• 4 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance • High-resolution GigFX+™ effects engine • Full-color LCD display for editing and saving effects presets • 24-Bit / 192 kHz 2x4 USB-C audio interface • Three recording modes: Standard, Loopback and Interface • Bi-directional Bluetooth® for music playback and caller integration • 3-band EQ on all channels • One-knob compression on channels 1 and 2 • Hi-Z switches allow direct connection of instruments • 100 Hz low-cut filter and 48V phantom power on all mic channels • Stereo 1/8” input on channel 9/10 • Headphone output with separate level and blend control • Easily blend between monitoring your computer output and a latency-free feed from the mixer • Waveform OEM™ recording software Included • Legendary Built-Like-A-Tank design • Solid steel chassis • Tough ABS side protection

Specifikacije Kompaktni dizajn 1 MIC IN, 1 LINE IN, 1 Stereo IN Integrisani ECHO efekti Integrisani USB 2 + 2 Interfejs Integrisani Bluetooth

• Runs on USB power from rechargeable batteries, adapters and powered USB ports • Dedicated mix output for recording to smartphones, tablets and DSLR cameras • Bluetooth® input/output with Mix Minus technology for recording and streaming at same time, including phone calls without echo • 2 mic/instrument inputs with XLR and 1/4" combo connectors, Hi-Z, low cut and 48V phantom power • Stereo input for keyboards and other line-level gear • Two-way TRRS connector for second smart device or camera • 3 different Reverb types with level controls per channel • 2 mix outputs with separate level controls for PA systems, monitors and more • Headphone output with level control • Compartment for USB battery (sold separately)

Innovation ARX introduces the all-new ZoneMIX multimedia, multi-channel mixer. Great Features Wireless audio, USB and MiniJack inputs! Plus 2 x Balanced Low Noise Microphone pre-amps Plus a stereo Line In channel Plus all Inputs can be switched to Stereo Zone 1 or 2, or Both Plus Outputs can be switched to Mono for distributed systems AC Power The ZoneMIX is available as an AC specific 100 to 120V AC model or a 220 to 240V AC model. AC power is connected to the unit via a standard three pin IEC connector, with built-in fuse. Microphone Inputs: Electronically Balanced on XLR Connectors, switchable to Mono Stereo Line Inputs: Line level inputs on RCA Connectors Input Gain: Variable 0dB to 50dB on Mic/Line channels by rear panel trim control, plus Mic/Line input switch (–20dB) Channel Level: Infinity to +6dB Gain Frequency Response: 20-20KHz ± 1dB Distortion: Below .005% 100Hz to 10KHz Master Outputs: Electronically Balanced XLR, switchable to Mono Master Outputs Signal/Noise: -90dB unweighted. Max Output Level: +20dB Wireless Audio Receiver Specifications Range: Approx 2 - 4 metres Depends on paired source device LED Indicators: Scan Red LED Red LED Flashes Lock Blue LED Matching/Pairing: Blue LED Flashes Matched/Paired: Blue LED On Frequency 2.402 - 2.480 GHz Sensitivity -90dBM @0.1% BER USB Specifications Input Connector USB type B port Codec 24 bit High Resolution, 44.1 and 48K, program dependent USB Power Operating current via USB Port 80mA With its superb audio quality, headroom to spare, and intuitive interface, the ARX ZoneMIX is the total solution to today’s install requirements.

Naglasak modela Soundcraft EPM je na kvalitetnom audio izvođenju sa lako razumljivim kontrolnom površinom neopterećenom nepotrebnim funkcijama i Soundcraft je uveo nove tehnologije i ideje ovoj liniji proizvoda sa odličnim odnosom cena-kvalitet. Koristi se tehnologija Surface mount, koristeći close tolerance komponente za veliku preciznost i podešavanja koja se mogu ponavljati za EQ i kontrolu jačine. Visoko transparentno GB30 mikrofonsko pojačalo (koje je dizajnirao Graham Blyth za 30. rođendan kompanije i korišćeno na većim LX7ii i konzolama GB serije) ima podešavanja za visoku rezolucije preko širokog opsega jačine od 55dB, a omogučava neverovatan hedrum od +22dB kroz konzolu. Prava profesionalna fantomska struja od 48 volti odgovara kondenzer mikrofonima svih vrsta. Jedinstvena mogućnost praćenja signala se obavlja preko PEAK-a. Ovo koristi višestruke signal take-off-ove za praćenje prenatrpanosti na nekoliko delova channel strip-a a led svetla svelte sve više kako se signal bliži svom vrhuncu. Za glatku i preciznu kontrolu kanala, EPM ima visoko kvalitetne fejdere od 60 mm visokog kvaliteta, koji se koriste na drugim Soundcraft deskovima. Monitor izlaz i izlaz za slušalice rade paralelno tako da izvođači mogu da slušaju na telefonima dok inženjer sluša na studijskim monitorima. Karakteristike Veličine okvira 6+2, 8+2 i 12+2 2 podesiva dopunska bus izlaza XLR i ¼” metalna soketa za povezivanje preko džeka RCA phono stereo playback ulazi i izlazi za snimanje 3-band EQ sa swept mid opcijom na mono ulazima 2-band EQ na stereo ulazima TRS ulazni soketi i ulazi na svim mono ulazima i na miks izlazu Desetosegmentno LED izlazno merenje Intuitivni i sveobuhvatni solo sistem Izlaz za slušalice Lako se instalira na police Soundcraft EPM će se naći u mnogim primenama uključujući muziku uživo, snimanja, verske objekte i višezvučničke instalacije.

Should you choose use the unit as an interface, you'll find that it comes with Cubase LE, a digital audio workstation which enables you to record, sequence, and edit music, be it audio or MIDI. In the analog realm, the ZEDi-10 is crafted with preamps modeled on the Allen & Heath GS2-R24. These channel strips aim to provide warmth, low noise, and a vast expanse of headroom. On-board EQs also come standard with the unit. Two channels feature a button that converts line-level signal into high-impedance jacks, meaning guitar players need not lug an extra DI box around should they wish to go direct into the board. Turning your attention back to the digital side of things, you'll notice that a USB switch controls the routing of your USB output, enabling you to select how you route and separate the incoming analog signals into your DAW. Key Features USB audio interface (24-bit/96 kHz) Cubase LE software included Cubasis LE App included 4 x mic/line Inputs with separate XLR and TRS jack sockets 2x stereo inputs with TRS jack sockets 2x guitar DI high-impedance inputs, eliminating the need for DI boxes 4 x high-pass filters (channels 1 through 4) for cleaning up unwanted low-frequency noise 3-band EQ on channels 1 through 4 enable tonal shaping 60mm smooth-travel fader on main mix 2 x XLR main outputs 2 x RCA monitor outputs 8x LED signal metering 48V Phantom Power for condenser mics Internal power supply Mixer Number of Analog Input Channels 8 (4 Mono / 2 Stereo) Number of Mic Preamps 4 Analog Output Channels 1 x Stereo Master Output 1 x Stereo Control Room/Monitor Output 1 x Mono Aux Send Output 1 x Mono FX Send Output 1 x Stereo Headphone Output Faders 7 x Channel Fader Signal Processing EQ Input Channels: 3-Band EQ (Mono Channels) 2-Band EQ (Stereo Channels) Filters 4 x High-Pass Built-In Effects None Digital Audio Sample Rates Up to 96 kHz Bit Depth Up to 24-Bit Connectivity Analog Inputs 4 x XLR 3-Pin Mic Input 2 x 1/4" Line/Hi-Z Input 2 x 1/4" Line Input 4 x 1/4" Line Input (2 Stereo Pairs) Analog Outputs 1 x 1/4" TRS Headphone Output 1 x 1/4" Aux Output 1 x 1/4" FX Output 1 x Stereo RCA Monitor Output 2 x XLR 3-Pin Main Output Phantom Power Yes USB 1 x USB Type-B USB I/O Capacity 4 x Input / 4 x Output Physical Rack Mountable No Dimensions 3.8 x 13.1 x 10.8" / 96.5 x 332.7 x 274.3 mm Weight 4.8 lb / 2.2 kg Packaging Info Package Weight 7.7 lb Box Dimensions (LxWxH) 18 x 13 x 5.5"

Izvorni kvalitet zvuka. Zvučna tradicija. Više od 40 godina audio profesionalci veruju Soundcraft rešenjima za miksovanje za dobijanje netaknutog kvaliteta zvuka i pouzdane performanse. Miksete serije Notepad nastavljaju ovu tradiciju sa mikrofonskim predpojačalima profesionalnog kvaliteta Soundcraft, pogodnim XLR i 1/4 "konektorima i izdržljivim metalnim kućištima napravljenim da podnose test vremena. Udobnost poznatog. Neverovatna snaga. Osećaćete se kao kod kuće sa tradicionalnim channel strip rasporedom na Notepad-u. Aux poslati signali i tri EQ kontrole po kanalu pružaju vam nivo pogodnosti koji je često rezervisan za veće konzole. Rotirajući fejder za kontrolu jačine zvuka u slušalicama olakšava podešavanje vašeg ličnog nivoa slušanja, dok nivo master fejdera sa LED merenjima omogućava preciznu kontrolu nad vašim izlaznim signalom. Dizajnirana za kućne studije, probe, performanse uživo i produkciju podcasta, serija Notepad pruža raspored koji je audio-profesionalcima poznat, ali je lako razumljiv i za početnike. Savršen za probe, nastupe i još mnogo toga. Zavodljivo kompaktni Notepad miksete lako se smeštaju u torbu i pružaju mnogo mogućnosti za stvaranje sesija, proba i svirki. Notepad miksete projektovane su da omoguće ikonične performanse Soundcraft-a i omogućavaju vam da povežete omiljenu opremu poput mikrofona, gitara, tastatura i još toga. Sa tri dostupna modela (Notepad-5, -8FX i -12FX), postoji Notepad mikseta koja je savršen izbor - bilo da ste pevač-autor pesama ili mala rok grupa. Vaše rešenje za podkast – sve u jednom Kombinacija vrhunskih komponenti Soundcraft-a i ugrađenog USB audio interfejsa čine Notepad idealnim najvažnijim alatom za vaš podkasting. Notepad-8FX sadrži Lexicon® digitalne efekte kako bi vašoj produkciji pružio ispolirani sjaj koji se obično postiže snimanjem u studiju. Od snimanja monologa do intervjua sa više učesnika, Notepad miksete dizajnirane su tako da vam pomognu da delite svoje ideje sa svetom. Čuveni Lexicon digitalni efekti Notepad-8FX ima vrhunske efekte studijskog kvaliteta kompanije Lexicon koji vam pomažu da postignete zaista profesionalan zvuk bez dodatnih dodataka ili opreme. Poboljšajte svoje projekte uz pomoć reverba, chorusa ili delay efekta pomoću tempo kontrolera, potpomognutih vodećom industrijskom tehnologijom obrade signala ugrađenom u Notepad-ov DSP motor. Radite bez problema uz Vaš Mac ili PC Integrisani USB audio interfejs Notepad-a omogućava vam lako snimanje, uređivanje i reprodukciju projekata pomoću vašeg omiljenog audio softvera. Kombinujući Soundcraft legendarne audio performanse sa HARMAN obradom signala i ugrađenim USB interfejsom za vaš računar, Notepad nudi najbolje od analognog i digitalnog zvuka u nekompromisnom rešenju. Karakteristike Dobićete legendarni kvalitet zvuka iz profesionalnih mikrofonskih predpojačala Lako snimajte, uređujte i reprodukujte sa Mac-a i PC računara pomoću integrisanog USB audio interfejsa - jednostavno dodajte i reprodukujte sa svojim Mac-om* Zasladite svoj miks sa HARMAN digitalnom obradom signala, uključujući čuveni Lexicon® reverb, echo i delay. Lako je dobiti odličnu kombinaciju s poznatim rasporedom kanala koji uključuje EQ, aux poslate signale, master nivo fader-a i rotirajuću kontrolu jačine zvuka u slušalicama Izdržljivo metalno kućište koje je napravljeno da traje *PC zahteva instalaciju Soundcraft drajvera Tehničke specifikacije Input (Mic) - Mic/Line Combo Inputs 2 Input (Mic) - Gain 2 Input (Mic) - Inputs with Hi-Z 1 Input (Mic) - Peak Light 2 Input (Mic) - EQ High 2 Input (Mic) - EQ Mid 2 Input (Mic) - EQ Low 2 Input (Mic) - Pan 2 Input (Mic) - Level 2 Input (Line) - 1/4" Stereo Line Inputs w/Trim 2 Input (Line) - RCA Stereo Line Inputs 1 Input (Line) - 1/4" Stereo Line External FX Return n/a Input (Line) - Aux/FX 3 Input (Line) - Balance 3 Input (USB) - USB Return 2, summed with RCA, into channel 7&8 Output - Master Stereo Out 1 Output - Monitor Stereo Out 1 Output - Aux Out 1 Lexicon Processing - Reverb/Chorus/Delay 1 Lexicon Processing - Tap Tempo 1 Output Control - Master Level Fader 1 Output Control - Monitor/Phones Level 1 Output Control - Output Meters 4x LED

ZED-12FX MULTIPURPOSE MIXER WITH FX FOR LIVE SOUND AND RECORDING ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings. 6 mono channels 16 internal time-delay effects Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 3 band EQ with MusiQ 4 auxes Illuminated mute Sound image pan Illuminated PFL & peak warning indicator ALPS 100mm faders 4 stereo channels with 2-band EQ and inputs for extra sources Stereo returns & playback All inputs with level control 12 bar meters Mono/stereo function on auxes 1&2 Monitor output section Alt stereo output source Configurable USB stereo audio in/out Cakewalk SONAR LE bundled with mixer Rack ears available USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-FX Return options: 1) To Stereo 3 channel MusiQ ZED-12FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments. DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-12FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance. ZED-FX ZED-12FX has an essential selection of 16 time-delay effects, designed for small groups who don’t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point – this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing – in fact, it’s just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS. SONAR LE – Provided Free! We’ve included Cakewalk SONAR LE with ZED-12FX so you can immediately start to use it to create your own music – just add a PC and it couldn’t be easier to get going. You’ll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR LE and your ZED mixer together in many ways – e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features Powered by SONAR 8.5 32 audio tracks 64 MIDI tracks 8 simultaneous inputs and outputs 24-bit/96kHz audio quality 24 simultaneous effects 8 simultaneous virtual instruments

Live performance and studio recording digital console with up to 40 simultaneous input channels 16 award-winning Midas PRO microphone preamplifiers 25 time-aligned and phase-coherent mix buses AES50 networking allows up to 96 inputs and 96 outputs 32 bi-directional channels of live recording/playback on dual SD/SDHC (cards not included) Up to 3 hours of 32 channel PCM recording in one session - stored as uncompressed WAV files High-performance aluminium and high-impact steel structure Rack mount brackets included for ultimate flexibility 40 bit floating point digital signal processing 8 DCA and 6 mute groups 8 digital signal processing effects engines 17 Midas PRO motor faders Daylight viewable 5” full colour TFT display screen 32 x 32 channel USB 2.0 audio interface DAW remote control emulations of Mackie Control* and HUI* protocols Optional wireless remote control with Midas Apps for iPhone* and iPad* Auto-ranging universal switch-mode power supply 10-Year Warranty Program* Designed and engineered in the U.K.

iPad*/Android* tablet controlled 18-input digital mixer for studio and live application 16 award-winning Midas PRO microphone preamplifiers Built-In Tri-Mode Wifi router for direct operation—no need for external routers 18 x 18 channel, bidirectional USB2.0 interface Dugan*-style Auto-Mixing automatically manages microphone gain sharing 4 digital signal processing effects engines ULTRANET connectivity for P-16 Personal Monitoring System* Rack ears and protection bumpers included for flexible rack and onstage applications 6 aux and main LR buses with inserts, full dynamics processing and 6-band parametric or 31-band graphic EQ 6 XLR aux outputs and 2 XLR main outputs plus phones connector 40 bit floating point digital signal processing Free iOS, Android and PC/Mac*/Linux* apps available for remote operation via Ethernet, LAN or WiFi MIDI In/Out allows controlling the mixer via MIDI equipment or for use as a USB MIDI interface Future firmware updates, incl. new FX “Plug Ins”, downloadable from midasconsoles.com free of charge Auto-ranging universal switch-mode power supply 10-Year Warranty Program* Designed and engineered in the U.K. MR18 The MIDAS M32 completely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR18 rack-mountable mixer, which will forever change the way you record and the way you play live music.

Top Quality Audio I/O for Dante Networks Offering the same performance and hardware quality as Sonicview recording and live mixers, TASCAM SB-16D Dante-networked 16-in / 16-out stage box offers all the advantages of Dante networking, combined with seamless integration with Sonicview mixers. The stage boxes can be used as a floor stage box or rackmounted, and multiple stage boxes can be used simultaneously in a Dante network. Seamless Integration with Sonicview Mixers When a SB-16D stage box is connected to a Sonicview 16XP or 24XP mixer, microphone gain can be remotely controlled from the mixing console, and all SB-16D I/O comes up on the Sonicview VIEW touchscreens for hassle-free ease of use. In addition, the SB-16D is equipped with 8-in / 8-out GPIOs, which expand to 16-in / 16-out GPIOs when connected to a Sonicview mixer, facilitating parallel control. A Full Complement of I/O with the Features You Need Easily accommodate large ensembles and extensive installed Dante systems using the SB-16D’s 16 XLR mic/line inputs and 16 XLR line outputs. Need more I/O? Simply network multiple SB-16Ds. The mic/line inputs are extremely quiet, achieving a -128 dBu EIN with a +32 dBu maximum input level. Each input channel has +48V phantom power and an SIG OL LED for input-level monitoring. Each line output also is equipped with SIG OL LEDs. The SB-16D supports Dante Domain Manager in addition to AES67 and SMPTE 2110 interoperability. Two Dante ports equipped with etherCON-compatible Dante connectors enable redundant streams with robust connections. For additional system reliability, a DC power input is provided that supports a redundant power supply (not included). Class 1 HDIA Mic Preamps and 32-Bit ADCs for Best-in-Class Sound As in Sonicview mixers, each SB-16D microphone input feeds a TASCAM Class 1 HDIA (High Definition Instrumentation Architecture) preamp—the finest mic preamp TASCAM has ever made. Thanks to an instrumentation amplifier with extremely good noise characteristics in the first stage, Class 1 HDIA microphone preamps exhibit excellent EIN, signal-to-noise ratio, distortion ratio, and frequency response. The mic inputs can accept up to +32 dBu signals, providing plenty of headroom for sudden level increases. As with Sonicview mixers, the SB-16D uses 32-bit analog-to-digital converters and a 96 kHz sampling frequency. Repeated internal and external evaluations were conducted to fine-tune the SB-16D, ensuring best-in-class sound that will never disappoint. Flexible Positioning for Floor and Rack Applications Whether you want a networked floor box for stage use, or rackmounted inputs for recording and broadcast studios and commercial installs, the SB-16D provides the flexibility you need. It can be 3U rackmounted with the included brackets, which offer two angle options. Mount the jack panel on the front of the rack and take advantage of the SB-16D’s cable hole to conveniently and safely route connected cables in the back. Large rubber feet maintain stability, even with cables connected, when the SB-16D is used as a floor box. Multiple stage boxes can be stacked for ease of transportation and stability during installation. A handle makes the SB-16D easy to carry. TASCAM IO Control Remote Control App Whether your SB-16D is onstage, backstage, in a control room, or in an equipment closet, you're always in full control with the free TASCAM IO Control software for macOS, Windows, and iPadOS. Manage your stage box from virtually anywhere in the venue, even when the SB-16D is used in standalone mode. Key Features 16-in / 16-out Dante-enabled stage box and interface Redundant Dante support Equipped with etherCON-compatible connectors Dante Domain Manager support AES67 interoperability SMPTE 2110 interoperability 16 XLR mic/line inputs with +48 phantom power and SIG OL LED input signal/overload indicators 16 XLR line outputs with SIG OL LED output signal indicators Up to 96 kHz sampling and 32-bit precision Supports both floor installation and 3 RU rackmounting Controllable from connected Sonicview mixers Remote control and offline editing using TASCAM IO Control app for macOS, Windows, and iPadOS Equipped with DC input and supports redundant power supply (DC power supply not included) Equipped with 8-in / 8-out expansion GPIO terminals, expandable to 16-in / 16-out when connected to a Sonicview mixer Switchable reference level

Opis 2x250w 4ohm Phantom power +48V Ekvilajzer 4/5 kanala Mp3 USB player na flash memoriji 16 digitalnih efekta

Highly accurate 12 segment Bargraph MetersINPUT CHANNEL SECTION1. BALANCE INPUT (MIC)Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power.2. LINE INPUTThe unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..)3. INSERTThe INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output.4. TRIMThis has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal.5. LOW CUTSlide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum.6. HIGHControl the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level.7. FREQUENCY + MIDThis equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 8. LOWControl the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level.9.AUX1.2This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ.10. EFX1.2This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel.11. PANThe pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses.12. STEREO (L-R)Push the switch, can use ST L-R fader.During the stereo L-R switch pushed, you can't use ST L-R fader.13. GRPS 1-2Push the switch, can use GROUP 1-2 fader.During the G1-2 switch pushed, you can't use stereo L-R fader.14. PEAKA red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping.15. CHANNEL FADERThis is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. MASTER SECTION16. EFFECT PROGRAMSWhen adjust switch 17, 18, 19, 20 more effects are displayed.17. Pre-setPush more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program.18. UP TAPE SWITCHOne push, one program up push with more than 5 seconds hi-speed program up.19. DOWN TAPE SWITCHOne push, one program down, push with more than 5 seconds, hi-speed program down.20. MUTEEffect ON/OFF.21. EFFECT STEREO (L/R)Depressing this switch, can let the EFFECT you need connect to the main control buses.22. EFFECT GROUP(1-2)Push the switch, can let the EFFECT you need connect to the main group buses. Ultra low noise 12 - Channel Mic / Line Mixer - 12 Mono Input Channels with silver plated XLRs and balanced Line Inputs - Ultra-low noise discrete Mic Preamps with +48 V Phantom Power - Extremely high headroom - offering more dynamic range - Balanced Inputs for highest signal integrity - Ultra-musical 3-band EQ+FREQ on all mono channels - Peak LEDs all Mono Channels - 2 Aux Send per channel for external effects and monitoring - 2X256DSP Digital of the effect system inside - Separate Master Mix, Headphone Outputs - 2-Track Inputs assignable to Master Mix - Highly accurate 12 segment Bargraph Meters INPUT CHANNEL SECTION 1. BALANCE INPUT (MIC) Electronially Balanced inputs acceptable a standard XLR male connector. + 48V Phantom Power available on each input Mic socket, and this switch is on Rear Phantom Power. 2. LINE INPUT The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..) 3. INSERT The INSERT is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output. 4. TRIM This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal. 5. LOW CUT Slide down the slide-switch, insert the 18 dB per octave 75Hz low cut filter in the signal path. This low cut filter is useful on live vocals to reduce stage rumble or "popping" from microphones. It can also be used to cut off low frequency hum. 6. HIGH Control the high frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the high frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases level. 7. FREQUENCY + MID This equalization has a "bell" response i.e. having reached maximum amplification or attenuation at the selected frequency, the amplitude response returns to zero either side of that frequency. The FREQ at which this occurs is variable between 250Hz. The GAIN is variable between ±15dB at the selected frequency with a fixed q of 1.5Q is a factor a bandwidth. 8. LOW Control the low frequency tone of each channel. Always set this control to the 12 o'clock position, but you can control the low frequency tone according to the speaker, the conditions of listening position and listener's taste. Clockwise rotation of the control increases the level. 9.AUX1.2 This is normally derived after the EQ section and channel fader (PRE-FADER, POSE-EQ), and is therefore unaffected by the fader position and routing status. This makes the send particularly suitable for foldback or monitor feeds, which need to be controlled separately from the main P.A. Mix. All pre-fade sends may be selected internally to be PRE-FADER, PRE-EQ. 10. EFX1.2 This is normally derived after the EQ and channel fader (POST FADER, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel. 11. PAN The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses. 12. STEREO (L-R) Push the switch, can use ST L-R fader. During the stereo L-R switch pushed, you can't use ST L-R fader. 13. GRPS 1-2 Push the switch, can use GROUP 1-2 fader. During the G1-2 switch pushed, you can't use stereo L-R fader. 14. PEAK A red LED indicates a signal level at the insert return point, premaster fader, it illuminates at approximately 5 dB below clipping. 15. CHANNEL FADER This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the "O" mark, providing 4dB of gain adove that point, if required. MASTER SECTION 16. EFFECT PROGRAMS When adjust switch 17, 18, 19, 20 more effects are displayed. 17. Pre-set Push more than 5 seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program. 18. UP TAPE SWITCH One push, one program up push with more than 5 seconds hi-speed program up. 19. DOWN TAPE SWITCH One push, one program down, push with more than 5 seconds, hi-speed program down. 20. MUTE Effect ON/OFF. 21. EFFECT STEREO (L/R) Depressing this switch, can let the EFFECT you need connect to the main control buses. 22. EFFECT GROUP(1-2) Push the switch, can let the EFFECT you need connect to the main group buses.

10-Channel Mixer with USB Interface ZED-10 and ZED-10FX are amazing little desks for small band mixing. They are ultra portable for carrying to the gig, and can be used for recording live or in the studio. Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR main stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. In the FX version, we've added a set of fabulous effects to give shimmering reverbs and enhance your sound. What's great about the ZED-10FX? ZED's are great for live mixing! Their layout makes them very easy to use and easy to achieve a great sound. They are also perfect for recording, either a live show or an audio project at home can be built up track by track using the USB digital audio interface. The flexibility and quality of these mixers make them stand out from the crowd. You can plug your guitars or instruments straight into the class A discrete FET high impedance inputs, cater for up to four microphones, two stereo sources with MP3 player compatibility, separate 2-track record outputs and a stereo playback input for 2-track replay or perhaps interval music from a CD player, XLR main stereo outputs with inserts, comprehensive monitoring with headphones and separate monitor speaker outputs, 48V microphone phantom power, DI level switching for sub mixing, and not least of all, the same digital effects algorithms as those used on our flagship digital consoles costing 150 times as much! 4 mic/line inputs, 2 with Class A FET high impedance inputs Neutrik mic XLR Neutrik 1/4 inch jacks 3 band EQ with MusiQ 2 auxes Sound image pan Illuminated PFL indicator Stereo returns & playback All inputs with level control 12 bar meters Responsive 3-band, swept mid EQ with MusiQ 2 stereo sources with MP3 player compatibility Separate 2-track record outputs Stereo playback input for 2-track replay XLR main stereo outputs with inserts Comprehensive monitoring Configurable USB stereo audio in/out Stereo monitor outs 48V microphone phantom power DI level switching for sub mixing Inputs One of the great things about the ZED series is the number and variety of things you can plug in. In addition to the sixteen mono channels there are two dual stereo channels, each with a main stereo input on jack sockets and with additional inputs on phono sockets. The USB return can be selected to one of the additional inputs so that it feeds either the main LR bus or the stereo channel. Guitar DI In place of the DuoPre, the ZED-10 &10FX have pre-amps similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character. EQ section ZED-10FX is equipped with a responsive 3-band EQ with MusiQ, an optimized slope (or Q factor) for equalizing individual instruments. Auxiliary sends 6 aux sends are provided, of which 1&2 are prefade for foldback monitoring, and 3 & 4 are switched pre or post-fade for effects sends. and 5&6 are post-fade. Auxes 1&2 can be sent to the USB bus for recording pre-fade signals independently to the main mix. Auxes 5&6 can also be sent to the USB bus for use as effects sends. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way we have implemented this on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! Quality audio to and from your PC or Mac. Three switches provide different send/return configurations for recording, playback and utilizing external FX. Build The ZED-10FX has been designed using individual vertically mounted circuit boards with each rotary control fixed with a metal nut to the front panel - making a much more robust product that will resist damage and give years of reliable use. AmpliTube X-GEAR Software Allen & Heath is pleased to announce a partnership with leading music software company, IK Multimedia, to bundle its pioneering AmpliTube X-GEAR Visit their site for more information. Key features: Provides a single host interface for Aimpltube 2, AmpliTube Fender™, Ampeg SVX®, AmpliTube Jimi Hendrix™, AmpliTube Metal, and future ‘Powered by AmpliTube’ products. 3 Amp models (American Tube Clean 1, British Tube Lead 1, BA-500) included. 3 cabinet models (4x10 Open Vintage, 4x12 closed Vintage 1, BA-500) included. 3 Microphone models (Condenser 414, Dynamic 57, Condenser 87) included. 3 Stomp effects models (Overdrive, Wah, Analog Chorus) plus Spring Reverb and Noise Gate. High precision tuner. Input Mono channel: XLR Input: -10 to -60dBu for nominal (+11dBu in max) Line Input (Jack socket): +10 to -40dBu (+31dBu maximum) Stereo Input: Jack or phono sockets 0dBu nominal (control = Off to +15dB) Output L/R Outputs: XLR Normal/DI out 0dBu/-30dBu +21dBu/-9dBu maximum. Aux and FX Outputs: Jack sockets 0dBu nominal. +21dBu maximum. Record and Monitor Outputs: phono sockets 0dBu nominal. +21dBu maximum. Frequency Response Mic in to Mix L/R Out: 30dB gain: +0.5/-1dB 10Hz to 30kHz. Line in to Mix L/R out: 0dB gain +0.5/-1dB 10Hz to 25kHz Stereo in to Mix L/R out: +0.5/-1dB 10Hz to 30kHz THD+n Mic in to Mix L/R Out: 10dB gain, 1kHz: +10dBu out 0.002% 30dB gain, 1kHz: 0.01% Line in to Mix L/R out: 0dB gain 0dBu 1kHz 0.003% Stereo in to Mix L/R out: 0dB gain +10dBu 1kHz 0.002% Guitar Input to Mix L/R Out: 0dBu Boost OUT: 0.015% Boost IN: 2% Second Harmonic Headroom Analog Headroom from nominal (0Vu): 21dB USB in & out headroom from nominal (0Vu): 14dB Noise Mic Pre EIN @ max gain 150R input Z 22-22kHz: -127dBu Mix L/R out, L/R faders = 0, Levels min, 22-22kHz: -96dBu Mix L/R out, L/R faders = 0, Levels min, 22-22kHz: -96dBu USB Audio CODEC (Coder/Decoder) USB Audio In/Out: USB 1.1 compliant 16bit. Sample Rate: 32, 44.1, or 48kHz Physical Dimensions (LxHxD): 13.2 x 3.7 x 10.8 inches (336 x 95 x 275 mm) Weight: 7.3 lbs (3.3 kg) SOFTWARE ZED-10 comes with access to a full version of IK Multimedia’s AmpliTube X-GEAR software – the first fully modular, customizable and expandable preamp and FX modelling software system. All the ingredients are there for some truly legendary guitar and bass tones. ZED IK Multimedia Software

Martin Wisman // PMA 800 - PROFESSIONAL 8-CHANNEL POWERED MIXER / 8-kanalna mikseta sa Snagom Specifications Ultra low noise 8 Channel Mic/Line, 256DSP digital effect stereo Powered Mixer. 8 Mono input channels with silver plated XLRs,and balanced line inputs and +48v phantom power. Peak LEDs on all Mono Channels. Ultra-musical 3-band EQ on all channels and 2X7 band EQ on all main output. 2 Aux Send per channel for external effects and monitoring. Highly accurate 10 segment Bargraph Meters. 256 DSP Digital delay of the effect system inside. Function with channel changes inside (crossfader). 2-Track input assignable to master mix, stereo headphone output. 1 Main (line) output and 1 Group output. Power Voltage: 115V or (220V)230V POWER OUTPUT: 300W+300W 4OHM H.W.D: 525X450X160 WEIGHT: 13.5 KG Ova mikseta je dobila jako pozitivne kritike od strane korisnika, a ceo tekst možete pročitati na sledećem linku: http://www.oceni.rs/uredaji/muzicki-uredjaji/mikseta-martin-wisman-pma800/

16 award-winning Midas PRO microphone preamplifiers with switchable 48 V phantom power 8 electronically balanced low impedance line level outputs ULTRANET personal monitoring system connectivity for in-ear applications Digital audio and control connectivity for Turbosound speaker systems with ULTRANET networking capability Dual AES50 SuperMAC ports for cascading additional DL16 stageboxes-no merger or router required Dual ADAT outputs providing 16-channel digital output on two optical TOSLINK * connectors Remote operation via shielded CAT5e cable up to 330 ft / 100 m length All settings programmable from front panel controls or console Status indicator LEDs on front panel Headphones output assignable to any of the inputs or outputs for on-stage monitoring MIDI In/Out for bidirectional communication between Midas M32 Series console and on-stage MIDI devices Features Neutrik etherCON * AES50 and ULTRANET network ports Rugged 2U rackmount chassis for durability in portable applications Auto-ranging universal switch-mode power supply Closing the gap between stage and front of house, the Midas DL16 is a 16-in/8-out stage box that includes 16 fully programmable and remotely controllable Midas mic preamps, which are the same preamps found in the larger PRO Series consoles, and are equipped with switchable +48V phantom power. Additionally, the DL16 features 8 electronically balanced low impedance line level outputs, as all of the DL16's inputs and outputs have been designed to handle both balanced and unbalanced signals, removing any worries about signal degradation, noise, and crosstalk interference. The DL16 also features dual Cirrus Logic Digital to Analog converters, providing a reduced noise floor and lower distortion, and post-DAC filtering to remove wide-band noise. The DL16 Stage Box includes an Ultranet port that lets performers connect directly to the Powerplay P16 system for in-ear monitoring, and lets each artist take control of their own monitor mix. This allows for performance and audience concentration without other possible sonic distractions. The DL16 comes outfitted with dual ADAT outputs for use in splitter mode and stand-alone digital multi-core applications. Many manufacturers have adopted the ADAT digital interface as a means of transferring digital data between certain types of audio devices, such as mixers, synthesizers, lighting rigs, and effect processors. With the DL16's dual ADAT outputs, you can simply connect to any ADAT-compatible outboard devices. The stage box also includes dual AES50 ports for cascading multiple units over a single shielded (STP) CAT5 cable. Up to three DL16s can be daisy-chained to deliver 48 channels in and 24 out to the stage. This flexibility benefits both live and studio recording applications, as well as post-production, broadcasting, and audio routing infrastructure. The DL16 can be remotely operated up to 328' (100 m) via CAT5/5e cable, simplifying communication between the stage and front of house. The DL16's monitoring / head amp control section allows you to select any one of the 16 inputs or 8 outputs for immediate line checks. In addition to signal metering at the stage box, you can set individual channel gain, apply +48V phantom power, plus you have the option listening directly to the input signal. Even at this distance, all settings can be controlled or programmed from the front panel of the console. Once set, all configuration settings can be locked at the console for system security. Each of the 16 Neutrik XLR inputs is equipped with a status indicator LED, which illuminates to show when the +48V phantom power is used, providing instant clarity and ease of use. For versatility, each headphone output is assignable to any of the inputs or outputs for on-stage monitoring via the 1/4" jack socket located on the front panel of the DL16. With this, you have the option of listening directly to any of the 16 inputs via headphones. Simply select the signal that you need to monitor by scrolling through each of the 16 channels, adjusting the gain where needed, and change the operating mode, all via a single rotary potentiometer. The automation scenes allow MIDI to be incorporated, so that the external MIDI-compatible devices can be controlled as part of the scene change via the console's MIDI output. Additionally, console events can be triggered from an external MIDI source via the console's MIDI input. You can also control the gain and phantom power settings remotely using the MIDI communication functionality. Housed in a road-ready, rugged 19" 2U rack-mountable chassis, the DL16 is designed to withstand the rigors of touring applications.

The Soundcraft Ui24R is a complete, rack-mountable, digital mixing and multi-track recording system that delivers flexible I/O, pristine sound quality, intuitive wireless control, and roadworthy reliability—all in a streamlined design. The system can double as a stagebox and can be controlled by up to 10 devices via Ethernet or built-in dual-band Wi-Fi, making it possible to control mixing and multi-track recording wirelessly from anywhere in the venue. With renowned HARMAN signal processing, Studer-designed preamps and much more—from the studio to the stage, Soundcraft Ui24R is the ultimate system for artists, venues and engineers who need to save space and deliver superior sound. Ui24R brings together industry-leading HARMAN technologies to deliver unprecedented power and mission-critical stability. Renowned Studer preamps deliver rich sound for live performance and multi-track recording, while iconic Lexicon reverbs, choruses, delays, and dbx compression offer polished results for vocals, acoustic guitar and more. dbx AFS2 automatic feedback suppression is available on all monitor outputs, providing an excellent live experience. Plus, DigiTech guitar amp modeling brings a host of effects to any performance, particularly when low stage volume is desired. Control Ui24R from the device of your choice (tablet, phone, PC, Mac) via iOS, Android, Windows, Mac OS and Linux browsers, without installing apps. Onboard dual-band WiFi ensures you (and up to 9 members of the band) can always stay in control without relying on an independent router or the venue’s WiFi. Musicians can adjust their individual mix on stage while the FOH engineer optimizes the audience experience. Ui24R is more than just a complete mixing system—it’s also a top-notch recording tool. Enjoy peace of mind with dual-path, multi-track recording of all 22 inputs and your stereo mix, directly to a USB storage drive AND a connected computer. The multi-channel USB audio interface also makes it easy to integrate the Ui24R into your recording studio for production work with your favorite DAW. The Ableton Live 10 Lite software is an included download with all Ui Series mixers. Feed your creativity with this fast, flexible and sequencing workstation. From built-in instruments, sounds and effects to recording and mixing features, Live 10 Lite gives you everything you need to create, produce and perform. Traditional mixers offer lots of functionality, but can only be controlled from the mix console position. The Ui24R surfaceless mixer combines the power and versatility of a large-format console with a compact design and complete Wi-Fi control. With Ui24R, you can finally have the features you need, plus the freedom to control your mixer from anywhere in the venue. Features Renowned Soundcraft quality and performance Built-in dual-band Wi-Fi eliminates the need for a router to provides a reliable connection to up to 10 mobile devices in mission critical situations Control Ui24R from iOS, Android, Windows, Mac OS and Linux browsers without installing additional apps Record and mix with the warmth of 20 professional-quality Studer-designed preamps dbx compression and iconic Lexicon reverb and delay processing 2 channels of DigiTech guitar amp modeling Dual-path, redundant multi-track recording of all 24 inputs to USB drive and connected Mac/PC 24 simultaneous inputs (10 combo ¼” TRS/XLR, 10 XLR, 2 line level, 2 digital) 4-band parametric EQ, high-pass filter, compressor, de-esser, and noise gate on input channels 31-band graphic EQ, noise gate, compressor, and dbx® AFS2 Automatic Feedback Suppression on all outputs Real-time frequency analyzer (RTA) on inputs and outputs Compatible with Mac/PC DAWs and other music software Compatible with Harman Connected PA application and system for easier setup and control 4U rackmount design

The MX225 is designed for remote volume control of multiple amplifiers or powered speakers in a distributed audio system. Two stereo sources are available to each of five output zones. Each source input pair handles separate left and right balanced line level signals. Each output zone features independent level control from inputs 1 and 2, stereo/mono selector with mono indicator, LED level metering, and left and right balanced line level zone outputs. All audio connections are balanced XLR. The built in power supply and single high 19" rack mount format allows for easy installation and reliable operation. Features Left and right balanced Source 1 and 2 Inputs, accepts stereo or mono signal sources Source 1 and 2 input channels are internally routed to all five Zone channels Five Zone channels each feature Source 1 and 2 level controls and left and right balanced output XLR connectors Stereo/Mono selector on each zone sums left and right into Mono mode when engaged Mono indicator LED on each zone channel indicates that mono has been selected Five LED level metering (-25, -20, -15, -10, Clip) on each zone channel indicate signal activity for each zone Source 1 and 2 indicator LEDs show you when signal is present in each source channel Specifications Input Connections: XLR-F balanced (x4) Output Connections: XLR-M balanced (x10) Input Impedance: 47k Ohms Output Impedance: 200 Ohms Total Harmonic Distortion: .05% Typical Signal to Noise Ratio: > 90dB typical Maximum Input Level: +20dBu Maximum Output Level: +24dBu balanced Maximum Gain: +6DB Dimensions: 1.75"H x 19"W x 7.25.0"D (44.5mm x 483mm x 184mm) Weight: 5.34 lbs (2.42 kg) Power Requirements: USA - 105 to 125 VAC / 50-60Hz, 15 Watts typical

They all include a wide variety of built-in Lexicon studio-grade reverb, chorus, modulation and other effects and dbx limiters on the input channels. The consoles offer XLR and switchable Hi-Z inputs that enable guitars, basses and other instruments to be directly connected. All the consoles come with a 2-in/2-out USB interface. Accompanying the consoles are free downloads of the Lexicon MPX-L native plug-in and Ableton Live 9 Lite. In addition, the consoles feature smooth, premium-quality faders with GB® Series audio routing with flexible pre/post switching on each Aux, and subgroups with powerful routing and switching options as well as dedicated outputs. The Signature Series are built using tour-grade robust metal construction and top-quality components and have an internal universal power supply. Varients Signature 10 Signature 12 / 12 MTK Signature 16 Signature 22 / 22 MTK Channels 10 12 16 22 Soundcraft® Ghost Preamps 6 8 12 16 Soundcraft® Sapphyre EQ 3-band (1 band of swept mids) 3-band (1 band of swept mids) 4-band (2 bands of swept mids) 4-band (2 bands of swept mids) dbx® Limiters on inputs 2 2 4 8 Lexicon® Effects Single Engine Single Engine Single Engine Dual Engine USB Interface 2-in/2-out 2-in/2-out (14-in/12-out on 12 MTK) 2-in/2-out 2-in/2-out (24-in/22-out on 22 MTK) Auxes 3 3 4 5 Subgroups 0 2 mono/1 stereo 4 mono/2 stereo 4 mono/2 stereo Faders 60mm 60mm 100mm 100mm

The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range. The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level. The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility. The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the company’s 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone output. Features 8+2 and 12+2 channel frame sizes Built-in 24 bit Lexicon digital effects processor 32 FX settings Tap Tempo and FX setting store function 1 FX send on each channel 1 configurable auxiliary bus XLR-type and ¼” metal jack connector sockets RCA phono stereo playback inputs and record outputs 3-band EQ with a swept mid on mono inputs 3-band EQ on stereo inputs TRS insert sockets and inserts on all mono inputs Ten-segment LED output metering Intuitive and comprehensive solo system Headphone output Easily rack mountable Custom Karaoke preset The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations. Specifications Height 330mm (13.0") Width 91mm (3.6") Depth 362mm (14.3") Weight 4.6kg (10.1lb)

Allen & Heath ZED-22FX In addition to the DuoPre mic pre-amps, 100mm faders and MusiQ EQ section which are shared with the whole ZED range, the ZED FX has 16 unique effects, designed by Allen & Heath's DSP team. ZED FX ZED FX are easily controlled using 3 buttons and 9 LEDs. Quickly tap the ideal delay time or 'dial-in' the perfect amount of reverb on the lead vocal. One-stop navigation and editing...in fact, just as easy as your effects pedals. Hold down the TAP button and press the up or down button to alter the effects parameter, for example on patch (9) Plate, this would adjust the decay length. The ZED FX is designed to fulfill all the functions a small band would need without their own sound engineer. The layout features have been arranged to be logical and instantly recognizable at a dark gig - a mixer you can trust to perform. The USB audio interface, with its uniquely flexible capability, allows different signals to be sent to USB, from LR or from selected aux buses. The USB return signal can be routed straight to the LR mix or to a stereo channel. The connectors are placed on the top surface for easy plugging & patching, and the construction, with individual circuit boards firmly nutted to the top panel, is as rock solid as Allen & Heath's top of the range ML Series mixers. The ZED FX range currently comprises of the ZED-12FX and the 22FX. Between them they offer a solution for any small group or singer songwriter needing up to 16 mono inputs and 3 stereo inputs. Keyboards, microphones, samplers, the sky is the limit. Each mono channel has an insert point, allowing in-line effects such as compressors to be added to the signal chain, just like our large format mixers. Internal FX 16 separate effects have been crafted into the ZED-FX range. These include Delay and Reverb, Ping-Pong delay, a selection of reverbs with different room/hall/arena properties, a flanger and a chorus. All have been designed to complement the material the engineer is working with. Each of the effects has a parameter which can be altered: pre-delay can be adjusted, room sizes tweaked, and flanger speed dialled-in. Five of the effects can have their tempo tapped in, and the output auditioned by the FX PFL. Inputs One of the great things about the ZED series is the number and variety of things you can plug in. In addition to the 16 mono channels there are three dual stereo channels, each with a main stereo input on jack sockets, and with the ability to take additional stereo inputs from phono sockets or from the USB audio input, flexibility gives you control. 16 mic/line channels are provided on ZED-22FX - plenty for mics or DI boxes for a small band, duo or solo performer 4 stereo line inputs - dual inputs, both with gain and 2-band EQ. DuoPre Based on the proven pre-amps from the hugely successful PA series, the ZED series has new DuoPreTM pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input. EQ section ZED-22FX features a musical 3-band EQ descended from the acclaimed GL2400 mixer. The design utilises MusiQ - optimised slope (or Q factor) for equalising individual instruments. Auxiliary sends 4 aux sends are provided, of which 1&2 are prefade for foldback monitoring, and 3 & 4 post-fade for effects sends. A stereo signal can be sent from auxes via USB to computer to create 2 separate record feeds independent of the main LR mix (1&2) and or used as FX sends (3&4). USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way we have implemented this on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! Quality audio to and from your PC or Mac. Three switches provide different send/return configurations for recording, playback and utilising external FX. Build The ZED-22FX has been designed using individual vertically mounted circuit boards with each rotary control fixed with a metal nut to the front panel - making a much more robust product that will resist damage and give years of reliable use. ZED also has professional 100mm faders for ultimate control over your levels. SONAR LE - provided Free! We have teamed up with Cakewalk to bundle SONAR LE with this ZED mixer. The two team up together in many ways - for example straightforward recording of a stereo mix, recording tracks individually to build up a song, or for inserting a SONAR LE effects plug-in. Features Insert Points High pass filter Stereo imaging control on every channel 3-band EQ with swept mid 4 auxiliary sends (2 pre, 2 post) Global 48V phantom power 3 dual stereo inputs with 2-band EQ Peak and signal indication on every channel Configurable USB stereo audio in/out Master level controls on all outputs Easy to use layout - all connections and controls on top surface Cakewalk SONAR LE bundled with mixer Channel mute switches Stereo return 2-track return Advanced monitoring facilities 1/4" and 3.5mm headphone outputs Stereo record out Alternate stereo out Mono sum of LR output Main LR 12-bar LR meters Master controls for aux 1&2 Specifications Inputs Mono channel (XLR) Input +6 to –63dBu for nominal (+17dBu inmax) Mono channel Line Input (Jack socket) +10 to –26dBu (+30dBumax) Insert point (TRS Jack socket) 0dBu nominal +21dBu max. StereoInput (Jack sockets) 0dBu nominal (control = Off to +10dB) Stereo input (phono sockets) 0dBu nominal(control = Off to +10dB) Outputs L, R & Mono Outputs (L&R XLR, Mono Jack) 0dBu nominal.+21dBu max. Aux Outputs (Jack sockets) 0dBu nominal. +21dBu max. AltOutputs (phono sockets) 0dBu nominal. +21dBu max. RecOutputs (phono sockets) 0dBu nominal. +21dBu max. Frequency Response Mic in to Mix L/R Out, 30dB gain +0.5/-1dB 20Hz to20kHz. Line in to Mix L/R out 0dB gain +0.5/-1dB 10Hz to 30kHz Stereoin to Mix L/R out +0.5/-1dB 10Hz to 30kHz THD+n Mic in to Mix L/R Out, 0dB gain 1kHz +10dBu out 0.004% Mic into Mix L/R Out, 30dB gain 1kHz 0.014% Line in to Mix L/R out 0dB gain 0dBu1kHz 0.005% Stereo in to Mix L/R out 0dB gain+10dBu 1kHz 0.003% Headroom Analogue Headroom from nominal (0Vu) 21dB USB in & out headroom fromnominal (0Vu) 14dB USB Audio CODEC (Coder/Decoder) USB Audio In/Out USB 1.1 compliant16bit. Sample Rate 32, 44.1, or 48kHz Noise Mic Pre EIN @ max gain150R input Z 22-22kHz -127dBu Dimensions (H x W x D): 3.9" x 25.4" x 18.3" Weight: 23.1 lbs

Live performance and studio recording analogue mixer with 16 input channels 12 mono input channels with award-winning Midas microphone preamplifiers 2 electronically-balanced stereo line input channels on 1/4" TRS connectors 3 band EQ on mono channels with swept mid band 2 aux sends with pre/post fader switching 60 mm precision long-life faders Rugged chassis construction for durability in portable applications Auto-ranging universal switch-mode power supply 10-Year Warranty Program* Designed and engineered in the U.K. DM16 The compact DM16 honours your stage or studio desktop space, while providing incredible sonic performance, amazing versatility – and an unheard of level of affordability. What is the secret behind DM16’s superb, studio-quality sound? The DM16 features 12 award-winning, MIDAS microphone preamplifiers with true +48 V Phantom Power, acclaimed by audio engineers the world over for their transparency and nuanced low noise, high-headroom design. Add to this TRS Line Inputs on all 16 channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ with mid-frequency sweep, 2 switchable pre/post-fader aux sends, 2 monitor outs and 2-track RCA I/O, and you have an analogue work of art – the fully featured DM16! Mono Inputs Mic inputs (MIDAS mic preamp) 12 Type XLR, balanced Mic EIN @ 60 dB gain, 50 ? source at insert send -131 dBu, unweighted, 20 Hz to 20 kHz Mic EIN @ 60 dB gain, 150 ? source at insert send -128 dBu, unweighted, 20 Hz to 20 kHz Noise @ 10dB Gain, at insert send -97 dBu, unweighted, 20 Hz to 20 kHz Frequency response (-1 dB) at main output 20 Hz to 20 kHz (-1 dB) Frequency response (-3 dB) at main output 70 kHz (-3 dB) Mic Gain range +10 dB to +60 dB Max. input level +11 dBu @ +10 dB gain CMRR @ +60dB gain Typically -90 dB Impedance 2 kO, balanced Distortion (THD+N) at 0 dBu 0.005% @ 1kHz Phantom power Switchable, +48 V Line Input Type ¼" TRS, balanced Impedance 20 kO balanced / unbalanced Line Gain range -10 dB to +40 dB Max. input level +30 dBu Stereo Inputs Type 4 x ¼" TRS connector, balanced Impedance 20 kO balanced / unbalanced Gain range -20 dB to +20 dB Max. input level +21 dBu Equaliser Low ±15 dB @ 80 Hz, shelving Mid (mono inputs only) ±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric High ±15 dB @ 12 kHz, shelving Channel Inserts Type ¼" TRS connector, unbalanced Max. input / output level +21 dBu Aux Sends Type 2 x ¼" TRS connector, balanced Impedance 240 O balanced, 120 O unbalanced Max. output level +21 dBu Monitor Out Type 2 x ¼" TRS connector, balanced Impedance 240 O balanced, 120 O unbalanced Max. output level +21 dBu Main Out Type 2 x XLR, electronically balanced Impedance 100 O balanced, 50 O unbalanced Max. output level +21 dBu Main Out Inserts Type 2 x ¼" TRS connector, unbalanced Max. input / output level +21 dBu Phones Output Type ¼" TRS connector, unbalanced Impedance 25 O Max. output level +21 dBu 2-Track Input Type 2 x RCA, unbalanced Impedance 20 kO Max. input level +21 dBu Record Out Type 2 x RCA, unbalanced Impedance 1 kO Max. output level +21 dBu Main Mix System Noise Main mix @ -?, channel fader @ -? -104 dBu, unweighted, 20 Hz to 20 kHz Main mix @ 0 dB, channel fader @ -? -91 dBu, unweighted, 20 Hz to 20 kHz Main mix @ 0 dB, channel fader @ 0 dB -84 dBu, unweighted, 20 Hz to 20 kHz Power Supply / Voltage (Fuses) Switch mode power supply 100-240 V~ 50/60 Hz, switchable (T 1.6 A H 250 V) Power consumption 40 W Mains connection Standard IEC receptacle Dimensions / Weight Dimensions (H x W x D) 95 x 438 x 370 mm (3.7 x 17.2 x 14.6") Weight 5 kg (2.3 lbs)

The four aux sends are ideal for routing to floor monitors and outboard time-based effects. A USB 1.1 port delivers 2-channel send and return capabilities via a Mac or Windows computer. There are stereo and mono main outputs in addition to alt and headphone outputs, and dual 12-segment LED meters that clearly indicate your master output level. Patch additional stereo sources into the RCA stereo return and 2-track inputs, then route them to the stereo bus, or mix them into the stereo channels. The stereo RCA output is handy for recording your mix to an external device such as a cassette deck or computer soundcard. 10 Mono Inputs There are 10 mono input channels with Neutrik connectors—XLR for balanced mic signals, and 1/4" for balanced/unbalanced line-level sources Four Stereo Inputs The four stereo input channels feature 1/4" connectors to accommodate stereo devices such as keyboards, synth modules, and external effects processors Flexible EQ Section All mono channels feature 3-band EQ with sweepable midrange, while the stereo channels offer 2-band EQ Inserts Inserts on all mono channels and the stereo output provide easy integration of analog outboard gear such as hardware compressors and equalizers Independent Aux Sends Four mono aux sends with independent level controls allow versatile signal routing to floor monitors and external effects processors USB Connection A USB 1.1 port allows direct connection to Mac and Windows computers for stereo audio I/O Flexible Outputs The ZED-18 offers balanced XLR stereo main outputs, a 1/4" mono main output, 1/4" and 3.5mm stereo headphone outputs, and a source-selectable stereo alt output Total # Of Inputs 18 Mic/Line Inputs 10 x 3-Pin XLR Female Mic Inputs (Balanced) 10 x 1/4" TRS Line Inputs (Balanced/Unbalanced) Stereo Line Inputs 8 x 1/4" TRS Line Inputs (Four Stereo Pairs, Balanced/Unbalanced) In-Line Inputs/Returns No Aux Sends 4 x 1/4" TRS Mono (Balanced) Aux Returns 2 x RCA Coaxial Line Inputs (One Stereo Pair, Unbalanced) Inserts 10 x 1/4" TRS on Mono Channels (Unbalanced) 2 x 1/4" TRS on Stereo Bus (Unbalanced) BUS (Group) Outputs No Main Outputs 2 x 3-Pin XLR Male (One Stereo Pair, Balanced) 1 x 1/4" TRS Mono (Balanced) Monitor Outputs 2 x RCA Coaxial Alt Outputs (One Stereo Pair, Unbalanced) 1 x 1/4" TRS Stereo Headphone Output (Unbalanced) 1 x 1/8" / 3.5 mm TRS Stereo Headphone Output (Unbalanced) 2-Track I/O 2 x RCA Coaxial 2-Track Input (One Stereo Pair, Unbalanced) 2 x RCA Coaxial 2-Track Output (One Stereo Pair, Unbalanced) ALT I/O 1 x USB Type-B (2-Channel Send/Return) EQ Section High (All Channels): ±15 dB at 12 kHz Mid (Mono Channels): ±15 dB at Selectable Frequency (120 Hz to 4 kHz, Sweepable) Low (All Channels): ±15 dB at 80 Hz High-Pass Filter 12 dB/Octave at 100 Hz, Switchable Solo/Mute Mute and PFL Solo Channel Level Control 100 mm Fader Trim/Gain Control Rotary Control Gain Range Mic Inputs: -6 to +63 dB Line Inputs: -10 to +26 dB Stereo Inputs: -∞ to +10 dB Faders: -∞ to +10 dB Returns: -∞ to +10 dB Aux Masters: -∞ to +6 dB Alt Out: -∞ to +6 dB Phantom Power +48 VDC, Globally Selectable Metering Dual 12-Segment LEDs Peak LED per Channel USB Specification USB 1.1 Compliant Bit Depth USB: 16-Bit Sample Rates USB: 32 kHz, 44.1 kHz, or 48 kHz Nominal Input Level Mic Input: -63 to +6 dBu Mono Line Input: -26 to +10 dBu Stereo Line Input: 0 dBu (+10 dB with Control Off) Insert Point: 0 dBu Maximum Input Level Mic Input: +17 dBu Mono Line Input: +30 dBu Insert Point: +21 dBu Nominal Output Level 0 dBu Maximum Output Level +21 dBu Frequency Response Mic In to Main Out (30 dB Gain): 20 Hz to 20 kHz (+0.5 dB, -1 dB) Line In to Main Out (0 dB Gain): 10 Hz to 30 kHz (+0.5 dB, -1 dB) Stereo In to Main Out: 10 Hz to 30 kHz (+0.5 dB, -1 dB) THD + N Mic In to Main Out (0 dB Gain, 1 kHz, +10 dBu Out): 0.004% Mic In to Main Out (30 dB Gain, 1 kHz): 0.014% Line In to Main Out (0 dB Gain, 1 kHz, 0 dBu): 0.005% Stereo In to Main Out (0 dB Gain, 1 kHz, +10 dBu): 0.003% Headroom Analog Headroom from Nominal (0 VU): 21 dB USB In and Out Headroom from Nominal (0 VU): 14 dB Noise Mic Pre EIN: -127 dBu (Maximum Gain, 150-Ohm Input, 22 Hz to 22 kHz) Main Out: -84 dBu (L/R Faders at 0, 22 Hz to 22 kHz) Power Consumption 40 W Maximum Power Requirements 100 to 240 VAC, 47 to 63 Hz Dimensions 18.3 x 3.9 x 18.3" / 46.4 x 9.8 x 46.5 cm Weight 18.7 lb / 8.5 kg Packaging Info Package Weight 21.7 lb Box Dimensions (LxWxH) 24.2 x 23.5 x 10.2"

Kanali 1-2 nude kombo XLR ¼“-ne Mic/Line konekcije sa Hi-Z prekidačem (za gitaru, bas i dr. instrumente), 2-band EQ, stereo povezivanje (linkovanje), level fejdere i FX Send. Kanali 3-4 nude dva ¼“-na ulaza sa level kontrolom, dok kanali 5-6 koriste 3.5“-ne stereo inpute (sa level fejderima), dok je pomoću USB3-4 prekidača moguća povratna informacija sa računara. Master izlaz (XLR i ¼“-ni džek) kontroliše se potenciometrom, dok ¼“-ni TRS izlaz za slušalice ima nezavisnu level kontrolu. ProFX6v3 dolazi sa licenciranim softverima ProTools | First, Waveform OEM, DAW Essentials kolekcijom, i Musician Collection paketom plag-inova (sa 23 kvalitetna plag-ina poput BBD Delay, Level Lite, 304E EQ, 304C Compressor, Vibe Phaser, Tape Echo, DC Distortion, Black Shiny Wah, Flanger, Sci-Fi, In-Tune, i dr). 100 Hz low-cut filter & 48 V fantomskog napajanja na svim kanalima za mikrofone Analogni ulazni kanali: 6 Analogni izlazni kanali: 2 x Stereo Master, 1 x Stereo Headphone Meters Main Meter: 2 x 8-Segment LED, Meter Range - Main Meter: -24 dB to +14 dB Plus Peak/Clip Procesuiranje signala: EQ parametri – Visoki: ±15 dB na 12 kHz, Niski: ±15 dB na 80 Hz Filteri - High-Pass: 100 Hz, 18 dB po oktavi; Ugrađeni efekti: 24 x Preset (fabrički) Frekvencijski odziv: 20 Hz do 30 kHz ±0/1 dB (Unity Gain) Maksimalni ulazni nivo: +22 dB Maksimalni izlazni nivoi: +28 dBu (Main Output), svi ostali izlazi: +22 dBu I/O impedanse: Mikrofonski ulazi - 3.8 KΩ, Insert Return: 10 KΩ, Line ulaz: ≥ 20 KΩ, Izlazi za slušalice: 25 Ω, Main izlaz: 120 Ω (nebalansirano), 240 Ω (balansirano) Crosstalk: -90 dB na 1 kHz (uporedni), Input to Output: -80 dB na 1 kHz, Fader Off: -75 dB na 1 kHz CMRR: 70 dB na Max Gain (1 kHz, Mic In to Main Out) EIN: -126 dBu na Max Gain (Output 150 Ω) THD+N Mic Input to Main Output: < 0.03% (+4 dBu) Fantomsko napajanje: +48 V, sa on/off prekidačem (za sve ulaze) AC: 100 to 240 VAC, 50 / 60 Hz USB 2.0 tip B (x 1); USB kapacitet: 2 x In, 4 x Out Dimenzije: 71 x 190 x 213 mm, Težina: 1.2 kg

XLR+6.35 combo jack for MIC/LINE input. PAD 26dB button (press it down to attenuate) and indenpendent +48V phantom power on all mono channels. SYSTEM FEATURES 4/6/8 input channels mixer It is a built-in sound card mixer, it combines the traditional sound card and mixer function Connect USB to PC for playing and recording Preset 16 DSP Phantom power switch (+48V) Ultra euphonious 3 band (High-Mid-Low) equalizer on all channels Two kinds of master output (XLR+6.35Jack) Rugged metal chassis and exquisite panel on two sides Supply with external special switching power supply (100-240V) for worldwide use