XLR+6.35 combo jack for MIC/LINE input. PAD 26dB button (press it down to attenuate) and indenpendent +48V phantom power on all mono channels. SYSTEM FEATURES 4/6/8 input channels mixer It is a built-in sound card mixer, it combines the traditional sound card and mixer function Connect USB to PC for playing and recording Preset 16 DSP Phantom power switch (+48V) Ultra euphonious 3 band (High-Mid-Low) equalizer on all channels Two kinds of master output (XLR+6.35Jack) Rugged metal chassis and exquisite panel on two sides Supply with external special switching power supply (100-240V) for worldwide use

Karakteristike: 4-kanalni mikser sa visokim headroom-om i niskim šumom 2 visoko-kvalitetna Onyx mikrofonska pretpojačala Širok opseg pojačanja: 60 dB Dinamički opseg: 128.5 dB +22 dBu linijski ulaz Prošireni frekvencijski odziv Distorzija ispod 0.0007% (20 Hz do 50 kHz) Poboljšano RF odbijanje, pogodno za emitovanje Fantomsko napajanje za kondenzatorske mikrofone 4 high-headroom linisjkih ulaza Odabir ulaza za instrumente na prva 2 kanala, bez potrebe za DI kutijom 2-band EQ (80 Hz i 12 kHz) 18 dB po oktavi 100 Hz niskofrekventni filter na mikrofonskim ulaznim kanalima 8-segmentni stereo indikatori visoke rezolucije Hermetički rotacioni tasteri otporni na prašinu i prljavštinu Čvrsto čelično kućište sa grubim finišom Visoko-kontrastne kontrole pružaju jasan i brz vizuelni odziv. Univerzalno napajanje za upotrebu širom sveta Primena: miksovanje zvuka uživo, verski objekti, klubovi, gimnazije, banketne dvorane, konferencijske sale, studijsko i vanjsko snimanje, multimedijalne aplikacije, emitovanje, i mnoge druge.

The USBMix6 provides a starting point for personal home studio recording, podcasting, voice-over work, and other creative applications. The built-in low-latency stereo digital effects add to its versatility. Furthermore, it can also be used as a standalone mixer through the main mix output for live-sound reinforcement presentations. Use the USBMix6 to capture your latest idea for a song, or jam with a friend, whenever and wherever your creativity takes you. An AC power adapter is also included. High performance low-noise design Six discrete inputs (2 x mic / 2 x stereo line level) Integrated stereo multi-FX with adjustable sends & returns Independent level controls for main and headphone/monitor outputs Integrated class compliant plug-and-play USB audio for Mac & Window computers ART USBMix6 Specs Form Factor Desktop Display 2 x Color Multi-Segment LED Meter Channels of I/O 6 Input / 6 Output Maximum Sampling Rate 48 kHz / 16-Bit Number of Microphone Preamps 2 Preamps Built-In Microphone None Input Level Adjustment 4 x Knob Expansion Slots None Signal Processing Pad None Gain/Trim Range Mic Inputs: 54 dB Hi-Z Inputs: 39 dB Monitor Outputs: 10 dB Line Outputs: 10 dB High-Pass Filter None Solo/Mute None Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced Input 2 x 1/4" TRS Balanced Input 2 x Stereo RCA TS Unbalanced Input 2 x Stereo RCA TS Aux Input 2 x 1/4" TRS Balanced Monitor Output 1 x 1/4" TRS Headphone/Monitor Output 2 x Stereo RCA TS Aux Output Phantom Power 48 V Digital Audio I/O None Host Connection / USB 1 x USB-B (Class-Compliant) Host Connection Protocol USB 2.0 USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Performance Frequency Response 0 Hz to 20 kHz Maximum Input Level Mic Inputs: +4 dBu Line Inputs: +20 dBu Maximum Output Level Monitor Outputs: +15 dBu SNR 90 dB (Unity Gain) Digital Audio Sample Rates 44.1 / 48 kHz Sample Rate Conversion None Bit Depths 16-Bit Latency 0.4 ms at 44.1 kHz Sync Sources None Clocking Internal: Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS Windows *As of November, 2021: Check with manufacturer for the most up-to-date compatibility Included Software None Included Plug-Ins None Mobile Device Compatibility None Power Power Requirements AC/DC Power Adapter (Included), USB Bus Power AC/DC Power Adapter 15 VDC at 500 mA (Included) Physical Dimensions 1.9 x 7.4 x 8.5" / 47 x 186 x 215 mm Weight 3.2 lb / 1.5 kg Packaging Info Package Weight 4.25 lb Box Dimensions (LxWxH) 12.7 x 10 x 3.9"

•16 channel PA-mixing console with very low noise architecture. •4 subgroups with independent sub-masters •Internal 24bit DSP-effect unit with 100 presets & foot switch input •USB in/out for direct recording to PC •12 balanced input channels, 8 Mono + 4stereo: Input gain Inserts on mono channels Peak indication @ -5dB High pass filter @ 75Hz 3band equalizer with parametric mid 1 AUX send pre (monitoring) 1 AUX send with pre/post switch EFX send for effects section (post) PAN/BAL control Channel mute button PFL-switch LEVEL with 60mm fader control L-R and subgroup 1-2 3-4 select •48V Phantom power on all balanced micros •Use of external effects possible •Balanced Main L/R + subgroup output controls •Headphone and control room output •2x 10section LED VU-meters •7band equalizer on master mix •External power transformer •19" brackets for easy rack mounting included Technical Information Max output level (0.5% thd @ 1kHz): +26dB (MAIN L/R) +20dB (ALT 3/4, AUX/EFX, CTRL ROOM) +20dB (INSERT) More than 100mW (HEADPHONES) @33Ohm T.H.D: Frequency response: 20Hz~20kHz, +1/-2dB (MIX L/R, GROUP 1-2/3-4, AUX1, AUX2/EFX SEND, CTRL ROOM) @10kOhm Hum and Noise (average Rs=150Ohm): -127dB equivalent input noise -95dB residual noise (MIX L/R, GROUP 1-2/3-4, AUX1, AUX2/EFX SEND, CTRL ROOM) -88dB (MIX L/R, GROUP 1-2/3-4, AUX1, AUX2/EFX SEND, CTRL ROOM) Master fader at nominal level and all channel assign switches off. Maximum Voltage Gain: 74dB MIC IN TO Main L/R 74dB MIC IN TO GROUP 1-2/3-4 66dB MIC IN TO AUX1/AUX2 (PRE) 76dB MIC IN TO AUX2 (POST) 76dB MIC IN TO EFX 80dB MIC IN TO CONTROL ROOM L/R 52.2dB IN TO REC L/R 54dB LINE IN TO MIX L/R 54dB LINE IN TO GROUP 1-2/3-4 46dB LINE IN TO AUX1 / AUX2 (PRE) 56dB LINE IN TO AUX2 (POST) 60dB LINE IN TO CONTROL ROOM L/R 44dB STEREO IN TO MAIN L/R 44dB STEREO IN TO GROUP 1-2/3-4 16dB AUX RETURN IN TO MIX L/R 12dB AUX RETURN IN TO AUX1/AUX2 20dB TAPE IN TO MAIN L/R Crosstalk (@ 1kHz): -70dB between input channels -70dB between input/oputput channels Gain Control (mono input channel) 44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB) Gain Control (combined mono/stereo input channel) 40dB Variable (-20dB ~ +20dB) Mono input channel Equalization: HIGH: 12kHz shelving MID: 100-8kHz peaking LOW: 80Hz shelving *Turnover/roll off frequencies: located 3dB below max. boost/cut Stereo input channel Equalization: HIGH: 12kHz shelving HIGH MID: 3kHz peaking LOW MID: 500Hz peaking LOW: 80Hz shelving *Turnover/roll off frequencies: located 3dB below max. boost/cut Graphic Equalizer: 7-band (63, 160, 400, 1K, 2.5K, 6.4K, 16KHZ) LED Meters: 2x 10 segment LED for MAIN L/R, GROUP1-2/3-4 or PFL Internal Digital Effect: 100 selectable presets FOOT Switch control (ON/OFF) Channel indicators: Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clipping Phantom Power (balanced input): +48V DC Power Supply: AC 230 V, 50Hz Power consumption: 40W Weight: 5,4 kg Dimensions: 436(W) x 90(H) x 420(D) mm

Live performance digital console with up to 48 simultaneous input channels 24 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 172 inputs and 172 outputs @ 96 kHz sample rate Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam 8 VCA (Variable Control Association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 18 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Auto-ranging universal switch-mode power supply 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling frequency 96 kHz Latency <2 ms input to master (no compensation) Dynamic range 107 dB, 22 Hz to 22 kHz (no pre-emphasis) Maximum voltage gain 80 dB inputs to subgroups and masters 86 dB inputs to aux and matrix Crosstalk at 1 kHz -100 dB physically adjacent input channels Crosstalk at 10 kHz -90 dB physically adjacent input channels Fader/pan cut off at 1 kHz -100 dB Fader/pan cut off at 10 kHz -100 dB Display screen 1 x 15" daylight-viewable colour screen Dimensions (H x W x D) 685 x 722 x 288.6 mm (27.0 x 28.4 x 11.4") Net weight PRO1 control centre: 21.5 kg Shipping weight Touring (in flight case): 97.5 kg Install (in carton): 28.7 kg Power requirements 100 V to 240 V a.c. ±10%, 50 to 60 Hz Operating temperature range +5°C to +45°C Storage temperature range -20°C to +60°C Frequency Response 0 dB Gain Input Surface I/O Ouput Surface I/O 20 Hz 0 dB to -1.0 dB 20 kHz 0 dB to -1.0 dB 40 dB Gain Input Surface I/O Ouput Surface I/O 20 Hz 0 dB to -1.0 dB 20 kHz 0 dB to -1.0 dB Gain Error at 1 kHz 0 dB Gain Input Surface I/O Output Surface I/O Maximum +1.0 dB Minimum -1.0 dB 45 dB Gain Input Surface I/O Output Surface I/O Maximum +1.0 dB Minimum -1.0 dB Input CMRR 0 dB Gain Input Surface I/O Output Surface I/O 100 Hz 60 dB 1 kHz 60 dB Input Surface I/O Output Surface I/O 100 Hz 90 dB 1 kHz 90 dB 45 dB Gain Distortion at 0 dBu 0 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.01% 10 kHz 0.01% 45 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% Distortion at +20 dBu 0 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% 45 dB Gain Input Surface I/O Output Surface I/O 1 kHz 0.03% 10 kHz 0.03% Mixing Noise (All Bus Types) 22 Hz to 22 kHz Unweighted 12 Inputs Gain 0 dB Fader Position #NAME? Pan Central Output noise -91 dBu 12 Inputs Gain 0 dB Fader Position 0 dB Pan Central Output noise -78 dBu 24 Inputs Gain 0 dB Fader Position #NAME? Pan Central Output noise -91 dBu 24 Inputs Gain 0 dB Fader Position 0 dB Pan Central Output noise -75 dBu 48 Inputs Gain 0 dB Fader Position #NAME? Pan Central Output noise -91 dBu 48 Inputs Gain 0 dB Fader Position 0 dB Pan Central Output noise -72 dBu Dynamic Range 22 Hz to 22 kHz Unweighted 0 dB Gain Input Surface I/O Output Surface I/O Maximum Output +21 dBu Dynamic Range 107 dBu 45 dB Gain Input Surface I/O Output Surface I/O Maximum Output +21 dBu Dynamic Range 102 dBu PRO1 Control Surface - DSP/Router System Inputs and Outputs System connectors 6 x AES50 (24 channels of bidirectional digital audio) on etherCon XLR Word clock IN connector BNC Word clock OUT connector BNC Video sync IN connector BNC AES3 sync IN connector 3-pin XLR AES3 sync OUT connector 3-pin XLR PRO1 Control Surface - Analogue Audio System Inputs Connector 3-pin XLR balanced A/D converter 24-bit, 96 kHz with 128 times oversampling Talkback connector 3-pin XLR balanced line Talk connector 3-pin XLR balanced mic with +48 V phantom power PRO1 Control Surface - Analogue Audio System Outputs Connector 3-pin XLR balanced D/A converter 24-bit, 96 kHz with 128 times oversampling Monitor connector 3-pin XLR balanced line Talk connector 3-pin XLR balanced line Headphone connector ¼" Jack (stereo) PRO1 Control Surface - Digital Audio System Inputs and Outputs Input connector AES3 (two channels of digital audio) on 3-pin XLR Sample rates Accepts any frequency 32 kHz - 96 kHz Bypass Sample rate converter can be bypassed Output connector AES3 (two channels of digital audio) on 3-pin XLR Sample rate 48 kHz, 96 kHz, or auto-tracking to inputs Bypass Sample rate converter can be bypassed Word length 16, 20 or 24-bit PRO1 Control Surface - Control Data System Inputs and Outputs System connector etherCon XLR PRO1 Control Centre - Miscellaneous Inputs and Outputs Monitor output connector DVI/DP+ USB host connection USB 2.0 full speed (12.0 Mbs) 5 V, 1A maximum load Lamp connector 4-pin XLR MIDI In, Out and Thru on 5-pin DIN Footswitch connector ¼" Jack Analogue Input Characteristics Surface I/O Load Z 10 k Gain -22.5 dB to +65 dB Maximum Level +24 dBu Connector XLR Talk Mic Load Z 600R Gain +15 dB to +60 dB Maximum Level +6 dB Connector XLR Monitor Load Z 10 k Gain 0 dB Maximum Level +21 dBu Connector XLR Analogue Output Characteristics Surface I/O Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Talk Out Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Monitor Source Z 50R Gain 0 dB Maximum Level +21 dBu Connector XLR Headphones Source Z 10R Gain +10 dB Maximum Level +21 dBu Connector ¼" Jack Digital I/O Characteristics AES3 Channels 2 Data length 24-bit I/O Input Description Notes Conforms to AES3-2003 Connector XLR AES3 Channels 2 Data length 24-bit I/O Output Description Notes Conforms to AES3-2003 Connector XLR AES50 Channels 24 Data length 24-bit I/O Bidirectional Description Notes Conforms to AES50 -2011 Connector etherCon XLR Miscellaneous Digital Characteristics Word Clock I/O IN Description Notes Accepts TTL level, 96 kHz square wave; impedance 75 O Connector BNC Word Clock I/O OUT Description Notes Provides TTL level, 96 kHz square wave Connector BNC AES sync I/O IN Description Notes Accepts a 96 kHz digital audio signal conforming to AES3-2003 Connector XLR AES sync I/O OUT Description Notes Provides a 96 kHz grade II reference signal conforming to AES3-2003 Connector XLR Signal Path Noise 22 Hz to 22 kHz Unweighted 0 dB Gain Input Surface I/O Output Surface I/O Output noise -86 dBu EIN -86 dBu 45 dB Gain Input Surface I/O Output Surface I/O Output noise -81 dBu EIN -126 dBu

Obe miksete imaju 31-band grafički EQ, noise gate i kompresor na svim izlazima FX busses: Reverb, Delay i Chorus. Uz to, mikser kontrole uključuju Subgroups, Mute grupe i View grupe, pored drugih. Ui serija ima potpunu Show/Snapshot mogućnost povraćaja sa kanalnim povratnim obezbeđenjima, dok funkcije sigurnosnog isključivanja omogućavaju prilagođavanje pristupa uređaju samo određenim funkcijama i miksevima ako je potrebno. Oba miksera nude i nezavisna mrežna interfejsa na ploči za istovremeno upravljanje Wi-Fi-om i Ethernet-om, kao i podnom robusnom podlogom za live aplikacije. Ui16 ima osam XLR combo mic/line ulaza, četiri XLR mikrofonska ulaza, dva kanala Hi- Z/instrument ulaza, kao i stereoRCA linijski ulaz. Dvokanalni USB media player je uključen, kao četiri balansirana XLR Aux izlaza, dva izlaza za slušalice od 2/4’’ sa kontrolom nivoa, kao i balansirani stereo XLR i glavni izlaz od ¼’’. Dvokanalni USB audio plejbek je kompatibilan sa MP3, WAV i AIFF formatima a moguća je I funkcionalnost sa dvokanalnim USB uređajima za snimanje direktno u memoriju. Karakteristike Digitalna mikseta koja se kontroliše preko Tablet/PC/Smartphone-a Integrisani Wi-Fi Kompatibilnost sa iOS, Android, Windows, Mac OS i Linux uređajima Koristi do 10 kontrolnih uređaja (tableti, telefoni, PC) simultano Legendarni Harman Signal Processing od dbx®, Digitech® i Lexicon® Povratna mikrofonska pretpojačala sa daljinskim upravljanjem 4-band parametrički EQ, High-Pass Filter, kompresor, de-esser i Noise Gate na ulaznim kanalima 31-band grafički EQ, Noise Gate i kompresor na svim izlazima Real-Time Frequency Analyser (RTA) na ulazima i izlazima 3 posvećene Mute Grupe, View Grupe i više mikser kontrola Show/Snapshot povrat sa kanalnim obezbeđenjem i bezbednosnim zaključavanjem Dvokanalni USB audio playback i snimanje Sistem za ograničenje pristupa zaštićen lozinkom Sync ID (multiple browser windows staying in channel Sync) Specifikacije Visina 110mm (4.3") Širina 177mm (7.0") Dužina 483mm (19.0") Težina 3.61kg (7.9lb)

Ultra low noise 12 channel Mic/Line Power Mixer Features 12 Mono Input Channels with silver plated XLRs and balanced Line Inputs Ultra low noise discrete Mic Preamps with +48V Phantom Power Ultra-musical 3-band EQ on all channels Peak LEDs all Mono Channels 1 Aux Send per channel for external effects Built in digital multi effect (16DSP) 2-Track Inputs assignable to Master Mix Output Highly accurate 10 segment Bargraph Meters 1 Stereo master output and 1 Stereo Group output (Separate Master Mix Outputs) Specifications Channel MC Line: 12 MONO Channel EQ: 3 BAND Main Buses: 1 Stereo Group Buses: 1 Stereo Graphic EQ (Main): 2x7 Main Phantom Power: +48V Effect: 16DSP Power Out: 350W + 350W Dimensions: 650x530x160 Mono Inputs Mic Input Electronically balanced, discrete input configuration Bandwidth 10Hz to 60kHz ±3dB Distortion (THD & N) 0.01% at +4dBu, 1kHz, Bandwidth 80kHz Mic E.I.N (22Hz – 22kHz) -129.5 dBu, 150 Ohm source -117.3 dBqp, 150 Ohm source -132.0 dBu, input shorted -122.0 dBqp, input shorted TRIM range +10dB to +60dB Line Input Electronically balanced Bandwidth 10Hz to 60kHz ±3dB Distortion (THD & N) 0.01% at +4dBu, 1kHz, Bandwidth 80kHz Line level range +10dBu to -40dBu Equalization Hi Shelving 12kHz +/-15dB Mid Range 2.5kHz +/-15dB Lo Shelving 80Hz +/-15dB Master Mix Section Max Output +22dBu balanced Aux Send Max Out +22 dBu unbalanced Control Room Out +22 dBu unbalanced Signal-To-Noise Ratio 112dB, all channels at Unity gain Power supply Main voltage ~220V AC, 50Hz Power 350W + 350W

• 7 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance • High-resolution GigFX+™ effects engine • Full-color LCD display for editing and saving effects presets • 24-Bit / 192 kHz 2x4 USB-C audio interface • Three recording modes: Standard, Loopback and Interface • Bi-directional Bluetooth® for music playback and caller integration • 3-band EQ on all channels • One-knob compression on channels 1–4 • Hi-Z switches allow direct connection of instruments • 100 Hz low-cut filter and 48V phantom power on all mic channels • Stereo 1/8” input on channel 11/12 • Separate FX, monitor and subgroup busses • Headphone output with separate level and blend control • Easily blend between monitoring your computer output and a latency-free feed from the mixer • Waveform OEM™ recording software Included • Legendary Built-Like-A-Tank design • Solid steel chassis • Tough ABS side protection

Opis Universal stand With Gear-System carries up to 35 kg Centrical load Surface 35×14,5×31 cm Adjustable height 22 – 64 cm Weight 3,7 kg GEWA Item No.: 900.652

Opis 4 Auxiliary sends / 2 post fader / 2 switchable in channel in pre and post fader Mixer with 16 input channels, 4 sub-outputs and stereo master 8 or 10 switchable microphone inputs with 4 or 2 stereo channels Low noise mic amps, switchable phantom power, impact noise damping Mono channels with integrated compressor/limiter and “direct out” for recording at channel 1-8 3 Band EQ incl. semi-parametric mids in mono channels and 4 band EQ with fixes mids at the stereo channels 2-Track in/output linked with USB Audio for stereo recording and playback of the main Mix Signals Integrated 24 Bit DSP individual editable for mainly functions in the most important parameters 4 Subgroups with 8 direct outs Control-room out for recording/ 2 headphone outputs Universal audio monitoring matrix for recording solution Constructed for home-recording as well as live

Kanali 1-2 nude kombo XLR-1/4"-ne Mic/Line konektore i Hi-Z prekidač (za gitaru i bas), dok kanali 3-28 nude XLR ili 1/4"-ne ulaze. Kanali od 1-22 uključuju inserte, dok kanali 1-16 nude kompresiju "na (1) potenciometar." Svaki od kanala 23/24, 25/26, 27/28 nudi po dva 1/4"-na Line ulaza (L & R za stereo), dok kanali 21/22 koriste 3.5mm-ski stereo ulaz. Kanali od 1 do 30 poseduju Gain kontrole, trofazne ekvilajzere, Aux (monitor) signal (send) & prateći FX send, pan, mjut i fejdere nivoa. Angažman USB 3-4 prekidača kanala 29/30 će nadići 3.5mm-ski input i omogućiti povratni USB signal (return) iz kompjutera. Regler svakog kanala uključuje i dugmiće za selektovanje Main L/R, Sub 1/2 i Solo (PFL). Master sekcija nudi fejdere za Main, Sub 1-2, Sub 3-4 i efekte. Main izlazni konektori uključuju i XLR i 1/4"-ne, dok sub i control room izlazi koriste 1/4"-ne konektore. Namenjeni 1/4"-ni TRS izlaz za slušalice ima svoju, nezavisnu kontrolu nivoa jačine. Druge funkcije uključuju ulaz / USB 1-2 blend kontrolu, namenjeni autput efekata, fejder nivoa efekata i FX Mute (koji se može kontrolisati i 1/4"-nim ulazom za pedalu). ProFX30v3 dolazi sa ProTools I softverom za preuzimanje, kao i paketom plag-inova The Musician's Collection sa 23 HQ plag-ina (uključujući BBD Delay, Level Lite, 304E EQ, i 304C kompresor). Za autorizaciju softvera, jednostavno unesite serijski broj miksera na sajt. ProFX30v3 uključuje i USB kao i IEC kabl(ove) za napajanje. Features Professional Sound Quality Equipped with 25 Onyx Mic Pres offering up to 60 dB of gain and ultralow noise performance GigFX Effects Engine with 24 different FX options, from reverbs to delays and more Essential Mixing Tools 3-band EQ on all channels Channels 23–28 feature mic inputs and stereo 1/4" line inputs for maximum versatility Hi-Z switches allow you to connect guitars, basses, and other instruments 100 Hz low-cut filter and 48V phantom power on all mic channels Stereo 3.5mm input on channel 29/30 Aux/Monitor outputs with dedicated per-channel send controls Stereo Subgroup output busses with per-channel assignments Headphone output with separate level and blend control Insert jack on channels 1–22 Pre-fader solo on all channels Footswitch input for FX Mute Single-knob compression helps keep your input levels in check 24-Bit / 192 kHz 2x4 USB Recording Interface 2x4 USB I/O allows you to create two custom mixes on your computer to send back in to the mixer Perfect for live performance recording, music playback, live streaming, and more Latency-Free Monitoring Easily blend between monitoring your computer’s output and a direct feed from the mixer Professional Production Content Pro Tools | First and Waveform OEM professional software and plugin packages included The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter Signature Rugged Design Mackie built-like-a-tank design Solid steel chassis protects your investment Tough ABS side protection Included Software from Avid, including Pro Tools | First An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems. In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects White Boost: Boost gain without coloring tone

Martin Wisman PMF 900 Professional Power Mixer 12 Channels, 2x 500W, 4 Ohm, FX, with 2 effects 12 Mono Input Channels with silver plated XLRs and balanced Line Inputs Ultra-low noise discrete Mic Preamps with +48 V Phantom Power 2 Stereo Input Channels with balanced TRS Jacks Balanced Inputs for highest signal integrity Ultra-musical 3-band EQ and FREQ on all MONO channels and 4-band EQ on all stereo channels Peak LEDs all mono and stereo Channels 2 Aux Sends per channel for external effects and monitoring 2X24DSP digital effect and USB / SD CARD MP3 playing system 2-Track Inputs assignable to Master Mix Output Spearate master output, monitor output and headphone outputs Highly accurate 2x10 segment Bargraph Meters Rugged design Power Supply ensures superior signal integrity Specifications Mono Inputs Frequency response: 20Hz-20Khz, +1,0, -1dB (MIX L/R, AUX/EFX SEND) @+4dBu Distortion (THD & N): less than 0.1% (THD+N) 20Hz-20kHz@+4dBu Hum and Noise (Average, Rs=150 Ohm) -132 dBu Aux, Mix and Master (@0dB, faders down) -130 dBu equivalent input noise -98 dBu residual noise TRIM range: (-50dB do -10dB), (-30dB do +10dB) Cross talk (@ 1kHz) -80dB between inpu channels; -80dB channel Mute Equalization Hi Shelving: 12 kHz +/-15 dB Mid Range: 2.5 kHz +/-15 dB Lo Shelving: 80 Hz +/-15 dB Stereo inputs Line Input: unbalanced Frequency response: less than 0.1% (THD+N) 20Hz-20kHz@+4dBu Equalization HIGH 12KHz shelving HIGH MID 3KHz peaking LOW MID 500Hz peaking LOW 80Hz shelving LOW Cut (High pass) filter -3dB na 100Hz 12dB/oct Master Mix section Max Output: +22 dBu Aux Send Out: +22 dBu Headphones (@150Ohm): +22 dBu Input and Output impedances Line input: 10K Mic input: 1.8K Mix Output: 120 Ohm Power supply Mains Voltages AC 120V 60Hz or 230V 50Hz Weight: 14.5kg Packed weight: 16kg

Qu Ecosystem Qu provides much more than just a mixer. Qu is an entire ecosystem with Remote AudioRacks allowing I/O to be placed where it’s needed, ME Personal Mixers expanding monitor mixes and enabling simple, time-saving local control, Qu Apps for complete remote setup and wireless mixing on stage or anywhere else in the venue, ProFactory Mic presets to speed up preparation time and ensure the best sound, plus USB recording and DAW integration for powerful workflow optimisation from one centrepiece device. AnalogiQTM Preamps Qu-24 features twenty-four AnalogiQTM digitally controlled preamps with advanced zero-crossing detection and a padless 1dB-step gain stage, which have been closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high-class, low latency 24bit analogue to digital converters, and are matched to 24bit digital to analogue converters to deliver the required high quality output. The AnalogiQTMpreamp design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles. The Mixing Experience Having massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat. The 800×480, True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-24’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more. Complementing the touchscreen is the SuperStrip – a set of single function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan. The screen overview also follows the control being turned. One Channel / One Fader Qu-24 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Some digital mixers don’t offer a fader per physical input, meaning you have to access an additional fader layer to control these channels. This can be confusing and time consuming. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-24 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders. Total Recall True digital mixing is about being able to save and recall Scenes (snapshots) at the press of a button. Qu can store up to 100 full Scenes for recall and Channels or Mixes can be made Safe from being overwritten. Qu-24 features 25 motorized ALPS faders, 24 allow instant access to all input channels and masters over 2 layers, and a dedicated master fader dynamically follows the Mix selection. A third User-defined Custom layer is available for ad-hoc strip layout, where any combination of Inputs, FX Sends, FX Returns, DCA’s and Mix masters can be assigned. ProFactory Mic Presets Allen & Heath has teamed up with leading microphone manufacturers and top engineers at Audio-Technica, Sennheiser, and Shure to provide EQ Library presets for a large number of popular and industry standard microphones. Presets for vocals, electric guitar, acoustic guitar, drums, brass and woodwind have been painstakingly crafted to offer you the best possible starting point for the source and your microphone of choice. Whether you’re a keen amateur or a seasoned professional, you can get to work quickly and easily, saving valuable time so you can concentrate on EQ’ing the source and room acoustics. Download ProFactory preset libraries here: Rack FX Qu-24’s dynamics and FX algorithms are derived from those used in Allen & Heath’s pro touring consoles. Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units. Qu-24 boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ. Find out more about FX and processing for Qu More Mixes, More Flexibility GROUPS Qu-24 provides 2 stereo Groups which can be used as subgroups to the main LR mix for group level and processing, for example to buss-compress an entire drum kit, or to tame multiple lavalier mics with a single graphic EQ. Groups can also be switched to Mix mode to provide additional outputs for monitor mixes. THE MATRIX Qu-24 adds 2 further stereo Matrix outputs equipped with full processing to the console’s extensive I/O. A Matrix is a ‘mixer within a mixer’, fed from any combination of Group 1-4, Mix 1-10, and main LR. It can be used to provide a broadcast feed, a recording mix, or duplicate the main outputs for delay stacks, fill or zone speakers where independent GEQ and delay is applied. Qu-Drive Qu-24 has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3. Automatic Mic Mixer (AMM) AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time. Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain. Mac OS and Windows DAW Integration Qu-24’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIOTM and WDM compatible driver is available for Windows computers. Standard MIDI control is tunnelled over the USB connection so you can map the faders to the tracks of your favourite DAW. A DAW Control driver is available for easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems. Qu apps for greater wireless control Add the fully-featured Qu-Pad app for iPad to your Qu-24 and you’re free to EQ and mix monitors on stage, roam around the venue whilst adjusting the PA, and mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings. More info. Qu-You allows up to seven performers to control their own monitor mixes using any iOS or Android device, and frees up the engineer to focus on mixing for the audience. More info. Qu-Control is a customisable iOS app providing a simple interface for non-technical users to control the essential parameters of Qu mixers when technical operators are not around. More info. Apps require the connection of a Wi-Fi router or access point to the mixer’s Network port. dSNAKE Remote Audio Racks Qu-24 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu-24’s built-in dSNAKE port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox. dSNAKE is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m / 390’. So if you’re mixing FoH you can place your I/O on the stage and run a single Cat5 cable back to the Qu-24 in the mix position. ME Personal Mixing System Qu-24 is fully compatible with our ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKETM port (or from an AR2412 Stagebox if you’ve got one connected to the dSNAKETM port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience. Find out more about ME Personal Mixing Systems Digital Mixing Reshaped Made from 18 gauge, cold-rolled Zintec steel, Qu’s distinctive frame is designed for strength and rigidity. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by our resident ex-tank commander! Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by whirring coming from the mix position. Qu’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans. ARMed to the Hilt Qu-24 is equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording / playback, Ethernet and fader automation. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response. The mixer’s DSP farm exploits next generation dual core DSPs. The Qu DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix. 24 Mono Mic/Line Inputs (TRS + XLR) Recallable AnaLOGIQTM Preamps 3 Stereo Inputs (TRS) 20 Mix Outputs (XLR) 2 Stereo Groups (switchable to Mix mode) Up to 9 Monitor Mixes (4 mono + 5 stereo) 2 Stereo Matrix Outs 4 FX Engines 4 dedicated FX Sends / Returns 4 Mute Groups 4 DCA Groups AES Digital Out 32×30 USB Audio Interface dSNAKETM Remote Audio Port 25 Motor Faders 800×480 Touchscreen 10 Soft Keys Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs Automatic Mic Mixer Channel Ducker on all inputs ProFactory Mic Presets RackFX Library Built-in Signal Generator RTA with Peak Band indication Spectrogram to aid feedback elimination and room acoustics Qu-Drive Direct Multitrack Recording / Playback on USB drives DAW MIDI Control Qu-Pad iPad App Qu-You iPhone / Android personal monitoring app Qu-Control customisable iOS app for simple wireless control Compatible with ME Personal Mixing System High contrast metallic finish controls, matching premium GLD Chrome series Accessories AR2412 – 24 inputs, 12 outputs AudioRack with dSNAKE connection and expansion port for personal monitoring. AR84 – 8 inputs, 4 outputs AudioRack with dSNAKE connection. AB168 – Portable, rugged 16 inputs, 8 outputs stagebox with dSNAKE connection and expansion port for personal monitoring. AH9650 – 100m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors. AH9981 – 50m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors. AH9651 – 20m of Neutrik EtherFlex Cat5 with locking Neutrik EtherCon connectors. LEDLamp – variable brightness 18” gooseneck lamp. AP9458 – Dust cover for Qu-24.

Novo rasprodaja Disko 192 kanala kontroler DMX 512 Dimenzije 48cm x 13cm Mogucnost Licnog Preuzimanja na Novom Beogradu ! ! Slanjem Brzom Postom! Pošaljite poruku sa Vašim podacima: Ime i prezime. Ulica i broj. Mesto i poštanski broj Broj telefona za kontakt. ili SMS

Kompresija pomoću jedinstvenog potenciometra za prvih 12 kanala, dok tri Aux odziva obezbeđuju povezivanje signala za dodeljivi monitor(-ing) i za jedan od 16 onboard multi-FX efekata. Main & Stereo busevi nude jednostavno grupisanje, kao i podesiv 7-band grafički ekvilajzer za fino podešavanje vašeg miksa. MODEL 24 nudi 21 fejder od (po) 100 mm hoda – za brze i trenutne intervencije pri miksovanju. Svakom kanalu može se dodeliti audio signal iz živih inputa, internog multikanalnog rekordera, ili USB 2.0 audio interfejsa, što je očiglednost raznovrsnosti miksete u bilo kom okruženju. 24-kanalni snimač dolazi iz Tascam-ove Portastudio linije, i nudi višekanalno snimanje sa mogućnošću snimanja 22 kanala plus interni sterao master. Multi-kanalni plejbek za napredne (u)žive performanse miksovanja ili backing-a. Jednostavno izveden interfejs donosi i 22 x 24 USB audio transmisiju (22 ulazna kanala plus stereo mastering do rezolucije od 24-bita/48 kHz. Form Factor: Tabletop Number of Tracks: 24 (22 Inputs + Stereo Mix), Maximum Simultaneous Tracks: 22 x Recording Maximum Sampling Rate: 48 kHz / 24-Bit Gain/Trim Range: -10 dB to +40 dB (Channels 1 to 12); -20 dB to +30 dB (Channels 13 to 20) Mic Inputs: Up to 50 dB High-Pass Filter: 100 Hz, 18 dB/Octave EQ Parameters - Mono Channels: High: ±15 dB at 12 kHz (Shelving) Mid: ±15 dB at 100 Hz to 8 kHz, 0.55 Q (Semi-Parametric); Low: ±15 dB at 80 Hz (Shelving) Stereo Channels: High: ±15 dB at 12 kHz (Shelving), Mid: ±15 dB at 600 Hz, 0.55 Q (Notch/Peak) Low: ±15 dB at 80 Hz (Shelving) Graphic EQ: ±15 dB at 8 kHz, ±15 dB at 4 kHz, ±15 dB at 2 kHz, ±15 dB at 1 kHz ±15 dB at 500 Hz, ±15 dB at 250 Hz, ±15 dB at 125 Hz Built-In Effects: 7 x Reverb, 2 x Mono Delay, 1 x Stereo Delay, Chorus, Flanger 2 x Delay+Reverb, 2 x Chorus+Reverb Connectivity - Analog Audio I/O: 20 x 1/4" TRS Balanced Line Input, 16 x XLR 3-Pin Balanced Mic Input 1 x 1/8" / 3.5 mm TRS Unbalanced Stereo Input, 1 x Stereo RCA Coaxial Unbalanced Input 1 x 1/4" TRS Headphone Output, 2 x 1/4" TRS Subgroup/Bus Output, 2 x 1/4" TRS Monitor Output 1 x 1/4" TRS FX Output, 2 x 1/4" TRS Control Room Output, 2 x 1/4" TRS Unbalanced Insert In/Out 2 x XLR 3-Pin Balanced Output Phantom Power: 48 V Host Connection / USB: 1 x USB Type-B (Class-Compliant USB 2.0) Other I/O: 1 x 1/4" TS Remote Input Wireless Connectivity: Bluetooth Performance - Maximum Input Level: 1/8" / 3.5 mm Inputs: +8 dBV (Unbalanced, Stereo) Insert Return: +18 dBu, Line Inputs: +22 dBu, Mic Inputs: +10 dBu, RCA Inputs: +8 dBV (Unbalanced) Maximum Output Level - Monitor/FX/Subgroup/Control Room Outputs: +16 dBu XLR Main Outputs: +22 dBu Headphone Output Power: 80 mW per Channel into 32 Ohms Impedance: 1/8" / 3.5 mm Inputs: 10 Kilohms, Insert Return: 10 Kilohms, Insert Send: 100 Ohms Line Inputs: 22 Kilohms (Balanced) Mic Inputs: 1.8 Kilohms, RCA Inputs: 10 Kilohms Control Room/FX/Monitor/Subgroup Outputs: 100 Ohms XLR Main Outputs: 100 Ohms Digital Audio - Audio File Formats - Recording: BWF, WAV, Playback: BWF, WAV Sample Rates: 44.1 / 48 kHz, Bit Depths: 16 / 24-Bit Audio Storage & Playback - Supported Media: USB Hard Disk Drive Memory Card Slot: 1 x SDXC; Supported Media Capacity - SD: 512 MB Minimum to 2 GB Maximum, SDHC: 4 GB Minimum to 32 GB Maximum, SDXC: 64 GB Minimum to 512 GB Maximum File System Support - SD: FAT16, SDHC: FAT32, SDXC: exFAT Compatibility - OS Compatibility - macOS 10.11, macOS 10.12, macOS 10.13; Windows 7, Windows 8.1, Windows 10 Power - Power Requirements - AC Input: AC Input Power 100 to 240 VAC, 50 / 60 Hz, Power Consumption: 52 W; Physical - Operating Temperature: 5 to 35°C Dimensions: 575.8 x 513.1 x 112.5 mm (with Side Panel) / 514.6 x 502.9 x 112.5 mm (without Side Panel) Weight: 10.0 kg

Live performance digital console control centre with up to 64 simultaneous input channels 35 time-aligned and phase-coherent mix buses HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz sample rate HyperMAC router with 192 bidirectional channels over copper and optical fibre Provides dual redundant snake connection to DL371PRO6 Audio System Engine Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable 10 VCA (variable control association) and 6 POPulation groups Up to 36 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 8 multi-channel digital signal processing effects engines 29 Midas PRO motorised 100 mm faders 2 daylight viewable 15” full colour TFT display screens Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Three bay auto-ranging universal switch-mode power supply with N+1 redundancy 10-Year Warranty Program* Designed and engineered in the U.K. PRO SERIES PRO6-CC-IP The MIDAS PRO Series has become established as the industry standard on live concert tours and the road-proven PRO6 featuring 64 simultaneous input channels and 35 time-aligned and phase-coherent mix buses, shares the familiarity of a common user interface and workflow with PRO3 and PRO9. Like all PRO Series consoles, the PRO6 features managed latency and 40 bit floating point processing precision. PRO6 sets the standard of performance in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. HyperMAC and AES50 audio networking technologies allow the PRO6 to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO6 equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.

Live Performance digital console control centre with up to 64 simultaneous input channels 8 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 156 inputs and 164 outputs @ 96 kHz sample rate Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam Advanced MCA (mix control association) channel control and navigation 8 VCA (variable control association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 28 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Dual redundant auto-ranging universal switch-mode power supplies 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling rate 96kHz Latency delay <2 ms (Input to Master output with no latency compensation) Dynamic range 106 dB, 22 Hz to 22 kHz Maximum voltage gain 80 dB, Inputs to Subgroups and Masters 86 dB, Inputs to Aux and Matrix Crosstalk -100 dB physically adjacent input channels Fader/pan cut off -100 dB Frequency Response 0 dB to -1.0 dB, 20 Hz to 20 kHz Gain Error @ 1kHz ±1.0 dB Input CMRR 0 dB gain -60 dB +45 dB gain -90 dB Distortion @ 0 dBu 0 dB gain 0.01% +45 dB gain 0.03% Distortion @ +20 dBu 0 dB gain 0.03% +45 dB gain 0.03% Noise Floor 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -81 dBu, 22 Hz to 22 kHz (unweighted) Equivalent Input Noise (EIN) 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -126 dBu, 22 Hz to 22 kHz (unweighted) Dynamic Range 0 dB gain 106 dB, 22 Hz to 22 kHz (unweighted) +45 dB gain 102 dB, 22 Hz to 22 kHz (unweighted) Analogue Audio System Inputs Mic/Line Inputs Quantity 8 Connector 3-pin XLR balanced mic/line input with +48 V phantom power A/D converter 24 bit, 96 kHz with 128 x oversampling Gain -22.5 dB to +65 dB Maximum input level +6 dBu Input impedance 10 kOhm Talk Mic Input Quantity 1 Connector 3-pin XLR balanced mic input with +48 V phantom power Mic gain +15 dB to +60 dB Maximum input level +6 dBu Input impedance 600 Ohm Talk Back Input Quantity 1 Connector 3-pin XLR balanced line input Maximum input level +21 dBu Input impedance 10 kOhm Analogue Audio System Outputs Line Outputs Connector 3-pin XLR balanced line output Master Outputs Monitor Outputs Talk Output Headphone Output Digital Audio System Inputs and Outputs AES3 Inputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 32 kHz to 96 kHz Bypass Sample rate converter bypass AES3 Outputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 48 kHz, 96 kHz or auto-tracking to inputs Bypass Sample rate converter bypass Word length 16, 20 or 24 bit AES50 Audio Quantity 6 Format Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz) Connector Neutrik etherCON with status LEDs Redundancy N+1 cable redundancy (X & Y) Ethernet Control Data Quantity 1 Connector Neutrik etherCON with status LEDs Redundancy Dual cable redundancy (1 & 2) Word Clock Input Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Word Clock Output Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Video Sync Input Quantity 1 Format Horizontal video sync (black burst), HD & SD formats Connector 75 Ohm BNC AES3 Sync Input Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR AES3 Sync Output Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR Output 96 kHz Grade II reference clock Other Interfaces Screen Output Quantity 1 Connector DVI-C USB Interface Quantity 2 Format USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load Connector USB Type A MIDI Interface Quantity 3 Format MIDI IN, MIDI OUT, MIDI THRU Connector 5-pin DIN Footswitch Input Quantity 1 Format Contact closure Connector ¼" TS jack Lamps Quantity 2 Format 5 V, 12 W supply Connector 4-pin XLR Displays Quantity 2 Type 15" daylight-viewable colour TFT LCD screen Power Power Supplies Quantity 2 Format PRO1/PRO2/PRO2C Series Power Supply Module (MKT-PSU-7) Connector IEC mains inlet Mains Input Voltage 100 to 240 VAC, 50 to 60 Hz Redundancy N+1 power supply redundancy Power Consumption 115 VAC 1 PSUs - 1.6 A, 170 W 2 PSUs - 1.7 A, 185 W 230 VAC 1 PSUs - 0.8 A, 165 W 2 PSUs - 0.9 A, 180 W Physical Dimensions Net weight 46.0 kg (101.2 lbs) Operating temperature range +5°C to +40°C Storage temperature range -20°C to +60°C

Compact live performance digital console control centre with up to 64 simultaneous input channels 8 award-winning Midas microphone preamplifiers 27 time-aligned and phase-coherent mix buses AES50 networking allows up to 156 inputs and 164 outputs @ 96 kHz sample rate Advanced MCA (mix control association) channel control and navigation 8 VCA (variable control association) and 6 POPulation groups Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers Up to 6 multi-channel digital signal processing effects engines 20 Midas PRO motorised 100 mm faders Daylight viewable 15” full colour TFT display screen Fully interpolated touch sensitive controls Optional wireless remote control with Midas MIXTENDER App for iPad* Dual redundant auto-ranging universal switch-mode power supplies 10-Year Warranty Program* Designed and engineered in the U.K. System Specifications Sampling rate 96kHz Latency delay <2 ms (Input to Master output with no latency compensation) Dynamic range 106 dB, 22 Hz to 22 kHz Maximum voltage gain 80 dB, Inputs to Subgroups and Masters 86 dB, Inputs to Aux and Matrix Crosstalk -100 dB physically adjacent input channels Fader/pan cut off -100 dB Frequency Response 0 dB to -1.0 dB, 20 Hz to 20 kHz Gain Error @ 1kHz ±1.0 dB Input CMRR 0 dB gain -60 dB +45 dB gain -90 dB Distortion @ 0 dBu 0 dB gain 0.01% +45 dB gain 0.03% Distortion @ +20 dBu 0 dB gain 0.03% +45 dB gain 0.03% Noise Floor 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -81 dBu, 22 Hz to 22 kHz (unweighted) Equivalent Input Noise (EIN) 0 dB gain -85 dBu, 22 Hz to 22 kHz (unweighted) +45 dB gain -126 dBu, 22 Hz to 22 kHz (unweighted) Dynamic Range 0 dB gain 106 dB, 22 Hz to 22 kHz (unweighted) +45 dB gain 102 dB, 22 Hz to 22 kHz (unweighted) Analogue Audio System Inputs Mic/Line Inputs Quantity 8 Connector 3-pin XLR balanced mic/line input with +48 V phantom power A/D converter 24 bit, 96 kHz with 128 x oversampling Gain -22.5 dB to +65 dB Maximum input level +24 dBu Input impedance 10 kOhm Talk Mic Input Quantity 1 Connector 3-pin XLR balanced mic input with +48 V phantom power Mic gain +15 dB to +60 dB Maximum input level +6 dBu Input impedance 600 Ohm Talk Back Input Quantity 1 Connector 3-pin XLR balanced line input Maximum input level +21 dBu Input impedance 10 kOhm Analogue Audio System Outputs Line Outputs Quantity 8 Connector 3-pin XLR balanced line output D/A converter 24 bit, 96 kHz with 128 x oversampling Maximum signal level +21 dBu Master Outputs Quantity 3 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Monitor Outputs Quantity 4 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Talk Output Quantity 1 Connector 3-pin XLR balanced line output Maximum signal level +21 dBu Headphone Output Quantity 2 Connector ¼" Jack (stereo Maximum signal level +21 dBu Digital Audio System Inputs and Outputs AES3 Inputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 32 kHz to 96 kHz Bypass Sample rate converter bypass AES3 Outputs Quantity 2 Format Conforms to AES3-2009 (2 channels of digital audio) Connector 3-pin XLR Sample rate 48 kHz, 96 kHz or auto-tracking to inputs Bypass Sample rate converter bypass Word length 16, 20 or 24 bit AES50 Audio Quantity 6 Format Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz) Connector Neutrik etherCON with status LEDs Redundancy N+1 cable redundancy Ethernet Control Data Quantity 1 Connector Neutrik etherCON with status LEDs Word Clock Input Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Word Clock Output Quantity 1 Format TTL level, 96 kHz square wave Connector 75 Ohm BNC Video Sync Input Quantity 1 Format Horizontal video sync (black burst), HD & SD formats Connector 75 Ohm BNC AES3 Sync Input Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR AES3 Sync Output Quantity 1 Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz) Connector 3-pin XLR Output 96 kHz Grade II reference clock Other Interfaces Screen Output Quantity 1 Format DVI-C USB Interface Quantity 2 Format USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load Connector USB Type A MIDI Interface Quantity 3 Format MIDI IN, MIDI OUT, MIDI THRU Connector 5-pin DIN Footswitch Input Quantity 1 Format Contact closure Connector ¼" TS jack Lamps Quantity 2 Format 5 V, 12 W supply Connector 4-pin XLR Displays Quantity 1 Type 15" daylight-viewable colour TFT LCD screen Power Power Supplies Quantity 2 Format PRO1/PRO2/PRO2C Series Power Supply Module (MKT-PSU-7) Connector IEC mains inlet Mains Input Voltage 100 to 240 VAC, 50 to 60 Hz Redundancy N+1 power supply redundancy Power Consumption 110 VAC 1 PSUs - 1.6 A, 170 W 2 PSUs - 1.7 A, 185 W 230 VAC 1 PSUs - 0.8 A, 165 W 2 PSUs - 0.9 A, 180 W Physical Dimensions 882 mm wide x 730.3 mm deep x 274.9 mm high (34.7" x 28.7" x 10.8") Net weight 37.0 kg (81.4 lbs) Operating temperature range +5°C to +40°C Storage temperature range -20°C to +60°C

Audio professionals in search of a cutting edge digital mixer will be impressed with the TASCAM Sonicview 24XP, a next-generation multitrack recording and digital mixing console with multi-environment touchscreens, well suited for touring bands, concert halls, clubs, bars, special events, corporate meetings, and rental houses. Powered by a 96 kHz, 54-bit float-point FPGA mixing engine that utilizes 96 kHz / 32-bit AD/DA converters, the Sonicview 24XP provides 1st-class sonics with ultralow latency performance. Best of all, the hardware mixing surface and mix engine operate independently of each other for a highly stable and continuous audio workflow. The Sonicview 24XP features 24+1 motorized faders and three 7" touchscreen displays, as well as 24 XLR inputs, each with TASCAM's HDIA preamps for high-definition recording and playback. Channels 17-24 also feature balanced 1/4" inputs, while inputs 15 and 16 include 1/4" inserts. For outputs, the mixer includes 16 XLR outputs, plus XLR monitor outputs, as well as 1/4" and 3.5mm headphone outputs. Each input channel includes 11 processing functions including trim, HPF, 4-band EQ, dynamics, and more. There are four stereo multi-effects processors available to add that special sauce to your mix. The mixer is equipped with Dante I/O, Ethernet, and a GPIO connection for events and relay applications. The Sonicview ships with the IF-MTR32 multitrack recording card preinstalled. Intuitive Operation at Your Fingertips The Sonicview 24XP offers motorized channel faders in three banks of eight, plus a motorized stereo fader for the main bus. Above each bank of channel faders is a color touch panel that allows you to view entire mixer channels, or get down to details, controlling each parameter with your fingertip. The Amazing VIEW Truly the next generation in mixer user interfaces, the powerful intuitive TASCAM Visual Interactive Ergonomic Workflow (VIEW) system lets you quickly and easily configure the Sonicview 24XP’s three touchscreens. Thanks to the VIEW user interface, there are three different ways to view your settings, and each touchscreen can be configured independently, so you can monitor and control any combination of settings you want, in whichever screens you want, whenever you want. For instance, you could monitor levels for eight channels of vocals on screen 1, while tweaking the parametric EQ on a drum submix on screen 2. To view the status of any eight adjacent channels at a glance, as you would see on vertical channel strips with an analog mixer, choose Channel Strip View. In Module View, you can monitor and control any two sets of parameters for one single channel, including the compressor, graphic EQ, effects send, and more. Individual View is the ultimate in customized displays. View any functions for any channel, group of channels, and more—all on different screens, simultaneously. For instance, you could simultaneously monitor the output bus meter on screen 1, and monitor levels on important input channels on screen 2. High-End Audio Quality Sonicview delivers the finest audio performance in its class, thanks to a 54-bit float-point FPGA mixing engine; continuous, high-definition 32-bit / 96 kHz sampling; and 32-bit analog-to-digital converters. The mixing engine's float-point processing makes it possible to flexibly change levels without compromising resolution and ensures ultralow latency, even in analog-to-analog connections. The result is no-compromises performance, including with Dante networks and in-line monitoring systems. Input Channels and Processing The Sonicview 24XP offers 16 channels with XLR mic/line inputs and another 8 channels with both XLR mic inputs and balanced TRS line inputs. You also get TRS insert points on two channels, two stereo pairs of RCA aux inputs, and an XLR input for a talkback mic. Channel Control and Processing There’s much more to Sonicview than meets the eye. Internally, Sonicview mixers have a generous 40 mono channels and 2 stereo channels so you can fly in backing tracks to make a small praise band sound huge, accommodate additional physical audio inputs via the expansion slots for larger ensembles, manage sources from every part of a venue via the Dante network, and mix dozens of DAW tracks. Eight DCAs enable you to easily control groups of channels. The programmable layer keys select which custom combination of channels and output buses are controlled by the motorized faders. Each input channel can use any or all of 11 processing functions, which can be independently set: Delay (Input / Pre-Fader) Phase Digital Trim High-Pass Filter Gate/Expander/De-esser 4-Band Parametric EQ Compressor/Ducker Solo Mix 1-22 Send/Pan (Pre/Post) FX 1-4 Send/Pan (Pre/Post) Fader/Pan/Mute to L/R Top-of-the-Line Class 1 HDIA Mic Preamps Each Sonicview microphone input feeds a TASCAM Class 1 HDIA (High Definition Instrumentation Architecture) preamp—the finest mic preamp TASCAM has ever made. Thanks to an instrumentation amplifier with extremely good noise characteristics in the first stage, Class 1 HDIA microphone preamps exhibit excellent EIN, signal-to-noise ratio, distortion ratio, and frequency response. Sonicview ultra definition mic preamps will pick up the slightest nuance from rosin on a violin bow to the subtle dynamic changes of a voice or saxophone. The mic inputs can accept up to +32 dBu signals, providing plenty of headroom for sudden level increases. The combination of Class 1 HDIA preamps, 32-bit/96 kHz ADCs, and their 54-bit FPGA mixing engine is impressive but they didn’t stop there: TASCAM conducted extensive internal and external evaluations to tune Sonicview mixers for optimal performance. The result is best-in-class sound that will never disappoint. Output Buses and Processing You get a wealth of output buses, with powerful signal processing and flexible routing options. In addition to the main L/R stereo bus, the Sonicview 24XP provides 22 output flex buses, each of which is configurable as a subgroup, aux, or matrix. Provide multiple stereo in-ear monitor submixes without running short of buses and send to the analog outputs; create matrix mixes for multiple loudspeaker zones and send over the Dante network for restaurants and worship performances, and more. All output buses are equipped with 31-band graphic EQ, real-time analyzer functions, 4-band parametric EQ, compressor/ducker, delay, plus solo, pan, and mute. Four additional effects processors can be assigned to any individual mixer channels, including an astounding reverb effect. Dante-Enabled for Superior Networking Dante audio-over-IP networks integrate thousands of concert touring systems, as well as installed systems in recording studios, radio stations, corporate boardrooms, houses of worship, and much more. Sonicview consoles can serve as the audio center of these systems, thanks to a built-in 64-in/64-out Dante interface that supports AES67 mode, Dante Domain Manager, and SMPTE 2110 mode. Two Dante ports enable redundant streams. Physical Outputs and Expansion Capability As you’d expect, the Sonicview 24XP offers plenty of physical outputs, with 16 XLR line outputs, the L/R main outputs, and two XLR monitor outputs. If that’s not enough, you can add more analog, MADI, or AES/EBU I/O with an optional expansion card. To further expand the system, add one or more optional 16-in / 16-out SB-16D Dante-networked stage boxes. Microphone gain for all 16 inputs can be remotely controlled from the Sonicview 24XP, and the SB-16D can be used as a floor box or rackmounted. Built-In 32-Track SD Recorder Sonicview 24XP offers multiple ways to record. In addition to its integrated audio interface, the Sonicview 24XP comes with an integrated IF-MTR32 multitrack recording card, enabling you to capture 32 channels directly to an SDXC card. The SD recorder supports simultaneous 32-channel punch-in / punch-out, pre-record, auto-record, and markers. Best of all, it automatically saves and closes the file every 60 seconds during recording to safeguard against data loss, so you can let the recorder do it's job worry-free while you focus on mixing. Built-In USB Audio Interface and Stereo Recording Sonicview’s integrated 32-in / 32-out USB audio interface makes it a first-rate front end for recording and broadcast studios, as well as for capturing live events. Record your choice of channel direct outs, flex buses, and the L/R main bus to your favorite DAW at up to 96 kHz with the same 32-bit precision used throughout the Sonicview. You can simultaneously capture the main mix directly to the onboard stereo SD recorder—handy when the band wants to listen to their performance at the hotel or on the bus. A top-panel port also lets you record in stereo to a USB flash drive. Remote Control and Offline Editing Whether onstage, backstage, in a control room, or at the rear of a concert hall, you're always in full control of your Sonicview 24XP mixer. Just connect a Wi-Fi router to the Sonicview's Ethernet port and use free TASCAM Sonicview Control software for macOS, Windows, and iPadOS to manage your Sonicview 24XP from virtually anywhere in the venue. Edit settings offline in advance, so you're ready to go when a session or show begins, then make adjustments from the console or from the software. Work Quickly with Function Keys Sonicview offers intuitive, analoglike operation, while providing a variety of convenient digital functions that can be customized as needed. Eighteen user-defined function keys can be assigned to recording with the internal recorder, playback, and more. Several keys are conveniently preassigned to functions such as Sends On Fader and Snapshot Recall, but you can reassign them as desired. A footswitch (not included) can be used to tap in delay-time settings. Clear, Mistake-Free Navigation When you're mixing a show, broadcast, or crucial recording session, you can't afford to hit the wrong button or grab the wrong control. Sonicview's mixing surface makes it easy to see at a glance what you're controlling, even in a dark concert hall. Each channel strip includes a channel-name LCD with a full-color LED. The User keys feature full-color LEDs, so you can group each input source and function by color and view them easily. The Solo and Channel Select keys have distinctive shapes, and the Mute key is guarded with a cap. With these features and the customizable touch panels, you always know where you are and what you're controlling. External Control, Clocking, and More In addition to audio I/O, Dante, and USB ports, Sonicview is equipped with 8-in / 8-out GPIO terminals (on a DB25 connector) for external control, making it suitable for events and relay applications. BNC wordclock In and Out/Thru enable digital audio synchronization, and an Ethernet port can connect to a Wi-Fi router for wireless control. Sonicview also has two TASCAM expansion slots; the IF-MTR32 multitrack SD recording card comes integrated into one slot, while the other slot accepts a selection of expansion cards. The Music Never Stops Your business depends on reliable equipment that will stay in service with minimal interruptions, and TASCAM designed the Sonicview accordingly. Sonicview's mixing engine and real-time operating system are completely separated from the physical mixing surface, greatly improving stability. In the unlikely event that the mixing surface becomes inoperable, the sound won't stop, and operation can be restored by restarting the control surface operating system. Meanwhile, the show will go on. Key Features TASCAM VIEW (Visual Interactive Ergonomic Workflow) interface supports intuitive operation with three different view system Multiple displays with three 7-inch touch panels 44 input channels (or 40 mono input channels and 2 stereo input channels) 22 flexible output buses and main L/R bus with 31-band graphic EQ 96 kHz, 54-bit float-point FPGA mixing engine Ultralow latency: 2 x samples (20.8 μs) in mixing engine, 0.51 ms analog to analog 32-bit / 96 kHz AD/DA conversion TASCAM Class 1 HDIA microphone preamplifiers 32-in / 32-out, 32-bit / 96 kHz USB audio interface Built-in 32-track SDXC recorder 64-in / 64-out built-in Dante interface; supports redundancy and DDM, AES67 and SMPTE ST 2110 interoperability 24 mic/line inputs (up to +32 dBu), 16 XLR line outputs with flexible routing 4 multi-effects processors TASCAM Sonicview Control software for macOS/Windows/iPadOS enables remote control and off-line editing 2 TASCAM expansion slots SDXC multitrack recording card preinstalled in one slot (XP US version only) Optional MADI, Dante, AES/EBU, and analog outputs cards available for the second slot Hardware mixing surface and mixing engine operating system are independent of each other for high stability and continuous audio flow Library: Snapshot / Effect / Module / Parametric EQ / Graphic EQ / Gate / Compressor 18 assignable user keys, 7 custom fader layers, 8 DCA groups 24+1 100mm motorized faders 24 encoder knobs with color LED 24 LCDs with color LED display channel name, input level, and gain reduction meter 2 channel internal recording/playback with SD card or USB flash drive 8 TRS line inputs, 2 RCA stereo input pairs, XLR talkback input XLR monitor outputs 1/4" and 3.5mm headphone outputs Wordclock In and Out/Thru 1000BASE-T gigabit Ethernet 8-in / 8-out GPIO on DB25 TRS footswitch jack XLR 4-31 lamp connector Power switch with guard Optional SB-16D 16-in / 16-out Dante-enabled stage box

KOMANDUJ SVOJIM MIKSOM Bežični DL16S digitalni mikser isporučuje dokazanu miksing snagu sa legendarnim Onyx+ mikrofonskim pretpojačalima u potpuno novom Built-Like-A-Tank™ stage-friendly dizajnu napravljenom da izdrži upotrebu u stvarnom svetu. Miksujte brzo uz ugrađeni Wi-Fi i vodeću multi-platform Master Fader™ aplikaciju. Napravite zadivljujuće multi-track snimke i playback za virtuelni soundcheck putem USB I/O. Opremljen kanalnim/izlaznim DSP-em uz 4 FX procesora, DL16S vam daje mogućnost i fleksibilnost koja vam je potrebna za najbolji miks. Osnovne karakteristike Stagebox dizajn Ugrađen WiFi Moćna obrada zvuka Najintuitivnija kontrolna aplikacija ikad Waveform™ OEM softver uključen MASTER FEJDER Master Fader je glavni korisnički interfejs za vaš mikser DL serije. Umesto nobova, fejdera i dugmića na velikom komadu hardvera dobijate moćne alate za miksovanje na vašem tabletu, Mac-u, PC-u i na do 20 različitih uređaja istovremeno. Intuitivan dizajn Master Fader aplikacije čini upravljanje vašim miksom, velikim ili malim, lakim i efikasnim. Organizujte svoje kanale sa view i mute grupama, koristite sub grupe sa potpunom bus obradom, kontrolišite nivoe grupa kanala jednostavno pomoću VCA-ova, pa čak i isključite specifične mogućnosti određenih uređaja putem aplikacije. A kada dobijete miks kojim ste zadovoljni, možete sve to sačuvati u snapshot-u. MOĆNA OBRADA Od EQ do kompresije, svaki deo obrade signala implementiran je uz najviši mogući kvalitet, uz održavanje vernosti svakog izvora. Svaki kanal i izlazni bus dobijaju sopstvenu namensku obradu. Četvorostruki parametarski EQ na svakom kanalu i izlazu ima namenski high-pass filter, moderne i vintage modove i ugrađeni RTA za maksimalnu svestranost i detaljnu analizu svakog izvora. Jasni korisnički interfejs olakšava podešavanje, pregled postavki i odabir preseta. Svaki FX procesor sadrži mnoštvo reverba i delay-a studijskog kvaliteta, plus efekte poput hora, tremola, flangera i sweep filtera. Fino podesite svaki efekat sa naprednim parametrima i ekvilajzerima. POTPUNA SLOBODA Potpuna bežična kontrola putem iOS, Android, macOS® i Windows® uređaja znači da možete da miksujete sa bilo kog mesta na do 20 uređaja. Bežična kontrola takođe znači da sami mikser možete postaviti tamo gde ima najviše smisla za primenu. KOMPLETNE KARAKTERISTIKE 16 Onyx+™ recallable mikrofonskih pretpojačala 8 potpuno dodeljivih XLR izlaza plus izlaz za slušalice Industry-leading Master Fader kontrolna aplikacija 16x16 USB snimanje Otarasite se viška kablova - postavite ga bilo gde na bini ili u reku Bežično miksovanje Potpuna kontrola putem iOS, Android™, macOS® ili Windows® uređaja Bez potrebe za FOH položajem - miksujte sa bilo kog mesta Podržava do 20 odvojenih uređaja odjednom Više inženjera može raditi iz jednog miksera Moćno procesuiranje i obrada signala 16 ulaznih kanala sa 4-pojasnim PEQ + HPF, gate-om, kompresijom i RTA/spektrografom 16 stereo-povezivih ulaznih kanala 13 izlaznih buseva sa 4-pojasnim PEQ + HPF/LPF, 31-pojasnim GEQ-om, comp/limiterom, alignment delay-om i RTA/spektrografom 6 stereo-povezivih aux sendova 6 stereo-povezivih sub-grupa Main L/R bus 6 VCA i 6 mute grupa 4 stereo FX procesora sa odličnim ugrađenim efektima poput reverb-ova, delay-eva, horova, flangera i još mnogo toga sa namenskim sendovima i return-ovima Potpuno I/O rutiranje sa A/B izvorima po kanalu Dodeljivi oscilator sa pink/belim šumom i sinusnim talasima Moderne i Vintage opcije za comp/gate i EQ Multi-track snimanje i reprodukcija 16x16 USB 2.0 audio interfejs za Mac ili PC Snimite šou za kasniji mixdown Puštajte intermeco, pozadinske trake i još mnogo toga direktno u namenski stereo return kanal Izvršite virtuelnu proveru zvuka Neverovatno jeftino rešenje za studijsko snimanje sa velikim brojem kanala Koristite Mac ili PC audio plug-inove u lajv okruženju Master Fader kontrolna aplikacija Intuitivna i laka za savladavanje Brza navigacija sa view grupama i pregledom Brza postavka sa mnoštvom fabričkih i korisnički definišućih preseta Acces Limiting (ograničenje pristupa) omogućava fleksibilno prilagođavanje korisničkog interfejsa i sprečava neželjena podešavanja od strane drugih korisnika Brzo pristupite obradi kanala, usmeravanju signala i ogromnom paketu sjajnih zvučnih efekata sa presetima za početak Eksportujte presete, emisije i kompletne sistemske backup-e putem Dropboxa, e-mail-a i još mnogo toga Završite operaciju bez interneta Dostupno na iOS-u, Android-u, macOS-u i Windows-u Snimajte i producirajte kao profesionalac Waveform™ OEM profesionalni softver i paketi dodataka su uključeni DAW Essentials™ Bundle za Waveform OEM uključuje 16 moćnih plugin-ova kao što su Equaliser, Compressor, Reverber8 i Limiter DL16S i DL32S su kompatibilni sa iOS 11 ili novijim, Android OS 6 ili novijim, macOS 10.12 ili novijim i Windows 10 ili novijim.

Each of the four mic/line inputs is equipped with XLR and 1/4" connectors, a dedicated 3-band EQ, high-pass filter at 75 Hz, pan, level control and an LED overload indicator. The four stereo 1/4" line inputs each feature +4/-10dB operation, level control, balance control and also have an LED overload indicator. In addition, the Mix12FX features 12 integrated effects for polishing your mix including reverbs, choruses and delays. Dedicated stereo RCA inputs/outputs for playback or recording 60mm fader for Main L/R outputs Headphone and stereo control room outputs Rugged, reliable design built to last Compact and portable

Martin Wisman mxm 602 usb 6 -kanalna pasivna usb mikseta Malo korišćena, potpuno ispravna Karakteristike: -3-pojasni ekvilajzer frekvencije za sve mono ulazne kanale: - Ultra niskošumno diskretno mikrofonsko predpojačalo na svim mikrofonskim ulazima; - Mono kanal može da se poveže sa filterom niske frekvencije za smanjenje smetnji niske frekvencije. • Ugrađen mp3 player • Stereo reprodukcija i stereo snimanje. - Čist kontrolni izlaz i monitor mikrofona. - Peak Indikator za mono kanale. - Ugrađeno +48V fantomsko napajanje za kondenzatorski mikrofon. Cena: 90 eura

Zvučne kutije Martin Wisman ARTX 500, malo korišćene, ispravne i u do ! - brom stanju. Tehnički podaci: Power Capacity: 350W RMS/ 700W Peak Input impedance: 8 Ohms 15 Input Sensitivity: 99dB 1W/1m Frequency response: 45-18KHZ Nominal dispersion: 90 x 60 (HxV) Dimension (WxDxH): 445x365.5x680mm Weight : 25kg Cena za par 290eur.

Novo - male mixete sa 4 kanala, imaju bluetooth, rade odlično. Šaljemo po potrebi ili možete doći do nas. Konga Music Shop. Kraljevica Marka 20 - na samom ćošku zgrade. Novi Sad

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