It is ROKIT Science Building on over 30 years of monitor innovation and countless developmental partnerships with successful award-winning music and sound productions, the new KRK ROKIT G4 line has been scientifically re-engineered from the ground up for the way modern artists work—in all genres and environments. Matching Kevlar® Drivers Matching driver design ensures the same sonic integrity across all frequencies, minimizes listening-fatigue, and offers unprecedented clarity and sound reproduction. DSP-driven Onboard EQ with Visual LCD An incredibly versatile and sonically accurate monitor. DSP-driven Graphic EQ with 25 settings help condition your acoustic environment while offering new levels of versatility in a studio monitor. Scientifically Designed Enclosure High quality enclosure with a newly-designed front-firing port offers exceptional low-end extension and accuracy, punch and flexible room-positioning. The ROKIT G4 Defense System You put a lot of time and effort into your music, and KRK ROKIT G4 Studio Monitors are an investment into that dedication. Fortunately, you can protect them with new stylish ROKIT G4 Grille Covers. ROKIT 7 G4 7" Near-Field Studio Monitor Frequency Response 42Hz - 40KHz Max SPL 110 dB Power Output 145 Watts Input Impedance 5.12KΩ Balanced Balanced TRS/XLR Combo Jacks Height 13.35" / 339 mm Width 8.86" / 225 mm Depth 11.19" / 284 mm Weight 16.76 lb / 7.6 kg

For Your Creation Environment The ROKIT 10-3 G4 Tri-Amp Mid-Field Monitor features rotatable 4.5" and 1" speakers for both vertical and horizontal applications. A more powerful 300 watt class D amplifier and an extended low-end frequency response delivers accurate reproduction in the most demanding of listening environments. It is ROKIT Science Building on over 30 years of monitor innovation and countless developmental partnerships with successful award-winning music and sound productions, the new KRK ROKIT G4 line has been scientifically re-engineered from the ground up for the way modern artists work—in all genres and environments. Matching Kevlar® Drivers Matching driver design ensures the same sonic integrity across all frequencies, minimizes listening-fatigue, and offers unprecedented clarity and sound reproduction. DSP-driven Onboard EQ with Visual LCD An incredibly versatile and sonically accurate monitor. DSP-driven Graphic EQ with 25 settings help condition your acoustic environment while offering new levels of versatility in a studio monitor. Scientifically Designed Enclosure High quality enclosure with a newly-designed front-firing port offers exceptional low-end extension and accuracy, punch and flexible room-positioning. ROKIT 10-3 G4 10" Mid-Field Studio Monitor Frequency Response 26Hz - 40KHz Max SPL 112 dB Power Output 300 Watts Input Impedance 5.12KΩ Balanced Balanced TRS/XLR Combo Jacks Height 21.50" / 546 mm Width 12.95" / 329 mm Depth 14.6" / 371 mm Weight 35.05 lb / 15.9 kg

It is ROKIT Science Building on over 30 years of monitor innovation and countless developmental partnerships with successful award-winning music and sound productions, the new KRK ROKIT G4 line has been scientifically re-engineered from the ground up for the way modern artists work—in all genres and environments. Matching Kevlar® Drivers Matching driver design ensures the same sonic integrity across all frequencies, minimizes listening-fatigue, and offers unprecedented clarity and sound reproduction. DSP-driven Onboard EQ with Visual LCD An incredibly versatile and sonically accurate monitor. DSP-driven Graphic EQ with 25 settings help condition your acoustic environment while offering new levels of versatility in a studio monitor. Scientifically Designed Enclosure High quality enclosure with a newly-designed front-firing port offers exceptional low-end extension and accuracy, punch and flexible room-positioning. The ROKIT G4 Defense System You put a lot of time and effort into your music, and KRK ROKIT G4 Studio Monitors are an investment into that dedication. Fortunately, you can protect them with new stylish ROKIT G4 Grille Covers. ROKIT 8 G4 8" Near-Field Studio Monitor Frequency Response 36Hz - 40KHz Max SPL 111 dB Power Output 203 Watts Input Impedance 5.12KΩ Balanced Balanced TRS/XLR Combo Jacks Height 15.75" / 400 mm Width 10.47" / 266 mm Depth 12.17" / 309 mm Weight 22.6 lb / 10.25 kg

ENGINEERING OBJECTIVES The Avantone Mix Tower Studio Reference Monitors are designed to be dynamic, high SPL, high resolution, full-range active reference monitors. We included precise, no-compromise drivers in a compact format that complements modern production environments. Providing two distinct modes of operation, the MixTower allows full range monitoring and MixCube mode. PERFORMANCE OBJECTIVE Studios primarily use 2-way and 3-way large monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in the newly developing age of High Definition Audio, there is still a need to hear what your mix will sound like when played back over small "bass-challenged" systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. The Avantone Mix Tower allows the best of both worlds. Switching seamlessly between the original MixCube system and a full range system all in one stylish studio monitor. The MixCube is isolated in its own enclosure, identical to our existing design, and complemented by a 5.25" woofer and high quality air motion transformer activated by the included footswitch. Specifications System Type: Active (Self-Powered) full-range stereo pair System Frequency Response: 45Hz-38,000Hz (Accessible musical range) Max SPL: 106dB @ 1 meter (pink noise); 108dB at 1 meter @1%THD (1kHz) Amplifier: Class HD High and Mid Frequency: each 100WRMS, THD+N=0.5% Low Frequency: 200WRMS, THD+N=0.5% Amp Frequency Response: 22Hz-40KHz +1dB/- 3dB (50Hz-25KHz +/-0.25dB) Noise: S/N -113 dB "A" Weighted; THD+N=<0.2%@100W into 4 ohms. High Frequency: Proprietary design, 3640mm2 air motion transformer Mid Frequency: Proprietary Design 4 ohm 5.25" Cast Aluminum Frame / Paper Cone/Shielded, 25mm voice coil. Low Frequency: custom designed 5.25" drivers with cast aluminum frame, 34mm voice coil Cabinet: Bass reflex design / 18mm MDF / with polyester acoustical stuffing Inputs: XLR & TRS +4dB Balanced and -10dB unbalanced Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL Cabinet Dimensions: 190Wx475Hx255D (7.5"x18.75"x10") Cabinet Weight: 10.6kg (23.3lb) Warranty: 5 Year Limited Warranty to original purchaser Accessories: Footswitch 1/4 inch bridge cable External power supply Features 3-Way studio monitor with switchable full range mid frequency driver Custom designed AMT MixCube full range mid frequency driver Custom 6.5 inch subwoofer Extremely clear midrange reveals important details of your mix. Versatile design requires no adjustment when used in appropriate environments. Compact format complements modern production environments. Standard Items Supplied: Avantone Pro Mix Tower Active 3-Way Studio Monitor Bridge Cable Foot Switch External Power Supply Limited 5-Year Warranty

The MR624 is equipped with matched amps and drivers for an optimized 65W Class-AB biamplified system. The speakers can also be optimized to your mixing environment with the adjustable acoustic space filters designed to maintain a flat response in typical placement configurations. Additionally, a high-frequency filter applies a boost or cut to compensate for particularly bright- or dull-sounding rooms. The MR624 has been designed with flexibility in mind, featuring XLR, TRS, and RCA monitor inputs. The speaker has been housed in an all-wood cabinet that has been treated with acoustic absorption material for a tighter response. Additionally, the MRS10 studio subwoofer can be added for a more powerful, extended low end. The MR624 features a download for ProTools | First software and The Musician Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer's serial number on the website. Features Designed for superior mix translation and accuracy for professional results in any studio Equipped with Mackie’s proven logarithmic waveguide design Ultrawide dispersion for enhanced stereo imaging and listening sweet spot Precise acoustic alignment offers incredibly balanced sound across the entire frequency spectrum 1” silk dome tweeter provides fast transient response for detailed high end and vocal clarity 6.5” polypropylene woofer delivers responsive, dynamic low frequency response 65-watts of biamplified Class-AB amplification Frequency Response: 38 Hz to 20 kHz Optimize MR monitors for your mixing environment Adjustable acoustic space filters maintain flat response in typical placement configurations HF filter applies boost or cut to compensate for particularly dull- or bright-sounding rooms Professional all-wood cabinet design built to last and look great in any studio Custom designed internal bracing adds stiffness for reduced distortion and enhanced low-frequency response Flexible inputs for simple connection to almost any audio source Acoustically optimized with sound-tightening acoustic absorption material Add the optional MRS10 studio subwoofer for powerful, deep low-frequency extension, well suited for electronic music, hip-hop and more Professional Production Content Included Software from Avid, including Pro Tools | First An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects White Boost: Boost gain without coloring tone

KEY FEATURES Clear, low-distortion audio with fast-attacking bass: Recreate club-style sound High-quality components Every VM series speaker includes a Class D amplifier with 96 kHz sampling DSP to enable wide-bandwidth audio reproduction. Its highly efficient performance results in low distortion and high-energy sound. The 4-mm-thick rigid aluminum front baffle further suppresses resonance and vibrations, delivering sound that’s authentic to the original source. Aramid fiber woofer cones and Vortex Bass Accelerator Aramid fiber woofer cones provide outstanding punch that you’ll feel in the bass and low-mid frequencies. These newly developed cones are 30 percent lighter than conventional paper-lined Aramid cones, making them stronger with deeper sound. The Vortex Bass Accelerator ensures that low-end audio is tight and free from unwanted vibrations, as ribs in the bass reflex port mean that air flows freely from the speaker to deliver pure sound. Constant directivity horn Mid and high-frequency sounds are delivered with power thanks to the constant directivity horn, which also creates a broad, uniform listening space. The shape of the horn and the woofer edge are specially designed so the flat playback frequency crosses over to the tweeter easily, resulting in a natural sound. Easily adjust the sound to suit your room DSP control All VM series speakers are voiced flat to ensure you hear the natural sound of the music. To help you tweak the output and find the sound that’s perfect for the room you’re working in, each speaker includes DSP settings. On the rear panel, you’ll find 2 knobs: Low EQ and High EQ. Without needing to look, you can click the knobs into 4 different positions each, giving you 16 possible EQ settings that are simple to engage. Choose the one that sounds best for DJing or producing music in your home or studio, depending on the shape, size, and construction of the room. LOW EQ Use this to adjust the bass, depending on the location of your speaker and the kind of sound you want for DJing or producing music. L1: ROOM 1 – This setting reduces the bass (6 dB HPF applied at 63 Hz) and is effective when your speaker is near a wall or at times when you don’t want heavy bass, e.g. late at night. L2: FLAT – Flat frequency response for a true sound. This is the most popular setting for producing music in an acoustically treated room. L3: ROOM 2 – This setting increases the bass (2.5 dB boost using a bell EQ at 50 Hz) and is ideal to use when you need some extra punch, e.g. in a large space. L4: CLUB BASS – More power in the bass (5 dB boost using a bell EQ at 50 Hz, and 2 dB boost using a bell EQ at 200 Hz), for a club-like sound. This setting is the best to use when you want as much bass as possible, e.g. for parties. HIGH EQ Use this to adjust the treble, depending on the location of your speaker and the kind of sound you want for DJing or producing music. H1: ROOM 1 – This setting reduces the volume of high frequencies (3 dB reduction using a high shelf EQ from 3.5 kHz to 12 kHz) and is effective when the room is reverberant and the high frequencies are overpowering. H2: FLAT – Flat frequency response for a true sound. This is the most popular setting for producing music in an acoustically treated room. H3: ROOM 2 – This setting increases the volume of high frequencies (3 dB boost using a high shelf EQ at 7 kHz) and is ideal for generating brighter sounds in a room or space where the treble seems to be lost. H4: BRIGHT TREBLE – This setting can produce a clearer sound (thanks to a 1.5 dB boost using a bell EQ at 4 kHz and a 3.5 dB boost using a bell EQ at 8 kHz) and help the details of individual musical instruments to stand out. For example, the outlines of the sound of guitars, cymbals, trumpets, etc. can be heard more clearly. Enhance the look and sound of your setup Fresh, professional design The brand-new design of the hexagonal aluminum front baffle brings a fresh look, as well as improved sound quality and durability. It cuts down unwanted vibrations for lower distortion while the tweeter protective guard reduces the risk of damage to the high-frequency diaphragm. And the Alumite treated brushed texture gives the speakers a professional finish so they look right at home next to Pioneer DJ gear. VM-50-W (white color) The VM-50 is also available in white. Its pristine finish complements any setup, especially one including other white products. Specifications Main Features Type Bi-amp 2-way active speaker Tweeter 1-inch (25 mm) SILK soft dome Woofer 5.25-inch (133 mm) ARAMID cone Auto Standby Yes What's in the Box VM-50 x 1 (not sold as a pair) Power cable x 1 Cushioned feet pads x 1 (4pcs/1 sheet) Precautions for Use Instruction Manual Warranty (for some regions) Specifications Maximum Sound Pressure 107 dB Width 198 mm Height 300 mm Depth 265 mm Weight 5.5 kg Frequency Range 40 Hz - 36 kHz Hz Power Supply AC 100-240 V, 50 Hz / 60Hz Amplifier Output Class D with 96kHz DSP LF: 30 W / 4 Ω HF: 30 W / 4 Ω Impedance 10 kΩ High EQ 4 selective EQs Low EQ 4 selective EQs Cross Over Frequency 3 kHz Enclosure Bass reflex Enclosure material MDF vinyl laminate Baffle material HIPS with 4mm Aluminum Plate Terminals Inputs XLR/TRS combo x 1 (balanced input) RCA x 1 (unbalanced input)

Tech Talk Every ThunderStorm subwoofer has detailed controls like switchable satellite filters (full range and 80Hz), phase switch controls (0°, 180°). and variable subwoofer filter frequencies (60....140Hz) to let you tailor and adjust your ThunderStorm to your specific room. The TS107 is the smallest model in the range of EVE Audio subwoofers and features a very efficient 100W PWM amplifier that drives a proprietary 6.5" woofer. This guarantees a frequency response of down to 36Hz up to 300 Hz, for a maximum output power of 102 dB (SPL @ 1m). The included remote control will let you adjust not only the subwoofer's volume but also the complete stereo system's volume while sitting comfortably in your sweet spot. All in all, the ThunderStorm subwoofers will make any system sound better and more complete. As with every other EVE Audio subwoofer, you get balanced XLR In- and Outputs (Stereo In and Out, LFE In, LFE/Sub Out) for greater convenience. Passive Radiator The particularity of our extremely powerful and accurate subwoofer resides in the passive radiator used that replaces the common bass reflex tube. With this design all audible noise due to air turbulences disappear completely. Unwanted disturbing pipe resonances (at lambda/2 and multiples) are eliminated, which are unavoidable when applying the principle of a two-sided pipe opening (bass reflex port). The suspension of the passive radiator has a restoring force underneath its tuning frequency and reduces inaudible excursions in the subsonic range. This in turn results in reduced intermodulation distortion in the working range. The passive radiator allows a particularly low tuning or lower cut-off frequency in a very compact cabinet. Product TS107 Description Subwoofer Dimensions (WxHxD) [mm] 230 x 355 x 300 Dimensions (WxHxD) ["] 9.06 x 13.98 x 11.81 Free-field frequency range (-3dB) 36Hz - 300Hz Woofer 165mm/6.5" Maximum SPL @ 1m 102dB Number of amplifiers 1 Output power (woofer[s]) 100W Protection limiter Settings System volume (Satellite & Sub) -inf. - +6dB Subwoofer volume -inf. - +6dB LED brightness setting Level-lock dip switch Filter-lock dip switch Input level dip switch +7dBu/+22dBu Phase inversion 0°/180° Switchable Satellite filter flat/80Hz Variable Subwoofer filter 60Hz-140Hz + LFE Remote control Sys. & Sub. Vol. Connectors XLR in left (impedance) (10k) XLR in right (impedance) (10k) XLR in LFE (impedance) (10k) XLR out satellite left (impedance) (10k) XLR out satellite right (impedance) (10k) XLR out (LFE) (impedance) (10k) Power consumption Standby < 1W Full output 120VA Misc. Weight kg/lb. 8.2 / 18.1

Powered 5" Two-Way Studio Monitor The next-generation JBL 305P MkII compact powered studio monitor makes legendary JBL performance available to every studio. With the revolutionary JBL Image Control Waveguide and refined transducers, JBL 305P MkII offers stunning detail, precise imaging, a wide sweet spot and impressive dynamic range that enhances the critical listening capabilities of any modern workspace. Featuring patented technologies derived from the JBL 7 Series and M2 Master Reference Monitors, and sporting a sleek, modern design, JBL 305P MkII delivers outstanding performance and an enjoyable mix experience at an accessible price. FEATURES ∧ Patented Image Control Waveguide for detailed imaging and a broad, room-friendly sweet spot Next-generation JBL transducers for optimized transient response and improved linearity Patented Slip Stream™ low-frequency port for superior bass performance at all playback levels Dual integrated, custom Class-D amplifiers provide 82 watts of power for high output and dynamic range New Boundary EQ settings compensate for low frequency variants introduced by the environment HF Trim switch adjusts high-frequency output to room acoustics or personal preferences Flexible connectivity with balanced XLR and 1/4" TRS inputs, +4dBu / -10dBV input-sensitivity switch and adjustable volume control Engineered to JBL Linear Spatial Reference design criteria for outstanding accuracy in any working space Strenuous JBL 100-hour full-power test ensures years of reliability Sleek, modern design provides a visual upgrade to any studio Why MkII? Since their release, word has spread on the quality and value found in the original JBL 3 Series, resulting in wide adoption from hobbyists to high-end professionals working in music, film, post, and broadcast production worldwide. With such an obvious hit, you might ask, "Why update now?" On every project at JBL, there’s always a handful of features or improvements that the engineering team can’t squeeze in before going to production. 3 Series was no different. When the opportunity presented itself, we decided to make those final improvements to the transducers, add a frequently-requested feature, and apply the latest manufacturing learnings. The result—a new edition of this popular studio monitor that retains the best qualities of the original, but now looks better, sounds better, and provides transparent sound in even more production environments. Patented Image Control Waveguide Reveal impressive detail, ambience and depth in your mixes thanks to the groundbreaking JBL Image Control Waveguide. Originally developed for JBL’s flagship M2 Master Reference Monitor, this patented innovation ensures an acoustically seamless transition between the low- and high-frequency transducers and provides an immersive soundstage with precise imaging. Offering a broad sweet spot and neutral frequency response, JBL 305P MkII delivers a crystal-clear representation of your mix—revealing subtle details, even when listening off-axis. Your Mix is Only as Good as Your Monitors To help you make the best mix decisions, JBL equipped the 305P MkII with acclaimed 3 Series transducers that now perform even better. Hear deep, accurate and tightly controlled bass thanks to a long-throw 5" woofer and the patented JBL Slip Stream™ low-frequency port. Enjoy soaring, immaculately detailed highs via the woven-composite 1" Neodymium tweeter. JBL engineers took things to the next level with faster HF transient response through fine-tuned ferrofluid damping, and greater low frequency linearity and lower harmonic distortion courtesy of an enhanced woofer design. The result is a studio monitor you can trust—with unmatched peak handling, stunning dynamics and neutral frequency response that’s unbeatable in its class. Big Sound Out of the Box JBL 305P MkII is ready for the most demanding production styles right out of the box. Dual integrated Class D power amplifiers, custom designed by JBL for each transducer, give you generous dynamic range for any project. From music production and podcasting to cinematic sound design or daily vlogging, enjoy the output and power you need to hear exceptional detail at any volume—even at peak SPLs. Simply plug in, power on, and start creating. Tailored Sound to Fit Your Studio The dimensions and acoustics of a room can have a major effect on sonic accuracy, and that’s why JBL 305P MkII lets you adjust the response to fit your studio. The new Boundary EQ attenuates the low-end boost that can occur when you place monitors directly on the desktop or near walls. The 3-position HF Trim switch allows you to adjust the high-frequency response of the 305P MkII to tailor it to room acoustics or personal tastes. Flexible Connectivity Offering both balanced XLR and 1/4" TRS inputs, and adjustable +4dBu/-10dBV input sensitivity, the 305P MkII offers flexible, professional connectivity options to provide easy setup while maintaining your signal integrity. 70 Years of Expertise The design of the 305P MkII leverages over 70 years of JBL acoustic expertise to create a refined studio monitor at an outstanding value. While other manufacturers use off-the-shelf components and make subjective decisions about the sound, JBL builds speakers that squeeze every ounce of performance from each component to deliver efficient, accurate sound reproduction. 305P MkII is designed to JBL’s Linear Spatial Reference criteria—a series of 72 individual measurements taken 360 degrees around the speaker to ensure a faithful reproduction of your mix, whatever your listening environment. JBL Professional Reliability JBL Professional studio monitors are designed for reliable performance, even when projects push your gear to the limit. Before being approved for production, 3 Series monitors must first pass JBL’s strenuous Power Test. Each model is required to perform flawlessly at maximum volume for an unheard-of 100 hours—without failure. As a result, you can depend on 305P MkII monitors to deliver consistently excellent sound reproduction for years to come. SPECIFICATIONS ^ LF DRIVER SIZE 203mm (5") HF DRIVER SIZE 25mm (1") HF DRIVER TYPE Soft dome CROSSOVER 1725Hz 4th order acoustic Linkwitz-Riley OK FOR USE NEAR MAGNETICALLY SENSITIVE EQUIPMENT Yes INPUT SENSITIVITY (-10dBV INPUT) 92dB / 1m POWER CONFIGURATION Bi-amplified HF DRIVER POWER AMP 41W, Class-D LF DRIVER POWER AMP 41W, Class-D FREQUENCY RESPONSE (±3dB) 49Hz – 20kHz FREQUENCY RANGE (-10dB) 43Hz – 24kHz LOW FREQUENCY EXTENSION (-10dB) 43Hz MAXIMUM CONTINUOUS SPL 94dB MAXIMUM PEAK SPL 108dB MAXIMUM PEAK INPUT LEVEL (-10dBV / +4dBu) +6dBV / +20.3dBu SYSTEM DISTORTION CRITERIA <10% THD at maximum output with full compressor / limiter engagement ELECTRICAL DISTORTION CRITERIA 0.2% THD @ 1kHz / 2.83VRMS output; <1% THD @ 1kHz, full rated output SIGNAL TO NOISE RATIO 75dBA (A-Weighted), 70dBr (unweighted), relative to 2.83VRMS output COVERAGE HORIZONTAL x VERTICAL 120° x 90° ANALOG INPUT TYPES 1 x XLR female, 1 x TRS female, balanced HF TRIM CONTROL -2dB, 0dB, +2dB BOUNDARY EQ LF Shelf @ 50Hz: -3dB, -1.5dB, 0dB AC INPUT VOLTAGE 100 – 240VAC (±10%), 50 / 60Hz ENCLOSURE TYPE Ported ENCLOSURE CONSTRUCTION 15mm MDF ENCLOSURE FINISH Matte black PVC BAFFLE CONSTRUCTION Injection-molded structural ABS CABINET DIMENSIONS (H x W x D) 298 x 185 x 231 mm (11.75" x 7.3" x 9.9") DISPLAY CARTON (H x W x D) 354 x 244 x 299mm (13.9" x 9.6" x 11.8") SHIPPING CARTON (H x W x D) 373 x 260 x 315mm (14.7" x 10.2" x 12.4") NET WEIGHT 4.73 kg (10.43 lbs) SHIPPING GROSS WEIGHT 5.72 kg (12.61 lbs)

Inženjeri mikseva žele da budu sigurni da se njihovi miksevi lepo transponuju na sve tipove sistema. Zbog toga smo dodali i standby nožni prekidač. Klikom na nožnu pedalu, možete uključiti ili isključiti bas i slušati svoj miks sa bas ekstenzijom ili bez nje. F8S ima ugrađena dva EQ podešavanja koja omogućavaju dve različite vrste podešavanja- zavisno od Vaše muzike: Konvencionalniji Flat odziv, kao i “Punch” podešavanje koje je savršeno za Dens ili drugu muziku sa srednjim basevima. Za veću fleksibilnost, F8S ima mogućnost promenljivog faznog podešavanja radi finog podešavanja faze za optimalno kombinovanje sa Vašim L/R monitorima (0-180 stepeni), promenljivu filter kontrolu low pass skretnice (50-200Hz) kao i 80Hz high pass filter (koji se koristi sa nožnim prekidačem) za povezivanja na satelit. Top of Form Bottom of Form Detalji 200 W D struje sa prekidačem za napajanje 8-inčni kompozitni papirni konus sa glasovnim kalemom visoke temperature i prigušeni gumeni prostorni zvuk Aktivni sabvufer Fader kontrola jačine zvuka na prednjoj strain Bas refleks vent port na prednjoj strani za lako pozicioniranje Standby funkcija pojačala za štednju energije XLR balansirani i 1/4” balansirani/nebalansirani ulazi i RCA ulazi XLR balansirani i 1/4” balansirani/nebalansirani izlazi Promenljiva lowpass filter kontrola: 50Hz-200Hz Prekidač za “Flat” i “Punchy” podešavanja 80 Hz highpass filter (sa nožnim prekidačem) za povezivanja na satelit Uključeni nožni prekidač dopušta Vam da uključite i isključite F8S za slušanje sa basom ili bez Tehničke specifikacije Frekventni odziv: 30-200Hz Ukupna snaga pojačala: 200 W Signal-to noise: > 100dB (tipični A-weighted) Polaritet: pozitivni signal na + ulaz izmešta LF konus na spolja Ulazna impedansa: 20k ohms balansirana, 10k ohms nebalansirana Ulazna osetljivost: 85mV pink noise ulaz proizvodi 97dBA izlaz SPL na jednom metru sa jačinom zvuka na maksimumu Struja: fabrički programiranao za 100-120V ~60Hz, 220-240V ~50Hz Zaštita: RF interferenca, ograničenje izlazne struje, od velikih temperatura, prelaz sa on/off, subsonični filter, spoljni glavni osigurač Kabinet: vinil laminirani, efikasni medijapan velike akustike Veličina: 13.4” x 10” x 10.5”, 340 x 254 x 270mm Težina: 18.7 lbs / 8.5 kg

The front panel provides a power switch and a rotary level control for easy volume adjustments. An automated protection circuitry prevents overloads and short circuits, while the die-cast aluminum enclosure is made to withstand the rigors of professional use. The 6301NX ships with a standard IEC power cord. Compact aluminum design 4" full-range driver 20W Class-D amplifier for powerful performance Transformer balanced XLR input 1/4" unbalanced input Front-panel rotary volume control Protection circuitry keeps the speaker operating smoothly Magnetically shielded for safe use near video monitors Multi-voltage power supply Auto Standby Mode engages after 25 minutes, power consumption reduced to 0.5W Optional bracket available separately for mounting Type Sealed powered speaker system Speaker Cone Type Driver: 4" / 102 mm Amplifier 20 W Class-D Frequency Range 70 Hz to 15 kHz Output Sound Pressure Level 85 dB/W @ 1 m Maximum Output Maximum SPL: 98 dB Rated Output 20 W THD 0.05% (at 1 kHz 1 W output) Input Terminal Input: 1/4" TS, unbalanced Input: Analog balanced XLR, 3-31 type HOT No. 2 / transformer type Input Impedance Analog Input: 10 kOhms or More Input Sensitivity Analog (Unbalanced): -14 dBV (0.2 VRMS) Analog (Balanced): +4 dBu (1.2 VRMS) Residual Noise −70 dBV Controls 1 x Power switch 1 x Volume control Indicator LEDs Unlit: Power off Lit In Green: Power on Lit In Red: In standby Enclosure Material Aluminum die-casting Shielded Yes Power Consumption Power Consumption: 10 W Auto Standby: 0.5 W Dimensions (HxWxD) 7.4 x 4.7 x 4.7" / 189.0 x 120.0 x 120.0 mm Weight 4.9 lb / 2.2 kg

Glavne karakteristike Snaga: 170 + 80 + 50W Frekventni odziv: 32Hz – 23kHz Maksimalni SPL: 110dB 100% Analogno – bez DSP Ravan frekventni odziv Fazna kompenzacija za bolju stereo sliku Ručno izrađeni visokotonac Srednja jedinica visokotonca se može okrenuti za 90° za horizontalnu upotrebu Pojačala klase G/H Individualno kalibrisani Uobičajena udaljenost slušanja: od 2 m Ručno izrađen u Švajcarskoj PSI Audio System 1 A25-M i Sub A225-M Produžite niske frekvencije i dodajte snagu Kada se koristi sa jednim od naših sabvufera, A25-M će se transformisati u neverovatan četvorosistemski monitor, sa izuzetno preciznom kontrolom na svim frekvencijama, od vrlo niskih do najviših nota: Naš kompaktni Sub A125-M (potrebne su dve jedinice da bi odgovarale maksimalnom SPL A25-M) ili naš Sub A225-M punog opsega A25-M – najprecizniji trosistemski zvučnik na tržištu A25-M je ključni model PSI Audio zvučnika. To je mid-field ali može biti i glavni referentni monitor sa neverovatnom precinošću i odličnom stereo slikom. Dinamičko ponašanje, precizna frekvencija i fazni odzivi učinili su od A25-M istinsku referencu u celoj industriji. TEHNIČKE SPECIFIKACIJE Snaga RMS: 170 + 80 + 50 W Programska snaga: 300 W Ulazna impedansa: Sym, 10k Ohms Osetljivost za 100 dB @ 1m: 0.775 V Odnos signal/šum: 96 dBA Kontinuirani maksimalni SPL@1m: 110 dB (singl) Ulazno opterećenje: 24 Vpp Program maksimalni SPL@1m: 121 dB (pair) Odziv pri-6dB: 32 - 23000 Hz Tolerancije: ±1.5 dB (38Hz - 20kHz) DistorzijaTHD: manje od 1% (70Hz-20kHz) Fazne tolerancije: ±45° (150Hz - 20kHz) Disperzija (P.N. 4 - 16 kHz) at -6 dB: 90° x 80° (H x V) Sistem: trosistemski Frekvencija skretnice: 580Hz, 3.1kHz Dimenzije niskotonca: spoljne/dijafragma:Ø 258 mm / Ø 210 mm Dimenzije srednje jedinice: spoljne/dijafragma:Ø 142 mm / Ø 102 mm Dimenzije visokotonca: spoljne/dijafragma:Ø 100 mm / Ø 25 mm Konektori: 1 x XLR F / 3P Signalni ulaz: 1=GND, 2=(+), 3=(-) Materijal: medijapan Dimenzije Š x V x D mm: 320 x 590 x 380 Bruto / Neto težina: 30.6 / 26.9 kg Voltaža: 115/230V (50-60Hz) Potrošnja - Standby-u stanju mirovanja-Maksimalno: 1.8 - 8 - 200 W Najmanja / Maksimalna vlažnost: manje 75% / manje od 90% Spoljna temperatura: 5 - 40°C

Application Active Recording / Mixdown Monitors Engineering Objective The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Cabinet Design The original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base. Driver Design The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. Amplifier Design We designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps. Specifications System Type: Active (Self-powered) shielded full-range stereo pair Frequency Response: 90Hz - 17,000Hz (useful musical range) Impendance: Nominal 8 ohms Max SPL: 104db @ 1 meter = 1%THD (PINK NOISE) Amplifier Type: Class A/B Amplifier Power: 60 watts RMS@ .005% THD (1KHz) Amp Frequency Response: 22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB) Noise: S/N -113 dB Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL Driver: Proprietary design 5.25" cast aluminum frame / paper cone / shielded Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced Weight: 7.13lbs (per monitor) Dimensions: 6.5" x 6.5" x 6.5" Features Balanced Input: This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded. System Gain: This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks. On/Off Switch: This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however. AC Input: This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC/MAINS operating voltage for your location. Ground Lift Switch: By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal. Placement: When positioning the Avantone Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.

Sada, uz iLoud Micro Monitor, možete čuti istinu u vašoj muzici bilo kada i bilo gde. Najmanji aktivni studijski referentni sistem praćenja na svetu, iLoud Micro Monitor pruža vam ultra tačan pravi linearni frekvencijski odziv bez bojenja, i to čini u svakom okruženju slušanja, posebno u kućnim i projektnim studijima. Zvuči previše dobro da bi bilo istinito? iLoud Micro Monitor su dva izuzetno prenosiva, dvostruko ojačana zvučnika sa visokim performansama, koji isporučuju kombinovanu snagu od 50 W za solidan bas, dosta hedruma i neverovatno definisanu stereo sliku. Bez obzira da li snimate, uređujete, miksujete ili mastering audio, uređujete video, dizajnirate zvuk ili svirate, iLoud Micro Monitor osigurava da će se vaša produkcija dobro preneti na ogroman broj potrošačkih uređaja - slušalice, kućni stereo sistem, konzole, audio sistem za automobile , televizore i druge sisteme za slušanje. Pomoću iLoud Micro Monitora čućete istinu u svojoj muzici bez obzira da li miksujete u svojoj spavaćoj sobi, savladavate u malom studiju ili samo slušate omiljene melodije kod kuće. A najbolje od svega je što nudi vrhunske funkcije koje se mogu naći samo na monitorima u velikim budžetskim studijima, ali bez cene visokog cenovnog razreda. Velika snaga, najmanje otisaka Kada je pušten originalni iLoud zvučnik, postavio je novi standard za prenosivu snagu i zvučnu preciznost u ultra malom prenosnom faktoru forme. iLoud Micro Monitor prirodna je evolucija tog dizajnerskog koncepta, i baš poput popularnog prethodnika, nudi potpuno novo i neuporedivo zvučno iskustvo. iLoud Micro Monitori dizajnirani su posebno za male improvizovane radne prostore - spavaće studije, male studijske projekte, u turističkom autobusu ili u hotelskoj sobi, a savršeni su kao dodatni referentni sistem za super slušanje u blizini. Svaki visokotonac i zvučnik pokreću ultra-efikasna pojačala snage D klase koja potiskuju ukupno 50 W RMS-a sa zadivljujućim niskim odzivom, do 55Hz (-3dB) - najbolji bas odgovor u svojoj kategoriji. Svaki monitor ima svileni visokotonski visokotonski 3/4 ”, 3-inčni visokotonski prilagođeni visokopojasni niskotonac i visokofrekventni refleksni otvor na basu sa prednjim pucanjem. Zahvaljujući ovim karakteristikama, može da emituje glatke i proširene visoke frekvencije, izuzetno otvoren, fokusiran srednji opseg i čvrst, kontrolisan niski kraj. Jednostavno rečeno, zvuk iLoud Micro Monitora je toliko dobar da je gotovo nezamisliv za sistem zvučnika ove veličine i po ovoj ceni. Zvučno transparentan iLoud Micro Monitor zvuči neverovatno i stvarno. Ali zašto? Deo toga je zahvaljujući svom unutrašnjem 56-bitnom digitalnom signalnom procesoru (DSP). Ovaj DSP je odgovoran za stvari poput brige o frekvenciji i faznoj reakciji monitora, kao i za kontrolu dinamičkog raspona tako da drajveri uvek budu pod kontrolom i rade efikasno. Takođe deluje i kao digitalni crossover koji omogućava nevidljivo glatke prelaze između samih vozača. Idealni za male studije Većina kućnih studija nudi manje od idealnog prostora kada rade na audio uređajima i često podsećaju na radni sto sa računarom i zvučnicima pored njega postavljenim uz zid. Većina zvučnika nije dizajnirana za ova mala okruženja i zvučne buke i nedefinisane, ali iLoud mikro Monitori dizajnirani su kao najbolji mogući referentni monitor u ovim izazovnim situacijama „male sobe“. Mali otisak iLoud Micro Monitor štedi prostor na radnoj površini i osigurava bližu poziciju vašim ušima tako da minimizira odjek sobe. Osim toga, njegov interni DSP nudi različita EQ podešavanja za optimizaciju bas-a i visokih tonova kao i kompenzaciju položaja - ovo vam omogućava lako prebacivanje između podešavanja „slobodnog polja“ i „radne površine“. Takođe možete postaviti iLoud Micro Monitor pod dva ugla nagiba zahvaljujući integrisanoj bazi za izolaciju koja garantuje dalje mehaničko razdvajanje i čistiji zvuk. Pomoću ovih funkcija možete da optimizujete vaše iskustvo slušanja tako da odgovara karakteristikama sobe u kojoj radite, i na taj način uvek osiguravate da radite u sweetspot-u. iLoud Micro Monitori takođe sadrže integrisanu nit za mikrofon (UNC 3/8 ”-16) tako da ih možete lako postaviti na bilo koji redovan par mikrofona koji vam pruža najbolje moguće uslove praćenja na najmanjim mestima bez dodavanja skupih dodatnih alatki. Superiorni monitoring, superiorno merenje iLoud Micro Monitor takođe vam poklanja besplatno T-RackS 5 Metering Suite besplatnom registracijom. Ovaj paket spreman za emitovanje pruža vam precizne merače maksimuma, RMS-a i dinamičkog raspona, spektogram, analizator u realnom vremenu, merače faza i korelacije i još mnogo toga. To je par alata za upravljanje svim aspektima vašeg audio materijala sa tačnošću referentne klase. Ovaj pogodan dodatak može se umetnuti u glavni magistralni kanal ili bilo koju pojedinačnu stazu, tako da je merenje jednako profesionalno kao i vaše nadgledanje. Hi-end karakteristike bez visoke cene Kada su u pitanju mali monitori, tradicionalno ste ograničeni na dva izbora - jeftini „budžetski“ monitori koji se mogu bolje opisati kao par „drvenih“ kutija sa „nekakvim“ zvučnicima koji obično koštaju od 100 do 200 dolara ( po paru) raspon ili monitori visokog kvaliteta koji prelaze između 600 i 700 USD (po paru). Samo iLoud Micro Monitor nudi vam karakteristike i karakteristike vrhunskih monitora (zvučna tačnost, definicija, referentni odziv, dvostruko pojačanje, DSP kontrola, pozicioniranje EQ, integrisana baza za izolaciju) i još mnogo toga, gotovo po ceni budžetskog monitora. Sada kada radite u malim studijskim prostorima, konačno možete da čujete savršenu predstavu svoje muzike, a da ne pravite kompromise između funkcija i cene. Povežite se Lako možete koristiti iLoud Micro Monitor sa omiljenom opremom. Slanje audio signala na njega ne bi moglo biti lakše. Ima ulaze za RCA i 1/8 ”konektore, a takođe može primati audio putem Bluetooth-a sa bilo kog uređaja sa omogućenim Bluetoothom. Prvi monitor koji može putovati sa vama Budući da su iLoud Micro Monitori najmanji - i najlakši (1,7kg / 60,7oz) - monitori na svetu, sada po prvi put možete da imate pravi referentni sistem praćenja bilo gde da odete. Ako radite produkcije u pokretu, sada ćete imati pratnju putovanja koja će vam dati zvuk pouzdan bilo gde - samo ih spakujte u gigbag ili ruksak sa laptopom i pođite. U torbi Da biste zaštitili svoj iLoud mikro monitor dok ga nosite oko sebe, možete naručiti putnu torbu iLoud Micro Monitor, izdržljivu, 100% poliestersku futrolu sa ugrađenim iLoud Micro Monitor logotipom, podesivim kaišima i vrećicom sa zatvaračem za kablove i druge sitnice. Veličina: 11.8" (30cm) x 7.8" (20cm) x 7.1" (18cm) Karakteristike Profesionalni zvuk referentnog kvaliteta Napredna digitalna kontrola sa 56-bitnim DSP-om, kontrolisanom difrakcijom / kućištem niske rezonance i vremenski usklađenim krosoverom pružaju vrhunski zvuk sa ultra-linearnim frekvencijskim odzivom. Snažni sistem dvostrukog pojačanja klase D (50 V RMS) pruža mnogo prostora za glavu s prolaznim odzivom munje. Velika čvrstina prilagođena visokofriktnim zvučnicima, plus veliki refleksni bass refleksni proizvod daje “najbolji u klasi” odziv basa do 55 Hz. Visokokvalitetni niskotonac i visokotonac, kao što su oni koji se nalaze u sistemima visokog cenovnog razreda - bez cene vrhunskog kvaliteta. Ultra kompaktan Najmanji trag bilo kog sistema za praćenje referentnog kvaliteta. Odgovara bilo kom mestu - omogućava praćenje visoke definicije u najstrožim prostorima. Može se postaviti bliže vama nego kod drugih monitora, smanjujući efekte refleksije u sobi i stojećih talasa. Prvi sistem monitora koji lako možete nositi sa sobom bilo gde da krenete. Fleksibilno postavljanje i povezivanje Postavljanje postolja ili monitora sa izborom EQ korekcije i podesivim integrisanim postoljem izolacije optimizovanim za vaše podešavanje. Postavlja se na uobičajene mikro stalke za pozicioniranje na slobodnom polju bez potrebe za dodatnim dodacima. Žična veza sa 1/8 ”stereo mini priključkom i RCA ulazima za snimanje, mešanje i mastering. Bežična Bluetooth veza za slušanje muzike bilo gde.

PSI Audio A23-M trosistemski studijski monitor Studio crveni horizontalni PSI Audio A23-M crni Glavne karakteristike Snaga: 140 + 70 + 50W Frekventni opseg: 34Hz – 23kHz Maksimalni SPL: 109dB 100% Analogno – bez DSP Ravan frekventni odziv Fazno kompenzovan za bolju stereo sliku Ručno izrađeni midway drajver i visokotonac Srednja jedinica visokotonca se može okrenuti za 90° za horizontalnu upotrebu Pojačala klase G/H Individualno kalibrisani Uobičajena udaljenost slušanja: od 1,5 m Ručno izrađen u Švajcarskoj Ručno izrađen visokotonac + drajver srednjeg opsega Ručno izrađen visokotonac korišen na A23-M je već postigao uspeh kod našeg najvećeg trosistemskog studijskog monitora A25-M. Da bi se postigla vrhunska preciznost za ovaj kompaktni trosistemski monitor, bilo je potrebno i da napravimo sopstveni drajver srednjeg opsega. Nakon više od 2 godine analiza i razvoja, bili smo ponosni što smo objavili trenutnu verziju, koja je najtačniji i najtransparentniji srednji opseg koji možete naći na tržištu. Sa trostrukim pojačanjem sa našim analognim pojačalima (Klase G/H za bas + drajver srednjeg opsega i Klase A/B za visokotonac), A23-M he vrhunski aktivni kompaktni trosistemski studijski monitor. Namenjen je za snimanje muzike, miksovanje i mastering, emitovanje i postprodukciju. Produžite niske frekvencije i dodajte snagu Kada se koristi sa jednim od naših subvufera, A23-M će se transformisati u neverovatan četvorosistemski sistem, sa izuzetno preciznom kontrolom na svim frekvencijama, od vrlo niskih do najviših nota: Naš kompaktni Sub A125-M (Dve jedinice su potrebne kako bi odgovaralo maksimalnom SPL od A23-M) Naš Sub A225-M punog opsega A23-M – Savršeno kompaktni trosistemski studijski monitor A23-M je novi PSI Audio član. To je kompaktni trosistemski mid-field aktivni studijski monitor sa neverovatnom preicznošću i odličnom stereo slikom. Dinamičko ponašanje, precizna frekvencija i fazni odzivi učinili su A23-M pravom referencom u celoj industriji. TEHNIČKE SPECIFIKACIJE Snaga RMS: 140 + 70 + 50 W Programska snaga: 300 W Ulazna impedansa: Sym, 10k Ohms Osetljivost za 100 dB @ 1m: 0.775 V Samostalno generisani šum, 1m f-s 8 dBA Kontinuirani maksimalni SPL@1m: 109 dB Ulazno opterećenje: 24 Vpp Programski maksimalni SPL@1m: 120 dB (pair) / 123 dB peak Odziv pri -6dB: 34 - 23000 Hz Tolerancija: ±1.5 dB (39Hz - 20kHz) Distorzija THD: less than 1% (100Hz-20kHz) Tolerancije faze: ±45° (220Hz - 20kHz) Disperzija (P.N. 4 - 16 kHz) pri -6 dB: 40° x 20° (H x V) Sistem: 3 Way(s) Frekvencija skretnice: 620Hz, 3.2kHz Dimenzije niskotonca: spolja / dijafragma:: Ø 210 mm / Ø 170 mm Dimenzije srednje jedinice. spolja/ dijafragma: Ø 120 mm / Ø 56 mm Dimenzije visokotonca: spolja / dijafragma: Ø 100 mm / Ø 25 mm Konektori: 1 x XLR F / 3P Ulazni signal: 1=GND, 2=(+), 3=(-) Materijal: MDF Dimenzije Š x V x D mm: 280 x 500 x 340 Bruto / Neto Težina: 18.0 / 20.2 KG Voltaža: 115/230V (50-60Hz) Potrošnja Standby-mirovanje-maksimalna: 1.8 - 8 - 200 W Minimalna / Maks vlažnost: less 75% / less than 90% Spoljna temperatura: 5 - 40°C

Tech Talk With the SC208, you will be able to extend your bass frequency response down to 36 Hz. Our custom-made 8" SilverCone woofer driven by a sophisticated low distortion copper cap magnet systemwith our 1.5" voice coil will guarantee that you will not run out of bass response when it comes to the critical listening and comparison of your mixes. The result is a very tight and dynamic bass, along with the usual greater linear excursion provided in every other EVE Audio model. Our PWM amplifier, with protection-limiting, is able to deliver a short-term output power of 150W for a maximum output level of 112 dB (SPL @ 1m). So you can be sure that there will be plenty of power to make critical and precise judgements over your mixes. The SC208 also uses our proprietary AMT (Air Motion Transformer) RS2. The RS2 stands for Ribbon System 2, meaning it has a bigger front plate and a larger magnet driving the motion with the utmost efficiency. As with every other EVE Audio speaker, you get both balanced XLR inputs and unbalanced RCA inputs for greater convenience. DSP With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. If you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter (24bit/192kHz) from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. Please visit our DSP page to learn more about our DSP philosophy. Bass Port Design It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies. The results? High sound pressures with tight and punchy bass frequencies that don't cause port distortion. Crank up the volume, and EVE will deliver a round bass. And with no holes to look at every time you glance at your speakers. Measurements Freq. response Polar pattern Distortion Product SC208 Description 2-way System Dimensions (WxHxD) [mm] 255 x 390 x 330 Dimensions (WxHxD) ["] 10.04 x 15.35 x 12.99 Free-field frequency range (-3dB) 36Hz - 21kHz Tweeter AMT RS2 Mid-Woofer 200mm/8" Cross-over frequency 2800Hz Maximum SPL @ 1m 112dB Number of amplifiers 2 Output power (woofer) 150W Output power (tweeter) 50W Protection limiter Settings Volume -inf. - +6dB High-shelf filter (-5dB - +3dB) > 3kHz Desk filter boost (0dB - +3dB) 80Hz Desk filter cut (-5dB - 0dB) 160Hz Low-shelf filter (-5dB - +3dB) < 300Hz LED brightness setting Level-lock dip switch Filter-lock dip switch Connectors XLR in (impedance) (10k) RCA in (impedance) (10k) Power consumption Standby < 1W Full output 170VA Misc. Weight kg/lb. 10.9 / 24

EVE Audiov visokotonac Air Motion Transformer RS3 kombinovan sa specijalno dizajniranim 4-inčnim drajverom srednjetoncem daju monitorima SC3070 preciznu transmisiju visokih i srednjih frekvencija bez 'umaranja'. Sedmoinčni drajver vufera zaokružuje ukupnu zvučnu sliku snažnim i tačnim nižim tonskim opsegom. Digitalno elektronsko procesuiranje zvuka (DSP) najviše rezolucije, filterovanje bez kašnjenja/latencije Visoko kvalitetni konverter analognog u digitalni signal – BurrBrown (24bit/192kHz) Rotirajući prekidač/potenciometar na prednjem panelu (sa LED prstenom) kontroliše jačinu tona ali i podešavanja filtera za varijabilnost prostornog položaja (low shelf, mid EQ & high shelf filteri) Frekvencijski opseg (slobodnog polja, -3 dB): 35 Hz – 25 kHz Cross-over frekvencija: 320 Hz/2800 Hz Maksimalni nivo zvučnog pritiska (SPL) po paru: 120 dB Izlazna snaga (woofer): 185 W, srednjetonac: 100 W, visoki: 50 W; ukupna izlazna snaga 320 W High-shelf filter (-5dB - +3dB): > 3kHz, Mid EQ (-3dB - +3dB): 1kHz Desk filter boost (0 dB - +3 dB): 80 Hz, Desk filter cut (-5dB - 0dB): 160 Hz, Low-shelf filter (-5dB - +3dB): < 300Hz Konektori: XLR ulazni (impedanse 10 , RCA ulazni (impedanse 10k) Potrošnja energije: u Standby-u: < 1W, pune radne snage: 220 VA Dimenzije: 340 x 250 x 310 mm, Težina: 9.8 kg

High-resolution compact studio monitor Your music as you’ve never heard before IK’s iLoud Micro Monitors stunned an industry. Producers and engineers at every level marveled at the performance coming from such a small setup, so IK challenged our team to push its concept even further - to design a new compact speaker to rival 5”, 6” and even 8” monitors. The result is iLoud MTM, and it changes everything about the sound, accuracy and convenience of reference monitors in today’s modern studio. Once you hear iLoud MTM, you’ll find it hard to ever go back to traditional big-box speakers. iLoud MTM offers: Ultra-flat frequency response Phase-coherent sound Extended, controlled low end Superior sound at short distances Perfect for desks and small spaces ARC self-calibration adjusts to any room DSP-controlled for superior performance 100W RMS total power per speaker 40 Hz to 24 kHz frequency response 0° - 20° tilting stand for ideal positioning Reference-class, ultra-linear response The first job of any studio monitor is to deliver accurate, uncolored sound so you can trust your mixing decisions will translate across multiple playback systems. iLoud MTM uses the most advanced DSP techniques to provide total control over the speakers’ performance, delivering results simply not obtainable with traditional analog designs. Highs are neutral and defined, mids are clear and balanced, and lows are as balanced as ever. You can mix for hours with no ear fatigue, and the work you create will translate better than ever. And of course it’s loud, with 100W RMS total power per speaker and 103dB SPL maximum sound pressure, delivering the proven volume the iLoud brand is known for. Extended low-end to rival larger systems iLoud Micro Monitor wowed the world with the bass performance it delivered from a 3” speaker that “defied physics”. But iLoud MTM offers even more, with even bass response down to an astonishing 40Hz ideal for modern music styles. iLoud MTM debuts IK’s new patent-pending Physical Response Linearization (PRL™) system, that uses a precise model of the enclosure’s design, construction and materials, combined with electro-mechanical measurements of the real units, to correct the system’s performance in real time. The result is a stunningly “firm,” balanced and defined low end, to surpass the sound of speakers even twice iLoud MTM’s size. Deep bass is solid and firm - you won’t believe sound like this comes from a monitor so small. A new phase in accurate sound reproduction Most conventional studio monitors, even high-end designs, suffer from skewed phase response caused by traditional, phase-shifting crossovers and driver/enclosure phase alterations. The end result is an unfocused stereo image, blurry transients, and overall lack of detail. iLoud MTM leverages IK’s two decades of DSP experience to offer a true phase-coherent response across the useful frequency spectrum, for unbelievably realistic, natural sound like you’ve never heard. You’ll hear instruments and dialogue as if it’s happening live, discover more detail in your tracks than ever before, and stop wasting hours trying to EQ away issues with your mixes that were never really there. This linear-phase response is rarely found in speakers even several times iLoud MTM’s price, and has to be heard to be appreciated. iLoud MTM Phase Coherent IR COMP Symmetrical MTM design for superior imaging and precision iLoud MTM uses a midrange-tweeter-midrange symmetrical design, with a pair of 3.5” high performance woofers and one 1” high definition, back-chamber loaded tweeter, which provides ultra precise, defined, point source sound that can’t be achieved by traditional 2-way systems at close distances. This means an even more natural, life-like sound, where the speakers “disappear” and you can focus on the music. It also minimizes the ear fatigue caused by traditional 2- or 3-way designs, where different frequencies arrive at your ear at different times. So you can mix longer, with less effort. iLoud MTM’s design also offers exceptional sound dispersion, enhancing the transparency and neutrality of what you hear. The controlled dispersion minimizes the impact of room acoustics, for even truer monitoring. iLoud MTM point source behaviour and controlled vertical dispersion The end result is faster, easier mixing with better results. On top of that this innovative design keeps the monitor dimensions to a minimum, 30 to 50% smaller than comparable features monitors, letting you set them up even in the smallest spaces. Instantly adjust to any room environment Today’s studios can be anywhere, from acoustician-designed spaces to a spare bedroom. Too many speaker manufacturers keep designing for ideal acoustic environments, ideal positioning and large listening distances. But many musicians simply don’t have that luxury. iLoud MTM offers built-in acoustic self-calibration via the included ARC™ reference microphone, to automatically adjust the frequency response to its placement. Just set up the monitors, put the microphone in your preferred listening position, press a button and you’ll instantly have a custom calibration for the sweet spot of your listening environment. Plus of course you can adjust low-frequency extension and trim the LF and HF response to your taste. With iLoud MTM, you can be confident your monitoring is optimized for your room’s acoustics, so your mixes will translate better. Adjust your angle in any situation It’s often overlooked – your studio monitors’ tweeters need to point at your ears. This is even more critical in modern studios where more and more musicians are using them at very close distances, like on a desktop beside their laptop or computer screen. iLoud MTM includes a tilting mount that not only helps isolate it, but also angles from 0° to 20° for correct positioning in a wide range of setups. That’s higher than most other “tilting” monitors, that too often can’t actually reach the needed angle for a desktop or other close-listening setup. iLoud MTM also includes a rubber base for horizontal placement, and a bottom thread to mount conveniently on mic stands, for more installation options. Combined with their symmetrical design and phase-coherent response, iLoud MTM allows for ultra-focused and accurate monitoring anywhere. Also available in White In addition to the original black finish, the iLoud MTM is also available in a modern white finish. You can select the color choice that best matches your home or studio set up. Superior monitoring, superior metering iLoud MTM also gives you the T-RackS 5 Metering Suite for free upon registration. This broadcast-ready suite provides you with precision Peak, RMS and Dynamic Range meters, spectogram, real-time analyzer, phase and correlation meters and more. It’s a couple set of tools to manage all the aspects of your audio material with reference-class accurary. This convenient plug-in can be inserted on your master bus or any single track so your metering is as professional as your monitoring. Digitally-controlled for precision audio iLoud MTM uses audiophile-grade high resolution algorithms and the top-of-the line A/D converters to carefully manage cross-overs, filtering, time alignment, equalization, dynamics control and auto-calibration. Totally DSP-controlled and precision time-aligned, iLoud MTM also manages the off-axis response to manage the effects of room reverberations. The product of IK’s 20+ years’ experience in digital signal processing, the advanced processing onboard helps iLoud MTM deliver sound far beyond anything in its size or class. In the bag To take your iLoud MTMs on the road, whether it's moving between studios or to use in a hotel or tour bus, you can order the iLoud MTM Travel Bag. It's a durable, 100% polyester case featuring a stitched-in iLoud MTM logo, adjustable straps and a zippered pouch for tiltable isolation bases, horizontal bases, cables and other small items. Accommodates 2 monitors. Size: 14.5" (37cm) x 11.8" (30cm) x 7.8" (20cm) Features MTM design for accurate sound focus and superior sound dispersion 2 x 3.5” high performance woofers + 1” back-chamber loaded tweeter 100W 2-way bi-amped speaker with class D amplifiers 103dB max SPL @1 m 40 Hz - 24 kHz frequency response Coherent phase response within +/- 15° from 200 Hz to 24 kHz ¼” / XLR Combo input, -10dBv or +4dBu selectable sensitivity EQ controls: LF extension, LF boost/cut, HF boost/cut Automatic environment calibration with included ARC™ measurement microphone Compact dimensions for easy positioning even in the smallest place Multiple positioning with included 20° tiltable isolation base, horizontal base, and built-in mic stand thread iLoud MTM - Award

The subwoofer has right, left, and LFE balanced XLR inputs for connecting to pro-level audio systems. It also has a 1/4" footswitch input that allows you to connect a pedal for hands-free control of the subwoofer. Signal treatment and control options include mono left/right summation, phase adjustment, polarity switch, high/low pass filters, level control, muting, and bypass. Provides bass reinforcement for the Solo6 Be and Twin6 Be studio monitors 11" "W" composite sandwich cone driver is housed in a high-volume MDF cabinet Cabinet has a rear laminar bass port, which helps extend bass response all the way down to 30Hz Right, left, and LFE balanced XLR inputs for connecting to pro-level audio systems 1/4" footswitch input allows you to connect a pedal for hands-free control Signal treatment and control options include mono left/right summation, phase adjustment, polarity switch, high/low pass filters, level control, muting, and bypass Focal Sub6 Specs Studio Monitor Monitor Type Active Subwoofer Enclosure Bass-Reflex, Unshielded Power Rating 350 W RMS Drivers LF Driver: 1 x 11" / 279 mm Composite Cone Performance Frequency Range 30 Hz to 250 Hz Maximum Sound Pressure Level (SPL) 116 dB Phase Adjustment Phase Inversion 0 / 180° Connectivity Audio I/O 3 x XLR Balanced Female Analog Input (10 Kilohms) 2 x XLR Balanced Male Analog Output 1 x 1/4" TRS Analog Input General Dimensions (W x H x D) 13.6 x 14.9 x 17.3" / 344 x 380 x 440 mm Weight 50.7 lb / 23.0 kg Packaging Info Package Weight 56.3 lb Box Dimensions (LxWxH) 22.5 x 22 x 18"

The KH 420 is a three-way tri-amplified monitor with thermally protected Class AB amplifiers (330 W and two times 140 W). Just like the drivers, its Mathematically Modeled Dispersion™ (MMD™) waveguide is engineered for optimum precision. Sound distributed in a horizontally precise manner ensures flexibility in the listening position; the narrower vertical dispersion reduces the negative effects of nearby reflections, for example from a desk or mixing console. The dispersion of the KH 420 is deliberately designed to be narrower, to guarantee reference sound at longer working distances. BEST WORKING ENVIRONMENT: CLOSE TO PROFESSIONAL EARS The KH 420 is designed for midfield applications and as main monitor in project, music, broadcast and post-production studios for recording, mixing and mastering. And in a multi-channel system, it can also be freely combined with all other Neumann studio monitors. PORTS AND HIGH DYNAMICS: NO LONGER A CONTRADICTION With its tri-channel amplifiers the KH 420 also realizes sound pressures of up to 122.4 dB. And it thereby retains high-resolution and neutral representation across the entire frequency response. This also includes an exceptional bass response down to 26 Hz. Despite using ports, there is no “overhang” or audible resonance in the low frequency range and the transient response is precisely controlled at all times. The computer modeled chassis is constructed of LRIM™ materials which eliminates standing wave resonances and suppresses intermodulation distortion, especially in the midrange. For demanding treble, our own specially developed, powerful alloy fabric dome ensures distortion-free reproduction. The fabric dome captures the midrange with utmost precision. Its ultralight material and the powerful neodymium magnet enable a significantly better transient response with considerably less distortion than comparable midrange drivers. DIGITAL INPUT AND DELAY OPTION The Digital Input Module DIM 1 expands the loudspeaker electronics by a digital XLR input, a digital BNC input and a digital BNC output (192 kHz/24 Bit) for flexible digital signal links. With the delay function (adjustment range 0 - 400 ms) of the DIM 1, the audio signal can be delayed to ensure audio-visual synchronization (lip sync). In addition, the high resolution of the delays (0.1 ms) allows equalization of the propagation delays. The delay can be added to both inputs (digital and analog). The KH 420 can be retrofitted with a DIM 1. THE KH 750 DSP SUBWOOFER In addition to its outstanding acoustic characteristics this DSP-based subwoofer not only offers excellent acoustic properties, but - in combination with the Neumann.Control iPad® app - it also provides the possibility of adapting a KH 420 stereo pair to the room using the patented "Guided Alignment“. Furthermore the entire stereo system can be controlled via the app. Detailed information about all additional features can be found here. HUNDREDS OF GOOD REASONS FROM THE NEUMANN PHILOSOPHY The KH 420 has also been developed true to the Neumann philosophy for monitor loudspeakers. Every component, every shape, every signal and every wave motion is a consequence of this philosophy. No form or component is there without reason. There are hundreds of tangible reasons built into the KH 420, which all stand for exceptionally pure and neutral sound. These include, for example, curvatures of the housing that reduce edge diffraction. Also included is the pistonic output of the bass driver which does not give rise to harmonic distortions, even with the highest sound peaks. Some of these reasons are obvious in the KH 420. Others Neumann prefers to keep to itself. But together, each can be heard – sound professionals in both large and small studios all around the world can testify to this. You can read more about the Neumann philosophy for studio monitors here. Free field frequency response ±6 dB 25 Hz … 22 kHz Free field frequency response ±3 dB 26 Hz … 22 kHz Free field frequency linearity deviation between 100 Hz and 10 kHz ± 1.2 dB Reproduction accuracy between 100 Hz and 10 kHz: 100%, 80%, 50% of loudspeakers produced ±0.78; ±0.36; ±0.22 dB Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu) <20 dB(A) SPL Sine wave output with a THD < 0.5 % at 1 m in half space 95 dB SPL (>100 Hz) Max. SPL calc. in half space at 3% THD at 1m (averaged between 100 Hz and 6 kHz) 122.4 dB SPL Max. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz) 116.4 dB SPL Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz) 109.9 dB SPL Max. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions 109 dB(C) SPL Max. short term SPL with music material at 2.3 m in typical listening conditions (pair / full range) 103 dB(C) SPL Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair with subwoofer) 109 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range) 90 / 96 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair with subwoofer) 90 / 96 dB(C) SPL Analog input(s) XLR: analog electronically balanced Analog input impedance >14k Ohms Max. input level +24 dBu (DIM 1: 18 dBu for analog delayed) Common mode rejection ratio (CMRR) >56 dB @ 15kHz Input gain control (sensitivity) 0 dB ... -15 dB Output level control (output level in 1 m based on 0 dBu input level) 94; 100; 108; 114 dB SPL Controller design Analog; active Crossover frequency 570 Hz and 2.0 kHz Crossover slope 24 dB/oct; 4th order Equalization: Bass 0; -2.5; -5; -7.5 dB Equalization: Mid 0; -1.5; -3; -4.5 dB Equalization: Treble +1; 0; -1; -2 dB Equalization: Parametric EQ: Gain '+4 ... -12 dB Equalization: Parametric EQ: Frequency Bypass, 25 ... 80 Hz; 50 ... 160 Hz; 100 ... 320 Hz Equalization: Parametric EQ: Q 1 ... 8 Protection circuitry Independent thermo limiters for woofer, midrange dome and tweeter. Woofer soft clip and excursion limiters. Amplifier overheat. Infrasonic filter: frequency; slope 9 Hz; 18 dB/oct. Display: On; Normal Operation Neumann logo “White” Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute Neumann logo “Red” Display Brightness White: 100%/60%/30%/off; Red: 100%/60%/30% Output power woofer amplifier (THD+N with limiter deactivated: 10%) 330 W Output power midrange amplifier (THD+N with limiter deactivated: 10%) 140 W Output power tweeter amplifier (THD+N with limiter deactivated: 10%) 140 W Output power woofer amplifier (THD+N with limiter deactivated: 0.1%) 295 W Output power midrange amplifier (THD+N with limiter deactivated: 0.1%) 130 W Output power tweeter amplifier (THD+N with limiter deactivated: 0.1%) 130 W Mains Power Supply: input voltage; frequency 100-240V; 50/60 Hz Power consumption (230 V / 100 V): Idle 60 W (+5W when DIM 1 fitted) Power consumption (230 V / 100 V): Full output 800 W Cabinet material Wood cabinet, polyurethane waveguide, aluminum electronics panel Cabinet surface finish; color (front / back) Painted; metallic anthracite (RAL 7021) / black (RAL 9005) Operating conditions +10° C to +40° C (+50° F to +104° F); <90% RH, non-condensing Transport/storage conditions -25° C to +70° C (-13° F to 158° F); <90% RH; non-condensing Woofer 265 mm (10") with magnetic shielding Midrange 75 mm (3") with magnetic shielding Tweeter 25 mm (1") with protecting black metal grille Mounting points 8 x M5 on rear panel Product dimensions (height x width x depth) 645 x 330 x 444 mm (25 3/8" x 13" x 17 1/2") External net volume 93 liters Product weight 35.0 kg (77 lbs 3 oz) (+ 100 g (3 oz) with DIM 1 fitted) Cabinet weight when electronics remote located 30.3 kg (66 lbs 13 oz) (+ 100 g (3 oz) with DIM 1 fitted) Packed dimensions (height x width x depth), mm (inches) 775 x 610 x 590 mm (23 1/4" x 15" x 14 1/8") Packed weight 41.0 kg (90 lbs 6 oz) Packed cube 0.279 m³

The KH 310 is a three-way tri-amplified monitor with thermally protected Class AB amplifiers (210 W and two times 90 W). Its Mathematically Modeled Dispersion™ (MMD™) waveguide delivers sound waves into the room with superior accuracy. The drivers are modeled using Neumann’s in-house developed software, which reduces non-linear distortion in every situation. Sound distributed in a horizontally precise manner ensures flexibility in the listening position; the narrower vertical dispersion reduces the negative effects of nearby reflections – for example from a desk or mixing console. The precisely controlled dispersion characteristics optimize reproduction in different room configurations and the response is extremely adaptable through various acoustical control settings. BEST WORKING ENVIRONMENT: CLOSE TO PROFESSIONAL EARS The KH 310 is typically used in near-field applications such as project, music, broadcast and post-production studios for recording, mixing and mastering. It it also available as a digital input “D” version. A SOLID BASS FOUNDATION, HIGH IMPULSE FIDELITY With its powerful switched-mode power supply and tri-channel amplifiers, the KH 310 realizes sound pressure of up to 116.3 dB and thereby retains a high-resolution and neutral representation across the entire frequency response. This provides sufficient energy for even the most demanding impulse dynamics with no distortion or losses. The bass goes down to an impressive 34 Hz. The closed cabinet design means a lower group delay. This results in almost the entire frequency range being reproduced at the same time; the transient response is precisely controlled at all times. ULTRALIGHT FABRIC DOME OPTIMIZES MIDRANGE REPRODUCTION The optimized design of the driver enables a pristine sound right down to the lowest bass regions. For most applications, the rich foundation offers enough bass extension to work cleanly on the mix without the necessity of a supplementary subwoofer. For demanding treble sounds, our own specially developed, powerful alloy fabric dome ensures distortion-free clarity in the high-frequency range. The fabric midrange dome captures the middle frequency range with the utmost precision. Its ultralight material and the powerful neodymium magnet enable a significantly better transient response with considerably less distortion than comparable midrange domes. DIGITAL INPUT AND DELAY The KH 310 D enables flexible digital signal connectivity (24 bit, 192 kHz, AES3 and S/P-DIF) via a digital XLR or BNC input and buffered BNC output. Audio-visual synchronization ensures a lip sync delay of 0 to 10/12 frames. The loudspeaker can be delayed up to 400 ms, in order to compensate for varying listening distances. THE PERFECT COMPLEMENT: THE KH 750 DSP SUBWOOFER In addition to its outstanding acoustic characteristics this DSP-based subwoofer not only offers excellent acoustic properties, but - in combination with the Neumann.Control iPad® app - it also provides the possibility of adapting a KH 310 stereo pair* to the room using the patented "Guided Alignment“. Furthermore the entire stereo system can be controlled via the app. Detailed information about all additional features can be found here. HUNDREDS OF GOOD REASONS FROM THE NEUMANN PHILOSOPHY The KH 310 has been developed true to the Neumann philosophy for monitor loudspeakers. Every component, every shape, every signal and every wave motion is a consequence of this philosophy. No form or component is there without reason. There are hundreds of tangible reasons built into the KH 310, which all stand for exceptionally pure and neutral sound. These include, for example, curvatures of the housing that reduce edge diffraction. Also included is the pistonic output of the bass driver which does not give rise to harmonic distortions, even with the highest sound peaks. Some of these reasons are obvious in the KH 310. Others Neumann prefers to keep to itself. But together, each can be heard – sound professionals in both large and small studios all around the world can testify to this. You can read more about the Neumann philosophy for studio monitors here. Free field frequency response ±6 dB 30 Hz … 22 kHz Free field frequency response ±3 dB 34 Hz … 21 kHz Free field frequency linearity deviation between 100 Hz and 10 kHz ± 1.1 dB Reproduction accuracy between 100 Hz and 10 kHz: 100%, 80%, 50% of loudspeakers produced ±0.87; ±0.39; ±0.23 dB Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu) <20 dB(A) SPL Sine wave output with a THD < 0.5 % at 1 m in half space 95 dB SPL (>85 Hz) Max. SPL calc. in half space at 3% THD at 1m (averaged between 100 Hz and 6 kHz) 116.3 dB SPL Max. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz) 110.3 dB SPL Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz) 104.5 dB SPL Max. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions 113 dB(C) SPL Max. short term SPL with music material at 2.3 m in typical listening conditions (pair / full range) 100 dB(C) SPL Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair with subwoofer) 107 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range) 93 / 99 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair with subwoofer) 94 / 100 dB(C) SPL Analog input(s) XLR Analog input impedance >13k Ohms Max. input level +24 dBu (18 dBu for analog delayed) Common mode rejection ratio (CMRR) >56 dB @ 15kHz Input gain control (sensitivity) 0 dB ... -15 dB Output level control (output level in 1 m based on 0 dBu input level) 94; 100; 108; 114 dB SPL Digital input(s) BNC (75 Ω): AES3; S/P-DIF Digital output(s) BNC (75 Ω): AES3 Digital converter: resolution; design 16 … 24-bit DAC; Δ∑ Digital converter: sampling rate 22.05; 24; 32; 44.1; 48; 64; 88.2; 96; 176.4; 192 kHz Digital internal sampling rate 96 kHz Dynamic range A-D-A >116 dB(A) Dynamic range D-A >123 dB(A) THD+N: analog delayed, digital < -104 dB; < -106 dB Digital sensitivity -18 dBFS = 100 dB SPL at 1 m Latency 0.22 … 1.85 ms (digital A, B or A+B); 0.54 ms (analog delayed) Delay: User adjustable delay range 0 … 409.5 ms Delay: Resolution: time; distance 0.1 ms; 3.44 cm (1 3/8”) Delay: Max. frames Audio-video synchronisation (lip sync) 10.2 (40 ms) frames; 12.3 (33 ms) frames Delay: Time-of-flight maximum distance 140.1 m (462' 2") Controller design Analog; active Crossover frequency 650 Hz and 2.0 kHz Crossover slope 24 dB/oct; 4th order Equalization: Bass 0; -2.5; -5; -7.5 dB Equalization: Low-Mid 0; -1.5; -3; -4.5 dB Equalization: Treble +1; 0; -1; -2 dB Protection circuitry Independent thermo limiters for woofer, midrange dome and tweeter. Woofer soft clip and excursion limiters. Amplifier overheat. Infrasonic filter: frequency; slope 15 Hz; 6 dB/oct. Display: On; Normal Operation Neumann logo “White” Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute Neumann logo “Red” Display Brightness White:100%/60%/30%/off; Red:100%/60%/30% Output power woofer amplifier (THD+N with limiter deactivated: 10%) 210 W Output power midrange amplifier (THD+N with limiter deactivated: 10%) 90 W Output power tweeter amplifier (THD+N with limiter deactivated: 10%) 90 W Output power woofer amplifier (THD+N with limiter deactivated: 0.1%) 150 W Output power midrange amplifier (THD+N with limiter deactivated: 0.1%) 70 W Output power tweeter amplifier (THD+N with limiter deactivated: 0.1%) 70 W Mains Power Supply: input voltage; frequency 100-240V; 50/60 Hz Power consumption (230 V / 100 V): Idle 30 W Power consumption (230 V / 100 V): Full output 300 W Cabinet material Polyurethane front, wooden sleeve, aluminum electronics panel Cabinet surface finish; color (front / back) Painted; metallic anthracite (RAL 7021) / black (RAL 9005) Operating conditions +10° C to +40° C (+50° F to +104° F); <90% RH, non-condensing Transport/storage conditions -25° C to +70° C (-13° F to 158° F); <90% RH; non-condensing Woofer 210 mm (8 1/4") magnetically sheilded Midrange 75 mm (3") with magnetic sheilding Tweeter 25 mm (1") with protecting black metal grille Mounting points 2 x M8 on side panels; thread depth from outside of cabinet 25 mm (1”);Rear panel screws for attaching LH 41 base plate Product dimensions (height x width x depth) 253 x 383 x 292 mm (10" x 15 1/8" x 11 1/2") External net volume 28.3 liters Product weight 13.1 kg (28 lbs 13 oz) Packed dimensions (height x width x depth), mm (inches) 360 x 380 x 590 mm (14 1/8" x 15" x 23 1/4") Packed weight 16.9 kg (37 lbs 3 oz) Packed cube 0.081 m³