Aston Origin The multi-award winning Aston Origin is a high-performance cardioid condenser microphone utilising a one inch (1″) gold evaporated capsule. It's versatile enough to use with any instrument and, for singer-songwriters, excels on acoustic guitar and vocals. Its hand-selected capsule is paired with high-end transformerless circuitry using only the finest components. The Origin is designed to deliver direct, smooth and intimate sound… for a supremely natural and transparent recording. Aston Swiftshield SwiftShield combines the Aston Swift shock mount and the Aston Shield pop filter into one bundle to give you the perfect setup for your studio vocal mic. The Aston Swift shock mount takes microphone mounting to the next level of ease. With 2 quick release spring clips designed to fit the Origin, and a wide range of other mics, from 40-60mm diameter, mounting your microphone takes seconds. We have reconceived the shock system, and as with all our products worked from the ground up on an entirely new design idea. The ‘ShockStar’ suspension eliminates the need for fiddly rubber bands, but offers a high level of elasticity for maximum isolation. Aston Origin The Origin was our first design, the start of it all, and represents the fundamental essence of the Aston brand. Beautiful, superb engineering, a sound to rival some of the very best mics in the world… the Origin is the first mic ever made which brings this level of technical excellence and performance to the project studio market. Origin and Swiftshield - the perfect partners Aston has become synonymous for innovative and emotive design. Our microphones are not only exceptional recording tools and multiple award-winning products, delivering vocal and instrument recording to rival the very best in the world, but works of engineering art. If you already own an Aston mic, you’ve already experienced the exquisite attention to detail throughout, as well as the incredible performance. As standard every Origin comes with a built in pop filter and internal shock mounting system which elevates the performance bar compared to other mics. In many applications you can use the Origin just as it is, but if you want to get the best results possible, and style your mic to look the mutts nuts in your studio environment, then the Aston SwiftShield takes things to a whole new performance level. The Aston Swift shock mount, is not only elegant, and designed specifically to show off your mic in all its glory with its open-fronted design, but boasts the fastest mic mounting system in the world. Combined with Aston’s internal shock absorbing system, the Swift gives supreme performance in seconds. The Shield clips on and off the Swift mount quickly and easily when switching between vocal and instrument applications. Utilising Aston’s Hextech perforation acid etching process, the Shield gives excellent plosive (pop) control without affecting the tone of your recordings at all. The SwiftShield combo is the perfect partner for getting the ultimate performance from your Origin (and it looks awesome too!). Transducer Type Condenser Acoustic Operating Principle Pressure Gradient Directional Polar Pattern Cardioid Frequency Response 20Hz – 20kHz (+/-3dB) Equivalent Noise Level 18dB A-Weighted Sensitivity at 1kHz into 1kohm 23.7mV/Pa Maximum SPL for THD 0.5% 127dB Signal-to-Noise Ratio (rel. 94dB SPL) 76dB A-Weighted Pad Switch -10dB Low-Cut Filter 80Hz Product length 125 mm / 4.92 in Product width 54 mm / 2.13 in Product weight 450 g / 0.99 lb

Aston Element, with its all-new Ridyon™ capsule technology for superior performance at low cost, ships complete with a custom shock mount and pop shield. Like all Aston mics, Element incorporates a huge amount of innovation. Everything from the capsule technology, the chassis design, the magnetic pop filter, and even the backlit-LED logo 48V phantom power indicator (or as we like to call it, cool light!) massively go beyond the limits of products normally sold at this price point. Not only is Element extremely affordable, but it will consistently outperform all mics in its class. This is something which you really don’t have to take our word for because over 4000 customers from all across the world have helped us to define the sound of Element in peer-reviewed blind listening tests against the biggest brands in the business. During the course of this 3-month public testing series, we have developed the sound of the mic using data collected from these comparison tests, which have included major brand competitors such as Blue, Rode, AKG, Audio Technica, and Neumann. Blind listening test results We spent a total of over 18 months developing the Aston Element; much longer than most products take in this class. More usual would be 6-9 months, which gives you some indication of just how complex this microphone package is. The first 15 month period of our R&D process involved the development of our new Ridyon capsule technology, the acoustic housing for this (which involved a LOT of testing) and the design and prototyping of the chassis, the grille diffuser and many other pieces of proprietary technology in both the mic and the shock mount and pop shield accessories. The final 3 months, however, has been all about public choice. Rather than simply putting a new technology straight to market, we engaged in public blind listening tests (by this we mean that coded audio files were made available to the public to audition and rank in order of preference) across 3 separate sessions from May 1st to July 15th. The results of this process, a world’s first in the ProAudio industry, are what have determined the sound of the final product… the world’s first ‘People’s Microphone’ – Aston Element. The Sessions Session 1 included our first Aston Element prototype in its raw form up against the 5 dominant, big-brand competitors chosen as the best of the best in their class. These included mics from Audio Technica, Rode, AKG, Blue, and Neumann. Before we even got to these 5 mic brands we tested mics from over 20 different brands to pick the best in class (that, with the exception of Neumann, being sub $500 mics… the Neumann was somewhat more expensive!) Voting in the first round highlighted which mics the public preferred on 3 sources, male and female vocals, and acoustic guitar (the same 3 sources chosen throughout the tests), and what was liked and disliked about the sound of the raw Element prototype. This enables us to discard 2 brands form the test so that in Session 2 we had the top 3 competitor mics chosen by the public and 2 new versions of Element. By the end of the 2nd session, we had a much clearer picture of what people wanted from our mic, driven by the voting, subjective comments made about the competitor mics, and the relative preferences for 2 very different sounding Aston prototypes. So, by session 3 we had only 2 remaining competitor mics… representing AKG and Neumann brands. We also had 4 different Element prototypes, each with different voicings based on preferences from the first 2 rounds. This enabled us to home in on the final sound and give our customers a wide range of choice for the final sound, whilst also making sure that the final Aston Element mic was able to at least equal, or hopefully out-perform the top 2 competitors on the market. In the final analysis one Element prototype was the clear winner in the Session, beating both the Neumann and AKG mics (as well, of course, as all the other competitor mics that had come before in early testing and the first 2 sessions), as well as the other 3 prototype versions. In Summary Firstly, ALL the mics chosen for these sessions are very good examples of entry level mics from each brand. We did not make this easy for ourselves. We wanted the best so we could make our own mic as good as possible. As the sessions progressed it was clear that the voting got closer and more difficult for participants to rank in each successive round. This is something you see not only in the subjective comments, but in social media threads about the project. That’s a good thing, because as you get better and better quality and performance, it becomes more difficult to chose between products as the differences are much smaller… so we knew we were on the right track. Another interesting proof of data is that it was very clear that different mics performed better or worse on different sources as you’d expect… in other words one mic does not fit all. For this reason, we always suggest, where possible, that it’s a great idea to have a couple of different mics in your cupboard to choose from if you have the budget. Our aim, with Element, is not to say “Element is the best mic” … that’s silly because these things are very subjective. No, our aim was to ensure that our entry level mic has the best possible sound, performance and quality and that it comes with the best accessories possible for people who only have the budget for one mic, or want to add a new, high performance mic to their collection, without having to spend a fortune. The Element, in the final round, outperformed the other mics in the test on both male and female vocals… but was narrowly beaten by both the Neumann and AKG on guitar. The total vote count across all 3 sources showed Element as the clear winner, both in total votes, and in winning 2 out of the 3 source tests, vocals, of course, being the big one as they (on any non-instrumental track) are the most important element of the recording. It is also important to state, at this point, that the full raw data for the summary information above has been peer reviewed by Music Tech Magazine and Sound on Sound magazine, two of the most influential and respected independent pro-audio publications in the world. We have also chosen not to name names when it comes to specific mic models as we have a great deal of respect for these brands and the quality of their microphone products. At no point do we wish to suggest that Aston is ‘better than another brand’… we have used key models from each competitor brand as a way to gauge the relative performance of our own mic, and although Element came top in the rankings after 3 rounds, there is a lot of love for each of the mics involved in our tests, both from us at Aston, and from the public voting in the sessions. And the final word… none of this means that ‘Element is best’ – we would never suggest that because mic sound is a subjective choice. But it does mean that Element can consistently out-perform all other sub $500 brands in subjective choice tests (and some more expensive ones too!). Combine this with all the cool accessories and it’s got to be your No.1 choice as a first studio mic, or to add to your collection. Transducer Type Moving coil Directional Polar Pattern Cardioid Frequency Response 20Hz – 20kHz Equivalent Noise Level 3.8 dBA (A-weighted) Sensitivity at 1kHz into 1kohm ave. 12mV/Pa Maximum SPL for THD 0.5% 132dB Product length 163 mm / 6.4 in Product width 58 mm / 2.28 in Product weight 275g / 0.6 lb

Stealth was developed in partnership with 92 top engineers, producers and artists (the Aston 33 development panel) who participated in a series of blind listening tests designed to create the best possible sound… the resulting four voice settings, Vocal 1, Vocal 2, Guitar and Dark, offer a range of world class sounds to suit almost every application. The making of Stealth - The Aston 33 and the blind testing process The Aston 33 (so named after the original members) is now a panel of more than 120 top producers, engineers and artists who work with Aston on new product development to ensure every mic is best in class before it is released to the market. They perform blind listening tests on a range of possible versions of each new mic, plus ‘industry standard’ models from key manufacturers and vote on performance on a variety of sources (vocals, guitars and so on). In tests the panel do not know which mics they are listening to, so the resultant votes can’t be affected by brand reputation, or an expectation of how a certain microphone should sound. Some surprising results arose from the Stealth project testing. For example the prototype Stealth voicing that consistently came top in the voting for female vocal takes came off worst for male vocals and vice versa, regardless of the pitch of the singer! Furthermore a different voicing came top for ALL guitar sources, from finger picked acoustic through to mic’d distorted guitar cabs. These discoveries, derived from more than 9000 data samples, were the catalyst for the Aston team to set about reimagining the microphone from the ground up. Stealth truly excels at capturing professional quality audio in almost every situation, and masters them all. Transducer Type Moving coil Directional Polar Pattern Cardioid Frequency Response 20Hz – 20kHz (+/-3dB) Equivalent Self Noise Level 10dB A-weighted Sensitivity at 1kHz into 1kohm - passive mode Average 1 mV/Pa (varies across 4 voices) Sensitivity at 1kHz into 1kohm - active mode Average 150 mV/Pa (varies across 4 voices) Maximum SPL for THD 0.5% 140dB Product length 196 mm / 7.72 in Product width 58 mm / 2.28 in Product weight 692 g / 1.52 lb

Milled from a single piece solid brass, the body of the CK6+ was designed to give the microphone a solid feel and the included custom retro shock mount prevents unwanted vibrations from traveling up into the microphone. The CK6+ has separate -10 dB pad & 80 Hz LF roll off switches.... The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track. All of these features come together to give you a fully professional microphone and a completely unbeatable value. Specifications Type: True Transformerless Condenser Polar Pattern(s): Cardioid Capsule: 32mm 6 Micron Single Backplate Custom Designed Capsule Frequency Response: 35-20,000 Hz +/- 3.5dB Output Impedance: <=200 Ohms Maximum SPL: 136dB (0.5% THD @1000Hz) Equivalent Noise Level: <17dB Output Connector: Male XLR 3-pin High-Pass Switch: 80 Hz 6dB/octave Attenuation Switch: -10 dB Power Requirement: Standard 48 Volt Phantom / 5mA Included Accessories: Shockmount Wooden Box in Metal Carrying Case Dimensions: 155mm x 46mm Weight: .4 kg / .9 lb Finish: Polished Nickel trim / Metallic Cabernet Red Body Features Uses Include: Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc Standard Items Supplied: Avantone CK-6 Cardioid FET Microphone Avantone Custom Retro Shockmount Elegant padded genuine wooden Mic box Padded Aluminum storage / travel case Owners Manual

Odličan mikrofon, odrađuje posao veoma kvalitetno i zahvalan u svakom smislu. Kupljen nov u radnji, a vreme je za bolji i kvalitetniji. Srećna kupovina!!

Shure U-830 bežični set 2 mikrofona Novo-Profi set Shure U-830 bežični set 2 mikrofona NOVO-Profi set mikrofoni NOVO NEKORIŠĆENO Orginalno fabricko pakovanje Shure Profi bežični set 2 mikrofona za pevanje. Najbolji do sada. Digitalni profi resiver za prijem signala. Odličan zvuk i stabilnost rada. Shure U-830 bežični set 2 mikrofona Novo-Profi set

Akcija !! Prodajem se x1 mikrofon, kondenzatorski profesionalni mikrofon !! Poklon +pop filter + kabl adamhall 2,5m Savrsen za kucni studio, podcast, vocale, snimanje profesionalnih naracija ... Mikrofon u savrsenom stanju, nov, bez ogrebotinica i mana, ispravan kao nov, sa kutijom, kablom, pop filter (POKLON) i kabl AdamHall 2,5m (POKLON) Glavni razlog zašto je sE X1 tako dobar je taj što je njegova velika membrana, pozlaćena kapsula ručno izrađena i ručno podešena od strane veštih tehničara u našoj fabrici. Oko svih važnih elektronskih komponenti nalazi se čvrst metalni okvir završen akustički prigušujućom crnom bojom, kako bi se minimizirale bilo kakve rezonantne frekvencije u mikrofonu. sE X1 je takođe opremljen sa 10dB jastučićem i niskopropusnim bas filterom - esencijalnim karakteristikama za korišćenje u različitim situacijama snimanja. - Capsule: Handcrafted, large diaphragm, gold-sputtered capsule - Frequency Response: 20Hz-20KHz - Sensitivity: -32 dBV/Pa (25.1mV/Pa) - Polar Pattern: Cardioid - Impedance: ≤ 200 Ohms - Equivalent Noise Level: 16dB(A weighted) - Max SPL for 0.5% THD@1000Hz: 125dB - Power Requirement: Phantom power 48V±4V - Connector: 3-pin Box Contents: 1 x sE Electronics sE X1 Condenser Microphone 1 x sE X1 Microphone Clip Moguc dogovor za cenu! Beograd

Mikrofon HyperX QuadCast S Rgb Wired Multi-Pattern Electret Condenser Microphone. Novo neotpakovano, dostupno za preuzimanje odmah. Placanje je moguce i u dinarskoj protiv-vrednosti kurs 118. Veliki izbor dodatne opreme: - auto punjaci - auto drzaci (vakum, ventilacija, magnetni) -zastitne maske - zastitna stakla - microSd kartice - usb flash memorije - kamere za video nadzor (wifi) - auto kamere - eksterne baterije (10.000, 20.000 i 30.000mah) - fm Bluetooth transmiteri - data kablovi - Bluetooth slusalice - Bluetooth zvucnici

Audio-Technica ATR2500x-USB Mikrofon Karakteristike: Kondenzatorski mikrofon sa USB izlazom za jednostavno povezivanje sa računarom Idealno za podcasting, snimanje u kućnom studiju, terensko snimanje i glasovno snimanje Ugrađeni priključak za slušalice vam omogućava da nadgledate direktno sa mikrofona Kontrolna dugmad na prednjoj strani mikrofona vam omogućavaju da lako podesite jačinu zvuka slušalica Visokokvalitetni A/D konvertor sa 24-bitnom frekvencijom uzorkovanja do 192 kHz Kompatibilan sa Vindovs i Mac sistemima Dijafragma male mase pruža odličan frekvencijski odziv Kardioidni polarni uzorak smanjuje hvatanje neželjenih zvukova sa strane i pozadi, poboljšavajući izolaciju željenog izvora zvuka Nizak sopstveni šum - idealan za digitalno snimanje Čvrsti stoni stalak za stativ sa preklopnim nogama je jednostavan za postavljanje i transport Rotirajući držač postolja sa navojem može se bezbedno pričvrstiti na tradicionalno postolje za mikrofon Izdržljiva metalna konstrukcija za dugotrajne performanse Uključuje dva kabla od 2 m: USB-C - USB-C, USB-C - USB-A

Perfect for a musician who needs a workhorse ribbon mic Mellow sound with a rich midrange and rolled-off top end Figure-8 polar pattern that captures instruments and room sound High SPL capability—ideal for horns and electric guitars Compact design that makes mic placement easy Type: Ribbon Velocity Microphone Ribbon Element: 1.8-micron aluminum ribbon Ribbon Length: 47mm Frequency Range: 20Hz -17kHz Polar Pattern: Figure-8 Sensitivity: -56 dB (0 dB=1V/Pa) Impedance: 250 ohms Rated Load Impedance: >1500 Ohms Max SPL for 0.1% THD: >130 dB @1 kHz Size: 47mm x 171mm/1.85 in. x 6.75 in. Weight: 400g/0.85 lbs Metal Finish: Purple and chrome

The mic also has a headphone jack with up/down volume control buttons for direct audio monitoring. The ATR2500x-USB comes with two 2 m (6.6') cables (USB-C to USB-C, USB-C to USB-A), a sturdy tripod desk stand, and a pivoting threaded stand mount that attaches securely to the supplied tripod or to a conventional microphone stand. Connects to PC or Mac The USB output plugs directly into your computer and functions seamlessly with your favorite recording software. Side-address condenser microphone with USB output for easy connection to your computer Ideal for podcasting, home studio recording, field recording, and voiceover use Built-in headphone jack lets you monitor directly from the microphone Controls on the front of the microphone allow you to easily adjust headphone volume High-quality A/D converter with 24-bit, up to192 kHz sampling rate Compatible with Windows and Mac Low-mass diaphragm provides excellent frequency response Cardioid polar pattern reduces pickup of unwanted sounds from the sides and rear, improving isolation of desired sound source Low self-noise – ideally suited for digital recording Sturdy tripod desk stand with folding legs is easy to set up and transport Pivoting, threaded stand mount attaches securely to a conventional microphone stand Durable metal construction for long-lasting performance Includes two 2 m (6.6') cables: USB-C to USB-C, USB-C to USB-A Microphones Element Condenser Polar Pattern Cardioid Frequency Response 30 - 15,000 Hz Power Requirements USB Power (5V DC) Bit Depth Up to 24 bit

14mm kapsula sa pozlaćenom membranom Kardioidni polarni patern Lagana metalna konstrukcija Izuzetno nizak nivo buke Pozlaćeni KSLR konektori Pokreće ga 48V ili 24V fantomska snaga Uključuje kopče za mikrofon i vetrobran Specifikacije: Tip kondenzatorski mikrofon: usmerivi kardiodni patern Kapsula: 14mm kondenzatorska kapsula Frekventni odziv:22Hz to 18kHz Osetljivost:-40±3dB (0dB=1V/Pa,at 1kHz) Izlazna impedansa:SPL 135 dBU Signal / šum:75 dB SPL Napajanje: 24V fantomsko napajanje 48V fantomsko napajanje Izlazno povezivanje:3 Pin XLR Dimenzije :100 × 20 × 20 mm Net težina:39g (oko 1.4 oz)

PR 31 BW ima sve prednosti mikrofona PR 30 u manjoj zapremini što ga čini pogodnim za postavljanje na timpane i za hvatanje činela odozdo, kao i odozgo. Kao i kod PR 30, ne brinite da li ćete čuti zvuke u blizini iz drugih bubnjeva ili iz drugih izvora. A takođe kao i PR 30, ne treba brinuti zbog preopterećenja. PR 31 BW je odličan za vokale, gitarske kabinete, mesingane trube, saksofon i klavir, a čak će se uklopiti i u Leslie kabinete i još mnogo toga. Postoje razne mogućnosti montiranja iz Heil-a za bubnjeve, gitaru i vokale / emitovanje. Uz PR 31BW dobijate PR 31 BW u zaštitnoj kutiji obloženoj penom, koji je spreman za upotrebu Preuzmite detaljne specifikacije Proizvod: PR 31 BW Izlazno povezivanje: 3 pin XLR Tip: dinamički Frekventni odziv: 40 Hz – 18 kHz Polarni patern: superkardioidni Odbijanje sa zadnje strane @ 180 stepeni van ose: -40 dB Impedansa: 370 ohms balansirano Izlazna jačina: -52.9 dB @ 1 kHz Težina: 5.5 oz Maksimalni SPL: 146 dB

AKG P220 studijski mikrofon, sa držačem mikrofona, u torbi Garancija 12 meseci ! Pre nego sto porucite pitajte jos jednom da li je raspoloziv artikal jer brzo nestaju!

Na prodaju mikrofon shure beta UT4 sa glavom sm58 u korektnom stanju. Hitna prodaja jer imam nov mikrofon. Nazvati - Rašo!

Slate Digital's Virtual Microphone System has taken another step forward with the release of the Slate Digital VMS ML-2 Small Diaphragm Modeling Microphone. The Slate Digital ML-2 picks up where its predecessor, the ML-1, left off in terms of modeling technology, but since its a small-diaphragm microphone, you can fit it into tighter spaces and ensure accurate placement. The Slate ML-2 microphone features a similar linear and flat frequency response to its larger sibling and a side-mounted switch that pads the input circuit and repolarizes the capsule to increase headroom. Thanks to these features, the ML-2 can be utilized for both dynamic and condenser emulations on instruments without ever having to change the microphone's physical position. When you purchase the Slate Digital ML-2, your virtual microphone locker will expand significantly. The microphone comes replete with 18 digital emulations of classic microphones that have been used in studios around the world. While no Slate mic pres are necessary for access to these modeling plug-ins, your experience can be enhanced when employing the VMS One Preamp or the VRS-8 eight channel interface. Slate Digital tested a large number of mics during the development of the ML-2 and found that even the most expensive small-diaphragm microphone designs saturate when miking very loud, transient-rich sources like close miked drums. Therefore, the ML-2 features a proprietary “Dynamic” switch which attenuates the mic’s output and repolarizes the capsule, allowing the ML-2 to be used in extremely high SPL situations without overloading or saturating. As a result, it can be used just like a dynamic mic on drums, guitar cabs, and more. INCLUDED ACCESSORIES: Microphone Bag Microphone Clip VMS ML-2 Software Card with Passcode INCLUDED SOFTWARE: VMC Classic Instruments VIRTUAL MIC COLLECTION — CLASSIC INSTRUMENTS: S-57 VINTAGE: This model is a recreation of an early 80’s dynamic 57, perhaps one of the most famous dynamic microphones in audio history. It’s known for its punchy midrange and smooth top end, which is why it is a top choice on guitar and snare drums. S-57 MODERN: A brand new dynamic 57, this mic sounds very similar to the vintage model but with smoother mids and more sizzly highs. S-CUSTOM SNARE: This is a modified version of the S-57, with added curves from famous EQ’s to enhance the sound, producing the ultimate polished snare sound. S-222: This is a model of a famous small diaphragm tube mic. It’s bright but not harsh, with a smooth midrange and flat low end. It’s ideal for drum overheads, acoustic guitars, and string instruments. S-121 NORMAL: This is a cardioid model of the classic ribbon mic, and like the real thing, it has fat lows and slightly dark highs, making it perfect on horns, strings, room mics, guitar cabs, and overheads. S-121 DYNAMIC: The emulation is the same source microphone as the 121- NORMAL, only it has been optimized for use with the ML-2 when it’s in Dynamic mode. Use this model and the ML-2’s Dynamic mode when micing very loud sources. S-421: Another classic dynamic mic, this model is perfect on toms, kick, guitar cab, bass cab and horns. It has thick low mids and punchy lows. S-414 NORMAL: This is a model of one of the most famous FET large diaphragms mics. It has clear, punchy mids, slightly extended highs and a very fat low end. It’s perfect on overheads, guitar cabs, bass cabs, toms and horns. S-414 DYNAMIC: This emulation is the same as the S-414 NORMAL, only it has been optimized for use with the ML-2 when it’s in Dynamic mode. Use this model and the ML-2’s Dynamic mode when micing very loud sources. S-47F: This famous German FET microphone model is known for round highs, fat mids and huge low end. It’s a standard on kick drum and bass cab, but also sounds great on toms. S-67: This is actually a model of a large-diaphragm tube mic! It has smooth and slightly dark highs, thick mids and big lows. Great on room mics, overheads, toms, snares, basses and everything else! S-451: This is a model of a famous small diaphragm condenser that is smooth and clear, with a beautiful high end. It’s the great on snare, overheads, hi hat, toms and guitar cabs if paired with one of the dynamic models. S-7: This is a dynamic mic that became famous as a broadcasting microphone, but its present mids make it ideal for all sorts of instruments such as kick, toms, snare, guitars, bass and more. S-112: This is a model of a famous modern kick drum microphone. It has a classic “bouncy” mid-range and fat low end. S-12: This is a model of a vintage kick drum microphone. It has a crisp top, fat low mid and warm bottom end. S-CUSTOM TOM: This is a modified version of the S-421 that adds more highs and lows, and has less low mid, creating the ultimate tom sound for both rack and floor. S-CUSTOM KICK: This is a modified version of the S-12 that adds more attack and punch with less low mids and more defined lows. S-E20: This is a model of a dynamic microphone that became popular in the seventies. It has a very even frequency response, while remaining fat-sounding, so it can be useful on all sorts of different sources, from vocals and electric guitar to kick drum. MINIMUM SYSTEM REQUIREMENTS: Quad core i5 processor 4GB of RAM macOS 10.9 or later Windows 7 & above iLok 2 or 3 required SUPPORTED PLUG-IN FORMATS: Intel Mac 32-bit & 64-bit: VST2, VST3, AU, AAX Windows 32-bit & 64-bit: VST2, VST3, AAX

AKG 220 je kondenzatorski mikrofon sa velikom membranom koji pruža topao i čist zvuk prilikom snimanja vokala, akustične gitare i limenih duvačkih instrumenata. Masivan i izdržljiv dizajn čini ovaj mikrofon idealnim i za korišćenje na bini. P220 mikrofon dolazi u paketu šok mauntom. – Polar Pattern: Cardioid – Audio frequency bandwidth: 20 – 20000 Hz – Equivalent noise level: 16 dB-A – Sensitivity: 20 mV/Pa – Signal to Noise: 78 dB-A – Preattenuation Pad: -20 dB – Bass cut filter: 300 Hz – 12 dB/octave – Electrical impedance: = 1000 Ohms – Audio Output: Balanced 3-pin XLR Male – Voltage: 44 to 52 V – Current: < = 3 mA – Length: 165 mm – Diameter: 54 mm – Net Weight: 530 g Pakovanje: – 1 x P220 mikrofon – 1 x Spider-type shock mount nosač

Prodajem prenosivi snimac zvuka nov sva prateca oprema ide u njega ne koriscen stanje odlicno cena povoljna

Rode reporter mikrofon Opis proizvoda Proizvođač: RØ DE Model: Reporter Tip: Dinamički Minimalna frekvencija prenosa: 70 Hz Maksimalna frekvencija prenosa: 15000 Hz karakteristike: Orb Konektori: XLR

Tehnički podaci Struktura: dinamična Karakteristika usmerenja: kardioidna Frekvencijski opseg: 40Hz - 15kHz Otpor: 150 Ohm Osetljivost (1kHz): -54,5dBV/Pa Telo: metal Konektor: XLR Težina: 0,284 kg Dodatna oprema: nosač mikrofona za postolje, futrola

Koristen 2 puta,novoo!!

Glavna slika garniture je ilustrativna! - Set sa priborom po sniženoj ceni. Pre ili kasnije će vam trebati pribor i zalihe. Ako izaberete sada, možete uštedeti mnogo novca i vremena. Nećete morati da se bavite time kasnije. Pored toga, možete biti sigurni da je dodatna oprema navedena u ovom set-u prikladna za vaš uređaj.

Vrhunska hiperkardiodna shotgun kapsula Akg ck47. Koristiti se u audio video produkciji, ili kao konferencijski mikrofon . . Uz doplatu moze sa Gn 15 odgovarajucim fantom adapterom i postoljem sa drzacem mikrofona. Cena se odnosi samo na kapsulu Ck47, bez Gn fantoma i postolja. The CK47 is a high-performance shotgun condenser microphone capsule with an 80° pickup angle, studio-quality audio and clean off-axis response. It is an ideal tool for inexperienced speakers and wherever professional studio sound is required. The CK47 capsule is integrated into rugged metal housing and fits any mounting module of the DAM Series. To prevent contact problems, the capsule is equipped with large-area, self-cleaning, gold-plated contacts with deep threads to prevent misalignment and ensure extra-long life. The CK47 comes complete with a W70 windscreen that reduces wind and pop noise. Audio frequency bandwidth20 - 20000 Hz Equivalent noise level20 dB-A Sensitivity16.5 mV/Pa Signal to Noise74 dB-A Electrical impedance600 Ohms Recommended load impedance2000 Ohms Polar PatternHypercardioid Voltage9 to 52 V Current3 mA Height200 mm Diameter13.5 mm Net Weight39 g Finishmatte dark gray TypeModular Series Standard

Dostupna i roza boja Set od tri kapsule - savršeno snima bilo koji izvor zvuka unutar 3 kondenzatorske kapsule Višestruki izbori uzoraka – kardioidni, stereo, omnidirekcioni i dvosmerni Kontrola pojačanja, dugme za isključivanje zvuka, izlaz za slušalice sa nultim kašnjenjem Idealno za podkastove, komentare, strimovanje igara, intervjue, konferencijske pozive, muzičke snimke i još mnogo toga Plug 'n plai – kompatibilan sa Mac i PC računarima Sa kontrolama za jačinu zvuka u slušalicama, izbor uzorka, trenutno isključenje zvuka i pojačanje mikrofona, Ieti stavlja svaki nivo procesa snimanja i strimovanja u vaše ruke. Kada snimate glasan izvor, jednostavno podesite osetljivost mikrofona pomoću kontrole pojačanja. Ili, ako želite da pauzirate usred podkasta, koristite dugme za trenutno isključenje zvuka.

TM1 kondenzatorski mikrofon sa velikom dijafragmom je dizajniran da hvata zvukove sa neverovatnim realizmom, osetljivošću i preciznošću. Zahvaljujući prvoklasnim elektronskim komponentama i membrani kapsule napravljenoj od pozlaćenog materijala, TM1 hvata iskonski čist zvuk kroz svoj kardioidni uzorak i širok dinamički opseg od 132 dB. Ovaj svestrani mikrofon je pogodan za širok spektar primena od studija za snimanje do radio emitovanja. Paket uključuje izdržljivo postolje sa sistemom za apsorpciju udara, ugrađeni pop filter, poseban poklopac za prašinu i 20' (6m) mikrofonski kabl profesionalnog kvaliteta.