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Мирче Елијаде Историја вјеровања и религијских идеја Мирче Елијаде Издање 2003 Формат Б5, тврди повез Број страна: 1162 Три књиге у једној 1. Од каменог доба до Елеусинских мистерија. 2. Од Гаутаме Буде до тријумфа хришћанства. 3. Од Мухамеда до Реформације. ...бити, или чак постати човек значи бити религиозан... Историчару религије значајно је свако испољавање светог; сваки обред, сваки мит, свако веровање или божански облик одражавају искуство светог, те према томе подразумевају појам бића, значења и истине. Свето је само елемент структуре свести, а не неки ступањ историје те свести. У најстаријим слојевима културе живети као људско биће само је по себи религиозни чин, јер прехрањивање, сексуални живот и рад имају сакраменталну вредност.

Jako lepo ocuvana, na 10ak strana malo podvlacena obicnom olovkom, i na margini par zapisa obicnom olovkom. Publisher ‎Hackett Publishing Company, Inc. (February 27, 1991) Language ‎English Paperback ‎496 pages Richard Popkin’s meticulous translation--the most complete since the eighteenth century--contains selections from thirty-nine articles, as well as from Bayle’s four Clarifications. The bulk of the major articles of philosophical and theological interest--those that influenced Leibniz, Berkeley, Hume, and Voltaire and formed the basis for so many eighteenth-century discussions--are present, including David, Manicheans,Paulicians,Pyrrho,Rorarius,Simonides,Spinoza, and Zeno of Elea.

Kao nova, nema narocitih znakova koriscenja. Tvrdi povez sa omotom. Ernst Ernest Jinger - Dnevnici Publisher ‎Columbia University Press (January 22, 2019) Language ‎English Hardcover ‎496 pages Malo redje u ponudi … A German Officer in Occupied Paris Ernst Jünger was one of twentieth-century Germany’s most important―and most controversial―writers. Decorated for bravery in World War I and the author of the acclaimed western front memoir Storm of Steel, he frankly depicted war’s horrors even as he extolled its glories. As a Wehrmacht captain during World War II, Jünger faithfully kept a journal in occupied Paris and continued to write on the eastern front and in Germany until its defeat―writings that are of major historical and literary significance. Jünger’s Paris journals document his Francophile excitement, romantic affairs, and fascination with botany and entomology, alongside mystical and religious ruminations and trenchant observations on the occupation and the politics of collaboration. While working as a mail censor, he led the privileged life of an officer, encountering artists such as Céline, Cocteau, Braque, and Picasso. His notes from the Caucasus depict the chaos after Stalingrad and atrocities on the eastern front. Upon returning to Paris, Jünger observed the French resistance and was close to the German military conspirators who plotted to assassinate Hitler in 1944. After fleeing France, he reunited with his family as Germany’s capitulation approached. Both participant and commentator, close to the horrors of history but often distancing himself from them, Jünger turned his life and experiences into a work of art. These wartime journals appear here in English for the first time, giving fresh insights into the quandaries of the twentieth century from the keen pen of a paradoxical observer. Ernst Jünger’s record of German-occupied Paris and the battlefields of the Caucasus is a treasure trove for readers interested in the history of the Second World War. Even more, though, it is a literary accomplishment of the first order, a document of European modernism, in which this master stylist leaves traces of the violence of the age between the lines of his crystalline prose. -- Russell A. Berman, Walter A. Haas Professor in the Humanities, Stanford University, and senior fellow, Hoover Institution These diaries are not only a remarkable document of the time, but bring us close to a strange but highly original person, always capable of a fresh response to the natural world, the atmosphere of Paris, and the hideous events that force themselves on his knowledge. Many of Jünger’s texts have an inhuman chill; these diaries reveal his humanity. -- Ritchie Robertson ― Times Literary Supplement For English-speaking readers who do not know his work, A German Officer in Occupied Paris shows the many sides of this complex, elusive writer. -- Edmund Fawcett ― Financial Times Through these journals, we see Jünger consorting with resistors and collaborators, intellectuals and artists, drinking champagne, dining in sumptuous restaurants, and accompanying other officers to nightclubs, where naked women perform. Wandering around the city, he combs through antiquarian bookshops, stops in at galleries, discusses literature with friends, and acutely observes plants and flowers change with the seasons. He recounts in detail his dreams, nightmares, and musings on war. . . . A unique historical testimony. ― Kirkus Reviews Once read, these [journals] are never forgotten. They are surely the strangest literary production to come out of the Second World War, stranger by far than anything by Céline or Malaparte. Jünger reduces his war to a sequence of hallucinatory prose poems in which things appear to breathe and people perform like automata or, at best, like insects. -- Bruce Chatwin, New York Review of Books (review of French edition) Politically ambiguous and polymathic, Jünger led a remarkable and long life (he died at the age of 102 in 1998) as a soldier, writer and philosopher. `I suffer from a hyperacute sense of observation,` he said, not as a boast, but by way of admitting to a weakness. The foibles of the Nazis, the deathwatch beetles he collected, the facial tics of liars, the flick of a Parisian woman`s hair as she bought a hat, the physical contortions of an executed deserter: all these came under the magnifying glass in his war journals, kept from 1941-45. Their publication in English, fluently translated, is a remarkable moment, presenting a model of how to navigate an age of extremism. -- Roger Boyes ― The Times of London Expertly translated into English by Thomas and Abby Hansen . . . with an excellent biographical-critical foreword by Elliot Y. Neaman. -- Michael Dirda ― The Washington Post [Jünger`s] writings and insights have long earned him sage status in Germany. This, the first publication in English of his diaries from 1941–45, heightens his complexity but also makes him a more rounded figure. -- Alex Colville ― The Spectator A German Officer in Occupied Paris is a remarkable slice of World War II, and makes for fascinating reading. -- M.A. Orthofer ― The Complete Review Jünger is an eloquent and informative witness to artistic life in occupied France, deportations, the burgeoning French Resistance and the conspirators against Hitler as well as the utter chaos after Stalingrad. This edition also includes extensive notes and a full glossary of all the people mentioned in the text. ― Times Higher Education Jünger’s war diaries, translated here with damning clarity by Thomas and Abby Hansen, are a fascinating, refined and disturbing record of the moral disasters of Nazism and collaboration. -- Dominic Green ― Wall Street Journal With the publication of these extraordinary, sometimes hallucinatory diaries. English speakers have the chance to read one of the great witnesses to 20th-century Europe’s catastrophe. -- Paul Lay ― New Statesman A highly decorated German veteran of the First World War, Jünger (1895-1998) spent much of the Second as an officer stationed in Paris, where his journal is an almost daily record of the views and impressions of a well-read literary figure, entomologist, and cultural critic, now available for the first time in English. . . . Elliot Neaman is to be thanked for a comprehensive Foreword, as are Thomas Hansen and Abby Hansen for their translation of a most enigmatic set of Journals, and Columbia University Press for publishing them. They have made accessible the work of a cultured and literary person in service to a brutal regime. -- Bertram M. Gordon ― H-Diplo In Paris, Jünger tried to confront absolute horror with his chevalieresque idea of style, and the experiment is absorbing to observe, in its short-circuits and moments of illumination and ultimate burnout. -- Adam Thirlwell ― New York Review of Books Named a 2019 book of the year. -- Lucy Beckett ― Times Literary Supplement However uneven or bizarre some of the entries, the overall structure of the journals ― free-flowing, chaotic, and kaleidoscopic ― works. Together they act as a mirror reflecting a world where the center had not held. ― The New Criterion About the Author Ernst Jünger (1895–1998) was a major figure in twentieth-century German literature and intellectual life. He was a young leader of right-wing nationalism in the Weimar Republic. Among his many works is the novel On the Marble Cliffs, a symbolic criticism of totalitarianism written under the Third Reich. Elliot Neaman is professor of history at the University of San Francisco and the author of A Dubious Past: Ernst Jünger and the Politics of Literature after Nazism (1999). Thomas Hansen, a longtime member of the Wellesley College German Department, is a translator from the German.

ARISTOTEL dela u 4 knjige 1. Nikomahova etika 2. Politika 3. Metafizika 4. Fizika Izdavač: GLOBUS Zagreb Godina izdanja: 1988. Povez: tvrdi Pismo: latinica Stanje: vrlo dobro

ROBERT BURTON ANATOMY OF MELANCHOLY Predgovor - William H. Gass Izdavač - The New York Review of Books, Inc, New York Godina - 2001 1424 strana 20 cm ISBN - 9780940322660 Povez - Broširan Stanje - Kao na slici, tekst bez podvlačenja SADRŽAJ: Introduction Introduction to the 1932 Edition Note on the Text THE ANATOMY OF MELANCHOLY Democritus Junior to His Book The Argument of the Frontispiece The Author`s Abstract of Melancholy Democritus Junior to the Reader To the Reader who Employs His Leisure IIl THE FIRST PARTITION The Synopsis of the First Partition SECTION 1. Of Diseases in General, and of Melancholy; with a Digression of Anatomy SECTION 2. Causes of Melancholy; with a Digression of Spirits SECTION 3. Symptoms of Melancholy SECTION 4. Prognostics of Melancholy Notes THE SECOND PARTITION The Synopsis of the Second Partition SECTION 1. Cure of Melancholy in General SECTION 2. Diet, etc., Rectified; with a Digression of Air SECTION 3. A Digression of Remedies against Discontents SECTION 4. Medicinal and Chirurgical Remedies SECTION 5. Particular Cures Notes THE THIRD PARTITION The Synopsis of the Third Partition SECTION 1. Love and Its Objects SECTION 2. Love-Melancholy SECTION 3. Jealousy SECTION 4. Religious Melancholy Notes Glossary Index `One of the major documents of modern European civilization, Robert Burton`s astounding compendium, a survey of melancholy in all its myriad forms, has invited nothing but superlatives since its publication in the seventeenth century. Lewellyn Powys called it `the greatest work of prose of the greatest period of English prose-writing,` while the celebrated surgeon William Osler declared it the greatest of medical treatises. And Dr. Johnson, Boswell reports, said it was the only book that he rose early in the morning to read with pleasure. In this surprisingly compact and elegant new edition, Burton`s spectacular verbal labyrinth is sure to delight, instruct, and divert today`s readers as much as it has those of the past four centuries.` Ako Vas nešto zanima, slobodno pošaljite poruku. Barton Anatomija Melanholije

Beograd 2004. Tvrd povez, 330 strana. Knjiga je odlično očuvana. R7 Da li je Evropska unija doista evropska? Da li ona verodostojno predstavlja osobenosti političkog bića evropskog čoveka? Znajući da odgovor na takva i slična pitanja iziskuje prethodno posedovanje saznanja o onom što je specifično evropsko u političkom domenu — Dragoš Kalajić je preduzeo jedinstvenu istraživačku pustolovinu. O težini tog spoznajnog zadatka dobro svedoči činjenica da pod okriljem Evropskog saveta već decenijama traje bezuspešna potraga za evropskim identitetom, obeležana i velikim naučnim skupovima, od početnog u Rimu 1953. godine, do poslednjeg, u Strazburu 2001 .godine. Sporno je i samo vreme rađanja Evrope i Evropljana. Da li su oni rođeni s Renesansom i Reformacijom, ili zahvaljujući neoimperijalnom poduhvatu Karla Velikog, ili u trouglu zračenja Atine, Rima i Jerusalima? Kalajić pak smatra da su koreni evropskog čoveka preistorijski i da je njegov politički identitet nagovešten već u najdrevnijim pisanim spomenicima indoevropskih kultura. Jedno je izvesno: Kalajićevo novo delo će imati osporavatelje i pobornike ali nikoga neće ostaviti ravnodušnim.

Demetra : filosofska biblioteka Dimitrija Savića 2011 VIII + 496 strana odlična očuvanost

Kultura, 1970. Tvrd povez sa omotom, 700 strana. Lepo očuvana, listovi sa gornje strane spolja sa neznatnim tragom od stajanja na polici. Logika

"Sabrana dela - Vladeta Jerotić - II kolo" čini drugi deo kolekcije sabranih dela Vladete Jerotića. Ovo kolo obuhvata različite teme, uključujući razmatranje darova od rođaka, analizu psihoanalitičkih i filozofskih koncepta, kao i razmišljanja o jungovskim idejama, mističkim stanjima, vizijama i putovanjima. Vladeta Jerotić je bio poznat srpski lekar, profesor, filozof i pisac čija su dela duboko istraživala različite aspekte ljudske prirode, filozofije i religije. Kroz svoje knjige, on je čitaocima pružio duboka razmišljanja i analize o ovim temama, omogućavajući im dublje razumevanje složenih pitanja. Povratak ocima - Vladeta Jerotić 120 pitanja i 120 odgovora - Vladeta Jerotić Milan Rakić i religija - Vladeta Jerotić Prikazi i preporuke - Vladeta Jerotić Psihijatrija i religija - Vladeta Jerotić Savremenost ruske religiozne filosofije - Vladeta Jerotić Premudrosti Solomonove - Vladeta Jerotić

Odlično očuvana knjiga. Sifra adp2.4

PROPAST ZAPADA 1-2 - Osvald Špengler Izdavač: GECA KON Beograd, biblioteka KARIJATIDE Godina izdanja: 1936. Povez: tvrd Broj strana: Pismo: ćirilica Stanje: dobro