In addition to its outstanding acoustic properties this DSP-based subwoofer offers functions for the Neumann monitors connected to its outputs regarding the interplay with the following tools: Automatic Monitor Alignment – Automatic room correction of stereo systems using the Neumann MA 1 measurement microphone (software for Mac/PC) Neumann.Control – Free iPad®-App for setup, operation, and room correction of stereo systems via guided and/or manual alignment This also applies to all non DSP-based Neumann monitors connected (analog) to the KH 750 DSP, which enables them to make use of the subwoofer’s DSP power. MORE ABOUT THE KH 750 DSP The newly designed 10” long-throw driver has a strong linear working magnet system with ELFF™ technology (Extremely Linear Force Factor™). As subwoofers are usually placed on the floor, a robust grille protects the driver from accidental damage. The ultra-compact cabinet is a closed design which brings the fastest possible transient response. The two analog XLR inputs are balanced as are the two analog XLR outputs. The 192 kHz / 24-bit digital input can accept AES3 and S/P-DIF signals. There is a bypassable standby function and the switch-off time can be adjusted in the Neumann.Control iPad® app. The KH 750 DSP can be used in music, broadcast, and post production studios for tracking, mixing, and mastering. APPLICATIONS: Increasing the bass extension of the monitoring system Increasing the maximum SPL of loudspeakers Decreasing harmonic and intermodulation distortion of loudspeakers Reproducing the LFE channel Reproducing the “Sub” signal of a bass managed multichannel source Working as an extension for KH line subwoofer systems Acoustical Free field frequency response: 16 Hz … 800 Hz, ± 6 dB Free field frequency response: 18 Hz … 750 Hz, ± 3 dB Self-generated noise (with input gain set to 100 dB SPL for 0 dBu): < 20 dB(A) SPL at 10 cm Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz): 105.0 dB SPL Electronics Input: Analog: 2 x XLR, electronically balanced, Digital: BNC (75 Ω): AES3; S/P-DIF Controller design: Digital, active Crossover frequency, slopes: 80 Hz fixed Output power woofer amplifier (THD+N with limiter deactivated: 10%): 256 W Mains Power Supply, voltage; frequency: 100-240 V~; 50/60 Hz, with standby Mechanics Woofer: 265 mm (10") with protecting black metal grille Product dimensions (height x width x depth), mm (inches): 383 x 330 x 383 mm (15 1/8" x 13" x 15 1/8") Product weight: 19.5 kg (43 lbs)

Engineering Objective To build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions & revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected "industry-standard reference monitor" we began by replicating its basic size, function, and sonic character. We wanted to take it up a notch though... First, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base. Second, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Amplification & Wiring Recommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power. It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.< Placement When positioning the Avantone MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations. Specifications System Type: Dynamic Shielded Full-Range Pair Frequency Response: 90Hz - 17,000Hz (useful musical range) Impendance: Nominal 8 ohms SPL / Sensitivity: 93dB @ 1w / 1 meter Recommended Power: From 10-200 watts Driver: 5.25" cast aluminum frame Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: 3-way CE rated plastic encased metal binding posts (accepts up to 12-gauge wire, spade lugs, dual banana plugs) Weight: 7.13lbs (per monitor) Dimensions: 6.5" x 6.5" x 6.5" Features 5.25" Shielded Passive Full range 8 ohm drivers 6 1/2" Cube Cabinet with multiple coats of "Retro-Cream" High Gloss lacquer finish Precision-milled high-rigidity MDF cabinet sides & baffle for low resonance Radiused corners & edges reduce edge diffraction for better imaging Custom Cone is crafted using New Zealand pulp with mica fibers added for light weight & rigidity Cloth surround made in Japan to uniform thickness tolerances Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel The 43oz. low distortion motor structure magnets are Y- 40 GRADE (MIL-SPEC) High-Rigidity DIE-CAST Aluminum frame with polished mounting bezel Nickel Plated "high-end" binding posts (properly spaced for dual banana plugs) - insulated for CE compliance Anodized aluminum milled terminal plate 1/4" soft Neoprene Pad is recessed into the cabinet base to serve as a non-skid acoustic isolator Standard size (5/8"- 27 threading) female microphone stand mount is built into the cabinet base

The Original Drivers for the Original Sound Since the “white cone” studio monitor was discontinued, the supply of aftermarket components have become more and more expensive and less and less available. Avantone Pro has created a near exact recreation of the original drivers. Using our global resources and decade of experience in driver construction, we have reproduced the components faithfully, updating the materials to comply with modern environmental requirements. The AV10-MHF tweeter dome went through a difficult engineering process to get the exact phenolic resin doping to match the original performance curve. The AV10-MLF woofer uses custom tooled mechanical parts that mirror the original. We worked closely with one of the original vendors of the original cone to get the exact same stiffness and weight. The only difference from the original is that we use a pressed cone as opposed to a lapped. This allows for tighter matching in every cone we build — meaning this is the first time matched pairs have been available! Both replacement drivers are physically and dimensionally exactly the same as the originals and are “bolt in” hassle-free installation. THE CLA MONITOR FAMILY — ONLY FROM AVANTONE We’ve worked tirelessly to bring this classic monitor system back to the world — but it took more than just recreating a single speaker. A tremendous amount of attention has been put into every detail: matching the original MDF and wood veneer for the cabinet, matching the original winding dimensions/value/dc resistance of the inductors, profiling the most popular amplifier pairings of the original, just to name a few things. All of this development has culminated into a slew of monitor solutions. The CLA-10 and CLA-10A: the iconic “white cone” monitors, in both passive and active configurations. The CLA-100 and CLA-200: reference amplifiers with the perfect voicing to compliment the CLA-10 and original “white cones.” AV10 MHF and AV10 MLF: the classic “white cone” drivers — now available for the first time in decades as direct replacements for the original. AV10 MXO: replacement crossover for original Yamaha™ NS10M™ studio monitors. Specifications System Type: Passive - full-range two-way stereo pair Frequency Response: 60Hz-20,000Hz (Accessible musical range) Power Capacity: Program – 60W, Maximum – 120W Sensitivity: 90dB SPL (1W, 1m on axis) Components: Low Frequency: AV10-MLF 18cm cone High Frequency: AV10-MHF 3.5cm soft dome Cabinet: 10.4 liter sealed design, 18mm MDF with real wood veneer Cabinet Dimensions: 381.5mm x 215mm x197.5mm ( 15”x 8 ½”x 7- ¾ ” ) Cabinet Weight: 6.3kg / 13.9 Lbs (each) Warranty: 5 Year Limited Warranty to original purchaser

Both models – SC3010 and SC3012 – feature a very powerful amplifier array, with one amplifier custom specified per driver. All drivers found in these models were completely developed from scratch to deliver a perfect balance of high sound pressure levels, low distortion and optimised directivity. Our proprietary AMT RS6 will redefine your perception of how a tweeter should perform. The RS6 was especially designed for unparalleled precise reproduction, even at high output levels, which will definitely help you take your mixes to the next level. We've also taken great care in the design of the front of the speaker, using an ultra-stiff front plate made out of a combination of rigid plywood and a special inner construction to reduce unwanted resonances. The result? Smooth directivity, very low distortion and a well defined middle and upper frequency range combined with a powerful and tight low end. The SC3010/SC3012 systems were also built with in-wall installations in mind. When used in this manner, acoustic filter modifications can be engaged by adjusting the filter controls to "inwall". And a set of high-density quality foam is provided so that the backfiring bass ports can be physically closed, improving the quality and focus of the speaker's response. The stylish silver module in the middle of the speaker not only houses the midrange woofer and our AMT RS6 tweeter, but it can also be rotated 90-degrees, allowing the speakers to be positioned either horizontally or vertically. This helps to preserve control room sight lines and further optimises acoustic performance. Tech Talk The SC3010 is the smallest of the biggest in our range of main monitors and able to reproduce the entire audible frequency range with an ultra-low level of distortion. One 10" SilverCone bass woofer, with an extreme long excursion, provides for an extraordinarily clean low frequency reproduction down to 29 Hz (-3 dB). Its hexagonal glass fibre layered diaphragm will easily reproduce all audio content, even at higher than usual SPL's. The SC3010 also features our newly developed 5" midrange unit. Its glass fibre layered Rohacel™ sandwich diaphragm delivers a clear and detailed midrange frequency reproduction. Both the 10" SilverCone woofer and 5" SilverCone midrange are equipped with our very low distortion copper cap magnet system. Exclusive to SC3010 – and its larger sibling SC3012 – is our newly developed Air Motion Transformer AMT RS6. This new AMT is 2.5 times bigger than the RS1, RS2 and RS3 Air Motion Transformer units, and it is a crucial part of the system as it helps to couple the middle and high frequencies with great precision. Our team was able to engineer the RS6 to set its crossover frequency at 1800 Hz, a very important frequency for human hearing and subsequently, music production. Each driver is provided with its own separate PWM amplifier that is able to deliver a short-term output power of 250 W per tweeter and midrange channel and 800 W for the low-end driver. With a maximum output level of 114 dB (SPL @ 1 m), you will definitely be able to judge your mixes precisely, whatever their final intended output level is. The SC3010 is a three-way system that combines powerful bass reproduction with a very transparent and present mid-range and crystal clear high frequency reproduction. Make no mistakes: whether you're producing your new hip-hop hit or mastering the contemporary works, the SC3010's will be there for you and they will tell it like it is. Bad mixes no longer have a place to hide. As with every other EVE Audio speaker, you get both balanced XLR inputs and unbalanced RCA inputs for greater convenience. DSP With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. If you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter (24bit/192kHz) from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. Please visit our DSP page to learn more about our DSP philosophy. Bass Port Design It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. A lot of attention went into the development of our bass ports. After much deliberation we opted for a large rear rectangular port with no hard edges, as these provided the best results without unwanted side effects. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies. The results? High sound pressures with tight and punchy bass frequencies that don't cause port distortion. Crank up the volume, and EVE will deliver a round bass. And with no holes to look at every time you glance at your speakers. Measurements Freq. response Polar pattern Distortion Product SC3010 Description Main System Dimensions (WxHxD) [mm] 380 x 580 x 440 Dimensions (WxHxD) ["] 14.96 x 22.83 x 17.32 Free-field frequency range (-3dB) 29Hz - 21kHz Tweeter AMT RS6 Midrange 130mm/5" Woofer 250mm/10" Cross-over frequency 240Hz/1800Hz Maximum SPL @ 1m 114dB Number of amplifiers 3 Output power (woofers) 800W Output power (mid-driver) 250W Output power (tweeter) 250W Protection limiter Settings Volume -inf. - +6dB High-shelf filter (-5dB - +3dB) > 3kHz Desk filter boost (0dB - +3dB) 80Hz Desk filter cut (-5dB - 0dB) 160Hz Low-shelf filter (-5dB - +3dB) < 300Hz LED brightness setting Level-lock dip switch Filter-lock dip switch Input level dip switch +7dBu/+22dBu Connectors XLR in (impedance) (10k) RCA in (impedance) (10k) Power consumption Standby < 1W Full output 1000VA Misc. Weight kg/lb. 37 / 81.6

Engineering Objective To build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions & revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected "industry-standard reference monitor" we began by replicating its basic size, function, and sonic character. We wanted to take it up a notch though... First, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base. Second, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Amplification & Wiring Recommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power. It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.< Placement When positioning the Avantone MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations. Specifications System Type: Dynamic Shielded Full-Range Pair Frequency Response: 90Hz - 17,000Hz (useful musical range) Impendance: Nominal 8 ohms SPL / Sensitivity: 93dB @ 1w / 1 meter Recommended Power: From 10-200 watts Driver: 5.25" cast aluminum frame Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: 3-way CE rated plastic encased metal binding posts (accepts up to 12-gauge wire, spade lugs, dual banana plugs) Weight: 7.13lbs (per monitor) Dimensions: 6.5" x 6.5" x 6.5" Features 5.25" Shielded Passive Full range 8 ohm drivers 6 1/2" Cube Cabinet with multiple coats of "Retro-Cream" High Gloss lacquer finish Precision-milled high-rigidity MDF cabinet sides & baffle for low resonance Radiused corners & edges reduce edge diffraction for better imaging Custom Cone is crafted using New Zealand pulp with mica fibers added for light weight & rigidity Cloth surround made in Japan to uniform thickness tolerances Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel The 43oz. low distortion motor structure magnets are Y- 40 GRADE (MIL-SPEC) High-Rigidity DIE-CAST Aluminum frame with polished mounting bezel Nickel Plated "high-end" binding posts (properly spaced for dual banana plugs) - insulated for CE compliance Anodized aluminum milled terminal plate 1/4" soft Neoprene Pad is recessed into the cabinet base to serve as a non-skid acoustic isolator Standard size (5/8"- 27 threading) female microphone stand mount is built into the cabinet base

What does AVAA stand for? Active Velocity Acoustic Absorber How does it work? A microphone will measure the acoustic pressure in front of an acoustic resistance The acoustic resistance is designed to let air through but reducing significantly the pressure A transducer membrane is driven to absorb the volume of air going through the acoustic resistance This significantly reduced the acoustic pressure (between 15 and 120 Hz) around the microphone and around the AVAA What does the AVAA not do? The AVAA is a solution for room modes below 120 Hz and absorbs low frequencies only. The AVAA will not absorb frequencies above approximately 150 Hz. It is therefore not a total solution for acoustically bad rooms. For best results, it needs to be combined with passive absorption in higher frequencies. What effect will the AVAA have in my room? The AVAA will have the same effect, on frequencies from 15 to 120 Hz, as opening a window about 5 to 10 times the size of the AVAA. This will impact sound in the time, frequency and space dimensions. Time: it will significantly reduce reverberation time in these frequencies especially on room modes Frequency: with more precise and tighter bass, the masking effect of higher frequencies is reduced. Details in higher frequencies also become clearer Space: with less indirect sound in the room, the location of the sound is more accurate making the sound image more precise How many AVAAs do I need? An acoustician will be able to compute the effect of a certain number of AVAAs in a particular room. Depending on the dimension and type of room as well as the result required, between 2 and 8 AVAAs are necessary. For very small rooms a minimum of two AVAAs is recommended to have a symmetrical effect. For most normal size rooms (between 20 and 80 m2) it is recommended to use 4 AVAAs and for larger rooms the number can be increased to 6 or 8. Note that this technology has several international patents pending. PSI Audio AVAA Features It is an efficient solution for room mode problems in low frequencies It works independently from any source of sound and doesn't alter it It is stable with no settings or measurements required It can be used in recording room, control room, listening room or any room that has low frequency problems It simply works like an acoustical element in the room It can be turned ON and OFF to alter the acoustic environment It can easily be moved into different rooms It doesn't emit any sound It has a small footprint and is a cost effective solution It is 100% analog - no DSP, no latency Specifications Box Material: MDF Weight: 29 Pounds Dimensions: 16.7W x 20H x 11.8D inches Voltage: 115/230V±10%(50-60Hz)

Working from 15Hz – 160Hz Whether you have 1, 2, 3 or more disturbing room modes, the AVAA C214 will work on all of them. It will absorb all undesired room modes. AVAA is a revolution Based on the same absorption principles as the AVAA C20, the AVAA C214 is fully digital and allows control via an app. No calibration required Simply place it where your room modes are and it will absorb them. No calibration required. Get rid of resonating basses What could be more tiring for our ears than bass that resonates in a room? Simply place an AVAA where you get the most energy from low frequencies to avoid reflections coming back from the wall. Flexible Small footprint, flexible positioning, vertical or horizontal, on floor ceiling or walls. Timeless design Slender and elegant timeless design.

KLJUČNE KARAKTERISTIKE Dva monitora u jednom sa daljinskim prekidačem: brz i efikasan način da se uporedi miks preveden na složen sistem zvučnika Beskompromisna dinamika, linearnost i široka disperzija dobijena zahvaljujući berilijumskom kupolastom visokotoncu, uz vrhunski dizajn i materijal zvučnika Neutralni zvuk bez izobličenja zahvaljujući 'W' kompozitnom konusnom 'sendviču' Visoki SPL (nivo pritiska zvuka), dobar za sve muzičke stilove (pik od 115 dB @ 1m) FOCUS režim - dvosistemska ili trosistemska konfiguracija: Mogućnost daljinskog upravljanja pedalom (nije u kompletu) Tri potenciometra za podešavanje niskih i visokih frekvencija i 160Hz ekvilajzera ROTIRAJUĆA PREGRADA Trio6 Be može se koristiti vertikalno ili horizontalno. Optimizacija pozicije postiže se zahvaljujući podesivoj pregradi od aluminijuma u kojoj se nalaze visokotonac i vufer. Ova rotirajuća pregrada može da rotira za 360° u fazama od po 90°, čineći ga jednim od najprilagodljivijih zvučnika. From 3 way mode to 2 way mode THREE-WAY MONITOR Switching to FOCUS mode reconfigures Trio6 Be in two-way mode. 1” tweeter, a 5” woofer, and an 8” subwoofer. When utilised to its full potential, the Beryllium tweeter reaches up to 40kHz and the 8” subwoofer extends low frequencies down to 35Hz. This offers engineers complete control of the audio signal. The 8” W composite sandwich cone subwoofer is complemented by its large port integrated into the front baffle, making it easy to position the monitor near the front wall without saturating the ports and maintaining excellent low-frequency linearity. Its large front port guaranties consistent performance regardless of SPL levels. It also allows a positioning closed to a wall without wall boost effect, allowing an easy integration even in small rooms. The 5” W composite sandwich cone woofer is installed in an isolated chamber within the cabinet that prevents the sympathetic activation of its other speakers while optimising its acoustic performance. Two front-facing ports provide bass reflex, enabling the woofer to perform identically in both two-way (90Hz – 2.5kHz) and three-way (250Hz – 2.5kHz) configurations. The 1” pure Beryllium inverted dome tweeter provides numerous advantages, including wide dispersion, amazing frequency response linearity, quick dynamics, and unrivaled impulse response. Trio6 Be - 2 way monitor 2 WAYS MONITOR 1” tweeter, a 5” woofer As a two-way speaker, Trio6 Be employs only the 5” woofer and the tweeter, limiting frequencies to between 90Hz and 20kHz. This configuration provides the perfect compromise when checking the quality of the mix for playback systems with limited frequency response, such as TVs, PCs, cars, and portable speaker systems. The frequency response curve of the two-way configuration is identical, though less extended, to its three-way curve, allowing for a perfect comparison that preserves the stereo image. Focusing on this critical middle frequency range facilitates a good mix and enables the engineer to ensure that the levels are just right. A footswitch (not included) activates this configuration remotely from the listening position. Performanse • Frekvencijski odziv u trosistemskom režimu: 35Hz - 40kHz (+/- 3dB); dvosistemski režim (Focus): 90Hz - 20kHz (+/- 3dB) • Maksimalni SPL (nivo zvučnog pritiska), u trosistemskom režimu od 115 dB SPL (maksimum na 1 m); dvosistemski režim (Focus): 105dB SPL (maksimum na 1m) Electronics • Inputs Type /Impedance Connectors Sensitivity Electronically balanced / 10KOhms XLR Adjustable, +4dBu ou -10dBv • Bass • Midrange • Treble 200W, class G 150W, class G 100W, class AB • Power supply Main voltage Wiring 230V (class T fuse 1.6A fuse rating) - 115V (class T fuse 3.5 A fuse rating) Detachable IEC power cable • Indicators and controls Rear panel Input sensitivity selector (+4dBu/-10dBV) Low frequency shelving (+/- 3dB from 35 to 250Hz) High frequency shelving (+/- 3dB from 4.5 to 40kHz) EQ low-mid frequencies (+/- 3dB at 160Hz, Q factor = 1) FOCUS input / FOCUS output • LED Focus mode on, audio clipping and protection indicated by LED on front panel Transducers • Subwoofer 8W64701 8" Focal driver with “W” composite sandwich cone • Woofer 5W04701 5" Focal driver with “W” composite sandwich cone • Tweeter TB872 1" Focal pure Beryllium inverted dome tweeter (with protective grille) Ojačani paneli • Tamni bočni paneli od furnira od prirodnog "Burr"-pepela, crna kutija • Dimenzije uključujući 4 gumene nožice (VxŠxD): 520 x 278 x 360 mm • Težina: 20kg

A17-M Powerful near field studio monitor The A17-M is THE REFERENCE of near field monitors. Powerful for its size, it delivers an uncompromised quality in term of stereo image, low end control and transparency all over the bandwidth. Are you ready to step ahead? Main Features Power: 170 + 45W Frequency Range: 44Hz – 23kHz Peak max. SPL@1m: 115dB Typical listening distance: 0.7 to 2m 100% Analog – No DSP Flat frequency response Perfect stereo image Handmade Tweeter Class A/B Amplifiers Individually calibrated 5+1 years warranty Handmade in Switzerland Your success story with the A17-M Only you know where your story begins, and who knows where it will take you? With the A17-M, you can trust your judgement every step of the way. Listen better, create faster. You can trust your speakers, since it is their sound that has earned PSI Audio the respect of audio professionals all around the world. Building on over 40 years of experience and continuous development, the A17-M is the definitive nearfield monitor. Assess your work comprehensively without a subwoofer – or enhance the A17-M with a Sub A125-M, for example. Whatever story you need to tell, the A17-M helps you get your message across – a friend you should definitely listen to. “I chose the PSI Audio – A17-M monitors because I wanted deadly accurate monitors for composing and mixing for long periods of time. Before PSI Audio, I had trouble getting what was mentioned, having tried many other brands. They are very musical but accurate, and I find them super easy and inspiring to work with.” – Marko Maksimovic, music composer A17-M at Big Orange “I found the top end of the new A17-M monitors to be incredibly open, dimensional and ultra-detailed, yet lovely and natural. The low-end presentation could be what really impresses me most about these monitors.” Paul Vnuk Jr., RECORDING Perfect Stereo Image Stereo is more than just volume differences between the left and right channels. Phase relations are paramount to determine the accurate position of a signal in the acoustic space – and hence equally important in the development of PSI Audio speakers. The accurate phase alignment provided by PSI Audio CPR technology recreates the vivid spatial listening experience as it was intended. Instrument placement, reverb envelopes, even compression artefacts are easy to identify with the phase-corrected reproduction of PSI Audio speakers. Handmade tweeter What do you do when you cannot find a driver appropriate for the sonic accuracy you want to achieve with your speaker? At PSI Audio, we decided to just build our own then. The tweeter used in the A17-M is unique, our own development and built by hand in our manufacture in Switzerland. Superior to any market-bought solutions, our tweeter offers unparalleled clarity, subtlety and fidelity. It took a lot of time and effort to create this tweeter – certainly a lot more than buying one from an international supplier would have. But the result is absolutely worth it. Extend the low frequencies and add power Use one of PSI Audio’s Subwoofer / LFE to add more energy and low end to your A17-M: – Our compact Sub A125-M or – our full range Sub A225-M Thanks to our Roll-Off technology, both Sub A125-M & Sub A225-M are designed to perfectly match the A17-M. A17-M Technical Data Data A17-M [Unit] Potential peak power 170+45 W Continuous max SPL@1 m 102 dB Short term max. SPL@1m 105 dB Peak max. SPL@1m 115 dB Signal to noise ratio (S/N) 96 dBA Bandwidth at -6dB 44-23'000 Hz SPL tolerances ±2.2 dB Phase tolerances ± 45 (300 Hz – 20 kHz) deg Dispersion (H x V) 75 x 40 deg System 2 ways Crossover frequency 3500 Hz Woofer ext. diam. 180 mm Woofer ext. diam. 7.1 in W. diaphragm diam. 130 mm W. diaphragm diam. 5.1 in Medium ext. dim. N/A mm Medium ext. dim. N/A in M. diaphragm diam. N/A mm M. diaphragm diam. N/A in Tweeter ext. dim. 90 mm Tweeter ext. dim. 3.5 in T. diaphragm diam. 27 mm T. diaphragm diam. 1.06 in Dimensions W x H x D 200 x 320 x 230 mm Dimensions W x H x D 7.9 x 12.6 x 9.1 in Net Weight 7.4 Kg Net Weight 16.3 lbs Input connector 1 x XLR F / 3P Warranty 5 (+1) years Flat Response Each speaker is individually calibrated in our anechoic chamber and is delivered with its frequency response sheet. A proof of quality. A17-M – the apogee of near field monitors Incredibly powerful for its size, the A17-M is the apogee of near field monitors, providing a perfect stereo image and accurate low end. A17-M – Who is it for? Compact in size yet stunningly powerful, the A17-M can be employed in virtually any scenario that requires accuracy and fidelity, from producing and recording to mixing and even mastering. The A17-M is the ideal choice for studios that provide a large range of services but still prefer a compact monitoring solution. Recording / Producing Mixing Mastering Broadcast Post Production Home listening

Rad od 15 Hz - 150 Hz Bilo da imate jedan, dva, tri ili više (glasnih) sobnih režima, AVAA C20 će raditi u svakom od njih. Apsorbovaće sve neželjene sobne modove. Ne zahteva kalibraciju Jednostavno ga postavite tačno tamo gde su vaši sobni režimi i AVAA će ih apsorbovati. Bez potrebe za bilo kakvom kalibracijom. AVAA je revolucija Još od izlaska 2016., AVAA je izgradila reputaciju "tajnog oružja" akustičkih pristupa/tretmana i pravu revoluciju u domenu sobne akustike. Active Bass Absorber Absorbs room modes between 15 and 150 Hz Reverberation time is significantly reduced in this frequency range Effectiveness corresponds to an absorber of 25 times the size No calibration or adjustment to the room is required Mobile and flexible solution Dimensions (W x H x D): 424 x 509 x 300 mm Weight: 13 kg Colour: Black

Jedan od najpoznatijih mix inžinjera, Leslie Brathwaite, opremio je svoj radni prostor ovim visokokvalitetnim monitorima: My monitors of choice are my Focal Twin6 Be, which I use together with the Focal Sub6 sub. I love them. I tried the Focals about two years ago, fell in love with them. A nešto više o njegovim tajnama, možete pročitati na sledećem linku: Inside Track: Happy Secrets Of The Mix Engineers: Leslie Brathwaite Pored toga, dizajn Twin6 Be dozvoljava visoki SPL (nivo zvučnog pritiska) dok istovremeno omogućava stabilan tonski balans. Jedan od dva 6.5-inčna niskotonca radi u velikom opsegu (srednji opseg – bas) dok drugi reprodukuje od 40 do 150Hz. Ovo stvara bas koji čuva celokupnu signalnu dinamiku, bez bilo kakvog maskirajućeg efekta u srednjem opsegu, zadržavajući na taj način svu njegovu neutralnost i transparentnost. Dodatna kontrola bas registra postiže se finim podešavanjem na kontrolnoj ploči na zadnjoj strani Twin6 Be kako bi se dobila savršena konfiguracija odslikana kao u ogledalu u odnosu na njegov najbliži srodni model. Twin6 Be može se instalirati horizontalno ili vertikalno kako bi se odgovorilo zahtevima svakog studija. NAJBOLJE OD FOCAL TEHNOLOGIJE Twin6 Be zvučnik za monitoringoslanja se na Focal ekskluzivne i inovativne tehnologije. Opremljen je invertiranim kupolastim visokotoncem kojeg je proizveo Beryllium, od vrlo solidnog ali lakog materijala koji obezbeđuje optimalnu reprodukciju bez premca najvišeg kvaliteta, pored ‘W’ konusa za optimizaciju odziva još iz dizajn faze, zahvaljujući preciznoj kontroli čvrstine, lakoće i prigušenja. Kada je reč o pojačavanju, BASH® tehnologija jedina je koja može da kombinuje AB klasu kvaliteta zvuka sa efikasnošću pojačala D klase i omogućava savršeno podešavanje basa/snage srednjeg opsega. Registri za harmonizaciju TRANSPARENTNOST I PRECIZNOST Reputacija Twin6 Be oslanja se na njegovu preciznu zvučnu sliku, definiciju visokih tonova i njegov neutralni srednji opseg. Odlična artikulacija basa i registara srednjeg opsega, čak i pri visokoj jačini, predstavlja nespornu referencu. Posebno se preporučuje inženjerima zvuka u potrazi za informacijom i transparentnošću u ovim registrima i onima koji žele da fino podese različite efekte za postizanje savršenog ujednačavanja. Twin6 Be je proglašen za najbolji studio monitor u svim kategorijama od strane časopisa Future Music. FutureMusic: Platinum Award Specifications Frequency response : 40Hz - 40kHz Maximum SPL : 115dB SPL (peak @ 1m) Input : Type/Impedance: symmetrical/10 kOhms Connector: XLR Sensitivity: Adjustable, +4dBu or -10dBV Bass/mid-range : 2x150W rms, BASH® technology Treble : 100W rms, AB class Electric supply : Local supply power: 230V (2A fuse) 115V (4A fuse) Connection: Removable IEC supply wire Visualization and control : Input sensitivity selector Mid-range speaker selector (right/left) Adjustable tweeter and woofer levels by potentiometer Power on/off Voltage selector warning light : Power on LED Woofer : 2x6W4370B Focal "W" composite sandwich cone 6-1/2" (16.5cm) speaker Tweeter : TB871, Focal inverted dome tweeter in Beryllium transducer shielding : Integral through cancellation magnets or by magnet design Box : 7-1/2" (19mm) MDF panels Finish : Dark red natural veneering side panels, black body Dimensions (HxWxD) : 9-13/16 x 19-11/16 x 13-3/8 " (250x500x340mm) Weight : 30.8lb (14kg)

The SC305 combines the power from three different amplifiers to deliver a very efficient, dynamic and low noise sound reproduction. Our three-way systems are developed for critical and detailed listening, not just to deliver power and thunderous bass (although they can do it very well too). With its moderate size and superb technical characteristics, the SC305 model has virtually no competition on the market today. Don't miss the chance and check them out for yourself! Tech Talk Our three-way systems are designed around the concept to distribute the frequencies properly between all individual components and raise the efficiency of your speakers effectively. With the SC305 one of the woofers is delivering sound only up to 350 Hz, functioning as a kind of "bass woofer". The other woofer gives you a fuller range up to the 3000 Hz crossover frequency as a bass-midrange driver. This means less effective physical work being made by each individual woofer, which in turn will result in less mechanical inertia and a more efficient sound transmission. Both woofers consist of our proprietary 5" SilverCone, the same that is used in the smaller SC205 model and features our sophisticated low distortion copper cap magnet system. However, due to the fact that two of these woofers are being used simultaneously, you get a bigger frequency response - down to 50 Hz. The SC305 also makes use of the proprietary AMT RS3 tweeter, which uses a bigger front plate and a bigger internal magnet to drive the AMT tweeter with greater efficiency. The three 50 W PWM power amplifiers won't leave you lacking any power either. All in all, the SC305 will probably be regarded as the single most detailed three-way monitor speaker in the market for its specific size and price range. And no worries determining how to place the SC305 in your room or studio properly. Our DSP section will assist you in choosing the speaker for left and right hand side. So you will always get proper symmetry between your speakers, instead of having to move them around as usual. With a DIP switch, located on rear of the speakers these settings for room adaption can be temporarly locked. As with every other EVE Audio speaker, you get both balanced XLR inputs and unbalanced RCA inputs for greater convenience. DSP With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. And if you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter (24bit/192kHz) from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. Please visit our DSP page to learn more about our DSP philosophy. Bass Port Design It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies. The results? High sound pressures with tight and punchy bass frequencies that don't cause port distortion. Crank up the volume, and EVE will deliver a round bass. And with no holes to look at every time you glance at your speakers. Measurements Freq. response Polar pattern Distortion Product SC305 Description 3-way System Dimensions (WxHxD) [mm] 425 x 180 x 250 Dimensions (WxHxD) ["] 16.73 x 7.09 x 9.84 Free-field frequency range (-3dB) 50Hz - 21kHz Tweeter AMT RS3 Mid-Woofer 130mm/5" Woofer 130mm/5" Cross-over frequency 350Hz/3000Hz Maximum SPL @ 1m 108dB Number of amplifiers 3 Output power (woofers) 2 x 50W Output power (tweeter) 50W Protection limiter Settings Volume -inf. - +6dB High-shelf filter (-5dB - +3dB) > 3kHz Desk filter boost (0dB - +3dB) 80Hz Desk filter cut (-5dB - 0dB) 180Hz Low-shelf filter (-5dB - +3dB) < 300Hz LED brightness setting Level-lock dip switch Filter-lock dip switch Woofer-change dip switch Connectors XLR in (impedance) (10k) RCA in (impedance) (10k) Power consumption Standby < 1W Full output 110VA Misc. Weight kg/lb. 8.5 / 18.7

Brojna podešavanja kao što je visoko propusna skretnica posvećena monitorima (koji omogućava da frekvencije iznad odabrane odsečene frekvencije prođu na zvučnik ili grupu zvučnika), podesiva faza i nivo kontrole omogućavaju optimalno uparivanje sa Solo6 Be i Twin6 Be monitorima. I na kraju, mala ali bitna karakteristika: ulaz za nožni prekidač. Omogućava povezivanje pedale kako bi se deaktivirao sabvufer i visoko propusna skretnicaq i na izlazima koji snabdevaju monitore. Ovo pojednostavljuje i u velikoj meri unapređuje kontrolu tokom različitih faza tokom monitoringa. Povezivanje ZA OPTIMALNU INTEGRACIJU Sub6 monitor zvučnik razvijen je kako bi na savršen način nadopunio akustiku Fokalovih zvučnika za monitoring. On sadrži brojne mogućnosti za podešavanja kao što je stereo visoko propusna skretnica (75Hz - 100Hz) specifičan za leve i desne zvučnike, konfigurabilni niskopropusni filter sa mono dodatkom fazni inverter, podesivu fazu i MUTE prekidač. Različite opcije za povezivanje omogućavanju korišćenje u multikanalnim režimima 2.1, 2.2, uz pomoć L/R ulaza i izlaza, kao i LFE ulaza. Nožni prekidač ‘MALI DODATAK’ KOJE PREDSTAVLJA RAZLIKU Najveća prednost Sub6 je njegov nožni prekidač. Ovo omogućava da povežete nožni prekidač koji odseca sabvufer i deaktivira visokopropusne skretnice na izlazima koji napajaju monitore. Ulaz za nožni prekidač omogućava Vam da poredite zvuk sa 2.1 setapa (Sub6 filtrirani + monitori filtrirani uz pomoć Sub6) sa zvukom 2.0 setapa (deaktiviran sabvufer + monitori u režimu širokog opsega). Dve verzije mogu biti odmah upoređene, samo uz pritisak nožnog prekidača: samo je potrebno pomeriti mišić.

Tri pojačala, po jedan za svaki od drajvera, daju (kratkoročnu) totalnu izlaznu snagu od 250W. Jedan od vufera pokriva frekvencije do 300 Hz i služi kao bas, dok drugi vufer emituje zvučnu sliku šireg opsega i funkcioniše kao bas/srednjetonski drajver, crossover frekvencije do 3000 Hz. Odatle stvar preuzima AMT RS2 visokotonac (tviter), sa čvrstom i krupnom pločom na prednjem panelu i unutrašnjim magnetom velike efikasnosti. Manje efektivnog fizičkog angažmana za svaki od vufera, usled (preras)podeljenih frekvencija koje pokrivaju, rezultiraće manjom dinamičkom inercijom i efikasnijom transmisijom zvuka, kao i širim ukupnim frekvencijskim opsegom (do 40 Hz). Operativnost monitora elegantno se može kontrolisati sa samo jednim dugmetom/potenciometrom, u kome su ujedinjeni kontrola jačine tona i nekolicina podešavanja filtera. Endžin za digitalno procesuiranje zvuka (DSP) dolazi sa kvalitetnim A/D konverterom (24bit/192 kHz) Glomazni pravougaoni port bez oštrih ivica na zadnjem panelu je jedan od razloga sjajnog učinka EVE monitora u nižim frekvencijama (visok zvučni pritisak za čvrst i napregnut, zaokrugljen bas ton). Tip monitora: Trosistemci, Bas-refleks Drajveri: HF Driver: 1 x / Air Motion Transformer, MF Driver: 1 x 6.5" / 130 mm Cone, LF Driver: 1 x 6.5" / 130 mm Woofer Pojačala: HF Amplifier: Rated at 50 W, MF Amplifier: Rated at 100 W, LF Amplifier: Rated at 100 W Frekvencijski opseg: 40 Hz do 21 kHz; Maksimalni nivo zvučnog pritiska: 114 dB (SPL) Crossover frekvencija: Low-Pass: 300 Hz, High-Pass: 2.8 kHz Povezivanje: 1 x XLR balansirani analogni ulaz (10 KΩ), 1 x RCA nebalansirani analogni ulaz (10 KΩ) Dimenzije: 500 x 215 x 310 mm, Težina: 12.4 kg

Kabinet od medijapana sadrži dva 6.5-inčna 'sendvič' vufera 'W' konusa i berilijumski invertirani kupolasti visokotonac sa 'M' oblikovan zaštitinom rešetkom, drajvere koji unisono pružaju pun i neutralan zvuk, širokog frekventnog opsega. Fokalov patent, tehnologija TMD - Tuned Mass Damper, tu je da umanji distorziju u opsegu frekvencije od 1 do 3kHz, za čitavih 50%. TWIN 6 ima i high-pass crossover, automatski stand-by režim (koji se može isključiti), kao i 160Hz crossover za konzolne refleksije, što ga sve zajedno čini vodećim monitorom čitave industrije. Focus režim frekvencijskog opsega do 10 kHz daje paralelne mogućnosti: regularnog dvosmernog monitora, i jednosmernog monitora punog opsega (samo) iz vufera, kao da je u upotrebi i drugi par studijskih monitora sa redukovanom dinamikom, što daje prilagodljivost miksa za 'provere' na manjim sistemima. KLJUČNE ODLIKE Berilijumski invertirani kupolasti visokotonac: vrlo mala usmerljivost, odlična linearnost i dinamika Optimizovana pregrada visokotonca: odlična kontrola disperzije Kompozitna, 'sendvič-W' kupola: zvučna neutralnost, izostanak distorzije Automatski Stand-by režim, koji se može isključiti Settings: activatable/deactivatable, LF shelving, HF shelving, LPF @ 160Hz Monitor Type: Active 2-Way, Enclosure: Bass-Reflex, Shielded Power Rating: 190 W RMS Drivers - HF Driver: 1 x 1.5" / 3.8 cm Beryllium Inverted Dome Tweeter LF Driver: 2 x 6.5" / 16.5 cm Composite Cone Amplification: 1 x HF Amplifier: Rated at 50 W RMS, 2 x LF Amplifier: Rated at 70 W RMS Performance Frequency Response: 45 Hz to 40 kHz ± 3 dB, Maximum Sound Pressure Level (SPL): 112 dB Analog Input Sensitivity/Gain: +4 dBu / -10 dBV (Fixed), Phase Adjustment: None Protections and Limiting: Fuse Signal Processing EQ - 1 x Low-Mid Shelf: -3 to +3 dB at 250 Hz (Continuously Variable dB Increments) 1 x Mid Notch/Peak: -3 to +3 dB at 160 Hz (Continuously Variable dB Increments) 1 x HF Shelf: -3 to +3 dB at 4.5 kHz (Continuously Variable dB Increments) Filters - 1 x High-Pass at 45 to 90 Hz Parametric EQ: None Connectivity Audio I/O - 1 x XLR Balanced Analog Input (10 Kilohms) Power AC Input Power 100 to 240 VAC, 50/60 Hz General Enclosure Material: MDF Dimensions: 51.4 x 25.8 x 34.4 cm Weight: 22.0 kg

The cast-aluminum Zero Edge Baffle keeps diffraction to a minimum for excellent imaging, while the optimized waveguide provides a wide sweet spot, and the integral cabinet damping eliminates midrange artifacts. The internally braced wood cabinet is OmniMount ready, allowing it to be mounted easily on a wall or ceiling. The rear panel of the cabinet has XLR, TRS, and RCA input connectors for compatibility with virtually any audio gear you can throw at it. Controls for LF and HF filters, along with acoustic space matching allow you to customize the monitor to your specific workspace for optimum performance. The HR624mk2 features a download for ProTools | First software and The Musician Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer's serial number on the website. Feature Highlights Two-way active studio monitor for high-definition audio THX pm3 approved for surround mixing Full, ultralinear frequency response for accurate mixing Large 6.7" woofer and 1" tweeter Two internal amplifiers for a combined total power of 140W Passive radiator for tight and extended bass Aluminum Zero Edge Baffle keeps diffraction to a minimum for excellent imaging Optimized waveguide for a large sweet spot Cabinet has full internal damping for eliminating artifacts Rear-panel controls for HF and LF filters, as well as acoustic space selection XLR, TRS, and RCA connectors for wide system compatibility OmniMount-ready, for easy installation on a wall or ceiling High-gloss piano black wood cabinet provides great looks and a warm sound Professional Production Content Included Software from Avid, including Pro Tools | First and plug-ins An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects White Boost: Boost gain without coloring tone

The SC203 is the perfect solution for professional desktops with a limited amount of physical space, and also for discerning home and gaming users. To further extend its flexibility, each speaker is provided with the FlexiPad, a v-notch shaped orange rubberized pad that allows you to decouple the speaker from its base and angle it precisely at 0°, 7,5° or 15°. Accessories include our SC203 Mounting Adapter, which enables you to mount your speaker directly on any microphone or speaker stand that features a 3/8" thread. And why not combine it with our threaded wall mount adapter, and place your speaker directly on a wall, where it may be more convenient for your own space? The SC203 Mounting Adapter even makes good use of the included FlexiPad: by placing the FlexiPad between the speaker and the mounting adapter you are further decoupling unwanted resonances, and can even better arrange orientation for upright positioning at 0°. As expected, all necessary mounting screws are included. Tech Talk When using woofers in small desktop speakers, some special considerations have to be taken into account. To meet the demands of a precise reproduction in the low frequency region, we've developed a 3" woofer coupled with a 1" voice coil capable of handling a longer linear excursion. With a 16 mm-height voice coil, a linear, back and forth, swing of ±5mm is easily achieved. However, this requires an appropriate multilayer paper membrane material that is capable of withstanding such rigorous use while maintaining consistency. After numerous careful tests, coated paper turned out to be the very best solution in order to meet this demand for low resonance, stability and transmission linearity. From then on, the entire construction design met all the necessary requirements that such small woofers usually entail, including having a chassis basket permeable to air in order to minimize distortions. The large driver magnet works as a powerful "engine" so as to keep the woofer stable, even in border areas. A passive radiator – which you could simply think of as a passive speaker that moves through the force of air – located at the backside of the SC203, reinforces the reproduction of low frequencies and allows the speaker response to go down as low as an impressive 62Hz (-3dB) with very low distortion. Each SC203 setup is configured as a 2-way master-slave system, and features four power amplifiers. Each woofer and tweeter gets its own dedicated 30W PWM amplifier with separate filter section for precise control. And for optimal connectivity, the SC203 houses three inputs – analog RCA, digital optical and USB – which will allow you to conveniently connect a wide range of sources. Furthermore, a volume controlled subwoofer output lets you connect an additional subwoofer (TS107 und TS108) to the master speaker and create a powerful 2.1 system. A DIP switch located at the speaker's back panel allows you to select the SC203's to work as "satellites" from 80Hz and upwards, or as a full range units. The µA.M.T. Tweeter The simple goal of bringing the sound quality, low distortion and high resolution of our now famous A.M.T. tweeter to a much smaller format speaker took us on a many-month journey to find the perfect solution for the SC203. In the end, a new tweeter was born: the new µA.M.T.. This high resolution µA.M.T. delivers an astonishing high frequency resolution combined with extraordinary precision and clarity. The folded membrane of this high resolution µA.M.T. is only 400mm² in surface area, about less than half as our RS1 tweeter (which is used, for example, in the SC204 speaker). An integrated waveguide helps create an optimal dispersion pattern over a wide frequency range. No fighting over your sweet spot with this tweeter! To complete the system, we've used strong neodymium magnets, coupled with a magnetic holder and membrane holder optimized for very low distortion values at the specified SPL. As usual with EVE Audio, no cutbacks were made to save money at the expense of a high quality tuned system. Non-detachable loudspeaker grilles protect both, woofer and µA.M.T. tweeter against damage. DSP With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control, balance and several different filter settings (High shelf, Low shelf, LED brightness, Input selector and Speaker-Position such as Flat, Desk and Console) to tailor your set up comfortably and with ease to the way you work. An LED indicates clearly the status of each setting you have chosen. And if you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality 192kHz/24bit A/D converter from Cirrus Logic, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. When the optical digital input is used, the Cirrus Logic converter is removed from the audio path to avoid any additional conversion. Please visit our DSP page to learn more about our DSP philosophy. Passive Radiator Passive radiator technology can be simply understood as having a passive woofer unit, along with the main active driver that does most of the work. This way, the internal air pressure generated by the active driver is used to move the passive radiator in order to reproduce lower frequencies than standard speakers with similar dimensions. Also, the reason you don't usually see this kind of technology in smaller pro-audio systems is mainly because of cost and engineering concerns. Passive radiators are more expensive and not so easy to precisely tune them. Another advantage of our passive radiator is the complete elimination of all audible noise related to air turbulences, as there are no reflex tubes involved with this design. Unwanted pipe resonances (at multiples of half the fundamental wavelength), which are unavoidable with two-sided pipe openings, are eliminated this way. We've also built a custom suspension for the passive radiator, which exerts a restoring force underneath its tuning frequency, thereby reducing inaudible excursions of the speaker into the subsonic range. This results in reduced intermodulation distortion in the audible spectrum. In short, thanks to the passive radiator technology being used (and a few more engineering secrets, of course), the SC203 works and behaves as a fully fledged full- range speaker, with precise bass reproduction and a very small footprint. Measurements Freq. response Polar pattern Distortion Product SC203 Description 2-way master/slave system Dimensions (WxHxD) [mm] 116 x 190 x 134 Dimensions (WxHxD) ["] 4.56 x 7.48 x 5.27 Free-field frequency range (-3dB) 62Hz - 21kHz Tweeter µA.M.T. Mid-Woofer 75mm/3" Cross-over frequency 4800Hz Maximum SPL @ 1m 94dB Number of amplifiers 4 Output power (woofer) 30W Output power (tweeter) 30W Protection limiter Settings Volume -inf. - +6dB High-shelf filter (-5dB - +3dB) > 3kHz Position filter flat, desk, console Low-shelf filter (-5dB - +3dB) < 300Hz LED brightness setting Input select Input level dip switch +8dBu/+22dBu Standby dip switch locks cont. mode Satellite filter dip switch 80Hz high-pass filter Connectors RCA in (impedance) left-right (10k) Digital optical in TOSLink USB in Type B RCA subwoofer out Power consumption Standby < 1W Full output 110VA Misc. Backmounting thread inserts Mic stand thread inserts Weight kg/lb. Master: 1.9 / 4.19 Slave: 1.7 / 3.75 FlexiPad: 0.19 / 0.86

The SC205 uses our 5" SilverCone woofer for an extended bass response. This very stiff diaphragm is honeycomb structured and glass fibre coated. Like in other models, such as the smaller SC204, the SC205 is driven by a sophisticated low distortion copper cap magnet system that uses a 1" voice coil responsible for delivering a greater linear excursion. All in all, this produces a bigger dynamic range than you would naturally assume from a speaker of these proportions. The result is an unsurpassed audio transparency that, when coupled with our proprietary AMT tweeter and PWM amplifier, will surprise you with a very powerful and precise low end. Our AMT (Air Motion Transformer) tweeter is our own proprietary technology that follows the rule of not using "off-the-shelf" components when looking for the best possible results. The preciseness and detail in the high frequency, along with the general tightness of the bass and mid-range frequencies, will make the SC205 equally adequate for use on the road or in studio. DSP With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. And if you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter (24bit/192kHz) from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. Please visit our DSP page to learn more about our DSP philosophy. Bass Port Design It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies. The results? High sound pressures with tight and punchy bass frequencies that don't cause port distortion. Crank up the volume, and EVE will deliver a round bass. With no holes to look at every time you glance at your speakers. Measurements Freq. response Polar pattern Distortion Product SC205 Description 2-way System Dimensions (WxHxD) [mm] 175 x 275 x 233 Dimensions (WxHxD) ["] 6.89 x 10.83 x 9.17 Free-field frequency range (-3dB) 53Hz - 21kHz Tweeter AMT RS1 Mid-Woofer 130mm/5" Cross-over frequency 3000Hz Maximum SPL @ 1m 101dB Number of amplifiers 2 Output power (woofer) 50W Output power (tweeter) 50W Protection limiter Settings Volume -inf. - +6dB High-shelf filter (-5dB - +3dB) > 3kHz Desk filter boost (0dB - +3dB) 80Hz Desk filter cut (-5dB - 0dB) 180Hz Low-shelve filter (-5dB - +3dB) < 300Hz LED brightness setting Level-lock dip switch Filter-lock dip switch Connectors XLR in (impedance) (10k) RCA in (impedance) (10k) Power consumption Standby < 1W Full output 70VA Misc. Backmounting thread inserts Mic stand thread inserts Weight kg/lb. 5 / 11

Glavne karakteristike Snaga: 170 + 80 + 50W Frekventni odziv: 32Hz – 23kHz Maksimalni SPL: 110dB 100% Analogno – bez DSP Ravan frekventni odziv Fazna kompenzacija za bolju stereo sliku Ručno izrađeni visokotonac Srednja jedinica visokotonca se može okrenuti za 90° za horizontalnu upotrebu Pojačala klase G/H Individualno kalibrisani Uobičajena udaljenost slušanja: od 2 m Ručno izrađen u Švajcarskoj PSI Audio System 1 A25-M i Sub A225-M Produžite niske frekvencije i dodajte snagu Kada se koristi sa jednim od naših sabvufera, A25-M će se transformisati u neverovatan četvorosistemski monitor, sa izuzetno preciznom kontrolom na svim frekvencijama, od vrlo niskih do najviših nota: Naš kompaktni Sub A125-M (potrebne su dve jedinice da bi odgovarale maksimalnom SPL A25-M) ili naš Sub A225-M punog opsega A25-M – najprecizniji trosistemski zvučnik na tržištu A25-M je ključni model PSI Audio zvučnika. To je mid-field ali može biti i glavni referentni monitor sa neverovatnom precinošću i odličnom stereo slikom. Dinamičko ponašanje, precizna frekvencija i fazni odzivi učinili su od A25-M istinsku referencu u celoj industriji. TEHNIČKE SPECIFIKACIJE Snaga RMS: 170 + 80 + 50 W Programska snaga: 300 W Ulazna impedansa: Sym, 10k Ohms Osetljivost za 100 dB @ 1m: 0.775 V Odnos signal/šum: 96 dBA Kontinuirani maksimalni SPL@1m: 110 dB (singl) Ulazno opterećenje: 24 Vpp Program maksimalni SPL@1m: 121 dB (pair) Odziv pri-6dB: 32 - 23000 Hz Tolerancije: ±1.5 dB (38Hz - 20kHz) DistorzijaTHD: manje od 1% (70Hz-20kHz) Fazne tolerancije: ±45° (150Hz - 20kHz) Disperzija (P.N. 4 - 16 kHz) at -6 dB: 90° x 80° (H x V) Sistem: trosistemski Frekvencija skretnice: 580Hz, 3.1kHz Dimenzije niskotonca: spoljne/dijafragma:Ø 258 mm / Ø 210 mm Dimenzije srednje jedinice: spoljne/dijafragma:Ø 142 mm / Ø 102 mm Dimenzije visokotonca: spoljne/dijafragma:Ø 100 mm / Ø 25 mm Konektori: 1 x XLR F / 3P Signalni ulaz: 1=GND, 2=(+), 3=(-) Materijal: medijapan Dimenzije Š x V x D mm: 320 x 590 x 380 Bruto / Neto težina: 30.6 / 26.9 kg Voltaža: 115/230V (50-60Hz) Potrošnja - Standby-u stanju mirovanja-Maksimalno: 1.8 - 8 - 200 W Najmanja / Maksimalna vlažnost: manje 75% / manje od 90% Spoljna temperatura: 5 - 40°C

Now, the best 3-way monitor in its class has been joined by the Footprint02, a similar but smaller active nearfield speaker at an even more affordable price, offering the same uncompromising audio quality and design characteristics as the Footprint01. But these two models don’t just share each other’s looks and quality, it also the same Barefoot signature designs — Dual-Force™ technology opposing sub woofers, dual ring radiator tweeter and Multi-Emphasis Monitor Emulation™ or MEME — Technology first featured in their flagship MicroMain and MiniMain series. The Footprint02 looks a lot like its big sister: side-mounted dual opposing paper cone subwoofers; dual ring radiator tweeter and aluminum cone midrange driver set in an aluminum front sub baffle; sleek, rounded corners and edges, minimizing cabinet diffraction. The front baffle speaker configuration is instantly recognizable, with the tweeter positioned below the midrange woofer, an unusual geometry that generates the acoustic focus at the center of the cabinet. Inside they are nearly identical. The Footprint02 houses 2-way DSP crossover feeds, dual Class D amplifiers modules, as befits its reduced cabinet dimensions which is about 60 percent the volume of the Footprint01. Dual opposing 6.5-inch opposing subwoofers offering deep bass extension. The Footprint02 may be small but it is mighty, offering all the characteristics of a Barefoot Sound speaker — exemplary sound quality, 3-D imaging and wide dynamic range. UNDER THE HOOD Dual-Force is a core Barefoot technology, placing two subwoofers in opposition to eliminate cabinet vibrations, eliminating all vibration at the source. The only sound heard comes from the drivers, not the cabinet. The dual ring radiator tweeter is another key design component. As the wavelength of high frequency information approaches the diameter of a tweeter diaphragm, the dispersion begins to narrow, adversely affecting the image. Combining a center waveguide with the dual ring tweeter ensures a wider high frequency dispersion pattern at the listening position. Barefoot’s MEME technology enhances the versatility of the Footprint02, allowing it to fit into a broad range of applications: playback room, mobile setup, home, and production environments. MEME offers true emulations modeled on the performance and character of mix cube speakers, the infamous white coned speaker we all know well, and consumer hi-fi speakers, allowing the mixer the ability to reference all of those iconic monitors with a flick of a switch. No more need of multiple monitors cluttering up your bridge. Description: 3-way active monitor with MEME™ voice emulation Controls: Input level stepped attenuator, MEME voice select Input Impedance: Balanced XLR, 50k Ohm Impedance Sensitivity: 90dB @ 1 meter with -15dBV input signal (Level control set to 0dB) Frequency Response: 42Hz – 45kHz (±3dB), 52Hz – 40kHz (±1dB) Bass Response: -3 dB @ 36Hz, Q = 0.707 Slope = 18 dB/octave Cabinet: 13 liters total internal volume, Sealed woofer and midrange enclosures, Machined aluminum baffle plate, Polyurethane acoustic damping throughout Crossover Frequencies: 180 / 3600 Hz (Passive crossover between Midrange and Tweeter) Tweeter: 1″ ring radiator, Low distortion motor, Rear waveguide chamber Midrange: 4.0″ aluminum cone, Aluminum phase plug, Low distortion motor, +/- 3.5 mm linear excursion Woofers: 6.5″ paper cone, +/- 8.2 mm linear excursion High Frequency Amplifier: 150W Low Frequency Amplifier: 200W AC Power Input: 85 VAC to 265 VAC Power Consumption: Idle: 2W, Maximum: 320W Weight: Speaker: 27.9 lbs each (12.66 kg) Shipping: 33.6 lbs each (15.25 kg) Dimensions HxWxD: 12.12 x 8.7 x 13.0 inches (308 x 222 x 330 mm)

Tech Talk The SC204 uses a 4" SilverCone woofer with honeycomb structured diaphragm, driven by a sophisticated low distortion copper cap magnet system with a 1" voice coil responsible for creating a greater linear excursion. This produces a bigger dynamic than one would assume in a monitor of such small proportions. As a result, in addition to the unsurpassed audio transparency of our proprietary AMT tweeter and PWM amplifier combination, this SC204 will surprise you with a very powerful, tight and precise low end. Our AMT tweeter is our own proprietary technology that follows the rule of no off-the-shelf components in order to achieve superior results. The preciseness and detail of the high frequency range of EVE monitors, coupled with the general tightness of the bass and mid-range, make the SC204 a superb speaker that is easily used on the road (due to its reduced size) or as a second pair of speakers for your main setup. DSP With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. And if you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter (24bit/192kHz) from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. Bass Port Design It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies. The results? High sound pressures with tight and punchy bass frequencies that don't cause port distortion. Crank up the volume, and EVE will deliver a round bass. With no holes to look at every time you glance at your speakers. Measurements Freq. response Polar pattern Distortion Product SC204 Description 2-way System Dimensions (WxHxD) [mm] 145 x 230 x 195 Dimensions (WxHxD) ["] 5.71 x 9.06 x 7.68 Free-field frequency range (-3dB) 64Hz - 21kHz Tweeter AMT RS1 Mid-Woofer 100mm/4" Cross-over frequency 3000Hz Maximum SPL @ 1m 96dB Number of amplifiers 2 Output power (woofer) 50W Output power (tweeter) 50W Protection limiter Settings Volume -inf. - +6dB High-shelf filter (-5dB - +3dB) > 3kHz Desk filter boost (0dB - +3dB) 80Hz Desk filter cut (-5dB - 0dB) 200Hz Low-shelf filter (-5dB - +3dB) < 300Hz LED brightness setting Level-lock dip switch Filter-lock dip switch Connectors XLR in (impedance) (10k) RCA in (impedance) (10k) Power consumption Standby < 1W Full output 70VA Misc. Backmounting thread inserts Mic stand thread inserts Weight kg/lb. 3.8 / 8.4

Novi, konturirani dizajn kućišta sa pregradama Držeći se istinitog originalnog dizajna „otvora za ključeve“, FX kućište je nadograđeno složenim prednjim pregradama, koje ne samo da izgledaju prilično cool, već poboljšavaju defrakciju zvučne kutije. Koaksijalni drajver U sredini niskotonca ugrađen je 30-milimetarski svileni kupolasti visokotonac koaksijalne konfiguracije. Korišćenje ove tehnologije (jedinstvene u njenom cenovnom rangu) čini ga „point source“ uređajem, što znači da sav zvuk potiče iz jedne tačke - a ne iz tačaka udaljenih 10 ". To je ključno za poboljšanje odzivnosti izvan ose, ali i omogućava kompaktniju zvučnu kutiju. DIP prekidači za graničnu kompenzaciju Ponekad prostori u kojima miksujemo nemaju najbolju akustiku (posebno ako ste u kućnom studiju). Monitori serije FX opremljeni su EQ prekidačima za granične kontrole, koji vam omogućavaju da nadoknadite prostore koji možda nisu bili „podešeni“ ili ih je potrebno samo podesiti zbog blizine zida iza njih. Na zadnjem panelu je i vodič koji je prikladno štampan kako bi pokazao kako rade DIP prekidači i detaljnije objašnjenje u korisničkom uputstvu. D Klasa i DSP pojačanje Još jedno ažuriranje iz Fader serije je pojačanje klase D. Veća čista, pouzdana snaga, više hedruma i takođe samostalna moćna DSP integracija. Digitalno kontrolisan crossover čini svaki zvučnik doslednijim. Nova FX serija je zaista referentni monitor 21. veka za korišćenje kod kuće ili u bilo kojem studiju za snimanje. LED indikator na prednjoj pregradi LED svetlo na prednjem panelu nije samo indikator statusa, koji prikazuje da li je FX monitor uključen, ugašen ili na stendbaju, već takođe deluje i kao signal koji vam omogućava da pravilno podesite zvučnike prema uhu. Slot port na prednjoj strani Bas-refleks slot port podešava zvučnu kutiju kako bi se maksimizovala efikasnost bas izlaza iz zvučnika. Postavljen je na prednju ploču tako da ne samo da direktno zrači bas energijom prema slušaocu, već i zbog fleksibilnosti položaja u vašem studiju. Poboljšana zaštita mreže visokotonca FX dizajn je vrlo robustan. Kao takav, pruža izvanrednu zaštitu za sam zvučnik. Međutim, visokotoncu je potrebna i zaštita, zato smo dodali malu, čeličnu perforiranu rešetku da zaštitimo nežnu svilenu dijafragmu visokotonca. "Zvuk i dubina" Jedna je stvar postaviti visokokvalitetne drajvere za zvučnike u zvučnu kutiju sa pojačalom i da to nazovete odličnim zvučnikom. Ali za transparentni referentni monitor to je samo početak. Pažljivo osmišljen crossover dizajn i seanse slušanja preduzeti su da optimizuju ne samo ravan frekventni odziv na osi, već i dubinu zvučne slike koja je postala zaštitni znak Fluid Audio monitora. Ovo osigurava da vaš miks ne samo da zvuči sjajno na vašim FX zvučnicima, već će se preneti i na sisteme zvučnika i izvan studija. Specifikacije: Frekventni odziv: 35Hz-22kHz (+/- 3dB) Crossover frekvencija: 2.4kHz Snaga pojačala niske frekvencije: 60 W Snaga pojačala visoke frekvencije: 50 W Signal-šum: 90dB (tupični A-weighted) Polaritet: Pozitivni signal na + ulazu pomera spoljnu nisku frekvenciju Ulazna impedansa: 20 k oma balansirana, 10 k oma nebalansirana Ulazna osetljivost: 85 mV pink šum ulaz proizvodi TBD dB izlaz 95dBA @ od jednog metra sa jačinom zvuka na maksimumu Snaga: 100V-240V ~50/60 Hz Zaštita: RF smetnje, ograničavanje izlazne struje, prekomerna temperatura, prolazni režim uključivanja / isključivanja, podzvučni filter, spoljni mrežni osigurač Zvučna kutija: vinil laminirani medijapan Veličina (jedan monitor): 340*254*295 / 13.4*10*11.6 Težina (each): 7.8 kg / 17.2 lbs

It is ROKIT Science Building on over 30 years of monitor innovation and countless developmental partnerships with successful award-winning music and sound productions, the new KRK ROKIT G4 line has been scientifically re-engineered from the ground up for the way modern artists work—in all genres and environments. Matching Kevlar® Drivers Matching driver design ensures the same sonic integrity across all frequencies, minimizes listening-fatigue, and offers unprecedented clarity and sound reproduction. DSP-driven Onboard EQ with Visual LCD An incredibly versatile and sonically accurate monitor. DSP-driven Graphic EQ with 25 settings help condition your acoustic environment while offering new levels of versatility in a studio monitor. Scientifically Designed Enclosure High quality enclosure with a newly-designed front-firing port offers exceptional low-end extension and accuracy, punch and flexible room-positioning. The ROKIT G4 Defense System You put a lot of time and effort into your music, and KRK ROKIT G4 Studio Monitors are an investment into that dedication. Fortunately, you can protect them with new stylish ROKIT G4 Grille Covers. ROKIT 5 G4 5" Near-Field Studio Monitor Frequency Response 43Hz - 40KHz Max SPL 104dB Power Output 55 Watts Input Impedance 5.12KΩ Balanced Balanced TRS/XLR Combo Jacks Height 11.22" / 285 mm Width 7.48" / 190 mm Depth 9.49" / 241 mm Weight 10.69 lb / 4.85 kg