Combining pro-grade sonic skills with the latest in premium design, these headphones model a discreet but stylish profile while boasting new audio technology, mastered by years of research though helping professional musicians and producers get the perfect sound since 1962. Designed for listening at home and on-the-go, the MSR7 headphones are the ultimate in comfort. Soft memory-foam ear pads fit securely and snugly around the ears, maximising comfort during long listening sessions, alongside Audio-Technica technology developed over 40-years of designing monitor headphones for producers, studios and musicians which minimises listener fatigue – crucial when enjoying new high resolution audio formats on the latest music players and smartphones. The housing has also been specially shaped with ear-profiled grills to ‘mirror’ the whole ear and enhance the rich, lower end sounds, while the highly flexible swivel design helps to find the most comfortable fit instantly. 45mm ‘True Motion’ Hi-Res audio driver Unique Dual-layer Air-control technology controls the air stream in the housings Triple-venting acoustic airflow design Layered metal structure to reduce unwanted resonance Soft memory foam earpads for long-term listening comfort Available in black (BK), gun metal (GM) and limited edition red (LTD) SPECIFICATIONS: Driver Diameter: 45mm Maximum Input Power: 2000 mW Frequency Response: 5 - 40,000 Hz Sensitivity: 100 dB Impedance: 35 ohms Weight: 290g Connector: 3.5 mm gold-plated stereo mini plug Cable: 1.2 m, 3.0m and 1.2m with mic for smartphones Accessories Included: Pouch

Premium Sound, Portable PA Package Plug into the lightweight BA-330, and you won't believe your ears! Not only does this portable PA system give you four channels of amazing sound, but it can also be battery powered, so you can take that great sound anywhere. It's even got built-in effects right onboard, so you can add a professional sheen to your sound. Need to play backing tracks? Use the auxiliary input to play music from your MP3 or CD player (there's even a built-in pocket to hold it!). The Roland BA-330 is your take-anywhere PA! Roland BA-330 Portable Stereo Digital PA System Features: All-in-one portable digital PA system you can use anywhere Powerful, high-quality stereo sound for audiences up to 100 people No setup required; just plug in and go Powered by AC power or by eight AA batteries Four custom-designed 6.5" speakers and two tweeters for wide stereo projection Built-in effects: EQ, reverb, delay, and wide (on/off per channel) 4-channel configuration: two channels for mic/instruments plus two channels for stereo inputs Stereo Aux input with dedicated volume-control knob Advanced Intelligent Anti-feedback function Built-in tilt-back stand lets you monitor at an optimum angle Speaker stand mount built in

Mikrofon specijalno razvijen za upotrebu u radijskim studijima. Nakon zaslužene pobede u izboru od strane Radeo World/US National Association of Broadcaster (NAB), ovaj mikrofon postaje industrijski standard kada su Broadcast aplikacije u pitanju. Opremljen je vrhunskom HF2 1" pozlaćenom dijafragmom, posebno dizajniranom za prenos vokalnih zvučnih signala, integrisanim pop filterom i On-Air indikatorom koji jasno pokazuje kada je mikrofon u etru. Tehnička specifikacija: * Acoustic Principle: Pressure Gradient * Active Electronics: JFET impedance converter with bipolar output buffer * Capsule: 1.00" * Polar Pattern: Cardeoid * Address Type: End * Frequency Range: 20Hz - 20kHz * Output Impedance: 40Ω * Maximum SPL: 128dB SPL (@ 1kHz, 1% THD into 1KΩ load) * Maximum Output Level: 2.0dBu (@ 1kHz, 1% THD into 1KΩ load * Sensitivity: -34.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz * Equivalent Noise Level (A-weighted): 14dB-A * Power Options : +24V phantom power+48V phantom power * Weight: 577.00gm * Dimensions: 167.00mmH x 50.00mmW x 65.00mmD * Output XLR Output

The Rack Mix 12 is a 1U rack-mounted 12-channel mixer that can solve countless audio challenges. It features 6 mic/line combination inputs (HDHQ™ Denon-Marantz proprietary mic pre’s) each with switchable phantom power and 6 additional line-level inputs. It has balanced XLR outputs, a ¼-inch (6.3mm) mono output that can be used to connect the Rack Mix 12 to a remote mixer, a pair of RCA stereo outputs to connect to a remote recording device, and ¼-inch (6.3mm) mic monitoring port that can be used to monitor the mics’ signals. The Rack Mix 12 provides individual level control for all inputs in addition to level control for the mono output port and a master level control. Rounding off the feature set, It has a 3-level equalizer and a controlled priority for Mic/Line 1. It can be powered from standard AC or a 24V DC power source, inviting it to be used in a variey of applications; everything from a classtroom to a tour bus. 6 HDHQ™ Combination inputs with MIC, Phantom and Line selector switches 6 mono (3 stereo) RCA Inputs Mic monitor ¼” output for private listening to all mic inputs Balanced XLR line outputs Mono ¼” line output can be used to feed audio to external recording device AC or 24V DC power inputs Mic 1 Priority Control Master and Individual level controls 1U rack mountable

THE LOW COST SYSTEM The mixer amplifier MX-AMP 120E offers 5 XLR Inputs which may be used for connecting signal sources such as Microphones or a CD Player. By changing the position of the LINE/MIC switch on the rear side you select the operation mode of each input. Furthermore you can connect an additional source (Input and Output) by činč. Besides the precise volume control for each input channel the MX-AMP 120Eoffer fine adjustment of bass and treble. To connect the speakers you can choose between the 70 Volt, 100 Volt and 8 Ohm outputs. The blue power-LED and a three digit LED VUmeter are informing you about the operational readiness and the output level of the 120 Watt powered mixer amplifier. The MX-AMP 120E is the low cost solution by obtaining the high quality level. Type Supply Outputs Dimensions (mm) MX-AMP 120E AC 230V 50/60Hz ± 10% Music/Speech: 8ohm, 70V, 100V AUX Out: 350mV, 4.7Kohm 88x430x260 Output Power Max/Rated Frequency Range (Hz) Inputs Weight (kg) 180W/120W Mic1~Mic5: 60Hz~15KHz ±3dB AUX/CD: 60Hz~15KHz ±3dB Mic 1-5: 1mV, 250ohm balanced; AUX: 200mV, 47Kohm unbalanced 9.5

Built-in Speaker is one of the most indispensable elements of the Artcore system. You can find out how this system works on the previous pages.The CORE160 is an active built-in speaker that comes from the well-known Intiimi line. With a frameless grill of barely 1 mm and a thickness of just under 5 mm, it makes quick work of today’s standards. The titanium driver with neodymium magnet and patented® suspension, together with the advanced separation filter, create a magnificent sound experience. The CORE160 is driven by a double amplifier: 20 W (tweeter) + 70 W (woofer). Not only is the CORE160 active, you can also use it both wired and wirelessly. In both cases, you control it via the Artcore app. This forms the dashboard with services such as Spotify, Vtuner, etc. This allows you to effortlessly create a flexible multi-room system. Specs: range <50 m2 system 2-way coaxial woofer 6” neodymium tweeter 1” directable neodymium titanium dome input 2 Gigabit ethernet (built-in switch) power 20 + 70W frequency range 55Hz - 19,5kHz power supply 24V - 120W DC dim. cut-out (O) 270 x 180mm dim. (O x d) 295 x 205 x 85mm weight / piece 1,9kg composition ABS / metal grill colour white features paintable grill options acoustic kit (KITRE3) flush mount kit (FLKITRE2060)

Professional stereo audio meter for mixing, mastering and post production 7” high resolution LCD display for precision metering in all studio environments USB connection for hassle-free VST*, Audio Units and AAX* plug-in metering Stereo 96 kHz AES3 digital audio on 75 Ohm BNC connectors for broadcast-grade metering Ultimate metering toolbox to diagnose your mix for phase, balances, frequency distribution, loudness, channel weighting, clipping, mono compatibility Vectorscope for detailed Left-Right analysis High accuracy real time analyzer with 1/3 octave resolution Easy-read Balance-O-Meter to quickly check Left-Right and Mid-Side balances of your mix Precision correlation meter warns you about phase problems State-of-the-art scalable true peak meter identifies clipping in DACs, CODECs and downstream filters Legendary LM6 loudness radar meter provides all essential loudness monitoring information on a single screen Detailed statistics overview for all key loudness measuring parameters Provision for custom logo on LCD display Compliant with all major broadcast standards including ITU BS.1770-4, ATSC A/85, EBU R128, TR-B32 and OP-59 RAM-mount compatible for wall or ceiling mounting (not included) Stereo Optical Input for TOSLink* source General purpose input (GPI) for meter reset 3-Year Warranty Program* Designed and engineered in Denmark The CLARITY M STEREO provides a comprehensive set of precision tools essential to the success of any audio producer. Ideally suited to stereo mixing, mastering and post-production, CLARITY M STEREO’s 7" high-resolution LCD display provides a wealth of monitoring information at-a-glance via a single screen. Metering options include; the legendary LM6 Loudness Radar Meter; a state-of-the-art true peak meter; downmix compliance; stereo correlation; and a RTA (Real Time Analyzer). Source inputs come in a vast array of options including: USB for hassle-free VST*, Audio Units* and AAX* plug-in metering; Stereo 96 kHz AES3 digital audio on 75 Ohm BNC connectors or S/PDIF via the supplied RCA adapter for broadcast-grade metering; and stereo optical for maximum flexibility. CLARITY M STEREO is fully compliant with all major broadcast standards including ITU BS.1770-4, ATSC A/85, EBU R128, TR-B32 and OP-59, and is recommended for all studio environments. Audio Toolbox CLARITY M STEREO provides a veritable toolbox of meter types to help you make the right mix and mastering decisions for truly professional recordings. Vector Scope By tracing the left and right audio waveforms into a shape-like cloud, the high precision vector scope in CLARITY M STEREO will help you identify important stereo balance and phase issues in your mix. RTA Checking the spatial balance of your mix is paramount to ensure your mix has a well balanced stereo image and optimum stereo width. With the innovative Balance-O-Meter in your arsenal, you get instant access to your all-important Left to Right balance at-a-glance. Balance-O-Meter Checking the spatial balance of your mix is paramount to ensure your mix has a well balanced stereo image and optimum stereo width. With the innovative Balance-O-Meter in your arsenal, you get instant access to your all-important Left to Right balance at-a-glance. True-Peak Based on TC Electronic’s highly acclaimed True-Peak Technology, the CLARITY M STEREO is your guard against otherwise unpredictable clipping. Loudness Radar The Loudness Radar is essential when it comes to monitoring the loudness of your mix. With the loudness history overview on the scope, the radar helps get the levels just right, while the momentary loudness in the outer ring keeps an eye on your instant loudness level. Loudness Measures Loudness statistics not only keep you compliant with loudness standards, they also provide crucial information on other important aspects of your mix, such as micro dynamics and macro dynamics. Downmix Deviation The Deviation meter is a fundamental tool to ensure your mix sounds great whether played back in stereo or mono. This downmix compatibility meter is based on TC Electronic’s Loudness Technology, and provides the best means for determining the status of your mix fold down. Correlation For stereo mixing, the correlation meter helps identify phasing issues and other anomalies that are easy to miss when relying solely on your ears. Merging Hardware with Plug-ins While CLARITY M STEREO is an exceptional hardware stand-alone desktop meter, it also interacts seamlessly with your DAW workflow via plug-in metering – which is available for Pro Tools, Apple Logic Pro, Nuendo, and all other major VST*, AU* or AAX* compatible DAWs. CLARITY M STEREO is quite simply the ideal integration of two worlds. Bring Clarity to Your World CLARITY M STEREO provides a wealth of digital connectivity. Unbalanced AES3 (coaxial) and S/PDIF are available right out of the box, and optional adapters enable you to connect standard AES/EBU with ease. Additionally, you can use the TOSLink* port for optical input and the USB connection to work seamlessly with your favorite DAW. Myriad Mounting Options CLARITY M STEREO includes an integrated stand, making it perfect for any desktop. A pair of mounting holes provides compatibility with RAM-Mounts, allowing convenient attachment to a wall or ceiling. Other options include a suction cup for mounting on hard surfaces and a tough-claw mount for mic stand applications, all of which are available separately. Unparalleled Functionality With its high-resolution 7" display, wealth of metering tools, flexible connectivity and seamless DAW integration, CLARITY M STEREO sets the benchmark for computer integrated metering.

4-channel power audio amplifier for Rack ArtSound PRL-1204 is a 4-channel power amplifier, class D. The amp is extremely compact and can produce 4 x 120W RMS on 8 Ohms or 4 x 200W on 4 Ohms. Connected to a preamplifier like the ArtSound PM-2S01 it allows you to drive a large power on four different channels. ArtSound PR-1204 is equipped with both comfortable feet for surface mounting and a panel for mounting on a vertical rack. Specs: Type : 4-channel 4 x 120W RMS 8Ohm (200W / 4Ohm) final amplifier, class D Description : 4mm aluminum front panel - metal chassis Other : Protection, clip for Rack, LED Inputs : XLR audio combo jacks inputs / outputs- Loudspeaker binding posts Selection : stereo / parallel / bridge switch Dissipation : Innovative heatsink with air flow Input Sensitivity : 0.775V-1.0V-1.44V Signal / Noise : ?95dB Frequency response : 20Hz - 20KHz THD (10% Rated Power) : <0.1% Other : Class D Power Amplifier CircuitT.HD: <0.1% Power supply : 220V / 50Hz Dimensions (mm) : 483 x 250 x 44mm (19 ” / 1U) Weight : 3.8Kgs

Studijski cevni mikrofon vrhunskih performansi. Izuzetan kvalitet zvuka - budite spremni na iznenađenje! Stara cena: 1200 EUR RASPRODAJA 999 EUR - cevni kondenzatorski mikrofon - frekventni opseg: 20Hz - 20kHz - osetljivost: 12.6mV/Pa - 38 ± 1dB(0dB=1V/Pa 1000Hz) - kardeoidna karakteristika usmerenosti - impedansa ispod 200ohm - sopstveni šum: 16dB - dinamički opseg: 130dB - napajanje putem isporučene eksterne jedinice Isporučuje se vrhunskim amortizerom za montažu i De Luxe koferom.

Čisti kondenzatorski mikrofon. Optimalnog senzibiliteta i čistih soničnih karakteristika. Frekvencijska osjetljivost: 20-20,000 Hz - jednostruka kondenzatorska kapsula velikog promjera - karakteristika usmjerenosti: kardioidna - frekvencijski opseg: 20Hz - 20kHz - osjetljivost mikrofona: -32dB/1V @ 1Pa - nominalna impedansa: 100 Ω - maksimalni nivo zvučnog pritiska: 145dB (na 1kHz sa 1% ukupnih nelinearnih izobličenja), odnosno 155dB sa aktivnim atenuatorom od -10dB - sopstveni šum mikrofona: 12dB - dinamički opseg: 133dB (na 1kHz pri maksimalnom nivou zvučnog pritiska) - napajanje: 48V 3mA (ne isporučuje se uz mikrofon) - prekidači: odsjecanje basova na 80Hz (12dB po oktavi) + atenuacija -10dB - dimenzije: 170mm (dužina) / 53,4mm (maksimalan promjer) - masa: 360g

AirMax 19" 12 Frame loaded with 8 Triple ulaza + 2 Hybrid modula, master + 1xMic I/O, 1xLine I/O jack, 1xLine I/O XLR. Posebno popularna miks konzola za radeo stanice. * Triple input On-Air module * Triple input module * Triple Pro Input module (4 band EQ) * Digital Module (stereo in and out) * Hybrid module (including telephone fork) * Group, Module (group + VCA master) * Studio module (2x phones and monitor) * Master module TEN STEREO BUSSES. * Program (stereo) * Sub (stereo) * Aux-1 (stereo) * Aux-2 (stereo) * Group 1-4 (4x stereo) * Comm. (stereo comm. buss) * Cue (stereo) SOFTWARE CONTROL OVER * Input selection * +48volt * Low-cut * Mono/stereo * Insert * Buss routing (Program/Sub) * EQ on/off * 6dB or 12 dB EQ level selectable * 4 VCA groups * Auto communication by the comm. bus * Zero or +10dB fader gain * Extended GPIO’s per module * Total console communication over USB * Personal set up and security http://www.d-r.nl/

Tehnička specifikacija The MX422 is a four channel, microphone/line mixer with balanced XLR inputs and outputs. The unit is ideal for the broadcast and video markets. It has the same features of other ENG / portable mixers without the extremely high price. Applications include: DV Field Production Electronic News Gathering Location Recording (Dialogue and Music) Digital Recording Broadcast Remotes Desktop Mixing for Video Post Production FEATURES Four servo-balanced XLR Inputs Two transformer-balanced XLR Outputs Switchable Output Level ( Line level, or -30 dB pad) 1/4" TRS Stereo Monitor Input and Auxiliary Input Switchable 48 Volt Phantom Power for each input Switchable 100 Hz Low Cut filters for each input Main and Back-up battery compartments, never lose power Level and Pan controls for each channel Built in Limiter with variable Threshold control 20 Hz Slate tone with Slate Microphone included Switchable 1 kHz setup Tone Calibrated VU meters 1/4" and 3.5mm Headphone/Earphone Outputs with selectable Source Input (Main mix or Monitor input),and Level control Canvas case included Rolls PS27 external power supply included PRODUCT SPECIFICATIONS Input Impedance: Mic: 10K Ohms XLR balanced Source: 22K Ohms RCA Limiter Threshold: -5 dB to off fully clockwise: No Limiting Setup Frequency: 1 kHz Slate Frequency: 20 Hz Output Attenuator: -30 dB Self Noise: -57 dB maximum -90 dB typical Max Gain: +65 db S/N Ratio: 115 dB Frequency Response: 20 Hz - 30 kHz | +0, -3 dB Low Cut: 100 Hz Trim Range: 0 to + 38 dB Max Input: 0 dBV Current Draw: 45 mA with no Phantom Power or Signal. Phantom Power: +48 VDC Connectors: 4 ea. Female XLR, 2 ea. Male XLR, 3 ea. 1/4", 1 ea. 1/8" (3.5mm), 1 Center Negative power jack. Power: 12VDC / 200 mA Size: 9.5" W x 7.25" D x 2.375" H Weight: 4 lbs

DESCRIPTION The most popular tower in the Classic Series, the XLS-28 offers three-way performance in stylish enclosure. Featuring Dual 8", cast frame high excursion woofer, the XLS includes a 6.5-inch mid-range speaker and a 1-inch soft dome tweeter coupled to a proprietary mid and high frequency waveguide. Specifications 1" Soft Dome Tweeter with Ferro Fluid 6.5" Woofer with Fiber Impregnated Cone Dual 8" Cast Frame High Excursion Woofer Proprietary Mid and High Frequency Waveguide Fuse Protection Elegant Black-Ash Enclosure Performance Data: Frequency Response 45 Hz - 20 kHz (-3 dB) 38 Hz - 20 kHz (-10 dB) Power Capacity: 200 watts (Peak ) Sensitivity in SPL: 89.8 dB (@ 8 ohms @ 1 meter full) Impedance: 6 ohms Crossover Frequencies: 380 Hz / 2.4 kHz

The API Model 500VPR is powered externally by a tri-polar power supply and is designed to accept API standard format 5.25" X 1.5" modules. The 500VPR is internally wired for PIN 2 hot, and comes with the API L200PS. The input/output jacks are both XLRs. The 500VPR can hold up to ten API modules. API makes several modules to fit this rack, including the 550A, 550b, 560, 525, and 512c. NOTE: Older API 560A series equalizers used pin 15 for a "direct output" and must be disabled on the 560A circuit board edge connector by cutting a trace. This will eliminate 48 volts from damaging the 560A series equalizers.

Obim isporuke: Peščana pumpa Sigurnosne merdevine Podloga za bazen Prekrivka za bazen Težina: 150 kg

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Dodatna oprema: merdevine podloga prekrivka pumpa

Obim isporuke: Sigurnosne merdevine Podloga Prekrivka Peščana pump

Obim isporuke: Peščana pumpa Podloga za bazen Merdevine Prekrivač za bazen

Klasični shotgun mikrofon superkardeoidne usmerene karakteristike, namenjen specifičnim visokozahtevnim aplikacijama u broadcast, televizijskoj i filmskoj industriji, kao i u profesionalnim radijskim aplikacijama i Napomenaištu. Kondenzatorska kapsula ovog mikrofona, zajedno sa vrhunskom SMT elektronikom osigurava kontrolisan dijagram usmerenosti s visokim stepenom suzbijanja neželjenih ambijentalnih šumova. Pored velikog frekventnog opsega i visoke dinamike, ovaj mikrofon može raditi na 48V fantomskom napajanju ili se može napajati standardnom AA 1,5V alkalnom baterijom, što ga čini upotrebljivim i u terenskim uslovima. Zahvaljujući odličnim tonskim karakteristikama i dobroj ceni, sve je češće deo opreme TV stanica. U kompletu sa mikrofonom dolazi RM5 nosač mikrofona, WSVM zaštitnik od vetra i ZP1 torba za transport. Tehnička specifikacija: * Acoustic Principle: Line Gradient * Active Electronics: JFET impedance converter with bipolar output buffer * Capsule: 0.50" * Polar Pattern: SuperCardeoid * Address Type: End * Frequency Range: 20Hz - 20kHz * Output Impedance: 250Ω * Maximum SPL: 131dB SPL (@ 1kHz, 1% THD into 1KΩ load) * Maximum Output Level: 6.9dBu (@ 1kHz, 1% THD into 1KΩ load) * Sensitivity: -36.0dB re 1 Volt/Pascal (15.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz * Equivalent Noise Level (A-weighted): 18dB-A * Power Options: +48V phantom power; AA Battery * Weight: 161.00gm * Dimensions: 280.00mmH x 22.00mmW x 22.00mmD * Output: XLR Output

The RØDE VideoMic Pro+ is a new addition to the best-in-market on-camera category. It is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio. Still with the best-in-class Rycote Lyre suspension system onboard, the VideoMic Pro+ improves on the existing VideoMic Pro capsule/line tube and windshield, plus boasts a host of new features. Automatic Power Function (with plug-in power availability) is perfect for the run-and-gun shooter, automatically turning the microphone off when unplugged from the camera. Built-in Battery Door makes replacing the battery a breeze - plus it won't get lost. Power options- the VideoMic Pro+ can be powered by the all-new and included RØDE LB-1 Lithium-Ion Rechargeable Battery, 2 x AA Batteries or continuously via Micro USB. Digital Switching - will ensure the user has ultimate capture of the audio signal at the source, reducing post-production and editing times. The Digital Switching includes: 2-Stage High Pass Filter to reduce low frequencies such as rumble from traffic or air conditioning 3-Stage Gain Control, with +20dB function – designed to improve audio quality on DSLR or mirrorless cameras High-Frequency Boost will boost high frequencies enhancing detail and clarity in the recording Safety Channel to help ensure the signal does not clip when unexpected spikes occur Features Automatic Power Function with plug-in power Power via LB-1, 2 x AA Batteries, Micro USB Ships with LB-1 Lithium-Ion Rechargeable Battery, Detachable 3.5mm TRS Cable, Micro USB Cable Built-in Battery Door Optimized Windshield Shape LED indicator for power source and charging / discharging status USB micro port for charging removable LB-1 Bery Digital Switching Audio Level adjustment Dual high pass filter options High-frequency boost Dual mono unbalanced output Safety channel option on right channel Ambient light detect to boost LED brightness Low noise circuitry Improved RF immunity Rycote® Lyre® shock mounting onboard Specifications Acoustic Principle: Line Gradient Directional Pattern: Supercardioid Frequency Range: 20Hz ~ 20kHz (selected HPF @ 75Hz/ 150Hz) Sensitivity: -33.6dB re 1V/Pascal (21.20mV @ 94dB SPL) ±2dB @ 1kHz Output Impedance: 200Ω Equivalent Noise: 14dBA Maximum Output Level: 7.7dBu (@ 1kHz, 1% THD into 1kΩ) Dynamic Range: 118.8dB Maximum SPL: 133dBSPL Signal to Noise Ratio: 79.8dB Power Options: RØDE LB-1 Lithium-Ion Rechargeable Battery (~12mA current draw), 2 x AA Batteries (~17mA current draw), or via Micro USB Port LB-1 Battery Life: Over 100 hours of continuous use Battery Charger: Micro USB Cable (supplied) Output Connection: Dual mono unbalanced on the stereo 3.5mm jack Dimensions: 111mmH x 66mmW x 170mmD Net Weight: 122g

The VideoMic Pro with Rycote Lyre Suspension Mount from Rode is a supercardeoid condenser shotgun microphone that terminates in a 1/8" stereo mini-jack (dual mono), includes an integrated shockmount, and an integrated foam windscreen. It can be used to capture audio for camcorders, DSLR, and portable recorders as a source of primary and reference audio. The VideoMic Pro has been upgraded from earlier models with a 1/2" condenser capsule that provides broadcast-quality audio. Its 1/8" stereo mini-jack connector (outputting the mono signal to both left and right channels) delivers low self-noise of just 14 dB. A supercardeoid polar pattern ensures that surrounding audio is minimized, and your recording is focused on the subject in front of the camera. In addition, the Rycote Lyre-based shockmount is built from a single piece of hard-wearing thermoplastic. It separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. This suspension will never wear out, sag or snap. Easily accessible on the rear face of the microphone are the power, the filter, the level controls and a selectable high-pass filter at 80 Hz. The filter will prevent low-end noise such as air conditioners and traffic from being recorded. Furthermore, the -10 dB (or pad) is suitable when recording loud sound sources such as live music, motorsports, or interviews, where the subject is very close to the camera. There is a +20 dB level boost designed for use with DSLR cameras, so the user can reduce the camera's preamp level, effectively reducing the amount of noise generated by the camera's audio circuitry. The Rode VideoMic Pro uses a standard sized shoe-mount for on-camera use and features a 3/8" thread in the base of the mount for easy boom-pole mounting. The VideoMic Pro is battery powered and provides over 70-hours recording from a single 9V battery. 9V battery powered with over 70 hours use (alkaline) Camera shoe mount with 3/8" thread for easy boom-pole mounting Compact form factor is only 6.7" length

The Austrian Audio OC18. Handcrafted in the heart of Vienna, the City of Music, the OC18 is a versatile large-diaphragm condenser microphone with a fixed cardioid polar pattern, 10 and 20dB pads, and a three-position switchable highpass filter. You can use the OC18 on any source with excellent results. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance. Which means you can confidently use your OC18 along with another OC18 (or the company's multi-pattern OC818 set to cardioid) in a stereo-pair configuration and be assured of stunning results. Outstanding results on any source Austrian Audio pours everything they have learned in 300+ years of combined experience into their products. The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the company's proprietary CKR12 capsule. In keeping with its fixed cardioid polar pattern, the OC18 uses the single-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC18's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10 and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. Versatile cardioid polar pattern If you had to choose only one polar pattern for all the mics in your studio, cardioid would be the one. Although we certainly recommend having multi-pattern microphones such as Austrian Audio's OC818 in your mic locker for tricky recording setups and advanced stereo miking techniques, your cardioid mics will be your "go-to" mics for the vast majority of recording and sound-reinforcement tasks. The OC18 uses the same handmade-in-Vienna CKR12 ceramic capsule as the OC818, but with a single instead of dual diaphragms, which keeps the cost down. After all, if you don't need multiple polar patterns, why pay for them? Otherwise, you're getting the exact same microphone, with identical sonic performance. A great-sounding cardioid condenser mic like the OC18 will enjoy constant use in your studio. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Handmade, single-diaphragm CKR12 ceramic capsule, cardioid polar pattern Austrian Audio OC18 and OC818 mics are matched to within 1dB tolerance for accurate stereo capture Compatible with Austrian Audio OC818 for spaced-pair applications Polar pattern: Cardioid Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent Noise Level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with 10dB pad engaged) Switchable pad: 10dB, 20dB HPF: switchable 40Hz, 80Hz, 160Hz Impedance: 275Ohm (symmetrical) Load impedance: >1kOhm Supply voltage: 48V phantom (<2.2mA) Includes 2 microphones, mic clips, and windscreens