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MUŠKI CRNI KAPUT BROJ 52(KORS-ROGAŠKA SLATINA)DUŽINA 106CM. ŠIRINA RAMENA 48 CM.DUŽINA RUKAVA SA SPOLJNE STARNE 64 CM. ISPOD PAZUHA 38 CM FOTOGRAFIJE SLABIJE ZBOG SUNCA!!

Original, made in EU Novo, u celofanu Redak disk Mentor i ucitelj Luja Armstronga King Oliver And His Creole Jazz Band* – 1923 Label: Classics (11) – CLASSICS 650 Series: The Classics Chronological Series – 650 Format: CD, Compilation, Remastered Country: France Released: Jul 1992 Genre: Jazz Style: 1 King Oliver`s Creole Jazz Band– Just Gone 2:38 2 King Oliver`s Creole Jazz Band– Canal Street Blues 2:30 3 King Oliver`s Creole Jazz Band– Mandy Lee Blues 2:09 4 King Oliver`s Creole Jazz Band– I`m Going Away To Wear You Off My Mind 2:50 5 King Oliver`s Creole Jazz Band– Chimes Blues 2:48 6 King Oliver`s Creole Jazz Band– Weather Bird Rag 2:38 7 King Oliver`s Creole Jazz Band– Dipper Mouth Blues 2:27 8 King Oliver`s Creole Jazz Band– Froggie Moore 2:59 9 King Oliver`s Creole Jazz Band– Snake Rag 2:58 10 King Oliver`s Jazz Band– Snake Rag 3:15 11 King Oliver`s Jazz Band– Sweet Lovin` Man 2:41 12 King Oliver`s Jazz Band– High Society Rag 2:55 13 King Oliver`s Jazz Band– Sobbin` Blues 3:07 14 King Oliver`s Jazz Band– Where Did You Stay Last Night? 2:27 15 King Oliver`s Jazz Band– Dipper Mouth Blues 2:13 16 King Oliver`s Jazz Band– Jazzin` Babies` Blues 2:56 17 King Oliver And His Creole Jazz Band*– Alligator Hop 2:19 18 King Oliver And His Creole Jazz Band*– Zulus Ball 2:31 19 King Oliver And His Creole Jazz Band*– Working Man`s Blues 2:10 20 King Oliver And His Creole Jazz Band*– Krooked Blues 2:49 21 King Oliver`s Jazz Band– Chattanooga Stomp 2:57 22 King Oliver`s Jazz Band– London (Cafe) Blues 2:41 23 King Oliver`s Jazz Band– Camp Meeting Blues 2:54 24 King Oliver`s Jazz Band– New Orleans Stomp 2:52 Barcode: 307517065025 Joseph Nathan `King` Oliver (December 19, 1881 – April 10, 1938) was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including `Dippermouth Blues`, `Sweet Like This`, `Canal Street Blues`, and `Doctor Jazz`. He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, `if it had not been for Joe Oliver, Jazz would not be what it is today.` Biography Life Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville in Ascension Parish, and moved to New Orleans in his youth. He first studied the trombone, then changed to cornet. From 1908 to 1917 he played cornet in New Orleans brass bands and dance bands and in the city`s red-light district, which came to be known as Storyville. A band he co-led with trombonist Kid Ory was considered one of the best and hottest in New Orleans in the late 1910s.[2] He was popular in New Orleans across economic and racial lines and was in demand for music jobs of all kinds. According to an interview at Tulane University`s Hogan Jazz Archive with Oliver`s widow Estella, a fight broke out at a dance where Oliver was playing, and the police arrested him, his band, and the fighters. After Storyville closed, he moved to Chicago in 1918 with his wife and step-daughter, Ruby Tuesday Oliver.[3] Noticeably different in his approach were faster tempos, unlike the slow drags in the African-American dance halls of New Orleans.[4] In Chicago, he found work with colleagues from New Orleans, such as clarinetist Lawrence Duhé, bassist Bill Johnson, trombonist Roy Palmer, and drummer Paul Barbarin.[5] He became leader of Duhé`s band, playing at a number of Chicago clubs. In the summer of 1921 he took a group to the West Coast, playing engagements in San Francisco and Oakland, California.[3] On the west coast, Oliver and his band engaged with the vaudeville tradition, performing in plantation outfits.[6] Oliver and his band returned to Chicago in 1922, where they started playing in the Royal Gardens cabaret (later renamed the Lincoln Gardens) as King Oliver and his Creole Jazz Band. In addition to Oliver on cornet, the personnel included his protégé Louis Armstrong on second cornet, Baby Dodds on drums, Johnny Dodds on clarinet, Lil Hardin (later Armstrong`s wife) on piano, Honoré Dutrey on trombone, and Bill Johnson on double bass.[3] Recordings made by this group in 1923 for Gennett, Okeh, Paramount, and Columbia demonstrated the New Orleans style of collective improvisation, also known as Dixieland, and brought it to a larger audience. Armstrong notably had to stand in the corner of the room, away from the horn, because of his powerful playing.[7] In addition, white musicians would visit Lincoln Gardens in order to learn from Oliver and his band.[8] A prospective tour in the midwestern states ultimately broke up the band in 1924.[9] In the mid-1920s Oliver enlarged his band to nine musicians, performing under the name King Oliver and his Dixie Syncopators, and began using more written arrangements with jazz solos. This band led by Oliver at the Plantation Café was in direct competition with Louis Armstrong`s Sunset Stompers, who performed at the Sunset Café.[10] In 1927 the band went to New York, but he disbanded it to do freelance jobs. In the later 1920s, he struggled with playing trumpet due to his gum disease, so he employed others to handle the solos, including his nephew Dave Nelson, Louis Metcalf, and Red Allen. He reunited the band in 1928, recording for Victor Talking Machine Company one year later. He continued with modest success until a downturn in the economy made it more difficult to find bookings. His periodontitis made playing the trumpet progressively difficult.[11] He quit playing music in 1937.[3] Work and influence As a player, Oliver took great interest in altering his horn`s sound. He pioneered the use of mutes, including the rubber plumber`s plunger, derby hat, bottles and cups. His favorite mute was a small metal mute made by the C.G. Conn Instrument Company, with which he played his famous solo on his composition the `Dippermouth Blues` (an early nickname for fellow cornetist Louis Armstrong). His recording `Wa Wa Wa` with the Dixie Syncopators can be credited with giving the name wah-wah to such techniques. This `freak` style of trumpet playing was also featured in his composition, `Eccentric.`[12] Oliver was also a talented composer, and wrote many tunes that are still regularly played, including `Dippermouth Blues,` `Sweet Like This,` `Canal Street Blues,` and `Doctor Jazz.` `Dippermouth Blues,` for example, was adapted by Don Redman for Fletcher Henderson`s Orchestra under the new name of `Sugar Foot Stomp.` Oliver performed mostly on cornet, but like many cornetists he switched to trumpet in the late 1920s. He credited jazz pioneer Buddy Bolden as an early influence, and in turn was a major influence on numerous younger cornet/trumpet players in New Orleans and Chicago, including Tommy Ladnier, Paul Mares, Muggsy Spanier, Johnny Wiggs, Frank Guarente and, the most famous of all, Armstrong. One of his protégés, Louis Panico (cornetist with the Isham Jones Orchestra), authored a book entitled The Novelty Cornetist, which is illustrated with photos showing some of the mute techniques he learned from Oliver. As mentor to Armstrong in New Orleans, Oliver taught young Louis and gave him his job in Kid Ory`s band when he went to Chicago. A few years later Oliver summoned him to Chicago to play with his band. Louis remembered Oliver as `Papa Joe` and considered him his idol and inspiration. In his autobiography, Satchmo: My Life in New Orleans, Armstrong wrote: `It was my ambition to play as he did. I still think that if it had not been for Joe Oliver, Jazz would not be what it is today. He was a creator in his own right.`[1] Hardships in later years, decline and death Oliver`s business acumen was often less than his musical ability. A succession of managers stole money from him, and he tried to negotiate more money for his band than the Savoy Ballroom was willing to pay – losing the job. He lost the chance of an important engagement at New York City`s famous Cotton Club when he held out for more money; young Duke Ellington took the job and subsequently catapulted to fame.[13] The Great Depression brought hardship to Oliver. He lost his life savings to a collapsed bank in Chicago, and he struggled to keep his band together through a series of hand-to-mouth gigs until the group broke up. Oliver also had health problems, such as pyorrhea, a gum disease that was partly caused by his love of sugar sandwiches and it made it very difficult for him to play[14] and he soon began delegating solos to younger players, but by 1935, he could no longer play the trumpet at all.[15] Oliver was stranded in Savannah, Georgia, where he pawned his trumpet and finest suits and briefly ran a fruit stall, then he worked as a janitor at Wimberly`s Recreation Hall (526-528 West Broad Street).[15] Oliver died in poverty `of arteriosclerosis, too broke to afford treatment`[16] in a Savannah rooming house on April 8 or 10, 1938.[17] His sister spent her rent money to have his body brought to New York, where he was buried at Woodlawn Cemetery in The Bronx. Armstrong and other loyal musician friends were in attendance.[18] Honors and awards Oliver was inducted as a charter member of the Gennett Records Walk of Fame in Richmond, Indiana in 2007. Selected compilation discography Papa Joe: King Oliver and His Dixie Syncopators 1926–1928 (Decca, 1969) Louis Armstrong and King Oliver (Milestone, 1974) The New York Sessions (Bluebird, 1989) Sugar Foot Stomp The Original Decca Recordings (GRP, 1992) Dippermouth Blues (ASV Living Era, 1996) Great Original Performances 1923–1930 (Louisiana Red Hot, 1998) Sugar Foot Stomp Vocalion & Brunswick Recordings Vol. 1 (Frog, 2000) The Best of King Oliver (Blues Forever, 2001) The Complete Set: King Oliver`s Creole Jazz Band (Retrieval, 2004) The Complete 1923 Jazz Band Recordings (Off the Record, 2006) King Joe Oliver by Walter C. Allen and Brian A. L. Rust, Jazz Monographs No. 1, February 1956, published by Walter C. Allen Beleville, N.J. (This is the second printing; Jazz Monographs No. 1. October 1955 was the first printing of this biography and discography.)

Original, made in EU Knjizica od 12 str. Odlicno ocuvano Evolve (stylized as ƎVOLVE) is the third studio album by American pop rock band Imagine Dragons, released on June 23, 2017, by Kidinakorner and Interscope Records. After the release of their previous album Smoke + Mirrors (2015) and its respective world tour, a self-imposed hiatus for 2016 and cryptic messages from the band through their social media gained anticipation for their third album; it was finally announced on May 9, 2017, along with the initiation of its pre-order. In comparison to Smoke + Mirrors and their 2012 debut Night Visions, frontman Dan Reynolds called the album an `evolution` for the band. Evolve peaked at number 2 on the US Billboard 200, and received mixed reviews from critics; some acknowledged the band`s claim of evolution, while others described it as lifeless and commercially oriented. It was promoted with the singles `Believer`, `Thunder`, `Whatever It Takes`, and `Next to Me`, as well as a world tour produced by Live Nation and supported with Grouplove and K.Flay that started in September 2017. The album was also nominated for the Grammy Award for Best Pop Vocal Album at the 60th Annual Grammy Awards Background In February 2016, after the success of their second album Smoke + Mirrors and a ten month long world tour, the members of Imagine Dragons vowed to take time off from the band. In an interview with Billboard, lead singer Dan Reynolds stated that the group would be on hiatus for the remainder of the year, explaining `We [Imagine Dragons] haven`t stopped in, like, six years, so we`ve forced ourselves to at least take a year off.`[2] Throughout 2016, the band contributed songs to the soundtracks for Me Before You, Suicide Squad and Passengers, as well as playing at several shows. The band first began preparing their third album on September 13, 2016, with a picture of guitarist Wayne Sermon in the band`s recording studio and continued releasing cryptic messages over the next four months. On January 24, 2017, the band tweeted `goodnight +`,[3] effectively ending the Smoke + Mirrors album cycle. Composition Reynolds had noted that the album, compared to Night Visions and Smoke + Mirrors, is `an evolution for Imagine Dragons`.[4] The album`s sound has been described as pop rock,[5] electronic,[6] pop[7] and EDM[8] while containing elements of R&B and hip hop.[9][10] Personnel Credits adapted from AllMusic.[39] Dan Reynolds – lead vocals, keyboards, backing vocals, acoustic guitar Wayne Sermon – electric guitar, backing vocals, acoustic guitar Ben McKee – bass guitar, keyboards, backing vocals Daniel Platzman – drums, percussion, backing vocals Serban Ghenea – mixing Manny Marroquin – mixing Tom Coyne – mastering Randy Merrill – mastering

Made im Turkey Polu obim u struku 43.5cm Ukupna duzina 112cm Bukvalno nove

Odlicno Samo u sadržaju grafitnom štiklirano šta je pročitano Tags: Ivo Mardešić Putovanje kao arhetipska slika za introspekciju Jesenjin Matoš savremena italijanska knjizevnost xx veka Kopitar Vuk Gete Istorija srpskog jezika i srpske knjizevnosti Hrvatske ...

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Majke - Najveci Hitovi Nezvanicno izdanje sa bukletom na preklop. Made in Yugoslavia Ocuvanost CD: 5- Omot/knjizica: 5- Spisak pesama: 01 Svaku Noć I Svaki Dan 02 Ne Mogu Se Kontrolirati 03 Lutak Iskrivljenog Lica 04 Zbunjen I Ošamućen 05 Putujem 06 Krvarim Od Dosade 07 `89 08 Mršavi Pas 09 Svijet Je Opasan 10 Fantastična Vatra 11 Rođen U Blatu 12 Ja Sam Budućnost 13 Milost 14 Tamo Gdje Ne Postojiš 15 Sveti Planet 16 Vrijeme Je Da Se Krene 17 Sve Što Osjećaš 18 Cigan 19 Mene Ne Zanima 20 Odvedi Me 21 Nije Lako Stanje mozete videti na slikama. Zanrovi: garage rock, blues rock pvs1r7

CD i booklet su odlično očuvani. Švedski punk bend. Randy - You Can`t Keep A Good Band Down CD 1. Holy Shit 2. Little Toulouse 3. The Exorcist 4. Me And The Boys 5. Epidemic Ignorance 6. Superstar 7. Step Outside 8. Randy I Don`t Need You 9. They Fear Us 10. You Are What You Fight For 11. Powergame 12. Now And Forever 13. Working Class Radio 14. Out Of Nothing Comes Nothing

Kao slikama Lepo očuvano 1989. Predmet ove knjige čine neki sadržaji i oblici narodnog života Mongola. Zamisao autora bila je da sačini etnološki prikaz monografskog, a ne užeg tematskog karaktera. Za takav koncept ovog spisa presudna su bila dva osnovna razloga. Prvo. Autor se oprijedelio za monografsku, a ne za užu tematsku formu svog djela, zato što stanje etnoloških i drugih informacija o mongolskim plemenima, ni po obimu ni po disciplinarnoj strukturi, u jugoslovenskom duhovnom prostoru nije zadovoljavajuće. Ova činjenica je autora podsticala i utvrđivala u namjeri i uvjerenju da makar i skroman prilog, kojim se nadomještaju pomenuti nedostaci, ima smisla i značaja za našu orijentalistiku i kulturu uopšte. Drugo. Obrada pojedinačne, uže definisane etnološke teme, izostala je s toga što takav pristup predpostavlja detaljnija i dugoročnija istražvanja, usko povezana sa studijskim boravcima u konkretnoj nacionalnoj sredini, odnosno u i drugim institucijama kulture Mongolije. Za pisca ove knjige, međutim, nijesu se stekli uslovi da tu svoju želju ostvari. Monografsku formu ovog etnološkog prikaza Mongolije bilo je moguće zasnovati na stručnoj i naučnoj literaturi, kao i na drugim izvorima podataka, koje je autor koristio - na ruskom, engleskom i srpskohrvatskom jeziku. Sadržaj: Uvod Zemlja i narod Mongoli kroz istoriju (kratak osvrt) Osnovni podaci o mongolskim plemenima Neke religijske predstave kod mongola Način privređivanja i ishrana Neki spomenici materijalne kulture O nekim aspektima duhovnog narodnog stvaralaštva Zaključak Summary Resume Literatura Opšti indeks Prilozi Bilješka o autoru Istorija Mongola Mongolije Mongoli Azija ...

Anna Michalidou Odlično Knossos Kompletan vodič Stara Grčka Arheologija

Roadrunner Europe 2004. 5- stanje CD izdanja albuma poznatog nu-metal/hardcore sastava sa malo tragova koriscenja i 12 numera: 1 A Bid Farewell 3:55 2 Take This Oath 3:46 3 When Darkness Falls 3:52 4 Rose Of Sharyn 3:36 5 Inhale 1:15 6 Breathe Life 3:18 7 The End Of Heartache 4:58 8 Declaration 3:01 9 World Ablaze 4:59 10 And Embers Rise 1:11 11 Waste Sacrifice 4:18 12 Hope Is... 4:19 Buklet na 8 stranica sadrzi tekstove pesama, dosta fotografija, podatke...

PLISANA KUTIJA,LEPO OCUVANO,NE ZNAM GODINU IZDANJA

Samsung ARH-1403 (DB93-03012B) daljinski za klima uređaje, provereno ispravan i solidno očuvan, prodaje se bez baterija, stanje kao na slikama ... Lično preuzimanje : KOD MENE KUĆI u BG na Senjaku ! Slanje : Post Express-om o trošku kupca ! ***** Pogledajte i ostalu moju prodaju na Kupindu, možda nađete nešto interesantno : http://www.kupindo.com/Clan/nin2/SpisakPredmeta

PROVERITE VELIČINU PRE KUPOVINE !!! NOV beli ženski mantili - 100% pamuk Medicinski - laboratorijski - hemijski - radni mantil Za dodatna pitanja, stojim vam na raspolaganju. Ovo su dimenzije mantila koje imam i uvek je preporuke da bude malo veći, pa odaberite šta vam najviše odgovara ili mi recite visinu i težinu pa ću vam ja predložiti odgovarajući  Veličina S: Leđa (šavovi) - 41-42 cm Grudi (šavovi ispod pazuha) - 54cm Dužina sa leđne strane - 102 cm Veličina M: Leđa (šavovi) - 44 cm Grudi (šavovi ispod pazuha) - 56cm Dužina sa leđne strane - 105 cm Veličina L: Leđa (šavovi) - 45cm Grudi (šavovi ispod pazuha) -58 cm Dužina sa leđne strane - 106 cm

original o4

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ОМОТ 5 ЦД 5 НОВ НЕСЛУШАН

Lepo očuvano Individualpsychologie Eine systematische Darstellung Erwin Wexberg 1928 Individualna psihologija (od lat. individuum = nedeljiv, nerazdvojiv) je psihološka naučna disciplina koja se bavi izučavanjem individualnih razlika među ljudima u pogledu psihičkih osobina kao što su: opšte i intelektualne sposobnosti, specifične sposobnosti, crte ličnosti itd. Osnovni cilj ove naučne discipline je traganje za objašnjenjima i potencijalnim uzročnicima koji mogu biti u osnovi registrovanih individualnih razlika. Ova grana psihologije u traganju za naučnim objašnjenjima se, pored saznanja iz psihologije, oslanja i na saznanja drugih naučnih disciplina, kao što su: genetika, fiziologija, neuronauke itd. Pored naučnog značaja ispitivanja individualnih razlika, psihičkih osobina i funkcija, shvatanje da postoje individualne razlike među ljudima ima i svoj praktični značaj.[1] Individualne razlike u pogledu psiholoških osobina ljudi u praksi utvrđuje se putem standardizovanih psiholoških mernih instrumenata (popularno - testova). Na osnovu rezultata koje pojedinac ostvari na nekom od testova (npr. testova inteligencije ili ličnosti) može se statistički utvrditi njegovo mesto u populaciji. Ovakvi podaci sa testova koriste se često u selekciji kandidata za neko radno mesto. Mere psihičkih osobina i funkcija dobijene na osnovu testova su relativne, a ne apsolutne mere, jer se pamet ili osobine ličnosti ne mogu meriti, kao čto se može meriti visina, težina ili nivo šećera u krvi. Ali, i pored toga, ove mere su u dovoljnom stepenu pouzdane i govore nešto o osobama, pre svega govore o njegovom mestu u odnosu na druge ljude u pogledu izraženosti postignuća na testu koji se pretpostavlja da meri pokazatelje nekih psihičkih karakteristika. Psihičke karakteristike se ne mogu meriti direktno, već samo indirektno, na osnovu izraženosti nekih indikatora date osobine, kao što se npr. temperatura meri na osnovu položaja žive na skali termometra.[2] Tvorac individualne psihologije Uredi Alfred Alder (rođen 1870. godine u Beču, umro 1937. u Aberdenu u Škotskoj) je tvorac individualne psihologije. Za Adlera je svaka ličnost neponovljiva i jedinstvena celina, vođena jednim osnovnim ciljem koji oblikuje njen život, stvarajuči njen osobni „životni stil“. Taj osnovni cilj može biti zdrav ili neurotičan. Zdrav cilj za Adlera podrazumeva okrenutost ka zajednici, razvijeno osećanje za druge i delatnost u korist zajednice. Neurotična ličnost je, međutim, egocentrično usredsređena na samu sebe, i sledi vlastiti fiktivni, neostvarivi cilj. U osnovi tog cilja je potreba da se postigne savršenstvo i nadmoć u odnosu na druge.[3] Individual psychology ervin veksberg

Pestilence - Obsideo , izdanje Candlelight . CD - 5 Buklet - 5

Branko Vidakovic, Ivana Mihic, Boda Ninkovic - Trinidad Originalno izdanje sa bukletom. Knjizica ima 4 strane. Made in Yugoslavia Ocuvanost CD: 4+ (dve linije, par sitnih crtica, ne utice na rad) Knjizica: 5- Zadnji omot: 4++ (blago neravan) Spisak pesama: 01 Ona Hoće Mambo 3:11 02 Kuku Lele 2:18 03 Kokosovo Mleko 2:14 04 Tik Tak Tik 2:47 05 Matilda 0:07 06 Uzmi Me Uzmi 2:55 07 S` Gledišta Logičkog 2:31 08 Merenge 2:39 09 Gotsa - Gotsa 0:27 10 Lepo Je Tako Plitko 2:46 11 Baba Roga 3:00 12 Ona Hoće ... 0:21 13 Ne Ja (One Su Pametnije) 2:50 14 ... Mambo 3:09 Stanje mozete videti na slikama. Zanrovi: stage & screen, latin, soundtrack, pop, bossanova pvs3r9

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Odlično kao naslikama Spomenar o starom Beogradu Nikola Trajković Izdavač: Sloboda, Beograd 1984; Detaljnije: tvrd povez sa omotom, strana 252, ilustracije, 25cm Istorijabeograda beograd kroz istoriju drevni grad ...

Fantastika Ilije Bosilja, katalog 2013. Mek povez, strana 24 Vrlo dobro ocuvano Ilija Basiscevic Bosilj

Air - Pocket symphony , izdanje Virgin . Enhanced CD CD - 4+ / 5- Buklet - 5