56716) Svete relikvije fragmenti autora izgubljenih u drugom ili trećem veku Martinus Josephus Routh , Oksford 1814 godina , Zbornik tekstova ranohrišćansih crkvenih otaca čiji su se fragmenti sačuvali u delima drugih. Autori su polemisali sa raznim stujama unutar hrišćanstva, Origenom, Pavlom Samosatskim i nastala su pre Nikejskog sabora 325 godine. Reliquiae sacrae , Vol II Naslov : Reliquiae sacrae, sive, Auctorum fere jam perditorum secundi tertiique saeculi fragmenta, quae supersunt.: Accedunt epistolae synodicae et canonicae Nicaeno Concilio antiquiores Autor : Martinus Josephus Routh (18 Septembris 1755 - 22 Decembris 1854) Mesto izdavanja : OXONII, - Oksford Godina 1814 Štamparija : Typis academis , impensis J. Mawman , apud quem Londini prostant in vico ludgate hill dicto , item Oxonii apud J. Cooke Spisak autora objavljenih u ovom, drugom tomu INDEX AUCTORUM qui in hoc tomo secundo collocati sunt Caius Presbyter - Kaj prezviter ( Rima ) Alexander Hierosol Apollonius - Apolonije Auctor Adversus Cataphrygas Julius Africanus, Chronologus ( Sekst Julije Afrikanac ) Ambrosius – Ambrozije ( Aleksandrijski ) Concilium contra Noetum. S. Dionysii Alexandrini epistola canonica - Dionisije Aleksandrijski kanonska poslanica S. Gregorii Neocaesariensis epistola canonica. – Sveti Grigorije Čudotvorac episkop neokesarisjki Concilium Antiochenum contra Paulum Samosatenum – Antiohijski sabor protiv Pavla Samosatskog svetotoački tekstovi na starogrčkom i latinskom jeziku , originalni kartonski povez, format 14,5 x 23 cm , 525 strana , knjižni blok kompaktan i očuvan ,

Korg Pa5X je novi vodeći u liniji KORG profesionalnih aranžera, koji redefiniše aranžersku klavijaturu. Potpuno redizajniran sa najsavremenijim zvučnim mehanizmom i modernizovanim korisničkim interfejsom vođenim bojama. Korg Pa5X proizvodi zapanjujuće bogato i jedinstveno zvučno iskustvo koje vas inspiriše da kreirate i izvodite ! Pa5X se isporučuje sa hiljadama inspirativnih zvukova i stotinama svežih stilova. Potpuno novi prednji panel koji sadrži deo za matricu i mikser koji se može dodeliti, raznobojna LED dugmad i ogroman ekran osetljiv na dodir koji se može naginjati omogućava vam da kontrolišete svoje iskustvo stvaranja muzike u svakom trenutku. Pa5X se ističe i kao instrument za izvođenje uživo i kao moćno kreativno sredstvo u studiju, omogućavajući vam da pronađete svoj idealan zvuk bez obzira gde vas muzika odvede. Specifikacija: Keyboard Pa5X 61: 61 keys (C2 – C7) Semi–weighted keys with Aftertouch Pa5X 76: 76 keys (E1 – G7) Semi–weighted keys with Aftertouch Pa5X 88: 88 keys (A0 – C8) Hammer action with Aftertouch Case Aluminum case with wooden side panels Operating System Upgradable Operating System Sound Generator EDS-XP (Enhanced Definition Synthesis-Expanded) Multimode filters with resonance, 3-band EQ for each track Polyphony 160 Voices, 160 Oscillators Effects Keyboard Tracks: 3 Insert Effect; 3 Master Effects Style/Song: 10 Insert Effects; 3 Master Effects Master EQ and Finalizer for Songs and Styles Final Mastering Effects: Waves | MaxxAudio® Suite Mic Processor Technology by Shift Audio Mic Setup: Compressor, EQ, Gate Four-part Harmonizer, Doubler, Filter, Modulation, Delay, Reverb, AutoPitch Guitar Processor Guitar rack (4 effect-slots) with stompbox and amp simulation Sounds / Drum Kits Factory: More than 2,200 Factory Sounds Five multilayer Stereo Acoustic Pianos with Damper/Body Resonance, GM/XG Sound Sets, more than 130 Drum Kits including Ambient Drums and Round Robin-based Drum Kits User Area: 768 Sounds, 384 Drum Kits Digital Drawbars: 9 Footages, Percussion, Key On/Off, Leakage, Vibrato/Chorus, Rotary Speaker with Amp Simulator Natural Ambience Drum Sounds, Round Robin features Defined Nuance Control (DNC) Technology Quick and Full Sound Editing, Drum Family and Full Drum Kit Editing Sampling User PCM Sample memory: 4 GB of data, equivalent to 8 GB linear when compressed Loads KORG, WAV, AIFF and SoundFont™ formats Saves KORG, WAV and AIFF formats Full Edit, Time Slice, Sampling features Keyboard Sets Factory: More than 500 Factory Keyboard Sets, freely programmable Combines four Keyboard Sounds, plus Effects and settings Library accessible from front-panel buttons “My Setting” special Keyboard Set Players Patented XDS Crossfade Dual Player with X-Fader Balance control Crossfading between Songs and/or Styles Styles Factory: More than 600 Factory Styles, freely programmable Eight Style Tracks, 4 Keyboard Sets and 4 Pads per Style; Programmable Sounds, Effects and Style parameters Guitar Mode 2, Parallel and Fixed NTT (Note Transposition Table) Style Record and Event Edit Style Elements: 3 Intros, 4 Variations, 4 Fills, 1 Break, 3 Endings Style Controls: Play/Stop, Synchro Start, Synchro Stop, Tap Tempo/Reset, Auto Fill, Memory, Bass Inversion, Manual Bass, Bass & Lower Backing, Drum & Bass, Individual Style Tracks Mute, Style to Keyboard Set Set Chord Sequencer Factory: More than 200 Chord Sequences Chord Sequence Recorder/Player Chord Sequences can be saved to Style and SongBook Entries Songs Patented XDS Crossfade Dual Player with X-Fader Balance control Supported formats: MID, KAR, MP3 + Lyrics, MP3+G Lyrics, Score, and Chord data can be displayed on screen, or on external video monitor Markers with Add, Delete, Edit, Loop and AutoScroll functions Jukebox function Full-featured, 16-track Sequencer, Song Edit MP3 Player / Recorder Double MP3 Player and MP3 Recorder Records MP3 files, including Styles, MIDI Songs, MP3 Songs, Keyboard Sounds, Pads, Matrix, Microphone, Guitar, Effects Transpose (+6/-5 semitones), Tempo Change (±30%) Vocal Remover SongBook Fully programmable music database based on Styles, MIDI Songs (MID and KAR files), MP3 Songs with Artist and Genre tags Filtering and sorting options User definable Set Lists Compatibility Legacy Pa-Series models: Styles, Keyboard Sets (Performances), Sounds (Programs), Songs, Pads Pads Factory: More than 400 Pads Four Assignable Pads + Stop Buttons Pad Record function Control Section 9 Assignable Sliders, 9 Assignable Buttons, Strip Display; 4 Preset + 1 User settings Matrix Section 16 Matrix Pads, 4 Preset buttons Style/Song Controls Play/Stop, Go To Start, Style Select, Song Select, Xfader, Tempo +/-, Tempo Lock, Tap Tempo/Reset, Synchro Start, Synchro Stop, Fade In/Out, Chord Scan (Lower, Upper), Chord Sequence, Memory, AutoFill General Controls Master Volume, Octave Transpose, Master Transpose, Dial, Up/+, Down/-, Joystick (Pitch + Modulation), Ribbon, 3 Assignable Switches, Search, Shift, Keyboard Sounds On/Off, Split, Ensemble, Rec/Edit, Menu, Exit Scale Controls On-screen Quarter Tone and Arabic Scale, memorized in the Keyboard Sets; Presets assignable to any button or footswitch Control Inputs Damper Pedal; supports half-pedaling with the optional KORG DS-1H pedal 2 Assignable Pedal/Footswitch Audio Inputs Mic: Mono with Gain control and Phantom Power (Combo XLR, balanced) Guitar: Mono with Gain control (1/4" jack, unbalanced) Line 1: Left/Right (1/4" jacks, balanced) Line 2: Stereo (1/8" mini-jack, unbalanced) Audio Outputs Line: Main Left/Right, Separate Outs 1/2/3/4 (1/4" jacks, balanced) Headphones (1/4" jack) Video Output HDMI connector MIDI IN, OUT, THRU standard MIDI connectors USB to MIDI, through the USB Device port 16 User-definable MIDI Presets USB Type A (Host 3.0, for storage devices and controllers): 1 front, 2 rear Type B (Device 2.0, for personal computers and tablets): 1 rear Storage Internal Drive: 1 GB Micro SD Card (not included): Rear-panel slot with plastic cover USB Flash Drive (not included): Can be connected to the USB Host ports Display 8” Wide capacitive color TouchView™ TFT display, 800 x 600 resolution Clock Internal System Clock Power Consumption 100-240 Volts, 50/60 Hz < 0.2 Watt in standby / 20 Watt normal / 45 Watt with PaAS installed Dimensions (W x D x H) (without music stand, display fully lowered) Pa5X-88: 1,262.0 x 396.4 x 146.0 mm / 49.68” x 15.60” x 5.74” Pa5X-76: 1,233.1 x 374.3 x 126.8 mm / 48.54” x 14.73” x 4.99” Pa5X-61: 1,021.1 x 374.3 x 126.8 mm / 40.20” x 14.73” x 4.99” PaAS (optional): 980 x 180 x 140 mm / 38.58” x 7.08” x 5.51” Weight Pa5X-88: 20.1 kg / 44.31 lbs Pa5X-76: 17.4 kg / 38.36 lbs Pa5X-61: 15.1 kg / 33.29 lbs PaAS (optional): 5.70 kg / 12.56 lbs Accessories AC Power Cable, Music Stand, Quick Guide manual Options PaAS Amplification System ST-SV1-BK Keyboard Stand EXP-2 Foot Controller XVP-20 Expression/Volume Pedal DS-1H Damper Pedal (supports half-pedaling) PS-1 Pedal Switch PS-3 Pedal Switch VOX V860 Volume Pedal

Korg Pa5X je novi vodeći u liniji KORG profesionalnih aranžera, koji redefiniše aranžersku klavijaturu. Potpuno redizajniran sa najsavremenijim zvučnim mehanizmom i modernizovanim korisničkim interfejsom vođenim bojama. Korg Pa5X proizvodi zapanjujuće bogato i jedinstveno zvučno iskustvo koje vas inspiriše da kreirate i izvodite ! Pa5X se isporučuje sa hiljadama inspirativnih zvukova i stotinama svežih stilova. Potpuno novi prednji panel koji sadrži deo za matricu i mikser koji se može dodeliti, raznobojna LED dugmad i ogroman ekran osetljiv na dodir koji se može naginjati omogućava vam da kontrolišete svoje iskustvo stvaranja muzike u svakom trenutku. Pa5X se ističe i kao instrument za izvođenje uživo i kao moćno kreativno sredstvo u studiju, omogućavajući vam da pronađete svoj idealan zvuk bez obzira gde vas muzika odvede. Specifikacija: Keyboard Pa5X 61: 61 keys (C2 – C7) Semi–weighted keys with Aftertouch Pa5X 76: 76 keys (E1 – G7) Semi–weighted keys with Aftertouch Pa5X 88: 88 keys (A0 – C8) Hammer action with Aftertouch Case Aluminum case with wooden side panels Operating System Upgradable Operating System Sound Generator EDS-XP (Enhanced Definition Synthesis-Expanded) Multimode filters with resonance, 3-band EQ for each track Polyphony 160 Voices, 160 Oscillators Effects Keyboard Tracks: 3 Insert Effect; 3 Master Effects Style/Song: 10 Insert Effects; 3 Master Effects Master EQ and Finalizer for Songs and Styles Final Mastering Effects: Waves | MaxxAudio® Suite Mic Processor Technology by Shift Audio Mic Setup: Compressor, EQ, Gate Four-part Harmonizer, Doubler, Filter, Modulation, Delay, Reverb, AutoPitch Guitar Processor Guitar rack (4 effect-slots) with stompbox and amp simulation Sounds / Drum Kits Factory: More than 2,200 Factory Sounds Five multilayer Stereo Acoustic Pianos with Damper/Body Resonance, GM/XG Sound Sets, more than 130 Drum Kits including Ambient Drums and Round Robin-based Drum Kits User Area: 768 Sounds, 384 Drum Kits Digital Drawbars: 9 Footages, Percussion, Key On/Off, Leakage, Vibrato/Chorus, Rotary Speaker with Amp Simulator Natural Ambience Drum Sounds, Round Robin features Defined Nuance Control (DNC) Technology Quick and Full Sound Editing, Drum Family and Full Drum Kit Editing Sampling User PCM Sample memory: 4 GB of data, equivalent to 8 GB linear when compressed Loads KORG, WAV, AIFF and SoundFont™ formats Saves KORG, WAV and AIFF formats Full Edit, Time Slice, Sampling features Keyboard Sets Factory: More than 500 Factory Keyboard Sets, freely programmable Combines four Keyboard Sounds, plus Effects and settings Library accessible from front-panel buttons “My Setting” special Keyboard Set Players Patented XDS Crossfade Dual Player with X-Fader Balance control Crossfading between Songs and/or Styles Styles Factory: More than 600 Factory Styles, freely programmable Eight Style Tracks, 4 Keyboard Sets and 4 Pads per Style; Programmable Sounds, Effects and Style parameters Guitar Mode 2, Parallel and Fixed NTT (Note Transposition Table) Style Record and Event Edit Style Elements: 3 Intros, 4 Variations, 4 Fills, 1 Break, 3 Endings Style Controls: Play/Stop, Synchro Start, Synchro Stop, Tap Tempo/Reset, Auto Fill, Memory, Bass Inversion, Manual Bass, Bass & Lower Backing, Drum & Bass, Individual Style Tracks Mute, Style to Keyboard Set Set Chord Sequencer Factory: More than 200 Chord Sequences Chord Sequence Recorder/Player Chord Sequences can be saved to Style and SongBook Entries Songs Patented XDS Crossfade Dual Player with X-Fader Balance control Supported formats: MID, KAR, MP3 + Lyrics, MP3+G Lyrics, Score, and Chord data can be displayed on screen, or on external video monitor Markers with Add, Delete, Edit, Loop and AutoScroll functions Jukebox function Full-featured, 16-track Sequencer, Song Edit MP3 Player / Recorder Double MP3 Player and MP3 Recorder Records MP3 files, including Styles, MIDI Songs, MP3 Songs, Keyboard Sounds, Pads, Matrix, Microphone, Guitar, Effects Transpose (+6/-5 semitones), Tempo Change (±30%) Vocal Remover SongBook Fully programmable music database based on Styles, MIDI Songs (MID and KAR files), MP3 Songs with Artist and Genre tags Filtering and sorting options User definable Set Lists Compatibility Legacy Pa-Series models: Styles, Keyboard Sets (Performances), Sounds (Programs), Songs, Pads Pads Factory: More than 400 Pads Four Assignable Pads + Stop Buttons Pad Record function Control Section 9 Assignable Sliders, 9 Assignable Buttons, Strip Display; 4 Preset + 1 User settings Matrix Section 16 Matrix Pads, 4 Preset buttons Style/Song Controls Play/Stop, Go To Start, Style Select, Song Select, Xfader, Tempo +/-, Tempo Lock, Tap Tempo/Reset, Synchro Start, Synchro Stop, Fade In/Out, Chord Scan (Lower, Upper), Chord Sequence, Memory, AutoFill General Controls Master Volume, Octave Transpose, Master Transpose, Dial, Up/+, Down/-, Joystick (Pitch + Modulation), Ribbon, 3 Assignable Switches, Search, Shift, Keyboard Sounds On/Off, Split, Ensemble, Rec/Edit, Menu, Exit Scale Controls On-screen Quarter Tone and Arabic Scale, memorized in the Keyboard Sets; Presets assignable to any button or footswitch Control Inputs Damper Pedal; supports half-pedaling with the optional KORG DS-1H pedal 2 Assignable Pedal/Footswitch Audio Inputs Mic: Mono with Gain control and Phantom Power (Combo XLR, balanced) Guitar: Mono with Gain control (1/4" jack, unbalanced) Line 1: Left/Right (1/4" jacks, balanced) Line 2: Stereo (1/8" mini-jack, unbalanced) Audio Outputs Line: Main Left/Right, Separate Outs 1/2/3/4 (1/4" jacks, balanced) Headphones (1/4" jack) Video Output HDMI connector MIDI IN, OUT, THRU standard MIDI connectors USB to MIDI, through the USB Device port 16 User-definable MIDI Presets USB Type A (Host 3.0, for storage devices and controllers): 1 front, 2 rear Type B (Device 2.0, for personal computers and tablets): 1 rear Storage Internal Drive: 1 GB Micro SD Card (not included): Rear-panel slot with plastic cover USB Flash Drive (not included): Can be connected to the USB Host ports Display 8” Wide capacitive color TouchView™ TFT display, 800 x 600 resolution Clock Internal System Clock Power Consumption 100-240 Volts, 50/60 Hz < 0.2 Watt in standby / 20 Watt normal / 45 Watt with PaAS installed Dimensions (W x D x H) (without music stand, display fully lowered) Pa5X-88: 1,262.0 x 396.4 x 146.0 mm / 49.68” x 15.60” x 5.74” Pa5X-76: 1,233.1 x 374.3 x 126.8 mm / 48.54” x 14.73” x 4.99” Pa5X-61: 1,021.1 x 374.3 x 126.8 mm / 40.20” x 14.73” x 4.99” PaAS (optional): 980 x 180 x 140 mm / 38.58” x 7.08” x 5.51” Weight Pa5X-88: 20.1 kg / 44.31 lbs Pa5X-76: 17.4 kg / 38.36 lbs Pa5X-61: 15.1 kg / 33.29 lbs PaAS (optional): 5.70 kg / 12.56 lbs Accessories AC Power Cable, Music Stand, Quick Guide manual Options PaAS Amplification System ST-SV1-BK Keyboard Stand EXP-2 Foot Controller XVP-20 Expression/Volume Pedal DS-1H Damper Pedal (supports half-pedaling) PS-1 Pedal Switch PS-3 Pedal Switch VOX V860 Volume Pedal

Korg Pa5X je novi vodeći u liniji KORG profesionalnih aranžera, koji redefiniše aranžersku klavijaturu. Potpuno redizajniran sa najsavremenijim zvučnim mehanizmom i modernizovanim korisničkim interfejsom vođenim bojama. Korg Pa5X proizvodi zapanjujuće bogato i jedinstveno zvučno iskustvo koje vas inspiriše da kreirate i izvodite ! Pa5X se isporučuje sa hiljadama inspirativnih zvukova i stotinama svežih stilova. Potpuno novi prednji panel koji sadrži deo za matricu i mikser koji se može dodeliti, raznobojna LED dugmad i ogroman ekran osetljiv na dodir koji se može naginjati omogućava vam da kontrolišete svoje iskustvo stvaranja muzike u svakom trenutku. Pa5X se ističe i kao instrument za izvođenje uživo i kao moćno kreativno sredstvo u studiju, omogućavajući vam da pronađete svoj idealan zvuk bez obzira gde vas muzika odvede. Specifikacija: Keyboard Pa5X 61: 61 keys (C2 – C7) Semi–weighted keys with Aftertouch Pa5X 76: 76 keys (E1 – G7) Semi–weighted keys with Aftertouch Pa5X 88: 88 keys (A0 – C8) Hammer action with Aftertouch Case Aluminum case with wooden side panels Operating System Upgradable Operating System Sound Generator EDS-XP (Enhanced Definition Synthesis-Expanded) Multimode filters with resonance, 3-band EQ for each track Polyphony 160 Voices, 160 Oscillators Effects Keyboard Tracks: 3 Insert Effect; 3 Master Effects Style/Song: 10 Insert Effects; 3 Master Effects Master EQ and Finalizer for Songs and Styles Final Mastering Effects: Waves | MaxxAudio® Suite Mic Processor Technology by Shift Audio Mic Setup: Compressor, EQ, Gate Four-part Harmonizer, Doubler, Filter, Modulation, Delay, Reverb, AutoPitch Guitar Processor Guitar rack (4 effect-slots) with stompbox and amp simulation Sounds / Drum Kits Factory: More than 2,200 Factory Sounds Five multilayer Stereo Acoustic Pianos with Damper/Body Resonance, GM/XG Sound Sets, more than 130 Drum Kits including Ambient Drums and Round Robin-based Drum Kits User Area: 768 Sounds, 384 Drum Kits Digital Drawbars: 9 Footages, Percussion, Key On/Off, Leakage, Vibrato/Chorus, Rotary Speaker with Amp Simulator Natural Ambience Drum Sounds, Round Robin features Defined Nuance Control (DNC) Technology Quick and Full Sound Editing, Drum Family and Full Drum Kit Editing Sampling User PCM Sample memory: 4 GB of data, equivalent to 8 GB linear when compressed Loads KORG, WAV, AIFF and SoundFont™ formats Saves KORG, WAV and AIFF formats Full Edit, Time Slice, Sampling features Keyboard Sets Factory: More than 500 Factory Keyboard Sets, freely programmable Combines four Keyboard Sounds, plus Effects and settings Library accessible from front-panel buttons “My Setting” special Keyboard Set Players Patented XDS Crossfade Dual Player with X-Fader Balance control Crossfading between Songs and/or Styles Styles Factory: More than 600 Factory Styles, freely programmable Eight Style Tracks, 4 Keyboard Sets and 4 Pads per Style; Programmable Sounds, Effects and Style parameters Guitar Mode 2, Parallel and Fixed NTT (Note Transposition Table) Style Record and Event Edit Style Elements: 3 Intros, 4 Variations, 4 Fills, 1 Break, 3 Endings Style Controls: Play/Stop, Synchro Start, Synchro Stop, Tap Tempo/Reset, Auto Fill, Memory, Bass Inversion, Manual Bass, Bass & Lower Backing, Drum & Bass, Individual Style Tracks Mute, Style to Keyboard Set Set Chord Sequencer Factory: More than 200 Chord Sequences Chord Sequence Recorder/Player Chord Sequences can be saved to Style and SongBook Entries Songs Patented XDS Crossfade Dual Player with X-Fader Balance control Supported formats: MID, KAR, MP3 + Lyrics, MP3+G Lyrics, Score, and Chord data can be displayed on screen, or on external video monitor Markers with Add, Delete, Edit, Loop and AutoScroll functions Jukebox function Full-featured, 16-track Sequencer, Song Edit MP3 Player / Recorder Double MP3 Player and MP3 Recorder Records MP3 files, including Styles, MIDI Songs, MP3 Songs, Keyboard Sounds, Pads, Matrix, Microphone, Guitar, Effects Transpose (+6/-5 semitones), Tempo Change (±30%) Vocal Remover SongBook Fully programmable music database based on Styles, MIDI Songs (MID and KAR files), MP3 Songs with Artist and Genre tags Filtering and sorting options User definable Set Lists Compatibility Legacy Pa-Series models: Styles, Keyboard Sets (Performances), Sounds (Programs), Songs, Pads Pads Factory: More than 400 Pads Four Assignable Pads + Stop Buttons Pad Record function Control Section 9 Assignable Sliders, 9 Assignable Buttons, Strip Display; 4 Preset + 1 User settings Matrix Section 16 Matrix Pads, 4 Preset buttons Style/Song Controls Play/Stop, Go To Start, Style Select, Song Select, Xfader, Tempo +/-, Tempo Lock, Tap Tempo/Reset, Synchro Start, Synchro Stop, Fade In/Out, Chord Scan (Lower, Upper), Chord Sequence, Memory, AutoFill General Controls Master Volume, Octave Transpose, Master Transpose, Dial, Up/+, Down/-, Joystick (Pitch + Modulation), Ribbon, 3 Assignable Switches, Search, Shift, Keyboard Sounds On/Off, Split, Ensemble, Rec/Edit, Menu, Exit Scale Controls On-screen Quarter Tone and Arabic Scale, memorized in the Keyboard Sets; Presets assignable to any button or footswitch Control Inputs Damper Pedal; supports half-pedaling with the optional KORG DS-1H pedal 2 Assignable Pedal/Footswitch Audio Inputs Mic: Mono with Gain control and Phantom Power (Combo XLR, balanced) Guitar: Mono with Gain control (1/4" jack, unbalanced) Line 1: Left/Right (1/4" jacks, balanced) Line 2: Stereo (1/8" mini-jack, unbalanced) Audio Outputs Line: Main Left/Right, Separate Outs 1/2/3/4 (1/4" jacks, balanced) Headphones (1/4" jack) Video Output HDMI connector MIDI IN, OUT, THRU standard MIDI connectors USB to MIDI, through the USB Device port 16 User-definable MIDI Presets USB Type A (Host 3.0, for storage devices and controllers): 1 front, 2 rear Type B (Device 2.0, for personal computers and tablets): 1 rear Storage Internal Drive: 1 GB Micro SD Card (not included): Rear-panel slot with plastic cover USB Flash Drive (not included): Can be connected to the USB Host ports Display 8” Wide capacitive color TouchView™ TFT display, 800 x 600 resolution Clock Internal System Clock Power Consumption 100-240 Volts, 50/60 Hz < 0.2 Watt in standby / 20 Watt normal / 45 Watt with PaAS installed Dimensions (W x D x H) (without music stand, display fully lowered) Pa5X-88: 1,262.0 x 396.4 x 146.0 mm / 49.68” x 15.60” x 5.74” Pa5X-76: 1,233.1 x 374.3 x 126.8 mm / 48.54” x 14.73” x 4.99” Pa5X-61: 1,021.1 x 374.3 x 126.8 mm / 40.20” x 14.73” x 4.99” PaAS (optional): 980 x 180 x 140 mm / 38.58” x 7.08” x 5.51” Weight Pa5X-88: 20.1 kg / 44.31 lbs Pa5X-76: 17.4 kg / 38.36 lbs Pa5X-61: 15.1 kg / 33.29 lbs PaAS (optional): 5.70 kg / 12.56 lbs Accessories AC Power Cable, Music Stand, Quick Guide manual Options PaAS Amplification System ST-SV1-BK Keyboard Stand EXP-2 Foot Controller XVP-20 Expression/Volume Pedal DS-1H Damper Pedal (supports half-pedaling) PS-1 Pedal Switch PS-3 Pedal Switch VOX V860 Volume Pedal

ZAKON O UGOVORU O TRGOVINI I PLOVIDBI IZMEĐU SRBIJE I RUMUNIJE Izdavač: CARINSKA UPRAVA MINISTARSTVA FINANSIJA Beograd Godina izdanja: 1907. Povez: broš Broj strana: 11 Pismo: ćirilica Stanje: dobro

UGOVORI I KONVENCIJE OBNARODOVANI U 1937. GODINI Izdavač: MINISTARSTVO INOSTRANIH POSLOVA KRALJEVINE JUGOSLAVIJE Godina izdanja: 1937. Povez: tvrd Broj strana: 666 Pismo: ćirilica Stanje: vrlo dobro

Retko!!! Pogledajte slike za više informacija Knjiga je kompletna samo ima klasične tragove starosti Pravo blago i sjajan ukras za sve etno kuhinje Srbije Srbski kuvar Jerotija Draganovića 1855 Prvi srbski kuvar ikad napisan Stanje : kao na slikama Broj stranica : 116 Godina izdanja : 1855 Na kraju knjige su napisani dodatni recepti. Knjiga je raritet i poznata su samo dva primerka, jedan u Matici Srpskoj i drugi kod kolekcionara Puntijara, koji ima najveću privatnu kolekciju starih kuvara u Evropi Prvi pravi kuvar koji je bio zbirka recepata za jela i zvao se “Srpski kuvar” napisao je je jeromonah Jerotej Draganović . Ovaji kuvar je štampan i objavljen u manastiru Krušedol na Petrovdan 1855. godine. Jermonah Jerotej je bio kuvar patrijarha Josifa Rajačića a njegov kuvar je, iako se zvao “Srpski kuvar”, sastavljen od nemačkih recepata koje je on samo preveo. Prvi kuvari sa pravim srpskim jelima u kojima je opisan i način pripreme srpskih jela kao što su posni i mrsni pasulj, posna i mrsna sarma od kiselog kupusa, punjene paprike, pihtije, kačamak, gruvanica, popara, gibanica… pojavljuju se tek krajem 19. i početkom 20.veka. Kuvari stare antikvarne knjige ishrana i jela Srba u devetnaestom veku privatna istorija Srbije u 19. veku xix veka srbi ... tradicionalni recepti vojvodine vojvođanski serbski nemački austrougarski serbian meals cook book old books Alte Kochbücher

VIKTOR NOVAK MAGNUM CRIMEN ZAGREB Godina izdanja: MCMXLXVIII (1948) POLA VIJEKA KLERIKALIZMA U HRVATSKOJ !!! Pažnja ? PRVO IZDANJE !!! KORIČENO u KOŽI !!! ODLIČNO !!! Latinica Koričeno u koži Obeleživač stranica 1119 strana NEKORIŠĆENO !!! NESTVARNO !!! IZ PRIVATNE BIBLIOTEKE KORIČENO U KOŽI KOD ČUVENOG KNJIGOVESCA `PAŠTRMAC` Za BIBLIOFILE ********* Za KOLEKCIONARE ********** EKSTRA ******* DB33

Kasper am Nordpol: eine lustige Geschichte von Sling, Mit Bildern von Walter Trier Tekst: Paul Felix Schlesinger - Sling Ilustracije: Walter Trier Izdavač: Ullstein Druckerei, Berlin, 1923. Pismo: gotica 22,2cmX15,3cm, 32 str, meki povez, 69g Knjiga je dobro očuvana s obzirom na godinu izdanja. Sadrži ilustracije u boji. Korice su pohabane, odvojene jedna od druge, a i od knjige. Stranice su požutele i krajevi su pohabani. Na prednjoj korici je mastilom ispisano ime i prezime i II razred (pretpostavljam). Nigde drugde nije pisano. Jedna strana je delimično odvojena od poveza, a dve stranice su zacepljene kod donjeg dela poveza. Pogledajte fotografije. Mogu fotografisati dodatno po zahtevu.

Prvo komercijalno izdanje čuvene knjige konceptualne umetnosti Joko Ono, objavljeno šest godina nakon prvog izdanja objavljenog u ograničenom tiražu, od kog se razlikuje po uvodnim ilustracijama Džona Lenona. Izuzetno retko u ponudi! Veoma dobro očuvano, korice blago potamnele od vremena, unutra odlično, bez pisanja, podvlačenja, pečata. 1st trade edition having been preceded 6 years before with a limited edition, square 24mo, unpaginated, introductory drawings by John Lennon; Title: Grapefruit Publisher: Peter Owen, London Publication Date: 1970 Binding: Hardcover Book Condition: Very Good+ Dust Jacket Condition: Very Good Edition: 1st Edition First Edition/First Printing. First trade edition. Grapefruit is an artist`s book written by Yoko Ono, originally published in 1964. It has become famous as an early example of conceptual art, containing a series of `event scores` that replace the physical work of art – the traditional stock-in-trade of artists – with instructions that an individual may, or may not, wish to enact. Grapefruit is one of the monuments of conceptual art of the early 1960s. She has a lyrical, poetic dimension that sets her apart from the other conceptual artists. Her approach to art was only made acceptable when [people] like Kosuth and Weiner came in and did virtually the same thing as Yoko, but made them respectable and collectible. — David Bourdon [de] Origins of the event score Event scores were developed by a number of artists attending John Cage`s experimental music composition classes at the New School for Social Research in New York. Whilst Ono did not attend these informal lessons, her husband at the time, Ichiyanagi Toshi (an experimental musician), did and Toshi and Ono became regulars of Cage`s circle of friends by 1959. Other members of this group included David Tudor, Morton Feldman, Richard Maxfield and Merce Cunningham. Invention of the event score is usually credited to George Brecht, but La Monte Young and Yoko Ono are also cited as amongst the first to experiment with the form. Both Cage and Brecht were deeply influenced by `Oriental thinking`, and Ono found that her Buddhist-inspired work was, almost accidentally, fêted by the emerging New York counterculture as avant-garde. Event Scores, involve simple actions, ideas, and objects from everyday life recontexualized as performance. Event Scores are texts that can be seen as proposal pieces or instructions for actions. The idea of the score suggests musicality. Like a musical score, Event Scores can be realized by artists other than the original creator and are open to variation and interpretation. Origins of the book Often considered a Fluxus artwork, in fact the work was originally published by Ono`s own imprint, Wunternaum Press, in Tokyo in an edition of 500. After leaving New York in 1962 – where she had exhibited at Maciunas` AG Gallery, amongst others – her then-husband Anthony Cox suggested she collect her scores together. George Maciunas, the central personality in Fluxus, had apparently been trying to reach her in Tokyo with the aim of printing a similar book in New York, as part of his series of Fluxkits (see Water Yam), but his letters had not reached her; she sent some of the scores and a prepublication advertisement to be published in his Fluxus newspaper in February 1964 when contact was finally established. First edition The name Grapefruit was chosen as title because Ono believed the grapefruit to be a hybrid of an orange and a lemon, and thus a reflection of herself as `a spiritual hybrid`. It also seems likely that it is a playful allusion to Brecht`s Water Yam, itself a pun on Brecht and Watt`s Yam Festival, which, culminating in a series of events and performances in May 1963, had been derived from `May` backwards. The first edition that was published in 1964 in Japan by Wunternaum Press created by Yoko Ono, contains over 150 `instruction works`; virtually all are in English, with about a third translated into Japanese. They are divided into five sections; Music, Painting, Event, Poetry and Object. The instructions are preceded by dedications to figures including John Cage, La Monte Young, Nam June Paik, Isamu Noguchi and Peggy Guggenheim, and also includes documentation relating to Ono`s recent exhibitions and performances. The work was originally sold for $3.00 before publication, $6.00 after. Subsequent editions The second edition was published in 1970 by Simon & Schuster in New York, Peter Owen Ltd in London, and Bärmeier & Nikel in Frankfurt. As well as an introduction by John Lennon (`Hi! My name is John Lennon. I`d like you to meet Yoko Ono ...` In the 2000 reissue of Lennon`s 1964 book, In His Own Write, Ono wrote a similar introduction), the work contained 80 more instruction pieces, and included two more sections, Film and Dance. The book ends with a collection of Ono`s writings including To The Wesleyan People, 1966. There were also paperback versions printed by Sphere and Touchstone around the same time, and a reprint by Simon & Schuster in 2000. The sphere edition has a particularly memorable sleeve, conflating the title with Yoko Ono`s film Bottoms, (or no. 4), a film composed exclusively of naked bottoms, made in 1966. 1970 Bärmeier & Nikel. Frankfurt am Main, Germany Peter Owen. London, UK Simon & Schuster. New York, USA (Hardcover with dust jacket) POMELO. Ediciones de la Flor. Buenos Aires, Argentina 1971 Sphere Books. London, UK Simon & Schuster. New York, USA (Paperback) TouchStone Book, USA 2000 Simon & Schuster. New York, USA Bakhåll. Sweden 2004 PAMPLEMOUSSE. Textuel. France 2005 GRAPEFRUIT. INSTRUZIONE PER L`ARTE E PER LA VITA. Mondadori. Italy 2006 POMELO. Centro de Creación Experimental. Cuenca, Spain 2015 Museum of Modern Art. New York, USA. (Facsimile of first edition in slip case.)[10] Planned sequel Grapefruit II was planned as a sequel. It is mentioned once in Grapefruit and had a pre-publication price of $5 and a post-release price of $10. It was planned to be released in 1966 and is currently unreleased. Ono stated that it would contain 150 new pieces not featured in Grapefruit, including her `touch poems`. A sequel to Grapefruit was published in 2013, Acorn. Some of the scores PIECES FOR ORCHESTRA No.1 Peel No.2 Peek No.3 Take off — 1962 Summer COUGH PIECE Keep coughing a year. — 1961 Winter CLOUD PIECE Imagine the clouds dripping. Dig a hole in your garden to put them in. — 1963 Spring PAINTING TO EXIST ONLY WHEN IT`S COPIED OR PHOTOGRAPHED Let people copy or photograph your paintings. Destroy the originals. — 1964 Spring PAINTING TO BE CONSTRUCTED IN YOUR HEAD Go on transforming a square canvas in your head until it becomes a circle. Pick out any shape in the process and pin up or place on the canvas an object, a smell, a sound or a colour that came to your mind in association with the shape. — 1962 Spring Sogetsu SNOW PIECE Think that snow is falling. Think that snow is falling everywhere all the time. When you talk with a person, think that snow is falling between you and on the person. Stop conversing when you think the person is covered by snow. — 1963 TUNAFISH SANDWICH PIECE Imagine one thousand suns in the sky at the same time. Let them shine for one hour. Then, let them gradually melt into the sky. Make one tunafish sandwich and eat. — 1964 Spring PAINTING TO BE STEPPED ON Leave a piece of canvas or finished painting on the floor or in the street. — 1960 winter Sequel: Acorn (2013) In July 2013, Ono released Grapefruit`s sequel, called Acorn, another book of `instructional poems`. Drugi život Joko Ono Drugi život Joko Ono U skladu sa novim zdravim životom koji praktikuje, razgovor je vodila uz šoljicu zelenog čaja. Novinare je u zgradu uveo asistent koji ih je zamolio da ostave cipele na vratima, što samo potvrđuje trend koji smo videli u jednoj popularnoj seriji. Imali su osećaj kao da idu na audijenciju kod velike istorijske ličnosti, što u neku ruku ona i jeste. Nakon što je nedavno napunila 80 godina, žena koja je nekad smatrana nekom vrstom moderne veštice, koja je Lenona vodila stranputicom i rasturila Bitlse, sada zauzima mnogo složeniju istorijsku poziciju u panteonu slavnih. Ona je sa zakašnjenjem priznata kao pionir konceptualne umetnosti, muzičar i izvođač u svom sopstvenom pravcu, i aktivista u duhu njenog pokojnog supruga. Njeni najnoviji izazovi uključuju kampanje za kontrolu oružja i vađenje prirodnog gasa koje izaziva velike ekološke probleme. „Osećam da počinjem novi život u 80. godini“, kaže ona u jednom trenutku. „Drugi život doneće mi nove stvari koje nisam imala u prvom životu. Samo ne znam koliko dugo ću živeti, ali moja prognoza je da ćemo imati raj na zemlji 2050. godine. Kad to kažem ljudima, oni mi odgovore: `Oh, ali ti tada nećeš biti tu`, a ja odgovorim `Pa, ko to zna?`“. Pre dolaska raja na zemlju Joko Ono ima važnije obaveze. Ona je selektor ovogodišnjeg Meldown festivala na kojem će predstaviti različite muzičke pionire, ali i sebe. “Mislim da je ovo početak jednog doba velikih promena”, kaže ona samouvereno. “Šezdesete su bile slatke na neki način, ali stvari su sada urgentne i treba da se uhvatimo u koštac s njima. Vreme ističe za planetu. Jedina opcija je nešto učiniti ili ne raditi ništa.” Kako opisujete svoju politiku, ako zaista verujete u politiku? „Pa, ja verujem u ljude. Ljudi menjaju stvari. I ja sam protiv negativnosti u svim njenim oblicima. Mislim da treba otkrivati stvari koje pomažu ljudskoj rasi, a da ne oštećuju planetu. Budućnost je sada. Mi ne možemo da čekamo na budućnost.“ Joko Ono poseban pik ima na naftne korporacije koje su pune novca i svoja istraživanja ne rade po pravilima. Navodi da su te korporacije zagadile vodu iz bunara raznim hemikalijama prilikom gasnih bušenja i da se kao posledica njihovih istraživanja javlja sve veći broj ljudi koji su dobili rak. Veliki je broj siromašnih ljudi koji ne mogu sebi da priušte čistu vodu svakog dana. U dahu priča kako su je neki prijatelji savetovali da bude oprezna i da ne upire prstom u te korporacije, međutim ona se ne boji, već kaže: „Ne možemo ćutati, molim ljude da mi se pridruže. Ako milion ljudi ustane, oni će morati da nas primete.“ TEŠKO DETINJSTVO Joko Ono je rođena u Tokiju 1933. godine u aristokratskoj porodici. Otac, za koga je bila vezana, želeo je kao mlad da bude pijanista, ali je sebe na kraju pronašao u bankarskim poslovima. Živeli su na relaciji SAD i Japan, da bi se vratili u Tokio pre izbijanja Drugog svetskog rata. Njena porodica se nalazila u gradu u martu 1945. godine kada je pri bombardovanju stradalo 100.000 ljudi, što je bio najsmrtonosniji vazdušni napad saveznika tokom čitavog rata. Posle rata slede teška vremena - njeni roditelji su morali da menjaju imovinu za hranu, a neko vreme živeli su nomadski na selu. Tog vremena Joko Ono se seća po tome što je baš tada nastalo njeno prvo umetničko delo. „Sećam se, kada smo bili evakuisani tokom rata, moj brat je bio nesrećan i depresivan i jako gladan, jer nismo imali dovoljno hrane. Ja sam mu rekla: `Ok, hajde da napravimo zajedno meni. Kakva večera bi ti se svidela?“ A on je rekao: „Sladoled“. Dakle, rekla sam: „Dobro, hajde da zamislimo našu sladoled večeru. “Mi smo to uradili, a on je počeo da izgleda srećno. Dakle, čak i tada sam shvatala da je upravo preko zamišljanja moguće da budemo srećni. Dakle, imali smo našu konceptualnu večeru i to je možda i moje prvo umetničko delo.“ Nakon rata porodica se vratila u Njujork, a Joko je pohađala ekskluzivni Sara Lorens koledž, gde je liberalni establišment bio aktivan i podsticao proučavanje umetnosti. Ona je takođe obilazila gradske umetničke galerije i mesta gde su se umetnici družili i tako se povezivala sa nekim od vodećih ljudi u američkoj avangardnoj umetnosti. Jedan od prvih performansa desio se 1955. godine i zvao se „Osvetljenje“. Sedela je za klavirom, a zatim je pratila svoju instrukciju: „Upali šibicu i gledaj dok se ne ugasi“. Godine 1964. prvi put je izvedeno najpoznatije delo „Iseci deo“ u kojem ona sedi na pozornici, a publika dolazi i seče joj odeću. „To je pomalo zastrašujuće“, kaže ona danas uz blagi osmeh. Deo njenog umetničkog opusa obuhvata i knjiga „Grejpfrut“, sa kratkim rečenicama („Zamislite, oblaci kaplju“). Ona smatra da danas u eri Interneta ljudi nemaju koncentraciju da čitaju velike knjige, tako da dok čitaju njen „Grejpfrut“ nema načina da im bude dosadno. LJUBAV SA LENONOM Kada je započela romansa između Džona i Joko očarala je svetske medije, a zaprepastila mnoge fanove Bitlsa. Još uvek je intrigantno da se pogleda film „Let it Be“, gde se vide mnogi detalji iz njihovog umetničkog života, snimanja albuma i međuljudskih odnosa. Mnogo smatraju da je ona veštica koja je kriva za razbijanje Bitlsa. „Primam negativnost prema meni već 40 godina. Osećam da svet pokušava duhovno da me ubije već 40 godina. Ako kažu da sam veštica, onda jesam.“ Lenon je često i strastveno govorio šta je dobio od Joko Ono. A šta je ona dobila od njega? Bez razmišljanja kaže: „Energiju.“ Joko govori o energiji koju je razmenjivala sa Lenonom i o tome da je samo ona videla jednu stranu njegove ličnosti koju okolina nikako nije mogla da vidi i koju on nije bio u stanju da izrazi što zbog svog vaspitanja, što zbog okruženja u kojem je živeo. Prošlo je više od 30 godina od Lenonove smrti. Iako je i dalje veoma prisutan u njenom životu, ona je uspela da pobegne od uloge koju su ljudi predviđali za nju: da večno tuguje kao udovica u senci svog supruga. „Ne mogu da imam samo jednu ulogu, a nikada nisam ni pomislila na reč udovica. On je bio vojnik na bojnom polju koji je pao za pravdu i slobodu. Tako da sam ja smatrala da moram da nastavim dalje. Imala sam malo dete, ali sam morala da nastavim“. Ne boji se starosti, uopšte. „Možda je to zato što ne mislim o prošlosti toliko. Prošlost je teška. Deo mene, naravno, i dalje je nosi, a deo mene slobodan je od nje.“ Džon Lenon je ubijen 8. decembra 1980. godine, samo tri nedelje nakon objavljivanja njihovog albuma „Double Fantasy“. Ove godine Meltdown festival će doživeti kulminaciju izvođenjem uživo pesama sa tog albuma uz gostovanje nekih „veoma posebnih“ muzičara i pevača. To će biti veoma emotivno i uzbudljivo veče za Joko Ono. Ona kaže da će ih Lenon te večeri posmatrati s neba. Joko Ono završava ispovest u svom stilu. „Budućnost je sada! Budućnost je ovde, upravo sad, samo je mi ignorišemo. Mnogo lepih stvari dešava se sad, u našim glavama posebno, ali moramo da delujemo brzo. Ono što je zaista važno je reći - ja to mogu! Idemo to da uradimo! Uvek to govorim sebi. I Džon je to govorio. Ono što najviše želim da kažem ljudima je da ako ne pokušavaju to da učine, nikad i neće učiniti. Vi ne shvatate da možete da uradite sve dok to ne uradite.“ I to je tako jednostavno. I to je tako komplikovano. KC (L)

Quiklok QL742 Stalak za dve klavijature. PRO SERIES Double-brace "X" with height, tilt, angle &depth adjustable second tier The absolute hands down choice of most professional musicians because of its adjustability, strength and reliability. The QL742 ProSeries Stand features the new Quik Lok "Push to adjust" locking disc system with user-friendly push button and super heavy duty 30 mm x 30 mm steel tube bracing for extra sturdiness and structural support. The second tier set is fully adjustable in height, angle, tilt and depth, and offers the musician maximum flexibility of use. The "Pro Series" stands are capable of holding the heaviest keyboards safely and securely. A complete line of accessories allows the user to customize the QL742 to fit their needs perfectly. Leg depth: 24'' - 61 cm Main Tier depth: 17.2" - 43,5 cm Second Tier depth: 16.5" - 42 cm Second Tier angles: 90° , 77° , 64° , 51° Height positions (3): 26.4", 30.3", 34.3" - 67, 77, 87 cm 2nd tiers height position (5): From 5.7" to 8.8" - 14,5 to 22,5 cm *(measured from main tiers level) Folded height: 39.8" - 101 cm Overall Weight capacity: 200 lb - 90 kg 2nd tier weight capacity: 75 lb - 33.7 kg Weight: 20.7 lb - 9.3 kg Brace tube size: 30 x 30 mm Main tier tube size: 30 mm Color: Black

ЦАР И ПРВОСВЕШТЕНИК СТУДИЈА О ВИЗАНТИЈСКОМ `ЦЕЗАРОПАПИЗМУ` ЖИЛБЕР ДАГРОН C l i o Б е о г р а д 2 О О 1 POLIS a) Цезаропапизам - Византија б) Владари - Византија ц) Црква - Држава - Византија ............................................................ Поговор ЉУБОМИР МАКСИМОВИЋ Планови Илустрације Скраћенице Речник Регистар Ћирилица Тврде корице Шивен повез 4 3 5 страница НЕКОРИШЋЕНО

monografija FK Penjarol, Montevideo , Urugvaj 1932. Prvo svetsko prvenstvo u fudbalu; World cup; sa posvetom, odlično uvezana, korica pohabana, oko 100 +100 str.,meki povez,22cm, š s72

Wherever you perform, high-quality sound with great projection is essential to capture listeners and stand out from the pack. With the portable CUBE Street II by your side, you have the tools you need to deliver your message with confidence in any mobile setting, from musical performances on the street to public speaking events. Evolved from the best-selling Roland CUBE Street—and newly rebranded with the BOSS name this battery-driven powerhouse provides rich stereo sound for busking and other mobile gigs. Dual channels allow you to plug in mics and instruments and sound great immediately, with no extra gear to carry around. A vocal harmony function, looper, and effects are also on hand to lift your performances and impress the crowd. And with the optional Bluetooth Audio MIDI Dual Adaptor (BT-DUAL), you can wirelessly stream backing tracks and control CUBE Street II functions from your phone or tablet. Specifikacija: Next-generation version of the top-selling mobile amp for street performers First model in the CUBE Street series branded with the BOSS name ABS injection-molded cabinet for increased durability and reduced weight (4.4 kg/9 lb. 12 oz.) Enhanced power output: 10 watts total (5 watts x 2) High-quality stereo sound with two high-performance 6.5-inch speakers Angled face for optimum monitoring and sound projection Mic/Instrument channel with harmony, three-band EQ, and reverb Guitar/Mic channel with nine amp types, three-band EQ, chorus/delay, reverb, and tuner Looper with up to 45 seconds of stereo recording time Automatic harmony function with three modes: unison, high, and higher Optional BluetoothŽ Audio MIDI Dual Adaptor (BT-DUAL) for wirelessly streaming music from a mobile device and editing amp functions with the companion CUBE Street II Editor app Record or livestream your audio performances to a computer or mobile device via USB or i-CUBE Link Practice and jam with the CUBE JAM app for iOS Runs on eight AA alkaline batteries or included AC adaptor Eco mode for extended battery runtime (max power output: 5 watts) Available in black or red 2 Channels Power: 2x 5 watts Speaker configuration: 2x 6.5" neodymium Channel 1 Mic/Instrument (XLR/jack combo plug) Mic/Inst switch Reverb/Echo Channel 2 Mic/Line/Acoustic Guitar/E-Guitar 9 Amp modellings for electric guitar 3-Band EQ Chorus Delay Reverb Chromatic tuner Looper Bluetooth Audio/MIDI capable (with optional BT-Dual Bluetooth Audio MIDI Dual Adaptor, not included) Automatic Harmony function Stereo Aux In/ICube Link for MP3 player: mini jack Headphone/recording output: mini jack Line output USB ECO Mode for longer battery life Power supply via 8x Mignon AA batteries (not included) or supplied 9V mains adapter Dimensions (W x H x D): 41.4 x 25.5 x 28.5 cm Weight: 4.4 kg Colour: Red

Todor Manojlović - Centrifugalni igrač (Beograd, 1930.)

P1-5)BESPLATNA DOSTAVA KAO PREPORUČENA TISKOVINA ILI PAKET, UNUTAR SRBIJE. NEKE STRANICE ISPADAJU I ISKRZANE SU. NEDOSTAJU STRANICE: 1-16,19-22, 35-36, 59-60, 79-80, 103-104, 128-129, 131-132, 196-197, 215-216,235-236, 265-266, 281-284, 303-304 343-344, 363-364, 384-385, 389-390, 403-404, 407-410, 424-425, 429-430, 447-450 453-454, 467-468, 473-474, 487-492, 495-496, 504-505, 517-520. IZGLEDA DA UGLAVNOM NEDOSTAJU POSLEDNJE STRANICE ČASOPISA, OSIM AKO NIJE GREŠKA U UPISIVANJU BROJEVA NA STRANICAMA.

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Supro The Delta King 10 lampaško kombo pojačalo, 1X10 | 5-WATT | REVERB. The Delta King 10 delivers the authentic 6V6-powered tube-amp tone of the Chicago-made Supro combos from the 1950s. Its Class A power amp provides all of the natural compression and touch-sensitive headroom that have made these vintage “single-ended” combos a bedrock of recorded rock history. Offering 5 watts of power through our custom 10-inch DK10 speaker, the Delta King 10 strikes between at-home recording amp and onstage rig. Features include front-end gain via a 12AX7 tube preamp, a FET-driven boost function, Pigtronix FAT high-gain mode, 2-band EQ, master volume, and custom-made genuine analog spring reverb. Specifikacija: ELECTRONICS WATTAGE 5W SPEAKER BRAND Supro SPEAKER MODEL DK10 KNOB CONTROLS Volume, Treble, Bass, Reverb, Master EFFECTS Boost, Drive INPUTS 1 REMOTE SWITCH JACKS TRS Double Footswitch OUTPUTS (LINE LEVEL) Line Out SPEAKER JACK N/A PREAMP TUBES 12AX7 POWER AMP TUBES 6V6 HARDWARE CABINET MATERIAL Poplar HANDLE Rubber REMOTE SF4 COVER N/A TOLEX Black PIPING Cream COLORWAY Black and Cream GRILL CLOTH Black BODY CAB DIMS (IN.) 16” x 7” x 15” CAB DIMS (CM) 41 x 18 x 38 cm WEIGHT (LBS) 23 lbs WEIGHT (KG) 10.5 kg

Supro DELTA KING 12 Black/Cream lampaško pojačalo 1X12 | 15-WATT | REVERB. The Delta King 12 combo captures the vintage Supro amp tone that helped sculpt the sound of early electric Rock & Roll and the British Invasion of the 1960s. Its single-ended Class A tube power amp provides the same raw tonal characteristics and remarkable touch sensitivity features of its mid-century counterparts, all while delivering a full 15 watts of 6L6 tube power through our custom 12-inch DK12 speaker. Features include front-end gain via a 12AX7 tube preamp, a FET-driven boost function, Pigtronix FAT high-gain mode, 3-band EQ, master volume, and custom-made genuine analog spring reverb. Specifikacija: ELECTRONICS WATTAGE 15W SPEAKER BRAND Supro SPEAKER MODEL DK12 KNOB CONTROLS Volume, Treble, Mid, Bass, Reverb, Master EFFECTS Boost, Drive INPUTS 1 REMOTE SWITCH JACKS TRS Double Footswitch OUTPUTS (LINE LEVEL) Line Out SPEAKER JACK N/A PREAMP TUBES 12AX7 POWER AMP TUBES 6L6 HARDWARE CABINET MATERIAL Poplar HANDLE Rubber REMOTE SF4 COVER BC12 TOLEX Black PIPING Cream COLORWAY Black and Cream GRILL CLOTH Black BODY CAB DIMS (IN.) 17” x 7.5” x 16” CAB DIMS (CM) 43 x 19 x 41 cm WEIGHT (LBS) 28 lbs WEIGHT (KG) 13 kg

Supro Analog DRIVE overdrive pedala. The Supro Drive captures the unmistakable sound of our vintage tube amplifiers in an effects pedal. By recreating every aspect of the circuitry of a 1960s Supro tube amp, including an actual output transformer, the Supro Drive achieves the magnetic saturation that gives Supro amps their iconic deep, warm, and gritty rock n' roll tones. The most realistic-sounding overdrive pedal ever made, the Supro Drive features a toggle switch between the different windings of our custom transformer, offering high-headroom Bold sounds or high-gain Rich tones. The pedal also features an assignable Expression pedal control for adjusting gain with preset minimum and maximum settings. Runs on 9-18VDC. Specifikacija: MODEL NAME Drive SKU 1305 FUNCTION Vintage Amp Emulator CATEGORY 1 Distortion CATEGORY 2 - EXPRESSION Gain ELECTRONICS POWER 9-18VDC CURRENT DRAW 100mA INPUT IMPEDANCE 1M OUTPUT IMPEDANCE 150ohms BODY LENGTH (IN) 4.9 WIDTH (IN) 3.2 HEIGHT (IN) 3.2 WEIGHT (LBS) 1

Supro '64 SUPER lampaško pojačalo, 1X8 | 6V6 TUBES. The '64 Super is a reissue of the iconic 1x8 combo made by Supro in the early 60s. With a single volume knob—and nothing else—the Super lets you hear the full tonal range of the tube preamp found in vintage Supro amplifiers. The purposeful absence of EQ controls in this amp’s original design eliminates the passive components that inevitably weigh down the raw power coming from the preamp when a tone knob is included in the circuit. The no-frills, high-gain preamp featured in the Super feeds directly into a Class A, 6V6-equipped, single-ended, 5-Watt power amp that dates to the company’s pre-war origins as one of the first American tube amp manufacturers. Now featuring an 8-inch Jensen C8R speaker for the perfect balance between at-home tone and recording studio ripping. Specifikacija: ELECTRONICS WATTAGE 5W SPEAKER BRAND Jensen SPEAKER MODEL C8R KNOB CONTROLS Volume EFFECTS - INPUTS 1 REMOTE SWITCH JACKS - OUTPUTS (LINE LEVEL) N/A SPEAKER JACK N/A PREAMP TUBES 12AX7 POWER AMP TUBES 6V6 HARDWARE CABINET MATERIAL Poplar HANDLE Vinyl Dog Bone REMOTE - COVER N/A TOLEX Blue Rhino Hide PIPING White COLORWAY Blue Rhino Hide GRILL CLOTH Supro Silver/Blue BODY CAB DIMS (IN.) 15.5″ x 7.5″ x1 2.3″ CAB DIMS (CM) 40 x 19 x 30 cm WEIGHT (LBS) 23 lbs WEIGHT (KG) 10.5 kg

Pigtronix Space Rip PWM GUITAR SYNTH. Space Rip is an analog synth pedal featuring pulse width modulated (PWM) sawtooth and square wave voices in multiple octaves. A state-of-the-art tracking engine allows the Space Rip to keep up with your fastest single note lines, replicating both pitch and dynamics. Sounds like tearing the fabric of spacetime in half. Pulse width of the square and sawtooth waveforms produced by the onboard VCO is kept in a state of flux, generating constant harmonic motion controlled by the Rate knob. The Sub knob adds an additional voice one octave down from the input signal, while the Octave switch drops the entire synth down an additional octave, producing a devastating amount of pure analog synth bass. Runs on standard 9VDC. Specifikacija: MODEL NAME Space Rip SKU PWM FUNCTION PWM Guitar Synth CATEGORY 1 Synthesis CATEGORY 2 - EXPRESSION - ELECTRONICS VOLTAGE 9VDC CURRENT DRAW 100mA INPUT IMPEDANCE 2.2M OUTPUT IMPEDANCE 150ohms BODY LENGTH (IN) 1.5 WIDTH (IN) 3.75 HEIGHT (IN) 1.75 WEIGHT (LBS) 0.5

Supro '64 REVERB lampaško pojačalo, 1X8 | 5-WATT | REVERB. The '64 Reverb is a 5-watt, 1x8 combo amp featuring tube-driven spring reverb. This ultra-compact and gig-ready amplifier provides independent gain and master volume controls, along with a 2-band EQ for maximum flexibility. Three line outputs optimized for feeding another guitar amplifier or recording console are driven by the preamp tubes before the master volume, allowing the player to tame the on-board speaker from rock gig to bedroom rig, as well as easily utilize the all-tube outboard gain/reverb as an effects unit or direct recording preamp. Now featuring an 8-inch Jensen C8R speaker for compact, solid tone regardless of environment. Specifikacija: NAME 64 Reverb SKU 1605RJ ELECTRONICS WATTAGE 5W SPEAKER BRAND Jensen SPEAKER MODEL C8R KNOB CONTROLS Volume, Treble, Bass, Reverb, Master, Mix Out Level EFFECTS Reverb INPUTS 2 REMOTE SWITCH JACKS TS Single Footswitch OUTPUTS (LINE LEVEL) Wet, Dry, Mix SPEAKER JACK 1x 8-ohm, 2x 4-ohm PREAMP TUBES 2x 12AX7, 1x 12AT7 POWER AMP TUBES 6V6 HARDWARE CABINET MATERIAL Poplar HANDLE Vinyl Dog Bone REMOTE SF1 COVER N/A TOLEX Blue Rhino Hide PIPING White COLORWAY Blue Rhino Hide GRILL CLOTH Supro Silver/Blue BODY CAB DIMS (IN.) 15.5″ x 7.5″ x1 2.3″ CAB DIMS (CM) 40 x 19 x 30 cm WEIGHT (LBS) 23 lbs WEIGHT (KG) 10.5 kg

Supro Analog TREMOLO pedala za gitaru. The Supro Tremolo accurately recreates the iconic modulation effects found in iconic amplifiers of the 1960s. With both Amplitude and Harmonic modes, the all-analog Supro Tremolo allows players to switch between swampy tremolo sounds and psychedelic modulating tones. The Supro Tremolo features preamp and power amp sections, including an actual output transformer deployed to recreate the magnetic saturation characteristic of historic Supro amps. Along with modulation controls for Speed and Depth, the Supro Tremolo provides Gain control with automatic output level compensation. Additionally, the pedal features an assignable Expression pedal control to adjust the Speed function. Runs on 9-18VDC. Specifikacija: MODEL NAME Tremolo SKU 1310 FUNCTION Harmonic Tremolo Overdrive CATEGORY 1 Modulation CATEGORY 2 Distortion EXPRESSION Speed ELECTRONICS POWER 9-18VDC CURRENT DRAW 100mA INPUT IMPEDANCE 1M OUTPUT IMPEDANCE 150ohms BODY LENGTH (IN) 4.9 WIDTH (IN) 3.2 HEIGHT (IN) 3.2 WEIGHT (LBS) 1

Pigtronix INFINITY 2 HI-FI Double Looper. Infinity 2 is a hi-fi stereo double looper designed to be the ultimate writing, arranging and performing tool. It can be utilized as a double looper to record and perform sequential parts, or as a standard looper on the right footswitch while assigning one of five selectable modes to the left footswitch. As a double looper, Infinity 2 enables musicians to seamlessly switch between loops, even during initial recording or while overdubbing. As a standard looper plus assignable effects, Infinity 2 becomes an ambient dream machine. Specifikacija: MODEL NAME Infinity 2 SKU SPL2 FUNCTION Stereo Double Looper CATEGORY 1 Looping CATEGORY 2 - EXPRESSION TRS Remote ELECTRONICS VOLTAGE 9VDC CURRENT DRAW 100mA INPUT IMPEDANCE High OUTPUT IMPEDANCE 1k BODY LENGTH (IN) 4.5 WIDTH (IN) 2.6 HEIGHT (IN) 7.4 WEIGHT (LBS) 1