačine zvuka za slanje plejlista i numera u posebnu prostoriju ugrađeno ležište za sata disk od 2, 5 inča za skladištenje muzike na ploči 6-inčni metalni točkić za pomeranje sa produženom površinom na dodir, bojama koje se mogu dodeliti i centralnim hd ekranom za omot albuma (4) dodeljivi ulazni

Mikseta dinakord 10\40 sa alu koferom, 4ew kutije, stalci, pecaljke i sva ostala oprema

Processing Input Processing Channels 32 Input Channels, 8 Aux Channels, 8 FX Return Channels Output Processing Channels 16-Aug 16 aux buses, 6 matrices, main LRC 100 Internal Effects Engines (True Stereo / Mono) 16-Aug Internal Show Automation (structured Cues / Snippets) 500 / 100 Internal Total Recall Scenes (incl. Preamplifiers and Faders) 100 Signal Processing 40-Bit Floating Point A/D Conversion (8-channel, 96 kHz ready) 24-Bit, 114 dB Dynamic Range, A-weighted D/A Conversion (stereo, 96 kHz ready) 24-Bit, 120 dB Dynamic Range, A-weighted I/O Latency (Console Input to Output) 0.8 ms Network Latency (Stage Box In > Console > Stage Box Out) 1.1 ms Connectors MIDAS PRO Series Microphone Preamplifier (XLR) 16 Talkback Microphone Input (XLR) 1 RCA Inputs / Outputs 2-Feb XLR Outputs 8 Monitoring Outputs (XLR / ¼" TRS Balanced) 2-Feb Aux Inputs/Outputs (¼" TRS Balanced) 6-Jun Phones Output (¼" TRS) 1 (Stereo) AES50 Ports (KLARK TEKNIK SuperMAC) 2 Expansion Card Interface 32 Channel Audio Input / Output ULTRANET P-16 Connector (No Power Supplied) 1 MIDI Inputs / Outputs 1-Jan USB Type A (Audio and Data Import / Export) 1 USB Type B, rear panel, for remote control 1 Ethernet, RJ45, rear panel, for remote control 1 Mic Input Characteristics Design MIDAS PRO Series THD+N (0 dB gain, 0 dBu output) <0.01% unweighted THD+N (+40 dB gain, 0 dBu to +20 dBu output) <0.03% unweighted Input Impedance (Unbalanced / Balanced) 10 kO / 10 kO Non-Clip Maximum Input Level +23 dBu Phantom Power (Switchable per Input) +48 V Equivalent Input Noise @ +45 dB gain (150 ? source) -125 dB 22 Hz-22 kHz, unweighted CMRR @ Unity Gain (Typical) >70 dB CMRR @ 40 dB Gain (Typical) >90 dB Input/Output Characteristics Frequency Response @ 48 kHz Sample Rate 0 dB to -1 dB 20 Hz-20 kHz Dynamic Range, Analogue In to Analogue Out 106 dB 22 Hz-22 kHz, unweighted A/D Dynamic Range, Preamplifier and Converter (Typical) 109 dB 22 Hz-22 kHz, unweighted D/A Dynamic Range, Converter and Output (Typical) 109 dB 22 Hz-22 kHz, unweighted Crosstalk Rejection @ 1 kHz, Adjacent Channels 100 dB Output level, XLR Connectors (Nominal / Maximum) +4 dBu / +21 dBu Output Impedance, XLR Connectors (Unbalanced / Balanced) 50 O / 50 O Input impedance, TRS Connectors (Unbalanced / Balanced) 20 kO / 40 kO Non-Clip Maximum Input Level, TRS Connectors +21 dBu Output Level, TRS (Nominal / Maximum) +4 dBu / +21 dBu Output Impedance, TRS (Unbalanced / Balanced) 50 O / 50 O Phones Output Impedance / Maximum output Level 40 O / +21 dBu (Stereo) Residual Noise Level, Out 1-16 XLR Connectors, Unity Gain -85 dBu 22 Hz-22 kHz, unweighted Residual Noise Level, Out 1-16 XLR Connectors, Muted -88 dBu 22 Hz-22 kHz, unweighted Residual Noise Level, TRS and Monitor out XLR Connectors -83 dBu 22 Hz-22 kHz, unweighted Display Main Screen 5" TFT LCD, 800 x 480 Resolution, 262k Colours Channel LCD Screen 128 x 64 LCD with RGB Colour Backlight Main Meter 18 Segment (-45 dB to Clip) Power Switch-Mode Power Supply Auto-Ranging 100-240 VAC (50/60 Hz) ± 10% Power Consumption 70 W Physical Standard Operating Temperature Range 5°C – 40°C (41°F – 104°F) Dimensions 478 x 617 x 208 mm (18.8 x 24.3 x 8.2") Weight 14.3 kg (31.5 lbs)

Live performance digital console control centre with up to 64 simultaneous input channels 8 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 156 inputs and 164 outputs @ 96 kHz sample rate Advanced MCA (mix control association) channel control and navigation 8 VCA (variable control association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 28 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Dual redundant auto-ranging universal switch-mode power supplies 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling rate 96kHz Latency delay <2 ms (Input to Master output with no latency compensation) Dynamic range 106 dB, 22 Hz to 22 kHz Maximum voltage gain 80 dB, Inputs to Subgroups and Masters 86 dB, Inputs to Aux and Matrix Crosstalk -100 dB physically adjacent input channels Fader/pan cut off -100 dB Frequency Response 0 dB to -1.0 dB, 20 Hz to 20 kHz Gain Error @ 1kHz ±1.0 dB Input CMRR 0 dB gain -60 dB +45 dB gain -90 dB Distortion @ 0 dBu 0 dB gain 0.01% +45 dB gain 0.03% Distortion @ +20 dBu 0 dB gain 0.03% +45 dB gain 0.03% Noise Floor 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -81 dBu, 22 Hz to 22 kHz (unweighted) Equivalent Input Noise (EIN) 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -126 dBu, 22 Hz to 22 kHz (unweighted) Dynamic Range 0 dB gain 106 dB, 22 Hz to 22 kHz (unweighted) +45 dB gain 102 dB, 22 Hz to 22 kHz (unweighted) Analogue Audio System Inputs Mic/Line Inputs Quantity 8 Connector 3-pin XLR balanced mic/line input with +48 V phantom power A/D converter 24 bit, 96 kHz with 128 x oversampling Gain -22.5 dB to +65 dB Maximum input level +6 dBu Input impedance 10 kOhm Talk Mic Input Quantity 1 Connector 3-pin XLR balanced mic input with +48 V phantom power Mic gain +15 dB to +60 dB Maximum input level +6 dBu Input impedance 600 Ohm Talk Back Input Quantity 1 Connector 3-pin XLR balanced line input Maximum input level +21 dBu Input impedance 10 kOhm Analogue Audio System Outputs Line Outputs Quantity 8 Connector 3-pin XLR balanced line output D/A converter 24 bit, 96 kHz with 128 x oversampling Maximum signal level +21 dBu Master Outputs Quantity 3 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Monitor Outputs Quantity 4 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Talk Output Quantity 1 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Headphone Output Quantity 2 Connector ¼" Jack (stereo Maximum signal level +21 dBu Digital Audio System Inputs and Outputs AES3 Inputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 32 kHz to 96 kHz Bypass Sample rate converter bypass AES3 Outputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 48 kHz, 96 kHz or auto-tracking to inputs Bypass Sample rate converter bypass Word length 16, 20 or 24 bit AES50 Audio Quantity 6 Format Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz) Connector Neutrik etherCON with status LEDs Redundancy N+1 cable redundancy (X & Y) Ethernet Control Data Quantity 1 Connector Neutrik etherCON with status LEDs Redundancy Dual cable redundancy (1 & 2) Word Clock Input Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Word Clock Output Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Video Sync Input Quantity 1 Format Horizontal video sync (black burst), HD & SD formats Connector 75 Ohm BNC AES3 Sync Input Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR AES3 Sync Output Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR Output 96 kHz Grade II reference clock Other Interfaces Screen Output Quantity 1 Format DVI-C USB Interface Quantity 2 Format USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load Connector USB Type A MIDI Interface Quantity 3 Format MIDI IN, MIDI OUT, MIDI THRU Connector 5-pin DIN Footswitch Input Quantity 1 Format Contact closure Connector ¼" TS jack Lamps Quantity 2 Format 5 V, 12 W supply Connector 4-pin XLR Displays Quantity 1 Type 15" daylight-viewable colour TFT LCD screen Power Power Supplies Quantity 2 Format PRO1/PRO2/PRO2C Series Power Supply Module (MKT-PSU-7) Connector IEC mains inlet Mains Input Voltage 100 to 240 VAC, 50 to 60 Hz Redundancy N+1 power supply redundancy Power Consumption 110 VAC 1 PSUs - 1.6 A, 170 W 2 PSUs - 1.7 A, 185 W 230 VAC 1 PSUs - 0.8 A, 165 W 2 PSUs - 0.9 A, 180 W Physical Dimensions 1179.6 mm wide x 730.3 mm deep x 274.9 mm high (46.4" x 28.8" x 10.8") Net weight 46.0 kg (101.2 lbs) Operating temperature range +5°C to +40°C Storage temperature range -20°C to +60°C

Innovation ARX introduces the all-new ZoneMIX multimedia, multi-channel mixer. Great Features Wireless audio, USB and MiniJack inputs! Plus 2 x Balanced Low Noise Microphone pre-amps Plus a stereo Line In channel Plus all Inputs can be switched to Stereo Zone 1 or 2, or Both Plus Outputs can be switched to Mono for distributed systems AC Power The ZoneMIX is available as an AC specific 100 to 120V AC model or a 220 to 240V AC model. AC power is connected to the unit via a standard three pin IEC connector, with built-in fuse. Microphone Inputs: Electronically Balanced on XLR Connectors, switchable to Mono Stereo Line Inputs: Line level inputs on RCA Connectors Input Gain: Variable 0dB to 50dB on Mic/Line channels by rear panel trim control, plus Mic/Line input switch (–20dB) Channel Level: Infinity to +6dB Gain Frequency Response: 20-20KHz ± 1dB Distortion: Below .005% 100Hz to 10KHz Master Outputs: Electronically Balanced XLR, switchable to Mono Master Outputs Signal/Noise: -90dB unweighted. Max Output Level: +20dB Wireless Audio Receiver Specifications Range: Approx 2 - 4 metres Depends on paired source device LED Indicators: Scan Red LED Red LED Flashes Lock Blue LED Matching/Pairing: Blue LED Flashes Matched/Paired: Blue LED On Frequency 2.402 - 2.480 GHz Sensitivity -90dBM @0.1% BER USB Specifications Input Connector USB type B port Codec 24 bit High Resolution, 44.1 and 48K, program dependent USB Power Operating current via USB Port 80mA With its superb audio quality, headroom to spare, and intuitive interface, the ARX ZoneMIX is the total solution to today’s install requirements.

Allen & Heath ZED-22FX In addition to the DuoPre mic pre-amps, 100mm faders and MusiQ EQ section which are shared with the whole ZED range, the ZED FX has 16 unique effects, designed by Allen & Heath's DSP team. ZED FX ZED FX are easily controlled using 3 buttons and 9 LEDs. Quickly tap the ideal delay time or 'dial-in' the perfect amount of reverb on the lead vocal. One-stop navigation and editing...in fact, just as easy as your effects pedals. Hold down the TAP button and press the up or down button to alter the effects parameter, for example on patch (9) Plate, this would adjust the decay length. The ZED FX is designed to fulfill all the functions a small band would need without their own sound engineer. The layout features have been arranged to be logical and instantly recognizable at a dark gig - a mixer you can trust to perform. The USB audio interface, with its uniquely flexible capability, allows different signals to be sent to USB, from LR or from selected aux buses. The USB return signal can be routed straight to the LR mix or to a stereo channel. The connectors are placed on the top surface for easy plugging & patching, and the construction, with individual circuit boards firmly nutted to the top panel, is as rock solid as Allen & Heath's top of the range ML Series mixers. The ZED FX range currently comprises of the ZED-12FX and the 22FX. Between them they offer a solution for any small group or singer songwriter needing up to 16 mono inputs and 3 stereo inputs. Keyboards, microphones, samplers, the sky is the limit. Each mono channel has an insert point, allowing in-line effects such as compressors to be added to the signal chain, just like our large format mixers. Internal FX 16 separate effects have been crafted into the ZED-FX range. These include Delay and Reverb, Ping-Pong delay, a selection of reverbs with different room/hall/arena properties, a flanger and a chorus. All have been designed to complement the material the engineer is working with. Each of the effects has a parameter which can be altered: pre-delay can be adjusted, room sizes tweaked, and flanger speed dialled-in. Five of the effects can have their tempo tapped in, and the output auditioned by the FX PFL. Inputs One of the great things about the ZED series is the number and variety of things you can plug in. In addition to the 16 mono channels there are three dual stereo channels, each with a main stereo input on jack sockets, and with the ability to take additional stereo inputs from phono sockets or from the USB audio input, flexibility gives you control. 16 mic/line channels are provided on ZED-22FX - plenty for mics or DI boxes for a small band, duo or solo performer 4 stereo line inputs - dual inputs, both with gain and 2-band EQ. DuoPre Based on the proven pre-amps from the hugely successful PA series, the ZED series has new DuoPreTM pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input. EQ section ZED-22FX features a musical 3-band EQ descended from the acclaimed GL2400 mixer. The design utilises MusiQ - optimised slope (or Q factor) for equalising individual instruments. Auxiliary sends 4 aux sends are provided, of which 1&2 are prefade for foldback monitoring, and 3 & 4 post-fade for effects sends. A stereo signal can be sent from auxes via USB to computer to create 2 separate record feeds independent of the main LR mix (1&2) and or used as FX sends (3&4). USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way we have implemented this on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! Quality audio to and from your PC or Mac. Three switches provide different send/return configurations for recording, playback and utilising external FX. Build The ZED-22FX has been designed using individual vertically mounted circuit boards with each rotary control fixed with a metal nut to the front panel - making a much more robust product that will resist damage and give years of reliable use. ZED also has professional 100mm faders for ultimate control over your levels. SONAR LE - provided Free! We have teamed up with Cakewalk to bundle SONAR LE with this ZED mixer. The two team up together in many ways - for example straightforward recording of a stereo mix, recording tracks individually to build up a song, or for inserting a SONAR LE effects plug-in. Features Insert Points High pass filter Stereo imaging control on every channel 3-band EQ with swept mid 4 auxiliary sends (2 pre, 2 post) Global 48V phantom power 3 dual stereo inputs with 2-band EQ Peak and signal indication on every channel Configurable USB stereo audio in/out Master level controls on all outputs Easy to use layout - all connections and controls on top surface Cakewalk SONAR LE bundled with mixer Channel mute switches Stereo return 2-track return Advanced monitoring facilities 1/4" and 3.5mm headphone outputs Stereo record out Alternate stereo out Mono sum of LR output Main LR 12-bar LR meters Master controls for aux 1&2 Specifications Inputs Mono channel (XLR) Input +6 to –63dBu for nominal (+17dBu inmax) Mono channel Line Input (Jack socket) +10 to –26dBu (+30dBumax) Insert point (TRS Jack socket) 0dBu nominal +21dBu max. StereoInput (Jack sockets) 0dBu nominal (control = Off to +10dB) Stereo input (phono sockets) 0dBu nominal(control = Off to +10dB) Outputs L, R & Mono Outputs (L&R XLR, Mono Jack) 0dBu nominal.+21dBu max. Aux Outputs (Jack sockets) 0dBu nominal. +21dBu max. AltOutputs (phono sockets) 0dBu nominal. +21dBu max. RecOutputs (phono sockets) 0dBu nominal. +21dBu max. Frequency Response Mic in to Mix L/R Out, 30dB gain +0.5/-1dB 20Hz to20kHz. Line in to Mix L/R out 0dB gain +0.5/-1dB 10Hz to 30kHz Stereoin to Mix L/R out +0.5/-1dB 10Hz to 30kHz THD+n Mic in to Mix L/R Out, 0dB gain 1kHz +10dBu out 0.004% Mic into Mix L/R Out, 30dB gain 1kHz 0.014% Line in to Mix L/R out 0dB gain 0dBu1kHz 0.005% Stereo in to Mix L/R out 0dB gain+10dBu 1kHz 0.003% Headroom Analogue Headroom from nominal (0Vu) 21dB USB in & out headroom fromnominal (0Vu) 14dB USB Audio CODEC (Coder/Decoder) USB Audio In/Out USB 1.1 compliant16bit. Sample Rate 32, 44.1, or 48kHz Noise Mic Pre EIN @ max gain150R input Z 22-22kHz -127dBu Dimensions (H x W x D): 3.9" x 25.4" x 18.3" Weight: 23.1 lbs

Live performance digital console with up to 48 simultaneous input channels 24 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 172 inputs and 172 outputs @ 96 kHz sample rate Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam 8 VCA (Variable Control Association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 18 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Auto-ranging universal switch-mode power supply 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling frequency 96 kHz Latency <2 ms input to master (no compensation) Dynamic range 107 dB, 22 Hz to 22 kHz (no pre-emphasis) Maximum voltage gain 80 dB inputs to subgroups and masters 86 dB inputs to aux and matrix Crosstalk at 1 kHz -100 dB physically adjacent input channels Crosstalk at 10 kHz -90 dB physically adjacent input channels Fader/pan cut off at 1 kHz -100 dB Fader/pan cut off at 10 kHz -100 dB Display screen 1 x 15" daylight-viewable colour screen Dimensions (H x W x D) 685 x 722 x 288.6 mm (27.0 x 28.4 x 11.4") Net weight PRO1 control centre: 21.5 kg Shipping weight Touring (in flight case): 97.5 kg Install (in carton): 28.7 kg Power requirements 100 V to 240 V a.c. ±10%, 50 to 60 Hz Operating temperature range +5°C to +45°C Storage temperature range -20°C to +60°C Frequency Response 0 dB Gain Input Surface I/O Ouput Surface I/O 20 Hz 0 dB to -1.0 dB 20 kHz 0 dB to -1.0 dB 40 dB Gain Input Surface I/O Ouput Surface I/O 20 Hz 0 dB to -1.0 dB 20 kHz 0 dB to -1.0 dB Gain Error at 1 kHz 0 dB Gain Input Surface I/O Output Surface I/O Maximum +1.0 dB Minimum -1.0 dB 45 dB Gain Input Surface I/O Output Surface I/O Maximum +1.0 dB Minimum -1.0 dB Input CMRR 0 dB Gain Input Surface I/O Output Surface I/O 100 Hz 60 dB 1 kHz 60 dB Input Surface I/O Output Surface I/O 100 Hz 90 dB 1 kHz 90 dB 45 dB Gain Distortion at 0 dBu 0 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.01% 10 kHz 0.01% 45 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% Distortion at +20 dBu 0 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% 45 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% Mixing Noise (All Bus Types) 22 Hz to 22 kHz Unweighted 12 Inputs Gain 0 dB Fader Position #NAME? Pan Central Output noise -91 dBu 12 Inputs Gain 0 dB Fader Position 0 dB Pan Central Output noise -78 dBu 24 Inputs Gain 0 dB Fader Position #NAME? Pan Central Output noise -91 dBu 24 Inputs Gain 0 dB Fader Position 0 dB Pan Central Output noise -75 dBu 48 Inputs Gain 0 dB Fader Position #NAME? Pan Central Output noise -91 dBu 48 Inputs Gain 0 dB Fader Position 0 dB Pan Central Output noise -72 dBu Dynamic Range 22 Hz to 22 kHz Unweighted 0 dB Gain Input Surface I/O Output Surface I/O Maximum Output +21 dBu Dynamic Range 107 dBu 45 dB Gain Input Surface I/O Output Surface I/O Maximum Output +21 dBu Dynamic Range 102 dBu PRO1 Control Surface - DSP/Router System Inputs and Outputs System connectors 6 x AES50 (24 channels of bidirectional digital audio) on etherCon XLR Word clock IN connector BNC Word clock OUT connector BNC Video sync IN connector BNC AES3 sync IN connector 3-pin XLR AES3 sync OUT connector 3-pin XLR PRO1 Control Surface - Analogue Audio System Inputs Connector 3-pin XLR balanced A/D converter 24-bit, 96 kHz with 128 times oversampling Talkback connector 3-pin XLR balanced line Talk connector 3-pin XLR balanced mic with +48 V phantom power PRO1 Control Surface - Analogue Audio System Outputs Connector 3-pin XLR balanced D/A converter 24-bit, 96 kHz with 128 times oversampling Monitor connector 3-pin XLR balanced line Talk connector 3-pin XLR balanced line Headphone connector ¼" Jack (stereo) PRO1 Control Surface - Digital Audio System Inputs and Outputs Input connector AES3 (two channels of digital audio) on 3-pin XLR Sample rates Accepts any frequency 32 kHz - 96 kHz Bypass Sample rate converter can be bypassed Output connector AES3 (two channels of digital audio) on 3-pin XLR Sample rate 48 kHz, 96 kHz, or auto-tracking to inputs Bypass Sample rate converter can be bypassed Word length 16, 20 or 24-bit PRO1 Control Surface - Control Data System Inputs and Outputs System connector etherCon XLR PRO1 Control Centre - Miscellaneous Inputs and Outputs Monitor output connector DVI/DP+ USB host connection USB 2.0 full speed (12.0 Mbs) 5 V, 1A maximum load Lamp connector 4-pin XLR MIDI In, Out and Thru on 5-pin DIN Footswitch connector ¼" Jack Analogue Input Characteristics Surface I/O Load Z 10 k Gain -22.5 dB to +65 dB Maximum Level +24 dBu Connector XLR Talk Mic Load Z 600R Gain +15 dB to +60 dB Maximum Level +6 dB Connector XLR Monitor Load Z 10 k Gain 0 dB Maximum Level +21 dBu Connector XLR Analogue Output Characteristics Surface I/O Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Talk Out Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Monitor Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Headphones Source Z 10R Gain +10 dB Maximum Level +21 dBu Connector ¼" Jack Digital I/O Characteristics AES3 Channels 2 Data length 24-bit I/O Input Description Notes Conforms to AES3-2003 Connector XLR AES3 Channels 2 Data length 24-bit I/O Output Description Notes Conforms to AES3-2003 Connector XLR AES50 Channels 24 Data length 24-bit I/O Bidirectional Description Notes Conforms to AES50 -2011 Connector etherCon XLR Miscellaneous Digital Characteristics Word Clock I/O IN Description Notes Accepts TTL level, 96 kHz square wave; impedance 75 O Connector BNC Word Clock I/O OUT Description Notes Provides TTL level, 96 kHz square wave Connector BNC AES sync I/O IN Description Notes Accepts a 96 kHz digital audio signal conforming to AES3-2003 Connector XLR AES sync I/O OUT Description Notes Provides a 96 kHz grade II reference signal conforming to AES3-2003 Connector XLR Signal Path Noise 22 Hz to 22 kHz Unweighted 0 dB Gain Input Surface I/O Output Surface I/O Output noise -86 dBu EIN -86 dBu 45 dB Gain Input Surface I/O Output Surface I/O Output noise -81 dBu EIN -126 dBu

Live performance digital console control centre with up to 64 simultaneous input channels 35 time-aligned and phase-coherent mix buses HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz sample rate HyperMAC router with 192 bidirectional channels over copper and optical fibre Provides dual redundant snake connection to DL371PRO6 Audio System Engine Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable 10 VCA (variable control association) and 6 POPulation groups Up to 36 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 8 multi-channel digital signal processing effects engines 29 Midas PRO motorised 100 mm faders 2 daylight viewable 15” full colour TFT display screens Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Three bay auto-ranging universal switch-mode power supply with N+1 redundancy 10-Year Warranty Program* Designed and engineered in the U.K. PRO SERIES PRO6-CC-IP The MIDAS PRO Series has become established as the industry standard on live concert tours and the road-proven PRO6 featuring 64 simultaneous input channels and 35 time-aligned and phase-coherent mix buses, shares the familiarity of a common user interface and workflow with PRO3 and PRO9. Like all PRO Series consoles, the PRO6 features managed latency and 40 bit floating point processing precision. PRO6 sets the standard of performance in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. HyperMAC and AES50 audio networking technologies allow the PRO6 to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO6 equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.

Live Performance digital console control centre with up to 64 simultaneous input channels 8 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 156 inputs and 164 outputs @ 96 kHz sample rate Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam Advanced MCA (mix control association) channel control and navigation 8 VCA (variable control association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 28 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Dual redundant auto-ranging universal switch-mode power supplies 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling rate 96kHz Latency delay <2 ms (Input to Master output with no latency compensation) Dynamic range 106 dB, 22 Hz to 22 kHz Maximum voltage gain 80 dB, Inputs to Subgroups and Masters 86 dB, Inputs to Aux and Matrix Crosstalk -100 dB physically adjacent input channels Fader/pan cut off -100 dB Frequency Response 0 dB to -1.0 dB, 20 Hz to 20 kHz Gain Error @ 1kHz ±1.0 dB Input CMRR 0 dB gain -60 dB +45 dB gain -90 dB Distortion @ 0 dBu 0 dB gain 0.01% +45 dB gain 0.03% Distortion @ +20 dBu 0 dB gain 0.03% +45 dB gain 0.03% Noise Floor 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -81 dBu, 22 Hz to 22 kHz (unweighted) Equivalent Input Noise (EIN) 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -126 dBu, 22 Hz to 22 kHz (unweighted) Dynamic Range 0 dB gain 106 dB, 22 Hz to 22 kHz (unweighted) +45 dB gain 102 dB, 22 Hz to 22 kHz (unweighted) Analogue Audio System Inputs Mic/Line Inputs Quantity 8 Connector 3-pin XLR balanced mic/line input with +48 V phantom power A/D converter 24 bit, 96 kHz with 128 x oversampling Gain -22.5 dB to +65 dB Maximum input level +6 dBu Input impedance 10 kOhm Talk Mic Input Quantity 1 Connector 3-pin XLR balanced mic input with +48 V phantom power Mic gain +15 dB to +60 dB Maximum input level +6 dBu Input impedance 600 Ohm Talk Back Input Quantity 1 Connector 3-pin XLR balanced line input Maximum input level +21 dBu Input impedance 10 kOhm Analogue Audio System Outputs Line Outputs Connector 3-pin XLR balanced line output Master Outputs Monitor Outputs Talk Output Headphone Output Digital Audio System Inputs and Outputs AES3 Inputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 32 kHz to 96 kHz Bypass Sample rate converter bypass AES3 Outputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 48 kHz, 96 kHz or auto-tracking to inputs Bypass Sample rate converter bypass Word length 16, 20 or 24 bit AES50 Audio Quantity 6 Format Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz) Connector Neutrik etherCON with status LEDs Redundancy N+1 cable redundancy (X & Y) Ethernet Control Data Quantity 1 Connector Neutrik etherCON with status LEDs Redundancy Dual cable redundancy (1 & 2) Word Clock Input Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Word Clock Output Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Video Sync Input Quantity 1 Format Horizontal video sync (black burst), HD & SD formats Connector 75 Ohm BNC AES3 Sync Input Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR AES3 Sync Output Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR Output 96 kHz Grade II reference clock Other Interfaces Screen Output Quantity 1 Connector DVI-C USB Interface Quantity 2 Format USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load Connector USB Type A MIDI Interface Quantity 3 Format MIDI IN, MIDI OUT, MIDI THRU Connector 5-pin DIN Footswitch Input Quantity 1 Format Contact closure Connector ¼" TS jack Lamps Quantity 2 Format 5 V, 12 W supply Connector 4-pin XLR Displays Quantity 2 Type 15" daylight-viewable colour TFT LCD screen Power Power Supplies Quantity 2 Format PRO1/PRO2/PRO2C Series Power Supply Module (MKT-PSU-7) Connector IEC mains inlet Mains Input Voltage 100 to 240 VAC, 50 to 60 Hz Redundancy N+1 power supply redundancy Power Consumption 115 VAC 1 PSUs - 1.6 A, 170 W 2 PSUs - 1.7 A, 185 W 230 VAC 1 PSUs - 0.8 A, 165 W 2 PSUs - 0.9 A, 180 W Physical Dimensions Net weight 46.0 kg (101.2 lbs) Operating temperature range +5°C to +40°C Storage temperature range -20°C to +60°C

Compact live performance digital console control centre with up to 64 simultaneous input channels 8 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 156 inputs and 164 outputs @ 96 kHz sample rate Advanced MCA (mix control association) channel control and navigation 8 VCA (variable control association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 20 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Dual redundant auto-ranging universal switch-mode power supplies 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling rate 96kHz Latency delay <2 ms (Input to Master output with no latency compensation) Dynamic range 106 dB, 22 Hz to 22 kHz Maximum voltage gain 80 dB, Inputs to Subgroups and Masters 86 dB, Inputs to Aux and Matrix Crosstalk -100 dB physically adjacent input channels Fader/pan cut off -100 dB Frequency Response 0 dB to -1.0 dB, 20 Hz to 20 kHz Gain Error @ 1kHz ±1.0 dB Input CMRR 0 dB gain -60 dB +45 dB gain -90 dB Distortion @ 0 dBu 0 dB gain 0.01% +45 dB gain 0.03% Distortion @ +20 dBu 0 dB gain 0.03% +45 dB gain 0.03% Noise Floor 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -81 dBu, 22 Hz to 22 kHz (unweighted) Equivalent Input Noise (EIN) 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -126 dBu, 22 Hz to 22 kHz (unweighted) Dynamic Range 0 dB gain 106 dB, 22 Hz to 22 kHz (unweighted) +45 dB gain 102 dB, 22 Hz to 22 kHz (unweighted) Analogue Audio System Inputs Mic/Line Inputs Quantity 8 Connector 3-pin XLR balanced mic/line input with +48 V phantom power A/D converter 24 bit, 96 kHz with 128 x oversampling Gain -22.5 dB to +65 dB Maximum input level +24 dBu Input impedance 10 kOhm Talk Mic Input Quantity 1 Connector 3-pin XLR balanced mic input with +48 V phantom power Mic gain +15 dB to +60 dB Maximum input level +6 dBu Input impedance 600 Ohm Talk Back Input Quantity 1 Connector 3-pin XLR balanced line input Maximum input level +21 dBu Input impedance 10 kOhm Analogue Audio System Outputs Line Outputs Quantity 8 Connector 3-pin XLR balanced line output D/A converter 24 bit, 96 kHz with 128 x oversampling Maximum signal level +21 dBu Master Outputs Quantity 3 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Monitor Outputs Quantity 4 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Talk Output Quantity 1 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Headphone Output Quantity 2 Connector ¼" Jack (stereo Maximum signal level +21 dBu Digital Audio System Inputs and Outputs AES3 Inputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 32 kHz to 96 kHz Bypass Sample rate converter bypass AES3 Outputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 48 kHz, 96 kHz or auto-tracking to inputs Bypass Sample rate converter bypass Word length 16, 20 or 24 bit AES50 Audio Quantity 6 Format Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz) Connector Neutrik etherCON with status LEDs Redundancy N+1 cable redundancy Ethernet Control Data Quantity 1 Connector Neutrik etherCON with status LEDs Word Clock Input Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Word Clock Output Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Video Sync Input Quantity 1 Format Horizontal video sync (black burst), HD & SD formats Connector 75 Ohm BNC AES3 Sync Input Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR AES3 Sync Output Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR Output 96 kHz Grade II reference clock Other Interfaces Screen Output Quantity 1 Format DVI-C USB Interface Quantity 2 Format USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load Connector USB Type A MIDI Interface Quantity 3 Format MIDI IN, MIDI OUT, MIDI THRU Connector 5-pin DIN Footswitch Input Quantity 1 Format Contact closure Connector ¼" TS jack Lamps Quantity 2 Format 5 V, 12 W supply Connector 4-pin XLR Displays Quantity 1 Type 15" daylight-viewable colour TFT LCD screen Power Power Supplies Quantity 2 Format PRO1/PRO2/PRO2C Series Power Supply Module (MKT-PSU-7) Connector IEC mains inlet Mains Input Voltage 100 to 240 VAC, 50 to 60 Hz Redundancy N+1 power supply redundancy Power Consumption 110 VAC 1 PSUs - 1.6 A, 170 W 2 PSUs - 1.7 A, 185 W 230 VAC 1 PSUs - 0.8 A, 165 W 2 PSUs - 0.9 A, 180 W Physical Dimensions 882 mm wide x 730.3 mm deep x 274.9 mm high (34.7" x 28.7" x 10.8") Net weight 37.0 kg (81.4 lbs) Operating temperature range +5°C to +40°C Storage temperature range -20°C to +60°C

Mackie DL16S digitalna mikseta 16-kanalna digitalna miks konzola sa daljinskim upravljačem, idealna za moderan zvuk uživo. Zahvaljujući scenskom dizajnu, robusnoj konstrukciji i gumenom uglu, veoma je izdržljiv i može se postaviti praktično bilo gde. Ovo je podržano digitalnom obradom i integrisanim Wi-Fi, što omogućava da se uređaj kontroliše sa računara ili pomoću mobilnog uređaja. Mixpult ima Onik + pretpojačala, Master Fader kontrolu, USB zvučnu karticu za jednostruko snimanje, DSP procesor sa četiri efekta ili fleksibilno rutiranje uključujući slanje i grupisanje. Uređaj ima 8k KSLR mikrofonskih ulaza, 6k XLR-1/4'' kombinovanih, 2k XLR-1/4'' kombinovanih (mikrofon, linija, Hi-Z) 6k stereo podgrupa, 13k izlazna magistrala, 6k grupa za isključivanje zvuka, 1k RJ45 I/O za eksterne uređaje, 1k USB tip B i 1k ¼ '' izlaz za slušalice. Ulazni kanali uključuju 4-pojasni parametarski ekvilajzer, kapiju, kompresor i spektrograf. Izlazi uključuju 4-pojasni EK + HPF / LPF, precizan 31-pojasni ekvilajzer, kompresor / limiter, kompenzaciju kašnjenja i spektrograf.

Midas M32c digitalna mikseta M32C sa 40 ulaza i 25 magistrala zauzima srce vodeće M32 digitalne miks konzole i obavija je izuzetno izdržljivom aluminijumsko/čeličnom konstrukcijom u dizajnu od 1U. Kombinujte M32c sa Dl16 ili Dl32 scenskim kutijama i lako možete aktivirati visoki I/O zvuk na više udaljenih lokacija. Sa dva Aes50 Cat5 mrežna konektora, do 96 udaljenih ulaza i 48 izlaznih kanala može se kontrolisati i obraditi sa M32C. Sve ovo se može kontrolisati istovremeno sa različitih lokacija preko besplatnih softverskih aplikacija M32-Edit, M32-Miks i M32-k daljinskih upravljača. Iznad svega, M32c je dizajniran da vam pruži beskompromisne digitalne performanse. Midasov jedinstveni fokus na neuporedivu vrednost znači da M32c integriše napredne funkcije kao što su integrisano miksovanje slušanja i istinsko digitalno audio umrežavanje velike brzine kao standard. M32c je konzola za sadašnjost i budućnost - sopstveni operativni sistem i zvučni modul od 0,8 ms će obezbediti odlične vrhunske zvučne performanse u godinama koje dolaze. M32c Ultranet omogućava prenos do 16 kanala originalnog digitalnog zvuka na Turbosound iK zvučnike - preko jednog Cat5 kabla, zajedno sa daljinskim podacima

Channels 1-2 offer combo XLR-1/4" mic/line connections and a Hi-Z switch (for guitar and bass), while channels 3-20 offer XLR or 1/4" inputs. Channels 1-12 provide single-knob compressors, while channels 1-14 include inserts. Channels 15/16, 17/18, and 19/20 offer two 1/4" line inputs each (L and R for stereo), while channel 21/22 uses a 3.5mm stereo input. Channels 1-22 feature gain controls, a 3-band EQ, three aux sends for monitors, a dedicated FX send, pan, mute, and level faders. Engaging channel 21/22's USB 3-4 switch will override the 3.5mm input and enable the USB return from a computer. Each channel strip includes button selectors for Main L/R, Sub 1-2, Sub 3-4, and PFL SOLO. The master section offers dedicated faders for Main, Sub 1-2, Sub 3-4, and FX. Main output connectors include both XLR and 1/4", while sub and control room outputs use 1/4" connectors. A dedicated 1/4" TRS headphone output includes its own independent level control. Other features include an input / USB 1-2 blend control, a dedicated FX output, an FX level fader, and an FX mute, which can also be controlled via the 1/4" footswitch input. The ProFX22v3 features a download for ProTools I First and Waveform software and The Musician's Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer's serial number on the website. The Mackie ProFX22v3 includes a USB cable and an IEC cable for powering the unit. Features Professional Sound Quality Equipped with 17 Onyx Mic Pres offering up to 60 dB of gain and ultralow noise performance GigFX Effects Engine with 24 different FX options, from reverbs to delays and more Essential Mixing Tools 3-band EQ on all channels Channels 15–20 feature mic inputs and stereo 1/4" line inputs for maximum versatility Hi-Z switches allow you to connect guitars, basses, and other instruments 100 Hz low-cut filter and 48V phantom power on all mic channels Stereo 3.5mm input on channel 21/22 Aux/Monitor outputs with dedicated per-channel send controls Stereo Subgroup output busses with per-channel assignments Headphone output with separate level and blend control Insert jack on channels 1–14 Pre-fader solo on all channels Footswitch input for FX Mute Single-knob compression helps keep your input levels in check 24-Bit / 192 kHz 2x4 USB Recording Interface 2x4 USB I/O allows you to create two custom mixes on your computer to send back in to the mixer Perfect for live performance recording, music playback, live streaming, and more Latency-Free Monitoring Easily blend between monitoring your computer’s output and a direct feed from the mixer Professional Production Content Pro Tools | First and Waveform OEM professional software and plugin packages included The Musician Collection for ProTools | First includes 23 plugins including 304E EQ, 304C Compressor, BBD Delay, Black Op Distortion, Black Shiny Wah, Black Spring Reverb, C1 Chorus, DC Distortion, Eleven Lite, Flanger, Graphic EQ, Gray Compressor, Green JRC Overdrive, In-Tune, Orange Phaser, Roto Speaker, Sci-Fi, Studio Reverb, Tape Echo, Tri Knob Fuzz, Vari-Fi, Vibe, Phaser, and White Boost The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter Signature Rugged Design Mackie built-like-a-tank design Solid steel chassis protects your investment Tough ABS side protection Included Software with Avid Pro Tools | First An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems. You also get Tracktion's Waveform OEM and the DAW Essentials Collection. In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Re-create the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects White Boost: Boost gain without coloring tone

Power-Mixer 3.generation with 6+4 Inputs, 6x AUX, 2 digital Effect-channels, 4-channel USB Audio Interface, 11-Band Stereo-EQ and 2x 1000 watts Class-D amp. Third-generation success story: the PowerMate3! The current PowerMate generation features a multitude of innovations and optimizations. Despite a clear reduction in weight, it offers considerable gains in terms of both power amplifier output and features, as well as being more compact than ever before. The PowerMate 1000-3 is supplied with a very robust plastic lid with an integrated handle, a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort. Dynacord PowerMate 1000-3 features: PowerMate with 2x 1000 watt RMS / 4 Ohm power 6 MIC/LINE inputs, 4 stereo MIC/LINE inputs, 6 AUX-busses 30% reduction in weight, more compact dimensions and >50% less energy consumption compared to the previous models editable effects USB digital audio interface + MIDI innovative transport and protection solution the XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. the +48V phantom power for condenser microphones can be switched in groups of six. line input and channel insert are implemented as jack sockets gain can be controlled in the range 0-60 dB. the switchable Lo Cut filter (80Hz, 18dB/oct) serves to eliminate low-frequency noise a very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix. 3-band semi-parametric equalizer makes it possible even for unpractised users to perform the requisite corrections swiftly and intuitively. possible to mute each input channel individually and/or listen to its pre-fader signal Signal Present and Peak LED for level control channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic. all potentiometers and faders are high-quality components from ALPS. 2 of the 4 stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. 2 other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 separate gain controls are provided for the stereo Line and Mic inputs to permit them to be used in parallel if desired. 3-band tone controls are provided and a Balance control replaces the PAN control found in the mono channel strips. 11-band stereo EQ can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. USB 2.0 port serves as a digital audio interface between the PowerMate and a PC or Mac. the PowerMate also offers a fully-featured PC MIDI interface rackmount kit RMK-1000-3 optionally available dimensions (WxHxD): 483 x 135 x 443,7 mm (rack-mount), 510,5 x 164,5 x 571,5 mm (with cover) weight: 12,5 kg, with cover 14 kg DYNACORD's PowerMate3 voted 'Product of the Year' Read more... Datasheets / Manuals PowerMate-3 Data Sheet (1.2MB) PowerMate-3 Manual (5.2MB) PowerMate-3 Quickstart (1.13MB) Cubase Setup (0.8MB) 32/64bit Guide (0.1MB) DXF / DWG Drawings dxf/dwg-files (0.4MB)

Soundking Dks20-a digitalna mikseta 6 Dca grupa 2 Isključite zvuk grupa DSP sa 8 efekata 4 korisnički definisana dugmeta 7" Hd ekran osetljiv na dodir 2 korisnički definisana sloja povezivanje ulaznih kanala Rs485 podrška za centralni kontrolni interfejs Prenos signala kroz ulazni i izlazni kanal daljinsko upravljanje sa bilo kog uređaja sa pregledačem koji podržava Html5

Yamaha MG16XU mikserski sto: 16-kanalni analogni mikser, MG serija, 10 mikrofonskih / 16 linijskih ulaza, 1 stereo, 4 grupe, 4 AUX magistrale, vrhunski SPX efekti sa 24 programa, kompresor sa 1 dugmetom, D-PRE reverse coil pretpojačalo, PAD uključite mono ulaze, iPad kompatibilnost, 26 dB (mono) PAD, visoka, srednja, niska EQ, vršna LED, 20 Hz - 48,000 Hz frekvencijski odziv, -78 dB preslušavanje, 2 stereo, 4 AUX slanja, 1 monitor, 1 slušalice , 4 grupna izlaza, metalni okvir, dimenzije: 444 x 130 x 500 mm, težina: 6,8 kg

Sadržaj pakovanja: AudioFuse Studio, napajanje, USB kabl Sistem: Vindovs: Vin 7+ PC: 4GB RAM; Intel i5 CPU ili brži. GPG je kompatibilan sa OpenGL 2.0. Apple: 10.8+: 4GB RAM; Intel i5 CPU ili brži. 1 GB slobodnog prostora na hard disku. GPG je kompatibilan sa OpenGL 2.0 Linijski ulazi: Ulazna impedansa: 20 kOhm (balansirano), 10 kOhm (asimetrično) Maksimalni ulazni nivo: +24 dBu Opseg pojačanja: -15 dB do 36 dB Bench mod: -20 dB Frekvencijski odziv između 20 Hz i 20 kHz: < +/- 0,08 dB Dinamički opseg: 117 dB (A-ponderisan) THD + N: -106 dB (A-ponderisano) Unos alata: Ulazna impedansa: 1,1 MOhm asimetrična Maksimalni ulazni nivo: +18 dBu Opseg pojačanja: -15 dB do 36 dB Bench mod: -20 dB Frekvencijski odziv između 20 Hz i 20 kHz: < +/- 0,08 dB Dinamički opseg: 117 dB (A-ponderisan) THD + N: -104dB (A-ponderisano) Linija Auk: Ulazna impedansa: 20 kOhm (balansirano), 10 kOhm (asimetrično) Maksimalni ulazni nivo: +24 dBu Bench mod: -20 dB Frekvencijski odziv između 20 Hz i 20 kHz: < +/- 0,08 dB Dinamički opseg: 115 dB (A-ponderisan) THD + N: -104 dB (A-ponderisano) Mikrofonska pretpojačala: Ulazna impedansa: 3,4 kOhm Maksimalni ulazni nivo: +11 dBu Opseg pojačanja: 3 dB do 76 dB Režim pojačanja: +10 dB, Pad režim: -20 dB Frekvencijski odziv između 20 Hz i 20 kHz: < +/- 0,08 dB Ekvivalentni ulazni šum (EIN): -129,5 dBu tipično (neponderisano) THD + N: -104 dB (A-ponderisano)