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Tangerine Dream - Tangram , izdanje Virgin . Prvi pres, red CD - 5 Buklet - 5 Jedan kant zadnjeg listića izbledeo..

Amorica, The Black Crowes, CD, 2013, Universal Music Group International

CD BOX 3 CD+KNJIGA CD 1 01. Jednom sam i ja voleo - Asim Brkan 02. Verenički prsten - Asim Brkan 03. Ljubavi vladaju svetom - Asim Brkan 04. Ne ruši mi sreću nepoznata ženo - Asim Brkan 05. Ko je majko onaj čovek - Asim Brkan 06. Samo jedna kap ljubavi - Silvana Armenulić 07. Zašto da patim - Predrag Gojković - Cune 08. Moj život je tužna priča - Zoran Kalezić 09. Samo za tebe jedini moj - Milena Plavšić 10. Šesnaest ti leta beše - Savo Radusinović 11. Tecite suze - Beba Selimović 12. Ispijam čašu sreće - Šerif Konjević 13. Neću nikad plakati zbog tebe - Toma Zdravković 14. Još me peku suze tvoje - Ljuba Đurović 15. Ja noćas plakati neću - Snežana Đurišić 16. Ne traži draga oproštaj moj - Petar Grubić 17. Polomljene ruže - Mila Matić 18. Ne zovi me usamljena ženo - Hamid Ragipović 19. Šta će mi ovaj život - Sadik Hadžić 20. Adresu mi nisi ostavila - Đorđe Jovanović CD 2 01. Jedna žena sreće željna - Šaban Šaulić 02. Ti si moja ljubav - Lepa Lukić 03. Neću tvoju ruku - Nihad Kantić - Šike 04. Sviraj za nju prijatelju - Nihad Kantić - Šike 05. Volim te ja, voliš me ti - Nihad Kantić - Šike 06. Ostavljena Žena - Vesna Zmijanac 07. Pođi sa mnom il` ostani s njom - Vesna Zmijanac 08. Za tvoj rođendan ljubavi - Nikola Urošević - Gedža 09. Kad bi znala koliko te volim - Hašim Kučuk - Hoki 10. Pusti majko da ga sanjam - Dušica Bilkić 11. Ljubav nije samo za bogate - Mića Jakovljević 12. Nek se vino toči - Miloš Milošević 13. Zašto da duša pati i boli - Mira Bajraktarević 14. Stani zoro još ne svani - Sloba Živanović 15. Još uvek te volim- Muharem Serbezovski 16. Poslednje pismo - Grozda Milovanović 17. Devojčice mali vraže - Zajko Odobašić 18. Uvela je ljubav naša - Zlata Niketić 19. Vrati draga prsten moj - Sloba Kačavenda 20. Život mi se bez tebe ne živi - Toni Tomašević CD 3 01. Nosila si burmu moje majke - Ljuba Aličić 02. Hoću ljubav neću prijateljstvo - Ljuba Aličić 03. Šeherezada - Ljuba Aličić 04. Otac je stari prodao kuću - Ljuba Aličić 05. Nisi znala za bol srca mog - Ljuba Aličić 06. Za ljubav sam mladost dao - Milanče Radosavljević 07. Pozdravi draga sina - Milanče Radosavljević 08. Ti ode zauvek - Milanče Radosavljevi 09. Kako je, tako je - Milanče Radosavljević 10. Ako drugog voliš ne pitaj za mene - Milanče Radosavljević 11. Ja neću još jednom tugu - Hašim Ćatić 12. Ako si mi neveran, u oči me ne gledaj - Milena Marković 13. Svrati malo prijatelju - Selim Sivić - Semo 14. Kako da te zaboravim - Meho Hrštić 15. Ne poklanjaj ljubav svoju - Bajo Roganović 16. Zaspi srce ako možeš - Draga Popović 17. Kani, kani suzo moja - Dušica Tomašević 18. Odlazi jedna ljubav - Imeri Sefadin Izdavač / Distributer / Uvoznik: Pgp-Rts + KNJIGA Aleksandar Aca Stepić: neka žive pesme moje Dragoljub Stevanović Izdavač: Čigoja Aleksandar Aca Stepić sa svojim ansamblom obišao je pola sveta. Kao vrsni harmonikaš i šef orkestra nastupao je od Nemačke, preko bivšeg Sovjetskog Saveza, do Kuvajta. Pratio je samo najbolje: Silvanu, Lepu, Tozovca, Nadu Mamulu, Safeta Isovića, Šabana Šaulića, Đorđa Marjanovića, Kiću Slabinca, Josipu Lisac... „Večeras zajedno“, „Pesma leta“, „Zlatni glasovi“, samo su neki od poznatih muzičkih karavana u kojima je učestvovao. Komponovao je mnogo hitova, snimio je oko osam stotina pesama i dvadesetak kola.Na njegova vrata zakucali su mnogi pevači u potrazi za dobrom pesmom. Naročito oni mladi, tek željni uspeha i slave. Željni da zakorače na veliku scenu. Cenili su njegovu iskrenost, profesionalizam i odgovornost. Zahvaljujući Stepiću svoje prve hitove snimili su Zoran Kalezić, Sava Radusinović, Vesna Zmijanac, Milena Plavšić, Mira Barjaktarević, Asim Brkan, Milanče Radosavljević, Zvezda Ceklić, Petar Grubić i mnogi drugi koji su se tek približavali stepenicama koje vode ka vrhu. Na estradi nikada nije bilo lako. Donosila je slavu, aplauze, popularnost, ali i suze, neuspehe, tugu, neprijatnosti. I ruže i trnje. Aca Stepić je, zahvaljujući svom osobenom karakteru, korektnosti prema kolegama, svojoj smirenosti i umeću da i u najvećem uspehu uvek ostane čvrsto na zemlji, omogućio sebi dugo trajanje i stalno napredovanje u karijeri. Prelazio je stepenicu po stepenicu, lagano ali sigurno, i uvek je išao napred. U tome mu je pomagala i nesebična posvećenost karijerama mladih pevača, a isto tako i humanitarnim akcijama u kojima je rado učestvovao. „Mlađima sam uvek pomagao jer sam shvatio da će moja karijera kompozitora imati svrhe samo ako bude usmerena na otkrivanje mladih talenata. Neke moje kolege su komponovale isključivo za popularne pevače, nisu se mnogo trudili oko početnika. Naravno, i ja sam pisao pesme i za poznate, ali sam bio jedan od retkih koji su verovali u mlade snage. Događalo mi se i da otvoreno kažem onima za koje vidim da nemaju talenta `da se ne zanose i ne gube vreme`. Tako je bolje i za njih i, koliko znam, nisam nikada pogrešio u proceni.“ leksandar Aca Stepić sa svojim ansamblom obišao je pola sveta. Kao vrsni harmonikaš i šef orkestra nastupao je od Nemačke, preko bivšeg Sovjetskog Saveza, do Kuvajta. Pratio je samo najbolje: Silvanu, Lepu, Tozovca, Nadu Mamulu, Safeta Isovića, Šabana Šaulića, Đorđa Marjanovića, Kiću Slabinca, Josipu Lisac... „Večeras zajedno“, „Pesma leta“, „Zlatni glasovi“, samo su neki od poznatih muzičkih karavana u kojima je učestvovao. Komponovao je mnogo hitova, snimio je oko osam stotina pesama i dvadesetak kola.Na njegova vrata zakucali su mnogi pevači u potrazi za dobrom pesmom. Naročito oni mladi, tek željni uspeha i slave. Željni da zakorače na veliku scenu. Cenili su njegovu iskrenost, profesionalizam i odgovornost. Zahvaljujući Stepiću svoje prve hitove snimili su Zoran Kalezić, Sava Radusinović, Vesna Zmijanac, Milena Plavšić, Mira Barjaktarević, Asim Brkan, Milanče Radosavljević, Zvezda Ceklić, Petar Grubić i mnogi drugi koji su se tek približavali stepenicama koje vode ka vrhu. Na estradi nikada nije bilo lako. Donosila je slavu, aplauze, popularnost, ali i suze, neuspehe, tugu, neprijatnosti. I ruže i trnje. Aca Stepić je, zahvaljujući svom osobenom karakteru, korektnosti prema kolegama, svojoj smirenosti i umeću da i u najvećem uspehu uvek ostane čvrsto na zemlji, omogućio sebi dugo trajanje i stalno napredovanje u karijeri. Prelazio je stepenicu po stepenicu, lagano ali sigurno, i uvek je išao napred. U tome mu je pomagala i nesebična posvećenost karijerama mladih pevača, a isto tako i humanitarnim akcijama u kojima je rado učestvovao. „Mlađima sam uvek pomagao jer sam shvatio da će moja karijera kompozitora imati svrhe samo ako bude usmerena na otkrivanje mladih talenata. Neke moje kolege su komponovale isključivo za popularne pevače, nisu se mnogo trudili oko početnika. Naravno, i ja sam pisao pesme i za poznate, ali sam bio jedan od retkih koji su verovali u mlade snage. Događalo mi se i da otvoreno kažem onima za koje vidim da nemaju talenta `da se ne zanose i ne gube vreme`. Tako je bolje i za njih i, koliko znam, nisam nikada pogrešio u proceni.“ Zato su za njega kolege i novinari koji su pratili estradu govorili da je otkrio mnoge muzičke talente, a „nikoga nije srušio“. Mnogima je pomogao da se afirmišu, a nikog nije doveo u zabludu, pa su ga pevači onog doba poredili sa još jednim poznatim Aleksandrom (Koraćem). Ono što je u zabavnoj muzici bio Aleksandar Korać, isticali su, to je u narodnoj Aleksandar Stepić! BOX SET CD .NEOTPAKOVAN+ KNJIGA ,BIOGRAFIJA O ACI STEPIĆU

NEOTPAKOVAN Svi za jednog-jedan za sve 4 Various Artists Released: Jan 1995 Label: Starcevic Production 1. Zar je ovo zivot 2. Dok Loznica mirno spava 3. Jabuka i greh 4. Nikad ne gubi glavu 5. Kad srce srcu kaze zbogom 6. Molitva 7. Kap ulja na vatru 8. Ni po grosa prebijena 9. Da ti je do mene stalo 10. Pijem i pevam 11. Ti u tudjem svetu 12. Samo jos jednom 13. Snovi 14. Negde se cuju zvona 15. Sklopi oci 16. Imam li prava 17. Kestenovo kolo

Original, made in Austria Knjizica od 4 str. Odlicno ocuvano Veoma redak disk. Little Willie Littlefield – ... Goes Rhythm`n Blues Label: CMA (2) – CM 10002 Format: CD, Album Country: Germany Released: 1992 Genre: Blues Style: 1 Bad Bad Whiskey 2:51 2 Going Down Slow 3:16 3 Walk Right In 2:07 4 Waltz Away Boogie 1:58 5 Trembling 2:29 6 Adam Come And Get Your Bone 3:16 7 Prisoner For Tonight 3:46 8 12th Street And Vine 2:24 9 When I Lost My Baby 2:45 10 My Luck Is Bound To Change 2:11 11 Toe Tapping Boogie 2:34 12 Bad Luck 2:08 13 Hold Me Baby 2:07 14 As Time Goes By 2:51 15 Blue And Lonesome 2:51 16 It Took A Long Time, Baby 2:52 Recorded At – Dezibel Tonstudio Piano, Vocals – Little Willie Littlefield Producer – Rolf Schubert Recorded Dec. 9, 1991 at Dezibel - Tonstudio, Cologne / Germany. Jewel case. Barcode: 4010470100021 Label Code: LC 5910 Willie Littlefield, Jr.,[2] billed as Little Willie Littlefield (September 16, 1931 – June 23, 2013),[3] was an American R&B and boogie-woogie pianist and singer[4] whose early recordings `formed a vital link between boogie-woogie and rock and roll`.[4] Littlefield was regarded as a teenage wonder and overnight sensation when in 1949, at the age of 18, he popularized the triplet piano style on his Modern Records debut single, `It`s Midnight`.[5] He also recorded the first version of the song `Kansas City` (originally issued as `K. C. Lovin``), in 1952. Career Early career Littlefield was born in El Campo, Texas, and grew up in Houston with his mother. By 1947, at the age of sixteen, he was already a local attraction in many of the clubs on Dowling Street in Houston and was recording for Eddie Henry, a local record shop proprietor who ran his own label, Eddie`s Records.[6] He formed his first band with the saxophonist Don Wilkerson, a friend from school.[4] Littlefield was strongly influenced by the boogie-woogie pianist Albert Ammons. A particular favourite of his was Ammons`s `Swanee River Boogie`, which he later recorded for Eddie`s Records.[6] Other major influences on Littlefield`s style were the Texas musicians Charles Brown and Amos Milburn.[3] Littlefield learned most of their `chops` and soon developed his own distinctive triplet style, which was widely copied by R&B musicians in the early 1950s, particularly Fats Domino, who incorporated it into his New Orleans rhythm and blues.[6] His first recording, `Little Willie`s Boogie`, was a hit in Texas in 1949 and brought him to the attention of Jules Bihari, of Modern Records in Los Angeles, who was searching for a performer to rival the success of Amos Milburn.[4] Bihari flew to Houston in July 1949 to investigate the city`s black entertainment venues and heard of a `teenage wonder boy pianist` who was causing a stir at the Eldorado Ballroom. Bihari went to hear Littlefield and soon arranged for an audition at a local studio. The session was captured on acetate disc, with Bihari, clearly audible in the background, calling for Littlefield to play popular R&B tunes of the day.[6] Success at Modern records Back at Modern Records, he recorded `It`s Midnight`, which became a national hit, reaching number three on the Billboard R&B chart, and its follow-up, `Farewell`, which reached number five.[7] He became a major nightclub attraction and recorded with West Coast musicians such as Maxwell Davis. Don Wilkerson, Littlefield`s schoolmate and the leading saxophone player in his band, also travelled to Los Angeles, but Milburn promptly persuaded him to lead Milburn`s new band, the Aladdin Chickenshackers.[6] Modern Records booked Littlefield for three recording sessions in October 1949, followed by more sessions over the next two months at Radio Recorders in Hollywood. During these three months alone, over 22 sides were cut – an unusual output compared to that of most other artists, who averaged only two sessions a year. Other musicians at these sessions included the saxophonists Maxwell Davis and Buddy Floyd, the guitarists Chuck Norris and Johnny Moore, and the drummers Al Wichard and Jessie Price.[6] One of his 1950 recordings, `Happy Pay Day`, written by Jack Holmes, was later rewritten by Holmes with entirely different lyrics as `The Blacksmith Blues`, which became a hit for Ella Mae Morse.[8][user-generated source] In 1951, his duet with Little Lora Wiggins, `I`ve Been Lost`, reached number 10 on the R&B chart.[7] In 1952 he moved to the Federal subsidiary of King Records. His first session for Federal produced `K. C. Loving`, written by Jerry Leiber and Mike Stoller and later re-recorded by Wilbert Harrison as `Kansas City`. By 1957 Littlefield had moved to northern California and continued to record for Don Barksdale`s Rhythm label in San Francisco, for which he produced the single `Ruby, Ruby`.[6] Littlefield`s recording and his subsequent releases were not successful, but he remained a popular performer in clubs in the San Francisco area. In the late 1970s he toured Europe successfully, settling in the Netherlands and releasing a number of albums from 1982 into the late 1990s for the Oldie Blues label from Martin van Olderen.[9] After touring for more than 50 years, Littlefield stopped in 2000. After five years of retirement in his adopted home country, the Netherlands, he decided to play again, starting in 2006, declaring, `I went fishing for five years – now I know every herring in Holland by name – it got boring. I feel great and I want to be back with my audience.`[10] In his later years Littlefield continued to perform occasionally, mainly at festivals, particularly in the UK. In 2008 he played at the 20th Burnley Blues Festival, in 2008, and at the 5th annual UK Boogie Woogie Festival at Sturminster Newton in Dorset, in July 2009. He performed at Shakedown Blues Club, at Castor Village Hall, near Castor, Peterborough, in 2006 and made a return appearance in October 2010.[11][12] He died at his home in Voorthuizen, Netherlands, in 2013, at the age of 81. He had cancer.[4] Selected discography Selected singles 1948 (late): `Little Willie`s Boogie` / `My Best Wishes`, Eddie`s 1202 (10` shellac) 1948 (late): `Medley Boogie`, Eddie`s (unreleased) 1949 (early): `What`s the Use` / `Chicago Bound`, Eddie`s 1205 (10` shellac) c. 3/49: `Littlefield Boogie` (flip side, `Sweet Ole Woman`s Blues` by Goree Carter), Freedom 1502 (10` shellac) 1949: `Boogie Woogie Playgirl` / `Swanee River` (piano solo), Eddie`s 1212 (10` shellac) 1949: `Midnight Whistle` / `It`s Midnight`, Modern 20-686 (10` shellac) 1949: `Drinkin` Hadacol` / `Farewell`, Modern 20-709 (10` shellac) c. 12/49: `Come On Baby` / `Merry Christmas`, Modern 20-716 (10` shellac) 1950: `The Moon Is Risin`` / `Frightened`, Modern 20-726 (10` shellac) 3/50: `Your Love Wasn`t So` / `Rocking Chair Mama`, Modern 20-729 (10` shellac) 1950: `Tell Me Baby` / `Why Leave Me All Alone`, Modern 20-747 (10` shellac) 1950: `Cheerful Baby` / `Happy Pay Day`, Modern 20-754 (10` shellac) 10/50: `Trouble Around Me` / `Hit the Road`, Modern 20-775 (shellac, 10`) c. 11/50: `Ain`t a Better Story Told` / `You Never Miss a Good Woman Till She`s Gone`, Modern 20-781 (10` shellac) c. 12/50: `Come On Baby` / `Merry Christmas`, Modern 20-785 (10` shellac) 1951: `Once Was Lucky` / `I`ve Been Lost`, Modern 20-801 (10` shellac) 1951: `Lump in My Throat` / `Mean, Mean Woman`, Modern 837 (10` shellac) 1951: `Life of Trouble` / `Too Late for Me`, Modern 854 (shellac, 10`) 1952: `Sticking on You Baby` / `Blood Is Redder Than Wine`, Federal 12101 (10` shellac, 7` vinyl) c. 11/52: `K. C. Loving` / `Pleading at Midnight`, Federal 12110 (10` shellac, vinyl, 7`) 3/53 : `Turn the Lamps Down Low`, duet with Little Esther [Phillips] (flip side by Little Esther), Federal 12115 (10` shellac, vinyl, 7`) 1953: `The Midnight Hour Was Shining` / `My Best Wishes and Regards`, Federal 12137 (10` shellac, 7` vinyl) 1953: `Rock a Bye Baby` / `Miss K. C.`s Fine`, Federal 12148 (10` shellac, 7` vinyl) 1/54: `Please Don`t Go-o-o-o-oh` / `Don`t Take My Heart Little Girl`, Federal 12163 (10` shellac, 7` vinyl) 1954: `Falling Tears` / `Goofy Dust Blues` Federal 12174 (10` shellac, 7` vinyl) 1955: `Jim Wilson`s Boogie` / `Sitting on the Curbstone`, Federal 12221 (10` shellac, 7` vinyl) 8/57: `Mistreated` / `Baby Shame`, Rhythm 107 (10` shellac, 7` vinyl) 12/57: `Ruby-Ruby`, with the Mondellos (vocal group) / `Easy Go` (instrumental), Rhythm 108 (7` vinyl) 1958: `Theresa`, with female vocal group / `The Day the Rains Came` (instrumental), Rhythm 124 (7` vinyl) 1958: `Ruby-Ruby`, with the Mondellos (vocal group) / `Easy Go` (instrumental), Bullseye 1005 (shellac, 10`, 7` vinyl) 1958: `I Need a Payday` / `I Want a Little Girl`, Rhythm 115 (7` vinyl) c. 4/59: `Kansas City` [`K. C. Loving`] / `The Midnight Hour Was Shining`, Federal 12351 (7` vinyl) 1959: `Goodbye Baby` / `I Wanna Love You`, Rhythm 130 (7` vinyl) 1960: `Ruby-Ruby`, with the Mondellos (vocal group) / `Easy Go` (instrumental), Argyle 1013 (7` vinyl) 1975: `Mac`s Old House` / `San Jose Express`, Blues Connoisseur 1008 (7` vinyl) 1976: `Willie`s Blues` / `I`ll Tell the World I Do`, Blues Connoisseur 1011 (7` vinyl) Albums 1980: Paris Streetlights, Paris Album PLB 2 28508 (recorded May 14, 1980); reissued on CD, 1996, EPM Blues Collection BC 157802[13][14] 1982: Houseparty, Oldie Blues OL 8003 (recorded June 1982) 1983: I`m in the Mood, Oldie Blues OL 8006 (recorded 1983) 1985: Happy Pay Day, Ace CH 150 1987: Plays the Boogie Woogie, Schubert Records SCH-100 (recorded 1987); reissued on CD, 1992, Munich CMA CM 8013 1990: Singalong with Little Willie Littlefield, Oldie Blues OLCD 7001 (recorded 1987) 1992: ... Goes Rhythm `n Blues, CMA Music CMA CM 10002 1993: The Stars of Rhythm `n Blues! CMA Music CMA CM 10007 1994: Yellow Boogie & Blues, Oldie Blues OLCD 7006 (recorded 1994) 1997: The Red One, Oldie Blues OLCD 7005 (recorded June 1997) 2006: Little Willie Littlefield Live, Schubert Records SCH-205 (recorded live in Germany, April 20, 2006) 2008: Old Time Feeling, Stormy Monday 81242[15] Selected compilation albums 1977: K. C. Loving, K.C. 101 (LP) 1980: Volume 1, Ace 10 CH 24 (10` 8-track album) 1981: Volume 2, Ace 10 CH 34 (10` 8-track album) 1984: Jump with Little Willie Littlefield, Ace CHD 114 1993: I`m in the Mood, Oldie Blues OLCD 7002 (recorded 1982, 1983) 1995: Going Back to Kay Cee, Ace CDCHD 503 1999: Kat on the Keys, Ace CDCHD 736 2005: Boogie, Blues and Bounce: The Modern Recordings Volume 2, Ace CDCHD 1056

Led trake za VOX LED 32ADS311B JL.D32061330-083AS-M Panel: LSC320AN10 Cena je za dve trake. Trake su ispravne, u dobrom stanju.

Tangerine Dream - Hyperborea , izdanje Virgin . SBM remaster, definitive edition !! CD - 5- Buklet - 5

Tangerine Dream - Ricochet , izdanje Virgin . SBM remaster, definitive edition !!! CD - MINT Buklet - MINT

OMOT 5 CD 5 NOV NESLUŠAN 1 Kad Preko Mora... by Drazen Zecic 3:21 2 Daj Mi, Daj by Severina 2:51 3 Tebi by Zlatko Pejakovic 3:47 4 Ako Poludim by Magazin 4:14 5 Rano Je Za Zoru by Dogan Family 3:35 6 Plemenita Roda by Jole 3:38 7 Živim by Dalibor Brun 3:48 8 Bila Je... by Jasmin Stavros 4:00 9 Moj Ivane by Marko Perković Thompson 3:33 10 Lipa by Alen Nižetić 4:26 11 Rano by Minea 3:21 12 E Viva L`amor by Miso Kovac 3:14 13 Žena Bez Milosti by Vetma Nenad 3:49 14 U Kraju Mom by Maja Blagdan 3:44 15 Kad Bi Opet by Alka Vuica 3:41 16 I Po Svjetlu I Po Mraku by Danijela Martinovic 3:59 17 Love Me Tonight by Jozefina 2:54 18 Glava Plava by Duško Mucalo 3:07

George Gershwin, Eduardo Mata, Dallas Symphony Orchestra - An american in Paris, Porgy and Bess: A symphonic picture, Cuban overture , izdanje RCA . RCA red seal , izdanje iz 1983-će !!! CD - 4+ Buklet 5

Diva, Annie Lennox, CD, 1992, RCA

Prvi album Bajage Par sitnih linijica koje se vide pod odredjenim uglom pokazuju da je CD cesce preslusavan (jer vredi) ali one ne uticu na kvalitet - knjizica ima 8 strana - prodaje se u stanju kao na slikama

Cankarjev Dom, Bleščeči trenutki - Glittering highlights , promo izdanje Radio Slovenia . CD - 5 Buklet - 5 / 5-

Nasty Savage - Indulgence & abstract reality , izdanje Metal Blade . CD - 4 Buklet - 5 Digipek - 4+ / 5-

Exodus - Bonded by blood , izdanje Century Media . Remastered ! CD - 4+ / 5- Buklet (Poster) - 5 / 5-

Loudblast - Burial ground , izdanje Listenable Records . CD - 5 Buklet - 5 Kartonska navlaka - 5-

Nov CD.

Foo Fighters – Concrete And Gold Label: Roswell Records – 88985456012, RCA – 88985456012, Sony Music – 88985456012 Format: CD, Album Country: Europe Released: Sep 15, 2017 Genre: Rock Style: Alternative Rock OČUVANOST: NOVO U CELOFANU

Dick Carruthers ‎– Heavy Metal - Louder Than Life Label: Polyband ‎– none Format: 2 × DVD, DVD-Video, PAL Country: Germany Released: 2007 Genre: Rock Style: Heavy Metal OČUVANOST: OMOT 5 DVD: 5,5-

CD 5 Divlje Jagode ‎– The Very Best Of Label: Take It Or Leave It Records ‎– 22T55047 Format: CD, Compilation, Stereo Country: Serbia and Montenegro Released: 2003 Genre: Rock Style: Heavy Metal, Hard Rock Tracklist 1 Jedina moja 5:15 2 Krivo je more 4:16 3 Autostop 3:42 4 Kako si topla i mila 5:05 5 Motori 4:30 6 Nasmješi se 5:04 7 Sve iz inata 2:52 8 Šejla 3:49 9 Ne želiš kraj 3:14 10 Nazovi me 3:27 11 Čarobnjaci 4:10 12 Sama si 5:12 13 Metalni radnici 5:10 14 Samo tren 4:41 15 Ciganka 3:00 16 Let na drugi svijet 3:08 17 Divljakuša 4:36 18 Hopa cupa 3:50 19 Moja si... 3:08 Credits Lyrics By – Alen Islamović (tracks: 5-8, 11-12, 14, 17-19), Goran Petranović (tracks: 3-4), Sead Lipovača (tracks: 10, 13), Slobodan Đurasović (tracks: 15-16), T. Janković (tracks: 1-2, 9) Music By – Alen Islamović (tracks: 6) Music By, Arranged By – Sead Lipovača Producer – Enco Lesić (tracks: 3-4), Sead Lipovača (tracks: 3-4), Theo Werdin (tracks: 5-19), Vladimir Delač (tracks: 1-2) Notes Snimano u studijima `Jugoton` Zagreb (1, 2), `Druga maca` Beograd (3, 4), `Musik Park Studios` Bad Homburg (5-14), `1 RTV Sarajevo` (15-19) Miksano u studiju `Music Park Studios` Bad Homburg (15-19) Snimatelji: Branko Podbrežnički (1, 2), Enco Lesić (3, 4), Theo Werdin (5-14), Antun Marković (15-19) Asistent snimatelja: Ulli Werdin (5-14) Barcode and Other Identifiers Barcode: 8 606004 971500 Matrix / Runout: TIOLI CD 22T55047 Rights Society: SOKOJ

Mercy James Gang – Sunsetting Label: Bigger Thumb Records – 13107BTSS Format: CD, Album Country: US Released: 2004 Genre: Rock, Pop Style: Pop Rock Očuvanost CD: 5- Omot. 5-

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