The pair consists of one passive speaker and one powered speaker that connect with an included speaker cable. Each monitor incorporates a custom-tuned rear port to smoothly extend the low end, and a specially designed waveguide for clarity and proper dispersion of high frequencies. With plenty of I/O provided, the CR3-X can accept a feed from your audio interface, computer soundcard, or mobile device, while pumping out your mix to the drivers or your favorite headphones. The CR3-X features a download for ProTools | First and The Musician's Collection plug-in package including 23 high-quality plug-ins with BBD Delay, Eleven Lite, the 304E EQ, and the 304C Compressor. General Features For recording, mixing, sound design, gaming, and casual listening All-wood cabinet with a brushed-metal front panel 3.5mm, RCA, and 1/4" inputs accommodate balanced or unbalanced stereo line-level signal from your audio interface, mixer, soundcard, or mobile device Front-panel 3.5mm headphone port auto-defeats speaker output 50W of amplification drives the 3" polypropylene-coated woofers and 0.75" ferrofluid-cooled silk-dome tweeters Speaker placement switch lets you choose which side to use for the on/off/volume control Includes a 3.5mm to stereo RCA cable for connecting your computer to the speakers, a standard 3.5mm cable to plug in your smartphone, and a speaker cable to connect the left and right monitors Avid Pro Tools | First and Other Included Software Avid Pro Tools has been an industry standard in studios and homes for decades. Pro Tools | First (available for macOS and Windows operating systems) is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios, collaborate online with anyone anywhere, and create at the speed of your imagination. In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects White Boost: Boost gain without coloring tone

Application Active Recording / Mixdown Monitors Engineering Objective The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Cabinet Design The original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base. Driver Design The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. Amplifier Design We designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps. Specifications System Type: Active (Self-powered) shielded full-range stereo pair Frequency Response: 90Hz - 17,000Hz (useful musical range) Impendance: Nominal 8 ohms Max SPL: 104db @ 1 meter = 1%THD (PINK NOISE) Amplifier Type: Class A/B Amplifier Power: 60 watts RMS@ .005% THD (1KHz) Amp Frequency Response: 22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB) Noise: S/N -113 dB Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL Driver: Proprietary design 5.25" cast aluminum frame / paper cone / shielded Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced Weight: 7.13lbs (per monitor) Dimensions: 6.5" x 6.5" x 6.5" Features Balanced Input: This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded. System Gain: This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks. On/Off Switch: This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however. AC Input: This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC/MAINS operating voltage for your location. Ground Lift Switch: By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal. Placement: When positioning the Avantone Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.

The MR824 is equipped with matched amps and drivers for an optimized 85W Class-AB biamplified system. The speaker can also be optimized to your mixing environment with the adjustable acoustic space filters designed to maintain a flat response in typical placement configurations. Additionally, a high-frequency filter applies a boost or cut to compensate for particularly bright or dull sounding rooms. The MR824 has been designed with flexibility in mind, featuring XLR, TRS, and RCA monitor inputs. The speaker has been housed in an all-wood cabinet that has been treated with acoustic absorption material for a tighter response. Additionally, the MRS10 studio subwoofer can be added for a more powerful, extended low end. The MR824 features a download for ProTools | First software and The Musician Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer's serial number on the website. Features Designed for superior mix translation and accuracy for professional results in any studio Equipped with Mackie’s proven logarithmic waveguide design Ultrawide dispersion for enhanced stereo imaging and listening sweet spot Precise acoustic alignment offers incredibly balanced sound across the entire frequency spectrum 1” silk dome tweeter provides fast transient response for detailed high end and vocal clarity 8” polypropylene woofer delivers responsive, dynamic low frequency response 85-watts of biamplified Class-AB amplification Frequency response: 35 Hz – 20 kHz Optimize MR monitors for your mixing environment Adjustable acoustic space filters maintain flat response in typical placement configurations HF filter applies boost or cut to compensate for particularly dull- or bright-sounding rooms Professional all-wood cabinet design built to last and look great in any studio Custom designed internal bracing adds stiffness for reduced distortion and enhanced low-frequency response Flexible inputs for simple connection to almost any audio source Acoustically optimized with sound-tightening acoustic absorption material Add the optional MRS10 studio subwoofer for powerful, deep low-frequency extension, well suited for electronic music, hip-hop and more Professional Production Content Included Software from Avid, including Pro Tools | First An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems. In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects White Boost: Boost gain without coloring tone

Tech Talk With the SC207, you will get an extended bass frequency response (down to 44 Hz), courtesy of our 6.5" SilverCone honeycomb structured woofer and driven by a sophisticated low distortioncopper cap magnet system with our 1.5" voice coil. The result is a very tight and dynamic bass, along with the usual greater linear excursion. A PWM amplifier, with protection-limiting and capable of delivering a short-term output power of 100W, guarantees that the SC207 will never run out of juice. And with a maximum output level of 106 dB (SPL @ 1m), you can be sure that there is plenty of power to make critical and precise judgements over your mixes. The SC207 is also the first EVE model monitor that uses our proprietary AMT (Air Motion Transformer) RS2. That means it can deliver a higher output level that is due to a bigger magnet system inside. As with every other EVE Audio speaker, you get both balanced XLR inputs and unbalanced RCA inputs for greater convenience. DSP With every EVE Audio speaker, you also get high resolution DSP electronics. One push knob operation and you will have access to accurate volume control and several different filter settings that will help you tailor your monitors to the way you work. And if you always avoid digital processing, we've got you covered. The DSP engine is supported with a high quality A/D converter (24bit/192kHz) from Burr-Brown, which delivers a pristine signal to the DSP section. And since the PWM amplifiers are directly connected to the DSP, no additional conversion is necessary. Please visit our DSP page to learn more about our DSP philosophy. Bass Port Design It's all in the geometry. One of the downside effects of port compression is bass distortion. As you turn up the volume, the efficiency of the port reduces and distortion will increase. We opted for a large rear rectangular port with no hard edges for our bass port designs. That's one of the reasons EVE monitors have a high efficiency on the lower frequencies. The results? High sound pressures with tight and punchy bass frequencies that don't cause port distortion. Crank up the volume, and EVE will deliver a round bass. And with no holes to look at every time you glance at your speakers. Measurements Freq. response Polar pattern Distortion Product SC207 Description 2-way System Dimensions (WxHxD) [mm] 215 x 330 x 280 Dimensions (WxHxD) ["] 8.46 x 12.99 x 11.02 Free-field frequency range (-3dB) 44Hz - 21kHz Tweeter AMT RS2 Mid-Woofer 165mm/6.5" Cross-over frequency 2800Hz Maximum SPL @ 1m 106dB Number of amplifiers 2 Output power (woofer) 100W Output power (tweeter) 50W Protection limiter Settings Volume -inf. - +6dB High-shelf filter (-5dB - +3dB) > 3kHz Desk filter boost (0dB - +3dB) 80Hz Desk filter cut (-5dB - 0dB) 170Hz Low-shelf filter (-5dB - +3dB) < 300Hz LED brightness setting Level-lock dip switch Filter-lock dip switch Connectors XLR in (impedance) (10k) RCA in (impedance) (10k) Power consumption Standby < 1W Full output 120VA Misc. Weight kg/lb. 8 / 17.6

CR4-XBT sastoji se od jednog pasivnog i jednog aktivnog zvučnika, sa kablom za povezivanje. Svaki od monitora sadrži podesivi port sa zadnje strane za glatku nadogradnju niskog opsega tonova i specijalno dizajnirani waveguide za jasnoću i vrhunsku disperziju u višim registrima. Povežite kablom vaš audio interfejs ili zvučnu kartu računara, kao i bežičnim putem – strim sa mobilnog urežaja, putem Bluetooth konekcije. Besplatno preuzimanje Avid-ovog ProTools | First softvera (pouzdani, profesionalni industrijski standard) i plag-in paketa Musician's Collection Drvene kutije sa prednjim panelima od brušenog metala RCA Kabl (3.5mm-to-stereo) za povezivanje zvučnika sa računarom, kao i kabl za međusobno povezivanje (levog i desnog) monitora Ekskluzivni Mackie Musician Collection, sa 23 dostupna plug-in-a: Avid 304E EQ, Avid 304C Compressor, BBD Delay, Black Op Distortion, Black Shiny Wah, Black Spring Reverb, C1 Chorus, DC Distortion, Eleven Lite, Flanger, Graphic EQ, Gray Compressor, Green JRC Overdrive, In-Tune, Orange Phaser, Roto Speaker, Sci-Fi, Studio Reverb, Tape Echo, Tri Knob Fuzz, Vari-Fi, Vibe Phaser, White Boost Tip monitora: aktrivni dvosistemski, bas-refleks Snaga: 50 W (Peak), Klasa pojačala: D Drajveri: Niskotonac - 1 x 4-inčni polipropilenski kupasti drajver (10.16 cm), Visokotonac: 1 x 0.75“-ni svileni kupolasti drajver (1.91 cm) Frekvencijski opseg: 60 Hz - 20 Khz: -10 dB, 65 Hz - 20 Khz: -3 dB Maksimalni nivo zvučnog pritiska: 100 dB (SPL) Procesovanje signala – crossover: 3 kHz Audio I/O: 2 x 1/4"-ni TRS ženski analogni ulazi (balansirani/nebalansirani), 1 x 2RCA (dupli) nebalansirani ženski analogni ulaz; 2 x žabica (push terminal) nebalansirani ženski analogni izlaz, 1 x 1/8" / 3.5 mm TRS ženski nebalansirani analogni izlaz Snaga: 100 to 240 VAC, 50/60 Hz; Potrošnja el. Energije: 60 W Dimenzije: 155 x 226 x 211 mm (svaki), Težina: 4.6 kg (oba)

The pair consists of one passive speaker and one powered speaker that connect with an included speaker cable. Each monitor incorporates a custom-tuned rear port to smoothly extend the low end and a specially designed waveguide for clarity and proper dispersion of high frequencies. With plenty of I/O provided, the CR8-XBT can accept either a wired connection from your audio interface or computer soundcard or a wireless stream via Bluetooth from your mobile device. Either way, your music can be pumped out to the drivers or your favorite headphones. The CR8-XBT features a download for ProTools | First and The Musician's Collection plug-in package including 23 high-quality plug-ins with BBD Delay, Eleven Lite, the 304E EQ, and the 304C Compressor. General Features For recording, mixing, sound design, gaming, and casual listening All-wood cabinet with a brushed-metal front panel Built-in Bluetooth receiver enables wireless music streaming from your smartphone, tablet, or Bluetooth-enabled computer 3.5mm, RCA, and 1/4" inputs accommodate balanced or unbalanced stereo line-level signal from your audio interface, mixer, soundcard, or mobile device Front-panel 3.5mm headphone port auto-defeats speaker output 160W of amplification drive the 8" polypropylene-coated woofers and 0.75" ferrofluid-cooled, silk-dome tweeters Speaker placement switch lets you choose which side to use for the on/off/volume control Includes a 3.5mm to stereo RCA cable for connecting your computer to the speakers, a standard 3.5mm cable to plug in your smartphone, and a speaker cable to connect the left and right monitors Included monitor isolation pads minimize boomy bass buildup and provide up/down tilt control for more focused listening Avid Pro Tools | First and Other Included Software Avid Pro Tools has been an industry standard in studios and homes for decades. Pro Tools | First (available for macOS and Windows operating systems) is easy enough for beginners, yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios, collaborate online with anyone, anywhere, and create at the speed of your imagination. In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tuner Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri-Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effects White Boost: Boost gain without coloring tone Studio Monitor Monitor Type Active 2-Way Enclosure Bass-Reflex Power Rating 160 W Peak Drivers LF Driver: 1 x 8" / 20.32 cm Polypropylene Cone HF Driver: 1 x 0.75" / 1.91 cm Silk Dome Amplification 1 x Full-Range Amplifier: Class-D160 W Peak Performance Frequency Range 40 Hz to 20 kHz (at -10 dB) 47 Hz to 20 kHz (at -3 dB) Maximum Sound Pressure Level (SPL) 108 dB Phase Adjustment None Signal Processing EQ None Filters None Parametric EQ None Crossover Crossover Frequency 2 kHz Connectivity Audio I/O 2 x 1/4" TRS Balanced/Unbalanced Female Analog Input 1 x 2RCA Unbalanced Female Analog Input 1 x 1/8" / 3.5 mm TRS Unbalanced Female Analog Input 2 x Push Terminal Unbalanced Female Analog Output 1 x 1/8" / 3.5 mm TRS Unbalanced Female Analog Output Power AC Input Power 100 to 240 VAC, 50/60 Hz Power Consumption 150 W Environmental Operating Temperature 32 to 104°F / 0 to 40°C General Enclosure Material MDF Mounting Points None Dimensions (W x H x D) 9.9 x 14.8 x 13.6" / 25.1 x 37.6 x 34.5 cm Weight 35.2 lb / 16.0 kg Packaging Info Package Weight 43.1 lb Box Dimensions (LxWxH) 25.4 x 19 x 16.8"

EVE Audiov visokotonac Air Motion Transformer RS3 kombinovan sa specijalno dizajniranim 4-inčnim drajverom srednjetoncem daju monitorima SC3070 preciznu transmisiju visokih i srednjih frekvencija bez 'umaranja'. Sedmoinčni drajver vufera zaokružuje ukupnu zvučnu sliku snažnim i tačnim nižim tonskim opsegom. Digitalno elektronsko procesuiranje zvuka (DSP) najviše rezolucije, filterovanje bez kašnjenja/latencije Visoko kvalitetni konverter analognog u digitalni signal – BurrBrown (24bit/192kHz) Rotirajući prekidač/potenciometar na prednjem panelu (sa LED prstenom) kontroliše jačinu tona ali i podešavanja filtera za varijabilnost prostornog položaja (low shelf, mid EQ & high shelf filteri) Frekvencijski opseg (slobodnog polja, -3 dB): 35 Hz – 25 kHz Cross-over frekvencija: 320 Hz/2800 Hz Maksimalni nivo zvučnog pritiska (SPL) po paru: 120 dB Izlazna snaga (woofer): 185 W, srednjetonac: 100 W, visoki: 50 W; ukupna izlazna snaga 320 W High-shelf filter (-5dB - +3dB): > 3kHz, Mid EQ (-3dB - +3dB): 1kHz Desk filter boost (0 dB - +3 dB): 80 Hz, Desk filter cut (-5dB - 0dB): 160 Hz, Low-shelf filter (-5dB - +3dB): < 300Hz Konektori: XLR ulazni (impedanse 10 , RCA ulazni (impedanse 10k) Potrošnja energije: u Standby-u: < 1W, pune radne snage: 220 VA Dimenzije: 340 x 250 x 310 mm, Težina: 9.8 kg

KLJUČNE KARAKTERISTIKE Neutralnost u celom zvučnom spektru Odlična dinamika za veoma nisku distorziju 8” (21 cm) vufer od slatefiber membrane Veliki laminarni otvor Identičan tonski balans i pri niskoj i visokoj jačini zvuka Povežite do 3 audio izvora Otvori za pričvršćivanje na zid i plafon Automatski (isključivi) stand-by režim Zaštitne rešetke uključene u pakovanje Specifikacije Frekvencijski odziv (+/- 3dB): 38Hz - 22kHz Maksimalni SPL: 106dB SPL (peak @ 1m) Ulazi TRS: simetrični 10kOma Konektori XLR: simetrični 10kOma RCA: asimetrično 10 kOma sa kompenzovanom osetljivošću Pojačalo srednje i niske frekvencije: 80 W Pojačalo visoke frekvencije: 35 W Automatski stand by režim: posle oko 15 minuta bez upotrebe, detekcijom signala >6mV Napajanje: 100 - 240V~(T2AL osigurač/250V) Priključak: IEC utičnica i odvojivi kabl za napajanje Osetljivost: Podesiva, 0 ili +6dB Nivo srednjih tonova/basa (0 - 250Hz): Podesivo, +/-6dB Nivo visokih tonova (4,5 - 35 kHz): Podesiv, +/-3dB Prekidač za uključivanje/isključivanje na zadnjoj strani Potrošnja u stand by režimu: <0,5 Wa Prikazi i kontrole: LED dioda za uključivanje i isključivanje - LED dioda u stand by režimu Vufer: od 8" (20 cm) konus od slatefibera Visokotonac: 25 mm (1") sa aluminijumskom inverznom kalotom Konstrukcija: medijapan od 0,6" (15mm), završni sloj - crni vinil i boja Dimenzije, sa 4 gumene noge (VxŠxD): 390 x 296 x 330mm Težina: 9,8 kg

KLJUČNE KARAKTERISTIKE Izuzetna dinamika Široka zvučna disperzija, ravnomeran ton u celoj prostoriji 5"-ni (13 cm) Slatefiber kupasti woofer Veliki laminarni otvor Identičan tonski balans i pri manjoj i pri velikoj glasnoći Detaljni miksevi Spojite do 3 izvora zvuka Žljebovi za pričvršćivanje na zid i plafon Automatsko isključivanje u stand by režimu Zaštitne rešetke uključene u paket Tehničke specifikacije Frekvencijski odziv (+/-3 dB): 45Hz - 22kHz Maksimalni SPL: 101dB SPL (peak @ 1m) Ulazni konektori TRS: simetrični 10kΩ XLR: simetrični 10kΩ RCA: asimetrični 10kΩ sa kompenzovanom osetljivošću Pojačalo srednje i niske frekvencije: 35W Pojačalo visoke frekvencije: 25W Automatski stand by režim: Nakon oko 15 minuta mirovanja detekcijom signala >6m Napajanje: 100 - 240V ~ (T2AL osigurač / 250V) Priključna IEC utičnica i odvojivi kabl za napajanje Osetljivost: Podesiva, 0 ili + 6dB Nivo srednjeg / niskog tona (0 - 250Hz): Podesiv, +/- 6dB Nivo visokih tonova (4,5 - 35 kHz): Podesiva, +/- 3dB Prekidač za uključivanje / isključivanje napajanja na zadnjoj ploči Potrošnja u stand by režimu: <0,5 W Prikazi i kontrole: LED za uključivanje i isključivanje - LED u stand by režimu Vufer: 5" (13 cm) konusni Slatefiber Visokotonac: 25 mm (1") sa aluminijski obrnutom kalotom Konstrukcija: 0,6 "(15 mm) završni sloj od medijapana, crni vinil i boja Dimenzije sa 4 gumene noge (VxŠxD): 310 x 228 x 239mm) Težina: 5,95 kg

Visokotonac sa veoma niskom usmerivošću za fleksibilno pozicioniranje za slušanje. Monitor dizajniran bez porta, ali sa dvostrukim pasivnim radijatorom - koji omogućava postavljanje zvučnika blizu zida. Brojna podešavanja za optimalnu integraciju. Precizna kontrola, čak i pri veoma visokim frekvencijama. Mehanizmi za kačenje nalaze se na zadnjoj strani i ispod zvučnika: za instaliranje na stolu, postolje za mikrofon, za kačenje na plafon ili zid, (oprema za kačenje nije obezbeđena). Prednosti obrnute kupole 'M' oblika – 1) Usmerivost manja čak i od one kod invertiranog kupolastog visokotonca, što daje veću fleksibilnost u pogledu pozicija za slušanje. 2) Kada je reč o mehaničkom aspektu, oblik slova 'M' daje kupoli veću čvrstinu, dok smanjuje distorziju u još većoj meri. Laneni konusni sendvič: kontrolisan i dobro definisan bas, prirodni i detaljan srednji opseg. Nakon više od pet godina istraživanja i razvoja, inženjeri u Focalu otkrivaju 2013. godine novi konus napravljen od visokokvalitetnih lanenih vlakana. F-konuse karakteriše njihov prirodni zvuk, niske koloracije, bogatstvo reprodukcije u registru srednjeg opsega i njihov čvršći bas. F-konusi zadovoljavaju ključne kriterijume dijafragme visokih performansi: visoko unutarnje prigušivanje, veliku brzinu zvuka i veoma savitljivu čvrstinu. Sendvič tehnologija u velikoj meri utiče na neutralnost zvuka koji proizvodi konus, što predstavlja nešto što je oduvek bilo obeležje Focala. Lan je dva puta lakši od staklene vune, jer je vlakno šuplje. Takođe je veoma male elastičnosti što ga čini idealnim za povećanje savitljive čvrstine sendvič strukture. Pritom, može se dobiti u netkanim snopovima značajnog prečnika i na taj način može proizvesti debljinu koju zahteva sendvič. Lanena vlakna imaju odlično unutarnje prigušenje istog reda kao čaša, Kevlar® vlakna ili aluminijum. Francuska je vodeća zemlja Evrope kada je reč o proizvodnji lanenih vlakana, a koja je naročito razvijena u Flandriji, Pikardiji, Normandji i regiji Pa de Kale. Francuski lan smatra se najboljim u Evropi. Poron® suspenzija omogućava linearniju krivulju frekventnog odziva ispod 6kHz, unapređujući skretnicu niskotonca. N.I.C. tehnologija neutralne induktivnosti - NEUTRAL INDUCTANCE CIRCUIT je, nakon tri godine istraživanja i razvoja donela inovativna rešenja za uobičajene nestabilnosti magnetnog polja: Lencov zakon, Fukoove struje i frekvenciju (...) čime se dobilo na još višoj definiciji zvuka. NIC tehnologija zasnovana je na Faradejevom kavezu čije su dimenzije, materijali i pozicioniranje optimizovani kako bi onemogućili da magnetno polje bude pogođeno pozicijom kalema za zvučnik, amperažom ili frekvencijom struje koja prolazi kroz njega. TMD – usklađen maseni prigušivač: Registar srednjeg opsega bez sumnje je najkomplikovaniji za kontrolu u zvučnom sistemu. Sa jedne strane mora da postoji nesmetan prelaz sa basom. Sa druge strane, mora da funkcioniše usmerenje ka visokotoncu, u smislu disperzije i ubrzanja. To određuje homogenost boje glasa i zvučnu trodimezionalnost prostora. „Podešen maseni prigušivač“ je tehnološka inovacija koja čini da dodatna masa koja oscilira u suprotnosti sa frekvencijom rezonance kontroliše stvar(i). Primenjeno na drajver za zvučnik, rešenje se sastoji u samo dva cevasta prstena na suspenziji, čije su dimenzije i položaj precizno utvrđeni. Oni čine podešen maseni prigušivač (TMD) i stabilizuju dinamično ponašanje okruženja u skladu sa rezonancom, čime se izbegava deformisanje konusa bez uticaja na dinamiku. Ova Focal-ova inovacija je patentirana. Nakon otkrića ovih problerma, morali smo da osmislimo opremu kako bi ih rešili. Rešenja koja su već poznata po povećanju broja svojstava suspenzije, rezultat su povećanja maseni koja se, shodno tome, menja. Odgovor je došao iz tehnologije koja se koristi kod solitera otpornih na zemljotres i koji se takođe koristi za suspenziju na trkačkih kolima! Ova tehnologija se zove "podešen maseni prigušivač": dodatna masa koja oscilira u suprotnosti sa frekvencijom rezonance koja je kontroliše. Specifications System - Frequency response (+/- 3dB): 40Hz - 35kHz Maximum SPL (of musical signals): 110.5dB SPL (peak at @ 1m) Electronics - Inputs / Impedance Type: XLR: balanced 10 kOhms RCA connectors: unbalanced 10 kOhms with sensitivity compensation Mid-range and low frequency amplifier: 2 x 80W, class AB High frequency amplifier: 50W, class AB Automatic standby Off: Approximately 30 minutes with no signal Deactivate standby: Signal detection > 3mV Power supply - Voltage: 220-240V (fuse T2AL / 250V) or 100-120V (fuse T3.15AL / 250V) Connexion: IEC connector and detachable power cable Settings - High-pass filter: Adjustable Full range 45/60/90Hz Bass level (0 - 250Hz): Adjustable, +/-6 dB Midrange/bass (160 Hz, Q=1): Adjustable, +/-3 dB Treble level (4.5 - 35kHz): Adjustable, +/-3 dB Power on/off: On/off switch on rear panel Power consumption in standby: < 0.5W Displays and controls: LED for power on/off and standby Transducers - Woofers: 2 x 5" (13cm) Flax Cone woofers Tweeter: 1" (25mm) 'M'-shaped Aluminum/Magnesium Cabinet - Construction: 0.6" (15mm) MDF Finish: Vinyl, real walnut and black paint Dimensions including 4 rubber feet (HxLxD): 478 x 211 x 279mm Weight: 11kg Recommended mounting kits - Wall mounting kit: K&M® 24471 + K&M® 24359 adapter Ceiling mounting kit: K&M® 24496 + K&M® 24359 adapter

Highlights BMR driver technology for immersive room-filling sound Capacitive-touch volume and mute controls Compact design takes up minimal desk space Three inputs: USB-C, 3.5mm, and Bluetooth 5.0 Subwoofer output with jack detection Subwoofer crossover mode Headphone output Hearing Is Believing Tired of small speakers that sound small? Mackie is too. They decided it was time to change that starting with the CR2-X Cube. These beauties utilize innovative BMR driver technology that delivers crystal-clear and ultrawide room-filling sound possible. Gamers that want full immersion with a level of detail that reveals every shot, footstep, and distant explosion should look no further. How about music? The CR2-X Cube speakers deliver incredible spatial accuracy and imaging, which means vocals will sound right in front of you, guitars will have depth and dimension, and everything else will claim a distinct spot in the listening area. BMR Driver Technology The BMR (Balanced Mode Radiator) drivers make it possible to deliver clear and immersive sound from a stealthy, compact enclosure. This innovative flat-disc design eliminates the need for a separate high-frequency driver and crossover while also removing any boxy megaphone effects common with traditional speaker cones. Despite their small size, you will experience room-filling dispersion, lifelike stereo imaging, and rich full-range sound normally reserved for much larger speakers. Sleek Control Along the base of the main speaker is an integrated touch bar that allows easy and elegant control over volume. And just to the right, a convenient source button allows you to quickly switch between Bluetooth 5.0, 3.5mm analog, or USB. Mackie CR2-X Cube Specs Speaker System Channel Configuration 2-Channel Speaker Configuration Full-Range Amplifier Power Rating 60 W Peak Drivers 1 x 3.25" / 82.55 mm Tweeter (per Speaker) Enclosure Type Sealed Frequency Response 58 Hz to 20 kHz (-10 dB) Wired I/O 1 x 1/8" / 3.5 mm Output (Subwoofer) 1 x 1/8" / 3.5 mm Output (Headphone) 1 x 1/8" / 3.5 mm Input (Audio) 1 x USB-C Input (Audio) 2 x RCA Input (Audio) 2 x RCA Output (Audio) Amplifier Class Class-D SPL 103 dB SNR (Signal-to-Noise Ratio) 90 dB Controls Bluetooth Pairing, Mute, Power, Volume Wireless Connectivity Wireless Connection Protocols Bluetooth Bluetooth 5.0 Power AC Input Power 100 to 240 VAC, 50 / 60 Hz DC Input Power 24 VDC at 2.7 A Compatibility Supported Sample Rates Up to 48 kHz / 16-Bit Physical Placement & Mounting Options Tabletop/Bookshelf Operating Temperature 32 to 113°F / 0 to 45°C Dimensions Each Speaker: 4.7 x 6.4 x 6" / 11.9 x 16.3 x 15.2 cm Weight 6.3 lb / 2.9 kg

Free field frequency response ±3 dB: 44 Hz ... 21 kHz Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu): <20 dB(A) SPL Max. SPL calc. in half space at 3% THD at 1 m (averaged between 100 Hz and 6 kHz): 116.8 dB SPL Acoustical Principle: Bassreflex, Ports at the front Analog input(s): XLR: analog electronically balanced Analog input impedance: 24k Ohms Digital input(s): KH 120 II / KH 120 II W: RCA (75 Ω): S/PDIF KH 120 II AES67 / KH 120 II W AES67: RCA (75 Ω): S/PDIF, Ethernet Input gain control (sensitivity): 0 dB ... -15 dB Output level control (output level in 1 m based on 0 dBu input level): 94; 100; 108; 114 dB SPL Equalization: Bass: 0; -2; -4; -6 dB Equalization: Low-Mid: 0; -2; -4; -6 dB Equalization: Treble: +1; 0; -1; -2 dB Control: Local; Network Crossover frequency: 1.7 kHz FIR phase correction: Linear phase (120 Hz ... 16 kHz; +/- 45°) Protection circuitry: Independent soft clip, peak and thermo limiters for woofer and tweeter; Woofer excursion limiter; thermo limiter for the electronics and amplifiers AES67 Audio-over-IP Interface: KH 120 II AES67 / KH 120 II W AES67: Fully redundant AES67 ST2110 compliant audio network interface; 2 Fast Ethernet: 100Base-TX (IEEE 802.3) RJ-45 connectors; Physical redundant network (ST 2022-7) AES67 Audio-over-IP input: word length: KH 120 II AES67 / KH 120 II W AES67: 24 bits AES67 Audio-over-IP input sampling rate: KH 120 II AES67 / KH 120 II W AES67: 44.1 / 48 / 88.2 / 96 kHz AES67 Audio-over-IP input connection mana: gement KH 120 II AES67 / KH 120 II W AES67: RAVENNA, NMOS IS-04 (Discovery & Registration) and NMOS IS-05 (Connection Management) Output power woofer amplifier (THD+N with limiter deactivated: 10%): 145 W Output power tweeter amplifier (THD+N with limiter deactivated: 10%): 100 W Woofer KH 120 II / KH 120 II AES67: 130 mm (5.25") with protecting metal grille, black KH 120 II W; KH 120 II W AES67: 130 mm (5.25") with protecting metal grille, white Tweeter KH 120 II / KH 120 II AES67: 25 mm (1") with protecting metal grille, black KH 120 II W; KH 120 II W AES67: 25 mm (1") with protecting metal grille, white Product dimensions (height x width x depth): 287 x 182 x 227 mm (11.3 " x 7.16 " x 8.94") Product weight: 5.4 kg (11 lbs 14 oz)

Free field frequency response ±6 dB: 36 Hz ... 21 kHz Free field frequency response ±3 dB: 39 Hz ... 20.4 kHz Pass band free field frequency response: 42 Hz … 20 kHz, ±1.25 dB Free field frequency linearity deviation between 100 Hz and 10 kHz: ±0.8 dB Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu): <20 dB(A) SPL Sine wave output with a THD < 0.5 % at 1 m in half space: 95 dB SPL (>75 Hz) Max. SPL calc. in half space at 3% THD at 1m (averaged between 100 Hz and 6 kHz): 118.7 dB SPL Max. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz): 112.7 dB SPL Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz): 107.5 dB SPL Max. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions: 108 dB(C) SPL Max. short term SPL with music material at 2.3 m in typical listening conditions (pair / full range): 100 dB(C) SPL Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair with subwoofer): 106 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range): 88 / 94 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair with subwoofer): 88 / 94 dB(C) SPL Dolby D.A.R.D.T. Max SPL fullrange: 114 dB Dolby D.A.R.D.T. Max SPL bass managed: 120 dB Recommended Listening Distance: 1.0 … 2.5 m; (3'… 8') Feasible Listening Distance: 0.75 … 6.0 m; (2'6"… 18') Acoustic principle: Bassreflex, Ports at the front Analog input(s): XLR: analog electronically balanced Analog input impedance: 24 kOhms Max. input level: +24 dBu for 94 dB SPL setting; +14 dBu for 100 dB SPL setting; +9 dBu for 108 dB SPL setting; -1 dBu for 114 dB SPL setting Common mode rejection ratio (CMRR): >56 dB @ 15kHz Volume control: via MA 1 software Volume control range; resolution: 0 … -∞ dB; 0.1 dB Analog dynamic range; THD+N: 118 dB, A-weighted, 90 dB Signal routing modes: analog, S/PDIF L, S/PDIF R, S/PDIF mono Digital input(s): RCA (75 Ω): S/PDIF Digital output(s): RCA (75 Ω): S/PDIF Max. Input: Level; pk-pk, unbalanced / balanced 1.2 V Digital converter: resolution; design: 24 Bit Digital converter: sampling rate: 32 kHz..200 kHz Digital internal sampling rate: 48 kHz Output sample rate: identical to input sample rate Latency ADA / DA: Analog Input: 2.6 ms; SPDIF Input: 2.1 ms Delay: User adjustable delay range: 0 … 120 ms Delay: Resolution: time; distance: 20.8 µs Delay: Max. frames Audio-video synchronisation (lip sync): 0 … 120 ms for TOF=0ms, depends on APP implementation Delay: Time-of-flight maximum distance: 0 … 120 ms for lipsync=0ms, depends on APP implementation Output level control (output level in 1 m based on 0 dBu input level): 94; 100; 108; 114 dB SPL Input gain control (sensitivity): 0 dB ... -15 dB Transport/storage conditions: -25° C to +60° C (-13° F to 140° F); <90% RH; non-condensing Equalization: Treble: +1; 0; -1; -2 dB Equalization: Low-Mid: 0; -2; -4; -6 dB Equalization: Bass: 0; -2; -4; -6 dB Input selector: Analog; S/PDIF L; S/PDIF R; Mono Ground Lift: Yes Control: Local; Network Mains Switch: Yes Mains Voltage Select: Universal Power Supply 100 V~ … 240 V~ Controller design: Digital; active Crossover frequency: 1700 Hz Crossover slope: 24 dB / octave Equalization: via Neumann.Control software: No FIR phase correction: Linear phase (105 Hz ... 16 kHz; +/- 45°) Protection circuitry: Independent soft clip, peak and thermo limiters for woofer and tweeter; Woofer excursion limiter; thermo limiter for the electronics and amplifiers Infrasonic filter: frequency; slope: 38 Hz; 12 dB / octave Remote control: MA 1 software via an RJ45 connector carrying standard IP data Display: On; Normal Operation: Neumann logo “White” Display: Identification: Neumann logo “Rosé” Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute: Neumann logo “Red” Logo Brightness: via MA 1 software Output power woofer amplifier (THD+N with limiter deactivated: 10%): 145 W Output power tweeter amplifier (THD+N with limiter deactivated: 10%): 100 W Output power woofer amplifier (THD+N with limiter deactivated: 0.1%): 120 W Output power tweeter amplifier (THD+N with limiter deactivated: 0.1%): 80 W Mains Power Supply: input voltage; frequency: 100-240 V; 50/60 Hz Power consumption (230 V / 100 V): Standby: 0.3 W Power consumption (230 V / 100 V): Idle: 15 W Power consumption (230 V / 100 V): Full output: 320 W In-rush current (Peak): 33 A Standby automatic, 90 mins (default); user: defined in software Cabinet material: Composite polycarbonate front and rear, wooden sleeve Cabinet surface finish; color (front / back): Painted; metallic anthracite (RAL 7021) / Black (RAL 9005) Operating conditions: +10° C to +40° C (+50° F to +104° F); <75% RH, non-condensing Woofer: 165 mm; (6.5") with protecting black metal grille Tweeter: 25 mm; (1") with protecting black metal grille Mounting points: 2 x M6 threaded inserts with 70 mm spacing on back panel; thread depth 15 mm; (5/8”) Product dimensions (height x width x depth): 345 x 225 x 273 mm; (13.58" x 8.86" x 10.75") Internal net volume: 12.6 l External net volume: 20.4 l Packed dimensions (height x width x depth), mm (inches): 480 x 303 x 403 mm; (18.9" x 11.9" x 15.9") Product weight: 8.0 kg; (17 lbs 10 oz) Packed weight: 9.4 kg; (20 lbs 12 oz) Packaging weight inc. Cables and manuals: 1.41 kg; (3 lbs) Packed cube: 0.059 m³; (2.08 ft³)

Free field frequency response ±6 dB: 41 Hz ... 21.4 kHz Free field frequency response ±3 dB: 44 Hz ... 21 kHz Pass band free field frequency response: 48 Hz … 20.5 kHz, ±1.25 dB Free field frequency linearity deviation: between 100 Hz and 10 kHz: ±0.7 dB "Reproduction accuracy between 100 Hz and 10 kHz: 100%, 80%, 50% of loudspeakers produced": ±0.45; ±0.30; ±0.17 dB Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu): <20 dB(A) SPL Sine wave output with a THD < 0.5 % at 1 m in half space: 95 dB SPL (>97 Hz) Max. SPL calc. in half space at 3% THD at 1m (averaged between 100 Hz and 6 kHz): 116.8 dB SPL Max. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz): 110.8 dB SPL Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz): 105.1 dB SPL Max. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions: 108 dB(C) SPL Max. short term SPL with music material at 2.3 m in typical listening conditions (pair / full range): 98 dB(C) SPL Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair with subwoofer): 104 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range): 88 / 93 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair with subwoofer): / 93 dB(C) SPL Dolby DARDT. Max SPL fullrange: 113 dB SPL Dolby DARDT. Max SPL bass managed: 119 dB SPL Recommended Listening Distance: 1.0 … 2.0 m; (3'… 6') Feasible Listening Distance: 0.75 … 4.0 m; (2'6"… 12') Acoustical Principle: Bassreflex, Ports at the front Analog input(s) XLR: analog electronically balanced Analog input impedance: 24k Ohms Max. input level: +24 dBu for 94 dB SPL setting; +14 dBu for 100 dB SPL setting; +9 dBu for 108 dB SPL setting; -1 dBu for 114 dB SPL setting Common mode rejection ratio (CMRR): >56 dB @ 15kHz Volume control: Volume control Volume control range; resolution: 0 … -∞ dB; 0.1 dB Analog dynamic range; THD+N (A-D-A): 118 dB, A-weighted, 90 dB Digital input(s): RCA (75 Ω): S/PDIF Digital output(s): RCA (75 Ω): S/PDIF Max. Digital Input Level; pk-pk, unbalanced / balanced: 1.2 V 1.2 V: 24 Bit 24 Bit: 32 kHz..200 kHz Dynamic range A-D: 121 dB(A) Dynamic range A-D-A (Converter): 118 dB(A) Dynamic range D-A: 121 dB(A) Digital sensitivity: -18 dBFS = 100 dB SPL at 1 m Latency ADA / DA: Analog Input,: 2.6 ms; SPDIF Input: 2.1 ms Delay: User adjustable delay range: 0 … 120 ms 0 … 120 ms: 20.8 µs Delay: Max. frames Audio-video synchronisation (lip sync): 0 … 120 ms for TOF=0ms, depends on APP implmentation Delay: Time-of-flight maximum distance: 0 … 120 ms for lipsync=0ms, depends on APP implmentation Input gain control (sensitivity): 0 dB ... -15 dB Output level control (output level in 1 m based on 0 dBu input level): 94; 100; 108; 114 dB SPL Equalization: Bass: 0; -2; -4; -6 dB Equalization: Low-Mid: 0; -2; -4; -6 dB Equalization: Treble: +1; 0; -1; -2 dB Input Select: Input Select Ground Lift: Yes Control: Local; Network Mains Switch: Yes Mains Voltage Select: -; Universal Power Supply 100 V~ … 240 V~ Controller design: Digital; active DSP resolution: 32 Bit Audio, Processing 64 Bit double precision Crossover frequency: 1700 Hz 1700: Hz 48 dB / octave FIR phase correction: Linear phase (120 Hz ... 16 kHz; +/- 45°) Protection circuitry: Independent soft clip, peak and thermo limiters for woofer and tweeter; Woofer excursion limiter; thermo limiter for the electronics and amplifiers Infrasonic filter: frequency; slope: 40 Hz; 12 dB / octave Remote control: MA 1 software via an RJ45 connector carrying standard IP data Display: On; Normal Operation: Neumann logo “White” Display: Identification Neumann logo “Rosé” Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute: Neumann logo “Red” Logo Brightness: via MA 1 software "Output power woofer amplifier (THD+N with limiter deactivated: 10%)": 145 W "Output power tweeter amplifier (THD+N with limiter deactivated: 10%)": 100 W "Output power woofer amplifier (THD+N with limiter deactivated: 0.1%)": 120 W "Output power tweeter amplifier (THD+N with limiter deactivated: 0.1%)": 80 W Mains Power Supply: input voltage; frequency: 100-240 V; 50/60 Hz Power consumption (230 V / 100 V): Standby: 0.3 W Power consumption (230 V / 100 V): Idle: 15 W Power consumption (230 V / 100 V): Full output: 320 W In-rush current (Peak) /230VAC): 33 A Cabinet material: Composite polycarbonate front and rear, wooden sleeve Cabinet surface finish; color (front / back): Painted; metallic anthracite (RAL 7021) / Black (RAL 9005) Operating conditions: +10° C to +40° C; (+50° F to +104° F); <75% RH, non-condensing Transport/storage conditions: -25° C to +60° C; (-13° F to 140° F); <90% RH; non-condensing Woofer: 130 mm; (5.25") with protecting black metal grille Tweeter: 25 mm; (1") with protecting black metal grille Mounting points: 2 x M6 threaded inserts with 70 mm spacing on back panel; thread depth 15 mm; (5/8”) Product dimensions (height x width x depth): 287 x 182 x 227 mm; (11.3 " x 7.16 " x 8.94") Internal net volume: 6.0 l External net volume: 11.3 l Product weight: Product weight Packed dimensions (height x width x depth), mm (inches): 422 x 271 x 381 mm; (16.6 x 10.7 x 15 ") Packed weight: 6,6 kg; (14 lbs 8 oz) Packed cube: 0.043 m³; (1.52 ft³) Acoustical Axis horizontal: 91 mm; (3.6 ") Acoustical Axis vertical (from bottom): 166 mm; (6.5 ")

Free field frequency response ±6 dB: 36 Hz ... 21 kHz Free field frequency response ±3 dB: 39 Hz ... 20.4 kHz Pass band free field frequency response: 42 Hz … 20 kHz, ±1.25 dB Free field frequency linearity deviation between 100 Hz and 10 kHz: ±0.8 dB Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu): <20 dB(A) SPL Sine wave output with a THD < 0.5 % at 1 m in half space: 95 dB SPL (>75 Hz) Max. SPL calc. in half space at 3% THD at 1m (averaged between 100 Hz and 6 kHz): 118.7 dB SPL Max. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz): 112.7 dB SPL Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz): 107.5 dB SPL Max. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions: 108 dB(C) SPL Max. short term SPL with music material at 2.3 m in typical listening conditions (pair / full range): 100 dB(C) SPL Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair with subwoofer): 106 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range): 88 / 94 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair with subwoofer): 88 / 94 dB(C) SPL Dolby D.A.R.D.T. Max SPL fullrange: 114 dB Dolby D.A.R.D.T. Max SPL bass managed: 120 dB Recommended Listening Distance: 1.0 … 2.5 m; (3'… 8') Feasible Listening Distance: 0.75 … 6.0 m; (2'6"… 18') Acoustic principle: Bassreflex, Ports at the front Analog input(s): XLR: analog electronically balanced Analog input impedance: 24 kOhms Max. input level: +24 dBu for 94 dB SPL setting; +14 dBu for 100 dB SPL setting; +9 dBu for 108 dB SPL setting; -1 dBu for 114 dB SPL setting Common mode rejection ratio (CMRR): >56 dB @ 15kHz Volume control: via MA 1 software Volume control range; resolution: 0 … -∞ dB; 0.1 dB Analog dynamic range; THD+N: 118 dB, A-weighted, 90 dB Signal routing modes: analog, S/PDIF L, S/PDIF R, S/PDIF mono Digital input(s): RCA (75 Ω): S/PDIF Digital output(s): RCA (75 Ω): S/PDIF Max. Input: Level; pk-pk, unbalanced / balanced 1.2 V Digital converter: resolution; design: 24 Bit Digital converter: sampling rate: 32 kHz..200 kHz Digital internal sampling rate: 48 kHz Output sample rate: identical to input sample rate Latency ADA / DA: Analog Input: 2.6 ms; SPDIF Input: 2.1 ms Delay: User adjustable delay range: 0 … 120 ms Delay: Resolution: time; distance: 20.8 µs Delay: Max. frames Audio-video synchronisation (lip sync): 0 … 120 ms for TOF=0ms, depends on APP implementation Delay: Time-of-flight maximum distance: 0 … 120 ms for lipsync=0ms, depends on APP implementation Output level control (output level in 1 m based on 0 dBu input level): 94; 100; 108; 114 dB SPL Input gain control (sensitivity): 0 dB ... -15 dB Transport/storage conditions: -25° C to +60° C (-13° F to 140° F); <90% RH; non-condensing Equalization: Treble: +1; 0; -1; -2 dB Equalization: Low-Mid: 0; -2; -4; -6 dB Equalization: Bass: 0; -2; -4; -6 dB Input selector: Analog; S/PDIF L; S/PDIF R; Mono Ground Lift: Yes Control: Local; Network Mains Switch: Yes Mains Voltage Select: Universal Power Supply 100 V~ … 240 V~ Controller design: Digital; active Crossover frequency: 1700 Hz Crossover slope: 24 dB / octave Equalization: via Neumann.Control software: No FIR phase correction: Linear phase (105 Hz ... 16 kHz; +/- 45°) Protection circuitry: Independent soft clip, peak and thermo limiters for woofer and tweeter; Woofer excursion limiter; thermo limiter for the electronics and amplifiers Infrasonic filter: frequency; slope: 38 Hz; 12 dB / octave Remote control: MA 1 software via an RJ45 connector carrying standard IP data Display: On; Normal Operation: Neumann logo “White” Display: Identification: Neumann logo “Rosé” Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute: Neumann logo “Red” Logo Brightness: via MA 1 software Output power woofer amplifier (THD+N with limiter deactivated: 10%): 145 W Output power tweeter amplifier (THD+N with limiter deactivated: 10%): 100 W Output power woofer amplifier (THD+N with limiter deactivated: 0.1%): 120 W Output power tweeter amplifier (THD+N with limiter deactivated: 0.1%): 80 W Mains Power Supply: input voltage; frequency: 100-240 V; 50/60 Hz Power consumption (230 V / 100 V): Standby: 0.3 W Power consumption (230 V / 100 V): Idle: 15 W Power consumption (230 V / 100 V): Full output: 320 W In-rush current (Peak): 33 A Standby automatic, 90 mins (default); user: defined in software Cabinet material: Composite polycarbonate front and rear, wooden sleeve Cabinet surface finish; color (front / back): Painted; metallic anthracite (RAL 7021) / Black (RAL 9005) Operating conditions: +10° C to +40° C (+50° F to +104° F); <75% RH, non-condensing Woofer: 165 mm; (6.5") with protecting black metal grille Tweeter: 25 mm; (1") with protecting black metal grille Mounting points: 2 x M6 threaded inserts with 70 mm spacing on back panel; thread depth 15 mm; (5/8”) Product dimensions (height x width x depth): 345 x 225 x 273 mm; (13.58" x 8.86" x 10.75") Internal net volume: 12.6 l External net volume: 20.4 l Packed dimensions (height x width x depth), mm (inches): 480 x 303 x 403 mm; (18.9" x 11.9" x 15.9") Product weight: 8.0 kg; (17 lbs 10 oz) Packed weight: 9.4 kg; (20 lbs 12 oz) Packaging weight inc. Cables and manuals: 1.41 kg; (3 lbs) Packed cube: 0.059 m³; (2.08 ft³)

Free field frequency response ±6 dB: 36 Hz ... 21 kHz Free field frequency response ±3 dB: 39 Hz ... 20.4 kHz Free field frequency linearity deviation between 100 Hz and 10 kHz: ±0.8 dB Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu): <20 dB(A) SPL Sine wave output with a THD < 0.5 % at 1 m in half space: 95 dB SPL (>75 Hz) Max. SPL calc. in half space at 3% THD at 1m (averaged between 100 Hz and 6 kHz): 118.7 dB SPL Max. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz): Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz): 107.5 dB SPL Max. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions: 108 dB(C) SPL Max. short term SPL with music material at 2.3 m in typical listening conditions (pair / full range): 100 dB(C) SPL Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair with subwoofer): 106 dB(C) SPL Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range): 88 / 94 dB(C) SPL Dolby D.A.R.D.T. Max SPL fullrange: 114 dB Dolby D.A.R.D.T. Max SPL bass managed: 120 dB Recommended Listening Distance: 1.0 … 2.5 m; (3'… 8') Feasible Listening Distance: 0.75 … 6.0 m; (2'6"… 18') Acoustic principle: Bassreflex, Ports at the front Analog input(s): LR: analog electronically balanced Analog input impedance: kOhms Analog input(s): LR: analog electronically balanced Analog input impedance: kOhms Max. input level: 4 dBu for 94 dB SPL setting; +14 dBu for 100 dB SPL setting; +9 dBu for 108 dB SPL setting; -1 dBu for 156 dB @ 15kHz Volume controlvia: MA 1 software Volume control range; resolution: 0 … -∞ dB; 0.1 dB Analog dynamic range; THD+N: 118 dB, A-weighted, 90 dB Signal routing modes: analog, S/PDIF L, S/PDIF R, S/PDIF mono Digital input(s): RCA (75 Ω): S/PDIF Digital output(s): RCA (75 Ω): S/PDIF Max. Input: Level; pk-pk, unbalanced / balanced 1.2 V Digital converter: resolution; design: 24 Bit Digital converter: sampling rate: 32 kHz..200 kHz Digital internal sampling rate: 48 kHz Output sample rate: identical to input sample rate Latency ADA / DA: Analog Input: 2.6 ms; SPDIF Input: 2.1 ms Delay: User adjustable delay range: 0 … 120 ms Delay: Resolution: time; distance: 20.8 µs Delay: Max. frames Audio-video synchronisation (lip sync): 0 … 120 ms for TOF=0ms, depends on APP implementation Delay: Time-of-flight maximum distance: 0 … 120 ms for lipsync=0ms, depends on APP implmentation Input gain control (sensitivity): 0 dB ... -15 dB Output level control (output level in 1 m based on 0 dBu input level): 94; 100; 108; 114 dB SPL Equalization: Bass: 0; -2; -4; -6 dB Equalization: Low-Mid: 0; -2; -4; -6 dB Equalization: Treble: +1; 0; -1; -2 dB Input selector: Analog; S/PDIF L; S/PDIF R; Mono Ground Lift: Yes Control: Local; Network Mains Switch: Yes Mains Voltage Select: Universal Power Supply 100 V~ … 240 V~ Controller design: Digital; active Crossover frequency: 1700 Hz Crossover slope: 24 dB / octave Equalization: via Neumann.Control software: No Automatic room calibration via MA 1: Yes FIR phase correction: Linear phase (105 Hz ... 16 kHz; +/- 45°) Protection circuitry: Independent soft clip, peak and thermo limiters for woofer and tweeter; Woofer excursion limiter; thermo limiter for the electronics and amplifiers Infrasonic filter: frequency; slope: 38 Hz; 12 dB / octave Remote control: MA 1 software via an RJ45 connector carrying standard IP data Display: On; Normal Operation: Neumann logo “White” Display: Identification: Neumann logo “Rosé” Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute: Neumann logo “Red” Logo Brightness: via MA 1 software Output power woofer amplifier (THD+N with limiter deactivated: 10%): 145 W Output power tweeter amplifier (THD+N with limiter deactivated: 10%): 100 W Output power woofer amplifier (THD+N with limiter deactivated: 0.1%): 120 W Output power tweeter amplifier (THD+N with limiter deactivated: 0.1%): 80 W Mains Power Supply: input voltage; frequency: 100-240 V; 50/60 Hz Power consumption (230 V / 100 V): Standby: 0.3 W Power consumption (230 V / 100 V): Idle: 15 W Power consumption (230 V / 100 V): Full output: 320 W Standby: automatic, 90 mins (default); user defined in software Cabinet material: Composite polycarbonate front and rear, wooden sleeve Cabinet surface finish; color (front / back): Painted; metallic anthracite (RAL 7021) / Black (RAL 9005) Operating conditions: ° C (+50° F to +104° F); <75% RH, non-condensing Transport/storage conditions: -25° C to +60° C (-13° F to 140° F); <90% RH; non-condensing Woofer: 165 mm; (6.5") with protecting black metal grille Tweetef: 25 mm; (1") with protecting black metal grille Mounting points: 2 x M6 threaded inserts with 70 mm spacing on back panel; thread depth 15 mm; (5/8”) Product dimensions (height x width x depth): 345 x 225 x 273 mm; (13.58" x 8.86" x 10.75") Internal net volume: 12.6 l External net volume: 20.4 l Packed dimensions (height x width x depth), mm (inches): 480 x 303 x 403 mm; (18.9" x 11.9" x 15.9") Product weight: 8.0 kg; (17 lbs 10 oz) Packed weight: 9.4 kg; (20 lbs 12 oz) Packaging weight inc. Cables and manuals: 1.41 kg; (3 lbs)

The Type 20 MK2 adds several enhancements including the onboard Lineariser, a phase linearization tool that audibly improves spatial reproduction, as well as a port plug that allows the monitor to go from a bass reflex design to a sealed infinite baffle. The rear panel features a Closed or Ported selection knob, a Low Frequency Extension control, and a Desktop Filter control to dial in your best sound. The 3-way design combines a 7" honeycomb composite woofer, a 4" midrange honeycomb driver, and a HEDD Air Motion Transformer (HEDD AMT) tweeter to provide an accurate frequency response of 32 Hz to 40 kHz with a maximum SPL of 120 dB (with two speakers at 1m.) The sturdy unibody casing features updated lacquer for higher durability and better looks. The enclosure ensures that the cabinet remains stable and provides effortless audio even at full power. The ICEpower amplifier offers 300W per driver (900W total) and is universally powered for compatibility anywhere in the world. The rear panel also features a balanced XLR input and a digital AES input and throughput, as well as a gain trimmer and high-/low-shelf potentiometers. Benefits Onboard Lineariser and New Looks Implemented in the MK2 and subwoofer models is the well-known Lineariser, a phase linearization tool that leads to perfect impulse response and audibly improved spatial reproduction The MK2 version has new and improved lacquer for higher durability and better looks CoP Technology For the first time, you can choose between the energy and bass capacities of a modern bass-port design and the painstaking precision and control of a closed-cabinet approach Removable plugs for the bass reflex tubes together with complimentarily designed filter setups allow optimum results in either mode Linear Sub-Satellite System HEDD Audio introduces a completely phase linear Sat-Sub system. These are the first Satellite Sub systems that are completely right in time, created by combining a phase linearized subwoofer (separately sold) with a correspondingly time delayed (group delayed) satellite output Additionally, the listener can compensate eventual distances between subwoofers and satellites to stay with linear phase reproduction for the complete system Main Features Woofer: 7" honeycomb diaphragm Midrange: 4" honeycomb diaphragm Tweeter: HEDD AMT Input 1: Balanced XLR Analog / Impedance: 22 kilohms Input 2: Digital XLR AES Output: Digital XLR AES Through Shelve Filters High/Low: ± 4 dB (0.5 dB steps) LF Range (-3 dB): Normal/Extended/Satellite (32, 26, 80 Hz) Desk Filter: Small/Medium/Large (180 Hz -1, -2, -4 dB) Frequency Response: 32 Hz to 40 kHz (-3 dB) Maximum Sound Pressure Level: 120 dB SPL HEDD TYPE 20 MK2 Specs Studio Monitor Monitor Type Active 3-Way Enclosure Bass-Reflex, Sealed Power Rating 300 W per Channel Drivers HF Driver: 1 x 2" / 5.08 cm Air Motion Transformer MF Driver: 1 x 4" / 10.2 cm Honeycomb Composite Cone with 1.25" / 3.17 cm Voice Coil LF Driver: 1 x 7" / 17.8 cm Honeycomb Composite Cone with 2" / 5.08 cm Voice Coil Amplification 1 x HF Amplifier: Class-D Rated at 300 W 1 x MF Amplifier: Class-D Rated at 300 W 1 x LF Amplifier: Class-D Rated at 300 W Performance Frequency Response 32 Hz to 40 kHz ± 3 dB Maximum Sound Pressure Level (SPL) 120 dB Phase Adjustment None Signal Processing EQ 1 x HF Shelf: -4 to +4 dB 1 x LF Shelf: -4 to +4 dB Filters None Parametric EQ None Crossover Crossover Frequency Low-Pass: 250 Hz High-Pass: 3.2 kHz Crossover Type Active Connectivity Audio I/O 1 x XLR Balanced Female Analog Input (10 Kilohms) 1 x XLR AES/EBU Female Digital Input 1 x XLR AES/EBU Male Digital Output/Thru Power AC Input Power 110 to 240 VAC, 50/60 Hz General Dimensions (W x H x D) 14.1 x 11 x 13.3" / 35.8 x 28 x 33.8 cm Weight 34.0 lb / 15.4 kg Packaging Info Package Weight 38.365 lb Box Dimensions (LxWxH) 18.2 x 17.5 x 16.1"

• Beryllium inverted dome tweeter: very low directionality, excellent linearity and dynamics • Optimised baffle tweeter: excellent dispersion control • 'W' composite sandwich cone: sound neutrality, no distortion • Dual Focus Mode: three monitors in one: three-way monitor, two-way monitor (midrange woofer and tweeter alone) and full-range one-way monitor (midrange woofer alone) • Large laminar port: no port noises or distortion • Auto stand-by mode disengageable • Settings: activatable/deactivatable, LF shelving, HF shelving, LMF @ 160Hz SPECIFICATION Type: 3-way monitor Frequency response (@ -3dB): 35Hz – 40kHz Focus mode 1: 100Hz – 15kHz Focus mode 2: 80Hz – 40kHz Maximum SPL (Average CEA2034 50–10kHz free field @ 1m): 115dB Focus mode 1 (Average CEA2034 100–10kHz free field @ 1m): 112dB Focus mode 2 (Average CEA2034 100–10kHz free field @ 1m): 112dB Input: Balanced XLR 10kΩ Bass amplifier stage: 100W RMS, G-class Midrange amplifier stage: 100W RMS, G-class Treble amplifier stage: 50W RMS, AB-class Nominal power supply: 100 – 120V~ 50/60Hz 220 – 240V~ 50/60Hz User controls: Sensitivity, Auto standby, Focus mode, HPF, LF Shelv, LMF EQ, HF Shelv Fuses: ~100–120V, 50/60Hz, T3.15AH/250V~220–240V, 50/60Hz, T1.6AH/250V Bass: 8" 'W' cone Midrange: 5" 'W' cone Treble: 1.5" Beryllium Shielding: No Construction: 7/8" (22mm) MDF Finish: Dark red natural veneering side panels, black body Dimensions (H x L x D): 211/8"x111/2"x141/2" (53.7 x 29.2 x 36.9cm) Weight: 55.12lbs (25kg) Temperature range: During use: 5–35°C; During storage: 0–50°C

The Type 20 MK2 adds several enhancements including the onboard Lineariser, a phase linearization tool that audibly improves spatial reproduction, as well as a port plug that allows the monitor to go from a bass reflex design to a sealed infinite baffle. The rear panel features a Closed or Ported selection knob, a Low Frequency Extension control, and a Desktop Filter control to dial in your best sound. The 3-way design combines a 7" honeycomb composite woofer, a 4" midrange honeycomb driver, and a HEDD Air Motion Transformer (HEDD AMT) tweeter to provide an accurate frequency response of 32 Hz to 40 kHz with a maximum SPL of 120 dB (with two speakers at 1m.) The sturdy unibody casing features updated lacquer for higher durability and better looks. The enclosure ensures that the cabinet remains stable and provides effortless audio even at full power. The ICEpower amplifier offers 300W per driver (900W total) and is universally powered for compatibility anywhere in the world. The rear panel also features a balanced XLR input and a digital AES input and throughput, as well as a gain trimmer and high-/low-shelf potentiometers. Benefits Onboard Lineariser and New Looks Implemented in the MK2 and subwoofer models is the well-known Lineariser, a phase linearization tool that leads to perfect impulse response and audibly improved spatial reproduction The MK2 version has new and improved lacquer for higher durability and better looks CoP Technology For the first time, you can choose between the energy and bass capacities of a modern bass-port design and the painstaking precision and control of a closed-cabinet approach Removable plugs for the bass reflex tubes together with complimentarily designed filter setups allow optimum results in either mode Linear Sub-Satellite System HEDD Audio introduces a completely phase linear Sat-Sub system. These are the first Satellite Sub systems that are completely right in time, created by combining a phase linearized subwoofer (separately sold) with a correspondingly time delayed (group delayed) satellite output Additionally, the listener can compensate eventual distances between subwoofers and satellites to stay with linear phase reproduction for the complete system Main Features Woofer: 7" honeycomb diaphragm Midrange: 4" honeycomb diaphragm Tweeter: HEDD AMT Input 1: Balanced XLR Analog / Impedance: 22 kilohms Input 2: Digital XLR AES Output: Digital XLR AES Through Shelve Filters High/Low: ± 4 dB (0.5 dB steps) LF Range (-3 dB): Normal/Extended/Satellite (32, 26, 80 Hz) Desk Filter: Small/Medium/Large (180 Hz -1, -2, -4 dB) Frequency Response: 32 Hz to 40 kHz (-3 dB) Maximum Sound Pressure Level: 120 dB SPL HEDD TYPE 20 MK2 Specs Studio Monitor Monitor Type Active 3-Way Enclosure Bass-Reflex, Sealed Power Rating 300 W per Channel Drivers HF Driver: 1 x 2" / 5.08 cm Air Motion Transformer MF Driver: 1 x 4" / 10.2 cm Honeycomb Composite Cone with 1.25" / 3.17 cm Voice Coil LF Driver: 1 x 7" / 17.8 cm Honeycomb Composite Cone with 2" / 5.08 cm Voice Coil Amplification 1 x HF Amplifier: Class-D Rated at 300 W 1 x MF Amplifier: Class-D Rated at 300 W 1 x LF Amplifier: Class-D Rated at 300 W Performance Frequency Response 32 Hz to 40 kHz ± 3 dB Maximum Sound Pressure Level (SPL) 120 dB Phase Adjustment None Signal Processing EQ 1 x HF Shelf: -4 to +4 dB 1 x LF Shelf: -4 to +4 dB Filters None Parametric EQ None Crossover Crossover Frequency Low-Pass: 250 Hz High-Pass: 3.2 kHz Crossover Type Active Connectivity Audio I/O 1 x XLR Balanced Female Analog Input (10 Kilohms) 1 x XLR AES/EBU Female Digital Input 1 x XLR AES/EBU Male Digital Output/Thru Power AC Input Power 110 to 240 VAC, 50/60 Hz General Dimensions (W x H x D) 14.1 x 11 x 13.3" / 35.8 x 28 x 33.8 cm Weight 34.0 lb / 15.4 kg Packaging Info Package Weight 38.365 lb Box Dimensions (LxWxH) 18.2 x 17.5 x 16.1"

KEY FEATURES Clear, low-distortion audio with fast-attacking bass: Recreate club-style sound High-quality components Every VM series speaker includes a Class D amplifier with 96 kHz sampling DSP to enable wide-bandwidth audio reproduction. Its highly efficient performance results in low distortion and high-energy sound. The 4-mm-thick rigid aluminum front baffle further suppresses resonance and vibrations, delivering sound that’s authentic to the original source. Aramid fiber woofer cones and Vortex Bass Accelerator Aramid fiber woofer cones provide outstanding punch that you’ll feel in the bass and low-mid frequencies. These newly developed cones are 30 percent lighter than conventional paper-lined Aramid cones, making them stronger with deeper sound. The Vortex Bass Accelerator ensures that low-end audio is tight and free from unwanted vibrations, as ribs in the bass reflex port mean that air flows freely from the speaker to deliver pure sound. Constant directivity horn Mid and high-frequency sounds are delivered with power thanks to the constant directivity horn, which also creates a broad, uniform listening space. The shape of the horn and the woofer edge are specially designed so the flat playback frequency crosses over to the tweeter easily, resulting in a natural sound. Easily adjust the sound to suit your room DSP control All VM series speakers are voiced flat to ensure you hear the natural sound of the music. To help you tweak the output and find the sound that’s perfect for the room you’re working in, each speaker includes DSP settings. On the rear panel, you’ll find 2 knobs: Low EQ and High EQ. Without needing to look, you can click the knobs into 4 different positions each, giving you 16 possible EQ settings that are simple to engage. Choose the one that sounds best for DJing or producing music in your home or studio, depending on the shape, size, and construction of the room. LOW EQ Use this to adjust the bass, depending on the location of your speaker and the kind of sound you want for DJing or producing music. L1: ROOM 1 – This setting reduces the bass (6 dB HPF applied at 63 Hz) and is effective when your speaker is near a wall or at times when you don’t want heavy bass, e.g. late at night. L2: FLAT – Flat frequency response for a true sound. This is the most popular setting for producing music in an acoustically treated room. L3: ROOM 2 – This setting increases the bass (2.5 dB boost using a bell EQ at 50 Hz) and is ideal to use when you need some extra punch, e.g. in a large space. L4: CLUB BASS – More power in the bass (5 dB boost using a bell EQ at 50 Hz, and 2 dB boost using a bell EQ at 200 Hz), for a club-like sound. This setting is the best to use when you want as much bass as possible, e.g. for parties. HIGH EQ Use this to adjust the treble, depending on the location of your speaker and the kind of sound you want for DJing or producing music. H1: ROOM 1 – This setting reduces the volume of high frequencies (3 dB reduction using a high shelf EQ from 3.5 kHz to 12 kHz) and is effective when the room is reverberant and the high frequencies are overpowering. H2: FLAT – Flat frequency response for a true sound. This is the most popular setting for producing music in an acoustically treated room. H3: ROOM 2 – This setting increases the volume of high frequencies (3 dB boost using a high shelf EQ at 7 kHz) and is ideal for generating brighter sounds in a room or space where the treble seems to be lost. H4: BRIGHT TREBLE – This setting can produce a clearer sound (thanks to a 1.5 dB boost using a bell EQ at 4 kHz and a 3.5 dB boost using a bell EQ at 8 kHz) and help the details of individual musical instruments to stand out. For example, the outlines of the sound of guitars, cymbals, trumpets, etc. can be heard more clearly. Enhance the look and sound of your setup Fresh, professional design The brand-new design of the hexagonal aluminum front baffle brings a fresh look, as well as improved sound quality and durability. It cuts down unwanted vibrations for lower distortion while the tweeter protective guard reduces the risk of damage to the high-frequency diaphragm. And the Alumite treated brushed texture gives the speakers a professional finish so they look right at home next to Pioneer DJ gear. Specifications Main Features Type Bi-amp 2-way active speaker Tweeter 1-inch (25 mm) SILK soft dome Woofer 6.5-inch (165 mm) ARAMID cone Auto Standby Yes What's in the Box VM-70 x 1 (not sold as a pair) Power cable x 1 Cushioned feet pads x 1 (4pcs/1 sheet) Precautions for Use Instruction Manual Warranty (for some regions) Specifications Maximum Sound Pressure 112 dB Width 229 mm Height 341 mm Depth 312 mm Weight 7.7 kg Frequency Range 37 Hz - 36 kHz Hz Power Supply AC 100-240 V, 50 Hz / 60Hz Amplifier Output Class D with 96kHz DSP LF: 70 W / 4 Ω HF: 30 W / 4 Ω Impedance 10 kΩ High EQ 4 selective EQs Low EQ 4 selective EQs Cross Over Frequency 3 kHz Enclosure Bass reflex Enclosure material MDF vinyl laminate Baffle material HIPS with 4mm Aluminum Plate Terminals Inputs XLR/TRS combo x 1 (balanced input) RCA x 1 (unbalanced input)

Zahvaljujući pojačalu G klase, Trio11 Be omogućava visoki SPL (nivo zvučnog pritiska) - od 118dB po metru, i nudi veliku raznolikost upotrebe i konfiguracije pri nearfield i midfield primeni. Ključni adut mu je što uvek dolazi sa izuzetno preciznom reprodukcijom zvuka i stereo slikom. Sa proširenim propusnim opsegom, od 30 Hz-40 kHz, ovaj zvučnik se takođe sastoji od trosistemskog i dvosistemskog monitora (isto kao i Focal-ov Trio6 Be), što vam omogućava da proverite kvalitet prenosa zvučnog miksa zahvaljujući FOCUS režimu. Sa zvučnikom Trio11 Be, snaga i prilagodljivost čekaju na Vas! Osetite razliku! KLJUČNE KARAKTERISTIKE Visoki SPL (nivo zvučnog pritiska): 118 dB @ 393/8'' (1m). FOCUS režim: dva monitora u jednom, sa daljinskim upravljanjem. Invertovani berilijumski kupolasti visokotonac: vrlo niske usmerljivosti, linearnosti, dinamike. ‘W’ kompozitni konusni 'sendvič' na srednjim i sabvuferu - za neutralan zvuk, bez distorzije. Podešavanja za bas, srednji bas i visoke tonove na zadnjem panelu: za optimalnu akustičnu integraciju. Optimizovano odvajanje drajvera zvučnika srednjeg opsega zahvaljujući tihim blokovima. Veoma niska distorzija i buka. PODESIVA PLOČA Aluminijumska ploča koja obuhvata i visokotonac i niskotonac podesiva je na 360°, u pokretima od po 90°, tako da se Trio11 može koristiti vertikalno ili horizontalno. Ova funkcija omogućava optimizaciju performansi monitora na osnovu položaja u prostoriji i njene akustike. Dvosistemski monitor, sa frekventnim odzivom od 90 Hz do 20 kHz, omogućava Vam da proverite kvalitet prenosa mikseva na sisteme sa ograničenim frekventnim odzivom u basu (televizija, kompjuteri, automobili, itd.). Performance • Frequency response3-way mode30Hz - 40kHz (+/- 3dB) 2-way mode (Focus)90Hz - 20kHz (+/- 3dB) • Maximum SPL3-way mode118dB (peak @ 1m) 2-way mode (Focus)105dB (peak @ 1m) Electronics • InputsType/Impedance Connectors Sensitivity Electronically balanced / 10KOhms XLR Adaptable, +4 dBu or -10 dBv • Bass • Midrange • Treble 300W, class G 150W, class G 100W, class AB • Power supplyLocal supply Wiring 230V (1.6A T fuse) - 115V (3.5A T fuse) Connection Detachable IEC inlet power cord • indicators and controlsRear panel Input sensitivity selector (+4dBu/-10dBV) Low frequency shelving (+/- 3dB from 35 to 250Hz) High frequency shelving (+/- 3dB from 4.5 to 40kHz) Low-mid EQ frequencies (+/- 3dB to 160Hz, Q factor = 1) FOCUS input / FOCUS output • Auto standbyAuto standby switch on the back of the loudspeaker: enable / disable switch • LEDFocus power on, clipping and default LED on front panel Transducers • Subwoofer10W96701D Focal 913/16" (25cm) speaker driver with ‘W’ composite sandwich cone • Médium5W04702 Focal 51/8" (13cm) speaker driver with ‘W’ composite sandwich cone • TweeterTB872 Focal 1" pure Beryllium inverted dome tweeter Cabinet • Construction 13/16 and 13/16" (21mm and 30mm) panels with internal braces • Finish Natural veneering side panels Dark red burr ash, black body • Dimensions with four rubber feet (HxDxW) 25" x 139/16" x 173/4" (635 x 345 x 450mm) • Weight 82.2lbs (37.3kg)

50W pojačala pokreće 3"-ne vufere i 3/4"-ne visokotonce: monitori CR3-XBT rade odlično, bilo da kreirajte sadržaje ili neobavezno slušate muziku. Par formiraju jedan pasivni i jedan aktivni zvučnik, povezani kablom (uključenim u pakovanje). Svaki od monitora poseduje specijalno podešen zadnji panel za glatku ekstenziju donjeg dela opsega, kao i dizajniran waveguide za tačnost i dobru disperziju visokih frekvencija. Sa puno obezbeđenih I/O-a, CR3-XBT mogu da prime žičnu konekciju iz vašeg audio interfejsa ili zvučne karte računara, ili bežićni strim via Bluetooth s vašeg mobilnog uređaja. Kako bilo, vaša muzika će stići do drajvera vaših odabranih slušalica. Uz CR3-XBT dolazi i ProTools | First kao i paket plag-inova The Musician's Collection, koji uključuje 23 HQ plag-ina (među kojima i BBD Delay, Eleven Lite, 304E EQ i 304C Compressor). Opšte karakteristike Za snimanje, miksovanje, dizajn zvuka, gejming ili neobavezno slušanje Drveni kabineti sa prednjim panelom od brušenog metala Ugrađeni Bluetooth risiver omogućuje bežični striming muzike sa vašeg smartfona, tableta, ili kompjutera s Bluetooth-om RCA & 1/4"-ni ulazi obezbeđuju izbalansirane i nebalansirane stereo Line-nivoe signala iz vaših audio interfejsa, miksera, zvučne karte ili mobilnog uređaja 3.5-milimetarski port za slušalice 50W drajva pojačala za 3"-ne polipropilenske vufere i 3/4"-ne visokotonce svilene membrane (sa ferofluidnim hlađenjem) Prekidač za postavljanje zvučnika dozvoljava vam izbor strane na kojoj ćete kontrolisati on/off & volume U pakovanju dolazi i 3.5-milimetarski-do-stereo kabl, za povezivanje računara i zvučnika, kao i kabl za međusobno povezivanje (levog i desnog) zvučnika Avid Pro Tools | First and Other Included Software Avid Pro Tools has been an industry standard in studios and homes for decades. Pro Tools | First (available for macOS and Windows operating systems) is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios, collaborate online with anyone, anywhere, and create at the speed of your imagination. In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins: Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this modeled optical compressor BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal Black Op Distortion: Add rich distortion based on a classic distortion pedal Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal Black Spring Reverb: Get the twang and space of a vintage amplifier C1 Chorus: Emulates a classic chorus pedal DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect Eleven Lite: Get the sound of popular guitar amps and speaker cabinets Flanger: Create esoteric sounds with this homage to vintage and modern flangers Graphic EQ: Sculpt frequencies with ease Gray Compressor: Add warmth to tracks based on a vintage Ross compressor Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal In-Tune: Keep your instruments in tune with this digital tune Orange Phaser: Create interesting effects with this phase shifter based on a classic design Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet Sci-Fi: Add analog synth-type ring and frequency modulation Studio Reverb: Create natural-sounding reverb and ambient effects Tape Echo: Add vintage analog delay and chorus effects Tri-Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals Vari-Fi: Create the effect of audio changing tape speed Vibe Phaser: Add phase-shift and rotary speaker effect White Boost: Boost gain without coloring tone

Tech Talk Every ThunderStorm subwoofer has detailed controls like switchable satellite filters (full range and 80Hz), phase switch controls (0°, 180°). and variable subwoofer filter frequencies (60....140Hz) to let you tailor and adjust your ThunderStorm to your specific room. The TS108 model features a very efficient 150W PWM amplifier that drives a proprietary 8" woofer. This guarantees a frequency response of down to 33Hz (on the lower end), up to 300Hz, for a maximum output power of 105 dB (SPL @ 1m). The included remote control will let you adjust not only the subwoofer's volume but also the complete stereo system's volume while sitting comfortably in your sweet spot. All in all, the ThunderStorm subwoofers will make any system sound better and more complete. As with every other EVE Audio subwoofer, you get balanced XLR In- and Outputs (Stereo In and Out, LFE In, LFE/Sub Out) for greater convenience. Passive Radiator The particularity of our extremely powerful and accurate subwoofer resides in the passive radiator used that replaces the common bass reflex tube. With this design all audible noise due to air turbulences disappear completely. Unwanted disturbing pipe resonances (at lambda/2 and multiples) are eliminated, which are unavoidable when applying the principle of a two-sided pipe opening (bass reflex port). The suspension of the passive radiator has a restoring force underneath its tuning frequency and reduces inaudible excursions in the subsonic range. This in turn results in reduced intermodulation distortion in the working range. The passive radiator allows a particularly low tuning or lower cut-off frequency in a very compact cabinet. Product TS108 Description Subwoofer Dimensions (WxHxD) [mm] 280 x 415 x 365 Dimensions (WxHxD) ["] 11.02 x 16.34 x 14.37 Free-field frequency range (-3dB) 33Hz - 300Hz Woofer 195mm/8" Maximum SPL @ 1m 105dB Number of amplifiers 1 Output power (woofer[s]) 150W Protection limiter Settings System volume (Satellite & Sub) -inf. - +6dB Subwoofer volume -inf. - +6dB LED brightness setting Level-lock dip switch Filter-lock dip switch Input level dip switch +7dBu/+22dBu Phase inversion 0°/180° Switchable Satellite filter flat/80Hz Variable Subwoofer filter 60Hz-140Hz + LFE Remote control Sys. & Sub. Vol. Connectors XLR in left (impedance) (10k) XLR in right (impedance) (10k) XLR in LFE (impedance) (10k) XLR out satellite left (impedance) (10k) XLR out satellite right (impedance) (10k) XLR out (LFE) (impedance) (10k) Power consumption Standby < 1W Full output 170VA Misc. Weight kg/lb. 11.5 / 25.3

KLJUČNE KARAKTERISTIKE Izuzetna dinamika Široka zvučna disperzija, ravnomeran ton u celoj prostoriji 6.5"-ni (16.5 cm) Slatefiber kupasti woofer Veliki laminarni otvor Identičan tonski balans i pri manjoj i pri velikoj glasnoći Detaljni miksevi Spojite do 3 izvora zvuka Žljebovi za pričvršćivanje na zid i plafon Automatsko isključivanje u stand by režimu Zaštitne rešetke uključene u paket TEHNIČKE SPECIFIKACIJE Frekvencijski odziv (+/-3 dB): 40Hz - 22kHz Maksimalni SPL: 104dB SPL (peak @ 1m) Ulazni konektori TRS: simetrični 10kΩ XLR: simetrični 10kΩ RCA: asimetrični 10kΩ sa kompenzovanom osetljivošću Pojačalo srednje i niske frekvencije: 55W Pojačalo visoke frekvencije: 30W Automatski stand by režim: Nakon oko 15 minuta mirovanja detekcijom signala >6m Napajanje: 100 - 240V ~ (T2AL osigurač / 250V) Priključna IEC utičnica i odvojivi kabl za napajanje Osetljivost: Podesiva, 0 ili + 6dB Nivo srednjeg / niskog tona (0 - 250Hz): Podesiv, +/- 6dB Nivo visokih tonova (4,5 - 35 kHz): Podesiva, +/- 3dB Prekidač za uključivanje / isključivanje napajanja na zadnjoj ploči Potrošnja u stand by režimu: <0,5 W Prikazi i kontrole: LED za uključivanje i isključivanje - LED u stand by režimu Vufer: 6.5" (16.5 cm) konusni Slatefiber Visokotonac: 25 mm (1") sa aluminijski obrnutom kalotom Konstrukcija: 0,6" (15 mm) završni sloj od medijapana, crnog vinila + boja Dimenzije sa 4 gumene noge (VxŠxD): 339 x 261 x 289 mm Težina: 7,6 kg