The KH 310 is a three-way tri-amplified monitor with thermally protected Class AB amplifiers (210 W and two times 90 W). Its Mathematically Modeled Dispersion™ (MMD™) waveguide delivers sound waves into the room with superior accuracy. The drivers are modeled using Neumann’s in-house developed software, which reduces non-linear distortion in every situation. Sound distributed in a horizontally precise manner ensures flexibility in the listening position; the narrower vertical dispersion reduces the negative effects of nearby reflections, for example from a desk or mixing console. The precisely controlled dispersion characteristics optimize reproduction in different room configurations and the response is extremely adaptable through various acoustical control settings. BEST WORKING ENVIRONMENT: CLOSE TO PROFESSIONAL EARS The KH 310 is typically used in near-field applications such as project, music, broadcast and post-production studios for recording, mixing and mastering. It it also available as a digital input “D” version. A SOLID BASS FOUNDATION, HIGH IMPULSE FIDELITY With its powerful switched-mode power supply and tri-channel amplifiers, the KH 310 realizes sound pressure of up to 116.3 dB and thereby retains a high-resolution and neutral representation across the entire frequency response. This provides sufficient energy for even the most demanding impulse dynamics with no distortion or losses. The bass goes down to an impressive 34 Hz. The closed cabinet design means a lower group delay. This results in almost the entire frequency range being reproduced at the same time; the transient response is precisely controlled at all times. ULTRALIGHT FABRIC DOME OPTIMIZES MIDRANGE REPRODUCTION The optimized design of the driver enables a pristine sound right down to the lowest bass regions. For most applications, the rich foundation offers enough bass extension to work cleanly on the mix without the necessity of a supplementary subwoofer. For demanding treble sounds, our own specially developed, powerful alloy fabric dome ensures distortion-free clarity in the high-frequency range. The fabric midrange dome captures the middle frequency range with the utmost precision. Its ultralight material and the powerful neodymium magnet enable a significantly better transient response with considerably less distortion than comparable midrange domes. THE PERFECT COMPLEMENT: THE KH 750 DSP SUBWOOFER In addition to its outstanding acoustic characteristics this DSP-based subwoofer not only offers excellent acoustic properties, but - in combination with the Neumann.Control iPad® app - it also provides the possibility of adapting a KH 310 stereo pair to the room using the patented "Guided Alignment“. Furthermore the entire stereo system can be controlled via the app. Detailed information about all additional features can be found here. HUNDREDS OF GOOD REASONS FROM THE NEUMANN PHILOSOPHY The KH 310 has been developed true to the Neumann philosophy for monitor loudspeakers. Every component, every shape, every signal and every wave motion is a consequence of this philosophy. No form or component is there without reason. There are hundreds of tangible reasons built into the KH 310, which all stand for exceptionally pure and neutral sound. These include, for example, curvatures of the housing that reduce edge diffraction. Also included is the pistonic output of the bass driver which does not give rise to harmonic distortions, even with the highest sound peaks. Some of these reasons are obvious in the KH 310. Others Neumann prefers to keep to itself. But together, each can be heard – sound professionals in both large and small studios all around the world can testify to this. You can read more about the Neumann philosophy for studio monitors here. ree field frequency response ±6 dB 30 Hz … 22 kHz Free field frequency response ±3 dB 34 Hz … 21 kHz Free field frequency linearity deviation between 100 Hz and 10 kHz ± 1.1 dB Reproduction accuracy between 100 Hz and 10 kHz: 100%, 80%, 50% of loudspeakers produced ±0.87; ±0.39; ±0.23 dB Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu) <20 dB(A) SPL Sine wave output with a THD < 0.5 % at 1 m in half space 95 dB SPL (>85 Hz) Max. SPL calc. in half space at 3% THD at 1m (averaged between 100 Hz and 6 kHz) 116.3 dB SPL Max. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz) 110.3 dB SPL Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz) 104.5 dB SPL Max. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions 113 dB(C) SPL Max. short term SPL with music material at 2.3 m in typical listening conditions (pair / full range) 100 dB(C) SPL Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair with subwoofer) 107 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range) 93 / 99 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair with subwoofer) 94 / 100 dB(C) SPL Analog input(s) XLR: analog electronically balanced Analog input impedance >13k Ohms Max. input level +24 dBu Common mode rejection ratio (CMRR) >56 dB @ 15kHz Input gain control (sensitivity) 0 dB ... -15 dB Output level control (output level in 1 m based on 0 dBu input level) 94; 100; 108; 114 dB SPL Controller design Analog; active Crossover frequency 650 Hz and 2.0 kHz Crossover slope 24 dB/oct; 4th order Equalization: Bass 0; -2.5; -5; -7.5 dB Equalization: Low-Mid 0; -1.5; -3; -4.5 dB Equalization: Treble +1; 0; -1; -2 dB Protection circuitry Independent thermo limiters for woofer, midrange dome and tweeter. Woofer soft clip and excursion limiters. Amplifier overheat. Infrasonic filter: frequency; slope 15 Hz; 6 dB/oct. Display: On; Normal Operation Neumann logo “White” Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute Neumann logo “Red” Display Brightness White: 100%/60%/30%/off; Red: 100%/60%/30% Output power woofer amplifier (THD+N with limiter deactivated: 10%) 210 W Output power midrange amplifier (THD+N with limiter deactivated: 10%) 90 W Output power tweeter amplifier (THD+N with limiter deactivated: 10%) 90 W Output power woofer amplifier (THD+N with limiter deactivated: 0.1%) 150 W Output power midrange amplifier (THD+N with limiter deactivated: 0.1%) 70 W Output power tweeter amplifier (THD+N with limiter deactivated: 0.1%) 70 W Mains Power Supply: input voltage; frequency 100-240V; 50/60 Hz Power consumption (230 V / 100 V): Idle 24 W Power consumption (230 V / 100 V): Full output 300 W Cabinet material Polyurethane front, wooden sleeve, aluminum electronics panel Cabinet surface finish; color (front / back) Painted; metallic anthracite (RAL 7021) / black (RAL 9005) Operating conditions +10° C to +40° C (+50° F to +104° F); <90% RH, non-condensing Transport/storage conditions -25° C to +70° C (-13° F to 158° F); <90% RH; non-condensing Woofer 210 mm (8 1/4") magnetically sheilded Midrange 75 mm (3") with magnetic sheilding Tweeter 25 mm (1") with protecting black metal grille Mounting points 2 x M8 on side panels; thread depth from outside of cabinet 25 mm (1”);Rear panel screws for attaching LH 41 base plate Product dimensions (height x width x depth) 253 x 383 x 292 mm (10" x 15 1/8" x 11 1/2") External net volume 28.3 liters Product weight 13.0 kg (28 lbs 11 oz) Packed dimensions (height x width x depth), mm (inches) 360 x 380 x 590 mm (14 1/8" x 15" x 23 1/4") Packed weight 16.8 kg (37 lbs 1 oz) Packed cube 0.081 m³

The KH 120 is a two-way bi-amplified monitor with thermally protected class-AB amplifiers (80 W each). Just like the drivers, its Mathematically Modeled Dispersion™ (MMD™) waveguide is calculated with an optimal level of precision. Sound distributed in a horizontally precise manner ensures flexibility in the listening position; the narrower vertical dispersion reduces the negative effects of nearby reflections – for example from a desk or mixing console. The finely controlled dispersion characteristics optimize reproduction in even the most varied of room configurations. BEST WORKING ENVIRONMENT: CLOSE TO PROFESSIONAL EARS The KH 120 is typically used in near-field applications such as project, music, broadcast and post-production studios for recording, mixing and mastering. It it also available as a digital input “D” version. PORTS AND HIGH DYNAMICS: NO LONGER A CONTRADICTION With its digital switched-mode power supply and bi-amplification, the KH 120 realizes sound pressure of up to 111.1 dB and in doing so, retains a high-resolution and neutral representation across the entire frequency response. This provides sufficient energy for maximum dynamics without distortion and losses. As a result, the bass goes down to impressive 52 Hz. Despite using ports, there is no “overhang” in the bass response. The transient response remains well in control. The optimized design of the drivers delivers clean sound right down to the lowest parts of the 50 Hz region. This rich foundation offers enough room to work cleanly on the mix without the necessity for a supplementary subwoofer. In the demanding treble range, the specially developed, powerful alloy fabric dome ensures distortion-free reproduction. DIGITAL INPUT AND DELAY The KH 120 D enables flexible digital signal connectivity (24 bit, 192 kHz, AES3 and S/P-DIF) via a digital BNC input and buffered BNC output. Audio-visual synchronization ensures a lip sync delay of 0 to 10/12 frames. The loudspeaker can be delayed up to 400 ms, in order to compensate for varying listening distances. THE PERFECT COMPLEMENT: THE KH 750 DSP SUBWOOFER In addition to its outstanding acoustic characteristics this DSP-based subwoofer not only offers excellent acoustic properties, but - in combination with the Neumann.Control iPad® app - it also provides the possibility of adapting a KH 120 stereo pair* to the room using the patented "Guided Alignment“. Furthermore the entire stereo system can be controlled via the app. Detailed information about all additional features can be found here. HUNDREDS OF GOOD REASONS FROM THE NEUMANN PHILOSOPHY The KH 120 has been developed true to the Neumann philosophy for monitor loudspeakers. Every component, every shape, every signal and every wave motion is a consequence of this philosophy. No form or component is there without reason. There are hundreds of tangible reasons built into the KH 120, which all stand for exceptionally pure and neutral sound. These include, for example, curvatures of the housing that reduce edge diffraction. Also included is the pistonic output of the bass driver which does not give rise to harmonic distortions, even with the highest sound peaks. Some of these reasons are obvious in the KH 120. Others Neumann prefers to keep to itself. But together, each can be heard – sound professionals in both large and small studios all around the world can testify to this. You can read more about the Neumann philosophy for studio monitors here. *When using the analog inputs only. Free field frequency response ±6 dB 46 Hz … 24 kHz Free field frequency response ±3 dB 52 Hz … 21 kHz Free field frequency linearity deviation between 100 Hz and 10 kHz ± 1.0 dB Reproduction accuracy between 100 Hz and 10 kHz: 100%, 80%, 50% of loudspeakers produced ±0.97; ±0.40; ±0.23 dB Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu) <20 dB(A) SPL Sine wave output with a THD < 0.5 % at 1 m in half space 95 dB SPL (>120 Hz) Max. SPL calc. in half space at 3% THD at 1m (averaged between 100 Hz and 6 kHz) 111.1 dB SPL Max. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz) 105.1 dB SPL Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz) 104.8 dB SPL Max. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions 107 dB(C) SPL Max. short term SPL with music material at 2.3 m in typical listening conditions (pair / full range) 97 dB(C) SPL Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair with subwoofer) 104 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range) 88 / 93 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair with subwoofer) 89 / 94 dB(C) SPL Analog input(s) XLR Analog input impedance 10k Ohms in position 94/108 dB SPL at 1 m; 20k Ohms in position 100/114 dB SPL at 1 m Max. input level +24 dBu (18 dBu for analog delayed) Common mode rejection ratio (CMRR) >56 dB @ 15kHz Input gain control (sensitivity) 0 dB ... -15 dB Output level control (output level in 1 m based on 0 dBu input level) 94; 100; 108; 114 dB SPL Digital input(s) BNC (75 Ω): AES3; S/P-DIF Digital output(s) BNC (75 Ω): AES3 Digital converter: resolution; design 16 … 24-bit DAC; Δ∑ Digital converter: sampling rate 22.05; 24; 32; 44.1; 48; 64; 88.2; 96; 176.4; 192 kHz Digital internal sampling rate 96 kHz Dynamic range A-D-A >116 dB(A) Dynamic range D-A >123 dB(A) THD+N: analog delayed, digital < -104 dB; < -106 dB Digital sensitivity -18 dBFS = 100 dB SPL at 1 m Latency 0.22 … 1.85 ms (digital A, B or A+B); 0.54 ms (analog delayed) Delay: User adjustable delay range 0 … 409.5 ms Delay: Resolution: time; distance 0.1 ms; 3.44 cm (1 3/8”) Delay: Max. frames Audio-video synchronisation (lip sync) 10.2 (40 ms) frames; 12.3 (33 ms) frames Delay: Time-of-flight maximum distance 140.1 m (462' 2") Controller design Analog; active Crossover frequency 2.0 kHz Crossover slope 24 dB/oct; 4th order Equalization: Bass 0; -2.5; -5; -7.5 dB Equalization: Low-Mid 0; -1.5; -3; -4.5 dB Equalization: Treble +1; 0; -1; -2 dB Protection circuitry Independent thermo limiters for woofer, tweeter. Woofer soft clip and excursion limiters. Amplifier overheat. Infrasonic filter: frequency; slope 30 Hz; 6 dB/oct. Display: On; Normal Operation Neumann logo “White” Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute Neumann logo “Red” Display Brightness White:on/dimmed/off: Red:on/dimmed Output power woofer amplifier (THD+N with limiter deactivated: 10%) 80 W Output power tweeter amplifier (THD+N with limiter deactivated: 10%) 80 W Output power woofer amplifier (THD+N with limiter deactivated: 0.1%) 50 W Output power tweeter amplifier (THD+N with limiter deactivated: 0.1%) 50 W Mains Power Supply: input voltage; frequency 100-240V; 50/60 Hz Power consumption (230 V / 100 V): Idle 40 W Power consumption (230 V / 100 V): Full output 200 W In-rush current (Peak) 20 A Cabinet material Aluminium Cabinet surface finish; color (front / back) Painted; metallic anthracite (RAL 7021) Operating conditions +10° C to +40° C (+50° F to +104° F); <75% RH; non-condensing Transport/storage conditions -25° C to +70° C (-13° F to 158° F); <90% RH, non-condensing Woofer 130 mm (5.25") magnetically shielded with protecting black metal grille Tweeter 25 mm (1") with protecting black metal grille Mounting points 2 x M8 threaded inserts with 70 mm spacing on back panel; thread depth 15 mm (5/8”) Product dimensions (height x width x depth) 277 x 182 x 220 mm (10 7/8” x 7 1/8” x 8 5/8”) External net volume 9.7 liters Product weight 6.5 kg (14 lbs 5 oz) Packed dimensions (height x width x depth), mm (inches) 415 x 365 x 280 mm (16 3/8” x 14 3/8” x 11”) Packed weight 8.5 kg (18 lbs 8 oz) Packed cube 0.042 m³

ENGINEERING OBJECTIVES The Avantone Mix Tower Studio Reference Monitors are designed to be dynamic, high SPL, high resolution, full-range active reference monitors. We included precise, no-compromise drivers in a compact format that complements modern production environments. Providing two distinct modes of operation, the MixTower allows full range monitoring and MixCube mode. PERFORMANCE OBJECTIVE Studios primarily use 2-way and 3-way large monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in the newly developing age of High Definition Audio, there is still a need to hear what your mix will sound like when played back over small "bass-challenged" systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. The Avantone Mix Tower allows the best of both worlds. Switching seamlessly between the original MixCube system and a full range system all in one stylish studio monitor. The MixCube is isolated in its own enclosure, identical to our existing design, and complemented by a 5.25" woofer and high quality air motion transformer activated by the included footswitch. Specifications System Type: Active (Self-Powered) full-range stereo pair System Frequency Response: 45Hz-38,000Hz (Accessible musical range) Max SPL: 106dB @ 1 meter (pink noise); 108dB at 1 meter @1%THD (1kHz) Amplifier: Class HD High and Mid Frequency: each 100WRMS, THD+N=0.5% Low Frequency: 200WRMS, THD+N=0.5% Amp Frequency Response: 22Hz-40KHz +1dB/- 3dB (50Hz-25KHz +/-0.25dB) Noise: S/N -113 dB "A" Weighted; THD+N=<0.2%@100W into 4 ohms. High Frequency: Proprietary design, 3640mm2 air motion transformer Mid Frequency: Proprietary Design 4 ohm 5.25" Cast Aluminum Frame / Paper Cone/Shielded, 25mm voice coil. Low Frequency: custom designed 5.25" drivers with cast aluminum frame, 34mm voice coil Cabinet: Bass reflex design / 18mm MDF / with polyester acoustical stuffing Inputs: XLR & TRS +4dB Balanced and -10dB unbalanced Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL Cabinet Dimensions: 190Wx475Hx255D (7.5"x18.75"x10") Cabinet Weight: 10.6kg (23.3lb) Warranty: 5 Year Limited Warranty to original purchaser Accessories: Footswitch 1/4 inch bridge cable External power supply Features 3-Way studio monitor with switchable full range mid frequency driver Custom designed AMT MixCube full range mid frequency driver Custom 6.5 inch subwoofer Extremely clear midrange reveals important details of your mix. Versatile design requires no adjustment when used in appropriate environments. Compact format complements modern production environments. Standard Items Supplied: Avantone Pro Mix Tower Active 3-Way Studio Monitor Bridge Cable Foot Switch External Power Supply Limited 5-Year Warranty

1/4" TRS and RCA input and output connectors ensure simple connectivity with your monitors and audio interface, mixer, or soundcard. Utilize the subwoofer's built-in Bluetooth receiver to wirelessly stream music from your smartphone, tablet, or computer. The adjustable I/O levels, 40 to 180 Hz variable crossover, and switchable polarity let you optimize the CR8S-XBT's performance according to your preferences and the unique factors presented by your room and equipment. The included CRDV volume controller connects to the dedicated 1/4" CRDV input on the CR8S-XBT and provides separate level adjustments for the subwoofer and your monitors. The CR8S-XBT features a download for ProTools | First and The Musician's Collection plug-in package including 23 high-quality plug-ins with BBD Delay, Eleven Lite, 304E EQ, and 304C Compressor. Avid Pro Tools | First and Other Included Software Avid Pro Tools has been an industry standard in studios and homes for decades. Pro Tools | First (available for macOS and Windows operating systems) is easy enough for beginners, yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios, collaborate online with anyone, anywhere, and create at the speed of your imagination. In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects White Boost: Boost gain without coloring tone

This highly flexible monitoring system features a sound mode, which switches between DJ mode for a punchy sound suited for DJ applications and Production mode, which provides a flat frequency response that accurately reproduces the input sound. The integrated Bluetooth receiver allows you to stream audio from your smartphone, tablet, or Windows/Mac computer. Advanced Design for Higher Quality Sound Class-D Amplifier: Each DM series speaker produces pure, balanced bass sound thanks to a new Class D amplifier with 96kHz sampling DSP. DECO Convex Diffusers: Another advancement from the DM-40 model comes in the updated design of the DECO convex diffusers which help deliver crystal-clear high frequencies in every direction, so you can enjoy a wide sweet spot and 3D stereo sound wherever you are in the room. Time Alignment: The woofer and tweeter are perfectly aligned so you’ll hear all sound frequencies clearly. Grooved Ducts: The grooves on the ducts reduce air friction so bass is tight and punchy, even if you position the speakers against a wall. Plus, the curved front edges provide maximum rigidity and minimum resonance for clean audio at any volume level. 4" Woofer: The 4-inch woofer creates powerful sound without distorting, even if you pump up the volume. 2-Way Sound Mode for DJing and Music Production There's no need to decide whether you want a set of monitors that are best for DJing or making music, because the DM series speakers are perfect for both. Just flip the switch to choose either DJ mode or Production mode and the DSP settings will be optimized for the task, leaving you free to concentrate on your mix. Easy to Use with Different DJ or Production Equipment With RCA and mini jack terminals you can connect different kinds of gear such as DJ controllers and mixers, or the laptop or soundcard you use. Connecting your headphones is simple via the socket on the front panel and the level knob is right in front of you too. Bluetooth Connectivity The Bluetooth technology included in the DM-40D-BT enables you to easily pair your smartphone, mobile device, or PC / Mac and play high-quality tracks wirelessly. Pioneer DJ DM-40D-BT Specs Studio Monitor Monitor Type Active 2-Way Enclosure Bass-Reflex Power Rating 19 W RMS per Channel Impedance 4 Ohms Drivers HF Driver: 1 x 0.75" / 1.91 cm Soft Dome Tweeter LF Driver: 1 x 4" / 10.2 cm Fiberglass Woofer Amplification 2 x Full-Range Amplifier: Class-D Rated at 19 W Connectivity Audio I/O 1 x Stereo RCA Female Analog Input (10 Kilohms) 1 x 1/8" / 3.5 mm TRS Female Analog Input (10 Kilohms) 1 x 1/8" / 3.5 mm TRS Female Analog Output Power AC Input Power 110 to 240 VAC, 50/60 Hz Power Consumption 25 W General Enclosure Material MDF Dimensions (W x H x D) 5.8 x 8.9 x 8.8" / 14.7 x 22.6 x 22.4 cm (with Amplifier) 5.8 x 8.9 x 8.3" / 14.7 x 22.6 x 21.1 cm (without Amplifier) Weight 5.5 lb / 2.5 kg (with Amplifier) 4.9 lb / 2.2 kg (without Amplifier) Packaging Info Package Weight 13.555 lb Box Dimensions (LxWxH) 15.3 x 13.7 x 11.5"

The cast-aluminum Zero Edge Baffle keeps diffraction to a minimum for excellent imaging; the optimized waveguide provides a wide sweet spot; and the integral cabinet damping eliminates midrange artifacts. The internally braced wood cabinet is OmniMount ready, allowing it to be mounted easily on a wall or ceiling. The rear panel of the cabinet has XLR, TRS, and RCA input connectors for compatibility with virtually any audio gear you can throw at it. Controls for LF and HF filters, along with acoustic space matching allow you to customize the monitor to your specific workspace for optimum performance. The HR824mk2 features a download of ProTools | First software and The Musician Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer's serial number on the website. Feature Highlights Two-way active studio monitor for high-definition audio THX pm3 approved for surround mixing Full, ultralinear frequency response for accurate mixing Large 8.75" woofer and 1" tweeter Two internal amplifiers for a combined total power of 250W RMS Passive radiator for tight and extended bass Aluminum Zero Edge Baffle keeps diffraction to a minimum for excellent imaging Optimized waveguide for a large sweet spot Cabinet has full internal damping for eliminating artifacts Rear-panel controls for HF and LF filters, as well as acoustic space selection XLR, TRS, and RCA connectors for wide system compatibility OmniMount ready, for easy installation on a wall or ceiling High-gloss piano black wood cabinet provides great looks and a warm sound Professional Production Content Included Software from Avid, including Pro Tools | First and plug-ins An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects White Boost: Boost gain without coloring tone

The T8V impresses with a multitude of features that bring real benefits to the user: The U-ART tweeter’s 4:1 velocity transfer ratio, in combination with the new Class D amplifiers’ high dynamic range, yield respective max. peak SPL of 118 dB per pair. The tweeter, which extends up to 25 kHz, works as a team with the HPS Waveguide. This allows an optimal radiation of the high frequencies, which means the advantage of a more controlled, larger usable sweet spot during monitoring. With a bass extension down to 33 Hz, the T8V is especially suitable for users who produce bass-heavy music. The T8V is the perfect studio speaker for those who have always wanted to work with an 8“ monitor from ADAM Audio, but where budgets have been insufficient. The 5-year warranty gives users additional security and the certainty of having purchased a quality product. STATE OF THE ART TECHNOLOGY ADAM Audio monitors have earned a worldwide reputation as the preeminent tool for sound engineers based on technological innovations that we’ve established in the field of loudspeaker technology. TECHNICAL DATA WOOFER Number 1 Basket Ø 8" (203 mm) Cone Material Polypropylene TWEETER Number 1 Type U-ART Diaphragm Area 4 inch² (2420 mm²) Equiv. Diaphragm Ø 1.9" (48 mm) Velocity Transform Ratio 4:1 Diaphragm Weight 0.17 g Waveguide HPS BUILT-IN AMPLIFIERS Number 2 Woofer 1 Type PWM Amp. Power RMS 70 W Tweeter 1 Type PWM Amp. Power RMS 20 W CONTROL OPTIONS Input Sensitivity Switchable +4 dBu / -10 dBV Gain Yes High-Shelf - 2 dB, 0 dB, +2 dB Low-Shelf - 2 dB, 0 dB, +2 dB INPUT CONNECTORS Analog XLR, RCA Input Impedance 10 kOhm / 20 kOhm GENERAL DATA Panel Rear Frequency Response 33 Hz - 25 kHz THD > 80 Hz 0.5 % Max. SPL per pair at 1 m ≥118 dB Crossover Frequency 2.6 kHz Max. Power Consumption 150 W Weight 21.6 lb (9.8 kg) Height x Width x Depth 15.8" x 9.8 “ x 13.2“ (400 mm x 250 mm x 335 mm) Warranty 5 years (2 years warranty plus 3 years optional with product registration) Delivery Contents Power cord, Quick Start Guide

Snaga (RMS): 80 W + 40 W, (Program Power: 120 W) Ulazna impedansa: Sym, 10 kΩ, Osetljivost (Sensitivity): za 100 dB @1 m: 0.775 V SPL: Continuous Max SPL @1 m: 104 dB (single), Program Max SPL @1 m: 115 dB (pair) Drajveri - HF Driver: 1 x 3.9" / 100 mm Tweeter, LF Driver: 1 x 8.5" / 217 mm Woofer Distorzija (THD): manja od 1.5% (100 do 12 kHz) Phase Deviation: Phase Tolerances: ±45° (180 Hz to 20 kHz) Disperzija: 90 x 90° (Horizontal x Vertical) Crossover Frequency: 3.0 kHz Vufer: 6.9" / 175.0 mm, Diaphragm: 5.1" / 130.0 mm Visokotonac: 3.9" / 100.0 mm, Diaphragm: 1.0" / 25.0 mm Konektor: XLR ženski, tropinski, Wiring Scheme - Signal Input: 1=GND, 2=(+), 3=(-) Frekvencijski odziv: 44 Hz do 23 kHz (na -6 dB), Tolerancija: +/-2.5 dB (50 Hz do 20 kHz) Voltaža/AC Input Power: 115 do 230 VAC, ±10% (50/60 Hz) Potrošnja energije: 1.4 W (Standby), 6 W (Idle), 100 W (Maximum) Operativna temperatura vazduha: 5 do 40°C, vlažnost 90% - 75% (preporučeno) Materijal kutije: Medijapan Dimenzije: 200 x 320 x 230 mm, Težina: 8.4 kg

KEY FEATURES Clear, low-distortion audio with fast-attacking bass: Recreate club-style sound High-quality components Every VM series speaker includes a Class D amplifier with 96 kHz sampling DSP to enable wide-bandwidth audio reproduction. Its highly efficient performance results in low distortion and high-energy sound. The 4-mm-thick rigid aluminum front baffle further suppresses resonance and vibrations, delivering sound that’s authentic to the original source. Aramid fiber woofer cones and Vortex Bass Accelerator Aramid fiber woofer cones provide outstanding punch that you’ll feel in the bass and low-mid frequencies. These newly developed cones are 30 percent lighter than conventional paper-lined Aramid cones, making them stronger with deeper sound. The Vortex Bass Accelerator ensures that low-end audio is tight and free from unwanted vibrations, as ribs in the bass reflex port mean that air flows freely from the speaker to deliver pure sound. Constant directivity horn Mid and high-frequency sounds are delivered with power thanks to the constant directivity horn, which also creates a broad, uniform listening space. The shape of the horn and the woofer edge are specially designed so the flat playback frequency crosses over to the tweeter easily, resulting in a natural sound. Easily adjust the sound to suit your room DSP control All VM series speakers are voiced flat to ensure you hear the natural sound of the music. To help you tweak the output and find the sound that’s perfect for the room you’re working in, each speaker includes DSP settings. On the rear panel, you’ll find 2 knobs: Low EQ and High EQ. Without needing to look, you can click the knobs into 4 different positions each, giving you 16 possible EQ settings that are simple to engage. Choose the one that sounds best for DJing or producing music in your home or studio, depending on the shape, size, and construction of the room. LOW EQ Use this to adjust the bass, depending on the location of your speaker and the kind of sound you want for DJing or producing music. L1: ROOM 1 – This setting reduces the bass (6 dB HPF applied at 63 Hz) and is effective when your speaker is near a wall or at times when you don’t want heavy bass, e.g. late at night. L2: FLAT – Flat frequency response for a true sound. This is the most popular setting for producing music in an acoustically treated room. L3: ROOM 2 – This setting increases the bass (2.5 dB boost using a bell EQ at 50 Hz) and is ideal to use when you need some extra punch, e.g. in a large space. L4: CLUB BASS – More power in the bass (5 dB boost using a bell EQ at 50 Hz, and 2 dB boost using a bell EQ at 200 Hz), for a club-like sound. This setting is the best to use when you want as much bass as possible, e.g. for parties. HIGH EQ Use this to adjust the treble, depending on the location of your speaker and the kind of sound you want for DJing or producing music. H1: ROOM 1 – This setting reduces the volume of high frequencies (3 dB reduction using a high shelf EQ from 3.5 kHz to 12 kHz) and is effective when the room is reverberant and the high frequencies are overpowering. H2: FLAT – Flat frequency response for a true sound. This is the most popular setting for producing music in an acoustically treated room. H3: ROOM 2 – This setting increases the volume of high frequencies (3 dB boost using a high shelf EQ at 7 kHz) and is ideal for generating brighter sounds in a room or space where the treble seems to be lost. H4: BRIGHT TREBLE – This setting can produce a clearer sound (thanks to a 1.5 dB boost using a bell EQ at 4 kHz and a 3.5 dB boost using a bell EQ at 8 kHz) and help the details of individual musical instruments to stand out. For example, the outlines of the sound of guitars, cymbals, trumpets, etc. can be heard more clearly. Enhance the look and sound of your setup Fresh, professional design The brand-new design of the hexagonal aluminum front baffle brings a fresh look, as well as improved sound quality and durability. It cuts down unwanted vibrations for lower distortion while the tweeter protective guard reduces the risk of damage to the high-frequency diaphragm. And the Alumite treated brushed texture gives the speakers a professional finish so they look right at home next to Pioneer DJ gear. Specifications Main Features Type Bi-amp 2-way active speaker Tweeter 1-inch (25 mm) SILK soft dome Woofer 8-inch (203 mm) ARAMID cone Auto Standby Yes What's in the Box VM-80 x 1 (not sold as a pair) Power cable x 1 Cushioned feet pads x 1 (4pcs/1 sheet) Precautions for Use Instruction Manual Warranty (for some regions) Specifications Maximum Sound Pressure 115 dB Width 267 mm Height 400 mm Depth 325 mm Weight 9.7 kg Frequency Range 34 Hz - 36 kHz Hz Power Supply AC 100-240 V, 50 Hz / 60Hz Amplifier Output Class D with 96kHz DSP LF: 90 W / 4 Ω HF: 30 W / 4 Ω Impedance 10 kΩ High EQ 4 selective EQs Low EQ 4 selective EQs Cross Over Frequency 3 kHz Enclosure Bass reflex Enclosure material MDF vinyl laminate Baffle material HIPS with 4mm Aluminum Plate Terminals Inputs XLR/TRS combo x 1 (balanced input) RCA x 1 (unbalanced input)

The DM series speakers deliver balanced, punchy bass sound and they can pump out extra power thanks to the new Class D amplifier and 5-inch woofer in each unit. Flick the switch to change from DJ mode to Production mode and the DSP settings will automatically create the best sound for each application. Main Features Type 2-way bass reflex, active monitor speakers Tweeter 3/4” (19 mm) soft dome Woofer 5" (127 mm) fiberglass cones Accessories DM-50D-BT-W Power cord Audio converter cable (3.5 mm stereo mini plug to RCA) Speaker cord Bottom cushion Quick Start Guide Precautions for Use Warranty Specifications Dimensions (W x H x D) Lch: 175 x 262 x 257 mm / 6.89” x 10.32” x 10.12” Rch: 175 x 262 x 247 mm / 6.89” x 10.32” x 9.72” Weight Lch: 3.9 kg / 8.6 lbs. Rch: 3.5 kg / 7.7 lbs. Amplifier Output Lch: 25 W / 4 Ω Rch: 25 W / 4 Ω Impedance 10 kΩ Enclosure Bass reflex Enclosure material MDF vinyl laminate Terminals Inputs 1/4” TRS jack x 1 (balanced input) RCA pin jack x 1 (unbalanced input) 3.5 mm stereo mini jack x 1 (Unbalanced input) Outputs 3.5 mm stereo mini jack x 1

Free field frequency response ±3 dB: 44 Hz ... 21 kHz Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu): <20 dB(A) SPL Max. SPL calc. in half space at 3% THD at 1 m (averaged between 100 Hz and 6 kHz): 116.8 dB SPL Acoustical Principle: Bassreflex, Ports at the front Analog input(s): XLR: analog electronically balanced Analog input impedance: 24k Ohms Digital input(s): KH 120 II / KH 120 II W: RCA (75 Ω): S/PDIF KH 120 II AES67 / KH 120 II W AES67: RCA (75 Ω): S/PDIF, Ethernet Input gain control (sensitivity): 0 dB ... -15 dB Output level control (output level in 1 m based on 0 dBu input level): 94; 100; 108; 114 dB SPL Equalization: Bass: 0; -2; -4; -6 dB Equalization: Low-Mid: 0; -2; -4; -6 dB Equalization: Treble: +1; 0; -1; -2 dB Control: Local; Network Crossover frequency: 1.7 kHz FIR phase correction: Linear phase (120 Hz ... 16 kHz; +/- 45°) Protection circuitry: Independent soft clip, peak and thermo limiters for woofer and tweeter; Woofer excursion limiter; thermo limiter for the electronics and amplifiers AES67 Audio-over-IP Interface: KH 120 II AES67 / KH 120 II W AES67: Fully redundant AES67 ST2110 compliant audio network interface; 2 Fast Ethernet 100Base-TX (IEEE 802.3) RJ-45 connectors; Physical redundant network (ST 2022-7) AES67 Audio-over-IP input word length: KH 120 II AES67 / KH 120 II W AES67: 24 bits AES67 Audio-over-IP input sampling rate: KH 120 II AES67 / KH 120 II W AES67: 44.1 / 48 / 88.2 / 96 kHz AES67 Audio-over-IP input connection management: KH 120 II AES67 / KH 120 II W AES67: RAVENNA, NMOS IS-04 (Discovery & Registration) and NMOS IS-05 (Connection Management) Output power woofer amplifier (THD+N with limiter deactivated: 10%): 145 W Output power tweeter amplifier (THD+N with limiter deactivated: 10%): 100 W Woofer: KH 120 II / KH 120 II AES67: 130 mm (5.25") with protecting metal grille, black KH 120 II W; KH 120 II W AES67: 130 mm (5.25") with protecting metal grille, white Tweeter: KH 120 II / KH 120 II AES67: 25 mm (1") with protecting metal grille, black KH 120 II W; KH 120 II W AES67: 25 mm (1") with protecting metal grille, white Product dimensions (height x width x depth): 287 x 182 x 227 mm (11.3 " x 7.16 " x 8.94") Product weight: 5.4 kg (11 lbs 14 oz)

Free field frequency response ±3 dB: 44 Hz ... 21 kHz Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu): <20 dB(A) SPL Max. SPL calc. in half space at 3% THD at 1 m (averaged between 100 Hz and 6 kHz): 116.8 dB SPL Acoustical Principle: Bassreflex, Ports at the front Analog input(s): XLR: analog electronically balanced Analog input impedance: 24k Ohms Digital input(s): KH 120 II / KH 120 II W: RCA (75 Ω): S/PDIF KH 120 II AES67 / KH 120 II W AES67: RCA (75 Ω): S/PDIF, Ethernet Input gain control (sensitivity): 0 dB ... -15 dB Output level control (output level in 1 m based on 0 dBu input level): 94; 100; 108; 114 dB SPL Equalization: Bass: 0; -2; -4; -6 dB Equalization: Low-Mid: 0; -2; -4; -6 dB Equalization: Treble: +1; 0; -1; -2 dB Control: Local; Network Crossover frequency: 1.7 kHz FIR phase correction: Linear phase (120 Hz ... 16 kHz; +/- 45°) Protection circuitry: Independent soft clip, peak and thermo limiters for woofer and tweeter; Woofer excursion limiter; thermo limiter for the electronics and amplifiers AES67 Audio-over-IP Interface: KH 120 II AES67 / KH 120 II W AES67: Fully redundant AES67 ST2110 compliant audio network interface; 2 Fast Ethernet 100Base-TX (IEEE 802.3) RJ-45 connectors; Physical redundant network (ST 2022-7) AES67 Audio-over-IP input word length: KH 120 II AES67 / KH 120 II W AES67: 24 bits AES67 Audio-over-IP input sampling rate: KH 120 II AES67 / KH 120 II W AES67: 44.1 / 48 / 88.2 / 96 kHz AES67 Audio-over-IP input connection management: KH 120 II AES67 / KH 120 II W AES67: RAVENNA, NMOS IS-04 (Discovery & Registration) and NMOS IS-05 (Connection Management) Output power woofer amplifier (THD+N with limiter deactivated: 10%): 145 W Output power tweeter amplifier (THD+N with limiter deactivated: 10%): 100 W Woofer: KH 120 II / KH 120 II AES67: 130 mm (5.25") with protecting metal grille, black KH 120 II W; KH 120 II W AES67: 130 mm (5.25") with protecting metal grille, white Tweeter: KH 120 II / KH 120 II AES67: 25 mm (1") with protecting metal grille, black KH 120 II W; KH 120 II W AES67: 25 mm (1") with protecting metal grille, white Product dimensions (height x width x depth): 287 x 182 x 227 mm (11.3 " x 7.16 " x 8.94") Product weight: 5.4 kg (11 lbs 14 oz)

Free field frequency response ±6 dB: 36 Hz ... 21 kHz Free field frequency response ±3 dB: 39 Hz ... 20.4 kHz Free field frequency linearity deviation between 100 Hz and 10 kHz: ±0.8 dB Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu): Sine wave output with a THD < 0.5 % at 1 m in half space: 95 dB SPL (>75 Hz) Max. SPL calc. in half space at 3% THD at 1m (averaged between 100 Hz and 6 kHz): 118.7 dB SPL Max. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz): Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz): 107.5 dB SPL Max. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions: 108 dB(C) SPL Max. short term SPL with music material at 2.3 m in typical listening conditions (pair / full range): 100 dB(C) SPL Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair with subwoofer): 106 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range): 88 / 94 dB(C) SPL Dolby D.A.R.D.T. Max SPL fullrange: 114 dB Dolby D.A.R.D.T. Max SPL bass managed: 120 dB Recommended Listening Distance: 1.0 … 2.5 m; (3'… 8') Feasible Listening Distance: 0.75 … 6.0 m; (2'6"… 18') Acoustic principle: Bassreflex, Ports at the front Analog input(s): LR: analog electronically balanced Analog input impedance: kOhms Analog input(s): LR: analog electronically balanced Analog input impedance: kOhms Max. input level: 4 dBu for 94 dB SPL setting; +14 dBu for 100 dB SPL setting; +9 dBu for 108 dB SPL setting; -1 dBu for 156 dB @ 15kHz Volume controlvia: MA 1 software Volume control range; resolution: 0 … -∞ dB; 0.1 dB Analog dynamic range; THD+N: 118 dB, A-weighted, 90 dB Signal routing modes: analog, S/PDIF L, S/PDIF R, S/PDIF mono Digital input(s): RCA (75 Ω): S/PDIF Digital output(s): RCA (75 Ω): S/PDIF Max. Input: Level; pk-pk, unbalanced / balanced 1.2 V Digital converter: resolution; design: 24 Bit Digital converter: sampling rate: 32 kHz..200 kHz Digital internal sampling rate: 48 kHz Output sample rate: identical to input sample rate Latency ADA / DA: Analog Input: 2.6 ms; SPDIF Input: 2.1 ms Delay: User adjustable delay range: 0 … 120 ms Delay: Resolution: time; distance: 20.8 µs Delay: Max. frames Audio-video synchronisation (lip sync): 0 … 120 ms for TOF=0ms, depends on APP implementation Delay: Time-of-flight maximum distance: 0 … 120 ms for lipsync=0ms, depends on APP implmentation Input gain control (sensitivity): 0 dB ... -15 dB Output level control (output level in 1 m based on 0 dBu input level): 94; 100; 108; 114 dB SPL Equalization: Bass: 0; -2; -4; -6 dB Equalization: Low-Mid: 0; -2; -4; -6 dB Equalization: Treble: +1; 0; -1; -2 dB Input selector: Analog; S/PDIF L; S/PDIF R; Mono Ground Lift: Yes Control: Local; Network Mains Switch: Yes Mains Voltage Select: Universal Power Supply 100 V~ … 240 V~ Controller design: Digital; active Crossover frequency: 1700 Hz Crossover slope: 24 dB / octave Equalization: via Neumann.Control software: No Automatic room calibration via MA 1: Yes FIR phase correction: Linear phase (105 Hz ... 16 kHz; +/- 45°) Protection circuitry: Independent soft clip, peak and thermo limiters for woofer and tweeter; Woofer excursion limiter; thermo limiter for the electronics and amplifiers Infrasonic filter: frequency; slope: 38 Hz; 12 dB / octave Remote control: MA 1 software via an RJ45 connector carrying standard IP data Display: On; Normal Operation: Neumann logo “White” Display: Identification: Neumann logo “Rosé” Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute: Neumann logo “Red” Logo Brightness: via MA 1 software Output power woofer amplifier (THD+N with limiter deactivated: 10%): 145 W Output power tweeter amplifier (THD+N with limiter deactivated: 10%): 100 W Output power woofer amplifier (THD+N with limiter deactivated: 0.1%): 120 W Output power tweeter amplifier (THD+N with limiter deactivated: 0.1%): 80 W Mains Power Supply: input voltage; frequency: 100-240 V; 50/60 Hz Power consumption (230 V / 100 V): Standby: 0.3 W Power consumption (230 V / 100 V): Idle: 15 W Power consumption (230 V / 100 V): Full output: 320 W Standby: automatic, 90 mins (default); user defined in software Cabinet material: Composite polycarbonate front and rear, wooden sleeve Cabinet surface finish; color (front / back): Painted; metallic anthracite (RAL 7021) / Black (RAL 9005) Operating conditions: ° C (+50° F to +104° F); <75% RH, non-condensing Transport/storage conditions: -25° C to +60° C (-13° F to 140° F); <90% RH; non-condensing Woofer: 165 mm; (6.5") with protecting black metal grille Tweetef: 25 mm; (1") with protecting black metal grille Mounting points: 2 x M6 threaded inserts with 70 mm spacing on back panel; thread depth 15 mm; (5/8”) Product dimensions (height x width x depth): 345 x 225 x 273 mm; (13.58" x 8.86" x 10.75") Internal net volume: 12.6 l External net volume: 20.4 l Packed dimensions (height x width x depth), mm (inches): 480 x 303 x 403 mm; (18.9" x 11.9" x 15.9") Product weight: 8.0 kg; (17 lbs 10 oz) Packed weight: 9.4 kg; (20 lbs 12 oz) Packaging weight inc. Cables and manuals: 1.41 kg; (3 lbs)

Free field frequency response ±6 dB: 16 … 800 Hz THD+N: analog, digital: < -100 dB; < -90 dB Free field frequency response ±3 dB: 18 … 750 Hz Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu): <20 dB(A) SPL Sine wave output with a THD < 0.5 % at 1 m in half space: 95 dB SPL (>70 Hz) Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz): 105.0 dB SPL Crosstalk (1 kHz), level matching: < -90 dB; ±0.1 dB Analog output(s): 2 x XLR; analog electronically balanced Dynamic range A-D-A: >120 dB(A) Dynamic range D-A: >123 dB(A) Digital sensitivity: -18 dBFS = 100 dB SPL at 1 m Latency: 1.5 ms (A-D-A linear phase); 1.2 ms (D-A linear phase) Phase: 0; 45; 90; 135 und 0/180 deg Display: Bass Management on: Green LED Analog input(s): 2 x XLR: analog electronically balanced Analog input impedance: >13k Ohms Max. input level: < +24 dBu Common mode rejection ratio (CMRR): > 56 dB @ 15 kHz Volume control: via Neumann.Control software Volume control range; resolution: 0 … -∞ dB; 0.1 dB Analog dynamic range; THD+N: 119 dB(A); <0.003% (-90 dB) Signal routing modes: Right; External Bass Management; 2 x LFE Digital input(s): BNC (75 Ω): AES3; S/P-DIF Digital output(s): BNC (75 Ω): AES3 Digital converter: resolution; design: 16 … 24-bit DAC; Δ∑ Digital converter: sampling rate: 22.05; 24; 32; 44.1; 48; 64; 88.2; 96; 176.4; 192 kHz Delay: User adjustable delay range: 0 ... 100 ms and 2 x 0 ... 20.8 ms Delay: Resolution: time; distance: 0.1 ms; 3.44 cm (1 3/8”) Delay: Max. frames Audio-video synchronisation (lip sync): 2.5 (40 ms) frames; 3 (33 ms) frames Delay: Time-of-flight maximum distance: 2 x 7.16 m (23' 5") Input gain control (sensitivity): +2 ... -12 dB Output level control (output level in 1 m based on 0 dBu input level): 94; 100; 108; 114 dB SPL Controller design: Digital; active Crossover frequency: 80 Hz Crossover slope: 24 dB/oct; 4th order Equalization: via Neumann.Control software: 8 x full parametric IIR + low / high shelf global balance FIR phase correction: For connected analog loudspeakers: Linear phase (170 Hz ... 16 kHz; +/- 45°) Protection circuitry: Driver (thermo limiter); Electronics (temperature limiter); Amplifier (peak limiter, temperature limiter, temperature protection and overcurrent protection); Power supply (temperature limiter and overcurrent protection) Infrasonic filter: frequency; slope: 17.5 Hz; 12 dB/oct. Remote control: Neumann.Control software via an RJ45 connector carrying standard IP data Display: On; Normal Operation: Green LED Display: Identification: Amber LED Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute: Red LED AES67 Audio-over-IP Interface: Fully redundant AES67 ST2110 compliant audio network interface; 2 Fast Ethernet 100Base-TX (IEEE 802.3) RJ-45 connectors; Physical redundant network (ST 2022-7) AES67 Audio-over-IP input word length: 24 bits AES67 Audio-over-IP input sampling rate: 44.1 / 48 / 88.2 / 96 kHz AES67 Audio-over-IP input connection management: RAVENNA, NMOS IS-04 (Discovery & Registration) and NMOS IS-05 (Connection Management) Output power woofer amplifier (THD+N with limiter deactivated: 10%): 256 W Mains Power Supply: input voltage; frequency: 100-240V; 50/60 Hz Power consumption (230 V / 100 V): Standby: <300 mW Power consumption (230 V / 100 V): Idle: 18 W Power consumption (230 V / 100 V): Full output: 410 W In-rush current (Peak): 30 A @230 VAC Standby: Disabled; 90 mins (default); user defined in software Cabinet material: Wood cabinet, aluminum electronics panel Cabinet surface finish; color (front / back): Painted; metallic anthracite (RAL 7021) / black (RAL 9005) Operating conditions: +10° C to +40° C (+50° F to +104° F); <90% RH, non-condensing Transport/storage conditions: -25° C to +70° C (-13° F to 158° F); <90% RH; non-condensing Woofer: 265 mm (10") with protecting black metal grille Product dimensions (height x width x depth): 383 x 330 x 383 mm (15 1/8" x 13" x 15 1/8") External net volume: 48.4 liters Product weight: 19.5 kg (43 lbs)

Antelope Audio’s first ever studio monitor is designed to provide a cutting-edge modern solution for every studio. Atlas i8 delivers extended low-end frequencies and soaring sound pressure levels thanks to its secret weapon – two 8-inch woofers configured in an isobaric design. Atlas i8 brings sonic accuracy, pinpoint imaging and a fatigue-free listening experience as a result of meticulous acoustical engineering along with decades of research and development in the field of digital signal processing. CLEAN AND ACCURATE LOW-END • Isobaric bass configuration reduces cabinet size while maintaining optimal performance • Two 8-inch woofers for precise low-end with minimum distortion even on high SPL • Custom Class-D amplifier with low noise & harmonic distortion • Thick 18mm cabinet with extra reinforcement, preventing any unwanted resonance frequencies SIGNATURE SOUND QUALITY • Digital calibration using FIR and IIR filters providing time-aligned neutral frequency response • Coaxial driver for a single point axis response, also allows both horizontal and vertical positioning • Proprietary 64-bit Acoustically Focused Clocking technology • Ultra-accurate A/D and D/A conversion ensuring transparent and neutral signal • 192kHz sample rate ensuring pristine conversion WORKFLOW ENHANCING FEATURES • Parametric EQ for frequency adjustments • Software control panel for easy access to main features • Color display with settings menu • Delay offset to compensate for distance from the sweet spot • AES digital I/O allowing daisy chain • Optional mounting plate for wall/ceiling mount TECHNICAL SPECIFICATIONS • Frequency range: 35 – 20 000 Hz • Max SPL: 117dB at 1 m with one speaker • Amp wattage: 400W (200W low + 100W mid + 100W high) • Input connectors: Analog XLR/TRS; Digital AES/EBU • Output connectors: Digital AES/EBU • Driver sizes: LF: 2×8″ isobaric, MF: 5,5″, HF: 1,5″ coaxial • Speaker configuration: Three-way • Active • AD/DA converter: 24-bit/ 192 kHz • Equalization: Digital parametric • Enclosure Type: Front ported • Dimensions: W 292 mm, D 387 mm, H 500 mm • Weight: 24 kg ADDITIONAL MEASUREMENTS Coming soon IN-THE-BOX CONTENT • Atlas i8 • Power supply cable • USB type A to B cable • Getting Started leaflet

Frontalna ventilacija i optimizovana ojačanja inspirisana su Fokalovim Trio11 monitorima, a tu su i unutrašnja ali i spoljašnja ventilacija za redukciju šuma i distorzije. Sa zadnje strane, pun set bas kontrola dostupan je radi finih podešavanja za svaki sistem - low-pass, high-pass i raznolike fraze – čine SUB 12-icu izuzetnim profesionalnim uređajem. Kompozitni sendvič 'W' konusa – Made in France, za savršenu optimizaciju krivulje frekvencijskog odziva. Vrlo precizna kontrola dampinga, kao i brzine transmisije signala, što dovodi do potpune zvučne transparentnosti, veoma niske distorzije i odličnog faznog odziva. Fleksibilnost – kontrole na zadnjem panelu uključuju prekidače za polaritet, +4dBu ili -10dBv osetljivost, automatski stand-by (bypass), Input & Throughout LFE. Tu su takođe i ulaz/izlaz za prekidač na stalku. Key points Composite sandwich ‘W’-cone: sound neutrality, no distortion Large laminar port: no port noises or distortion Automatic disengageable stand-by mode Amplification: 600W RMS, 1000W peak Carry handle Monitor Type: Active 2-Way Enclosure: Bass-Reflex, Shielded Power Rating: 600 W RMS, 1000 W Peak Drivers - LF Driver: 1 x 13" / 33 cm Composite Cone Amplification - 1 x LF Amplifier: Rated at 600 W RMS / 1000 W Peak Performance Frequency Response: 30 Hz to 400 Hz ± 3 dB Maximum Sound Pressure Level (SPL): 124.5 dB Analog Input Sensitivity/Gain: +4 dBu / -10 dBV (Fixed) Phase Adjustment: 0 to 180° Continuous Phase Control Protections and Limiting: Fuse Signal Processing - EQ: None Filters: 1 x High-Pass at 45 to 90 Hz, 1 x Low-Pass at 50 to 150 Hz Parametric EQ: None Connectivity Audio I/O: 2 x XLR Balanced Female Analog Input (10 Kilohms) 4 x XLR Balanced Male Analog Output/Thru (50 Kilohms) Power AC Input Power: 100 to 240 VAC, 50/60 Hz General Enclosure Material: MDF Dimensions: 48.7 x 60 x 56.8 cm Weight: 58.0 kg

Digitally Controlled Studio Monitor DSP-controlled acoustic system with 96 kHz internal processing Coherent time response across the audio spectrum Built-in ARC room correction Includes measurement microphone Advanced acoustic space settings Includes X-MONITOR control software for extended setup, custom EQ voicing, and reference monitor emulation Superior Electro-Acoustic Features Proprietary Class-D power amplifiers 175W total RMS power Extended frequency response 45 Hz to 30 kHz ±1 dB Linear phase response +/-20° from 150 Hz and up 37 Hz low-frequency extension at -4 dB Individually calibrated for <0.5 dB unit-to-unit sensitivity consistency Includes 4 high-performance isolation pods Advanced Monitor Controls Volume control Acoustic space and Calibration controls Switchable low-frequency extension at Full/35/50/65/80 Hz Acoustic space controls Optional hardware remote control with completely assignable functions for switching voices and more ARC Room Calibration iLoud Precision also offers class-defying flexibility as well. With built-in ARC room calibration and included measurement microphone, iLoud Precision instantly adapts and performs its best in any environment. X-MONITOR Control Application iLoud Precision includes X-MONITOR: an advanced control application for Mac and Windows. X-MONITOR allows for extended acoustic space setups, assists with the ARC calibration, displays before/after in-room frequency responses, and switches among various virtual monitoring voices to emulate the most iconic studio monitors of all time, letting you audition your mix on different reference systems with just one pair of speakers. Advanced Control iLoud Precision's LED-enabled rear controls allow quick and easy setup in any situation, from project studio to live console to immersive audio rig. Each comes with 4 high-performance isolation pods to tame the propagation of unwanted vibration and resonance to the supporting surface, plus an optional hardware remote control to quickly switch between 4 voicing options or other handy functions like ARC on/off, mute, or dim directly from the mix position. Precision Construction Each iLoud Precision is handcrafted in Italy and individually calibrated to exact specifications during the quality-control phase to ensure perfect unit-to-unit consistency. Every single monitor is truly a sonic work of art, engineered to perfection.

Digitally Controlled Studio Monitor DSP-controlled acoustic system with 96 kHz internal processing Coherent time response across the audio spectrum Built-in ARC room correction Includes measurement microphone Advanced acoustic space settings Includes X-MONITOR control software for extended setup, custom EQ voicing and reference monitor emulation Superior Electro-Acoustic Features Proprietary Class-D power amplifiers 150 W total RMS power Extended frequency response 45 Hz to 30 kHz ±1 dB Linear phase response +/-20° from 150 Hz up 37 Hz low frequency extension at -4 dB Individually calibrated for <0.5 dB unit-to-unit sensitivity consistency Includes 4 high-performance isolation pods Advanced Monitor Controls Volume control Acoustic space and calibration controls Switchable low-frequency extension at Full/35/50/65/80 Hz Acoustic space controls Optional hardware remote control with completely assignable functions for switching voices and more ARC Room Calibration iLoud Precision also offers class-defying flexibility as well. With built-in ARC room calibration and included measurement microphone, iLoud Precision instantly adapts and performs its best in any environment. X-MONITOR Control Application iLoud Precision includes X-MONITOR: an advanced control application for Mac and Windows. X-MONITOR allows for extended acoustic space setups, assists with the ARC calibration, displays before/after in-room frequency responses, and switches among various virtual monitoring voices to emulate the most iconic studio monitors of all time, letting you audition your mix on different reference systems with just one pair of speakers. Advanced Control iLoud Precision's LED-enabled rear controls allow quick and easy setup in any situation, from project studio to live console to immersive audio rig. Each comes with 4 high-performance isolation pods to tame the propagation of unwanted vibration and resonance to the supporting surface, plus an optional hardware remote control to quickly switch between 4 voicing options or other handy functions like ARC on-off, mute or dim directly from the mix position. Precision Construction Each iLoud Precision is handcrafted in Italy and individually calibrated to exact specifications during the quality control phase to ensure perfect unit-to-unit consistency. Every single monitor is truly a sonic work of art, engineered to perfection.