PRODUŽENO SVIRANJE Priključite i svirajte; sve Vaše instrumente, sve vreme. Sa dva pretpojačala treće generacije, četiri linijska ulaza i četiri balansirana izlaza– za sintisajzere, ritam mašine i luping u hardver efektima – naš najpovezaniji bus-powered interfejs (sa napajanjem preko USB-a) snima gde god da se nalazite. Provedite više vremena svirajući a manje vremena za priključivanje. OVO JE NAČIN ZA VAŠE ZVUČNO OGLAŠAVANJE Focusrite Control omogućava Vam da na jednostavan način usmerite Vaš audio i zvučni miks, povratnu petlju (loopback) i monitor mikseve, sa Vaših Mac®, PC, iPad®, iPhone® ili iPod touch® uređaja. Pošaljite, strimujte, uzorak – jednostavno. NAJBOLJI ZVUK, NA LAK NAČIN Easy Start omogućava Vam da postavite setap, da snimate i reprodukujete u nekoliko minuta. Naša pretpojačala za mikrofone, ulazni priključci za instrumente sa visokim hedrumom i sada već čuveni Gain Halos znače da je postignut sjajan zvuk. Mi smo se pobrinuli za tehnologiju, a Vi se možete fokusirati na muziku. VAŠI SNIMCI SE PROIZVODE VEĆ 30 GODINA Proizvodimo pretpojačala za mikrofone već 30 godina, pretpojačalo treće generacije je najbolje za koje Scarlett ikad čuo. 24-bitni/192kHz konverteri omogućavaju da Vaši snimci budu jasni i precizni. Air modalitet daje živost vokalima, dodajući jedinstvene precizne detalje. Decenije iskustva znače da Scarlett zvuči baš kao Vi. NAŠA TEHNOLOGIJA JE ZVUK Neverovatno pouzdan, Focusrite hardver Vas neće izneveriti. Ukoliko pak naiđete na problem, možete se osloniti na naš globalni tim za podršku i dvogodišnu garanciju kako bi se problem rešio. Zvuk. SVI ALATI KOJI SU VAM POTREBNI ZA PRODUKCIJU NA PRAVI NAČIN, ODMAH Vaš 4i4 audio interfejs dolazi sa celokupnim asortimanom softvera za snimanje, zvukovima i priključcima koje možete odabrati: Avid® Pro Tools® | First Focusrite Creative Pack: stotine virtuelnih instrumentalnih zvukova, 500MB lupova, i efekata sjajnog zvuka Ableton® Live Lite™: vodeći softver za snimanje muzike u industriji Tromesečna Splice Sounds pretplata: Pristupite milionima snimaka, lupova i zvučnih preseta visokog kvaliteta, bez plaćanja autorskih prava, sa svakodnevnim novim izdanjima XLN Audio Addictive Keys: Pristupite jednoj od četiri virtuelne tastature kada registrujete vaš prvi Focusrite ili Novation hardver. Softube Time and Tone Bundle: tri od Softube eha svetske klase, priključaka za odlaganje i distorziju kao i mastering alatka laka za upotrebu Focusrite Crveni Plug-in Suite: precizno oblikuje naš klasični Red 2 ekvilajzer i Red 3 kompresor Focusrite Control: usmerite vaš audio i cue miks, povratnu petlju (loopback) i monitor mikseve, sa Vaših Mac®, PC, iPad®, iPhone® ili iPod touch uređaja. DETALJNE SPECIFIKACIJE Uvek navodimo vrednosti performansi 'iz stvarnog sveta' (merene prema AES17 standardu). Neke kompanije navode čipset performanse, što može dovesti do zabune, a evo i zašto. Da biste provetili podržane operativne sisteme, kliknite ovde. PODRŽANE FREKVENCE UZORKOVANJA 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz ULAZI ZA MIKROFON Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 111dB (A-weighted) THD+N <0.0012% Buka EIN -128dBu (A-weighted) Maksimalna ulazna jačina 9dBu (pri minimalnoj jačini) Opseg jačine 56dB Impedansa 3kΩ LINIJSKI ULAZI 1-2 (PROMENLJIVA JAČINA) Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 110.5dB (A-weighted) THD+N <0.002% Maksimalna ulazna jačina 22dBu (pri minimalnoj jačini) Opseg jačine 56dB Impedansa 60kΩ LINIJSKI ULAZI 3-4 (FIKSNA JAČINA) Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 110.5dB (A-weighted) THD+N <0.002% Maksimalna ulazna jačina 18dBu (at minimum gain) Impedansa 44kΩ ULAZI ZA INSTRUMENTE Frekventni odziv 20Hz - 20kHz ± 0.1dB Dinamički opseg 110dB (A-weighted) THD+N <0.03% Maksimalna ulazna jačina 12.5dBu (pri minimalnoj jačini) Opseg jačine 56dB Impedansa 1.5MΩ LINIJSKI/IZLAZI ZA MONITOR Dinamički opseg (linijski izlazi) 108dB THD+N <0.002% Maksimalna izlazna jačina (0 dBFS) 15.5dBu Impedansa 430Ω IZLAZI ZA SLUŠALICE Dinamički opseg 104dB (A-weighted) THD+N <0.002% Maksimalna izlazna jačina 7dBu Impedansa <1Ω

Now everyone can plug in their guitar, bass or other instrument and enjoy killer tone on their iPhone, iPad, iPod touch or Mac — with the release of iRig 2, the world’s most popular guitar interface is now better than ever before. Plug and play simplicity on every device If you loved iRig's versatility, you'll love iRig 2's new adjustable gain dial, which works with its built-in 1/8" TRRS output connector to give you a true plug-and-play experience with your iPhone, iPad, iPod touch or Mac. Volume levels vary from instrument to instrument and from device to device. And while the original iRig provided superior sound, it was limited in that you were unable to customize the input gain level to your particular setup. With iRig 2, you get an input gain dial that gives you the power to ensure high-quality sound in every situation. This means that you'll be able to perform at your best no matter whether you're connecting a wailing 3 humbucker electric guitar or a jazzy archtop to your iPhone. Likewise, its 1/4” instrument input works with your guitar, bass or any line-level instrument. Just plug into it like you would into a stompbox or amplifier. It’s as simple as that. A Swiss Army knife for sound Want to take it to the stage? iRig 2's new 1/4” output jack lets you use iRig 2 with an amplifier as a part of your live rig without the use of an adaptor. This opens up a whole world of opportunities when paired with AmpliTube for iOS, IK's powerful guitar and bass multi-effects processor. It provides you with a vast library of meticulously modeled virtual stompbox effects, amplifiers and other gear that you can use as a part of your physical rig when you're jamming with friends, at a practice session, in the recording studio or performing live. Or, if you want to be discreet, plug your headphones into the included 1/8” headphone output. Even better is that iRig 2 features a switch that lets you select between a processed signal and a clean "thru" input signal. This means you can also use your mobile device as a tuner, recorder or other tool while preserving the purity of a 100% analog signal path. iRig 2 is there to help you make your practice and performance sessions as easy as possible. It comes with a microphone stand mount and Velcro strip that allow you to easy attach it for performance alongside other convenient tools like IK's iKlip range of mic supports for all sizes of smartphones and tablets. Features The sequel to the best-selling iRig interface 1/4” instrument input for use with guitar, bass and other line instruments 1/4” amplifier output for use with an external amplifier without an adaptor 1/8” TRRS output for use with iPhone, iPad, iPod touch and Mac 1/8” headphone output Compact and lightweight design Selectable dual-mode switch: FX and THRU Input gain thumbwheel for easy signal control Comes with microphone stand Velcro strip Comes with AmpliTube FREE for iOS (free download on the App Store) iRig HD 2 A digital rig with physical presence With iRig 2, you’ll be able to enjoy AmpliTube for iOS (the #1 app for guitar players). It's ready to go right out of the box. It comes with a powerful cross-platform suite of apps and software that includes free versions of AmpliTube for iOS and AmpliTube for Mac/PC. To use, just download your preferred version for iOS from the App Store. Then plug your guitar or bass into iRig 2, plug your amplifier or headphones into your device and launch the app. Immediately you'll see something very familiar: a complete guitar rig. AmpliTube for iOS recreates your entire guitar or bass signal chain in your mobile device and also — depending on your device — provides you with other advanced features, like multi-track recording and editing, high-quality export and more. And while iRig 2 is the ideal companion to AmpliTube for iOS, it also works with any other recording, processing, tuning or music app.

PREGLED Mikrofonska pretpojačala: 2 Fantomsko napajanje: Da Ulazi za instrumente: 2 Linijski ulazi: 2 Air mod: Da Auto pojačanje: Da Clip Safe: Da Linijski izlazi: 4 Izlazi za slušalice: 1 Loopback: Da Povezivost: USB Type-C Protokol: USB 2.0 Forma: Desktop Simultani I/O: 6 x 6 (uključujući Loopback ulaze) A/D rezolucija: 24-bit/192 kHz USB napajanje: Da (1.5A) PODRŽANI SAMPLE RATES 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz MIKROFONSKI ULAZI Frekventni odziv: 20-20kHz ± 0.06dB Dinamički opseg: 116dB (A-Weighted) THD+N: -100dB pri 8dB pojačanju EIN šum: -127dBu (A-Weighted) Maksimalni ulazni nivo: 16dBu Opseg pojačanja: 69dB Impedanca: 3kΩ VARIJABILNI LINIJSKI ULAZI Frekventni odziv: 20-20kHz ± 0.05dB Dinamički opseg: 115dB (A-Weighted) THD+N: -100dB pri pri 8dB pojačanju Maksimalni ulazni nivo: 22dBu Opseg pojačanja: 69dB Impedanca: 60kΩ FIKSNI LINIJSKI ULAZI Frekventni odziv: 20-20kHz ± 0.02dB Dinamički opseg: 115.5dB (A-Weighted) THD+N: -105dB Maksimalni ulazni nivo: 22dBu Impedanca: 60kΩ ULAZI ZA INSTRUMENTE Frekventni odziv: 20-20kHz ± 0.15dB Dinamički opseg: 113dB (A-Weighted) THD+N: -80dB pri minimalnom pojačanju Maksimalni ulazni nivo: 12dBu Opseg pojačanja: 62dB Impedanca: 1MΩ LINIJSKI IZLAZI (balansirani) Frekventni odziv: 20-20kHz ± 0.02dB Dinamički opseg: 120dB THD+N: -112dB Maksimalni izlazni nivo: 16dBu Impedanca: 100Ω IZLAZI ZA SLUŠALICE Frekventni odziv: 20-20kHz ± 0.1dB @ 33Ω / 300Ω Dinamički opseg: 112dB @ 33Ω 115dB @ 300Ω THD+N: -99dB @ 33Ω -108dB @ 300Ω Maksimalni izlazni nivo: 5dBu u 33Ω 11dBu u 300Ω Maksimalna izlazna snaga: 57mW u 33Ω 27mW u 300Ω Impedanca: 11Ω ANALOGNO - DIGITALNI KONVERTER THD+N: -110dB Dinamički opseg: 120dB DIGITALNO - ANALOGNI KONVERTER THD+N: -115dB Dinamički opseg: 130dB (A-Weighted) NAPAJANJE USB: 1.5A Eksterno (opciono): 7.5W

Stara zvučna kartica Creative Sound Blaster Live 5.1 SB0220 sa originalnim diskom sa drajverima za windows 98/SE i XP,ispravna. What exactly makes 5.1 better than existing 4-channel sound cards? The most significant change is the addition of a centre channel. With the centre channel, the front soundstage is expanded. Sounds from movies make use of the centre channel to localize dialogue and on-screen sound effects, while using the other speakers for ambience, music and surround effects. This could translate very well when used for games that support 3D sound, and playback of Dolby Digital encoded material on the PC! Features/Specifications: Sound Blaster Live! 5.1 PCI Sound Card OEM General Features: Hollywood-Quality Digital Audio Engine User-selectable bit rates from 8-bit to 16-bit. User-selectable sample rates from 8kHz to 48kHz. All sound sources are handled with 32-bit precision for highest quality output. Analog and Digital I/O modes supported. Hardware full-duplex support Utilizes AC97 audio codec. Supports MPU-401 UART mode. IBM® compatible 15-pin joystick port with analog support. Support for digital and DirectInput™ game devices. Playback and Recording Sources: Sound Blaster® 16 Emulation in DOS box and real mode DOS. 64 audio channels Each channel can operate in 8 bit or 16 bit mode. 48kHz recording from AC97 sample rate converted to 8 common rates to host memory. Playback Recording Sources: CD_IN, AUX_IN, LINE_IN, MIC_IN, TAD, MIDI andWave, CD-SPDIF IN. Full duplex recording and playback. MIDI Interface via MIDI/Game port EMU10K Music Synthesis Engine Features: 64-voice hardware polyphony 64 hardware and 1024 PCI wave-table synthesis 48 MIDI channels with 128 GM & GS-. compatible instruments and 10 drum kits Uses SoundFont technology for user-definable wave-table sample sets Loads up to 32MB of samples into host memory for professional music reproduction. Effects Engine: E-mu Systems EMU10K1™ patented effects processor. Supports real-time digital effects like reverb, chorus, echo, flanger, etc. Customizable effects architecture allows audio effects and channel control. Full bass, treble, and effects controls Bass management functionality for center & subwoofer channels in 5.1 mode. Only Bass Management Configuration 0 with Bass (LFE) redirection implemented. Environmental Audio and 3D Audio Technology User-selectable settings are optimized for headphones, 2, 4, and 5.1 speaker setups. Accelerates Microsoft DirectSound and DirectSound3D, EAX. Technical Specs: Frequency Response: 10Hz - 44KHz SPDIF Output: 48 KHz Signal to Noise Ratio: 96db Sampling Rate for Playback/Recording (Stereo) 8KHz-48KHz Supply Voltage Requirement (Loading) +5, +12, -12 Volt Current Consumption (Typical) 300, 500, 30 mA respectively Microphone Impedance: 600 Ohms Line-In Impedance: 50 KOhms CD Audio-In Impedance: 50 KOhms Microphone Sentivity 10 - 200mVpp Connectors: TAD, CD-In, Aux-In, CD-SPIDF, SPIDIF-10 (internal) 3 Line Out jacks, Line in, Microphone, Digital Out jacks (external) Package Includes: Soundblaster 5.1 Digital PCI card Drivers CD

NOW YOU CAN: Create classic-sounding music productions, livestreams, and podcasts on Mac, PC, iPad, and iPhone Record your voice or guitar with rich full sound using Vintage Mic Preamp mode Add clarity and punch to voice, instruments, and other sources with an analog compressor based on UA’s iconic 1176 Produce with an essential suite of audio and music software including Ableton, Melodyne, UJAM's Virtual Drummer, Marshall, Ampeg, and more Collaborate with Best-in-Class Audio Quality From the team that brought you the game-changing Apollo interface, Volt 276 delivers superior studio sound quality, with more character and tone than any USB interface in its class. Capture a Classic Vocal with Vintage Mic Preamp Mode Few sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 276 gives you the rich, full sound of this classic UA mic/line/instrument preamp, thanks to its built-in tube emulation circuitry, a UA exclusive. Control Volume Peaks with UA Compression Get album-ready punch and presence with Volt 276's onboard 76 Compressor — an innovative analog circuit inspired by UA's classic 1176 Limiting Amplifier. The 76 Compressor features three perfectly tailored presets to tame voice, guitars, synths, and drum machines. Just plug in, pick a setting, and play. Easy In, Easy Out Volt 276 gives you simple 2-in/2-out audio connections. Just plug your mics, guitars, or synths into the front panel. Then connect your speakers or headphones to monitor your audio with no latency. With Volt, you’ll be creating like a pro, fast. Stay Inspired with a Curated Suite of Audio Software Some audio interfaces give you a smattering of random audio apps. Not Volt. Instead, we put together a bundle of serious music production tools, virtual instruments, and plug‑ins from the industry's best. iPad & iPhone Ready Traveling light? Plug Volt 276 into your iPad or iPhone, and you can easily create beats and samples, record your band’s rehearsals, and edit songs anywhere.* Capture Inspiration for Years to Come Featuring rugged metal construction, retro wood sides, and sleek industrial design, Volt 276 elevates your production space with impeccable style, built to last decades. Included Software Offering a powerful DAW, vintage guitar and bass amps, industry-leading virtual instruments, and much more, Volt gives you everything you need to start producing music, podcasts, and livestreams, right out of the box. Marshall Plexi Classic Amplifier Live 11 Lite Melodyne Essential Ampeg® SVT-VR Classic Bass Amp LX480 Essentials Virtual Drummer DEEP Virtual Bassist DANDY LABS Marshall Plexi Classic Amp Bundle by Softube Create with an expertly modeled version of the iconic British amp that invented the sound of rock. Plus, shape your tones further with the included Softube Time & Tone Bundle, featuring additional reverb, delay, compression, and saturation plug-ins. Ableton Live 11 Lite Packed with all the effects, instruments, and features you need to make professional music productions, Live is fast, fluid, and flexible software for music creation and performance. Melodyne Essential by Celemony Easily correct the pitch of recordings and samples with quick, intelligent note-based processing, and tune vocal and instrument tracks for more professional-sounding recordings and mixes. Ampeg^® SVT-VR Classic Bass Bundle by Plugin Alliance Get all the massive, earth-shaking tube tone of Ampeg’s iconic bass amp. Plus, use the bx_tuner for quick tuning and the powerful bx_masterdesk plug‑in to add the final touch to any source. LX480 Essentials by Relab Development Add lush dimension and ambience with Relab's expert model of this classic '80s digital reverb unit. You can also add complex delay and modulation textures for space and movement to your tracks. Virtual Drummer DEEP by UJAM From classic soul and funk rhythms of the ‘60s and ‘70s to contemporary pop and rock styles, DEEP sports UJAM’s dynamic "round-robin" algorithm, giving you drum tracks that sound like the real thing. Virtual Bassist DANDY by UJAM Get classic flatwound bass sounds for soul, pop, blues, and rock tracks with UJAM's custom-made DSP algorithms. DANDY automatically follows the key and chord you play, intelligently selecting musical bass articulations to make your tracks shine. LABS by Spitfire Audio Delivering on-the-spot inspiration for music productions, soundtracks, and podcasts, LABS is a curated virtual instrument library that features strings, pianos, percussion, synths, guitars, and more. Key Features Desktop 2-in/2-out USB 2.0 audio interface with class-leading 24-bit/192 kHz audio conversion for Mac, PC, iPad, and iPhone Vintage Mic Preamp mode for recording voice or guitar with the rich, full sound of a classic UA tube preamp Built-in 76 Compressor adds instant clarity and punch to voice, instruments, and other sources with all-new analog circuit based on UA's iconic 1176 Essential suite of audio and music software including Ableton, Melodyne, UJAM's Virtual Drummer, Marshall, Ampeg, and more Studio-quality headphone amplifier for loud, clear monitoring USB bus powered to reduce cable clutter 48V phantom power for condenser microphones Direct Monitoring for latency-free recording Stylish, rugged construction built to withstand years of use 1-in/1-out MIDI connections USB-C to USB-A cable included System Requirements Mac & PC Available USB 2.0 (or higher) port USB cable (included) Intel, AMD, or Apple Silicon processor (PC) Windows 10 64-bit edition (macOS) 10.14 Mojave or later Internet connection for software downloads iPad & iPhone iPadOS / iOS 14 or later

The Discrete 8 offers eight Class-A preamps that provide console-grade sound. All of them utilize combination XLR-1/4" connections, but two of them are specifically designed to switch between mic-level, line-level, and Hi-Z sources. Monitor outputs and two pairs of line outputs can be found on the back of the unit, as can thunderbolt and USB ports for connecting to computers. You'll get 24 channels of I/O over USB, and 32 channels over thunderbolt. Should you want use of your amplifiers after DI'ing your guitars or basses, you can make use of the two reamp outputs. S/PDIF and ADAT are both provided over optical I/O. The unit is expandable over ADAT, giving you extra channels. This is Antelope, so you'll find their top-notch 64-bit acoustically focused clocking on the unit, and you can sync the Discrete 8 over BNC connections, or distribute clocking to other units. Setting up monitor mixes is easy, and musicians can control their own mixes with a remote-control app over iOS or Android phones. With all these features and more, the Antelope makes a suitable centerpiece for your home or pro-level studio. Included FX The Discrete 8 Synergy Core includes a library of 36 real-time studio effects, all modeled after real-world hardware. Latency is ultralow thanks to FPGA's parallel computing capabilities, DSP processing, and fast Thunderbolt connectivity. The library can be expanded to include any effects you choose from the web store. Effects include: Gyraf Gyratec IX / Tube Mic Preamp VCA160 / Compressor Stay-Levin / Compressor FET-A76 / FET Compressor VEQ-1A / Tube EQ VMEQ-5 / Tube EQ X903 / Compressor / Limiter FeedForward Antelope Compressor / Compressor Clear Q / Parametric EQ Power EX / Expander VEQ-HLF / Passive High/Low Filter Auraverb / Reverb BA-31 / Mic Preamp Power Gate / Gate Plexi 59 (UK) / Tube Guitar Amp Bass SuperTube VR / Tube Guitar Amp Darkface 65 (US) / Tube Guitar Amp Top30 (UK) Bright / Tube Guitar Amp Tweed Deluxe (US) / Tube Guitar Amp Overange 120 (UK) / Tube Guitar Amp BurnSphere (DE) Lead / Tube Guitar Amp Marcus II (US) Lead / Tube Guitar Amp Modern (US) CH3 / Tube Guitar Amp Rock 75 (UK) / Tube Guitar Amp Rock 22.10 (UK) / Tube Guitar Amp Darkface 65 2x12 / Guitar Cabinet Top30 2x12 / Guitar Cabinet Modern 4x12 / Guitar Cabinet Green 2x12 / Guitar Cabinet Vintage 4x12 / Guitar Cabinet Green 4x12 / Guitar Cabinet Caliper 50 1x10 / Guitar Cabinet Bluelux 1x12 / Guitar Cabinet Clst 1x12 / Guitar Cabinet England 4x12 / Guitar Cabinet Bass Tube 1x15 / Guitar Cabinet All FPGA Effects Included The Antelope AFX platform is a rapidly expanding hardware modeling engine. Discrete 8 includes Accusonic 3D microphone and preamp models, guitar amps, transformer and tube FX, and a huge selection of classic vintage gear. The Antelope Audio real-time FPGA platform is now extended to a complete professional studio experience, with authentic models of iconic gear from BAE, Lang, Gyraf Audio, and many more. Use them within the Discrete 8 EasyPanel or in your preferred DAW via the AFX2DAW Plugin (available only on MAC). Perform and record either with FX, or process in post. Onboard ReAmp Output Section The Discrete 8's two reamp outputs allow you to use any outboard gear and route the resulting sound back in your DAW of choice. Mic-Modeling Ready The Discrete 8 Synergy Core's Accusonic 3D modeling engine lets you transform the—separately available—Antelope Audio Edge and Verge modeling microphones into expensive-sounding vintage replicas. Change polar patterns during or after recording. Choose from a collection of classic and rare microphones as you monitor and record live, bringing out the musician's finest performance. Multiple Mix Presets for Expert-Level Monitoring Monitoring and Talkback sections in Discrete 8 are easy to set. Up to 4 individual monitoring mixes can be sent to Headphones or Monitor Outputs with or without FPGA FX. Custom headphone mixes can be tailored for each performer. Vintage EQ, Compression, and guitar amps allow artists to hear a sound as close to the final product as possible. Discrete 8 can save and load AFX presets and exchange settings with the entire Antelope line of FPGA-equipped pro-audio interfaces. Share your own FX settings with other Antelope users. Remote-Control Ready The Discrete 8 downloadable remote App allows you to adjust all microphone input levels, Talkback levels, as well as Monitoring and Headphone volumes. Musicians can now control their own headphone volume through their Android or iOS phones. The engineer can check input levels from the tracking room. The device can be accessed from different computers connected to the same network. Multiple Avenues of Connectivity With an abundance of analog and digital connectivity, as well as both USB and Thunderbolt ports for computer connection, the Discrete 8 Synergy Core presents many options for routing signals. Eight microphone inputs, eight line outputs over a DB25 connection, a pair of monitor outputs, two headphone outputs, S/PDIF, and reamp outputs are at your disposal. Digital expandability is possible via ADAT chaining. Furthermore, three wordclock outputs let you distribute the interface's highly stable clock signal across your studio. You can also slave the unit to other clocks thanks to the wordclock BNC input. Antelope Discrete 8 Synergy Core Specs Form Factor Rackmount Connectivity Digital Audio I/O 2 x TOSLINK Optical ADAT Input 1 x RCA Coaxial S/PDIF Input 2 x TOSLINK Optical ADAT Output 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x Thunderbolt/MDP (Thunderbolt 2) 1 x USB Type-B (USB 2.0) Sync I/O 1 x BNC Word Clock Input 3 x BNC Word Clock Output Digital Audio Sample Rates 32 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Bit Depths 64-Bit (Clocking) Compatibility OS Compatibility Windows 10 (64-Bit) macOS 10.11 or Later Processor Requirement Mac: Intel Core 2 Duo (Minimum) Intel Core i3 or Better (Recommended) PC: Intel Core i3 AMD FX or Better RAM Requirements 4 GB, 8 GB Recommended Required Hardware Available Thunderbolt Port or USB 2.0 Port Physical Rackmount Size 1 RU Operating Temperature 32 to 122°F / 0 to 50°C Dimensions 19 x 1.7 x 8.6" / 483 x 44 x 220 mm Weight 6.6 lb / 3.0 kg Packaging Info Package Weight 9.06 lb Box Dimensions (LxWxH) 25.7 x 13.5 x 3.9"

Garancija: Zakonska saobraznost Zemlja porekla: Kina Barkod: 4712900633603 Uvoznik: EWE

Dostupne: crna i bela. Eksterna USB zvučna kartica, koja se može koristiti sa desktop ili laptop sistemima. Kompatibilna sa skoro svim operativnim sistemima: Vindovs 98SE/ME/2000/KSP/Server2003/Vista, Linux, MacOS10 ili noviji Specifikacija: model: HT-04S Item No: HT-04S Supply category: temporary interface: USB Input and output interfa: Linear output (rear), measurement input Support voice: 7.1 channel

Kartica je neispitana, prodajem je kao neispitanu/neispravnu.

The mic preamps provided in this interface are ultralinear, fully discrete designs that work seamlessly with Antelope's mic modeling technology. Should you have a separately available Antelope modeling microphone and software, you'll be able to get the sound of a vintage, prized mic chain, from capsule to preamp. Additionally, the interface offers FPGA Synergy Core FX Processing, so you can run Antelope's FPGA effects. The Zen Tour Synergy offers a bevy of analog connection points. You'll find four mic/line inputs, four instrument inputs, eight line outputs over DB25 connections, two reamp outputs, two monitor outputs, and two independent headphone outputs. The 64-bit clocking ensures you'll have clean, delineated signal in your recording chain and when you're mixing with monitors or through headphones. An intuitive touchscreen on the interface lets you control the Zen Tour Synergy with ease, while a software mixer offers flexible routing. A power adapter is included along with a USB cable. Included FX Zen Tour Synergy Core includes a compelling library of 36 real-time studio effects: Gyraf Gyratec IX (Dual Tube Mic Preamp with HPF) VCA160 (VCA Compressor/Limiter) Stay-Levin (Vari-Mu Tube Compressor) FET-A76 (FET Compressor / Limiting Amplifier) VEQ-1A (2-Band Tube EQ) VMEQ-5 (3-Band Tube Mid-Range EQ) X903 (VCA Compressor/Limiter) PowerFFC (Feed-Forward Compressor) Clear Q (Parametric EQ) Power EX (Expander) VEQ-HLF (Tube 2-Band HPF/LPF) Auraverb (Reverb) BA-31 (Germanium Mic Preamp) Power Gate (Noise Gate) Plexi 59 (UK) (Tube Guitar Amp) Bass SuperTube VR (Tube Guitar Amp) Darkface 65 (US) (Tube Guitar Amp) Top30 (UK) Bright (Tube Guitar Amp) Tweed Deluxe (US) (Tube Guitar Amp) Overange 120 (UK) (Tube Guitar Amp) BurnSphere (DE) Lead (Tube Guitar Amp) Marcus II (US) Lead (Tube Guitar Amp) Modern (US) CH3 (Tube Guitar Amp) Rock 75 (UK) (Tube Guitar Amp) Rock 22.10 (UK) (Tube Guitar Amp) Darkface 65 2x12 (Guitar Cabinet) Top30 2x12 (2x12 Guitar Cabinet) Modern 4x12 (4x12 Guitar Cabinet) Green 2x12 (2x12 Guitar Cabinet) Vintage 4x12 (4x12 Guitar Cabinet) Green 4x12 (4x12 Guitar Cabinet) 32. Caliper 50 1x10 (1x10 Guitar Cabinet) 33. Bluelux 1x12 (1x12 Guitar Cabinet) 34. Clst 1x12 (1x12 Guitar Cabinet) 35. England 4x12 (4x12 Guitar Cabinet) 36. Bass Tube 1x15 (1x15 Guitar Cabinet) Multitude of Connections The Zen Tour Synergy Core offers a choice of four instrument/line inputs, four mic/line inputs, eight line outputs, two monitor outputs, two headphone outputs and two reamp outputs. The unit is digitally expandable over ADAT and S/PDIF for an additional 10 digital input and 10 output channels. Additionally, all line outputs are DC coupled and ready for control voltage (CV) applications such as controlling modular synthesizers. As a final touch, an integrated talkback microphone lets you demo vocals and propel your voice to the live room. 4 Discrete Microphone Preamps Fully discrete ultralinear microphone preamps offer stellar studio-quality sound. Musical and transparent, these pres are designed to complement the Antelope Audio Edge and Verge modeling microphones' sonic characteristics and deliver the power of Antelope's Accusonic 3D mic modeling technology right on your desktop. Atomic Clocking Antelope's proprietary 64-bit Acoustically Focused Clocking technology and Jitter Management algorithm helps deliver artifact-free audio with impeccable stereo separation and instrument delineation. Latency-Free Direct Monitoring Record and monitor with maxed-out effects chains at high sample rates and low buffer sizes without taxing your CPU. You can enjoy latency-free direct monitoring over four independent internal mixers with 32 assignable inputs and stereo outputs. Touchscreen Controls The Zen Tour Synergy Core has touchscreen controls giving immediate access to metering, level controls, presets, and settings. The intuitive interface and precise tactile control facilitate fast, efficient work at all times, without staring at a monitor. Portable Zen Tour Synergy Core is a desktop-sized solution. With it, all you need to make great recordings in your project studio, rehearsal space, or on the road is power, a decent laptop, and reliable headphones. The Synergy Core architecture lets you run processing-heavy projects without carrying external equipment like DSP accelerators, FX processors, and authorization dongles. Easy to Route Built inside the software Control Panel, a comprehensive Routing Matrix houses a full-fledged digital patch bay to freely route audio between the interface's analog and digital inputs and outputs. Run DAW playback through Synergy Core FX, reamp guitar DIs through the Shred Guitar Amps and Cabs, and integrate external equipment. Cross-Platform Connectivity The Zen Tour Synergy Core carries both Thunderbolt 3 (USB Type-C) and USB 2.0 (USB Type-B) ports for cross-platform compatibility with Mac and Windows machines. Other Features at a Glance 4 DSP and 2 x FPGA Synergy Core FX Processing 64-bit acoustically focused clocking and jitter management algorithms Mastering-grade stereo monitor outputs 2 individual stereo headphone outputs 2 transformer-based reamp Outputs ADAT and SPDIF digital I/O 8 line outputs on DB25 connector (DC-coupled) Integrated talkback microphone Antelope Zen Tour Synergy Core Specs Form Factor Tabletop Display 1 x LCD Touchscreen Channels of I/O ADAT: 8 Input / 8 Output at 44.1/48 kHz 4 Input / 4 Output at 88.2/96 kHz 2 Input / 2 Output at 176.4/192 kHz S/PDIF: 2 Input / 2 Output at 44.1/192 kHz USB: 24 Input / 24 Output Thunderbolt: 32 Input / 32 Output Analog: 8 Input / 14 Output Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 8 Preamps Built-In Microphone Yes Input Level Adjustment via Touchscreen 1 x Knob Expansion Slots None Signal Processing Pad None High-Pass Filter None Solo/Mute None Connectivity Analog Audio I/O 4 x 1/4" TS Mic/Line/Hi-Z Input 4 x Combo XLR-1/4" TRS Mic/Line Input 8 x DB-25 25-Pin Line Output (on Optional Breakout Cable) 2 x 1/4" TRS Stereo Output 2 x 1/4" TRS Headphone Output 2 x 1/4" TRS Mic/Re-Amp Output Digital Audio I/O 1 x TOSLINK Optical ADAT Input 1 x TOSLINK Optical ADAT Output 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x USB Type-B (USB 2.0) 1 x USB Type-C (Thunderbolt 3) USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Performance THD Mic: -106 dB EIN Mic: -128 dBu Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion On All Inputs (44.1 to 192 kHz) Bit Depths Up to 24-Bit Clocking Internal: Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS 10.12 or Later Windows 10 Included Software None Compatible Software (Not Included) Pro Tools Logic Cubase RAM Requirements 4 GB, 8 GB Recommended Storage Requirements 4 GB Mobile Device Compatibility None Internet Connection Required for Registration, Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 18 VAC, 60 Hz AC/DC Power Adapter 18 VAC (Included) Power Consumption 25 W Physical Operating Temperature 32 to 122°F / 0 to 50°C Dimensions 10 x 6.6 x 2.4" / 25.4 x 16.8 x 6.1 cm Weight 3.5 lb / 1.6 kg Packaging Info Package Weight 7.535 lb Box Dimensions (LxWxH) 11.7 x 8.9 x 6.7"

E-GREEN E-GREEN USB virtual 7.1 zvučna karta PRO Cena: 671,00 RSD BEZ KAMATE na 12 rata: 55,92 RSD BEZ KAMATE na 24 rate: 29,36 RSD Cena za gotovinu: 604,00 RSD Dodaj u korpu! Završi kupovinu Opis proizvoda Osnovne karakteristike Interfejs: USB, Verzija interfejsa: 2.0, Broj kanala: 8 (7.1), Ulazni priključci: 2x 3.5mm, Napomena: Virtual 7.1, Reklamacioni period Reklamacioni period: 24 meseca,

PREGLED Mikrofonska pretpojačala: 1 Fantomsko napajanje: Da Ulazi za instrumente: 1 Linijski ulazi: 1 Air mod: Da Linijski izlazi: 2 Izlazi za slušalice: 1 Loopback: Da Povezivost: USB Type-C Protokol: USB 2.0 Forma: Desktop Simultani I/O: 4 x 2 (uključujući Loopback ulaze) A/D rezolucija: 24-bit/192 kHz USB napajanje: Da (900mA) PODRŽANI SAMPLE RATES 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz MIKROFONSKI ULAZI Frekventni odziv: 20-20kHz ± 0.06dB Dinamički opseg: 113dB (A-Weighted) THD+N: -100dB pri minimalnom pojačanju EIN šum: -127dBu (A-Weighted) Maksimalni ulazni nivo: 9.5dBu Opseg pojačanja: 57dB Impedanca: 3kΩ LINIJSKI ULAZI Frekventni odziv: 20-20kHz ± 0.05dB Dinamički opseg: 113dB (A-Weighted) THD+N: -100dB pri minimalnom pojačanju Maksimalni ulazni nivo: 22dBu Opseg pojačanja: 57dB Impedanca: 60kΩ ULAZI ZA INSTRUMENTE Frekventni odziv: 20-20kHz ± 0.15dB Dinamički opseg: 112dB (A-Weighted) THD+N: -80dB pri minimalnom pojačanju Maksimalni ulazni nivo: 12dBu Opseg pojačanja: 57dB Impedanca: 1MΩ LINIJSKI IZLAZI (balansirani) Frekventni odziv: 20-20kHz ± 0.02dB Dinamički opseg: 120dB THD+N: -109dB Maksimalni izlazni nivo: 16dBu Impedanca: 200Ω IZLAZI ZA SLUŠALICE Frekventni odziv: 20-20kHz ± 0.1dB @ 33Ω / 300Ω Dinamički opseg: 112dB @ 33Ω 115dB @ 300Ω THD+N: -97dB @ 33Ω -102dB @ 300Ω Maksimalni izlazni nivo: 2.5dBu u 33Ω 10dBu u 300Ω Maksimalna izlazna snaga: 32mW u 33Ω 22mW u 300Ω Impedanca: 50Ω ANALOGNO - DIGITALNI KONVERTER THD+N: -110dB Dinamički opseg: 120dB DIGITALNO - ANALOGNI KONVERTER THD+N: -115dB Dinamički opseg: 130dB (A-Weighted) NAPAJANJE USB: 900mA

Polovan ,neispitan Creative Sound Blaster X-Fi Fatal1ty front panel.Nemam kablove za povezivanje.Bez garancije i reklamacije.Stanje kao sa slika.

Na prodaju Muzicka kartica 7.1 Speed Link sa slike! Kartica stavljena radi probe i nije koriscena!

Savršena za sve multimedijalne sadržaje, kojima je potreban surround zvuk za potpuno uživanje. Uživanje u dvd filmu, slušanje audio cd-a ili igranje igara na računaru. Nudi najbolji kvalitet surround zvuka za vaš računar. Polovna. Bez mane.

Idealno rešenje ako imate problema sa postojećom zvučnom karticom na vašem uredjaju ( PC , Laptop isl . ) ili ako je uopšte nemate ili pak želite da istovremeno koristite obe zvučne kartice . The USB Virtual 7.1 Channel Sound Adapter is a highly flexible audio interface which can be used either with Desktop or Notebook systems, It turns your stereo speaker or earphones into 7.1 channel environment. 100% BRAND NEW! Size: 57 x 25 x 12mm Weight: 14g LED indicators: Microphone-Mute Status, Activity USB2.0 Full-Speed ( 12Mbps ) Specification USB HID Class Specification 1.1 USB Audio Device Class Specification 1.0. USB bus-powered, no external power required. This is USB 2.0 External 7.1-Channel Audio Sound Card Adapter. It can work with either desktop or laptop. it extends your stereo speaker or earphone to 7.1 channel environment, giving you high quality sound enjoyment. Connectors: USB Type A, Stereo output jack, mono microphone input jack Functions keys: Microphone-Mute, Speaker-Mute, Volume-Up and Volume-Down Plug and Play. No drivers required for Windows 2000 / XP / Server 2003 / Vista, Linux, Mac OS Compact, portable, convenient to carry Slanje : POŠTOM ; POSTEXPRESOM , BEX-om . Plaćanje pre slanja ili pouzećem . NAJPOVOLJNIJE SLANJE PREPORUČENIM PISMOM POŠTARINA 100 DIN UZ PRETHODNU UPLATU NA RAČUN UKUPNOG IZNOSA ZA PREDMET+POŠTARINA .

Na prodaju Muzicka kartica 7.1 ST-LAB M-170 ! Specification: * Chipset: C-Media 8768 Compliant with PCI Specification, Rev. 2.2. PCI Plug and Play (PnP) bus interface. 24-bit PCI bus master. ACPI and PCI PMI support Supports 96K/16 bit playback; 48K/16 bit recording Integrated S/PDIF transmitter supports 44.1K/48KHz sample rate Supports the latest Dolby Digital EX and DTS ES 6.1/7.1 CH DVD soundtrack playback 3.3V operating supply Full-duplex playback and recording. Also supports earphones, 2/4/6/8 channel speakers mode. Built-in 32 OHM Earphone buffer. Supports Windows XP, Vista,7,8,8.1 (32 & 64 bit) Stereo Mixer 1) Stereo analog mixing from CD-Audio and Line-in 2) Stereo digital mixing from Voice, FM/Wave-table, and Digital CD-Audio 3) Mono mixing from MIC. Software adjustable volume.

Na prodaju zvucna karta Cretive Labs Sound Blaster sa slike

Prodajem zvučnu kartu Asus xonar D1 7.1 Karakteristike: SNR - 116 dB za prednji stereo izlaz, 112 dB na ostalim izlazima i na stereo ulazu THD - 105 dB za prednji stereo izlaz, -108 dB za linijski ulaz Frekventni odziv - (-3dB, 24-bit/96kHz na ulazu) <10 Hz do 48 KHz Kvalitet semplovanja - 140 dB SNR, 145dB Dynamic Range, najviše 48 kHz / 24 bita, Procesor - Asus AV100 Sertifikati - Dolby® Digital Live, Dolby® Headphone, Dolby® Virtual Speaker, Dolby® Pro-Logic Interfejs - PCI Konektori - 1 x Digitalni S/P DIF (deljeni sa Back Surround izlazom), 1 x 3,5 mm analogni stereo ulaz (Line-In / Mic-In), 3+1 x 3,5mm analogni izlaz (za 7.1) Oprema - metalni profil za alternativni tip kucista, 1 x S/PDIF opt. adapter Softver RightMark Audio Analyzer 6.0.6

Na prodaju TerraTec SoundSystem DMX Promedia sa slike!

Microphone Preamplifier Mic Gain Range: 58dB Line Gain Range: 58dB (-10dB pad) Phantom Power: 48V +/-4V @ 10mA/Channel (only 2 channel available on USB-A host computers Mic EIN: <-128dBu CMRR: >85dB @ 1kHz Maximum Input Level: +16dBu Input Impedance (Mic): >3kΩ Balanced Input Impedance (Line): >10kΩ Balanced Frequency Response: +/-0.5dB 10Hz to 40kHz Crosstalk: <-105dBu @ 1kHz & 10kHz THD+N @ 0dBu (1kHz): <0.0015% SNR: 100dB XLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) 1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield) D.I D.I Gain Range: 58 dB Maximum Input Level: +10dBu Input Impedance: 1MegΩ Unbalanced Frequency Response: +/-0.5dB 10Hz to 20kHz THD+N @ 0dBu (1kHz): <0.3% SNR: 100dB 1/4” Jack: TIP (Hot) & SLEEVE (Shield) ADC Inputs Digital Reference Level: 0dBFS = +8dBu Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: -105dBu @ 1kHz & 10kHz THD+N @ -1dBFS (1kHz): <0.001% Dynamic Range: 113dB A-weighted DAC Outputs Maximum Output Level: +11dBu Digital Reference Level: 0dBFS = +11dBu Output Impedance: <100Ω Balanced Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: <-110dBu @ 1kHz THD+N @ -1dBFS (1kHz): <0.0015% Dynamic Range: 113dB A-weighted 1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield) Headphone Output Output Impedance: <50Ω Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: -110dBu @ 1kHz THD+N @ -1dBFS (1kHz): <0.0015% Dynamic Range: 113dB A-weighted Max Level Into 30ohms: +0.5dBu, 0.0025% THD+N, 1.16Vpk Power: 45mW Max Level Into 60ohms: +4.22dBu, 0.0015% THD+N, 1.78Vpk Power: 52mW Max Level Into 600ohms: +10.1dBu, 0.0018% THD+N, 3.52Vpk Power: 20mW 1/4” Jack: TIP (Left), RING (Right) & SLEEVE (Shield) DSP Mixer Roundtrip Latency: (in to out) 44.1 kHz: 0.594ms 48.0 kHz: 0.552ms 88.2 kHz: 0.302ms 96.0 kHz: 0.281ms

Microphone Preamplifier Mic Gain Range: 58dB Line Gain Range: 58dB (-10dB pad) Phantom Power: 48v +/-4v @ 10mA/Channel Mic EIN: <-128dBu CMRR: >85dB @ 1kHz Maximum Input Level: +16dBu Input Impedance (Mic): >3kΩ Balanced Input Impedance (Line): >10kΩ Balanced Frequency Response: +/-0.5dB 10Hz to 40kHz Crosstalk: THD+N @ 0dBu (1kHz): <0.0015% SNR: 100dB XLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) 1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield) D.I D.I Gain Range: 58 dB Maximum Input Level: +10dBu Input Impedance: 1MegΩ Unbalanced Frequency Response: +/-0.5dB 10Hz to 20kHz THD+N @ 0dBu (1kHz): <0.3% SNR: 100dB 1/4” Jack: TIP (Hot) & SLEEVE (Shield) ADC Inputs Digital Reference Level: 0dBFS = +8dBu Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: -105dBu @ 1kHz & 10kHz THD+N @ -1dBFS (1kHz): <0.001% Dynamic Range: 113dB A-weighted DAC Outputs Maximum Output Level: +11dBu Digital Reference Level: 0dBFS = +11dBu Output Impedance: <100Ω Balanced Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: THD+N @ -1dBFS (1kHz): <0.0015% Dynamic Range: 113dB A-weighted 1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield) Headphone Output Output Impedance: <50Ω Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: -110dBu @ 1kHz THD+N @ -1dBFS (1kHz): <0.0015% Dynamic Range: 113dB A-weighted Max Level Into 30ohms: +0.5dBu, 0.0025% THD+N, 1.16Vpk Power: 45mW Max Level Into 60ohms: +4.22dBu, 0.0015% THD+N, 1.78Vpk Power: 52mW Max Level Into 600ohms: +10.1dBu, 0.0018% THD+N, 3.52Vpk Power: 20mW 1/4” Jack: TIP (Left), RING (Right) & SLEEVE (Shield) DSP Mixer Roundtrip Latency: (in to out) 44.1 kHz: 0.594ms 48.0 kHz: 0.552ms 88.2 kHz: 0.302ms 96.0 kHz: 0.281ms DAW Playback Latency @ 32 Sample Buffer for Software Instrument Playback 44.1 kHz: ~2.5ms 96.0 kHz: ~2ms DAW Roundtrip Software Monitoring Latency @ 32 Sample Buffer (in to out) 44.1 kHz: 5ms 96.0 kHz: 4.1ms Latency – performance may vary as stability at these low buffer sizes is dependant on many factors including CPU load, operating system and performance of other drivers. USB 2.0 High Speed No. Of Input Channels 2 Analogue No. Of Output Channels 2 Analogue Connector: USB Type-C Included Cables: 1m USB 2.0 Type-C to USB Type-A Weight & Dimensions Weights: Unit: 360g Packaged: 600g Dimensions: Unit: 140mm (w) x 67mm (h) x 67mm (d) Packaged: 172mm (w) x 88mm (h) x 97.5mm (d)

The optimal interface for music/multimedia creators The US-2x2HR is equipped with 2 mic/line inputs with guitar input support that can be used in various music/multi-media production environments such as vocal/guitar simultaneous recordings, as wells as high-quality sound recordings for video production. The unit is also equipped with a USB-C port easily powered by USB bus power. Natural, crisp & clear sound quality thanks to the implemented Ultra HDDA Mic Preamp with 192 kHz support High resolution reproduction in the US-HR series has been pursued based on TASCAM's policy to recreate sound as close to the original as possible. Therefore, the in-house developed Ultra HDDA mic preamp combined with a newly improved audio circuit delivers enhanced audio performance with the most transparent and low-noise sound. Zero-latency direct monitoring function Direct monitoring will diverge signals before sending them to the computer, resulting in smooth, in-time monitoring without any sound delay during both recording and performance. Create quality content with bundled software The US-HR models come bundled with world-renowned software that will enhance the user's production workflow. At the core of music production, Steinberg's Cubase LE/Cubasis LE 3 DAW is included, along IK Multimedia's Sample Tank SE, which comes free of charge with a massive 30 GB sound library encompassing more than 2,000 different musical instruments. US-HR models also come with a free 3-month subscription to Auto-Tune Unlimited, a comprehensive suite of industry standard pitch correction and vocal effects. Interface for podcasts and live streaming The US-2x2HR can be used with computers or smartphones to easily create podcasts or live streams. The audio can be switched between stereo/mono, and the loopback function allows the audio from the computer to be returned to the streaming software for playback during live streams. US-2x2HR also supports OBS, which is popular and used worldwide. Equipped with MIDI IN/OUT The MIDI IN/OUT terminals enable other MIDI external devices such as keyboards, drum machines, controllers, etc. to be synchronized and controlled. Compatible with iPad and other iOS devices The US-2x2HR can be used as an interface for iPad and other iOS devices. New audio interface engine Capitalizing on our experience being one of the pioneers in manufacturing USB audio interfaces, we achieved further stability in our native driver. The audio buffer size can be set starting from 4 samples (Windows only) to give the best performance to every different environment; maximizing the capability of the computer in use while creating a low-latency environment. Robust metal casing The US-HR models share a solid and practical design intended to withstand long hours of hard use. Its robust metal jacket not only improves its durability but, combined with dye-cast aluminum side panels, provides a sleek and eye-catching design. In addition, all models have just the right weight, so they won't move when cables are connected or disconnected. Features at a glance 2-in/2-out USB audio interface Improved TASCAM driver with selectable buffer size from 4 samples provides low-latency and stability (Windows: TASCAM native driver) Supports up to 24-bit/192 kHz audio formats 2 Combo (XLR) combo inputs equipped with Ultra HDDA mic preamps and +48V phantom power 2 Combo (TRS) line inputs with guitar input support TRS line output 1-2 Headphone output Equipped with MIDI IN/OUT terminals USB Type-C connection (USB Type-A to Type-C cable included) Powered by USB bus power Zero-latency direct monitoring Compatible with iPad and other iOS devices Extensive line-up of bundled software Steinberg Cubase LE, Cubasis LE 3 IK Multimedia Sample Tank 4 SE Antares AUTO-TUNE UNLIMITED (available free of charge up to 3 months) Compatible with mainstream DAW software (Pro Tools, Live, Cubase, Studio One, GarageBand, Logic Pro) Stereo/mono selectable loopback function (Windows, Mac, iOS, iPad OS) OBS support Included items US-2x2HR USB cable (Type-A to Type-C) DAW software installation guide DAW plug-in software installation guide set Owner's manual（warranty card included) Spec description Sampling frequency 44.1k/48k/88.2k/96k/176.4k/192k Hz Quantization bit rate 24bit Analog audio inputs MIC IN IN 1 / IN 2 Connector XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED Input impedance 2.2k ohms Maximum input level (GAIN:MIN) +9dBu (2.183Vrms) Gain 56dB INST IN IN 1 / IN 2 Connector 6.3mm(1/4")TS-jack(T:HOT, S:GND), UNBALANCED (When set to "INST" at MIC/LINE INST switch) Input impedance 1M ohms or more Maximum input level (GAIN:MIN) +10dBV(3.162Vrms) Gain 56dB LINE IN IN 1 / IN 2 Connector 6.3mm(1/4")TRS-jack(T：HOT, R：COLD, S：GND), BALANCED (When set to "MIC/LINE" at MIC/LINE INST switch) Input impedance 10k ohms Maximum input level (GAIN:MIN) +20dBu(7.746Vrms) Gain 56dB Analog audio outputs LINE OUT 1-2 Connector 6.3mm(1/4")TRS-jack(T：HOT, R：COLD, S：GND), BALANCED Output impedance 210 ohms Nominal output level +4dBu (1.228Vrms) Maximum output level +20dBu (7.746Vrms) PHONES Connector 6.3mm(1/4") stereo phone jack Maximum output level 18mW+18mW or more (THD+N 0.1% or less, 32ohms loaded) MIDI IN /OUT Connector Din 5-pin Format Standard MIDI format USB Connector USB Type-C Format USB2.0 HIGH SPEED (480Mbps) Power When connected PC USB bus powered AC Adapter (TASCAM PS-P520E, sold separately) When connected iOS/iPadOS AC Adapter (TASCAM PS-P520E, sold separately) Power consumption 1.75W Dimensions 186(W) × 65(H) × 160(D)mm (including protrusions) Weight 2.43lb (1.1kg) Operating temperature 5 to 35°C Accessories USB cable (Type-A to Type-C), Set of DAW software installation guides, Set of DAW plug-in software installation guides, Owner's Manual (including warranty) Audio performance Mic amp EIN (equivalent input noise) -128dBu or lower Frequency response MIC / LINE IN 44.1k/48k Hz 20Hz to 20kHz, +0dB/-0.4dB(JEITA) 88.2k/96k Hz 20Hz to 40kHz, +0dB/-0.4dB(JEITA) LINE OUT 44.1k/48k Hz 20Hz to 40kHz, +0.2dB/-0.1dB(JEITA) 88.2k/96k Hz 20Hz to 40kHz, +0.2dB/-0.4dB(JEITA) THD + N 0.0013% (MIC IN, 1kHz sine wave, -5dBFS input, GAIN knob at minimum, 20kHz SPCL LPF) 0.0011% (LINE IN, 1kHz sine wave, -5dBFS input, GAIN knob at minimum, 20kHz SPCL LPF) 0.0012% (LINE OUT, 1kHz sine wave, -4dBFS input, MONITOR knob at maximum, 20kHz SPCL LPF) S/N ratio 110dB (MIC IN, GAIN knob at minimum, 20kHz SPCL LPF+A-Weight) 108dB (LINE IN, GAIN knob at minimum, 20kHz SPCL LPF+A-Weight)) 110dB (LINE OUT, MONITOR knob at maximum, 20kHz SPCL LPF+A-Weight) Crosstalk 95dB or more (MIC/LINE IN to LINE OUT, 1kHz sine wave, GAIN knob at minimum) Computer system requirements Windows Compatible computers Windows computer with a USB 2.0 (or higher) port CPU type/speed 2GHz or faster dual core processor (x86) Memory 2GB or more Driver ASIO ASIO2.0, WDM, MIDI Mac Compatible computers Mac with a USB 2.0 (or higher) port CPU type/speed 2GHz or faster dual core processor Memory 2GB or more Driver Core Audio, Core MIDI iOS/iPadOS divice Driver Core Audio* To connect an iOS device that has a Lightning connector, a genuine Apple Lightning to USB Camera Adapter (sold separately) is necessary.

Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces. Features With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME’s famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications. The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit’s channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME’s optional ARC USB remote controller. RME’s Fireface UFX II incorporates premium AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments. Further, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance. Improved DURec (Direct USB Recording) The Fireface UFX II also includes DURec (Direct USB Recording), which is available on the front of the interface. It now offers second generation hardware with improved USB functionality and compatibility - providing greater reliability, even with slower or multi-partitioned USB thumb drives. ARC USB Remote Control - Plug’n Play Plus The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch. The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX II. TotalMix FX Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians. TotalMix FX for iPad™ App TotalMix FX for iPad™ adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad™ Technical Specifications Analog AD, Line In 1-8, rear • Resolution AD: 24 bit • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz • THD: < -110 dB, < 0.00032 % • THD+N: < -104 dB, < 0.00063 % • Channel separation: > 110 dB • Maximum input level: +19 dBu • Input: 6.3 mm TRS jack, electronically balanced • Input impedance: 8 kOhm unbalanced, 12 kOhm balanced • Input sensitivity switchable to Lo Gain, +4 dBu • Input level for 0 dBFS @ Lo Gain: +19 dBu • Input level for 0 dBFS @ +4 dBu: +13 dBu • Variable gain: 0 to +12 dB • Minimum level for 0 dBFS: +1 dBu, -1.2 dBV Microphone In 9-12, front As AD, but: • Input: XLR, electronically balanced • Input impedance: 3.4 kOhm • Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA • Gain range: 75 dB • Maximum input level, Gain 0 dB: +18 dBu • Maximum input level, Gain 75 dB: -57 dBu • CLIP LED: 0 dBFS • SIG LED: -60 dBFS Instrument In 9-12, front As AD, but: • Input: 6.3 mm TS jack, unbalanced • Input impedance: 1 MOhm • Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA • Gain range: 42 dB • Maximum input level, Gain 8 dB: +21 dBu • Maximum input level, Gain 50 dB: -21 dBu DA, Line Out 3-8, rear • Resolution: 24 bit • Dynamic range (DR): 115 dB RMS unweighted, 118 dBA • Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz • Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz • Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz • THD: < -110 dB, < 0.00032 % • THD+N: < -104 dB, < 0.00063 % • Channel separation: > 110 dB • Maximum output level: +19 dBu • Output: 6.3 mm TRS jack, servo-balanced • Output impedance: 75 Ohm unbalanced, 150 Ohm balanced • Output level switchable Hi Gain, +4 dBu, -10 dBV • Output level at 0 dBFS @ Hi Gain: +19 dBu • Output level at 0 dBFS @ +4 dBu: +13 dBu • Output level at 0 dBFS @ -10 dBV: +2 dBV DA - Stereo Monitor Output XLR (1-2) As DA, but: • Output: XLR, balanced • Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV • Output level at 0 dBFS @ 24 dBu: +24 dBu • Output level at 0 dBFS @ Hi Gain: +19 dBu • Output level at 0 dBFS @ +4 dBu: +13 dBu • Output level at 0 dBFS @ -10 dBV: +2 dBV DA - Stereo Monitor Output Phones (9-12) As DA, but: • Output: 2 x 6.3 mm TRS stereo jack, unbalanced • Maximum output level at 0 dBFS, High: +19 dBu • Maximum output level at 0 dBFS, Low: +2 dBV • Output impedance: 2 Ohm • Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu) MIDI • 2 x MIDI I/O via 5-pin DIN jacks • Galvanically isolated by optocoupled input • Hi-speed mode: Jitter and response time typically below 1 ms • Separate 128 byte FIFOs for input and output Digital • Clocks: Internal, ADAT, AES, MADI, word clock • Low Jitter Design: < 1 ns in PLL mode, all inputs • Internal clock: 800 ps Jitter, Random Spread Spectrum • Jitter suppression of external clocks: > 30 dB (2.4 kHz) • Effective clock jitter influence on AD and DA conversion: near zero • PLL ensures zero dropout, even at more than 100 ns jitter • Digital Bitclock PLL for trouble-free varispeed ADAT operation • Supported sample rates: 28 kHz up to 200 kHz Digital Inputs AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • High-sensitivity input stage (< 0.3 Vpp) • SPDIF compatible (IEC 60958) • Accepts Consumer and Professional format • Lock range: 27 kHz – 200 kHz • Jitter when synced to input signal: < 1 ns • Jitter suppression: > 30 dB (2.4 kHz) ADAT Optical • 2 x TOSLINK, format according to Alesis specification • Standard: 2 x 8 channels 24 bit, up to 48 kHz • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz • Bitclock PLL ensures perfect synchronisation even in varispeed operation • Lock range: 31.5 kHz – 50 kHz • Jitter when synced to input signal: < 1 SPDIF optical (ADAT2) • 1 x optical, according to IEC 60958 • Accepts Consumer and Professional format • Lock range: 27 kHz – 200 kHz • Jitter when synced to input signal: < 1 ns • Jitter suppression: > 30 dB (2.4 kHz) Word Clock • BNC • Internal termination 75 Ohm switchable • Automatic Double/Quad Speed detection and internal conversion to Single Speed • SteadyClock guarantees super low jitter synchronization even in varispeed operation • Not affected by DC-offsets within the network • Signal Adaptation Circuit: signal refresh through auto-center and hysteresis • Overvoltage protection • Level range: 1.0 Vpp – 5.6 Vpp • Lock Range: 27 kHz – 200 kHz • Jitter when synced to input signal: < 1 ns • Jitter suppression: > 30 dB (2.4 kHz) Digital Outputs AES/EBU • XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • Output level Professional 4.5 Vpp, Consumer 2.6 Vpp • Format Professional according to AES3-1992 Amendment 4 • Format Consumer (SPDIF) according to IEC 60958 • Single Wire mode, sample rate 28 kHz up to 200 kHz ADAT • 2 x TOSLINK • Standard: 2 x 8 channels 24 bit, up to 48 kHz • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz SPDIF optical (ADAT2) • Format Consumer (SPDIF) according to IEC 60958 • Sample rate 28 kHz up to 200 kHz Word Clock • BNC • Max. output voltage: 5 Vpp • Output voltage @ 75 Ohm termination: 4.0 Vpp • Output impedance: 10 Ohm • Frequency range: 27 kHz – 200 kHz General • Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts • Idle power consumption: 19 Watts • Typical power consumption: 22-25 Watts • Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5") • Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3") • Total depth: 240 mm (9.4”) • Weight: 3 kg ( 6.6 lbs) • Temperature range: +5° up to +50° Celsius (41° F up to 122°F) • Relative humidity: < 75%, non condensing

Building upon the success of the Solid State Logic SSL 2 and SSL 2+, the SSL 12 USB Audio Interface is a highly portable 12-in / 8-out, bus-powered interface that delivers all of the professional, studio-grade quality and legendary analog character one would expect from SSL in a compact form factor, ideal for content creators and producers on a tight budget. With pristine 32-bit / 192 kHz AD/DA conversion, you will capture every detail and nuance of your recorded sounds, while ADAT input and intuitive console-style software mixing allows the SSL 12 to be both a studio centerpiece and a portable production hub all at once. Comprehensive I/O in a Small Desktop Footprint Despite it's compact size, the SSL 12 is loaded with a huge amount of professional studio features normally reserved for high-end rackmount interfaces. For tracking, the ADAT connectivity together with onboard talkback mic and an incredibly powerful cue mixer (that allows you to create up to 4 independent near-zero-latency performer mixes) handle the most demanding recording sessions. For mixing, alternative monitor switching and assignable front-panel control-room functions put everything you need at your fingertips. For production, USB Loopback, MIDI I/O, and DC-coupled outputs for CV control of synths and FX equip you with a serious toolkit to keep the creativity flowing. Four SSL-designed microphone preamps with unrivalled EIN performance and huge gain range for a USB-powered device Four Neutrik combo XLR-1/4" mic/line inputs with +48V phantom power, selectable per input Two Hi-Z instrument inputs for guitars, bass, or vintage instruments Two professional-grade headphone outputs with switchable modes of operation for high-impedance or high-sensitivity headphones and up to four independent headphone mixes Headphone outputs can be repurposed as additional balanced/unbalanced line-level outputs Four dedicated, balanced 1/4" line outputs USB-C for 12 x 8 digital tracking and bus power ADAT input expands input channel count with 8 extra channels of digital audio USB loopback, MIDI 5-pin DIN in and out, and DC-coupled 1/4" outputs for CV control of synths and FX Comes with SSL Production Pack Providing inspirational software from your favorite industry tools, the SSL 12 comes bundled with the SSL Production Pack, a unique collection of SSL and 3rd-party software packed with a selection of must-have virtual instruments, plug-ins, samples, and DAWs. Worth over $1000, this software pack will let your creativity shine and bring your productions to life. 3-months free access to SSL Complete subscription 3-months free access to Auto-Tune Unlimited subscription 3-months free access to Arcade subscription by Output Perpetual plug-in licenses for SSL Vocalstrip 2 and Drumstrip plug-ins IK Multimedia AmpliTube 5 SE Celemony Melodyne essential Native Instruments Hybrid Keys and Komplete Start Ableton Live 11 Lite AAS Session Bundle plug-ins 1.5 GB of samples from Loopcloud Channels of I/O Analog: 4 Inputs / 8 Outputs at 192 kHz ADAT: 8 Inputs Maximum Sampling Rate 192 kHz / 32-Bit Number of Microphone Inputs 4 Preamps Analog Audio I/O 4 x Combo XLR-1/4" 3-Pin Balanced Mic/Line Input 2 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4 x 1/4" TRS Balanced Line Output 2 x 1/4" TRS Balanced/Unbalanced Line/Headphone Output (Front Panel) Digital Audio I/O 1 x TOSLINK Optical ADAT Input Host Connection 1 x USB-C (on Interface) OS Compatibility macOS 10.15 or Later Windows 10 Windows 11 *As of December, 2022: Check with manufacturer for the most up-to-date compatibility Power Requirements USB Bus Power Channels of I/O Analog: 4 Inputs / 8 Outputs at 192 kHz ADAT: 8 Inputs Built-In DSP None Maximum Sampling Rate 192 kHz / 32-Bit Number of Microphone Inputs 4 Preamps Built-In Microphone None Input Level Adjustment 4 x Knob Expansion Slots None Signal Processing Pad None Gain/Trim Range Combo XLR-1/4" Mic Inputs: 62 dB (Mic Amp Gain) High-Pass Filter None Connectivity Analog Audio I/O 4 x Combo XLR-1/4" 3-Pin Balanced Mic/Line Input 2 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4 x 1/4" TRS Balanced Line Output 2 x 1/4" TRS Balanced/Unbalanced Line/Headphone Output (Front Panel) Phantom Power 48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 1 x TOSLINK Optical ADAT Input Host Connection 1 x USB-C (on Interface) Host Connection Protocol USB 2.0 USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O 1 x DIN 5-Pin Input 1 x DIN 5-Pin Output Performance Frequency Response 20 Hz to 20 kHz Maximum Input Level Combo XLR-1/4" Line Inputs: +24 dBu 1/4" Hi-Z Inputs: +14 dBu Maximum Output Level 1/4" Line Outputs: +24 dBu Impedance Mic Inputs: 1.2 Kilohms (Balanced, Mic Level) Line Inputs: 15 Kilohms Hi-Z Inputs: 1 Megohm Main Outputs: 75 Ohms (Balanced) Headphone Outputs: < 1 Ohm Dynamic Range Mic Inputs: 111 dBA Line Inputs: 111.5 dBA Hi-Z Inputs: 110.5 dB 1/4" Monitor Outputs: > 120 dBA 1/4" Headphone Outputs: > 112 dBA 108 dBA THD+N Mic/Hi-Z Inputs: 0.0015% (-8 dBFS) Line Inputs: 0.0005% (-1 dBFS at 1 kHz) Monitor Outputs: 0.0005% (-1 dBFS at 1 kHz) Headphone Outputs: 0.005% (Standard Mode, -1 dBFS at 1 kHz) 0.001% (High Sensitivity, -1 dBFS at 1 kHz) 0.001% (High Impedance, -1 dBFS at 1 kHz) 0.005% (Line Mode Balanced, -1 dBFS at 1 kHz) EIN Combo XLR-1/4" Mic Inputs: -130.5 dBu A-Weighted Digital Audio Sample Rates 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (AD/DA Conversion) Sample Rate Conversion On ADAT I/O/All Inputs Bit Depths 32-Bit Latency Zero-Latency Direct Monitoring Sync Sources ADAT, Internal