Application Active Recording / Mixdown Monitors Engineering Objective The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Cabinet Design The original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base. Driver Design The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. Amplifier Design We designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps. Specifications System Type: Active (Self-powered) shielded full-range stereo pair Frequency Response: 90Hz - 17,000Hz (useful musical range) Impendance: Nominal 8 ohms Max SPL: 104db @ 1 meter = 1%THD (PINK NOISE) Amplifier Type: Class A/B Amplifier Power: 60 watts RMS@ .005% THD (1KHz) Amp Frequency Response: 22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB) Noise: S/N -113 dB Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL Driver: Proprietary design 5.25" cast aluminum frame / paper cone / shielded Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced Weight: 7.13lbs (per monitor) Dimensions: 6.5" x 6.5" x 6.5" Features Balanced Input: This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded. System Gain: This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks. On/Off Switch: This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however. AC Input: This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC/MAINS operating voltage for your location. Ground Lift Switch: By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal. Placement: When positioning the Avantone Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.

Main Features Power: 225W Frequency Range: 28Hz – 100Hz SPL Max: 106dB 100% Analog – No DSP Flat frequency response Phase compensated for a better stereo image Class G Amplifiers Built in anti-resonance system in a double box cabinet individually calibrated Typical listening distance: from 1m 5 years warranty Handmade in Switzerland Sub A125-M – The most compact subwoofer of our range Don’t think of a subwoofer, think of adding an extra low frequency way to your monitor. Our SUBs are designed and calibrated to seamlessly extend the low-end of any of our loudspeakers and with and overall flat frequency and phase response. The result is remarkable when reproducing low frequency acoustic instruments. The tight, accurate, perfectly controlled bass allows hearing all details down to 28 Hz and even down to 24 Hz with our larger model. PSI Audio program includes 2 subwoofers / Low Frequency Extensions that excel in accuracy and fit the whole range of PSI Audio monitors: – Sub A125-M is a compact subwoofer and perfectly fits the A14-M or A17-M. Two units perfectly fit the A21-M. It extends the frequency down to 28 Hz. – Sub A225-M is a powerful subwoofer and perfectly fits the A21-M and two units perfectly fit A25-M. It extends the frequency down to 24 Hz. Click on a picture to choose a product from our coherent range of monitors. Product A125-M Power RMS 150 W Program Power 225 W Continuous Max SPL @ 1m 106 dB (single) Program Max SPL @ 1m 111 dB (pair) Response at -6dB 28-90 Hz Tolerances ± 2.0 dB(31 Hz – 65 Hz) System 1-way Crossover frequency 90 Hz Woofer dim. Ext. / ø 258 mm / Diaphragm mm ø 210 mm Woofer dim. Ext. / ø 10.2 in / Diaphragm inch ø 8.3 in Dimensions W x H x D mm 320 x 480 x 380 Dimensions W x H x D inch 12.6 x 18.9 x 14.9 Net Weight kg 20.5 kg Net Weight lbs 45.1 lbs

Based on the excellent acoustical performance of the KH 810, the KH 805 is the optimal choice to be used in stereo applications, for example in combination with KH 80 DSP, KH 120 or KH 310. The KH 805 subwoofer is designed to complement Neumann’s extensive range of monitors, and can be used in music, broadcast, and post production studios for tracking, mixing, and mastering. APPLICATIONS Increasing the maximum SPL of loudspeakers by up to 8 dB Decreasing harmonic and intermodulation distortion of loudspeakers Reproducing the LFE channel Reproducing the “Sub” signal of a bass managed multichannel source Making a Plane Wave Bass Array™ system Working as an extension for KH line subwoofer systems (1) Computer mechanically modeled cabinet design using Low resonance Integral Molding™ (LRIM™) materials Wooden cabinet with a tough painted finish and high density rubber isolating feet Excellent self-damping properties leading to minimal cabinet resonances No standing wave resonances inside cabinet Reduced cabinet resonances (2) In-house modelled long-throw composite sandwich cone bass driver with Extremely Linear Force Factor™ (ELFF™), magnetic shielding, flow optimized die cast basket and robust built-in grille Damping of break up modes brings low distortion at high sound levels Linear pistonic motor gives a very low harmonic distortion even at high excursions Reduced air noise and improved rocking modes Grille protects against mechanical damage (3) Large high-capacity flow-optimized bass reflex ports Fast bass transient response Reduced bass compression at high output levels Can be flush mounted (4) 2.0/ 0.1 Bass Management Stereo and externally bass managed applications Bypassable 4th order 80 Hz active crossover for maximum compatibility with consumer reproduction systems Allows main loudspeakers to play louder and with lower distortion (5) Four routing modes Right channel bass management LFE to subwoofer only up to 120 Hz Wide for multichannel systems where the bass management is in the source Daisy chain for subwoofer arrays (6) XLR electronically balanced analogue inputs and outputs Standard interfacing to professional equipment Daisy chain output for subwoofer arrays (7) Wide range input gain and output level controls Easier interfacing with signal sources 8-position phase control, continuous low cut control and parametric equalizer More control in diverse acoustical environments Parametric equalizer is bypassable if not needed (8) Universal switched-mode power supply (100 … 240 V) One version works in any country and robust to poor quality mains supply (9) Ground lift Reduced noise in electrically noisy environments and over-comes ground loops (10) Low heat dissipation amplifiers with large headroom and overheat limiting Improved transient response Assured reliability and safety Separate fast acting thermo limiter to protect the voice coil and power amplifier Soft clip and excursion limiters Increases system reliability Allows extraction of the maximum performance from the system (11) Installation flexibility Remoteable electronics (REK 3) for ease of installation, less cabling, and convenience of use

Main Features Power: 140 + 70 + 50W Frequency Range: 34Hz – 23kHz Max SPL: 109dB 100% Analog – No DSP Flat frequency response Phase compensated for a better stereo image Hand made midway driver AND tweeter Tweeter-mid unit can be swivelled 90° for horizontal use Class G/H Amplifiers Individually calibrated Typical listening distance: from 1.5m 5 years warranty Handmade in Switzerland Handmade tweeter + midrange driver The handmade tweeter used on the A23-M has already made the success of our biggest 3-way studio monitor, the A25-M. To achieve the ultimate precision for this compact 3-way, it was also necessary to build our own midrange woofer. After more than 2 years of analyses and development, we were proud to release the current version, which is the most accurate mid that you can find on the market. Tri-powered with our own analog amps (Class G/H for bass + midrange woofers and Class A/B for the tweeter), the A23-M is the top of the art compact 3-way dedicated to music recording, mixing and mastering, broadcast and post production. Extend the low frequencies and add power When used with one of our subwoofers, the A23-M will transform in an amazing 4-way system, with ultra precise control on all the frequencies, from very low until the highest notes: Our compact Sub A125-M (Two units are required to match SPL max of A23-M) or our full range Sub A225-M A23-M – The perfect compact sized 3-way monitor The A23-M is PSI Audio’s new member. It is a compact 3-way mid-field monitor with staggering precision and amazing stereo image. The dynamic behavior, precision frequency and phase responses have made of the A23-M a true reference in the entire industry. Power RMS: 140 + 70 + 50 W Program Power: 300 W Input Impedance: Sym, 10k Ohms Sensivity for 100 dB @ 1m: 0.775 V Self-generated noise, 1m f-s 8 dBA Continuous Max SPL@1m: 109 dB Input Overload: 24 Vpp Program Max SPL@1m: 120 dB (pair) / 123 dB peak Response at -6dB: 34 - 23000 Hz Tolerances: ±1.5 dB (39Hz - 20kHz) Distortion THD: less than 1% (100Hz-20kHz) Phase tolerances: ±45° (220Hz - 20kHz) Dispersion (P.N. 4 - 16 kHz) at -6 dB: 40° x 20° (H x V) System: 3 Way(s) Crossover frequency: 620Hz, 3.2kHz Woofer's dim. Ext. / Diaphragm: Ø 210 mm / Ø 170 mm Medium's dim. Ext. / Diaphragm: Ø 120 mm / Ø 56 mm Tweeter's dim. Ext. / Diaphragm: Ø 100 mm / Ø 25 mm Connectors: 1 x XLR F / 3P Signal input: 1=GND, 2=(+), 3=(-) Material: MDF Dimensions W x H x D mm: 280 x 500 x 340 Gross / Net Weight: 18.0 / 20.2 KG Voltage: 115/230V (50-60Hz) Consumption Standby-Idle-Max: 1.8 - 8 - 200 W Mean / Max Humidity: less 75% / less than 90% External Temperature: 5 - 40°C

The MRS10 is equipped with a 10" glass aramid composite woofer that is powered by 120W of Class-AB amplification. It features an adjustable 40 to 180 Hz crossover point for setting the appropriate amount of low end for your acoustic space, as well as a polarity switch to make sure the sub is in phase with your top monitors. The MRS10 has been designed with flexibility in mind, featuring stereo XLR and TRS inputs, and XLR and TRS outputs. Additionally, the included footswitch bypasses the subwoofer and returns the connected monitors to full range, giving you a flexible option to your monitoring setup. The speaker has been housed in an all-wood cabinet that has vibration-absorbing rubber feet to minimize undesirable resonances. The MRS10 features a download for ProTools | First software and The Musician Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer's serial number on the website. Features Powerful, deep extended low end for your studio Designed for responsive and accurate low frequency reproduction 120 watts of Class-AB amplification 10″ glass aramid composite woofer Shelf-ported for satisfying, deep low end Stereo XLR and TRS connection offer input flexibility Stereo XLR and TRS outputs for connection to mains Adjustable 40 to 180 Hz crossover point Polarity switch (0/180 degrees) Included footswitch bypasses the subwoofer and returns the connected monitors to full range Professional all-wood cabinet design built to last Vibration-absorbing rubber feet minimize undesirable resonances Allows your mains to focus on highs/mids for optimum studio performance Professional Production Content Included Software from Avid, including Pro Tools | First An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects White Boost: Boost gain without coloring tone

Osnovne karakteristike Niska usmerivost: održava isti nivo zvuka u celoj prostoriji Prigušivanje i rigidnost: neutralnost, bez distorzije Tonski balans je identičan pri niskim i visokim jačinama, niska osetljivost na blizinu zida Povezuje do 2 audo izvora Optimalna akustična integracija Smanjena potrošnja struje Specifikacije Alpha 80, najbolji model u liniji, opremljen visokotoncem od 1" (25mm) i niskotoncem od 8" (21cm). Poseduje pojačalo snage 40W za visokotonac kao i pojačalo snage 100W za niskotonac i ima frekventni odziv od 35Hz do 22kHz (+/- 3dB). Ovaj model je idealan za produciranje muzike koja je bogata basevima ili koja zahteva veliku snagu Automatski standby režim 2 neprekidno aktivna XLR i RCA ulaza Aluminijumski invertirani kupolasti visokotonac Podesivi bas i nivoi visokih tonova 8" (21 cm) Polyglass konus Veliki prednji port Tip Monitoring Alpha 80 Frekventni odziv (+/- 3dB) 35Hz - 22kHz Snaga 140W (100W+40W) Maksimalni SPL 109dB SPL (pic @ 1m) Elektronika Ulazni konektori XLR balansiran 10kOhms RCA nebalansiran 10kOhms sa kompenzacijom osetljivosti LF pojačalo 100W, klasa AB HF pojačalo 40W, klasa AB Standby režim Standby Aktivacija monitora Nakion oko 30 minuta bez upotrebe monitora detekcija signala >3 mV Napajanje (Voltaža se ne može menjati) 220-240V (osigurač T1.6AL/250V) ili 100-120V (osigurač T3.15AL/250V) Povezivanje IEC ulaz i odvojivi kabl za napajanje Korisničke kontrole Osetljivost Podesiva 0 or +6dB LF shelving (0 - 300Hz) Podesiva, +/-6dB HF shelving (4.5 - 22kHz) Podesiva, +/-3dB Napajanje ON/OFF Prekidač na zadnjoj ploči Standby režim potrošnja struje < 0,5W Indikatori Napajanje ON/OFF LED - Standby LED Transformator Niskotonac 8" (21cm) drive unit - Polyglass konus Visokotonac 1" (25mm) drive unit. Invertirana kupoila od aluminijuma Kabinet Konstrukcija 0.6" (15mm) medijapan Završni sloj – boja Vinil, crni premaz Dimenzije Sa 4 gumene stope (VxŠxD) 15.6x11.3x13.7" (397 x 287 x 348mm) Težina 28.2lb (12.8kg)

All these features are combined in a compact design making the DM-40 the perfect match for DJing, producing and simply enjoying music at home. The DM-40 speakers are sold as a pair. Front-loaded bass reflex system 4-inch fiberglass woofers output a strong, punchy bass from the front, while grooves on the ducts reduce air friction. This way you'll feel a tight bass kick even when the monitors are positioned against the wall. 3D stereo sound The DM-40's ¾-inch soft dome tweeters are fitted with DECO convex diffusers that channel high frequencies in every direction. So you’ll enjoy a wide sweet spot and 3D stereo sound wherever you sit or stand. Time alignment Class AB amplifiers deliver a crisp sound with low-distortion. Plus the tweeter and woofer are perfectly aligned to eliminate crossover and ensure a well-balanced response across the frequencies. Smart design The cabinets' curved front edges provide maximum rigidity and minimum resonance for a clean sound at all volumes - and they'll look good in your home set-up. Ease of use A headphone output and volume knob on the front panel give you flexibility and control, while the RCA and stereo mini jack inputs on the back let you easily connect the speakers to your DJ or production kit. Specifications Main Features Type 2-way bass reflex, active monitor speakers Tweeter ¾-inch Soft Dome Woofer 4-inch Fiberglass What's in the box DM-40 x 2 Power cord 2 m speaker cable (for left/right channel connection) Audio converter cable (3.5 mm stereo mini plug to RCA) Bottom cushion x 8 Operating instructions Specifications Dimensions Left ch: 146 x 227 x 223 mm Right ch: 146 x 227 x 210 mm Weight Left ch: 2.7 kg Right ch: 2.2 kg Amplifier Output Class A/B amp: 2 x 21 W / 4 Ω Frequency Range 70 - 30000 Hz Impedance 10 kΩ Terminals Inputs 1 LINE (RCA) 1 LINE (Mini-jack) Outputs 1 HEADPHONE MONITOR (Mini-jack)

Par zvučnika sastoji se od jednog pasivnog i jednog aktivnog zvučnika, i kabla za njihovo povezivanje. Svaki od monitora poseduje specijalno podešeni zadnji port, za uglađenu ekstenziju donjeg spektra zvučnog registra, kao i posebno dizajnirani waveguide za tačnost i odličnu disperziju visokih frekvencija. Sa puno I/O (ulaza & izlaza), CR4-X može da primi "feed" iz vašeg audio interfejsa, zvučne kartice računara, ili mobilnog uređaja - dok "izbacuje" vaš miks pravo u drajvere vaših omiljenih slušalica. Uz CR4-X ide i preuzimanje ProTools | First & paketa plag-inova The Musician's Collection, koji uključuje 23 kvalitetna plag-ina, poput BBD Delay, Eleven Lite, 304E EQ, i 304C Compressor. General Features For recording, mixing, sound design, gaming, and casual listening All-wood cabinet with a brushed-metal front panel 3.5mm, RCA, and 1/4" inputs accommodate balanced or unbalanced stereo line-level signal from your audio interface, mixer, soundcard, or mobile device Front-panel 3.5mm headphone port auto-defeats speaker output 50W of amplification drive the 4" polypropylene-coated woofers and 0.75" ferrofluid-cooled, silk-dome tweeters Speaker placement switch lets you choose which side to use for the on/off/volume control Includes a 3.5mm to stereo RCA cable for connecting your computer to the speakers, a standard 3.5mm cable to plug in your smartphone, and a speaker cable to connect the left and right monitors Avid Pro Tools | First and Other Included Software Avid Pro Tools has been an industry standard in studios and homes for decades. Pro Tools | First (available for macOS and Windows operating systems) is easy enough for beginners, yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios, collaborate online with anyone, anywhere, and create at the speed of your imagination. In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect White Boost: Boost gain without coloring tone

UNMATCHED ACCURACY AND CLARITY With an all-new design, MR Series monitors utilize our proven technology and acoustic tuning to deliver incredible accuracy and clarity. The logarithmic waveguide provides an ultra-wide listening sweet spot and enhanced stereo imaging while the Acoustic Space Control allows you to adjust the frequency response of the monitor to match your studio. Whether it’s dialogue, hip-hop, rock, and beyond, you can listen with confidence knowing your mix will sound great anywhere. For extended bass response in your studio, the MRS10 Powered Studio Subwoofer delivers powerful low-end reinforcement perfect for when your music hits hard and low. Designed for superior mix translation and accuracy for professional results in any studio Equipped with Mackie’s proven logarithmic waveguide design Ultra-wide dispersion for enhanced stereo imaging and listening sweet spot Precise acoustic alignment offers incredibly balanced sound across the entire frequency spectrum 1” silk dome tweeter provides fast transient response for detailed high end and vocal clarity 5” polypropylene woofer delivers responsive, dynamic low-frequency response 50 watts of bi-amplified Class A/B amplification Frequency response: 45 Hz – 20 kHz Optimize MR monitors for your mixing environment Adjustable acoustic space filters maintain flat response in typical placement configurations HF filter applies boost or cut to compensate for particularly dull or bright sounding rooms Professional all-wood cabinet design built to last and look great in any studio Custom designed internal bracing adds stiffness for reduced distortion and enhanced low-frequency response Flexible inputs for simple connection to almost any audio source Acoustically optimized with sound-tightening acoustic absorption material Add the companion MRS10 studio subwoofer for powerful, deep low-frequency extension perfect for electronic music, hip-hop and more

KLJUČNE KARAKTERISTIKE Odlična dinamika za veoma nisku distorziju 6,5” (16,5 cm) vuferi od slatefiber membrane Identičan tonski balans i pri niskoj i visokoj jačini zvuka Automatski (isključivi) stand-by režim Veliki laminarni ventilacioni otvor 3 ulaza: XLR, TRS i RCA Podešavanja nivoa basa i visokih tonova Zaštitne rešetke uključene u paket SPECIFIKACIJE Tip: Alpha Twin Evo Monitoring Frekvencijski odziv (+/- 3dB): 38Hz - 22kHz Maksimalni SPL: 108dB SPL (vrh na 1m) Ulazi - TRS: simetrični 10kΩ Konektori - XLR: simetrični 10kΩ RCA: asimetrični 10kΩ sa kompenzovanom osetljivošću Pojačalo srednje i niske frekvencije: 2 x 50W Pojačalo visoke frekvencije: 30W Automatski stand by režim posle oko 15 minuta bez upotrebe Detekcija signala: >6mV Napajanje: 100 - 240V~(T2AL osigurač/250V) Priključak: IEC utičnica i odvojivi kabl za napajanje Osetljivost: Podesiva, 0 ili +6dB Nivo srednjeg tona/basa (0 - 250Hz): Podesiv, +/-6dB Nivo visokih tonova (4,5 - 35 kHz): Podesiv, +/-3dB Prekidač za uključivanje/isključivanje na zadnjoj ploči Potrošnja u stand by režimu: <0,5V Prikazi i kontrole LED dioda za uključivanje i isključivanje - LED dioda u stanju pripravnosti Vufer: 2 x 6,5" (16,5 cm) konus od slatefibera Visokotonac: 25 mm (1") sa aluminijumskom inverznom kalotom Konstrukcija: medijapan od 0,6" (15mm) Završni sloj: crni vinil i boja Dimenzije. sa 4 gumene noge (VxŠxD): 260 x 550 x 290mm Težina: 12,2 kg

PM0.3H / PM0.3dH Active Speaker System PM0.3H/dH is the latest model of the reputed Fostex PM-series that features Hi-Resolution reproduction up to 40kHz by the improved amplifier circuitry and the soft dome tweeter. The combination of the dedicated 3" LF and 3/4" HF drivers together with the built-in D-class power amplifier delivers unparalleled audio performance in this class. The PM-3H/dH, inheriting the familiar cosmetic design of the best selling PM-serlies, is ideal for space-limited desktop home studio, PC audio, TV audio as well as smart phone and DAP. 2-way system with the reputed 3" fiber glass cone woofer and new 3/4 silk dome tweeter drivers Quality matt finished front baffle with a choice of black and white Wooden enclosure box of rear bass reflex type for best audio performance Compact yet highly efficient built-in digital amplifier of 15W each channel

The rear panel offers a standard XLR input connector, which allows you to connect to virtually any professional sound system. It also has level controls for both the woofer and the tweeter, allowing you to adjust them separately to create the best sonic results for your environment. The monitor is magnetically shielded for safe use near video monitors and other electronic equipment. Rigid and durable MDF construction 6.5" "W" composite sandwich midwoofer and 1" Beryllium inverted dome tweeter provide full, neutral sound with a wide frequency response Front laminar bass port helps to extend bass response Each driver is powered by its own amplifier for a total of 250W of power for a strong, distortion-free performance Standard XLR input connector allows you to connect to virtually any professional sound system Independent level controls for both the woofer and the tweeter allow you to adjust them separately to create the best sonic results for your environment Magnetically shielded for safe use near video monitors and other electronic equipment Focal Solo6 Specs Low Frequency Driver 6.5" (165 mm) "W" Composite Sandwich Midwoofer High Frequency Driver 1" (25 mm) Beryllium Inverted Dome Tweeter Amplifiers 1 x 150 W RMS BASH 1 x 100 W RMS Class-AB Crossover Not Specified by Manufacturer Frequency Range 40 Hz - 40 kHz Maximum Sound Pressure Level (SPL) 113 dB (Peak) Connectors 1 x Balanced XLR Input 1 x AC Power Input Input Impedance 10 kOhms Controls and Indicators 1 x Power Switch 1 x Input Sensitivity Switch 1 x HF Potentiometer 1 x LF Potentiometer 1 x Voltage Selector Switch Shielded Yes Dimensions 13.0 x 9.4 x 11.4" (330 x 240 x 290 mm) Weight 24.2 lbs (11 kg) Packaging Info Package Weight 31.65 lb Box Dimensions (LxWxH) 18.4 x 15.9 x 14.3"

Tri monitora proizvedena u Francuskoj integrišu pet inovacija u cilju postizanja maksimalne akustičke transparentnosti. Dizajnirani da zadovolje potrebe nearfield monitoringa, ovi zvučnici kombinuju inovativan dizajn i brojna podešavanja optimizovana za akustiku malih prostorija za slušanje. Tehničke inovacije omogućuju izuzetnu akustičku transparentnost. Ovi novi radni alati prave razliku širokim i izuzetno preciznim stereo zvukom. Bas registar je artikulisan i kontrolisan. Niži srednji opseg kao i srednji opseg imaju koristi od ekstremne neutralnosti i bez bilo kakvih maskirajućih efekata - čine ujednačavanje ovih ključnih registara mnogo lakšim. Najzad, novi visokotonac je na izvoru veoma visoke definicije, efikasno otklanja šum i veoma je precizan pri reprodukciji vrlo visokih frekvencija. 'M' OBLIK INVERTIRANE KUPOLE IMA DVE VELIKE PREDNOSTI: Njegova usmerivost manja je i od one kod invertiranog kupolastog visokotonca, što omogućava veću fleksibilnost u pogledu pozicije za slušanje. Kada je reč o mehaničkom aspektu, oblik slova 'M' daje kupoli veću čvrstinu, dok smanjuje distorziju u još osetnijoj meri. Poron® suspenzija omogućava linearniju krivulju frekventnog odziva ispod 6kHz, unapređujući skretnicu sa niskotoncem. Magnetska komponenta je takođe optimizovana zahvaljujući glasovnom kalemu sa Kapton® ramom koji u značajnoj meri smanjuje Fukoovu (vrtložnu) struju, posledično i distorziju. Ležište za visokotonac dizajnirano je tako da obezbedi jednake horizontalne i vertikalne usmerivosti. LANENI konusni sendvič Napravljeni u Francuskoj ali sa pristupačnom cenom, laneni konusi su orijentisani ka akustičnom izvođenju, visokoj tehnologiji i pružaju originalni dizajn drajverima za zvučnike ovog brenda! Nakon više od pet godina istraživanja i razvoja, inženjeri u Focalu otkrivaju 2013. godine novi konus napravljen od visokokvalitetnih lanenih vlakana. Konuse karakteriše prirodni zvuk niske koloracije, i bogatstvo reprodukcije u registru srednjeg opsega i čvršći bas. F-konusi napravljeni su od jezgra od visokokvalitetnih lanenih vlakana uz dva tanka sloja staklenih vlakana. Oni zadovoljavaju ključne kriterijume dijafragme visokih performansi: visoko unutarnje prigušivanje, veliku brzinu zvuka i visoko savitljivu čvrstinu. Svi ovi kriterijumi ne mogu biti ispunjeni konusom od jednog materijala. Sendvič tehnologija u velikoj meri utiče na neutralnost zvuka koja je oduvek bila obeležje Focala. Lakoća Lan je dva puta lakši od staklene vune, jer je vlakno šuplje. Takođe je veoma male elastičnosti što ga čini idealnim za povećanje savitljive čvrstine sendvič strukture. Pritom, može se dobiti u netkanim snopovima značajnog prečnika i na taj način može proizvesti debljinu koju zahteva sendvič konstrukcija. Unutarnje prigušivanje Kompozitni materijali imaju odgovarajuće osobine za primenu kada su neophodne i čvrstina i niska masa. Međutim, njihov nedostatak je to što im nedostaje prigušenje, što dovodi do loše kontrole vibracija. Nedavni razvoj u ovom domenu kroz kombinovanje kompozitnih i prirodnih vlakna doveo je do neočekivanih mogućnosti. Lanena vlakna imaju odlično unutarnje prigušenje istog reda kao čaša, kao Kevlar® vlakna ili aluminijum. PROIZVEDENO U FRANCUSKOJ, uz pristupačne cene Laneni konusi dizajnirani su i proizvedeni u Francuskoj, od vlakana francuskog lana. Francuska je vodeća zemlja u Evropi kada je reč o proizvodnji lanenih vlakana, a posebno je razvijena u Flandriji, Pikardiji, Normandji i regiji Pa de Kale. Francuski lan smatra se najboljim u Evropi. Sintetička vlakna ili pene koje potiču iz petrohemijskih resursa podležu inflaciji koja je povezana sa oštrim porastom cena sirove nafte. Organski ili ekološki tekstilni materijali, kao što je lan, na taj način postaju sve više cenovno konkurentni. Takođe i industrijski proces razvijen u cilju proizvodnje "F" konusa smešta ga u asortiman proizvoda osetne cenovne konkurentnosti. OSNOVNE KARAKTERISTIKE Visokotonac sa veoma niskom usmerivošću za fleksibilno pozicioniranje za slušanje. Dizajniran bez porta, ali sa dvostrukim pasivnim radijatorom - omogućava se da bude postavljen blizu zida. Brojna podešavanja za optimalnu integraciju. Precizna kontrola, čak i pri veoma visokim frekvencijama. Laneni konusni sendvič: kontrolisan i dobro definisan bas, prirodni i detaljni niži srednji opseg i viši spektar srednjeg opsega. Mehanizmi za kačenje nalaze se na zadnjoj strani i ispod zvučnika: za lako instaliranje na stolu, postolju/stalku, za kačenje na plafon ili zid (oprema za kačenje nije obezbeđena). NIC – NEUTRALNA INDUKTIVNOST Tehnologija polja neutralne induktivnosti Nakon tri godine istraživanja i razvoja simulacijskog softvera koji omogućava vizualizaciju složenih interakcija, inženjeri Focala stvorili su neverovatno stabilno magnetno polje za Sopra liniju. NIC tehnologija, zasnovana je na Faradejevom kavezu čije su dimenzije, materijali i pozicioniranje optimizovani kako bi onemogućili da magnetno polje bude pogođeno pozicijom glasovnog kalema, amperažom ili frekvencijom struje koja prolazi kroz njega. TMD – usklađen MASENI PRIGUŠIVAČ OPSESIJA SREDNJIM OPSEGOM Registar srednjeg opsega nesumnjivo je najkomplikovaniji za kontrolu u zvučnom sistemu. Sa jedne strane mora da postoji nesmetan prelaz sa basom. Sa druge strane, mora da postoji usklađenost sa visokotoncem u smislu disperzije i ubrzanja. To određuje homogenost boje glasa i zvučnu trodimezionalnost prostora. Tokom poslednjih 20 godina, Focal je radio na masteringu "break up"-a (frekvencije na kojoj konus postaje deformisan, što vodi u distorziju) "W" konusa treće generacije kao i na drastičnom smanjenju rezonance visokotonca sa IAL 2. Podešen maseni prigušivač Odgovor je došao iz tehnologije koja se koristi kod solitera otpornih na zemljotres, a takođe i za suspenziju na trkačkim automobilima! Ova tehnologija se zove "podešen maseni prigušivač": dodatna masa koja oscilira u suprotnosti sa frekvencijom rezonance koja je kontroliše. Primenjeno na drajver zvučnika, rešenje se sastoji u samo dva cevasta prstena na suspenziji, čije su dimenzije i položaj precizno utvrđeni. Oni čine podešen maseni prigušivač (TMD) i stabilizuju dinamično ponašanje okruženja u skladu sa rezonancom, čime se izbegava deformisanje konusa bez uticaja na dinamiku. Ova inovacija je patentirana. Powered Yes Power Configuration Bi-amped LF Driver Type 5" woofer with flax sandwich cone HF Driver Type 1" M profile aluminum-magnesium tweeter LF Driver Power Amp 60W HF Driver Power Amp 25W Total Power 85W Class AB Frequency Response 50Hz-35kHz (±3dB) Crossover Frequency Adjustable Maximum Peak SPL 106dB SPL @ 1m Features 3-band EQ, High-pass filter, 5" passive side radiator Input Types 1 x XLR, 1 x RCA Enclosure Type Ported radiator Enclosure Material MDF with natural walnut veneer Height 12.3" Width 7.5" Depth 9.5" Weight 20.7 lbs. Manufacturer Part Number FOPRO-SHAPE50

The pair consists of one passive speaker and one powered speaker that connect with an included speaker cable. Each monitor incorporates a custom-tuned rear port to smoothly extend the low end and a specially designed waveguide for clarity and proper dispersion of high frequencies. With plenty of I/O provided, the CR5-X can accept a feed from your audio interface, computer soundcard, or mobile device while pumping out your mix to the drivers or your favorite headphones. The CR5-X features a download for ProTools | First and The Musician's Collection plug-in package including 23 high-quality plug-ins with BBD Delay, Eleven Lite, the 304E EQ, and the 304C Compressor. General Features For recording, mixing, sound design, gaming, and casual listening All-wood cabinet with a brushed-metal front panel 3.5mm, RCA, and 1/4" inputs accommodate balanced or unbalanced stereo line-level signal from your audio interface, mixer, soundcard, or mobile device Front-panel 3.5mm headphone port auto-defeats speaker output 80W of amplification drive the 5" polypropylene-coated woofers and 0.75" ferrofluid-cooled, silk-dome tweeters Speaker placement switch lets you choose which side to use for the on/off/volume control Includes a 3.5mm to stereo RCA cable for connecting your computer to the speakers, a standard 3.5mm cable to plug in your smartphone, and a speaker cable to connect the left and right monitors Included monitor isolation pads minimize boomy bass buildup and provide up/down tilt control for more focused listening Avid Pro Tools | First and Other Included Software Avid Pro Tools has been an industry standard in studios and homes for decades. Pro Tools | First (available for macOS and Windows operating systems) is easy enough for beginners, yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios, collaborate online with anyone, anywhere, and create at the speed of your imagination. In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri-Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects White Boost: Boost gain without coloring tone

Perfectly accurate mid field monitor Redefine the way you produce! It is an astonishing monitor used for the most demanding audio productions, allowing the user to be in full control of the sound image in all regards down to the finest details. Main Features Power: 280 + 45W Frequency Range: 38Hz – 23kHz Peak max. SPL@1m: 121dB Typical listening distance: 1 to 3m 100% Analog – No DSP Flat frequency response Perfect stereo image Handmade Tweeter Class G/H Amplifiers Individually calibrated 5+1 years warranty Handmade in Switzerland Your success story with the A21-M Only you know where your story begins, and who knows where it will take you? With the A21-M, you certainly know what you hear: a precise replica of what the sound was intended to be. Make sure that little details cannot sneak past you during mixing, the A21-M lays them all bare before you. This quality has earned PSI Audio the respect of sound professionals all around the world. As a large nearfield monitor, the A21-M puts the entire soundstage right before your ears with peculiar precision, as lifelike and natural as a reproduction can possibly be. Stop listening for little mistakes – with the A21-M you just hear them. We must warn you though: once you have experienced the real thing, you will not be able to accept anything less. PSI Audio New A21-M (2022) “The quality and fundamental accuracy of the A21-M extends all the way through the audio band. Voices and acoustic instruments sound just as they should. Stereo imaging is really sharply focussed and precise. The new tweeter is a success also…” Phil Ward, Sound on Sound Perfect Stereo Image Stereo is more than just volume differences between the left and right channels. Phase relations are paramount to determine the accurate position of a signal in the acoustic space – and hence equally important in the development of PSI Audio speakers. The accurate phase alignment provided by PSI Audio CPR technology recreates the vivid spatial listening experience as it was intended. Instrument placement, reverb envelopes, even compression artefacts are easy to identify with the phase-corrected reproduction of PSI Audio speakers. Expand the bottom end While the A21-M already reaches down to 38 Hz, its low end can be extended further by adding one or two subwoofers to the system. An A225-M or a pair of A125-M subwoofers will unleash the full potential of the A21-M at any listening level, translating its accurate reproduction qualities into the lowest registers. Data A21-M [Unit] Potential peak power 280 + 45 W Continuous max SPL@1 m 106 dB Short term max. SPL@1m 110 dB Peak max. SPL@1m 121 dB Signal to noise ratio (S/N) 98 dBA Bandwidth at -6dB 38-23'000 Hz SPL tolerances ±2.0 dB Phase tolerances ± 45 (250 Hz – 20 kHz) deg Dispersion (H x V) 80 x 30 deg System 2 ways Crossover frequency 2400 Hz Woofer ext. diam. 240 mm Woofer ext. diam. 9.4 in W. diaphragm diam. 172 mm W. diaphragm diam. 6.8 in Tweeter ext. dim. 100 mm Tweeter ext. dim. 3.9 in T. diaphragm diam. 27 mm T. diaphragm diam. 1.06 in Dimensions W x H x D 250 x 400 x 300 mm Dimensions W x H x D 9.9 x 15.8 x 11.9 in Net Weight 12.8 Kg Net Weight 28.2 lbs Input connector 1 x XLR F / 3P Warranty 5 (+1) years Flat Response Individually tested Each speaker is individually calibrated in our anechoic chamber and is delivered with its frequency response sheet. A proof of quality. A21-M – The perfect compact 2-way studio monitor Sitting comfortably in between typical midfield systems and traditional nearfield monitors, the A21-M packs the punch of the larger speakers while retaining a comfortably compact size. It performs well in both scenarios, making it the perfect solution for studios who require the power of a midfield system without having the space for one. A21-M – Who is it for? The A21-M is exceptionally suited to all levels of music production, from the recording/producing stage to mixing and even mastering. Broadcast and post pro applications will also benefit from its outstanding transparency and fidelity. With its outstanding reach in the low end and its still compact size, the A21-M is both versatile and uncompromising in its approach, making it the perfect candidate for all sorts of studios. You can hardly go wrong with an A21-M.

Monitorski par CR5-XBT sastoji se od jednog pasivnog i jednog aktivnog zvučnika, sa uključenim kablom (3.5mm to stereo RCA). Svaki od monitora sadrži kastomizirani zadnji port koji glatko nadograđuje donji nivo zvučne slike, dok je za srednje i visoke frekvencije tu specijalno dizajnirani Waveguide. Sa dovoljno pripadajućih ulaza (3.5mm, RCA, 1/4") & izlaza, na CR5-XBT lako povežite audio interfejs kablom, ili kompjutersku zvučnu kartu, kao i druge muzičke plejere, podrazumevajući tu i bežićni strim sa vašeg telefona putem Bluetooth-a. U pakovanju dolazi i besplatno preuzimanje ProTools | First plug-in paketa koji uključuje 23 plag-ina (sa BBD Delay, Eleven Lite, 304E EQ i 304C kompresorima). Drvene kutije sa prednjim panelom od brušenog metala Speaker placement prekidač donosi vam izbor - na kom od dva zvučnika ćete kontrolisati jačinu tona (i on/off prekidač) Petoinčni vufer presvučen polipropilenom & Visokotonci: svilena kupola od 0.75" sa ferofluidom Svi Pro Tools | First plag-inovi, plus 23 ekskluzivna iz kolekcije Mackie Musician: Avid 304E EQ, Avid 304C Compressor, BBD Delay, Black Op Distortion, Black Shiny Wah, Black Spring Reverb, C1 Chorus, DC Distortion, Eleven Lite, Flanger, Graphic EQ, Gray Compressor, Green JRC Overdrive, In-Tune, Orange Phaser, Roto Speaker, Sci-Fi, Studio Reverb, Tape Echo, Tri-Knob Fuzz, Vari-Fi, Vibe Phaser, White Boost

Nema berilijuma. Bez titanijuma ... samo proverene tehnologije i komponente sastavljene da bi zvučale sjajno ... i to po atraktivnoj ceni. C5 sadrži 5-inčni drajver niske frekvencije i 1-inčni PEI membranski visokotonac montiran na posebno dizajnirani talasni kanal kako bi se stvorio bolji odziv prema osovini i koherentniji zvuk. Sa TRS i RCA ulazima i 40 vati ukupne snage, C5 je savršen za bilo koju desktop aplikaciju za monitoring. 5" drajver niske frekvencije 1" visokotonac Vinil laminirana, akustično obrađena zvučna kutija od medijapana Specifikacije Frekventni odziv: 54 Hz – 22 kHz (+/-3dB) Frekvencija skretnice: 4.5 kHz Snaga pojačala: 2 x 20 W (40W ukupno) Odnos signal-šum: > 90 dB (tipični A-otežani) Polaritet: Pozitivni signal na + ulazu pomera spoljnu nisku frekvenciju Ulazna impedansa: 20 k oma balansirano, 10 k oma nebalansirano Ulazna osetljivost: 85 mV pink šum ulaz proizvodi TBD dB izlaz 89dBA @ od jednog metra sa jačinom zvuka na maksimumu Snaga: Fiksna 110V ~50/60 Hz ili 220V~50/60 Hz Zaštita: RF smetnje, ograničavanje izlazne struje, prekomerna temperatura, prolazni režim uključivanja / isključivanja, podzvučni filter Kabinet: vinil laminirani medijapan Veličina (jedan monitor): 256 x 174 x 193 mm (HxWxD) Težina (par): 19.4 lbs. / 8.8 kg

Advanced Design for Higher Quality Sound Class-D Amplifier: Each DM series speaker produces pure, balanced bass sound thanks to a new Class D amplifier with 96kHz sampling DSP. DECO Convex Diffusers: Another advancement from the DM-40 model comes in the updated design of the DECO convex diffusers which help deliver crystal-clear high frequencies in every direction, so you can enjoy a wide sweet spot and 3D stereo sound wherever you are in the room. Time Alignment: The woofer and tweeter are perfectly aligned so you’ll hear all sound frequencies clearly. Grooved Ducts: The grooves on the ducts reduce air friction so bass is tight and punchy, even if you position the speakers against a wall. Plus, the curved front edges provide maximum rigidity and minimum resonance for clean audio at any volume level. 4" Woofer: The 4-inch woofer creates powerful sound without distorting, even if you pump up the volume. 2-Way Sound Mode for DJing and Music Production There's no need to decide whether you want a set of monitors that are best for DJing or making music, because the DM series speakers are perfect for both. Just flip the switch to choose either DJ mode or Production mode and the DSP settings will be optimized for the task, leaving you free to concentrate on your mix. Easy to Use with Different DJ or Production Equipment With RCA and mini jack terminals you can connect different kinds of gear such as DJ controllers and mixers, or the laptop or soundcard you use. Connecting your headphones is simple via the socket on the front panel and the level knob is right in front of you too.

Inženjeri zvuka žele da budu sigurni da će se njihovi miksevi "čitati" dobro na svim tipovima sistema, pa je zato u paketu i standby pedala, na čiji pritisak se kontroliše bas (on/off) to jest odlučuje o prisustvu ekstenzije u miksu ili ne. FC10S takođe ima dva ugrađena EQ-podešavanja koja pružaju - u zavisnosti od muzike - različite vrste odziva: konvencionalniju, "flat" responzivnost, kao i "punch" režim koji je savršen za dens i druge žanrove sa izraženim srednjim bas opsegom. Za dodatnu fleksibilnost, tu je i varijabilni fejzer (phase adjustment) za fina podešavanja optimalne sinhronizacije između levog i desnog monitora (0-180°), varijabilna kontrola low pass crossover filtera (50-200Hz) i high pass filter (80Hz, putem pedale) za satelitske konekcije. Details 200 Watts of class D power with switching power supply 10-inch composite paper cone with high temperature voice coil and damped rubber surround Active subwoofer Ground lift switch Bass-reflex vent port on front baffle for ease of placement Amplifier standby function to conserve energy XLR balanced and 1/4” balanced/unbalanced inputs and RCA inputs XLR balanced and 1/4” balanced/unbalanced outputs Variable lowpass filter control: 50Hz-200Hz Variable Phase control: 0 - 180° Switch for both “Flat” and “Punchy” settings 80 Hz highpass filter (with foot switch) for satellite connections Included footswitch allows you to turn FC10S on and off for auditioning with bass and without Specifications frequency response: 20-200Hz total amplifier power: 200 watts signal-to noise: > 100dB (typical A-weighted) polarity: positive signal at + input produces outward LF cone displacement input impedance: 20k ohms balanced, 10k ohms unbalanced input sensitivity: 85mV pink noise input produces 100dBA output SPL at one meter with volume control at maximum power: factory programmed for either 100-120V ~60Hz, 220-240V ~50Hz protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external main fuse cabinet: vinyl-laminated, high acoustic efficient MDF size: 15.25” x 12.5” x 15.5”, 387 x 317 x 394mm Weight: 22.5 lbs / 10.2 kg

The 6301N series are identical in size to the previous version, allowing easy swap out and use where the original model has been used. Spec 20W D-class power amplifier for higher output level and less power consumption with no heat sink Dedicated 4-inch full range driver for clear audio reproduction Flat panel design to avoid inadvertent power-off or level change Auto Stand-by mode (compliant to ErP directive) for energy saving All Models: Connector: 1/4" TS Phone (unbalanced) Power supply Mains RechargeableVoltage (v)240 Active/Passive Active Inputs1.4" TS jack Woofer Size /Type4"

Koaksijalni drajver U središtu niskotonca ugrađeni je 25-milimetarski kupolasti visokotonac u koaksijalnoj konfiguraciji. Korišćenje ove tehnologije (jedinstvene u svom cenovnom rangu) čini ga „point source“ uređajem, što znači da će zvuk poticati iz jedne tačke - a ne tačaka koje su udaljene na 10’’. To je ključno za poboljšanje odziva van ose, ali i omogućava kompaktniju zvučnu kutiju. DIP prekidači za graničnu kompenzaciju Ponekad prostori u kojima miksujemo nemaju najbolju akustiku (posebno ako ste u kućnom studiju). Monitori serije FX opremljeni su EQ prekidačima za granične kontrole, koji vam omogućavaju da nadoknadite prostore koji možda nisu bili „podešeni“ ili ih je potrebno samo podesiti zbog blizine zida iza njih. Na zadnjem panelu je i vodič koji je prikladno štampan kako bi pokazao kako rade DIP prekidači i detaljnije objašnjenje u korisničkom uputstvu. D Klasa i DSP pojačanje Još jedno ažuriranje iz Fader serije je pojačanje klase D. Veća čista, pouzdana snaga, više hedruma i takođe samostalna moćna DSP integracija. Digitalno kontrolisan crossover čini svaki zvučnik doslednijim. Nova FX serija je zaista referentni monitor 21. veka za korišćenje kod kuće ili u bilo kojem studiju za snimanje. LED indikator na prednjoj pregradi LED svetlo na prednjem panelu nije samo indikator statusa, koji prikazuje da li je FX monitor uključen, ugašen ili na stendbaju, već takođe deluje i kao signal koji vam omogućava da pravilno podesite zvučnike prema uhu. Slot port na prednjoj strani Bas-refleks slot port podešava zvučnu kutiju kako bi se maksimizovala efikasnost bas izlaza iz zvučnika. Postavljen je na prednju ploču tako da ne samo da direktno zrači bas energijom prema slušaocu, već i zbog fleksibilnosti položaja u vašem studiju. Poboljšana zaštita mreže visokotonca FX dizajn je vrlo robustan. Kao takav, pruža izvanrednu zaštitu za sam zvučnik. Međutim, visokotoncu je potrebna i zaštita, zato smo dodali malu, čeličnu perforiranu rešetku da zaštitimo nežnu svilenu dijafragmu visokotonca. "Zvuk i dubina" Jedna je stvar postaviti visokokvalitetne drajvere za zvučnike u zvučnu kutiju sa pojačalom i da to nazovete odličnim zvučnikom. Ali za transparentni referentni monitor to je samo početak. Pažljivo osmišljen crossover dizajn i seanse slušanja preduzeti su da optimizuju ne samo ravan frekventni odziv na osi, već i dubinu zvučne slike koja je postala zaštitni znak Fluid Audio monitora. Ovo osigurava da vaš miks ne samo da zvuči sjajno na vašim FX zvučnicima, već će se preneti i na sisteme zvučnika i izvan studija. Specifikacije Frekventni odziv: 49Hz – 22KHz (+/- 3db) Crossover frekvencija: 2.9KHz Snaga pojačala niske frekvencije: 50 W Snaga pojačala visoke frekvencije: 40 W Signal-šum: 89dB (tipični A-weighted) Polaritet: Pozitivni signal na + ulazu pomera spoljnu nisku frekvenciju Ulazna impedansa: 20 k oma balansirana, 10 k oma nebalansirana Ulazna osetljivost: 85 mV pink šum ulaz proizvodi TBD dB izlaz 89dBA @ od jednog metra sa jačinom zvuka na maksimumu Snaga: 100V - 240V~50/60 Hz Zaštita: RF smetnje, ograničavanje izlazne struje, prekomerna temperatura, prolazni režim uključivanja / isključivanja, podzvučni filter, spoljni mrežni osigurač Zvučna kutija: vinil laminirani medijapan Veličina (jedan monitor): 9.21*6.93*9.0 / 234mm x 176mm x 230mm Težina (svaki): 8.15lbs / 3.8kg