So you can rest assured that when you buy a TS (ThunderStorm) subwoofer from EVE Audio, you will be getting a first grade product that delivers adequate and precise control over the bass frequencies in your room, without any low-port noise distortion since all TS subwoofers have a passive radiator. Your system will sound as a whole, not just a sum of parts. All subwoofers feature the powerful accurate and low distortion sound reproduction that is the hallmark of all EVE Audio studio monitors. Tech Talk Every ThunderStorm subwoofer has detailed controls like switchable satellite filters (full range and 80Hz), phase switch controls (0°, 180°). and variable subwoofer filter frequencies (60....140Hz) to let you tailor and adjust your ThunderStorm to your specific room. The TS112 is our largest, "no-compromise" subwoofer. The highly efficient PWM amp is capable of 400 W of short term output power. The powerful amp, coupled with a large proprietary 12" woofer will guarantee you a clean frequency response down to 24Hz and up to 300Hz, for a maximum output power of 112 dB (SPL @ 1m). As with the highly efficient TS110, don't let your neighbours see you unloading this subwoofer into your house! One thing worthy of mentioning is that the DSP section, which uses a high resolution BurrBrown converter, only affects the bass driver operation. The signal path to the satellite speakers is kept purely analog, with no A/D/A conversions whatsoever. That's why the "Pure Satellite" function, when activated, completely bypasses the subwoofer and DSP filter section, and will only allow you to adjust your satellite's volume. The included remote control will let you adjust not only the subwoofer's volume but also the complete stereo system's volume while sitting comfortably in your sweet spot. All in all, the ThunderStorm subwoofers will make any system sound better and more complete. As with every other EVE Audio subwoofer, you get balanced XLR In- and Outputs (Stereo In and Out, LFE In, LFE/Sub Out) for greater convenience. Passive Radiator The particularity of our extremely powerful and accurate subwoofer resides in the passive radiator used that replaces the common bass reflex tube. With this design all audible noise due to air turbulences disappear completely. Unwanted disturbing pipe resonances (at lam

Specifications Speaker type: Sealed type Impedance: Woofer: 4 Ω Amplifier maximum output: Woofer: 50 W Input: RCA pin jack × 1 Maximum input level: +15 dBV Input impedance: 10 kΩ Crossover adjustment range: 60 Hz to 150 Hz Frequency response: 40 Hz to 150 Hz S/N ratio: 80 dB External dimensions (mm): 200 (W) × 185 (H) × 233 (D) Weight: about 3.6 kg Power consumption: During normal use: about 15 W During standby mode: 0.5 W or less - See more at: http://www.fostexinternational.com/docs/products/PM-SUBmini2.shtml#content-3-tab-tab

A7X wins prestigious SOS Award again! Berlin, January 25, 2012 The readers of SOUND ON SOUND, one of the world's premier music recording technology magazines, have voted for the best products in 2011. The annual SOS Awards are amongst the most prestigious awards in the industry. Best Studio Monitors There are 16 different product categories, Best Studio Monitors being one of them, so the readers are rewarding one single monitor as being the best in the whole market. ADAM Audio is proud and greatful for having received this outstanding award for the A7X the second year in a row now. The winners have been presented with their awards at the 2012 Winter NAMM show in Anaheim/CA by SOS' editor in chief, Paul White. ADAMs A7 & A7X: the evolution of a legend The predecessor to the A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the world's largest internet forums. Still today, the A7 are the reference monitors in many smaller studios. With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level. Driver technology The first aspect that distinguishes the old from the new model is the X-ART tweeter. The ‘X' stands for ‘eXtended frequency response' and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels. The perfect integration with the lower frequencies has been achieved with a newly designed 7" midwoofer. It has been redesigned with a much bigger voice coil (1.5") and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction. Amplifiers / controls Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch. On the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors. Mid-Woofer Number 1 Basket Ø 7" (175 mm) Voice coil Ø 1.5" (38 mm) Cone material Carbon/Rohacell/Glass Fiber Tweeter Number 1 Type X-ART Diaphragm area 4 inch² (2420 mm²) Equiv. Diaphragm Ø 2" (56 mm) Velocity transform ratio 4:1 Diaphragm weight 0.17 g Built-in Amplifiers Mid-Woofer 1 Type PWM Amp. power RMS / music 100 W / 150 W Tweeter 1 Type A/B Amp. power RMS / music 50 W / 75 W Control panel Input Sensitivity -∞ to +14 dB High Shelf EQ > 5 kHz ±6 dB Low Shelf EQ < 300 Hz ±6 dB Tweeter gain ±4 dB Input connectors Analog XLR / RCA General data Frequency response 42 Hz - 50 kHz THD 90dB/1m > 100 Hz ≤0.5 % Long term output ≥106 dB Max. peak ≥114 dB Crossover frequencies 2500 Hz Input impedance 30 KOhm Weight 20.3 lb (9,2 kg) Magnetically shielded No Height x Width x Depth 13.5" (337 mm) x 8" (201 mm) x 11" (280 mm) Warranty 5 Years Delivery contents Power cord, Manual

Main Features Power: 80 + 40W Frequency Range: 43Hz – 23kHz SPL Max: 104dB 100% Analog – No DSP Flat frequency response Phase compensated for a better stereo image individually calibrated Class G/H Amplifiers Typical listening distance: from 1.5 m 5 years warranty Handmade in Switzerland Extend the low frequencies and add power Use one of PSI Audio’s Subwoofer / LFE to add more energy and low end to your A214-M: – Our compact Sub A125-M or – our full range Sub A225-M Thanks to our Roll-Off technology, both Sub A125-M & Sub A225-M are designed to perfectly match the A214-M. A214-M – The perfect speaker for surround setups The A214-M is primarily designed as a centre speaker for surround systems. Its power is optimized to satisfy the requirements of post-production and film mixing suites. The small cabinet allows it to be used in surround systems where space is and issue such as below a screen. Product A214-M Power RMS 120 + 40 W Program Power 160 W Continuous Max SPL @ 1m 108 dB (single) Program Max SPL @ 1m 119 dB (pair) Response at -6dB 53-23000Hz Tolerances ± 2.0 dB (60 Hz – 20 kHz) Phase tolerances ± 45° (60 Hz – 20 kHz) Dispersion 90° x 60° (P.N. 4-16 kHz) at -6 dB (H x V) System 2-way Crossover frequency 1.8 kHz Woofer dim. Ext. / 2x ø 147 mm / Diaphragm mm ø 104 mm Woofer dim. Ext. / 2x ø 5.8 in / Diaphragm inch ø 4.1 in Medium dim. Ext. / – Diaphragm mm Medium dim. Ext. / – Diaphragm inch Tweeter dim. Ext. / ø 100 mm / Diaphragm mm ø 25 mm Tweeter dim. Ext. / ø 3.9 in / Diaphragm inch ø 1.0 in Dimensions W x H x D mm 166 x 446 x 200 Dimensions W x H x D inch 6.6 x 17.6 x 7.9 Net Weight kg 10.2 kg Net Weight lbs 22.4 lbs

EVE Audiov visokotonac Air Motion Transformer RS3 kombinovan sa specijalno dizajniranim 4-inčnim drajverom srednjetoncem daju monitorima SC3070 preciznu transmisiju visokih i srednjih frekvencija bez 'umaranja'. Sedmoinčni drajver vufera zaokružuje ukupnu zvučnu sliku snažnim i tačnim nižim tonskim opsegom. Digitalno elektronsko procesuiranje zvuka (DSP) najviše rezolucije, filterovanje bez kašnjenja/latencije Visoko kvalitetni konverter analognog u digitalni signal – BurrBrown (24bit/192kHz) Rotirajući prekidač/potenciometar na prednjem panelu (sa LED prstenom) kontroliše jačinu tona ali i podešavanja filtera za varijabilnost prostornog položaja (low shelf, mid EQ & high shelf filteri) Frekvencijski opseg (slobodnog polja, -3 dB): 35 Hz – 25 kHz Cross-over frekvencija: 320 Hz/2800 Hz Maksimalni nivo zvučnog pritiska (SPL) po paru: 120 dB Izlazna snaga (woofer): 185 W, srednjetonac: 100 W, visoki: 50 W; ukupna izlazna snaga 320 W High-shelf filter (-5dB - +3dB): > 3kHz, Mid EQ (-3dB - +3dB): 1kHz Desk filter boost (0 dB - +3 dB): 80 Hz, Desk filter cut (-5dB - 0dB): 160 Hz, Low-shelf filter (-5dB - +3dB): < 300Hz Konektori: XLR ulazni (impedanse 10 , RCA ulazni (impedanse 10k) Potrošnja energije: u Standby-u: < 1W, pune radne snage: 220 VA Dimenzije: 340 x 250 x 310 mm, Težina: 9.8 kg

The Type 20 MK2 adds several enhancements including the onboard Lineariser, a phase linearization tool that audibly improves spatial reproduction, as well as a port plug that allows the monitor to go from a bass reflex design to a sealed infinite baffle. The rear panel features a Closed or Ported selection knob, a Low Frequency Extension control, and a Desktop Filter control to dial in your best sound. The 3-way design combines a 7" honeycomb composite woofer, a 4" midrange honeycomb driver, and a HEDD Air Motion Transformer (HEDD AMT) tweeter to provide an accurate frequency response of 32 Hz to 40 kHz with a maximum SPL of 120 dB (with two speakers at 1m.) The sturdy unibody casing features updated lacquer for higher durability and better looks. The enclosure ensures that the cabinet remains stable and provides effortless audio even at full power. The ICEpower amplifier offers 300W per driver (900W total) and is universally powered for compatibility anywhere in the world. The rear panel also features a balanced XLR input and a digital AES input and throughput, as well as a gain trimmer and high-/low-shelf potentiometers. Benefits Onboard Lineariser and New Looks Implemented in the MK2 and subwoofer models is the well-known Lineariser, a phase linearization tool that leads to perfect impulse response and audibly improved spatial reproduction The MK2 version has new and improved lacquer for higher durability and better looks CoP Technology For the first time, you can choose between the energy and bass capacities of a modern bass-port design and the painstaking precision and control of a closed-cabinet approach Removable plugs for the bass reflex tubes together with complimentarily designed filter setups allow optimum results in either mode Linear Sub-Satellite System HEDD Audio introduces a completely phase linear Sat-Sub system. These are the first Satellite Sub systems that are completely right in time, created by combining a phase linearized subwoofer (separately sold) with a correspondingly time delayed (group delayed) satellite output Additionally, the listener can compensate eventual distances between subwoofers and satellites to stay with linear phase reproduction for the complete system Main Features Woofer: 7" honeycomb diaphragm Midrange: 4" honeycomb diaphragm Tweeter: HEDD AMT Input 1: Balanced XLR Analog / Impedance: 22 kilohms Input 2: Digital XLR AES Output: Digital XLR AES Through Shelve Filters High/Low: ± 4 dB (0.5 dB steps) LF Range (-3 dB): Normal/Extended/Satellite (32, 26, 80 Hz) Desk Filter: Small/Medium/Large (180 Hz -1, -2, -4 dB) Frequency Response: 32 Hz to 40 kHz (-3 dB) Maximum Sound Pressure Level: 120 dB SPL HEDD TYPE 20 MK2 Specs Studio Monitor Monitor Type Active 3-Way Enclosure Bass-Reflex, Sealed Power Rating 300 W per Channel Drivers HF Driver: 1 x 2" / 5.08 cm Air Motion Transformer MF Driver: 1 x 4" / 10.2 cm Honeycomb Composite Cone with 1.25" / 3.17 cm Voice Coil LF Driver: 1 x 7" / 17.8 cm Honeycomb Composite Cone with 2" / 5.08 cm Voice Coil Amplification 1 x HF Amplifier: Class-D Rated at 300 W 1 x MF Amplifier: Class-D Rated at 300 W 1 x LF Amplifier: Class-D Rated at 300 W Performance Frequency Response 32 Hz to 40 kHz ± 3 dB Maximum Sound Pressure Level (SPL) 120 dB Phase Adjustment None Signal Processing EQ 1 x HF Shelf: -4 to +4 dB 1 x LF Shelf: -4 to +4 dB Filters None Parametric EQ None Crossover Crossover Frequency Low-Pass: 250 Hz High-Pass: 3.2 kHz Crossover Type Active Connectivity Audio I/O 1 x XLR Balanced Female Analog Input (10 Kilohms) 1 x XLR AES/EBU Female Digital Input 1 x XLR AES/EBU Male Digital Output/Thru Power AC Input Power 110 to 240 VAC, 50/60 Hz General Dimensions (W x H x D) 14.1 x 11 x 13.3" / 35.8 x 28 x 33.8 cm Weight 34.0 lb / 15.4 kg Packaging Info Package Weight 38.365 lb Box Dimensions (LxWxH) 18.2 x 17.5 x 16.1"

The most powerful AX monitor With its power and radiation characteristics, the brand new A8X is suitable for both nearfield and midfield monitoring. With a price/performance ratio that could hardly be better, this monitor is a perfect entry into these monitoring fields. The A8X is equipped with the X-ART tweeter and a large (8.5”) midwoofer, a combination that adds both a very deep and yet very tight bass response to the unsurpassed reproduction qualities of the ADAM proprietary tweeter: a licence to thrill. Cabinet- and bass reflex-construction Like the other AX-Series models, the upper corners of the A8X are slanted to minimize reflections. The very large, double bass reflex tubes on the front have been specifically designed to perfectly match the midwoofer with its large voice coil. Amplification and controls With a 50W A/B amplifier for the tweeter and a 150W PWM amplifier for the midwoofer, the A8X has power in abundance and is the brawny monitor of the AX-Series.On the rear panel are several controls: a gain for the high frequencies (± 4dB) and two shelf filters for the high and low frequencies. There are both XLR (balanced) and RCA (unbalanced) connectors on the rear panel of the speaker, which allow the A8X to be used in almost any application. SPECIFICATIONS Mid-Woofer Number: 1 Basket O: 8.5" (220 mm) Voice coil O: 1.5" (38 mm) Cone material: Carbon/Rohacell/Glass Fiber Tweeter Number: 1 Type: X-ART Diaphragm area: 4 inch (2420 mm) Equiv. Diaphragm O: 2" (56 mm) Velocity transform ratio: 4:1 Diaphragm weight: 0.17 g Built-in AmplifiersMid-Woofer: 1 Type: PWM Amp. power RMS / music: 150 W / 225 W Tweeter: 1 Type: A/B Amp. power RMS / music: 50 W / 75 W Control panel Input Sensitivity: -()() to +14 dB High shelve > 5 kHz: +/-6 dB Low shelve < 300 Hz: +/-6 dB Tweeter gain: +/-4 dB Input connectors Analog: XLR / RCA General data Frequency response: 38 Hz - 50 kHz THD 90dB/1m > 100 Hz: <=0.5 % Long term output: >=112 dB Max. peak: >=120 dB Crossover frequencies: 2300 Hz Input impedance: 30 KOhm Weight: 28.7 lb (13 kg) Magnetically shielded: No Height x Width x Depth: 15.5" (400 mm) x 10" (255 mm) x 12.5" (320 mm) Review: A8X: a "powerful link" between near- and midfield monitors! "The A8X is a powerful link between ADAM´s AX Series and the formidable and more expensive SX Series. Its all-in-all homogenous tuning, the deep and precise bass as well as the brilliant mid- and high-frequency reproduction make this speaker a huge recommendation for ambitious people without deep pockets." (Professional Audio 10/2010)

In Detail Newly designed 5-inch fiber glass cone woofer and 3/4-inch silk dome tweeter drivers Driven by high efficiency digital amplifier of 35W (LF) and 23W (HF) output power Quality matt finished front baffle with a choice of two colors (black and white) 2 x inputs; TS phone and RCA pin Energy saving function complying with European ErP directives Glossy beauty box package Specifications Speaker Section Enclosure type: 2 way bass reflex Units Tweeter: 3/4-inch soft dome tweeter Woofer: 5-inch fiber glass diaphragm Frequency Response: 55 Hz – 30k Hz Amplifier Section Rated Output Power: Low: 35W High: 23W Input: Connector: TS phone (unbalanced), RCA pin (unbalanced) Impedance: 10K ohm or higher Nominal Input Level: -10dBV Cross-over Frequency: 2kHz General Dimensions: 270 (H) x 165 (W) x 214.5 (D) mm Weight: 4.5 kgs Power Requirement: US: 120 VAC, 60Hz EUR/UK: 230 VAC, 50/60Hz Power Consumption: 60 W (0.5W or less in standby mode)

Spec Speaker Section Units 110 x 40 mm antimagnetic cone speakers Frequency Response: 200 Hz – 20 kHz Amplifier Section Rated Output Power 10W x 2 Digital Input: XLR-3-31 connector (AES/EBU) Sampling Frequency: 44.1kHz to 96kHz Analog Inputs: XLR-3-31 connector (balanced) Rated input level: +4/0dBu Input Impedance: 10k ohm or more 1/4” Phone jack (unbalanced) Rated input level: -10/-14 dBV Input Impedance: 10k ohm or more Digital THRU XLR-3-31 connector (AES/EBU) Analog THRU XLR-3-31 / 1/4” TS phone Phones: 1/4” stereo phones Adapted load impedance: 16 ohm or more Maximum output: 20mW + 20mW (32ohm, 1kHz) Level Meter 26-dot LED x 2 Reference Level: Digital -20dBFS Analog XLR +4/9dBu; TS phone -10/-14dBV Distortion (T.H.D.) 0.1% or less General Dimensions: 482 (H) x 44 (W) x 284 (D) mm (including protruding parts) Weight: approx. 3.5 kgs Power Requirement: AC 100V to 240V 50/60Hz Power Consumption: 10 W (0.5W or less in standby mode)

Oba XLR ulaza su izbalansirana, a tu su i nebalansirani RCA ulazi za fleksibilniju povezivost, kao i potenciometar na prednjem panelu pomoću kog se kontroliše ne samo volume već i filterska podešavanja monitora. Specifičan dizajn bass port-a, sa zadnje strane – pravougani masivni port bez tvrdih ivica za povećanu efikasnost pri nižim frekvencijama. 6.5"-ni dvostruki SilverCone vuferi obezbeđuju frekvencijski odziv baseva od 35 do 280 Hz, dok se 4“-ni drajver srednjetonac proteže sve do 3000 Hz. Tviter AMT RS3 HF je drajver koji je upakovan u veliki okvir na prednjem panelu, a koristi unutrašnji magnet kako bi se visokotonac efikasnije (po)kretao. Tip monitora: Aktivni, Četvorosistemski; Bas-refleks, zaštićeni Drajveri: HF Driver: 1 x Air Motion Transformer, MF Driver: 1 x 4" / 100 mm Cone, LF Driver: 2 x 6.5" / 130 mm Woofer Pojačala: HF Amplifier - Rated at 50 W, MF Amplifier - Rated at 180 W, 2 x LF Amplifier: Rated at 185 W Frekvencijski opseg: 35 Hz do 21 kHz; Maksimalni nivo zvučnog pritiska: 116 dB (SPL) Crossover frekvencija: Low-Pass: 280 Hz, High-Pass: 3 kHz Povezivanje: 1 x XLR balansirani analogni ulaz (10 KΩ), 1 x RCA nebalansirani analogni ulaz (10 KΩ) Potrošnja el. energije: 300 W (Maximum), 1 W (Standby) Dimenzije: 600 x 260 x 320 mm, Težina: 18 kg

Engineering Objective To build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions & revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected "industry-standard reference monitor" we began by replicating its basic size, function, and sonic character. We wanted to take it up a notch though... First, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base. Second, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Amplification & Wiring Recommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power. It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.< Placement When positioning the Avantone MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations. Specifications System Type: Dynamic Shielded Full-Range Pair Frequency Response: 90Hz - 17,000Hz (useful musical range) Impendance: Nominal 8 ohms SPL / Sensitivity: 93dB @ 1w / 1 meter Recommended Power: From 10-200 watts Driver: 5.25" cast aluminum frame Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: 3-way CE rated plastic encased metal binding posts (accepts up to 12-gauge wire, spade lugs, dual banana plugs) Weight: 7.13lbs (per monitor) Dimensions: 6.5" x 6.5" x 6.5" Features 5.25" Shielded Passive Full range 8 ohm drivers 6 1/2" Cube Cabinet with multiple coats of "Retro-Cream" High Gloss lacquer finish Precision-milled high-rigidity MDF cabinet sides & baffle for low resonance Radiused corners & edges reduce edge diffraction for better imaging Custom Cone is crafted using New Zealand pulp with mica fibers added for light weight & rigidity Cloth surround made in Japan to uniform thickness tolerances Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel The 43oz. low distortion motor structure magnets are Y- 40 GRADE (MIL-SPEC) High-Rigidity DIE-CAST Aluminum frame with polished mounting bezel Nickel Plated "high-end" binding posts (properly spaced for dual banana plugs) - insulated for CE compliance Anodized aluminum milled terminal plate 1/4" soft Neoprene Pad is recessed into the cabinet base to serve as a non-skid acoustic isolator Standard size (5/8"- 27 threading) female microphone stand mount is built into the cabinet base

Engineering Objective To build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions & revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected "industry-standard reference monitor" we began by replicating its basic size, function, and sonic character. We wanted to take it up a notch though... First, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base. Second, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Amplification & Wiring Recommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power. It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.< Placement When positioning the Avantone MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations. Specifications System Type: Dynamic Shielded Full-Range Pair Frequency Response: 90Hz - 17,000Hz (useful musical range) Impendance: Nominal 8 ohms SPL / Sensitivity: 93dB @ 1w / 1 meter Recommended Power: From 10-200 watts Driver: 5.25" cast aluminum frame Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: 3-way CE rated plastic encased metal binding posts (accepts up to 12-gauge wire, spade lugs, dual banana plugs) Weight: 7.13lbs (per monitor) Dimensions: 6.5" x 6.5" x 6.5" Features 5.25" Shielded Passive Full range 8 ohm drivers 6 1/2" Cube Cabinet with multiple coats of "Retro-Cream" High Gloss lacquer finish Precision-milled high-rigidity MDF cabinet sides & baffle for low resonance Radiused corners & edges reduce edge diffraction for better imaging Custom Cone is crafted using New Zealand pulp with mica fibers added for light weight & rigidity Cloth surround made in Japan to uniform thickness tolerances Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel The 43oz. low distortion motor structure magnets are Y- 40 GRADE (MIL-SPEC) High-Rigidity DIE-CAST Aluminum frame with polished mounting bezel Nickel Plated "high-end" binding posts (properly spaced for dual banana plugs) - insulated for CE compliance Anodized aluminum milled terminal plate 1/4" soft Neoprene Pad is recessed into the cabinet base to serve as a non-skid acoustic isolator Standard size (5/8"- 27 threading) female microphone stand mount is built into the cabinet base

What does AVAA stand for? Active Velocity Acoustic Absorber How does it work? A microphone will measure the acoustic pressure in front of an acoustic resistance The acoustic resistance is designed to let air through but reducing significantly the pressure A transducer membrane is driven to absorb the volume of air going through the acoustic resistance This significantly reduced the acoustic pressure (between 15 and 120 Hz) around the microphone and around the AVAA What does the AVAA not do? The AVAA is a solution for room modes below 120 Hz and absorbs low frequencies only. The AVAA will not absorb frequencies above approximately 150 Hz. It is therefore not a total solution for acoustically bad rooms. For best results, it needs to be combined with passive absorption in higher frequencies. What effect will the AVAA have in my room? The AVAA will have the same effect, on frequencies from 15 to 120 Hz, as opening a window about 5 to 10 times the size of the AVAA. This will impact sound in the time, frequency and space dimensions. Time: it will significantly reduce reverberation time in these frequencies especially on room modes Frequency: with more precise and tighter bass, the masking effect of higher frequencies is reduced. Details in higher frequencies also become clearer Space: with less indirect sound in the room, the location of the sound is more accurate making the sound image more precise How many AVAAs do I need? An acoustician will be able to compute the effect of a certain number of AVAAs in a particular room. Depending on the dimension and type of room as well as the result required, between 2 and 8 AVAAs are necessary. For very small rooms a minimum of two AVAAs is recommended to have a symmetrical effect. For most normal size rooms (between 20 and 80 m2) it is recommended to use 4 AVAAs and for larger rooms the number can be increased to 6 or 8. Note that this technology has several international patents pending. PSI Audio AVAA Features It is an efficient solution for room mode problems in low frequencies It works independently from any source of sound and doesn't alter it It is stable with no settings or measurements required It can be used in recording room, control room, listening room or any room that has low frequency problems It simply works like an acoustical element in the room It can be turned ON and OFF to alter the acoustic environment It can easily be moved into different rooms It doesn't emit any sound It has a small footprint and is a cost effective solution It is 100% analog - no DSP, no latency Specifications Box Material: MDF Weight: 29 Pounds Dimensions: 16.7W x 20H x 11.8D inches Voltage: 115/230V±10%(50-60Hz)

Brojna podešavanja kao što je visoko propusna skretnica posvećena monitorima (koji omogućava da frekvencije iznad odabrane odsečene frekvencije prođu na zvučnik ili grupu zvučnika), podesiva faza i nivo kontrole omogućavaju optimalno uparivanje sa Solo6 Be i Twin6 Be monitorima. I na kraju, mala ali bitna karakteristika: ulaz za nožni prekidač. Omogućava povezivanje pedale kako bi se deaktivirao sabvufer i visoko propusna skretnicaq i na izlazima koji snabdevaju monitore. Ovo pojednostavljuje i u velikoj meri unapređuje kontrolu tokom različitih faza tokom monitoringa. Povezivanje ZA OPTIMALNU INTEGRACIJU Sub6 monitor zvučnik razvijen je kako bi na savršen način nadopunio akustiku Fokalovih zvučnika za monitoring. On sadrži brojne mogućnosti za podešavanja kao što je stereo visoko propusna skretnica (75Hz - 100Hz) specifičan za leve i desne zvučnike, konfigurabilni niskopropusni filter sa mono dodatkom fazni inverter, podesivu fazu i MUTE prekidač. Različite opcije za povezivanje omogućavanju korišćenje u multikanalnim režimima 2.1, 2.2, uz pomoć L/R ulaza i izlaza, kao i LFE ulaza. Nožni prekidač ‘MALI DODATAK’ KOJE PREDSTAVLJA RAZLIKU Najveća prednost Sub6 je njegov nožni prekidač. Ovo omogućava da povežete nožni prekidač koji odseca sabvufer i deaktivira visokopropusne skretnice na izlazima koji napajaju monitore. Ulaz za nožni prekidač omogućava Vam da poredite zvuk sa 2.1 setapa (Sub6 filtrirani + monitori filtrirani uz pomoć Sub6) sa zvukom 2.0 setapa (deaktiviran sabvufer + monitori u režimu širokog opsega). Dve verzije mogu biti odmah upoređene, samo uz pritisak nožnog prekidača: samo je potrebno pomeriti mišić.

It is ROKIT Science Building on over 30 years of monitor innovation and countless developmental partnerships with successful award-winning music and sound productions, the new KRK ROKIT G4 line has been scientifically re-engineered from the ground up for the way modern artists work—in all genres and environments. Matching Kevlar® Drivers Matching driver design ensures the same sonic integrity across all frequencies, minimizes listening-fatigue, and offers unprecedented clarity and sound reproduction. DSP-driven Onboard EQ with Visual LCD An incredibly versatile and sonically accurate monitor. DSP-driven Graphic EQ with 25 settings help condition your acoustic environment while offering new levels of versatility in a studio monitor. Scientifically Designed Enclosure High quality enclosure with a newly-designed front-firing port offers exceptional low-end extension and accuracy, punch and flexible room-positioning. The ROKIT G4 Defense System You put a lot of time and effort into your music, and KRK ROKIT G4 Studio Monitors are an investment into that dedication. Fortunately, you can protect them with new stylish ROKIT G4 Grille Covers. ROKIT 5 G4 5" Near-Field Studio Monitor Frequency Response 43Hz - 40KHz Max SPL 104dB Power Output 55 Watts Input Impedance 5.12KΩ Balanced Balanced TRS/XLR Combo Jacks Height 11.22" / 285 mm Width 7.48" / 190 mm Depth 9.49" / 241 mm Weight 10.69 lb / 4.85 kg

It is ROKIT Science Building on over 30 years of monitor innovation and countless developmental partnerships with successful award-winning music and sound productions, the new KRK ROKIT G4 line has been scientifically re-engineered from the ground up for the way modern artists work—in all genres and environments. Matching Kevlar® Drivers Matching driver design ensures the same sonic integrity across all frequencies, minimizes listening-fatigue, and offers unprecedented clarity and sound reproduction. DSP-driven Onboard EQ with Visual LCD An incredibly versatile and sonically accurate monitor. DSP-driven Graphic EQ with 25 settings help condition your acoustic environment while offering new levels of versatility in a studio monitor. Scientifically Designed Enclosure High quality enclosure with a newly-designed front-firing port offers exceptional low-end extension and accuracy, punch and flexible room-positioning. The ROKIT G4 Defense System You put a lot of time and effort into your music, and KRK ROKIT G4 Studio Monitors are an investment into that dedication. Fortunately, you can protect them with new stylish ROKIT G4 Grille Covers. ROKIT 7 G4 7" Near-Field Studio Monitor Frequency Response 42Hz - 40KHz Max SPL 110 dB Power Output 145 Watts Input Impedance 5.12KΩ Balanced Balanced TRS/XLR Combo Jacks Height 13.35" / 339 mm Width 8.86" / 225 mm Depth 11.19" / 284 mm Weight 16.76 lb / 7.6 kg

For Your Creation Environment The ROKIT 10-3 G4 Tri-Amp Mid-Field Monitor features rotatable 4.5" and 1" speakers for both vertical and horizontal applications. A more powerful 300 watt class D amplifier and an extended low-end frequency response delivers accurate reproduction in the most demanding of listening environments. It is ROKIT Science Building on over 30 years of monitor innovation and countless developmental partnerships with successful award-winning music and sound productions, the new KRK ROKIT G4 line has been scientifically re-engineered from the ground up for the way modern artists work—in all genres and environments. Matching Kevlar® Drivers Matching driver design ensures the same sonic integrity across all frequencies, minimizes listening-fatigue, and offers unprecedented clarity and sound reproduction. DSP-driven Onboard EQ with Visual LCD An incredibly versatile and sonically accurate monitor. DSP-driven Graphic EQ with 25 settings help condition your acoustic environment while offering new levels of versatility in a studio monitor. Scientifically Designed Enclosure High quality enclosure with a newly-designed front-firing port offers exceptional low-end extension and accuracy, punch and flexible room-positioning. ROKIT 10-3 G4 10" Mid-Field Studio Monitor Frequency Response 26Hz - 40KHz Max SPL 112 dB Power Output 300 Watts Input Impedance 5.12KΩ Balanced Balanced TRS/XLR Combo Jacks Height 21.50" / 546 mm Width 12.95" / 329 mm Depth 14.6" / 371 mm Weight 35.05 lb / 15.9 kg

It is ROKIT Science Building on over 30 years of monitor innovation and countless developmental partnerships with successful award-winning music and sound productions, the new KRK ROKIT G4 line has been scientifically re-engineered from the ground up for the way modern artists work—in all genres and environments. Matching Kevlar® Drivers Matching driver design ensures the same sonic integrity across all frequencies, minimizes listening-fatigue, and offers unprecedented clarity and sound reproduction. DSP-driven Onboard EQ with Visual LCD An incredibly versatile and sonically accurate monitor. DSP-driven Graphic EQ with 25 settings help condition your acoustic environment while offering new levels of versatility in a studio monitor. Scientifically Designed Enclosure High quality enclosure with a newly-designed front-firing port offers exceptional low-end extension and accuracy, punch and flexible room-positioning. The ROKIT G4 Defense System You put a lot of time and effort into your music, and KRK ROKIT G4 Studio Monitors are an investment into that dedication. Fortunately, you can protect them with new stylish ROKIT G4 Grille Covers. ROKIT 8 G4 8" Near-Field Studio Monitor Frequency Response 36Hz - 40KHz Max SPL 111 dB Power Output 203 Watts Input Impedance 5.12KΩ Balanced Balanced TRS/XLR Combo Jacks Height 15.75" / 400 mm Width 10.47" / 266 mm Depth 12.17" / 309 mm Weight 22.6 lb / 10.25 kg

ENGINEERING OBJECTIVES The Avantone Mix Tower Studio Reference Monitors are designed to be dynamic, high SPL, high resolution, full-range active reference monitors. We included precise, no-compromise drivers in a compact format that complements modern production environments. Providing two distinct modes of operation, the MixTower allows full range monitoring and MixCube mode. PERFORMANCE OBJECTIVE Studios primarily use 2-way and 3-way large monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in the newly developing age of High Definition Audio, there is still a need to hear what your mix will sound like when played back over small "bass-challenged" systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. The Avantone Mix Tower allows the best of both worlds. Switching seamlessly between the original MixCube system and a full range system all in one stylish studio monitor. The MixCube is isolated in its own enclosure, identical to our existing design, and complemented by a 5.25" woofer and high quality air motion transformer activated by the included footswitch. Specifications System Type: Active (Self-Powered) full-range stereo pair System Frequency Response: 45Hz-38,000Hz (Accessible musical range) Max SPL: 106dB @ 1 meter (pink noise); 108dB at 1 meter @1%THD (1kHz) Amplifier: Class HD High and Mid Frequency: each 100WRMS, THD+N=0.5% Low Frequency: 200WRMS, THD+N=0.5% Amp Frequency Response: 22Hz-40KHz +1dB/- 3dB (50Hz-25KHz +/-0.25dB) Noise: S/N -113 dB "A" Weighted; THD+N=<0.2%@100W into 4 ohms. High Frequency: Proprietary design, 3640mm2 air motion transformer Mid Frequency: Proprietary Design 4 ohm 5.25" Cast Aluminum Frame / Paper Cone/Shielded, 25mm voice coil. Low Frequency: custom designed 5.25" drivers with cast aluminum frame, 34mm voice coil Cabinet: Bass reflex design / 18mm MDF / with polyester acoustical stuffing Inputs: XLR & TRS +4dB Balanced and -10dB unbalanced Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL Cabinet Dimensions: 190Wx475Hx255D (7.5"x18.75"x10") Cabinet Weight: 10.6kg (23.3lb) Warranty: 5 Year Limited Warranty to original purchaser Accessories: Footswitch 1/4 inch bridge cable External power supply Features 3-Way studio monitor with switchable full range mid frequency driver Custom designed AMT MixCube full range mid frequency driver Custom 6.5 inch subwoofer Extremely clear midrange reveals important details of your mix. Versatile design requires no adjustment when used in appropriate environments. Compact format complements modern production environments. Standard Items Supplied: Avantone Pro Mix Tower Active 3-Way Studio Monitor Bridge Cable Foot Switch External Power Supply Limited 5-Year Warranty

Application Active Recording / Mixdown Monitors Engineering Objective The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Cabinet Design The original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base. Driver Design The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. Amplifier Design We designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps. Specifications System Type: Active (Self-powered) shielded full-range stereo pair Frequency Response: 90Hz - 17,000Hz (useful musical range) Impendance: Nominal 8 ohms Max SPL: 104db @ 1 meter = 1%THD (PINK NOISE) Amplifier Type: Class A/B Amplifier Power: 60 watts RMS@ .005% THD (1KHz) Amp Frequency Response: 22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB) Noise: S/N -113 dB Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL Driver: Proprietary design 5.25" cast aluminum frame / paper cone / shielded Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced Weight: 7.13lbs (per monitor) Dimensions: 6.5" x 6.5" x 6.5" Features Balanced Input: This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded. System Gain: This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks. On/Off Switch: This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however. AC Input: This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC/MAINS operating voltage for your location. Ground Lift Switch: By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal. Placement: When positioning the Avantone Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.

EVE Audiov visokotonac Air Motion Transformer RS3 kombinovan sa specijalno dizajniranim 4-inčnim drajverom srednjetoncem daju monitorima SC3070 preciznu transmisiju visokih i srednjih frekvencija bez 'umaranja'. Sedmoinčni drajver vufera zaokružuje ukupnu zvučnu sliku snažnim i tačnim nižim tonskim opsegom. Digitalno elektronsko procesuiranje zvuka (DSP) najviše rezolucije, filterovanje bez kašnjenja/latencije Visoko kvalitetni konverter analognog u digitalni signal – BurrBrown (24bit/192kHz) Rotirajući prekidač/potenciometar na prednjem panelu (sa LED prstenom) kontroliše jačinu tona ali i podešavanja filtera za varijabilnost prostornog položaja (low shelf, mid EQ & high shelf filteri) Frekvencijski opseg (slobodnog polja, -3 dB): 35 Hz – 25 kHz Cross-over frekvencija: 320 Hz/2800 Hz Maksimalni nivo zvučnog pritiska (SPL) po paru: 120 dB Izlazna snaga (woofer): 185 W, srednjetonac: 100 W, visoki: 50 W; ukupna izlazna snaga 320 W High-shelf filter (-5dB - +3dB): > 3kHz, Mid EQ (-3dB - +3dB): 1kHz Desk filter boost (0 dB - +3 dB): 80 Hz, Desk filter cut (-5dB - 0dB): 160 Hz, Low-shelf filter (-5dB - +3dB): < 300Hz Konektori: XLR ulazni (impedanse 10 , RCA ulazni (impedanse 10k) Potrošnja energije: u Standby-u: < 1W, pune radne snage: 220 VA Dimenzije: 340 x 250 x 310 mm, Težina: 9.8 kg

ENGINEERING OBJECTIVES The Avantone Mix Tower Studio Reference Monitors are designed to be dynamic, high SPL, high resolution, full-range active reference monitors. We included precise, no-compromise drivers in a compact format that complements modern production environments. Providing two distinct modes of operation, the MixTower allows full range monitoring and MixCube mode. PERFORMANCE OBJECTIVE Studios primarily use 2-way and 3-way large monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in the newly developing age of High Definition Audio, there is still a need to hear what your mix will sound like when played back over small "bass-challenged" systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. The Avantone Mix Tower allows the best of both worlds. Switching seamlessly between the original MixCube system and a full range system all in one stylish studio monitor. The MixCube is isolated in its own enclosure, identical to our existing design, and complemented by a 5.25" woofer and high quality air motion transformer activated by the included footswitch. Specifications System Type: Active (Self-Powered) full-range stereo pair System Frequency Response: 45Hz-38,000Hz (Accessible musical range) Max SPL: 106dB @ 1 meter (pink noise); 108dB at 1 meter @1%THD (1kHz) Amplifier: Class HD High and Mid Frequency: each 100WRMS, THD+N=0.5% Low Frequency: 200WRMS, THD+N=0.5% Amp Frequency Response: 22Hz-40KHz +1dB/- 3dB (50Hz-25KHz +/-0.25dB) Noise: S/N -113 dB "A" Weighted; THD+N=<0.2%@100W into 4 ohms. High Frequency: Proprietary design, 3640mm2 air motion transformer Mid Frequency: Proprietary Design 4 ohm 5.25" Cast Aluminum Frame / Paper Cone/Shielded, 25mm voice coil. Low Frequency: custom designed 5.25" drivers with cast aluminum frame, 34mm voice coil Cabinet: Bass reflex design / 18mm MDF / with polyester acoustical stuffing Inputs: XLR & TRS +4dB Balanced and -10dB unbalanced Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL Cabinet Dimensions: 190Wx475Hx255D (7.5"x18.75"x10") Cabinet Weight: 10.6kg (23.3lb) Warranty: 5 Year Limited Warranty to original purchaser Accessories: Footswitch 1/4 inch bridge cable External power supply Features 3-Way studio monitor with switchable full range mid frequency driver Custom designed AMT MixCube full range mid frequency driver Custom 6.5 inch subwoofer Extremely clear midrange reveals important details of your mix. Versatile design requires no adjustment when used in appropriate environments. Compact format complements modern production environments. Standard Items Supplied: Avantone Pro Mix Tower Active 3-Way Studio Monitor Bridge Cable Foot Switch External Power Supply Limited 5-Year Warranty