Kao na slikama Prisutan miris starih knjiga Extra retko 1971 Katalin Ladik počela je svoju karijeru u Novom Sadu u periodu delovanja novosadske neoavangarde ranih sedamdesetih, da bi se devedesetih preselila u Budimpeštu. Raspon stvaralaštva Katalin Ladik kreće se od književnosti preko glume do interpretacije eksperimentalnih zvučnih kompozicija i radio-igara, fonetične i vizuelne poezije, hepeninga, performansa, akcije pa sve do mail arta. Objavila je 20 samostalnih zbirki poezije i jedan roman, od kojih su na srpski prevedeni Erogen zoon, Ikarova senka i Kavez od trave i roman Mogu li da živim na tvom licu (SFO (Re)konekcija, 2021). Svoje izložbe, performanse, hepeninge, muzičke performanse i koncerte realizovala je u okviru najznačajnijih institucija savremene kulture domaće i međunarodne scene, kao što su: Akademie der Bildenden Künste Wien „Aspekte – Gegenwärtige Kunst aus Jugoslawien” (Bosch+Bosch grupa), Van Gogh Museum Amsterdam „Vizuele poëzie”, Muzej savremene umetnosti „Verbo-Voko-Vizuelno”, Galerija suvremene umjetnosti „Nova umjetnička praksa 1966–1978”, Centre National Georges Pompidou „Rencontres internationales de poesie sonore”, Kassel, Neue Galerie, DOCUMENTA, New York, Washingto, Dubrovačke letnje igre, a trenutno se njen rad predsatavlja na svim značajnim evropskim izložbama. Rad ove umetnice, prevashodno njena verbo-voko-vizuelna istraživanja (zvučni performansi, video i audio kasete i ploče), (tekstualni) performansi tela, baš kao i obiman i značajan književni kao i rad u oblasti alternativnog teatra, priznati su i prepoznati i u međunarodnim okvirima. Njenu umetničku ličnost svrstavaju u red već gotovo mitskih ličnosti avangardi na čitavom centralnoevropskom prostoru. Za svoj umetnički rad dobila je Nacionalno priznanje za vrhunski doprinos kulturi Republike Srbije 2009, kao i Nagradu za mir i umetničku hrabrost Lennon Ono Grant for Peace 2016. Svoje prve pesme objavila je u časopisu Simpozion na mađarskom jeziku (1962) a njena prva zbirka Balada o srebrnom biciklu (Ballada az ezüstbicikliröl) sa gramofonskim, zvučnim zapisima, objavljena je 1969. godine, potom Bludna metla, Erogena zona, Kavez od trave i Ikarova senka. U prevođenju na srpski joj je pomagala književnica Judita Šalgo, takođe poznata po svojim performativnim izvođenjima poezije. „Judita Šalgo mi je pomogla u prevodu pesama, a Bogdanka Poznanović me potakla na video-dokumentaciju mog stvaralaštva. Ona je negde 1980-ih nabavila videorekorder za Akademiju umetnosti gde je bila profesorka na Odseku medija i potakla me da snimimo neki moj rad za video. Ja sam sabrala neke motive i elemente svojih performansa iz prethodnog desetljeća koji su mi se činili pogodnima za kameru i video, pa sam ih izvela na stepeništu hodnika Akademije, a video nazvala Poemim. To je ostalo kao jedini dokument onog vremena.“ Pored uticaja Bogdanke Poznanović, koja je tada osnovala na novosadskoj Akademiji umetnosti prvi studio za nove medije, knjigu Bore Ćosića Mixed Media smatrala je jako važnom za njen umetnički razvoj. Bila je članica grupa Bosch + Bosch od 1973. do 1976, u okviru koje je ipak imala svoju teritoriju zvuka i zvučnog performansa i izvodila vizualne i konceptualne radove. Novoosnovanom Novosadskom pozorištu – Újvidéki Színház pridružila se 1974. i kao članica stalnog ansabla radila do 1992. igrajući u predstavama najznačajnijih mađarskih reditelja, kao što je Jančo Mikloš i predstava Bajer aspirin – pesnička monodrama koju je za nju napisao Oto Tolnai. Tokom godina igrala je glavne i sporedne uloge u raznim TV filmovima i igranim filmovima (jedan od poznatijih je i film Lordana Zafranovića Ujed anđela). Bila je urednica pesničke rubrike književnih časopisa Elet es Irodalom (1993–94) i Ciganifuro (1994–99). Između 1993. i 1998. predavala je u muzičkom i pozorišnom obrazovnom centru Hangar. Katalin najveći trag ostavlja u svojoj foničnoj i voko-vizelnoj poeziji, ali se najviše pamte njeni performansi i body art u kojima koristi svoje telo kao instrument, često provocirajući intervenciju publike ritualno igrajući različite ženske uloge. Performativno izvođenje njenih „Šamanskih pesama“, dok je ogrnuta samo životinjskom kožom uz svetlost sveće, bio je jedan od najradikalnijih ženskih umetničkih izraza avangardne scene na tadašnjem jugoslovenskom kulturnom prostoru. „U početku sam na te radove gledala kao na poetske večeri – znači, prikazivanje poezije počev od njenog čitanja pa sve do govorenja u obliku fonične i gestualne poezije, što je na neki način bio uvod putem kojega sam ljudima dala ključ ka otvorenoj, proširenoj poeziji. Videla sam da ljudi poeziju smatraju samo onom linearnom, koju eventualno recituje glumac ili sam autor, ali govorenje ili pevanje, a kamoli fonična poezija, tada nije postojala.“ Performansi Ja sam javna žena, Blackshave, Rupa koja vrišti, Poem, Spuštanje Novog Sada niz reku Dunav,Mandora, Tesla samo su neki od najvažnijih, a spacifičnost njenog rada vidi se i u tome što je neke izvodila potpuno različito u drugim kontekstima. Katalin Ladik, performans – Zagreb, 1970. Katalin Ladik, performans – Zagreb, 1970. Katalin Ladik, Sanja Iveković i Vlasta Delimar bile su prve konceptualne umetnice novih medija a njihove umetničke strategije uticale su na poetiku različitih generacija umetnica, od Marine Abramović do nama danas savremene ženske scene. Ali, i one same još aktivno učestviju u kreiranju iste i sve više su prisutne na međunarodnoj sceni Sama Katalin je iznenađena koliko su mladi umetnici zainteresovani za njen rad: „Uskoro idem u Švajcarsku gde ću na Muzičkoj akademiji u Baselu održati radionicu na temu novih eksperimentalnih partitura i improvizacije s kompozitorima. I mene samu čudi kako se mlađe generacije zanimaju za mene i moje stvaralaštvo.“ Zanimljivo je pratiti njen odnos prema ženskoj i feminističkoj kulturi. Sama kaže da u početku nije znala puno o feminističkim teorijama, a one koje su do nje dopirale nisu joj bile bliske. Ali svoju umetničku pobunu pokazuje kroz tipično ženske motive iskazujući ne samo odnos prema patrijarhalnim matricama nego i prema represivnom umetničkom kontekstu čak i među svojim istomišljenicima. Inače, konceptualne umetnice prve problematizuju poziciju autorke u umetničkom polju delovanja. „Stoga sam izražavala svoj bunt kroz one sitne stvari koje radi svaka žena, s uverenjem da to također može da bude predmet umetnosti ili način umetničkog izražavanja. Kada sam počinjala, pišući na mađarskom sredinom 1960-ih, nisam poznavala teoriju feminizma – ne znam ni da li je postojao neki pregled na srpskom. Teorija nije programatski postojala u mom radu, već sam krenula od ličnog iskustva i započela svojevrsno oslobađanje od porodice i radnog mesta kao neki vid protesta u 1970-ima.„ Feministkinje su prepoznale njenu umetnost kao važnu elaboraciju pobunjene žene tako da je bila i gost najveće feminističke međunarodne konferencije u jednoj komunističkoj zemlji Drug-ca 1978. u Beogradu: „To je bio moj prvi susret s njima i drugim aktivnim feministkinjama iz Zagreba, s kojima sam ostala u kontaktu. Drug-ca Žena me lično obogatila, i tada sam shvatila da feminizam nije ono što sam smatrala američkim feminizmom usko usmerenim protiv muškaraca, već da se radi o prostom zalaganju za prava žena.“ Retrospektivna izložba njenih radova u Muzeju savremene umetnosti Vojvodine 2010. upravo je i nazvana Moć žene prema njenim dominantnim umetničkim postulatima. Na konferenciji K.A.T. „Umetnost u obrazovanju: interakcije“, u produkciji Saveza feminističkih organizacija (Re)konekcija u Novom Sadu (2017), mogli smo da vidimo njene trenutne umetničke preokupacije internet prostorom koje je nazvala „Alisa u zemlji kodova“. Katalin Ladik danas, Foto: Sanja Anđelković Fotografija Sanja Anđelković Katalin Ladik bavi se intrigantnim pitanjem, koje je osnovano na materijalu proširene poezije same umetnice. U unutrašnjoj naraciji svake vizuelne poezije nalazi se promena. Neobičajna medijska tranzicija odnosi se na ove objekte (vizuelnu poeziju i konkretnu poeziju), zatim na živo izvođenje i audio snimanje tih živih nastupa. Veza između vizuelnog i zvučnog je suština odnosa između poezije Katalin Ladik i njene proširene poezije, „otelovljenog perfomansa“. „Lepota se pojavljuje kao rezultat na površini, na licu dela, ali radost stvaranja se dešava na obrnutom, na naličju materijala. Energija koja se oslobađa ograničenja, raskalašno se pokazuje i prevladava. Ne poštuje pravila, pretvara se u radost i bol. To se ne možete videti s lepe, tj. prednje strane, samo sa „pogrešne“ strane tj. naličja umetničkog dela” – objašnjava autorka. [Újvidék]: [Fórum Könyvkiadó], [1971]. First edition. In publisher’s illustrated wrappers, designed by Gábor Ifjú. Printed on differently colored papers. 89, (7) p. Inscribed first edition of Katalin Ladik’s book of surreal poems. Katalin Ladik (b. 1942) is a Yugoslavian-born (today Serbia) Hungarian radical female performance artist, poet, and writer. Besides other prizes, in 2016 she was awarded by the LennonOno Grant for Peace together with Ai Weiwei, Anish Kapoor, and Olafur Eliasson. She was an exhibitor at “documenta 14” in 2017. Katalin Ladik (born Novi Sad, 25 October 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Kingdom of Yugoslavia (Hungarian: Újvidék), and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments. Contents 1 Biography 2 Awards 3 Poetry 4 Prose 5 Publications 5.1 Volumes in original language 5.2 Translated volumes 5.3 E-books 5.4 Audiobooks 6 Discography 6.1 Sound poetry 6.2 Music (experimental music, jazz) 7 Poetry readings, sound poetry performances 7.1 Online Audio 7.2 Live performances 8 Performance art 8.1 A list of performances, happenings, actions 8.2 1960s-`70s 8.3 1980s-`90s 8.4 2000s 8.5 2010s 8.6 2020s 9 Workshops with performances (selection) 10 Concerts, musical performances (selection) 11 Speech-music performances 12 Theatre 12.1 As an actress 12.2 As a director 13 Films 13.1 Feature films 13.2 Short films 13.3 Recitatives 13.4 Television interviews 13.5 Documentary 13.6 Writer’s Credit 14 Radio plays 14.1 Writer and performer 14.2 Performer 15 Artworks in permanent public and private collections 16 Exhibitions 16.1 Solo exhibitions 16.2 Group exhibitions 17 See also 18 References 19 Sources 19.1 Resources 19.2 Literature 20 External links Biography[edit] Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center. She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club. Awards[edit] Katalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). Katalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012). In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2] In 2016, she was awarded with the Lennon Ono Grant for Peace.[3] Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica. 2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”) 2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons” 2019 Ferencváros Pro Urbe Award [4] 2020 „My Country” („Hazám díj) Award in recognition of her lifetime achievement [5] 2021 Medal of culture for lifetime achievement, ie. for overall creativity/work awarded by Miloš Crnjanski Centre 2021 Novi Sad` International Literary Award, which is awarded by the 16th International Novi Sad Literary Festival organized by the Society of Writers of Vojvodina 2022 Hungarian Order of Merit Officer`s Cross, one of the highest Orders in Hungary 2022 Prize in Fiction (Poetry) category of the Society of Hungarian Authors 2022 Alföld Literary Prize Poetry[edit] Katalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian. `She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...) She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.` Poetry Depot Prose[edit] Her first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos. Publications[edit] Volumes in original language[edit] Ballada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969 Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971 Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978 Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981 A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984 Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988 Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994 A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998 Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004 Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007 Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011 Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012 A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016 Idővitorla (Time Sailing), Selected Poems (1962-2022) | poems | Hungarian | Forum, Novi Sad, 2022 Béranya versek (Surrogacy Poems) | poems | Hungarian | Tipp-Cult Kft, Parnasszus Könyvek, P-Art, Budapest, 2022 Translated volumes[edit] Poesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983 Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992 Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999 Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004 Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005 Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006 Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica hrvatska, Osijek, 2007 Poems | English | Cultural Centre of Vojvodina, `Miloš Crnjanski`, Novi Sad, 2022 Mogu li da živim na tvom licu : romaneskna životna priča (Can I Live on Your Face: novelistic life story) | prose | Serbian |(Re) konekcija, Novi Sad, 2021 Raspjevane žeravice: izbrane pjesme 1962-1982 (Singing embers: selected poems 1962-1982) | poems| Croatian | DAF, Zagreb, 2022 E-books[edit] Fűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf format Fűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formats A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Kiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Ikarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf format Engagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link] Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf format Audiobooks[edit] 2020: Liquid mirror (Folyékony tükör) presented by Vera Sípos 00:00:00 – Folyékony tükör 1; 00:55:47 – Folyékony tükör 2 Audiobooks by contemporary authors published online by DIA, the Digital Literature Academy of PIM [6] Discography[edit] Sound poetry[edit] Ballada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969 Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976 Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979 La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980 Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982 Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987 Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987 Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996 Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998 Vízisámán / Water Shaman | CD | Budapest, 1999 Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003 Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011 Phonopoetics | Vinyl, LP | Alga Marghen (Milano), in co-production with acb Gallery (Budapest) Milano, 2019 [7] Water Angels | Vinyl, LP | Alga Marghen (Milano), in co-production with acb Gallery (Budapest) Milano,, 2021 [8] Music (experimental music, jazz)[edit] As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister). Ernő Király | LP | Udruženje Kompozitora Vojvodine, Novi Sad, 1978 Boris Kovač: Ritual Nova I | LP | Symposion Records, Overstrand, 1986 Boris Kovač: Ritual Nova II | CD | Recommended Records, London, 1989 Ernő Király - Spectrum | CD | Autobus, Paris, 1999 Deže Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010 I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016 Poetry readings, sound poetry performances[edit] Online Audio[edit] Fűketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, mp3 format A négydimenziós ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Ikarosz biciklijén (On Icarus’ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Kíűzetés - Jegyesség (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 format Live performances[edit] 2011 Négy fekete ló mögöttem repül (Four Black Horses Fly Behind Me); Jégmadár (Icebird); excerpts from Belső vízözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTube Performance art[edit] Most of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art. A list of performances, happenings, actions[edit] 1960s-`70s[edit] 1968 Budapest, Szentendre - Hungary | UFO | Tamás Szentjóby, Miklós Erdély, Katalin Ladik | happening 1970 Belgrade - Serbia | Pozorište Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basement) | performance Zagreb - Croatia | Žanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performance Budapest - Hungary | József Attila Művelődési Ház (Cultural Centre József Attila) | with Jenő Balaskó | literary performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Temerin - Serbia | performance 1971 Bačka Topola - Serbia | UFO Party | performance Samobor - Croatia | Samoborski Fašnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performance Biograd - Croatia | UFO Party | performance Zagreb - Croatia | Studentski Centar (Student Centre) | performance Belgrade - Serbia | Dom Omladine (Youth Centre) | performance Zagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Četvrta dimenzija kutije (Fourth Dimension of the Box) | performance 1972 Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet) Zagreb - Croatia | Teatar ITD (Theatre ITD)| performance Novi Sad - Serbia | Tribina Mladih (Youth Tribune) | performance Belgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performance Balatonboglár - Hungary | Kápolna Galéria (Kápolna Gallery) | Group Bosch+Bosch | performance 1974 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/ 1975 Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/ Novi Sad (Serbia): `Spuštanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/ 1976 Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/ 1977 Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, fonična i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik) Kraków (Poland): `Phonopoetica` /performance/ Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. Tucić) /performance/ Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/ Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/ 1978 Kranj (Slovenia), Prešeren Theatre / Prešernovo Gledališče /performance/ Sarajevo (Bosnia and Herzegovina), Youth Theatre / Pozorište Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Četvrta dimenzija – krik` (Fourth Dimension – Scream) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Pesnički maraton` (Poetry Marathon) /performance/ Novi Sad (Serbia), Sonja Marinković Student Club / Studentski Klub ‘Sonja Marinković’: `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Würzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/ Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnička praksa 1966-1978` (New Art Practice 1966-1978) /performance/ 1979 Subotica (Serbia), Youth Centre / Dom Omladine: `Az éneklő varrógép – The Singing Sewing Machine` (with Zsolt Király) /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole – A sikoltozó lyuk` /performance/ Amsterdam (Netherlands): `One World Poetry` /performance/ Utrecht (Netherlands), Gallery ‘T Hoogt / ‘T Hoogt Galerie: `One World Poetry` /performance/ Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `Mesék a hétfejű varrógépről` (Stories of the Seven-headed Sewing Machine) /performance/ 1980s-`90s[edit] 1980 Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/ New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/ Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/ Gyula (Hungary), Castle Theatre / Várszínház, Knights’ Hall / Lovagterem: `Alice` /performance/ Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/ 1982 Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’/ Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin újvidéki költő és előadóművész szerzői estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/ Novi Sad (Serbia), Cultural Centre Petőfi Sándor / Petőfi Sándor Művelődési Ház: `Telepi esték – Ladik Katalin szerzői estje` (Evenings in Telep – with Poet Katalin Ladik) (with Ottó Tolnai, Zsolt Király) /performance/ Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Ladik Katalin szerzői estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’ / Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin szerzői és előadói estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/ Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Šalgo) /performance/ Osijek (Croatia), Students’ Youth Centre / Studentski Centar Mladih, Osiječko ljeto (Summer in Osijek): `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrou” (Icarus on the Subway) (with Judita Šalgo, Selimir Radulović) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/ Kanjiža (Serbia), Literary Camp / Književna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Šević: `Sound Poetry Performance` (with Vujica R. Tucić and Bob Cobbing) /performance/ Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/ Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/ Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/ 1983 Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/ Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980) Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Šekspira` (Tempest – Based on Shakespeare) – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/ Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon) 1984 Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/ Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/ Szeged (Hungary), József Attila University (Today: University of Szeged) / József Attila Tudományegyetem: `Mandora 1.` /performance/ Cogolin (France), Rencontres Internationales de Poésie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/ Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/ 1985 Belgrade (Serbia), Magaza Theatre / Pozorište Magaza: `Mandora 2.` /performance/ Budapest (Hungary), Cultural Cente of Lágymányos / Lágymányosi Művelődési Otthon: `Mandora 2.` /performance/ Budapest (Hungary), Metropolitan Cultural Centre / Fővárosi Művelődési Ház: `Alice` /performance/ Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/ Novi Sad (Serbia), ‘Sonja Marinković’Cultural Centre / Kulturni Centar ‘Sonja Marinković’, Youth Tribune / Tribina Mladih: `Mandora` /performance/ Stari Bečej (Serbia) /performance/ 1988 Szeged (Hungary), JATE Club: `Polyphonix` /performance/ Pécs (Hungary): `Alice` /performance/ Budapest (Hungary), Vigadó Chamber Hall / Vigadó Kamaraterem, Hangár Est (‘Wall of Sound’ Evening): `Alice` /performance/ 1989 Spoleto (Italy): `O Fortuna` /performance/ Nové Zámky (Slovakia): `O Fortuna` /performance/ Novi Sad (Serbia): `O Fortuna` /performance/ 1990 Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with Zoltán Pletl) /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Ex-panzió 2. Festival: `Angyal/Angel` /performance/ Novi Sad (Serbia): `Seraphine Tanz` /performance/ 1993 Szentendre (Hungary), Dalmát Cellar / Dalmát pince, UHF Kisújrevue /performance/ Szeged (Hungary), JATE Club: `Alice` /performance/ Vác (Hungary), Greek Chapel / Görög Templom, Expanzió 5. Festival /performance/ 1994 Szeged (Hungary): `Performancia` with Lukács Bitskey /performance/ Zebegény (Hungary): `A helyettesítő asszony (The Substitute)` /performance/ Pécs (Hungary): `A négydimenziós ablak (The Four-dimensional Window)` with Tamás Szalay /performance/ 1995 Marseille (France), International Poetry Centre / Centre International de Poèsie: `Kassák` /performance/ 1996 Marseille (France), Meyer Gallery / Galerie Meyer: `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ Ajaccio – Corsica (France): `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/ 2000s[edit] 2002 Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `Fűketrec / Grass-cage` 2003 Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` /performance/ 2004 Monza (Italy) /performance/ Salerno (Italy) /performance/ Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` Budapest (Hungary), A38 Ship / A38 hajó: `Lomtalanítás` (Cleaning the House) /performance/ Budapest (Hungary), Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum: `Torony-Lomtalanítás` (Cleaning the Tower-House) /performance/ 2005 Terény (Hungary), Expanzió Festival: `Angel` /performance/ 2006 Budapest (Hungary), Serbian Theatre in Hungary / Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj: `Tesla`, /audio-visual oratorio/ Otterlo (Netherlands), Kröller-Müller Museum: `Change Art` /action/ Amsterdam (Netherlands): `Tesla` /performance/ Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/ 2007 Nové Zámky (Slovakia), Art Gallery / Galéria Umenia: `Gyakorlatok üres húrokon – Kassák-kód` (Exercises on Empty Strings - Kassák Code) /performance/ Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria: `Fűketrec` (Grass-cage) /performance/ Budapest (Hungary), Mu Theatre / Mu Színház: `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ Verőce (Hungary), Ekszpanzió XX Festival: `Tesla, Audio-visual Oratorio` /performance/ Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar Alkotóművészeti Közalapítvány Alkotóháza, József Attila Kör 18. irodalmi tábora (18th Literary Camp of the József Attila Circle): `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/ 2008 Budapest (Hungary), Petőfi Literary Museum / Petőfi Irodalmi Múzeum, A Szépírók Társasága V. őszi irodalmi fesztiválja – Nők a férfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association – Women in a Men`s World): `Diptichon` (with Endre Szkárosi), performance Belgrade (Serbia), ARTGET Gallery – Cultural Centre Belgrade / Galerija ARTGET – Kulturni Centar Beograda (World Poetry Day): `Tesla – Homo Galacticus` /performance/ Szigliget (Hungary), József Attila Kör 20. irodalmi tábora (20th Literary Camp of the József Attila Circle): `Trip-ti-chon` (with Veronika Czapáry), performance Budapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika Czapáry), performance Bratislava (Slovakia), Ars Poetica Medzinárodny Festival Poézie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[9] 2009 Visegrád (Hungary), The Roof Terrace of King Matthias Museum / A Mátyás Király Múzeum tetőterasza, Ekszpanzió XXI Festival: “Kerub` (Cherub) /performance/ 2010s[edit] 2010 Budapest (Hungary), Gallery A22 / A22 Galéria, Tibor Papp`s Exhibition Opening: `Óraköltemény` (Poem-Clock) /performance/ Subotica (Serbia), Kosztolányi Dezső Theatre / Kosztolányi Dezső Színház: `Tesla – Homo Galacticus` /performance/ Budapest (Hungary), Millenáris Theatre / Millenáris Teátrum, Book Festival: `Szabadkőműves szex` (Freemason Sex) (with drMáriás) /performance/ Štaglinec (Croatia), `Voda` – `Water` Međunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/ Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis Zsinagóga Kortárs Galéria, artAlom élőművészeti fesztivál (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/ Szeged (Hungary) – Subotica (Serbia), Railway line, Kultúrcsempész Sínbusz Fesztivál (Culture-smuggler Railbus Festival): Megaphone-assisted readings by Gábor Virág, Slobodan Tišma, Gábor Lanczkor, Tamara Šuškić, Vladimir Kopicl, Katalin Ladik, Siniša Tucić, Roland Orcsik 2011 Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / Műcsarnok: `Preparababrakabaré` /performance/ Marseille (France), Museum of Contemporary Art / Musée d`Art Contemporain, Poésie Marseille 2011, 8ème Festival (8th Marseille Poetry Festival, 2011): `Le Grand Ménage` (Spring Cleaning) /performance/ Târgu Mureș (Romania), National Theatre - Small Hall / Teatrul Naţional – Sala Mică, Testet öltött szavak rendezvény (Words Embodied – Event series): `Alice` /performance/ Budapest (Hungary), Mu Theatre / Mu Színház, Ismeretlen kutatása improvizációs alkotóműhely (Searching the Unknown – Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/ 2012 Budapest (Hungary), Hungarian Writers` Association / Magyar Írószövetség: XXIV. Ekszpanzió Festival, `Idézet` Szimpozion és Kiállítás (`Quotation` Symposium and Exhibition): `Ásó, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/ Komárom (Hungary), Fort Monostor – Film Museum / Monostori Erőd – Filmmúzeum, Mediawave 2012 Festival: `Nagytakarítás` (`Spring Cleaning`) /performance/ Łódź (Poland), MS2 – Lodz Museum of Art / MS2 – Muzeum Sztuki w Łodzi: `Alicja w krainie kodów` (Alice in Codeland) /performance/ Budapest (Hungary), Address: 8th district, Pál street 6.: Gödör bújócska – irodalom, zene, film, tánc, színház, beszélgetés (Gödör Club Hide-and-seek – literature, music, film, dance, theatre, discussions) /sound poetry performance/ Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `Nagytakarítás` (`Spring Cleaning`) /performance/ Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice Kódországban` (`Alice in Codeland`) /performance/[10] 2013 Budapest (Hungary), Óbudai Társaskör, Kassák Museum, Kassák Year: `Alice Kódországban` (Alice in Codeland) /performance/[11] Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIĆ, „Tesla. Homo Galacticus” /performance/ Székesfehérvár (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice Kódországban` (Alice in Codeland) /performance/[12] Budapest (Hungary), Fuga, Autonómia Filmklub 5, „I Belong to the Band”: Katalin Ladik`s voice on „poets of the absurd on chalk”[13] 2014 Százhalombatta (Hungary), Katalin Ladik - Endre Szkárosi, Slam Poetry /performance/ Budapest (Hungary), Mika Tivadar Vigadó, JazzaJ, Katalin Ladik – Jean Michel van Schowburg, Katalin Ladik – Zsolt Sőrés, „Sounds to Go” (Hangok elvitelre) /performance/ [14] 2015 Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performance Gothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performance Vienna (Austria), Campus AAKH Hof 7, Universität Wien, `Singende Schnittmuster – Singing Dress Pattern`, lecture-performance, multimedia slide-show 2016 Poreč (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzo” /performance/,[15][16] Budapest (Hungary), MÜSZI, @Transart Communication, Katalin Ladik & Zsolt Sőrés „Alchemical Wedding” (Alkímiai nász) /performance/ Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection. Katalin Ladik: “Tranzit Zoon” /performance/ [17] 2017 Athens (Greece), Oval Staircase, Megaron – the Athens Concert Hall, “All the In-Between Spaces”, Concept and direction by: Paolo Thorsen-Nagel. Katalin Ladik: “Follow me into mythology” /performance/ [18] Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de Campos Limassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, „Live Lecture” /solo sound poetry performance/ Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition „Live Lecture” /solo sound poetry performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/ Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, „Wall(ed)”, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice). Budapest (Hungary), Trafó, „Alice in Codeland” /multimedia performance/ Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation „Sound Poems” /live performance/ Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), „K.A.T (Culture – Activism – Theory) Conference”, „Creative Transitions”/live lecture, multimedia and sound poetry performance/ Novi Sad (Serbia), Bulevar Books, „TraNSporteur multilingual poetry” /poetry reading/ Lodz (Poland), House of Literature, „Puls Literary Festival, 2017, Hungarian Day”, „Sounds in Lodz” / live lecture, multimedia performance and live sound poetry performance/ 2018 Berlin (Germany), neue Gesellschaft für bildende Kunst (nBgK), `Alice in Codeland`, multimedia performance Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Follow me into Mythology” /live lecture and soloperformance/ Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Desire of Touch” /Duoperformance with Natalia Pschenitschnikova/ Budapest (Hungary), Mersz Klub, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture and soloperformance/ Budapest (Hungary), Hungarian University of Fine Arts, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture with Emese Kürti/ Budapest (Hungary), Közkincs Könyvtár, `MŰVÉSZ + NŐ` (ARTIST + WOMAN), „Feminizmus és művészet ma?” (Feminism and Art Today?), „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/ Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/ Zagreb (Croatia), „Showroom of Contemporary Sound”, „Transitions” /live lecture/ Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), „Fountains of Rome - Mouth to Lung!” /live lecture and sound performance/ Budapest (Hungary), Három Holló – Drei Raben, „Antracit szájrúd (Antracit mouthpiece) /sound poetry performance/ Berlin (Germany), Akademie der Künste, `19. poesiefestival berlin 2018, Weltklang – Night of Poetry`, sound poetry performance Berlin (Germany), German Centre for Poetry (Haus f’ür Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archive 2019 Basel (Switzerland), Music Academy of Basel, Master Class in Free Impovisation, „Homo Ludens” (live lecture) Dresden (Germany), Lipsiusbau, „Alice in Codeland” / performance Rotterdam (the Netherlands), DE PLAYER, in collaboration with KRAAK, „BRAUBLFF #8 (Materie und Laut), Memory of Water / sound installation and sound poetry performance Brussels (Belgium), DE PLAYER, in collaboration with KRAAK, „BRAUBLFF #8 (Materie und Laut), „Memory of Water” / sound installation and sound poetry performance Madrid (Spain), Elba Benitez Gallery, „O-PUS” (solo exhibition curated by Adam Budak) / sound poetry performance Paris (France), Palais de Tokyo, The Liberated Voice, Sound Poetry, „Memory of Water” /sound installation 2020s[edit] 2020 London (UK), Café OTO, Tinted Window with issue No.2: Verbivocovisual dedicated to `Materializzazione del Linguaggio`, a 1978 Venice Biennale exhibition curated by Mirella Bentivoglio/ sound installation (Memory of Water) and performance (Tranzit Zoon) [19] Budapest (Hungary), Trafo Gallery, Nyitott műterem #21 (Open Studio), Zoom conversation with Emese Kürti Budapest (Hungary), acb Attachments, „Szerelmem, Sing-her!” (My Love, Sing-her!). Opening of solo exhibition „Sewn Sounds” (Bevarrt hangok) 2021 Veszprém (Hungary), Pannon Várszínház (Pannon Castle Theatre), „Alice Kódországban” (Alice in Codeland)/ performace Budapest (Hungary), Art9 Gallery, „Új szakralitás” (New sacrality) / sound poetry performance Budapest (Hungary), MAMŰ, Opening of the exhibition „Graphic Score” /sound poetry performance [20] Budapest (Hungary), Kassák Múzeum, „A víz emlékezete” („The Memory of Water”), Finissage of the exhibition „Poetry & Performance - Performance Art in Eastern Europe” /sound installation 2022 Budapest (Hungary), Godot Gallery, opening of the exhibition of drMáriás / sound poetry performance [21] Vienna (Austria), Alte Schmiede, „akustische Poesie” („Acoustic poetry”) / sound poetry performance [22] Bratislava (Slovakia), Slovak National Gallery, „Follow me into mythology” / sound poetry performance and live lecture Budapest (Hungary), Kassák Múzeum, „Szkárosi-emlékest” (Memorial evening), „Gyaloghíddal a csillaglejtőn” (Footbridge over the stargate )/sound poetry Berlin (Germany), Collegium Hungaricum, „The Poets’ Sounds” / sound poetry performance Cologne (Germany), Loft, „The Poets’ Sounds” / sound poetry performance London (UK), London Woolwich Works, LCMF (London Contemporary Music Festival) “Sad and Ruined” /sound poetry performance Belgrade (Serbia), „The Poets’ Sounds” / sound poetry performance Limassol (Cyprus), Art Studio 55, SARDAM-Literature Festival, sound poetry and „Tranzit Zoon” performance Workshops with performances (selection)[edit] 2018 Zagreb (Croatia), „Showroom of Contemporary Sound”, „Noćna pjesma morskih ježeva” („Night song of sea lizards”) /improvisation and sounding in visual and concrete poetry workshop for the students of the Department of Animation and New Media of the Fine Art Academy in Zagreb (OZAFIN), as a part of the project Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union/ [23] 2021 Berlin (Germany), Lettrétage im ACUD Studio, Poets’ Sound Production Workshop 1, creation of the visual score „Drei Eier” Cologne (Germany), LOFT Cologne, Poets’ Sound Production Workshop 2, finalizing the visual score „Drei Eier” Berlin (Germany), Collegium Hungaricum Berlin, Poets’ Sound Production Workshop 3, rehearsal of the visual score based performance „Drei Eier” Concerts, musical performances (selection)[edit] 1969 Opatija (Croatia): Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija) 1970 Opatija (Croatia): Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija; Branimir Sakač: Bellatrix - Alleluja) Novi Sad (Serbia): Muzika i Laboratorija (Music and Laboratory) (with Ernő Király) Osijek (Croatia): Annale komorne opere i baleta (Annual festival of chamber opera and ballet) 1971 Zagreb (Croatia): Muzički biennale (Music Biennale – International Festival of Contemporary Music) (MBZ Radionica/Workshop II with Ernő Király, et al.; Chamber Music - Branimir Sakač: Bellatrix - Alleluja) Dubrovnik (Croatia): Dubrovačke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble) Radenci (Slovenia): Festival sodobne komorne glazbe (Contemporary Chamber Music Festival) 1972 Munich (Germany): (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble) Radenci (Slovenia): Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival) Osijek (Croatia): Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet) Novi Sad (Serbia), ‘Radivoj Ćirpanov’ Workers’ University / Radnički univerzitet ‘Radivoj Ćirpanov’ (ACEZANTEZ Ensemble) Belgrade (Serbia), Studentski kulturni centar (Student Cultural Centre) – Festival Expanded Media (ACEZANTEZ Ensemble) 1979-2012 Belgrade (Serbia), Dom Sindikata – BEMUS Belgrade Music Festival: “Oratorio Profano” (composer: Dušan Radić, conductor: Oskar Danon) Opatija (Croatia): Jugoslovenska muzička tribina (Yugoslav Music Tribune) Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012 Budapest (Hungary), Italian Cultural Institute / Olasz kultúrintézet / Istituto Italiano di Cultura, Avantgárd művészetek a világban: mi lett a sorsuk? Nemzetközi tanácskozás (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001 Vienna (Austria), Spiritus Noister Group, 2004 Szentendre (Hungary), Spiritus Noister Group, 2009 Szekszárd (Hungary), Spiritus Noister Group, 2012 2016 Budapest (Hungary), Művelődési Szint (MÜSZI), „@Transart Communication 2016”, „Alchimist Wedding” /concert and live sound performance with Zsolt Sőrés/ Veszprém (Hungary), House of Arts, „Alkímiai mennyegző” („Alchimist Wedding”) /concert and live sound performance with Zsolt Sőrés/ Budapest (Hungary), Müpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ Budapest (Hungary), Kassak Museum, „Dadarabok” /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/[24] 2017 Budapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound Studio 2018 Debrecen (Hungary), MODEM, Katalin Ladik: „Határidőnapló” („Diary Book”) /concert and live sound performance with Gyula Várnai/ Veszprém (Hungary), 2018, House of Arts, „Spring Reopening, We believe in life before death”, „Claes Oldenburg: I am for an Art” /concert and live sound performance with Gyula Várnai/ Basel (Switzerland), IGNM, Ackermannshof, Free Improvisation based on graphic scores of Ernő Király and Katalin Ladik Budapest (Hungary), FUGA Centre for Architecture, Design Week, Attila Dóra (bass clarinate), Katalin Ladik (vocal) Budapest (Hungary), Budapest Music Center (BMC), Wortlaute II, Transparent Sound New Music Festival, Ladik Katalin, „Ha múlna e láng” 2019 • Belgrade (Serbia), artist in residence at the Radio Beograd Electronic Studio, Katalin Ladik and Svetlana Maraš have created three new pieces (Electric Bird, White Bird and Ice Bird) [25] Speech-music performances[edit] Author „Drei Eier” (German, Serbian, Hungarian), presented by Sprechbohrer (Sigrid Sachse, Harald Muenz and Georg Sachse), „Drei Eier” (German, Serbian, Hungarian) [26] Theatre[edit] As an actress[edit] Jean-Paul Sartre: The Condemned of Altona; dir. István Lányi; Ifjúsági Tribün (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963 Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor Gellér; Petőfi Sándor Művelődési Egyesület (’Petőfi Sándor’ Cultural Association); Novi Sad (Serbia); 1963 Molière: The Imaginary Invalid (Béline); dir. Ljubica Ravasi; Srpsko Narodno Pozorište (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece) Sándor Guelmino: Özvegy (Widow); dir. Tibor Vajda; Echo (az Újvidéki Rádió és az Ifjúsági Tribün színpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969 Ferenc Tóth (text) – Ernő Király (composer): Jób (Job) (Performer – Recitative); dir. István Szabó, Jr.; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972 István Örkény: Macskajáték (Cats` Play) (Ilus); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav Dorić; Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1975 Gergely Csiky: Mukányi (Ella); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1976 Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1977 Molière: Dom Juan or The Feast with the Statue (Mathurine); dir. Dušan Sabo; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Péter Telihay; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978 Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Ottó Tolnai: Végeladás (Clearance Sale) (Mrs Csömöre); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979 Gyula Hernádi: V.N.H.M. Szörnyek évadja (V. N. H. M. - Season of Monsters); dir. Miklós Jancsó; Summer Theatre in Gyula; Várszínház; (Hungary); 1980 Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1980 Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ottó Tolnai: Bayer Aspirin (The Actress); dir. Miklós Jancsó; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Ferenc Deák: Nirvana (Csontos Vali); dir. István Szabó Jr.; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981 Bertolt Brecht: Baal (Emilie); dir. Milan Belegišanin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Dezső Kosztolányi: Anna Édes ( Mrs Druma); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983 Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanov’s) (Mother Puzirjova); dir. Haris Pašović; Akademsko Pozorište “Promena” (“Change” Academic Theater); Novi Sad; (Serbia); 1983 Mihály Majtényi: Harmadik ablak (The Third Window) (Mrs Lódi); dir. György Hernyák; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984 Gyula Gobby Fehér: A Duna menti Hollywood (Hollywood by the Danube) – Multimedia Performance About the Life of Ernő Bosnyák (The Baron`s Lover); dir. Károly Vicsek; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Ivo Brešan: Anera (Anera); dir. Dimitar Stankoski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985 Howard Barker: The Castle (Skinner); dir. David Gothard; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); (Serbia); 1986 Friedrich Dürrenmatt: The Visit (First Woman); dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Forgatókönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986 István Örkény: Tóték (The Tót Family) (Mrs Tót); dir. Gábor Székely; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Edward Albee: A Delicate Balance (Julia); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Jordan Plevnes: „R” (Katerina); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987 Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Samuel Beckett: Happy Days (Winnie); dir. Radoslav Lazić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988 Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Želimir Orešković; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1989 Ferenc Molnár (Franz Molnar): Liliom (Mrs Muskát); dir. László Babarczy; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ede Tóth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs Tarisznyás); dir. Hernyák György; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990 Ottó Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. Péter Tömöry; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991 Józsi Jenő Tersánszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Jean Anouilh: The Orchestra (Cello); dir. Voja Soldatović; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992 Péter Nádas (text) – László Vidovszky (composer): Találkozás (Encounter) (Mária); dir. András Éry-Kovács; Shure Studio; Budapesti Kamaraszínház (Chamber Theatre in Budapest); (Hungary); 1997 Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (Léon Charles Miqueut sous-ingénieur principal di CNU / Sub head-engineer at CNU); dir. Róbert Csontos; Kolibri Színház (Kolibri [’Hummingbird’] Theatre); Budapest (Hungary); 1997 Sean O´Casey: Bedtime Story (Landlady); dir. Pál Kanda; Függeten Színpad III társulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [’Hummingbird’] Cellar Theatre); Budapest (Hungary); 1998 László Najmányi: Adieu Monsieur Bloom – Cabaret Noire (Nora Barnacle); dir. László Najmányi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu Színház (Mu Theatre); Budapest; (Hungary); 2003 László Najmányi: A száműzött Joyce / The Exiled Joyce (Nora Barnacle); dir. László Najmányi; Bloomsday Festival; Szombathely; (Hungary); 2003 Radoslav Zlatan Dorić: Ne daj Bože, da se Srbi slože / Ne adj isten, szerbek egyesülnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan Dorić; Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004 László Najmányi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. László Najmányi; Mu Színház (Mu Theatre); Budapest; (Hungary); 2004 László Najmányi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. László Najmányi; ReJoyce Festival; Szombathely; (Hungary); 2004 György Baráthy: Origami (I Woman); dir. György Baráthy; Artéria Színházi Társaság (Theatre Company “Artéria”); RS9 Studio Theatre; Budapest; (Hungary); 2005 Torkolat/Estuary (Unborn child), dir: Al Farman Petra (Freeszfe), Freeszemle, Király fürdő, Budapest (Hungary), 2022 Szabadkai szecesszió/Art Nouveau in Subotica based on George Tabori’s My Mother’s Courage (Mother), dir: Zlatko Paković, Kosztolányi Dezső Színház. Subotica, 2021 As a director[edit] The Last Chapter by Navjot Randhawa, performed by the‘Theatre of Roots and Wings’ and Punjab Sangeet Natak Akademi in P

Kao na slikama Retko u ponudi Sjajne vizuelne pesme mađarskih neoavangardista iz Vojvodine Oto Tolnai (Ottó Tolnai) je rođen je u Kanjiži 1940. godine. Pesnik, pripovedač, dramski pisac, esejista. Prevođen je na srpski, nemački, poljski, engleski, holandski, slovački, francuski, italijanski jezik. Oto Tolnai je najplodniji i najsvestraniji stvaralac u književnosti vojvođanskih Mađara. Okušao se u svim mogućim umetničkim formama živeći večno u metamorfozama, od pesme do eseja, od eksperimentalnog romana do drame. Studirao mađarski jezik i književnost u Novom Sadu i filozofiju u Zagrebu. Dobitnik svih najznačajnijih književnih nagrada u bivšoj Jugoslaviji – dva puta Hidove nagrade (1974, 1978), Sirmaijeve nagrade (1988), nagrade Todor Manojlović (2007) i u Mađarskoj – nagrade Attila József (1991), Endre Ady (1995), Tibor Déry (1995) Milan Füst (1997), Sándor Weöres (1999), Miklós Radnóti (2000). Za člana Mađarske akademije književnosti i umetnosti izabran je 1998. godine. Najveće mađarsko državno priznanje, Košutovu nagradu, dobio je 2007. godine. Zbirke pesama: Homorú versek (Konkavne pesme), 1963; Sirálymellcsont (Galebova grudnjača), 1967; Valóban mi lesz velünk? (Zaista šta će biti sa nama, sa Ištvanom Domonkošem), 1968; MAO-POE, sa Ištvanom Domonkošem, 1968; Szeplötelen kis gépek, csöpp fejedelmi jelvények (Bezgrešne male mašine, sićušne kneževske insignacije), 1968; Agyonvert csipke (Prebijena čipka), 1969; Legyek karfiol (Da budem karfiol), 1973; Versek (Pesme), 1973; Világpor (Prah sveta), 1980; Vidéki Orfeusz (Provincijski Orfej), izabrane pesme, 1983; Gyökerrágó (Zderač korenja), 1986; Versek könyve (Knjiga pesama), 1992; Wilhelm-dalok (Vilhelmove pesme), 1992; Árvacsáth (Sirotančat), 1992; Balkáni babér (Balkalnski lovor), 2001; Szög a nadirban (Ekser u nadiru), 2005; Ómama egy rotterdami gengszterfilmben (Baka u jednom roterdamskom gangsterskom filmu, roman od pesama), 2006. Zbirke pesama za decu: Elefántpuszi (Slonovska pusa), 1982; Rokoko (Rokoko), 1986. Romani: Rovarház (Kuća insekata), 1969; A tengeri kagyló (Morska školjka), 2011. Zbirke novela: Gogol halála (Gogoljeva smrt), 1972; Virág utca 3 (Cvećarska broj 3), 1983; Prózák konyve (Knjiga proza), 1987; Kékitögolyó (Plavilo), 1994; A pompeji szerelmesek (Ljubavnici iz Pompeja) 2007; Grenadírmas (Grenadirmarš), 2008; Világítótorony eladó (Svetionik na prodaju), 2010. Knjige eseja o likovnim umetnostima: Sáfrány Imre (Imre Šafranj), monografija, 1978; Meztelen bohóc (Goli klovn), 1992; Rothadt márvány (Truli mermer), 1997. Izvedene su mu drame: Végeladás (Rasprodaja), 1979; Вауеr-aspirin (Bajerov aspirin), 1982; Briliáns (Brilijant), 1985, 1991; Paripacitrom (Konjska fuškija), 1991; na sceni budimpeštanskog Jurta Színháza Mamuttemetö (Groblje mamuta), 1988; zbirka dramskih tekstova Végel(ö)adás (Rasprodaja – Poslednja predstava), 1997. Na srpskom jeziku: Gerilske pesme (pesme, 1967); ZOO (pesme, dvojezično, 1969); Kuća insekata (roman, 1976); Priče iz robne kuće (novele, 1986); Krik ruže (pesme, 1988); Rusma ili minijum možda (pesme, 1990); Krvoločna zečica (kratke proze, 2006); Pesnik od svinjske masti (roman-intervju, 2009) i Morska školjka (roman, 2011) Tags: Mađarska avangarda balint szombathy slavko matkovic katalin ladik ... visual concrete avant-garde poetry hungarian poets bosch+bosch collage kolaz typewrite art

Xiaomi Redmi Note 11 4/64 Plavi Specifikacija: Procesor Frekvencija Octa-core (4×2.4 GHz Kryo 265 Gold & 4×1.9 GHz Kryo 265 Silver) Model Qualcomm SM6225 Snapdragon 680 4G (6 nm) Memorija RAM 4 GB Skladišni prostor 64 GB SD card Yes Ekran Rezolucija 1080×2400 piksela, odnos 20:9 (gustina ~409 ppi) Veličina ekrana 6.43 in Tip AMOLED Zaštita Corning Gorilla Glass 3 Kamera Prednja kamera 13 MP f2.4 Zadnja kamera 50 MP f1.8 + 8 MP f.2.2 + 2 MP f2.4 + 2 MP f2.4 Baterija Baterija Li-Po 5000 mAh, non-removable Punjenje Podržava brzo Pro punjenje do 30W Konekcija Network UMTS, EDGE, GPRS, HSPA+, LTE, EV-DO Rec.A, 5G NSA, 5G SA WiFi Wi-Fi 802.11 a/b/g/n/ac, dual-band, Wi-Fi Direct, hotspot NFC Yes Bluetooth 5.0, A2DP, LE GPS A-GPS, GLONASS, BDS, GALILEO USB USB Type-C 2.0, USB On-The-Go Softver Operativni sistem Android 11, MIUI 13 Audio AAC, AAC+/aacPlus/HE-AAC v1, AMR/AMR-NB/GSM-AMR, AMR-WB, aptX/apt-X, aptX HD/apt-HD/aptX lossless, eAAC+/ aacPlus v2/HE-AAC v2, FLAC, MIDI, MP3, OGG, WMA, WAV, LDAC Video 3GPP, AVI, DivX, H.263, H.264, H.265, MKV, MP4, VC-1, Xvid Dimenzije Dimenzije 159.9 x 73.9 x 8.1 mm Težina 179 g Opšte Boja Tamno plava SIM Dual SIM (Nano-SIM, dual stand-by) Originalni naziv Redmi Note 11 Kategorije: Mobilni Telefoni, Telefonija, Xiaomi

Samsung mobilni telefon Galaxy A12 4/128GB White Dizajn: Monoblok Dijagonala ekrana: 6,5" Rezolucija: 1600 x 720 HD+ Tip ekrana: PLS TFT LCD, Infiniti-V, 60 Hz, osetljiv na dodir, 16M boja, 20:9 ratio, ~264 ppi SIM slot: Dual SIM (Nano SIM) Operativni sistem: Android 10 Procesor: ARM Octa Core (4x 2,35 GHz Cortex-A53 & 4x 1,8 GHz Cortex-A53) Čipset: Mediatek MT6765 Helio P35 (12nm) Grafika: PowerVR GE8320 RAM memorija: 4 GB Interna memorija: 128 GB Proširenje int. memorije: MicroSD do 1 TB Zadnja kamera: 48 + 5 + 2 + 2 Mpix - 48 Mpix, f/2,0, 26mm (wide), AF - 5 Mpix, f/2,2, 123˚ (ultrawide) - 2 Mpix, f/2,4, (macro) - 2 Mpix, f/2,4, (depth) - Digitalno zumiranje do 10x - LED flash, panorama, HDR - video: 1080p@30fps Prednja kamera: 8 Mpix, f/2,2 - video: 1080p@30fps Podržani formati: - video: MP4, M4V, 3GP, 3G2, WMV, ASF, AVI, FLV, MKV, WEBM -audio: MP3, M4A, 3GA, AAC, OGG, OGA, WAV, WMA, AMR, AWB, FLAC, MID, MIDI, XMF, MXMF, IMY, RTTTL, RTX, OTA Senzori: - čitač otiska prsta - akcelometar - virtualnog osvetljenja - virtualne blizine Wi-Fi 802.11 b/g/n, Wi-Fi Direct, hotspot Bluetooth v5.0, A2DP, LE GPS sa A-GPS, GLONASS, GALILEO, BDS NFC USB 2.0 Tip-C Izlaz za slušalice 3,5 mm Tastatura: Touch Kapacitet baterije: 5000 mAh Snaga brzog punjenja: 15 W Autonomija baterije: - vreme razgovora (LTE): 34 h - video playback: 21 h - audio playback: 109 h - internet (LTE): 20 h - internet (WiFi): 19 h Mreže: - 2G mreža - 3G mreža - 4G (LTE) Dimenzije: 164 x 75,8 x 8,9 mm Težina: 205 g Boja: Bela

Autor:Dusko Trifunovic. Izdavac:Prometej-Novi sad. Ukupno jedanaest knjiga.Mali format,tvrde korice,dobro kao na slici. Na jednoj knjizi ima posveta. Knjige nisu išarane. Naslovi:slobodni pad,dunavski zmaj,mic po mic micimetar,zlokotlokrp,odosmos u kosmos,mandragola i halogeni elementi, tempo sekondo,šegrt u majstoratu, antički poremećaj, kazneni prostor, vlasnik restorana radost.

Model: Xiaomi Redmi Watch 2 liteGlcrnsmart Boja: Crna Dimenzije: 4,1 cm x 3,5 cm x 1,09 cm Displej: 1,55", TFT LCD Rezolucija: 320 × 360 px Funkcija: 100+ sportskih režima Merač srčanog ritma Kontaktni senzori za brzinu otkucaja srca Merenje pulsa: Automatsko Senzor kiseonika u krvi Praćenje kvaliteta sna Obaveštenja Vremenska prognoza Alarm Kontrola muzike GPS GLONASS Galileo Kompatibilnost: Android 6.0 i noviji, iOS 10 i noviji Narukvica: Termoplastični poliuretan, Dužina:14 cm - 21 cm Autonomija rada do 10 dana, Do 5 dana pod većim opterećenjem Težina: 35 g

Huawei GT2 PRO Vidar B19V Nebula Gray Kućište od titanijuma Saphirno staklo Bežično punjenje BT poziv Music pleyer Preko 100 workout modela Compas, baterija traje 14 dana Ekran: 1,39" AMOLED, osetljiv na dodir (podržava slajd i dodir) Rezolucija ekrana: 454 x 454 pix Procesor: Kirin A1 + STL4R9 Memorija: 32 MB RAM/4 GB ROM Bluetooth 5.1，BLE/BR/EDR Senzori: - akcelerometar - žiroskop - geomagnetni senzor - optički senzor za merenje otkucaja srca - senzor ambijentalnog osvetljenja - senzor vazdušnog pritiska - kapacitivni senzor Dugme za uključivanje, dugme za funkcije Podržan mikrofon Vreme izlaska i zalaska sunca 8 vrsta mesečevih faza Nadograđena LED svetla i premijum spoljno staklo na leđima u kombinaciji sa pametnim AI algoritmom delotvorno smanjuju potrošnju struje i precizno mere SpO2 ili otkucaje srca 24-časovno praćenje otkucaja srca Detekcija zasićenja kiseonikom Novi Golf režim Praćenje podataka za 100+ režima treninga, uključujući 17 profesionalnih režima i 85 prilagođenih režima 6 režima treninga trčanja na otvorenom/zatvorenom, hodanje na otvorenom/zatvorenom i veslanje Praćenje maksimalne stopa potrošnje kiseonika tokom vežbe Može pratiti i dijagnostikovati 6 čestih problema sa snom dok pruža predloge za bolji odmor Route Back funkcija pamti vašu putanju i koristi GPS za preciznije označavanje pozicije Ugrađeni visinski barometar detektuje promenu vazdušnog pritiska u realnom vremenu kako bi vam dao podsetnike Sačuvajte do 500 pesama i lako ga uparite sa HUAWEI FreeBuds Pro. Možete trčati ili džogirati uz omiljenu muziku bez telefona Možete primiti, odbiti ili mutirati pozive i proveriti istoriju direktno na svom satu putem Bluetooth konekcije sa telefonom HUAWEI Share OneHop: dodirnite sat HUAWEI telefonima i lako možete započeti brzi prenos fotografija Baterija: 455 mAh Bežično punjenje: 2 h Autonomija: 14 dana Sa 5 minuta bežičnog brzog punjenja, možete ga koristiti do 10 sati Vodootpornost: 5 ATM Temperatura rada: -20 do 45 °C Vlažnost: 5% do 95% (bez kondenzacije) Kompatibilni OS: - Android 4.4/5.0/5.1/6.0/7.0/7.1/7.1.2/8.0/9.0 - iOS 9.0/9.1/9.2/9.3/10.0/11.0/11.4/12/13 Dimenzije: 46,7 x 46,7 x 11,4 mm Težina: 52 g (bez kaiša) Boja: Siva

Model:Xiaomi Haylou RT2 Veličina ekrana 1.32"- Retina HD displej Rezolucija ekrana 360 x 360 Ostalo Poveziv sa Android 6.0 ili novijim, Poveziv sa iOS 11.0 ili novijim Povezivost Bluetooth™ 5.0 Pračenje aktivnosti Brojač koraka Da Pređena distanca Da Praćenje sna Da Modovi vežbanja Biciklizam, Brzo hodanje, Fudbal, Joga, Košarka, Penjanje, Teretana, Trčanje napolju, Trčanje u zatvorenom, Veslanje Ostale karakteristike Senzori Merenje saturacije, Optical heart rate sensor Vodotpornost IP68 Baterija Kapacitet 300mAh

Model: Samsung A34 5G 128GB srebrna Operativni Sistem: Android 13, One UI 5.1 Ekran Veličina: 6.6" 2340 x 1080 px Ekran Tip: SUPER AMOLED. Gustina ekrana: ~390 ppi. Osvežavanje: 120 Hz. Osvetljenje ekrana: 1000 niti (HBM) Procesor: Octa-core (2x2.6 GHz Cortex-A78 & 6x2.0 GHz Cortex-A55) Čipset: Mediatek MT6877V Dimensity 1080 (6 nm) RAM: 6 GB Interna memorija: 128 GB Proširenje interne memorije: microSDXC Zadnja kamera: 48 MP + 8 MP + 5 MP Stabilizacija: Optička stabilizacija (OIS) Prednja kamera: 13 MP, f/2.2, (wide) Dual Sim: Da SIM slot tip: 1 Nano SIM + 1 Nano SIM / Micro SD Mreže: 3G, 4G (LTE), 5G Dimenzije i težina: 161.3 x 78.1 x 8.2 mm / 199 g Konekcija Kablom: USB-C Ostale Konekcije: Wi-Fi 802.11 a/b/g/n/ac/6, dual-band, Wi-Fi Direct, Bluetooth v5.3, NFC Senzori: Čitač otiska prsta. Akcelerometar. Kompas. Žiroskop. Senzor blizine Ostalo: Snaga brzog punjenja: 25 W. Otpornost na prašinu i vodu: IP67. Baterija: 5000 mAh

Tip ekrana: AMOLED Veličina ekrana: 1.2" Rezolucija ekrana: 390 x 390 Osetljiv na dodir: Da Operativni sistem: Huawei Wear OS Kompatibilni operativni sistemi Android 4.4 ili novija verzija iOS 9.0 ili novija verzija Interna memorija: 4 GB GPS: Da Bluetooth: Da Trajanje baterije: 7 dana za standardnu upotrebu. Akcelerometar Žiroskop Geomagnetni senzor Optički senzor za merenje otkucaja srca Senzor za ambijentalno osvetljenje Senzor za vazdušni pritisak Kapacitivni senzor Vodootpornost: WR 50m/5ATM/5bar - samo neznatno prskanje (kod pranja ruku, kiša, vlaga), ali ne i uron sata u vodu. Boja: Crna Dimenzije: 41.8 x 41.8 x 9.4 mm Opseg pokrivanja zgloba: 13 ～ 19 cm Težina: Približno 29 g (bez kaiša)

Honor Watch GS Pro Marl White Veličina ekrana: 1,39" Rezolucija ekrana: 454 x 454 pix Tip ekrana: AMOLED, osetljiv na dodir, 326 ppi Baterija: Punjiva Li-Ion, 790 mAh Trajanje baterije: Do 25 dana Vreme punjenja: do 2 h (na sobnoj temperaturi) Procesor: HUAWEI Kirin A1 Memorija: - 32 MB RAM memorije - 4 GB interne memorije Magnetno punjenje (Magnetic charging thimble) Bluetooth 5.1, BLE/BR/EDR, 2,4 GHz Bluetooth domet: Do 150 m (bez prepreka) GPS Senzori: - senzor ubrzanja (Accelerometer) - žiroskop (Gyroscope) - geomagnetni (Geomagnetic) - optički senzor otkucaja srca (Optical heart rate sensor (PPG)) - senzor ambijetalnog osvetljenja (Ambient light sensor) - barometar (Barometer) - kapacitivni (Capacitive) Vodootpornost: 5 ATM Operativna temperatura rada: -20 do +45 °C Operativna vlažnost vazduha: 5% do 95% Sat podržava 100 režima vežbanja, možete da dodate željene režime vežbanja ili uklonite režime vežbanja koje ne morate raditi na satu Obaveštenja: - podsetnici na poruke (pozivi, SMS poruke, VeChat, e-pošta) - glasovno emitovanje tokom treninga - podsetnik za Bluetooth vezu - podsetnik o aktivnosti - podsetnik za postizanje cilja - upozorenje o ograničenjima srčane frekvencije Fitness i zdravlje: - praćenje i beleženje podataka o vežbanju za razne treninge Tracking Svakodnevno praćenje i praćenje aktivnosti (celodnevni, individualni trening) - Count Brojanje koraka, brojanje kalorija i analiza podataka o trajanju aktivnosti umerenog i visokog intenziteta - 24-časovno praćenje otkucaja srca - kontinuirano praćenje otkucaja srca i šalje upozorenja tokom treninga - test nivoa stresa, vežbe disanja, praćenje sna, visok puls u mirovanju, puls u niskom mirovanju, nadzor SpO2 Pomoćnik za vežbanje: - automatsko otkrivanje režima vežbanja - glasovno emitovanje tokom treninga - pametan pratilac - povratak nazad - kompas - barometar - upozorenja o teškim vremenskim uslovima - vreme izlaska i zalaska sunca - profesionalni treninzi Upravlja reprodukcijom muzike na telefonu, reprodukuje muziku pomoću zvučnika na satu ili pomoću povezanih Bluetooth slušalica za slušanje muzike Čuvanje i sinhronizacija podataka: - pohranjuje i sinhronizuje podatke o vežbanju, spavanju i stresu Funkcije aplikacije Huavei Health: - povezivanje sata - postavljanje korisničkih informacija - snimanje podataka o trenutnom / prethodnom treningu - praćenje ruta za vežbanje - snimanje grafikona otkucaja srca - izrada plana treninga - pružanje izveštaja i predloga o obuci - postavljanje ciljeva vežbanja - deljenje podataka o vežbanju - prikupljanje podataka o spavanju Kompatibilnost: - Android 5.0 ili noviji - iOS 9.0 ili noviji Materijal sata: guma + metal (rubber + metal) Materijal narukvice: fluoroelastomer, najlon (Fluoroelastomer strap, Nylon braid) Širina narukvice: 22 mm Za obim zgloba: 140 – 210 mm Dimenzije: 48 x 48 mm Težina: 45,5 g - bez narukvice Boja: Bela

Honor Watch ES Coral Pink Veličina ekrana: 1,64" Rezolucija ekrana: 456 x 280 pix Tip ekrana: AMOLED, osetljiv na dodir Baterija: Punjiva Li-Ion Trajanje baterije: 7 - 10 dana Magnetno punjenje (Magnetic charging thimble) Bluetooth 5.0, BLE, 2,4 GHz Microprocessor: DK 3.5 + ST Memorija: 4 GB Senzori: - 6-axis IMU senzor (Accelerometer, Gyroscope) - optički senzor otkucaja srca (Optical heart rate sensor) - kapacitivni (Capacitive sensor) Vodootpornost: 5 ATM Operativna temperatura rada: -10 do +45 °C Funkcije treninga: 95 različitih načina treninga Lični virtuelni trener Svakodnevno praćenje i nadgledanje aktivnosti: - snima broj koraka, pređeni put, sagorevanje kalorija i druge podatke - evidentira statistiku za trajanje aktivnosti umerenog do visokog intenziteta i stajanja Nadgledanje srčane frekvencije: - ručno pojedinačno merenje - kontinualno merenje pulsa u pozadini (nadgleda puls kad nije omogućen nijedan trening) - kontinuirano praćenje otkucaja srca (pametno, u realnom vremenu) - merenje pulsa u mirovanju Nadgledanje spavanja: - nadgledanje stanja i vremena spavanja - TruSleep aplikacija Otkrivanje nošenja: - automatsko otkrivanje statusa nošenja sata - podsetnici za poruke, obaveštenja o dolaznom pozivu i otkrivanje otkucaja srca onemogućeni su kada je sat skinut sa zgloba. Čuvanje i sinhronizacija podataka: - automatsko čuvanje dnevnih aktivnosti / trčanja / plivanja / spavanja / broja otkucaja srca - sinhronizacija podataka dnevnih aktivnosti / trčanja / plivanja / spavanja / otkucaja srca sa aplikacijom Huavei Health GPS pozicioniranje: - mapiranje putanje kretanja na otvorenom Podsetnici: - obaveštenje o dolaznom pozivu - podsetnici na poruke - podsetnik za alarm - podsetnik o aktivnosti - upozorenje o Bluetooth prekidu veze - upozorenja o niskom nivou napunjenosti baterije i alarm za isključenje zbog niskog nivoa baterije - inder Podsetnik za svaki kilometar tokom vežbanja (podsetnik za interval) - podsetnik na puls u mirovanju - vežbajte upozorenje za gornju granicu otkucaja srca - podsetnik za postizanje cilja Kompatibilnost: - Android 5.0 ili noviji - iOS 9.0 ili noviji Materijal sata: Plastika (Engineering plastic) Materijal narukvice: Silikon (Silicone) Širina narukvice: 18 mm Za obim zgloba: 130 – 210 mm Dimenzije: 46 x 30 x 10,7 mm Težina: 21 g - bez narukvice Boja: Roze

Model: Xiaomi Redmi A2 32GB black Dizajn: Monoblok Tip ekrana: IPS Dijagonala ekrana: 6.52" Rezolucija: 1600 x 720 Karakteristike ekrana: • Gustina ekrana: ~269 ppi • Osvetljenje: 400 niti • Odnos stranica: 20:9 • Rezolucija: 1600 x 720 • IPS LCD Rezolucija : HD+ Verzija operativnog sistema: Android 12 (Go Edition) RAM memorija: 2 GB Opis procesora: Octa-core (4x2.2 GHz Cortex-A53 & 4x1.7 GHz Cortex-A53) Čipset: Mediatek Helio G36 (12 nm) Grafika: PowerVR GE8320 Interna memorija: 32 GB Proširenje interne memorije: microSD do 1TB Zadnja kamera: 8.0 Mpix + 0.08 Mpix Opis zadnje kamere: 8 MP, f/2.0, (wide) 0.08 MP (depth) Features: Dual-LED flash, HDR Video: 1080p@30fps Opis prednje kamere: 5 MP, f/2.2 Video: 1080p@30fps Senzori: • Akcelerometar Opis Bluetooth: 5.0, A2DP, LE Opis GPS: GPS, GLONASS, GALILEO, BDS Opis WiFi: Wi-Fi 802.11 a/b/g/n Radio: Da Interfejs za punjenje: Micro-USB NFC: Ne Izlaz za slušalice: Da Snaga brzog punjenja: 10 W Kapacitet baterije: 5000 mAh SIM slot: Dual SIM SIM slot tip: 1 Nano SIM + 1 Nano SIM + Micro SD Boja: crna 3G mreža: Da 4G (LTE): Da 5G mreža: Ne Dimenzije: 164.9 x 76.75 x 9.09 mm Masa: 192 g

Model: Xiaomi Redmi Note 12S 256GB bl Operativni sistem:Android Veličina ekrana:6.4" Broj SIM slotova:2 Procesor:MTK Broj jezgara:Octa Core Brzina procesora:2.0 GHz RAM:8 GB Interna memorija:256 GB Rezolucija glavne kamere:108 MP + 8 MP + 2 MP Kapacitet baterije (mAh):5.000 mAh Tip ekrana:IPS + LCD Rezolucija ekrana:1080 x 2400 Format ekrana:20:9 Veličina SIM kartice:Nano SIM Prednja kamera:16 MP Rezolucija video snimka glavne kamere:HDR Vrsta USB-a:Type-C Blic :Da SD slot :do 256 GB LTE :Da NFC :Da Bluetooth:Da WiFi :Da Radio/MP player :Da Otporan na vodu i prašinu:IP53 prskanje i prašinu Čitač otisaka prstiju:Da Baterija integrisana:Da Boja pametni telefon:Crna Dimenzija (WxHxD mm):165.9 x 76.2 x 8 mm Masa (g):188 g Boja detaljni opis:mat crna Slušalice u paketu:Ne

Srpski pesnici Matica srpska 1-10 komplet Tvrdi povez sa zaštitnim omotom Izdavač Matica Srpska, 1989 1. Milan Rakic - Pesme 2. Laza Kostic - Pesme 3. Djura Jaksic - Pesme 4. Branko Radicevic - Pesme 5. Vojislav Ilic - Pesme 6. Jovan Jovanovic Zmaj - Pesme 7. Vladislav Petkovic Dis - Pesme 8. Mileta Jaksic - Pesme 9. Jovan Ducic - Pesme 10. Aleksa Santic - Pesme Stanje Veoma dobro, kao novo!

Model: Xiaomi Redmi 10C 64GB gray Operativni sistem Android Veličina ekrana 6.7\" Broj SIM slotova 2 Procesor Snapdragon Broj jezgara Octa Core Brzina procesora 4x2.0 GHz & 4x1.8 GHz RAM 4 GB Interna memorija 64 GB Rezolucija glavne kamere 50 MP + 2 MP Kapacitet baterije (mAh) 5.000 mAh Tip ekrana IPS + LCD Rezolucija ekrana 720 x 1600 Format ekrana 19:9 Veličina SIM kartice Nano SIM Prednja kamera 5 MP Rezolucija video snimka glavne kamere HDR Vrsta USB-a Type-C Blic Da SD slot do 256 GB LTE Da NFC Da Bluetooth Da WiFi Da RadioMP player Da Otporan na vodu i prašinu Ne Čitač otisaka prstiju Da Baterija integrisana Da Boja Siva Dimenzija (WxHxD mm) 169.6 x 76.6 x 8.3 mm Masa (g) 190 g Boja detaljni opis mat tamnosiva Slušalice u paketu Ne

Model: Xiaomi Redmi Note 13 Pro blk Rezolucija ekrana: 1220 x 2712 Veličina ekrana: 6.7" Tip ekrana: AMOLED WiFi: Da Bluetooth: Da Čitač otisaka prstiju: Da Operativni sistem: Android 13 MIUI 14 Boja: Mat crna Broj jezgara: Octa Core RAM: 8 GB Interna memorija: 256 GB Veličina SIM kartice: Nano SIM Vrsta USB-a: Type-C Broj SIM slotova: 2 Procesor: MTK Kapacitet baterije (mAh): 5.000 mAh SD slot: Do 512 GB SIM: Dual SIM ( Nano-SIM ) Prednja kamera: 16 MP Boja: Crna Rezolucija glavne kamere: 200 MP + 8 MP + 2 MP Brzina procesora: 4x2.4 GHz & 4x2.0 GHz Dimenzije (ŠxVxD mm): 161.2 x 74.3 x 8 mm

Model: Xiaomi Redmi Note 13 Pro green Operativni sistem: Android 13, MIUI 14 Procesor i grafika: Octa-core 2.2 GHz Čipset: Mediatek Helio G99 Ultra Grafika: Mali-G57 MC2 Ekran: Dijagonala ekrana: 6.67" Rezolucija: 2400 x 1080 piksela (Full HD) Karakteristike ekrana: Osvežavanje ekrana: 120 Hz Osvetljenje ekrana: 1300 nits (peak) Odnos stranica: 20:9 Tip ekrana: AMOLED Corning Gorilla Glass 5 zaštita Dual SIM: Da (Nano SIM + Nano SIM) RAM memorija: 8 GB Interna memorija: 256 GB Slot za memorijsku karticu: microSDXC Zadnja kamera: 200.0 Mpix (glavna) + 8.0 Mpix (ultrawide) + 2.0 Mpix (makro) Prednja kamera: Rezolucija: 16 MP, f/2.4 (široka) Video: 1080p@30fps Ostale karakteristike: Senzori: Čitač otiska prsta (ispod ekrana, optički), Akcelerometar, Žiroskop, Kompas, Senzor blizine Bluetooth: 5.2, A2DP, LE GPS: GPS, GLONASS, GALILEO, BDS Wi-Fi: Wi-Fi 802.11 a/b/g/n/ac, dual-band Interfejs za punjenje: USB-C Izlaz za slušalice: Da Otpornost na prašinu i vodu: IP54 Baterija: Snaga brzog punjenja: 67 W Kapacitet baterije: 5000 mAh Boja: Zelena Mreža: 2G mreža: Da 3G mreža: Da 4G (LTE): Da 5G mreža: Ne

Model: Xiaomi Redmi Note 13 Pro prpl Boja: Ljubičasta Dijagonala ekrana: 6.67" Rezolucija: 2400 x 1080 piksela Karakteristike ekrana: Osvežavanje ekrana: 120Hz Osvetljenje ekrana: 1300 nits (peak) Odnos stranica: 20:9 Tip ekrana: AMOLED Corning Gorilla Glass 5 zaštita Verzija operativnog sistema: Android 13, MIUI 14 RAM memorija: 8 GB Opis procesora: Octa-core 2.2 GHz Čipset: Mediatek Helio G99 Ultra Grafika: Mali-G57 MC2 Interna memorija: 256 GB Proširenje interne memorije: microSDXC Zadnja kamera: 200.0 Mpix (glavna) 8.0 Mpix (ultrawide) 2.0 Mpix (makro) Stabilizacija kamere: Optička stabilizacija (OIS) Opis zadnje kamere: Glavna kamera: 200 MP, f/1.7, PDAF, OIS Video: 4K@30fps, 1080p@30/60fps Prednja kamera: 16 MP, f/2.4 Video: 1080p@30fps Senzori: Čitač otiska prsta (ispod ekrana, optički) Akcelerometar Žiroskop Kompas Senzor blizine Bluetooth: 5.2, A2DP, LE GPS: GPS, GLONASS, GALILEO, BDS Wi-Fi: Wi-Fi 802.11 a/b/g/n/ac, dual-band Interfejs za punjenje: USB-C Izlaz za slušalice: Da Snaga brzog punjenja: 67 W Otpornost na prašinu i vodu: IP54 Kapacitet baterije: 5000 mAh SIM slot: Dual SIM (Nano SIM + Nano SIM) Podržane mreže: 2G mreža: Da 3G mreža: Da 4G (LTE): Da 5G mreža: Ne

Model: Realme C51 RMX3830 128GB cblac Boja: Crna Dijagonala ekrana: 6.74" Rezolucija: 1600 x 720 Karakteristike ekrana: • Gustina ekrana: ~260 ppi • Osvetljenje ekrana: 560 niti (peak) • Osvežavanje ekrana: 90Hz • Odnos stranica: 20:9 • Rezolucija: 720 x 1600 Verzija operativnog sistema: Android 13, Realme UI T RAM memorija: 4 GB Opis procesora: Octa-core (2x1.8 GHz Cortex-A75 & 6x1.8 GHz Cortex-A55) Čipset: Unisoc Tiger T612 (12 nm) Grafika: Mali-G57 Interna memorija: 128 GB Proširenje interne memorije: microSDXC Zadnja kamera: 50 Mpix + 0.08 Mpix Opis zadnje kamere: 50 MP, f/1.8, 27mm (wide), 1/2.76", 0.64µm, PDAF 0.08 MP, f/3.0, (depth) LED flash, HDR, panorama Video: 1080p@30fps Opis prednje kamere: 5 MP, f/2.2, 28mm (wide), 1/5", 1.12µm HDR 720p@30fps Senzori: • Čitač otiska prsta • Akcelerometar • Kompas • Blizina Opis Bluetooth: 5.0, A2DP, LE Opis GPS: GPS, GLONASS, GALILEO Opis WiFi: Wi-Fi 802.11 a/b/g/n/ac, dual-band Radio: Ne Interfejs za punjenje: USB-C NFC: Ne Izlaz za slušalice: Da Snaga brzog punjenja: 33W Kapacitet baterije: 5000 mAh SIM slot: Dual SIM SIM slot tip: 1 Nano SIM + 1 Nano SIM / Micro SD 2G mreža: Da 3G mreža: Da 4G (LTE): Da 5G mreža: Ne Dimenzije: 167.2 x 76.7 x 8 mm Masa: 186 g

Huawei GT2 PRO Vidar B19S Night Black Kućište od titanijuma Saphirno staklo Bežično punjenje BT poziv Music pleyer Preko 100 workout modela Compas, baterija traje 14 dana Ekran: 1,39" AMOLED, osetljiv na dodir (podržava slajd i dodir) Rezolucija ekrana: 454 x 454 pix Procesor: Kirin A1 + STL4R9 Memorija: 32 MB RAM/4 GB ROM Bluetooth 5.1，BLE/BR/EDR Senzori: - akcelerometar - žiroskop - geomagnetni senzor - optički senzor za merenje otkucaja srca - senzor ambijentalnog osvetljenja - senzor vazdušnog pritiska - kapacitivni senzor Dugme za uključivanje, dugme za funkcije Podržan mikrofon Vreme izlaska i zalaska sunca 8 vrsta mesečevih faza Nadograđena LED svetla i premijum spoljno staklo na leđima u kombinaciji sa pametnim AI algoritmom delotvorno smanjuju potrošnju struje i precizno mere SpO2 ili otkucaje srca 24-časovno praćenje otkucaja srca Detekcija zasićenja kiseonikom Novi Golf režim Praćenje podataka za 100+ režima treninga, uključujući 17 profesionalnih režima i 85 prilagođenih režima 6 režima treninga trčanja na otvorenom/zatvorenom, hodanje na otvorenom/zatvorenom i veslanje Praćenje maksimalne stopa potrošnje kiseonika tokom vežbe Može pratiti i dijagnostikovati 6 čestih problema sa snom dok pruža predloge za bolji odmor Route Back funkcija pamti vašu putanju i koristi GPS za preciznije označavanje pozicije Ugrađeni visinski barometar detektuje promenu vazdušnog pritiska u realnom vremenu kako bi vam dao podsetnike Sačuvajte do 500 pesama i lako ga uparite sa HUAWEI FreeBuds Pro. Možete trčati ili džogirati uz omiljenu muziku bez telefona Možete primiti, odbiti ili mutirati pozive i proveriti istoriju direktno na svom satu putem Bluetooth konekcije sa telefonom HUAWEI Share OneHop: dodirnite sat HUAWEI telefonima i lako možete započeti brzi prenos fotografija Baterija: 455 mAh Bežično punjenje: 2 h Autonomija: 14 dana Sa 5 minuta bežičnog brzog punjenja, možete ga koristiti do 10 sati Vodootpornost: 5 ATM Temperatura rada: -20 do 45 °C Vlažnost: 5% do 95% (bez kondenzacije) Kompatibilni OS: - Android 4.4/5.0/5.1/6.0/7.0/7.1/7.1.2/8.0/9.0 - iOS 9.0/9.1/9.2/9.3/10.0/11.0/11.4/12/13 Dimenzije: 46,7 x 46,7 x 11,4 mm Težina: 52 g (bez kaiša) Boja: Crna

Model: Xiaomi Redmi 12C 64GB black Dizajn: Monoblok Tip ekrana: IPS Dijagonala ekrana: 6.71" Rezolucija: 1650 x 720 Karakteristike ekrana: • Osvetljenje ekrana: 500 niti • Gustina ekrana: ~268 ppi • Rezolucija: 1650 x 720 • IPS LCD Verzija operativnog sistema: Android 12, MIUI 13 RAM memorija: 3 GB Opis procesora: Octa-core (2x2.0 GHz Cortex-A75 & 6x1.8 GHz Cortex-A55) Čipset: Mediatek MT6769Z Helio G85 (12nm) Grafika: Mali-G52 MC2 Interna memorija: 64 GB Proširenje interne memorije: microSDXC Zadnja kamera: 50 Mpix + 0.08 Mpix Opis zadnje kamere: 50 MP, (wide), PDAF 0.08 MP (depth) Features: LED flash, HDR Video: 1080p@30fps Opis prednje kamere: 5 MP Video: 1080p@30fps Senzori: • Čitač otiska prsta • Akcelerometar • Senzor blizine Opis Bluetooth: 5.1, A2DP, LE Opis GPS: GPS, GLONASS, BDS, GALILEO Opis WiFi: Wi-Fi 802.11 a/b/g/n/ac, dual-band, Wi-Fi Direct Radio: Da Interfejs za punjenje: Micro-USB NFC: Ne Izlaz za slušalice: Da Snaga brzog punjenja: 10 W Kapacitet baterije: 5000 mAh SIM slot: Dual SIM SIM slot tip: Nano SIM + Nano SIM Boja: Crna 3G mreža: Da 4G (LTE): Da 5G mreža: Ne Dimenzije: 168.8 x 76.4 x 8.8 mm Masa: 192 g

Model:Xiaomi Redmi Note 11 64GB blue Dizajn: monoblok Dijagonala ekrana: 6,43" Rezolucija: 2400 x 1080 FHD+ Tip ekrana: AMOLED, 90Hz, 700 nits, 1000 nits (peak), 20:9 ratio, ~409 ppi Corning Gorilla Glass 3 SIM slot: Dual SIM (Nano-SIM) Operativni sistem: Android 11, MIUI 13 Procesor: ARM Octa Core (4x 2,4 GHz Kryo 265 Gold & 4x 1,9 GHz Kryo 265 Silver) Čipset: Qualcomm SM6225 Snapdragon 680 4G (6 nm) Grafika: Adreno 610 RAM memorija: 4 GB Interna memorija: 64 GB Proširenje int. memorije: microSD Zadnja kamera: 50+8+2+2 Mpix - 50 Mpix, f/1,8, 26mm (wide), PDAF - 8 Mpix, f/2,2, 118˚ (ultrawide) - 2 Mpix, f/2,4, (macro) - 2 Mpix, f/2,4, (depth) - LED flash, HDR, panorama - Video: 1080p@30fps Prednja kamera: 13 Mpix - 13 Mpix, f/2,4, (wide) - Video: 1080p@30fps Wi-Fi 802.11 a/b/g/n/ac, dual-band, Wi-Fi Direct, hotspot Bluetooth 5.0, A2DP, LE GPS, A-GPS, GLONASS, BDS, GALILEO NFC Infrared port USB Type-C 2.0 Izlaz za slušalice 3,5 mm 24-bit/192kHz audio Senzori: - bočno postavljen senzor otiska prsta - akcelerometar - žiroskop - kompas - senzor blizine Baterija: integrisana Li-Po, 5000 mAh Brzo punjenje: 33 W, 100% za 60 min Power Delivery 3.0 Quick Charge 3+ Mreže: - 2G mreža - 3G mreža - 4G (LTE) IP53 otpornost na prskanje i prašinu Dimenzije: 159,9 x 73,9 x 8,1 mm Težina: 179 g Boja: plava (Twilight Blue)

Model: Hifuture AURA siva Ekrana: 1,04" AMOLED Rezolucija: 340 x 320 pix Bluetooth 5.2 IP68 vodootpornost Trajanje baterije: do 7 dana 24-satnim monitoring otkucaja srca MYonitoring nivoa kiseonika u krvi Praćenje spavanja Praćenje celodnevnih aktivnost Različiti sportski režimi Quick Dial: brzo biranje i pozivanje Mnogobrojna lica sata Primajte telefonske pozive, SMS poruke Notifikacije Kompatibilnost: - Andriod 7.0 i noviji - IOS 12.0 i noviji Materijal kućišta sata: nerđajući čelik Širina kućišta: 30 mm Materijal narukvice: nerđajući čelik Širina narukvice: 20 mm Boja: siva