Microphone Preamplifier Mic Gain Range: 58dB Line Gain Range: 58dB (-10dB pad) Phantom Power: 48v +/-4v @ 10mA/Channel Mic EIN: <-127.5dBu CMRR: >80dB @ 1kHz Maximum Input Level: +16dBu Input Impedance (Mic): >3kΩ Balanced Input Impedance (Line): >10kΩ Balanced Frequency Response: +/-0.5dB 10Hz to 40kHz Crosstalk: THD+N @ 0dBu (1kHz): <0.0015% SNR: 100dB XLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) 1/4” Jack: IP (Hot), RING (Cold) & SLEEVE (Shield) D.I D.I Gain Range: 58 dB Maximum Input Level: +10dBu Input Impedance: 500k Frequency Response: +/-0.5dB 10Hz to 20kHz THD+N @ 0dBu (1kHz): <0.1% SNR: 100dB 1/4” Jack: TIP (Hot) & SLEEVE (Shield) ADC Inputs Digital Reference Level: 0dBFS = +10.5dBu Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: -125dBu @ 1kHz & 10kHz THD+N @ -1dBFS (1kHz): <0.001% Dynamic Range: 112.5dB A-Weighted DAC Outputs Maximum Output Level: 12dBu Digital Reference Level: 0dBFS = +12dBu Output Impedance: <50Ω Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: THD+N @ -1dBFS (1kHz): <0.001% Dynamic Range: 121dB A-weighted 1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield) Headphone Output Max Output Level: 11.25dBu Output Impedance: <50Ω Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: -108dBu @ 1kHz THD+N @ -1dBFS (1kHz): <0.001% Dynamic Range: 118dB A-weighted Max Level Into 30ohms: +8.5 dBu, 0.00094% THD+N, 1.66Vpk Power: 86mW Max Level Into 60ohms: 10 dBu, 0.00079% THD+N, 2.55Vpk Power: 104mW Max Level Into 600ohms: 11.2 dBu, 0.00057%THD+N, 3.83Vpk Power: 24mW 1/4” Jack: TIP (Left), RING (Right) & SLEEVE (Shield) Dimensions Dimensions (Unit): 355mm (w) x 255mm (d) x 53mm (h)

Furnished with studio-class 24-bit / 192 kHz conversion, the Apollo Solo USB gives musicians, producers, and songwriters the appreciable value of high-resolution recording and mixing with distortion and dynamic performance beyond its price point. The interface features two XLR-1/4" mic/line combo inputs and a 1/4" Hi-Z input, all with Unison integration for precise UAD emulations of classic analog preamps. Impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each analog input, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo Solo USB's face. It offers a dedicated stereo monitor feed and a front-panel headphone output, plus full input and output metering capabilities. The built-in SOLO Core processing allows you to monitor and record audio using classic analog emulations with near-zero latency. The plug-in bundle included with the Heritage Edition empowers you with 25 top-notch plug-ins ranging from vintage compressor and EQ collections to virtual guitar/bass amps and time-based processors. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Please note, the Apollo Solo USB requires an external power supply (included) and a USB 3.0 port on your computer in order to operate. To see if your computer is compatible with the Apollo Solo USB, refer to the manufacturer website for compatibility information. Heritage Edition The Heritage Edition features the same Apollo Solo USB interface found in the standard edition but with more plug-ins. The standard Apollo Solo USB includes the Realtime Analog Classics bundle (14 plug-ins) and the Heritage Edition adds 11 more plug-ins for a total of 25 revered UA powered plug-ins. UA Sound in a Portable Form Track, overdub, and mix with high-resolution AD/DA conversion and DSP-powered plug-ins UAD-2 SOLO Core processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps, with near-zero latency, and no burden on your computer’s CPU Unison technology nails the tone of sought-after tube and solid-state mic pres by matching the input impedance, gain-stage sweet spots, and component-level circuit behaviors of the original hardware High-speed USB 3.0 Type-C connectivity Windows computers (USB SuperSpeed cable available separately) Convenient desktop form factor with an external power supply Comprehensive front-panel metering and fast, intuitive controls; no menu-diving is required Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Home Studio 2x4 audio interface with two Unison-enabled microphone preamps (via XLR-1/4" combo mic/line inputs), providing emulations of classic analog preamps with near-zero latency One front-panel Unison-enabled 1/4" Hi-Z input for direct connection of a guitar, bass, or keyboard Stereo 1/4" monitor output and one 1/4" headphone output, each with dedicated level control 25 Powered Plug-Ins Includes Realtime Analog Classics plug-in bundle plus 11 additional plug-ins to complete the compressor, EQ, and preamp collections and provide another reverb (plug-ins support VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs): UA 610-A Tube Preamp and EQ (Vintage) UA 610-B Tube Preamp and EQ (Modern) Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) UA 1176 Classic Limiter Collection (1176LN Rev E, 1176 Rev A, and 1176AE 40th Anniversary Edition) Pultec EQP-1A EQ (Legacy) Pultec MEQ-5 EQ (Legacy) Pultec Passive EQ Collection (EQP-1A, MEQ-5, and HLF-3C) Teletronix LA-2A Leveling Amplifier (Legacy) Teletronix LA-2A Classic Leveler Collection (LA-2A Silver, LA-2A Gray, and LA-2) Raw Distortion Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) Pure Plate Reverb RealVerb Pro Custom Room Modeler Universal Audio Apollo Solo Specs Form Factor Tabletop Display 5 x Multi-Segment LED Meter Channels of I/O Analog: 2 Inputs / 4 Outputs at 192 kHz Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps 2 Input Level Adjustment 1 x Knob Solo/Mute None Pad Mic: -20 dB (Switchable per Channel) High-Pass Filter 75 Hz, 12 dB/Octave Expansion Slots None Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced Mic/Line Input 1 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 2 x 1/4" TRS Balanced Monitor Output 1 x 1/4" TRS Unbalanced Headphone Output (Front Panel) Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O None Host Connection / USB 1 x USB Type-C (USB 3.0 / 3.1 Gen 1) USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response System: 20 Hz to 20 kHz ±0.1 dB Gain/Trim Range Mic/Line/Hi-Z Inputs: +10 dB to +65 dB Max Input Level Mic Inputs: +25.2 dBu (Min Gain, with Pad) Line Inputs: +20.7 dBu Hi-Z Inputs: +12.5 dBu (Min Gain) Max Output Level Monitor Outputs: +20.7 dBu Headphone Output Power 240 mW into 32 Ohms 62 mW into 300 Ohms Impedance Mic Inputs: 5.5 Kilohms Line Inputs: 10 Kilohms Hi-Z Inputs: 1 Megohm Monitor Outputs: 100 Ohms Dynamic Range Mic/Line/Hi-Z Inputs: 118 dBA Monitor Outputs: 115 dBA Headphone Outputs: 115 dBA (600-Ohm Load) THD+N Mic Inputs: -108 dBFS Line Inputs: -107 dBFS Hi-Z Inputs: -105 dBFS Monitor Outputs: -106 dBFS Headphone Outputs: -97 dB (600-Ohm Load) -88 dB (32-Ohm Load) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources Internal Compatibility OS Compatibility Windows 10 (64-Bit Only) Included Software None Supported Drivers/API & Plug-Ins Windows Driver Downloadable from Manufacturer Processor Requirement PC: Intel Core i3 Intel Xeon Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available USB 3.0 / 3.1 Gen 1 Port USB Cable (Not Included) Internet Connection Required for Registration, Software/Driver Download, Plug-In Authorization Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC, Center-Positive (Included) Power Consumption 10 W Physical Operating Humidity 20 to 80% Operating Temperature 32 to 95°F / 0 to 35°C Storage Temperature -40 to 176°F / -40 to 80°C Dimensions 7.1 x 4.8 x 1.8" / 18.03 x 12.19 x 4.57 cm Weight 1.4 lb / 0.6 kg Packaging Info Package Weight 3.255 lb Box Dimensions (LxWxH) 8.5 x 6.4 x 4.6"

Compatible with Apogee One for Mac, One for iPad/Mac/PC, Duet for iPad/Mac/PC, and Quartet For direct connection to USB Type-C Equipped Computers (MacOS or Windows) (NOT USB-C iPAD) NOT COMPATIBLE with Duet 2 or Duet Firewire See this link for compatibility with iPad Pro models with USB-C: https://knowledgebase.apogeedigital.com/duet-ipad-mac/apogee-products-work-ipad-pro-usb-c-port/

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Being a certified Apple MFi interface (“Made for iPhone and iPad,”) iRig Pre HD is guaranteed to work out of the box with all iOS devices using a Lightning connector including those that do not have headphone jack. The included Lighting cable allows for plug-and-play with Apple iOS devices while the USB cable connects Mac and PC computers offering the ability to record anytime and anywhere using your favorite dynamic, ribbon or condenser microphone models with phantom power (using batteries). Delivering exceptional, best-in-category sound quality with up to 96kHz/24-bit resolution and full, flat frequency response from 20Hz to 20kHz (+/- 1.5dB), iRig Pre HD is the bridge between the world of portable devices and the one of professional microphones for recording instruments, sound for media, video, speech, interviews, documentaries and more. Its integrated, high quality Class A preamp ensures that you can easily record the full dynamics of the sound being captured by your microphone down to the finest details and with crystal-clear quality. The elegant multicolor LEDs will help you visually set the right amount of gain needed for your applications and will tell you whether phantom power is in use. Your best mic’s best friend iRig Pre HD allows you to record with astounding quality using your favorite XLR microphones on the go. This means you can easily achieve authentic studio sound with your portable device regardless of where you are. As a superb, flexible, high-resolution microphone interface for studio recording, film, radio, television and broadcast applications, iRig Pre HD packs an incredible amount of punch in an ultra-compact enclosure that you can easily carry with you and delivers outstanding results with even the most gain-hungry microphones. Its integrated, high quality Class A preamp ensures that you can easily record the full dynamics of the sound being captured by your microphone down to the finest details and with crystal-clear quality. The elegant multicolor LEDs will help you visually set the right amount of gain needed for your applications and will tell you whether phantom power is in use. A versatile performer, in the studio and on the go iRig Pre HD is a versatile performer in virtually every professional context. If you are a musician or a singer, you can use it with a dynamic microphone to mic up a guitar amp or to record amazing vocal takes with your trusted large condenser mic, (just engage the +48V phantom power and you are set). You can even use it with ribbon microphones to faithfully capture their gently rolled-off character. If you are a journalist or a correspondent, you now have a tool that allows you to capture ready-to-stream hi-res digital audio on your device during interviews, on-the-ground news reports and much more. If you are a video-maker you can take advantage of iRig Pre HD’s ultra-compact portability (without adding significant weight to your bulky video equipment) to capture ready-to-use audio during a location shoot.

2 XLR / ¼” combo guitar, mic & line inputs Class-A preamps with improved gain range and phantom power 2 balanced 1/4” outputs Headphone out with direct monitoring MIDI 2.5mm IN/OUT with breakout cables Improved ergonomic controls for maximum precision Runs off 2 AA batteries (included), bus power or optional PSU Rubberized finish and textured controls for reliable field use Includes Lightning, USB-C and USB-A cables Designed and made in Italy Comprehensive connections iRig Pro Duo I/O has 2 Neutrik™ analog inputs to record microphones, guitar/bass, keyboards, synths, and more. New Class-A mic preamps with extended gain range and +48v phantom power ensure professional sound quality and ultra-low noise. And MIDI IN/OUT jacks with breakout cables turn iRig Pro Duo I/O into a full-fledged MIDI interface as well. Connect your MIDI controller, microphone, and guitar to record an entire jam session on the fly. Or, connect two microphones to record your podcast, radio show, or live-stream from any location you choose. Create on all your devices Ditch the hefty gear and plug iRig Pro Duo I/O right into your favorite mobile device. iRig Pro Duo I/O is compatible with iPhone, iPad, Android, and Mac/PC, with Lightning, USB-C and USB-A cables included for easy plug-in and play setup. You’ve got the power When we say ANY location, we mean it. iRig Pro Duo I/O runs off 2 included AA batteries, USB bus power or an optional external PSU, meaning you’re never tethered to an outlet. Let your creativity take you places you never imagined, with flawless audio quality anywhere you need it. Endless inspiration iRig Pro Duo I/O is compatible with all your favorite apps, from GarageBand for recording, to FilMIC Pro for video recording, Bossjack Studio for podcasting, and even Facebook and Instagram for live-streaming. You’ll never stop finding new cool apps to use! A serious production bundle Don’t have a favorite app to work with? Don’t sweat it. iRig Pro Duo I/O includes free access to over $/€500 of IK software, apps, and in-app content. This all-in-one package is everything that you need to record, edit, and share great content with your audiences near and far. Mac/PC AmpliTube 4 amp & effects modeling software gives you 30 ultra-realistic amps, cabs, stomps & more 9 T-RackS processors & Mic Room high-quality mixing & mastering plug-ins to polish your tracks SampleTank 4 SE sound & groove workstation makes it easy to create professional-sounding tracks 25 Gear Credits to customize your rig with even more gear irigproduoio_mac_pc_bundle iPhone/iPad AmpliTube for iOS: unlocks AmpliTube Essentials bundle with 36 stomps, amps, cabs & more! VocaLive for iOS: unlocks Mic Pack 1, letting you sing through a variety of classic microphone models iRig Recorder iOS: unlocks the Pro Bundle, letting you record, edit and share audio & video right on your phone Mic Room iOS: unlocks Mic Pack 1, giving your recordings & podcasts a variety of professional vocal tones SampleTank iOS: unlocks 48 bonus instruments to make it even easier to create hot new tracks irigproduoio_ios_bundle iRig Pro Duo I/O gives you everything you need to capture & create professional quality audio and video, in a unit that’s always at the ready. Go out and find your inspiration!

Multiple line outputs can be connected over a DB25 breakout cable, and with two insert points, you can route external gear into the signal path. Need to reamp a guitar part? Now you can, thanks to two reamp outputs. Though the preamps have been designed with sonic transparency in mind, they can be bypassed entirely, should you want to output directly to the unit's converters. The interface itself boasts the acoustic clocking made famous by Antelope for rock-solid stability as well as increased detail and separation in musical performances. You can sync other devices to the clock thanks to wordclock BNC connections. The Orion Studio Synergy Core is outfitted with two FPGA chips and six ARM-based DSP processors to handle Antelope's ecosystem of modeled plug-ins, which leverage FPGA technology to deliver emulated pieces of real-world gear in precise detail. There are 50 plug-ins from Antelope included with the interface, and more are available on Antelope's webstore. Antelope has gone to great lengths to secure a solid sonic performance with 130 dB of dynamic range at the monitoring outputs and a conversion stage that aims to rival mastering converters used in monitoring. Use this interface for anything that demands the attention of 12 audiophile-grade DACs, low-latency performance, a quiet noise floor, and high sample rates. FPGA Processing The Orion Studio brings Synergy Core FX processing platform to its next stage of evolution. With two proprietary Field Programmable Gate Array (FPGA) chips and six ARM-based DSP processors onboard, the computing power contained in this interface is more than enough to handle most sessions. Included FX The unit comes with fifty real-time effects, including: Gyraf Gyratec IX (Tube Mic Preamp) VCA160 (Compressor / Limiter) Stay-Levin (Tube Compression Amplifier) FET-A76 (FET Compressor) X903 (Compressor / Limiter) PowerFFC (Compressor) VEQ-HLF (Passive High/Low Filter) BA-31 (Vintage Mic Preamp) ALT-436C (Tube Compressor Amplifier) FET-A78 (FET Compressor Limiter) SMT-100A (Tube Leveling Amplifier) VEQ-1A (Tube Equalizer) VMEQ-5 (Tube Mid-Range Equalizer) BAE-1023 (3-band Vintage EQ) NEU-PEV (Passive Vintage EQ) NEU-W492 (5-band Vintage EQ) NEU-W495 (3-band Vintage Mastering EQ) VEQ-4K BROWN (Legendary Vintage EQ) VEQ-4K ORANGE (Legendary Vintage EQ) VEQ-4K PINK (Legendary Vintage EQ) VEQ-STU 089 (Vintage EQ) VEQ-STU 169 (Vintage EQ) VEQ-STU 900 (Vintage EQ) Clear Q (Parametric EQ) Auraverb (Reverb) Power EX (Expander) Power Gate (Gate) Master De-Esser (De-Esser) Plexi 59 (UK) (Tube Guitar Amp) Bass SuperTube VR (Tube Guitar Amp) Darkface 65 (US) (Tube Guitar Amp) Top30 (UK) Bright (Tube Guitar Amp) Tweed Deluxe (US) (Tube Guitar Amp) Overange 120 (UK) (Tube Guitar Amp) BurnSphere (DE) Lead (Tube Guitar Amp) Marcus II (US) Lead (Tube Guitar Amp) Modern (US) CH3 (Tube Guitar Amp) Rock 75 (UK) (Tube Guitar Amp) Rock 22.10 (UK) (Tube Guitar Amp) Darkface 65 2x12 (Guitar Cabinet) Top30 2x12 (Guitar Cabinet) Modern 4x12 (Guitar Cabinet) Green 2x12 (Guitar Cabinet) Vintage 4x12 (Guitar Cabinet) Green 4x12 (Guitar Cabinet) Caliper 50 1x10 (Guitar Cabinet) Bluelux 1x12 (Guitar Cabinet) Clst 1x12 (Guitar Cabinet) England 4x12 (Guitar Cabinet) Bass Tube 1x15 (Guitar Cabinet) Thunderbolt 3 and USB 2.0 Compatible Orion Studio Synergy Core underwent a certification process to ensure operating system compatibility and stability with Thunderbolt 3 devices. The interface is backwards-compatible with Thunderbolt 2. It's also compatible with USB 2.0 devices. Low Latency Record and monitor with maxed-out effects chains at high sample rates and low buffer sizes, all without taxing your CPU. You can enjoy latency-free direct monitoring over 4 independent internal mixers with 32 assignable inputs and stereo outputs. 12 Discrete Preamps The outcome of a long hard look into iconic microphone preamp circuitry are discrete transistor pres that embody well-renowned audio engineering practices, all while accommodating Edge and Verge modeling condenser microphones. Go Direct into Converters All Orion Studio Synergy Core analog inputs have a direct-in feature. This allows you to bypass the preamp controls and record line-in signals directly into the converters. Analog and Digital Flexibility There's no task too big or too small for the Orion Studio Synergy Core. Record high-impedance instruments, such as the electric guitar through four Hi-Z inputs, and ability to reamp tracks through the special purpose reamp outputs and inputs. Take advantage of all 16 line outputs on DB25 connectors. Handle digital audio via S/PDIF and ADAT. Freely route all incoming and outgoing audio from an intuitive software routing matrix. Then, hear the results from two pairs of headphones or studio monitors. You'll also find an integrated talkback microphone. Software Control Panel The software control panel is the mediator between the Orion Studio Synergy Core and your DAW. Handle gain adjustments, signal routing, effects processing, mixing, and metering from a single window. Route the resulting audio into your DAW for recording in formats of your choice, such as multitrack, stem, and two-channel stereo. Gone DAWless? Route any audio to any output and take it to the recording medium of your choice. 130 dB Dynamic Range With an array of 12 audiophile-grade DACs, capable of up to 192 kHz sample rates and 130 dB dynamic range conversion at the monitor outputs, Orion Studio Synergy Core is capable of handling a wide range of audio material. Capture your voice, instruments, or mixing desk outputs exactly as they sound, with precision. 64-Bit Acoustically Focused Clocking The pioneer of atomic clocking in pro audio, Antelope Audio incorporates more than 20 years of expertise in its audio interfaces. The proprietary 64-bit Acoustically Focused Clocking jitter management algorithm helps deliver the kind of artifact-free audio once accessible only to the most prestigious studios. Furthermore, with the Word Clock outputs, you can distribute highly stable clocking across the rest of your digital gear to have everything running smoothly in sync. Antelope Orion Studio Synergy Specs Form Factor Rackmount (Rack-Mountable with Optional Hardware) Display 1 x LCD Channels of I/O Thunderbolt: 32 Input / 32 Output USB: 24 Input / 24 Output Analog: 14 Input / 24 Output Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 12 Preamps Built-In Microphone Yes Input Level Adjustment 1 x Knob via Software Expansion Slots None Signal Processing Pad None Gain/Trim Range AD/DA Converters: Up to 130 dB Combo XLR-1/4" Mic Inputs: 75 dB High-Pass Filter None Solo/Mute None Connectivity Analog Audio I/O 8 x Combo XLR-1/4" TRS Mic/Line Input (DC-Coupled) 4 x Combo XLR-1/4" TRS Mic/Line/Hi-Z Input 2 x 1/4" TRS Insert Input 2 x 1/4" TRS Headphone Output 4 x 1/4" TRS Monitor Output 2 x 1/4" TRS Re-Amp Output 16 x DB-25 25-Pin Output (on Optional Breakout Cable) Digital Audio I/O 2 x TOSLINK Optical ADAT Input 2 x TOSLINK Optical ADAT Output 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x Thunderbolt/MDP (Thunderbolt 3) 1 x USB Type-B (USB 2.0) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O None MIDI I/O None Wireless Connectivity Wi-Fi (Remote Control) Performance Maximum Input Level Mic Inputs: +18 dBu Dynamic Range A/D Converters: 124 dB D/A Converters: 128 dB Monitor D/A Converters: 130 dB THD Mic: -106 dB THD+N A/D Converters: -112 dB D/A Converters: -115 dB Monitor D/A Converters: -115 dB EIN Combo XLR-1/4" Mic Inputs: -128 dBu Digital Audio Sample Rates Up to 192 kHz Bit Depths Up to 64-Bit Sync Sources DB-25, Internal Clocking Internal: Accuracy: ±0.2 ppm Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS 10.12 or Later Windows 10 or Later (64-Bit) Included Software None Compatible Software (Not Included) Pro Tools Logic Ableton Live Studio One RAM Requirements 4 GB, 8 GB Recommended Storage Requirements 4 GB Mobile Device Compatibility None Internet Connection Required for Registration, Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 18 VAC, 60 Hz Power Consumption 25 W Physical Rackmount Size 1 RU Operating Temperature 32 to 122°F / 0 to 50°C Dimensions 19 x 8.6 x 1.7" / 48.3 x 21.8 x 4.3 cm Weight 6.8 lb / 3.1 kg Packaging Info Package Weight 12.065 lb Box Dimensions (LxWxH) 25 x 13.5 x 4.5"

Specs Input Input 1 / 2 connectors: XLR/TRS combo jacks (XLR: 2 hot / TRS: TIP hot) Input gain: 0, 9 to 60 dB (3dB step) Input impedance: 3kΩ Maximum input level: +12 dBu (@0dBFs) Phantom power: +48V Hi-Z (INPUT1) connector: 1/4" phone jack Input impedance: 1MΩ Maximum input level: +10 dBu (@0dBFs) Output L/R connector: 1/4" TRS phone jack (Balanced) Maximum output level: +15 dBu (@0dBFs) Output impedance: 100Ω Phones Connector: 1/4" Stereo phone jack 20mW + 20mW (into 32Ω load) Maximum output level: +10 dBu (@0dBFs) Output impedance: 30Ω AD/DA conversion Type: 4x upsampling Chipset: Burr Brown PCM4202 (A/D) AKM AK4396 (D/A) Frequency response: -2.0 dB: 20 Hz - 50 kHz @ 192kHz setting -1.0 dB: 20 Hz - 34 kHz @ 96kHz setting -0.4 dB: 20 Hz - 20 kHz @ 44.1kHz setting Dynamic range: A/D: 118dB typical (IHF-A) D/A: 120dB typical (IHF-A) Other Compatability: MAC Only S/N ratio EIN: 125dB(IHF-A) @ 60dB, 150Ω input Audio channels recording: 2 Audio channels playback: 2 Sampling frequency: 192kHz, 176.4kHz, 96kHz, 88.2kHz, 48kHz, 44.1kHz Bit depth: 24-bit Interface: Thunderbolt Power: Thunderbolt Bus Power Dimensions: 129.5mm(D) x 120.0mm(W) x 51.3mm (H) Weight: 420g Routing audio signal to and from editing software Just connect the TAC-2 to your computer via Thunderbolt and then plug the audio source (such as a portable recorder, mixing console, or music player) into the TAC-2's inputs. You can monitor signal coming from the software via headphones or by connecting the TAC-2 outputs to amplifiers or self-powered speakers Recording voice and instruments into a DAW Enhance your music by adding your own instruments and voice. The TAC-2 makes it easy to do: Simply connect microphones and instruments to the inputs and then connect the TAC-2 to your computer's Thunderbolt port. The extreme low latency provided by Thunderbolt technology ensures that you can overdub to existing tracks with little or no audible delay. Onstage playback of audio from your computer during live performance Got some great sounds in your laptop? The TAC-2 can bring them to life—simply connect it to your computer with a Thunderbolt cable and then connect the rear panel TAC-2's TRS outputs to your mixing board or PA system. That's all it takes to turn your laptop into an instant live instrument. Listening to high-resolution streaming audio through headphones or connected speakers MP3s can sound good, but high resolution audio files—24/96 or 24/192 WAVs—sound way better. Now you can enjoy streamed high resolution files in full fidelity by connecting your computer to the TAC-2 via Thunderbolt and using the TAC-2 headphone jack instead of the one on your computer. Alternatively, you can use the rear panel balanced TRS outputs to connect the TAC-2 to your speakers. Thunderbolt: The ultimate in high-speed connectivity More than twice as fast as USB 3.0—not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800—Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits per second, which means virtually no latency. Thunderbolt interfaces such as the TAC-2 are also unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source. In addition, Thunderbolt carries 10 watts/18 volts of power (as compared to the 2.5 watts/ 5 volts carried by USB 2.0)—enough to provide stable phantom power. This also allows the use of high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter in the TAC-2. The TAC-2 performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the TAC-2 processes the signal at high resolution 176.4kHz or 192kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity. The Ins and Outs The Thunderbolt port on the rear panel carries digital signal to and from your computer as well as carrying power to the TAC-2. Two combo XLR/TRS inputs are provided for the connection of mic- and line-level signals, and there's a handy Hi-Z (high impedance) unbalanced input on the front panel for direct connection of passive electric guitars and basses using a standard 1/4" guitar cable. The TAC-2 also offers two balanced TRS output jacks which allow you to connect the TAC-2 to your monitors, as well as a dedicated 1/4" stereo headphone jack. All TAC-2 audio jacks use the industry standard Pin 2 hot on XLR connectors and Tip hot on TRS connectors. The TAC-2's single rotary control knob is used to set input, output, and headphone levels and to provide +48 volts of phantom power to the selected input, allowing you to use the TAC-2 with any kind of microphone, from low-cost dynamics to expensive studio-quality condensers. Seven-segment LEDs show continuous signal strength as well as input/output overload clipping. Zoom TAC-2 MixEfx TAC-2 MixEfx is a free Macintosh application designed specially for the TAC-2. With TAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Other features include a low cut filter, phase reverse, and AUTO GAIN control for each input. There's also a LOOPBACK function that allows you to blend the input signal and playback signal for ultra-low latency. TAC-2 MixEfx has three memory slots for saving user settings with quick recall. State of the art editing with every interface The Zoom TAC-2 comes with a free download license for Sternberg’s Cubase LE music production software, providing not just the ability to capture incredible high-resolution / low-latency audio in every box, but to do spectacular things with it. Take your recordings to a more professional level. Steinberg’s powerful and state-of-the-art audio software used by creators around the world now comes with every Zoom TAC-2, TAC-2R, and TAC-8 purchase. Currently shipping with: Cubase LE7 for Mac OS X 10.7, 10.8, 10.9 and Windows 7/8 Features at a glance 2-in/2-out high speed Thunderbolt™ audio interface Support for recording and playback up to 24-bit/192kHz Ultra-low latency audio streaming Two combo balanced XLR/TRS input connectors +48V phantom power for each input Hi-Z input jack allows direct connection of electric guitar or bass Two balanced TRS output jacks for connection to amplifiers or self-powered speakers Dedicated headphone jack with independent level control 7-position LED metering for input, output, and headphone volume High-performance Burr Brown mic preamps with up to +60dB of amplification 4x upsampling during A/D and D/A conversion for reduced noise and enhanced fidelity Asynchronous transfer system unaffected by computer jitter Simple user interface—all operations controlled by a single rotary knob Bus powered—no AC power required Rugged yet compact and lightweight Works with all Thunderbolt-equipped Macintosh computers running OS X 10.8.5 or later Accessories Here's what comes included with the TAC-2: Operation manual Thunderbolt cable

Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Digital I/O 3x 8-ch banks (24 ch) of ADAT optical at 1x sample rates 6x 4-ch banks (24 ch) of SMUX optical at 2x sample rates 3x 8-ch banks (24 ch) of AES/EBU on 25-pin D-sub 1x BNC MADI in/out (64/56 ch @ 1x, 32 @ 2x, 16 @ 4x) Total I/O 112 inputs and 112 outputs (224 total) at 1x sample rates 80 inputs and 80 outputs (160 total) at 2x sample rates 16 inputs and 16 outputs (32 total) at 4x sample rates Computer I/O 1 x Thunderbolt (compatible with 1 and 2) 1 x USB 2.0 audio class compliant USB 3.0 and iOS compatible 1 x AVB Ethernet (requires OS X Yosemite) Computer I/O channels Thunderbolt (44.1 to 96 kHz): 128 in/out Thunderbolt (176.4 to 192 kHz): 64 in/out USB 2.0 (44.1 to 48 kHz): 64 in/out USB 2.0 (88.2 to 96 kHz): 32 in/out USB 2.0 (176.4 to 192 kHz): 24 in/out AVB Ethernet: 16 to 128 in/out, depending on host computer speed Sync I/O 1 x word clock in 1 x word clock out / thru Network I/O 1 x RJ45 AVB/TSN Ethernet (1 Gbps) AVB streams (8 channels per stream) 16 in / 16 out @ 44.1 or 48 kHz 16 in / 16 out @ 88.2 or 96 kHz 8 in / 8 out @ 176.4 or 192 kHz Front panel 5 x switches • menu navigation 324 x 24 pixel LCD for level meters / menu nav 1 x AC power switch Power International 100-240V autoswitching supply 50-60 Hz • 0.5A max Dimensions and weight (width x depth x height, enclosure only) 19 x 7 x 1.75 inches 48.3 x 17.75 x 4.5 cm 4.3 lbs / 1.95 kg with rack brackets removed: 17.25 inches (43.8 cm) wide 4.2 lbs / 1.90 kg Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended Mac OS X version 10.8 or later Available Thunderbolt, USB 2.0 or AVB Ethernet port* A large hard drive (at least 500 GB for recording) *AVB Ethernet audio interface operation requires OS X Yosemite Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available USB 2.0 or 3.0 port Available Ethernet port for firmware updates A large hard drive (at least 500 GB for recording) Web App Support Any web client platform: Mac, Windows, Linux, iOS, Android Any web browser: Safari, Firefox, Chrome, Opera, Explorer, etc. Web client must be connected to the same network as the MOTU AVB interface by wire or Wi-Fi. Included Software Thunderbolt and USB 2.0 drivers MOTU Discovery App for Mac & PC (finds connected MOTU interfaces) MOTU Discovery App for iOS (available from Apple App Store) MOTU Pro Audio Control web app (served from the hardware itself) MOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer) AudioDesk 4.0 for Mac & PC (separate download) Operating Systems For computer audio I/O: Mac OS X 10.8 or later; Windows 7 or later For web app control: Mac, Windows, Linux, iOS, Android Compatible Mac Software The 112D ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows Software The 112D ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Steinberg Cubase Propellerhead Record & Reason Image Line FL Studio Sony Vegas Pro Sony Sound Forge Sony Acid Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) 112D Feature Summary 112 simultaneous digital audio channels 24 channels of AES/EBU, plus 24 channels of ADAT optical, plus 64 channels of MADI, for 112 total channels digital audio I/O. All input and output channels can be active simultaneously. 64 channels of MADI Serves as a 64-channel MADI interface, router and converter with near-zero latency and flexible routing and splitting to/from the AVB network, computer, AES/EBU and optical. Supports 56-channel mode, 32-channel mode and 1x/2x/4x clock modes. 24 channels of AES/EBU and ADAT optical up to 96 kHz Three 8-channel (D-sub) banks of AES/EBU at sample rates up to 96 kHz. Three 8-channel banks of ADAT optical at rates up to 48 kHz; six banks of ADAT at 2x sample rates (24 channels). Flexible routing, splitting and format conversion Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the AVB network. Convert any format to any other. 256 channels of network audio I/O for your host computer Record and monitor up to 128 networked audio channels in and out, simultaneously, through the Thunderbolt connection to a host computer. Universal connectivity Connects to a computer with Thunderbolt, standard AVB Ethernet or audio class compliant high-speed USB 2.0 (compatible with USB 3.0 and iOS). Discovery app and web app software works alongside any host audio software. On-board DSP with mixing and effects Flexible 48-input digital mixer modeled after large format mixing consoles, with 12 stereo busses and DSP effects, including reverb, 4-band EQ, gate, and compression. 32-bit floating point processing The 112D's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality. Modeled vintage effects processing Classic reverb. Compression modeled after the legendary LA-2A compressor. EQ modeled after British analog console EQs. System expansion and audio networking Add a 2nd MOTU AVB interface (1248, 8M, 16A, etc.) with a simple Cat-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB Switch (sold separately). Build a network with multiple interfaces and computers using standard AVB switches and network cabling, with ultra-low network latency, even over long cable runs (100 meters point to point). Stream hundreds of audio channels among devices and computers on the network. 256 channels of network audio I/O for your host computer Record and monitor up to 128 networked audio channels in and out, simultaneously, through the Thunderbolt connection to a host computer. Web app control Control on-board DSP, mixing, device settings, and network audio routing from web app software running in your favorite browser on a laptop, tablet or smart phone connected by wire or Wi-Fi to your local area network. Stand-alone mixing with wireless control Connect an Apple Airport™ or other Wi-Fi router directly to the 112D with a standard Ethernet cable and control the 112D's powerful mixing and DSP effects from your smart phone or tablet, without a computer. Great for live sound mixing. Comprehensive metering The large backlit 324 x 24 LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

Highlights Apogee’s PureDIGITAL connection for pristine sound quality Works with guitar, bass, keyboards, synths, or any acoustic instrument with pick-up Dual mode option for Clean or Overdrive signal Drive mode makes virtual amps and effects sound more realistic Stereo output connects to headphones or powered speakers Blend mode minimizes delay in headphones while recording No configuration, just plug in and play with any audio recording app 24-bit/96kHz high resolution audio Rugged metal body with soft touch base Works with iOS, Mac and Windows PC Includes Lightning, USB and USB Type-C cables Includes BIAS FX Jam desktop software with premium amplifiers and pedal effects Built in the U.S.A. using domestic and foreign parts The Jam That Started It All In 2010 Jam was introduced in Apple stores worldwide as the first high quality digital interface to connect guitars and instruments with Mac and IOS devices. Jam set a new standard in mobile recording by combining Apogee’s renowned conversion specs and components into a simple and portable design. Jam+ continues the evolution in the series bringing the best advances in Apogee’s design and engineering into an all new metal chassis with enhanced PureDIGITAL circuitry for the greatest ‘true tone’ audio resolution. Jam+ now includes a powerful headphone output with zero latency monitoring and overdrive mode to make practise and recording sessions better than ever. System Requirements Mac OS 10.9 or later Computer: Mac with Apple silicon or Intel processor Memory: 2 GB of RAM minimum Connection/power: USB port on computer Windows 10 or later Computer: Windows PC with Intel/AMD x86-64 processor Memory: 4GB of RAM minimum Connection/power: USB port on computer ASIO4ALL driver (for professional applications only) iOS 9 or later Connection: Lightning Power: From iOS device Made for iPhone 12 Pro Max, iPhone 12 Pro, iPhone 12, iPhone 12 mini, iPhone SE (2nd gen), iPhone 11 Pro Max, iPhone 11 Pro, iPhone 11, iPhone XS Max, iPhone XS, iPhone XR, iPhone X, iPhone 8 Plus, iPhone 8, iPhone 7 Plus, iPhone 7, iPhone SE, iPhone 6s Plus, iPhone 6s, iPad Pro 10.5-inch, iPad Pro 12.9-inch (1st and 2nd gen), iPad Pro 9.7-inch, iPad Air (3rd gen), iPad Air 2, iPad mini (5th gen), iPad mini 4, iPad (5th, 6th, 7th and 8th gen), iPod touch (7th gen) Features Connect electric guitar or bass to iOS devices, Mac and PC Studio-quality you can take anywhere Direct digital connection for up to 96kHz / 24-bit high-definition recording Discrete, Class A input delivers punchy, tube amp tone Apogee’s PureDIGITAL circuit design eliminates signal noise No setup required, just plug in and play with any audio recording app Powered by iOS device or Mac (no batteries or ext. power required) Dial-in the perfect level with gain wheel and multicolor LED meter Works with GarageBand, Logic, and all Core Audio compatible applications Technical Specifications Input​ ​Type:​ ​Micro​ ​USB Connections:​ ​Lightning,​ ​USB​ ​(Type-C),​ ​USB​ ​(Type-A) Product Dimensions Weight: 0.25 lbs (0.11 kg) Length: 4.0” Width: 1.5” Depth: .95” In the Box Apogee Jam+ Quick Start guide BIAS FX JAM software download instructions Lightning cable (iOS devices) USB cable (Type C) USB cable (Type A) Warranty Booklet

USB I/O Schematic Diagram USB-I/O Specifications Connector USB type B port Codec 24 bit, High Resolution Input Impedance 10 KOhms Transformer Balanced Output Impedance 300 Ohms Transformer Balanced Maximum Input Level Nominal 0 dB Maximum Output Level Nominal 0 dB Input/Output Noise USB - System dependent ISO transformer - Enviroment sensitive Frequency Response 20 - 20 KHz ± 0.5 dB Power Operating current via USB Port 80mA Input Connectors 2 x Female XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 via ground Lift switch Output Connectors 2 x Male XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 via ground Lift switch Construction All-steel polyurethane coated chassis, fibreglass PCB, epoxy printing, slip-resistant rubber base. Package includes a premium quality USB-A to USB-B cable System Requirements Windows PC running Windows XP, 7/8/10 , Mac running OS X or later USB port Audio software installed 98SE will need the Win 98SE CD Rom to install driver. However, in reality if you're serious about music you'll already be using a later operating system

Specs Inputs Input 1/2 connectors: XLR/TRS combo jacks (XLR: 2 hot / TRS: TIP hot) Input gain: 0 to 60dB in 1dB steps Input impedance: 5kΩ (1 MΩ (when Hi-Z ON) Maximum input level: +12 dBu (@0dBFs) Phantom power: +48V L/R Output Type: ¼" TRS jack (Balanced) Maximum output level: +14 dBu (@0dBFs) Output impedance: 100Ω Phones Output Type: ¼" stereo phone jack 20mW + 20mW (into 32Ω load) Maximum output level: +8 dBu (@0dBFs) Output impedance: 33Ω Dynamic range A/D: 118dB typical (IHF-A) D/A: 120dB typical (IHF-A) Number of audio channels Recording: 2 Playback: 2 OTHER Frequency characteristics: -1.0 dB: 20 Hz - 60 kHz @ 192kHz -1.0 dB: 20 Hz - 40 kHz @ 96kHz -1.0 dB: 20 Hz - 20 kHz @ 44.1kHz Measured conversion noise (EIN): -125dBu (IHF-A) @ 60dB, 150Ω input Sampling frequencies: 192kHz, 176.4kHz, 96kHz, 88.2kHz, 48kHz, 44.1kHz Bit depth: 24-bit Interface: USB 3.0 MIDI In/Out: 5-pin DIN jack Power source: USB 3.0 Bus Power / AD-14 AC adapter (DC 5V 1A) Power consumption: 5 W maximum Dimensions: 113.9mm(D) x 176.0mm(W) x 46.2mm (H) Weight: 750g *0dBm＝0.775Vrms Live performance Now you can get the best out of your laptop at every gig. The UAC-2 is portable, bus-powered (no AC connection required), and built rugged for the road, plus its advanced converters and support for USB 3.0 SuperSpeed ensures superior audio wherever your music takes you. Webcasting, podcasting, gaming, and live-streaming Broadcast your creativity, enhance your gaming experience, and share your performance with the world. The UAC-2's Loopback function combines the input from connected mics, instruments, and line-level devices along with background music or other audio tracks being played back by your computer and then instantly routes a custom blend of the signals to your streaming software. Recording and archiving Pair a UAC-2 with your DAW and create great audio in any recording environment. Connect a wide variety of microphones, line-level devices, and instruments. Use Direct Monitoring for zero-latency overdubbing. Sync your MIDI controllers, sound modules, and drum machines. Archive your favorite recordings in high-resolution formats. The UAC-2 provides everything you need, in one compact device. Desktop audio enhancement Think your headphones and speakers already sound pretty great? Treat yourself by plugging them into the UAC-2 instead of your computer's audio outputs. Now you can enjoy the ultimate in streamed high-resolution audio—all the way up to 24-bit/192 kHz—in full fidelity. Complete connectivity The UAC-2 works with everything from legacy USB 2.0 laptops and desktops, all the way up to the latest-generation Mac or Windows USB 3.0-equipped computers. Or plug in an AC adapter and Apple Camera Connection kit or Lightning to USB Camera Adapter (sold separately) and use it with your iPad. MIDI The UAC-2's MIDI input and output connectors ensure rock-solid synchronization between your computer and devices such as electronic keyboards, controllers, drum machines, and synthesizer or sampler modules. USB 3.0 SuperSpeed The USB 3.0 SuperSpeed transfer protocol supported by the UAC-2 is ten times faster than USB 2.0 and six times faster than FireWire 800. The result? Low-latency (2.2ms roundtrip @ 96 kHz/32 samples) for improved performance from your DAW software, and a stable data stream that is unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source. What's more, the extra bus voltage carried by USB 3.0 (900 mA, as opposed to the 500 mA carried by USB 2.0) allows for the use of higher-end electronic components such as the advanced preamps and converters in the UAC-2. The Hardware The USB 3.0 connector on the rear panel carries digital signal to and from your computer in addition to providing power to the UAC-2—no batteries or external power required. Dual front panel combo XLR/TRS inputs allow you to connect a wide variety of microphones as well as line-level signals from electronic keyboards and music players—even passive instruments such as electric guitars and basses. Dual-balanced TRS output jacks enable you to connect the UAC-2 to amplifiers or self-powered speakers, and there's an independent ¼" stereo headphone jack with dedicated volume control for private monitoring of the input or output signal. Dedicated input gain controls and Clip LEDs make it easy to set optimum input levels, and a large Output knob enables fast control over overall output level. A phantom power switch applies +48 volts to the mic inputs, allowing you to use the UAC-2 with studio-quality condenser microphones, and a three-way Direct Monitoring switch enables monitoring of input signal with zero latency in both mono and stereo. MIDI In and Out connectors allow interfacing with devices such as electronic keyboards and drum machines. Last but not least, a Class Compliant Mode switch enables the UAC-2 to be connected to an iPad.* * Optional power adapter and Apple Camera Connection kit or Lightning to USB Camera Adapter required Upsampling The UAC-2 uses high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter. In addition, the UAC-2 performs 4-times upsampling during both analog-to-digital (A/D) and digital-to-analog (D/A) conversion. In other words, when the sampling frequency is set to 44.1 kHz or 48 kHz, the UAC-2 processes the signal at high resolution 176.4 kHz or 192 kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity. Extend your capabilities with software UAC-2 MixEfx is a free Macintosh and Windows compatible application designed specially by Zoom for the UAC-2. With UAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Other features include a low cut filter, phase reverse, AUTO GAIN control for each input. UAC-2 MixEfx even has three memory slots for saving user settings with quick recall. Features at a glance 2-in/2-out USB 3.0 SuperSpeed audio interface Support for recording and playback up to 24-bit/192 kHz Loopback function for webcasting, podcasting, gaming, and other live streaming applications Low latency overdubbing and direct monitoring for zero-latency monitoring in mono or stereo Two combo balanced XLR/TRS input connectors accept both mic- and line-level signal Hi-Z switches allow direct connection of electric guitar or bass Switchable +48V phantom power Two balanced TRS output jacks for connection to amplifiers or self-powered speakers ¼" headphone jack with dedicated level control Independent gain controls and clip LEDs for each input Large knob output volume control Direct Monitoring switch for zero latency monitoring in mono or stereo MIDI In and Out Compatible with all popular DAW and streaming software, including Cubase, Logic, Garage Band, Pro Tools, Ableton Live, and others High-performance mic preamps with up to +60dB of amplification 120dB of dynamic range 4x upsampling during A/D and D/A conversion for reduced noise and enhanced fidelity Asynchronous transfer system unaffected by computer jitter Bus powered—no AC power required Robust metal housing ensures roadworthiness Works with all USB 3.0-equipped computers and iPads* * Optional power adapter and Apple Camera Connection kit or Lightning to USB Camera Adapter required Accessories Here's what comes included with the UAC-2 Operation manual USB 3.0 cable (1m) Cubase LE download Cubase LE startup guide Optional accessories Zoom AD-14 AC adapter (DC 5V 1A)

Key Features 2-in / 3-out USB audio interfejs AKTIVNI/PASIVNI pick-up selektor PURE i JFET ulazi Z-Tone® kolo koje se prilagođava impedansi Izlaz za pojačalo sa prekidačem uzemljenja Mikrofonsko pretpojačalo Klase A visoke rezolucije 24-bit, 192 kHz kvalitet zvuka Široki frekvencijski odziv idealan za instrumente Najbolja u klasi analogna / digitalna konverzija Izuzetno nizak nivo šuma za snimanje visokih pojačanja Specifikacije Opšte AD i DA Rezolucija: 24-bit Brzina semplovanja: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz and 192 kHz Host Povezivanje: USB Type-B receptacle. USB 2.0 (velike brzine). Linijski izlazi 1-2 (Monitor) Konfiguracija: Elektronski izbalansirana i lebdeća, automatski kompenzuje nivo kada je veza uravnotežena ili neuravnotežena. Izlazna impedansa: 150 Ohma uravnoteženo, 75 Ohma neuravnoteženo Izlazni nivo: 0 dBFS odgovara +13,5 dBu Frekventni odziv: od 1 Hz do 46 kHz unutar 0,5 dB (96 kHz sempl frekvencije) Dinamički opseg: 113 dB (A) THD @ -1 dBFS: 0.001% THD + N: -103 dB (A) na -1 dBFS Kanala 1-2 crosstalk: 112 dB(A) Izlaz 3 (izlaz za pojačalo) Konfiguracija: Neuravnotežena, plutajuća, sa podesivim podizanjem zemlje Izlazna impedansa: 75 Ohma Izlazni nivo: 0 dBFS odgovara -3 dBu Frekvencijski odziv: Od 20 Hz do 42 kHz u roku od 0,5 dB (96 kHz sempl frekvencije) Dinamički raspon: 106 dB (A) THD + N: -93 dB (A) Izlazi za slušalice Izlazna impedansa: Gotovo idealan izvor (nula Ohma) do klipinga Maksimalni izlazni nivo: +9 dBu na opterećenje od 50 Ohma (približno 95 mV) frekvencijski odziv: od 1 Hz do 42 kHz u roku od 0,5 dB (96 kHz sempl frekvencije) Dinamički raspon: 111 dB (A) THD + N: -102 dB (A) uaz za Instrument Konfiguracija: Višestruka topološka instrumenta Ulazna impedansa, PASIVNI način rada: Varira od 1 MOhms do 2,2 kOhms Ulazna impedansa, AKTIVNI režim: 10 kOhms Nivo ulaza, min pojačanje: 0 dBFS se dobija sa + 12.5dBu signalom na TS ulazu Nivo ulaza, maksimalno pojačanje: 0 dBFS se dobija sa -19 dBu signalom na TS ulazu Frekventni odziv: Od 6 Hz do 42 kHz u roku od 0,5 dB (96 kHz uzorak frekvencije) Dinamički opseg: 117 dB (A) THD, PURE mod: 0,002% (-1dBFS ulaz) THD, JFET mod: 0,5% Mikrofonski ulaz Konfiguracija: Class-A diskretno diferencijalno predpojačalo mikrofona, pin 2 vruće Ulazna impedansa: 4 kOhms diferencijal pin 2 hot Ulazna impedansa: 4 kOhms promenljivo Ulazni nivo, minimalna jačina: 0 dBFS dobija se uz pomoć +9 dBu signala na XLR ulazu Ulazni nivo, maksimalna jačina: 0 dBFS dobija se uz pomoć -44 dBu signala na XLR ulazu Frekvetni odziv: od 7 Hz do 32 kHz u okviru 0.5 dB (96 kHz brzina semplovanja) Dinamički opseg: 116 dB(A) THD+N: -104 dB(A) at -10 dBFS Linijski ulaz Konfiguracija: Class-A diskretni diferencijalni linijski risiver, tip hot Ulazna impedansa: 20 kOhms promenljivo Ulazni nivo, minimalna jačina: 0 dBFS dobija se uz pomoć +26 dBu signala na TRS ulazu Ulazni nivo maksimalna jačina: 0 dBFS dobija se uz pomoć -27 dBu signala na TRS ulazu Frekventni odziv: od 7 Hz do 32 kHz u okviru 0.5 dB (96 kHz brzina semplovanja) Dinamički opseg: 117 dB(A) THD+N: -104 dB(A) at -10 dBFS Povezivanje i kontrole Prednja strana Jedan 1/4 "ulazni priključak za instrument Dva analogna potenciometra za ulazni GAIN Dva 5 segmentna merača nivoa ulaza (vrha) Analogni potenciometri za kontrolu Z-tone Pick-up selektor (PASIVNI / AKTIVNI) Birač topologije predpojačanja (JFET / PURE) + 48V ​​fantomsko napajanje USB LEDS MIDI IN / OUT LED diode Taster za monitor Izlazni priključak za slušalice 1/4 " Glavni potenciometar za kontrolu glavnog izlaza Izlazni priključak 1/4 " Zadnja ploča MIDI I/O 5-pin DIN konektori B-Type USB socket za povezivanje sa kompjuterom (Mac/PC) 2 x 1/4" TRS spoljni izlazi za konektore 2 x 1/4" TRS Uravnoteženi linijski plutajući izlazi 1 Combo socket za mikrofonski i linijski ulaz (auto selecting) Paket uključuje AXE I/O SOLO USB A-Type to USB B-Type kablza povezivanje (1.5m/4.32ft) Dimenzije Veličina: 19.5cm x 19.5cm x 5.3cm Težina: 1.0kg

Pročitajte recenziju!!! High Quality 192kHz DAC with USB Audio Interface Dr. DAC prime simply has everything you need in order to listen to digital music with pristine audio quality on the road or at your home. Dr. DAC prime works with up to 24bit/192kHz and is not only equipped with both an optical (via the included miniplug-toslink adapter) and coaxial S/PDIF input but also with a full USB audio interface (up to 24bit/96kHz) for bit-perfect audio transfer. Optionally the incoming signal can be upsampled to 192kHz, using a TI SRC4382 high end sample rate converter. The actual analog output signal is generated by a TI PCM1796 DAC with 123dB(a) dynamic range, featuring a full differental output with 3 LME49860NA opamps (8 pin) which are conveniently placed on sockets. The built-in headphone amplifier provides 1/8" and 1/4" connectors. The line output volume can be adjusted or fixed to send out the maximum dynamic range. But Dr. DAC prime is much more: it provides line inputs (AKM AK5386 ADC with 110dB) as well as optical and coaxial S/PDIF inputs, allowing you to record your own signals with excellent audio quality. Dr. DAC prime works under Windows XP, Windows Vista, Windows 7 as well as Mac OS X even without the installation of any driver software - that's Plug & Play in perfection, it could not be more simple. In addition, we offer an ASIO 2.0 compatible driver as option for Windows XP, Vista & 7. Device Type digital to analog converter (and analog to digital converter) USB audio interface headphone amplifier Key Specifications and Features max. 24bit/192khz S/PDIF input: coaxial & optical combo receiver module - S/PDIF input => S/PDIF output bypass support - S/PDIF input => line & headphone output support - S/PDIF input => computer recording support max. 24bit/96khz bit-perfect S/PDIF output: coaxial & optical combo transmitter module - USB input => S/PDIF output support - AC-3/DTS non-PCM pass thru support (Windows Vista / 7) 24bit/192kHz upsampled S/PDIF output (optical & coaxial) - USB input => 192kHz S/PDIF output - coaxial input => 192kHz S/PDIF output - optical input => 192kHz S/PDIF output 2 3.5mm mini plug-toslink optical adpters bundled TI SRC4382 high-end combo sample rate converter: 32kHz ~ 192kHz input support S/PDIF & USB input bypass, 192kHz upsampling support with SRC4382 +-1ppm 24.576MHz TCXO for S/PDIF input Tenor TE7022L USB audio controller +-1ppm 12.000MHz TCXO for USB input to S/PDIF / I2S output 2 channel line input with RCA connectors - line input => line output & headphone output support - AKM AK5386 24bit/192kHz ADC (S/N ratio 110dB) - 1pc 8pin DIP opamp (S4580P) with socket 2 channel line output with RCA connectors - anti-pop circuit support - Triple opamp fully differential output: 3pcs 8pin DIP opamp (LME49860NA) with socket - TI / Burr Brown PCM1796 24bit/192kHz 123dB DAC stereo headphone output - 6.3mm / 1/4" headphone jack - 3.5mm / 1/8" headphone jack volume control gain knob - fixed line level output - FIX - variable line level output - VAR - high-quality analog volume potentiometer - aluminum cut volume knob line output switch for fixed (FIX) or variable (VAR) output volume source selection (USB-ANALOG-DIGITAL switch): 3 position toggle switch with LEDs (green) line output mute on/off switch (has no effect on headphone output) standby/power on switch - standby (red) - power on (blue) S/PDIF & USB input bypass / 192kHz upsampling: 2 position toggle switch multi-colored LED display - MUTE (red) - NO SIGNAL (orange) - NON-PCM (pure green) - PCM (pure green) - 192kHz upsampling (pure blue) DC 9V~12V wide range power input 12V / 1.5A DC adapter included ASIO 2.0 driver support for Windows XP, Vista & 7

Element 88 ima 8 analognih ulaza kroz 4 kombo XLR-1/4-inčna konektora, dok 8 izlaza dolaze sledećom preraspodelom: 2 balansirana XLR, dva balansirana 1/4"-na, i dva TRS 1/4-inčna stereo konektora za slušalice (dovoljno za dva seta zvučnika ili nezavisna stereo output-a, kao i dva potpuno nezavisna, snažna output-a za slušalice). Element serija donosi najbolju analog/digital, odnosno digital/analog konverziju koju Apogee nudi – a Apogee je lider u ovom domenu već 35 godina. Thunderbolt povezivost, i specifični drajver učiniće da latencija bude gotovo nepostojeća, toliko niska da čuva snagu komjuterskog procesora, koja će stajati na raspolaganju vašem DAW-u (digitalnoj audio radnoj stanici). 8 naprednih Stepped Gain pretpojačanja za mikrofone svojim kvalitetom i visokim performansama rade jednako dobar posao kao slična pretpojačala iz kategorije skupljih (samostojećih) pojačala, i „uhvatiće“ sve, od gromoglasnog seta bubnjeva do delikatnih trzaja žica akustične gitare. Apogee Control za Mac-a je izrazito podesiva softverska aplikacija, u kojoj je i dragoceni Essentials prozor. Apogee Control za iOS pruža kontrolu za MIC pre-amp, nivoe zvuka za slušalice i zvučnike – sve to preko WiFi konekcije, što je sjajna opcija za sve izvođače koji sami snimaju svoje sesije. Jedna on najinovativnijih funkcija Elementa 88 je DualPath workflow plag-in, koji omogućava funkcionisanje Apogee FX plag-inova kroz interni DSP hardver uređaja, prirodno i sa svakom vašom biranom digitalnom radnom audio stanicom. 16 IN x 16 OUT Audio I/O boks AD/DA konverzija za snimanje do 192kHz/24-bit DualPath link workflow za nultu latenciju snimanja sa Apogee FX plag-inovima (pokretanim iz DSP hardvera) 8 analognih ulaza za mikrofonska pretpojačala vrhunske klase, i izborno fantom-napajanje (48v) za mikrofone, instrumente ili line-nivelisane uređaje; 4 kombo ulaza; 4 XLR ulaza Gain: do 75 dB, i napredni Stepped Gain dizajn kola EIN: 129dB (un-weighted) @ 60dB, 150Ohm input Maksimalni ulazni nivo: +20dBu Ulazna impedansa: 3K Ohm Latencija: 1.41 ms (pun krug) na 96kHz A/D konverzija: Maksimalni ulaz/izlazni nivoi: na +4dB (ref/Mic): +20dBu, na -10dB: +6dBV Odziv (frekvencija) 10 Hz -20Khz: > +/-0.2dB (na 44.1Khz) Ulazna impedansa: 5 KOhm Rel. THD + N: -110dB (@ 96Khz) D/A konverzija: Maksimalni ulaz/izlazni nivoi (+4dBu ref): +20dBu, (-10dBV ref): +6dBV Izlazna (line) impedansa: 90 Ohm Odziv (frekvencija) 10Hz -20 Khz: > +/- 0.05dB (na 44.1Khz) Rel. THD+N : -114dB (@96Khz) Dinamički opseg: 123dB (A-weighted) Maksimalni izlazni nivo za slušalice: 560 mW into 30 Ohm, 90 mW into 600 Ohm Dinamički opseg (slušalice): 123dB (A-weighted) Optički ulazi & optički izlazi - podržani ADAT, SMUX & S/PDIF ADAT: 8 kanala 44.1-48 kHz na 1 Toslink konektoru SMUX: 4 kanala 88.2-96 kHz na 1 Toslink konektoru S/PDIF: 2 kanala, do 96 kHz na 1 Toslink konektoru Podržava Multi-Unit Thunderbolt – povežite bilo koja dva audio Elementa 88 I/O direktno na Thunderbolt portove na vašem računaru; Apogee Ensemble Thunderbolt ekspander Dimenzije: 35 cm x 14 cm x 4.5 cm; Težina: 1.6 kg Šta je u kutiji: Element 88, univerzalno napajanje sa standardnim IEC kablom s 3 pina, rack pričvršćivači sa šrafovima, uputstvo za upotrebu, garantni list

AXE I / O je profesionalni audio interfejs sa 2 ulaza i pet izlaza - i kontroler - dizajniran posebno za potrebe gitariste koji snima, pružajući najbolji kvalitet zvuka i moćne funkcije usmerene na pravljenje bržih, lakših snimaka i bolje nego ikad. AXE I / O nudi ekskluzivnu trostruku topologiju, potpuno diskretno ulazno kolo, sa PURE i JFET ulaznim fazama, kako bi se prešlo od prozirnog ka cevastom sa samo jednim prekidačem. Z-Tone® sklop za prilagođavanje impedansi koji čeka na patent u interakciji je s vašom gitarom da bi vam pružio ogroman opseg tonalne fleksibilnosti, što nikada ranije niste čuli. Plus AXE I / O uključuje namenski Amp Out, tako da možete obrađivati svoje snimke pravog gitarskog zvuka i pojačala bez potrebe za spoljnim plug-inovima (i bez potrebe da isključite postojeće veze!). Ovaj prigušeni zvuk takođe eliminiše uzemljene petlje, kako bi se održala maksimalna jačina pojačanja što je moguće tiše. AXE I / O se neprimetno integriše sa uključenim AmpliTube 4 Deluxe kako bi odabrali unapred podešene i kontrolne vrednosti preko prednjeg ulaznog dugmeta i omogućava vam da povežete papučice i prekidače da biste maksimalno iskoristili svoj virtuelni uređaj a da nikada ne skinete ruke sa ‘’sekire’’. Uključili smo čak i ugrađeni tjuner, tako da možete biti spremni za snimanje u trenutku kad inspiracija dođe. Svaki element AXE I / O je stvoren sa beskompromisnim kvalitetom i korisnošću u stvarnom svetu. To je interfejs za koji bismo voleli da imamo sve vreme. Zaista vrhunski audio interfejs za sve 117 dB dinamički opseg, frekvencijski odziv od 3 Hz - 32 kHz - to nisu specifikacije koje obično nalazite na ulazima instrumenta. Ali oni su neophodni za snimanje najtačnijih detalja vašeg izvođenja, za najbolje performanse vašeg instrumenta i za očuvanje čistog i transparentnog zvuka. AKS I / O nudi 2 Hi-Z prednja ¼ "ulaza za gitare i basove, 2 zadnja kombinovana ulaza sa fantomskom snagom za povezivanje mikrofona i instrumenata i jasnim prednjim meračima za praktično nadgledanje nivoa signala na ulazu kanala. Dva plutajuća izbalansirana izlaza, dva neuravnotežena i jedna plutajuća neuravnotežena pojačala i slušalice sa visokim naponom omogućavaju vam povezivanje monitora, mrežnog napajanja i slušalica, sa nezavisnom jačinom za oba. Za praćenje nulte latencije 24-bitna konverzija od 192 kHz i ultra-stabilan unutrašnji sat sa malim podrhtavanjem osiguravaju najveću vernost, bilo da snimate vokale, akustične instrumente, pojačanu gitaru ili samo direktan signal za upotrebu s AmpliTube. Karakteristike Povezivanja 2 ulaza i 5 izlaza (jedan izlaz za pojačalo sa niskim nivoom šuma) 2 mikrofonska ulaz ultra niskog nivoa šuma/balansirani ulaz Gitarski ulaz sa trostrukom topologijom sa Z-TONE® 2 balansirana izlaza za monitor / 2 linijska izlaza Izlaz za slušalice 2 potpuno konfigurabilna spoljna kontrolna ulaza MIDI ulaz/izlaz USB 2.0 komp Mac/PC Gitarski zvuk najbolji u klasi Premium studijski zvuk Mikrofonska pretpojačala visoke rezolucije klase A izuzetno niskog nivoa šuma Najbolja konverzija u klasi i vrhunski analogni dizajn Asinhroni USB zvuk, ultra niskog podrhtavanja prilikom konverzije za vrhunski kvalitet 117dB dinamički raspon Sadrži softver za kontrolu Brzina semplovanja do 192 kHz Uključuje 10 T-RackS vrhunskih plug-inova i Ableton Live 10 Lite Specifikacije Opšte Konverzija: 24-bit A/D, 24-bit D/A Brzina: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz and 192 kHz Snaga: DC IN Povezivanje uređaja: USB B-Tip 2.0 Spoljni omotač: tanak metalni sloj Linijski izlazi 1-2 (Monitor) Konfiguracija: elektronski balansirana i plutajuća, automatski nadoknađuje nivo kada je povezivanje balansirano ili nebalansirano. Izlazna impedansa: 150 Ohms balansirano, 75 Ohms nebalansirano Izlazni nivo: 0 dBFS odgovara +21 dBu Frekventni odziv: od 3 Hz to 32 kHz u okviru 0.5 dB (96 kHz brzina semplovanja) Dinamički opseg: 116 dB(A) THD+N: -106 dB(A) pri -1 dBFS Kanala 1-2 crosstalk: 115 dB(A) LInijski izlazi 3-4 Konfiguracija: nebalansirana Izlazna impedansa: 75 Oma Izlazni nivo: 0 dBFS odgovara +16 dBu Frekventni odziv: od 3 Hz do 32 kHz u okviru 0.5 dB (96 kHz brzina semplovanja) Dinamički opseg: 115 dB(A) THD+N: -102 dB(A) Kanala 3-4 crosstalk: 112 dB(A) Izlaz 5 (Izlaz za pojačalo) Konfiguracija: nebalansirana, plutajuća, sa mogućnošću biranja ground lift-a Izlazna impedansa: 100 Ohms Izlazni nivo: 0 dBFS odgovara -6 dBu Frekventni odziv: od 10 Hz do 32 kHz u okviru 0.5 dB (96 kHz brzina semplovanja) Dinamički opseg: 110 dB(A) THD+N: -104 dB(A) Izlaz za slušalice Izlazna impedansa: Virtuelno idealni izvor (nula Ohms) do clipping-a Maksimalni izlazni nivo: +12 dBu u 50 Ohms (približno 180 mW) Frekventni odziv: od 3 Hz to 32 kHz u okviru 0.5 dB (96 kHz brzina semplovanja) Dinamički opseg: 112 dB(A) THD+N: -100 dB(A) Ulazi za mikrofon 1-2 Konfiguracija: diskretno diferencijalno mikrofonsko pretpojačalo Klase A, pin 2 hot Ulazna impedansa: 4 kOhms diferencijalno Ulazni nivo, minimalna jačina: 0 dBFS dobija se uz pomoć +12 dBu signala na XLR ulazu Ulazni nivo, maksimalna jačina: 0 dBFS dobija se uz pomoć -37 dBu signala na XLR ulazu Frekventni odziv: od 5 Hz do 32 kHz u okviru 0.5 dB (96 kHz brzina semplovanja) Dinamički opseg: 116 dB(A) THD+N: -106 dB(A) at -10 dBFS Linijski ulazi 1-2 Konfiguracija: diskretni diferencijalni linijski risiver klase A, tip hot Ulazna impedansa: 20 kOhms diferencijalno Ulazni nivo, minimalna jačina: 0 dBFS dobija se uz pomoć +26 dBu signala na TRS ulazu Ulazni nivo, maksimalna jačina: 0 dBFS dobija se uz pomoć -24 dBu signala na TRS ulazu Frekvennti odziv: od 5 Hz do 32 kHz u okviru 0.5 dB (96 kHz brzina semplovanja) Dinamički opseg: 116 dB(A) THD+N: -106 dB(A) pri -10 dBFS Instrument Inputs 1 Konfiguracija: pretpojačalo za instrument sa višestrukom topologijom Ulazna impedansa, PASSIVE mod: promenljivo od 1 MOhms do 2.2 kOhms Ulazna impedansa, ACTIVE mod: 10 kOhms Ulazni nivo, minimalna jačina: 0 dBFS dobija se uz pomoć +14 dBu signala na TS ulazu Ulazni nivo, maksimalna jačina: 0 dBFS se dobija uz pomoć -17 dBu signala na TS ulazu Frekventni odziv: od 3 Hz do 32 kHz u okviru 0.5 dB (96 kHz brzina semplovanja) Dinamički opseg: 117 dB(A) THD, PURE mod: 0.0015 % THD, JFET mod: 0.5 % Ulazi za instrument 2 Konfiguracija: Hi-Z pretpojačalo za instrument Ulazna impedansa: 1 MOhms Ulazni nivo, minimalna jačina: 0 dBFS dobija se uz pomoć +14 dBu signala na TS ulazu Ulazni nivo maksimalna jačina: 0 dBFS is obtained with a -17 dBu signal at the TS input Frekventni odziv: Od 3 Hz do 32 kHz u okviru 0.5 dB (96 kHz brzina semplovanja) Dinamički opseg: 117 dB(A) THD: 0.006% Paket uključuje AXE I/O USB A-Tip to USB B-tip kabl za povezivanje(1.5m/4.32ft) Napajanje DC Dimenzije Veličina: 23.8cm/9.37" x 21.1cm/8.31" x 5.3cm/2.09" Težina: 1.3kg/2.9lb

Windy6 FireWire Recording Interface Made for Music. The INFRASONIC Windy6 Audio/MIDI Interface is all-around gear for creation, providing high quality audio and MIDI in and out of your computer at reasonable price. It features high-speed IEEE-1394, FireWire Bus; the Windy6 gives your computer high quality 6 inputs, 6 outputs including 2 digital input and 2 digital output audio interface. 6-in/ 6-out FireWire High-Performance Audio/MIDI interface 4-in/4-out analog I/O, 2-in/2-out S/PDIF I/O 4 balanced inputs - 2 x NEUTRIK짰 XLR/TRS combo jack, 2 x 1/4inch TRS phone jack - Flexible Line/Hi-Z input - A/D converter: Dynamic Range 113dBA 2 x MIC pre-amp features on front panel - +48V Phantom power - Channel Insert 1/2 for connecting serial out board effects 4 Servo-balanced outputs (1/4inch TRS phone jack) - D/A converter: Dynamic Range 115dBA Coaxial type S/PDIF I/O Supports up to 24-bit/192kHz 16ch MIDI I/O Affordable 2 FireWire ports available multi-devices link Heavy-Duty Aluminum body Hi-gain and Hi-powered class AB headphone amps Controllable the mixed level between output 1/2 and output 3/4 ASIO2, WDM, DirectSound supports Core audio/ Core MIDI supports

Pevači, gitaristi, solo podkasteri USB Type-C konektivnost 1 mikrofonsko / linijsko / instrumentalno pretpojačalo 1 izlaz za slušalice, stereo monitor izlaz 24-bitni / 192 kHz konverteri USB napajanje / Mac, Windows Fantomsko napajanje, direkt monitor Ugrađeni USB hab za kontrolere klavijature Loopback funkcija za content kreatore DAW, Amp Sim, VIs, i FX Brzo pretvorite svoje kreativne ideje u sadržaj uz Arturia MiniFuse 1, prenosivi 1x2 USB Type-C audio interfejs koji spaja odličan zvuk sa operativnom jednostavnošću i robusnim softverskim paketom. Sa svojim singl low-noise mic/line/instrument pretpojačalom, MiniFuse 1 pomaže pevačima, gitaristima, podkasterima i online kreatorima da dobiju čiste, kvalitetne snimke. Takođe ima virtuelni loopback kanal koji omogućava lako snimanje zvuka sa kompjutera uz live ulaz, kao što je voiceover ili sviranje gitare. MiniFuse 1 pruža obilje konekcija. Pored XLR-1/4" kombo ulaza, postoje 1/4" izlazi za zvučnike i slušalice sa pojedinačnim kontrolama jačine zvuka, i ugrađeni USB 2.0 Type-A hub koji je savršen za povezivanje kontrolera klavijature. Uključeni softveri - Ableton Live Lite, Analog Lab Intro, Native Instruments GUITAR RIG 6 LE, Arturia FX i još mnogo toga - nude mnogo zanimljivih zvukova i cool efekata, plus veoma sposoban i popularan DAW za produkciju muzike. Oživite svoj zvuk Pravite muziku i snimajte zvuk gde god se inspiracija desi, od vašeg kućnog studija do otvorenog prostora, sa prenosivim rikorderom MiniFuse 1. Bez obzira da li ste solo gitarista, vokalista, content kreator ili nešto između, uživajte u kvalitetu preciznog zvuka, pametnim karakteristikama i odličnom integrisanom softveru. Kreativna konektivnost MiniFuse 1 se uklapa u vaš setap sa jednostavnim setom ulaza i izlaza. Njegov singl XLR-1/4" kombinovani ulaz sa Fantomskom snagom od 48V omogućava vam lako povezivanje mikrofona, Hi-Z instrumenta ili line-level izvora. Povežite se sa računarom sa brzom i kompaktnom USB Type-C kompatibilnošću, i priključite slušalice i zvučnike na 1/4" izlaze. Na kraju, povežite USB uređaje poput vaše MIDI klavijature sa dodatnom USB Type-A hub utičnicom. Visokokvalitetni zvuk Za audiofile, MiniFuse 1 se ističe dinamičkim rasponom od 110 dB i class-leading ekvivalentnim ulaznim šumom od -129 dB. Za sve ostale, to znači da svaki snimak koji napravite zvuči neverovatno, s bogatim dinamikama, jasnim signalom bez šuma i kvalitetom studijske klase. Izdržljiv, prenosiv dizajn Ponesite svoj studio sa sobom. MiniFuse 1 nije samo kompaktan i lagan; njegovo čvrsto aluminijumsko kućište može izdržati mobilni životni stil producenta. Stavite ga u torbu, krenite i pronađite zvuk koji tražite. Kompletno operativan Bez obzira da li koristite laptop ili desktop računar, MiniFuse radi za vas. Windows ili Mac - jednostavno ga priključite i uživajte u potpunoj snimateljskoj slobodi. Štaviše, uz MiniFuse Control Center aplikaciju možete pratiti njegove ulaze, izlaze, postavke i ažuriranja firmware-a na jednom mestu. Loopback za content kreatore Lako snimite glas preko zvuka aplikacije ili video igre pomoću MiniFuse-ove Loopback funkcije, za kvalitetan sadržaj u jednom take-u. Vrhunski softver MiniFuse 1 dolazi sa ekskluzivnom selekcijom softverskih naslova koji nude sve što vam je potrebno da zvuku pružite profesionalni kvalitet. Ableton Live Lite: Komponujte, snimajte, izvodite i producirajte uz jedan od najčešće korišćenih muzičkih softverskih naslova u ovom poslu. Analog Lab Intro: Instant dodavanje inspirativnih zvukova nagrađivanih klavijaturnih emulacija u vaš miks sa stotinama preseta - od vintage '80s sintova do modernih zvukova. Arturia FX: Obojite svoj zvuk sa četiri Premium FX plug-in re-kreacije klasičnih studijskih efekata; raskošni plate reverb, zrnasto analogno pretpojačalo, classic tape echo i bogati stereo hor. Native Instruments GUITAR RIG 6 LE: Inspirativni izbor pojačala, kutija, delay-ova, eha, stompbox-ova i kompresora, tako da možete izgraditi sopstvene procesovane lance i prilagoditi svoje savršene gitarske tonove. Tromesečna Auto-Tune Unlimited pretplata: Rafinirajte svoje vokalne delove za savršenu harmoniju ili idite sa punim trap-style autotjunom sa pretplatom od 3 meseca na omiljeni plug-in za podešavanje glasa. Tromesečna Splice Creator Plan pretplata: Pristupite milionima hi-definition, royalty free semplova, od lo-fi drum loop-ova do snažnih vokalnih one-shot-ova, kao i synth zvukova, Splice Skills tutorijala i mnogo drugih.

Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback High-resolution 24-bit/96 kHz converters for high-end audio quality Ultra-low latency drivers for Windows XP and Mac OS X included Stereo Headphone output with dedicated Level control Dual high-bandwidth FireWire connectors for absolute flexibility Powered via FireWire bus or included power adapter for use with 4-pin FireWire PCs Powerful DAW software included (Ableton Live Lite 4 BEHRINGER Edition, Kristal, Audacity) Power and FireWire status LEDs on front panel Standard port for Kensington security lock provided High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany The ultra-compact FCA202 FireWire® audio interface is an ideal way for musicians to connect to their PC or Mac computers. Due to its small size and low-latency operation, the FCA202 is especially well suited for traveling musicians who record and edit compositions on laptop computers. Your Portal to the Digital Domain The FCA202 allows you to converse with your computer in a language it understands—digital. When you connect line-level devices, such as synthesizers or the outputs of an audio mixer to the FCA202, its 24-bit A/D (Analog to Digital) converters swing into action, turning the audio signal into digital data. Now your computer has something it can work with. You can record your performance and play back your masterpiece through a pair of studio monitors, which can be connected to the FCA202’s outputs, or you can listen using headphones. Getting Connected On the rear panel of FCA202, you’ll find two FireWire sockets, one for your computer, the other for an optional external drive. Inputs are 1/4" unbalanced jacks that accept a wide range of line-level devices. Outputs accept both balanced and unbalanced 1/4" connections. The headphones jack is conveniently located on the front panel, with its own dedicated volume control. The Technical Stuff The state-of-the-art FCA202 features high-resolution 24-bit A/D and D/A converters, supporting up to a 96 kHz sampling rate. Reliable Windows XP®, Windows Vista® (32-bit) and Mac OS® X drivers ensure low latency operation. Free Software The hot FCA202 package also comes ready to lay down serious tracks, courtesy of Ableton® Live Lite 4 BEHRINGER Edition music production software. Kristal and Audacity® are also included so you can edit and share songs to your heart’s content. Value Stop by your authorized BEHRINGER dealer today and join the digital revolution. With the super-affordable FCA202, you’ll get hot connectivity and the coolest sound around for your PC or Mac—and you can take it with you!

Auto radio SAL sa prednjim USB ulazom Slušanje muzike sa mobilnog uredaja i mogucnost telefoniranja preko Bluetooth veze Zvonjenje telefona preko zvucnika radija i prikaz broja na displeju Ima mogucnost rada sa folderima Kontrola plejera mobilnog uredaja Prikazuje vreme i u iskljucenom stanju U sklopu radija se dobija daljinski upravljac Brend SAL Snaga 4 x 45 W Audio formati MP3 / WMA Boja osvetljenja Plava Bluetooth Da Prikljucci 4 x RCA izlaz, ISO prikljucak CD plejer Ne Memorijski ulaz USB / SD / SDHC / MMC AUX ulaz 1 x 3.5 mm Daljinski upravljac Da Prednji panel Ne može se skinuti Radio FM, može se memorisati 18 stanica Auto radio SAL sa prednjim USB ulazom Slušanje muzike sa mobilnog uredaja i mogucnost telefoniranja preko Bluetooth veze Zvonjenje telefona preko zvucnika radija i prikaz broja na displeju Ima mogucnost rada sa folderima Kontrola plejera mobilnog uredaja Prikazuje vreme i u iskljucenom stanju U sklopu radija se dobija daljinski upravljac Brend SAL Snaga 4 x 45 W Audio formati MP3 / WMA Boja osvetljenja Plava Bluetooth Da Prikljucci 4 x RCA izlaz, ISO prikljucak CD plejer Ne Memorijski ulaz USB / SD / SDHC / MMC AUX ulaz 1 x 3.5 mm Daljinski upravljac Da Prednji panel Ne može se skinuti Radio FM, može se memorisati 18 stanica

KUPUJTE BEZBEDNO I KUPUJTE PROVERENO! POGLEDAJTE MOJE OCENE! SALJEM POSTEKSPRESOM i BEX-om SIROM SRBIJE! MOGUCE LICNO PREUZIMANJE I TESTIRANJE U INDJIJI I NOVOM SADU! Sound Blaster Audigy 2 ZS PCI zvucna kartica sa izlazom za 7.1 sistem i sa POZLACENIM konektorima. Model: SB0350 Creative Labs Sound Blaster Audigy 2ZS PCI internal sound card for PC`s SB O350 Odlicna PROFI zvucna kartica sa jasnim i jakim zvukom! Poseduje neverovatni kristalni zvuk kako u igrama tako i pri slusanju muzike, gledanju filmova itd. Kartica ima pregrst opcija za konfigurisanje. Radi na svim operativnim sistemima kao sto su: Windows XP / Vista / 7 / 8 / 8.1 / 10 / 11 (32 / 64-bit) Potpuno ispravna i testirana na Windows 7 64-bitnom sistermu kao sto i vidite sa slike. Radna garancija 30 dana. Karakteristike: Proizvođač : Creative Model : Audigy 2 ZS (SB0350) Kartica Čipset : Audigy 2 Izlaz : 8 (7.1) Sample rate : 192 KHz Digital audio : 24 -bit SNR : 108 dB Ulaz/Izlaz Priključci : Line-in, Mic-in, SPDIF-in, SPDIF-out, MIDI, CD/AUX-in, Firewire, Sound Blaster Audigy 2 ZS On-Board priključci Line razini out (prednji / strani / stražnji / središnji / subwoofer) Digitalni izlaz za 5,1 potporu (6-kanalni izlaz SPDIF na Creative digitalne zvučnike Linija u Mikrofon u FireWire ® (IEEE ® 1394) Govorni uređaj u Analogni / digitalni CD audio u 15-pinski MIDI / Joystick luka proširenje zaglavlja Unutarnja IEEE ® 1394 zaglavlju Audigy 2 ZS Unutarnji I / O diska AD_EXT proširenje zaglavlju Audigy 2 ZS Unutarnji I / O diska Spec: Complete Cinematic Surround Sound with DTS-ES and Dolby Digital EX Movies Multi-Environment audio -- up to four simultaneous environments processed in real time Exclusive Creative THX Setup Console provides accurate audio calibration for a precise speaker Superior quality 24-bit/192kHz audio, ultra-realistic game effects, and studio quality music settings The only available PC platform for Advanced Resolution 24-bit/96kHz 7.1 surround Superior quality 24-bit/192kHz audio, ultra-realistic game effects, and studio quality music settings Exclusive Creative THX Setup Console provides accurate audio calibration for a precise speaker The only available PC platform for Advanced Resolution 24-bit/96kHz 7.1 surround Multi-Environment audio -- up to four simultaneous environments processed in real time Complete Cinematic Surround Sound with DTS-ES and Dolby Digital EX Movies

Each of the two Antelope Discrete mic / line / Hi-Z preamps has its own phantom power and up to 65 dB of gain, so the interface is primed and ready for recording all sorts of microphones, instruments, or even line-level signals from outboard gear. Equipped with two independently adjustable headphone outputs and mirrored balanced/unbalanced monitor outs, the Zen Go Synergy Core can act as your home studio's hub for multiple sets of headphones, mixes, and monitor feeds. Its S/PDIF digital I/O ports are perfect for expanding your setup with digital gear such as external converters, and a secondary USB Type-C is provided, so you can charge your smartphone or tablet. Rise above the Sound You Know The Zen Go Synergy Core shrinks the gap in sound quality between artists with access to premium studios and home creators. The pristine sound is due to a combination of professional-grade AD/DA converters and Antelope Discrete ultralinear preamps that share circuits with legendary American and British consoles. The standout sonic quality of the device would not be possible without the main pillar of the Antelope Audio sound—the 64-bit AFC clocking technology from the company's high-end master clocks. It is employed in prestigious studios around the world and has been trusted with the scoring of Hollywood blockbusters. Full Production Pack, from the Get-Go Zen Go Synergy Core comes with 37 premium analog-modeled effects that will help you create stunning, sonically rich productions. Aside from the exclusive compressors, EQs, and preamps, the interface comes with 22 guitar amps and cabs, a guitar tuner, and a signature reverb that are all ready to be applied in real time to your tracking and mixing session. The Synergy Core effects processing allows you to stack up your chain with many effects instances while monitoring through the interface without fear of overloading. At any time, you can expand your effects collection by purchasing more classic go-to units, true rarities never before recreated in digital form, and 3rd party effects like Antares Auto-Tune Synergy. Create from Anywhere, Anytime Antelope Audio's first bus-powered interface is optimized for ultralow-latency recording, high-resolution playback, creative beatmaking, and podcasting from virtually anywhere. With just a USB Type-C cable (included), you can power the Zen Go Synergy Core from your computer and use it to its full potential without having to carry a dedicated power supply with you. The interface can also be powered with any USB Type-C charger if you are away from your computer and still want to use its core functionalities. Better Recording and Producing Workflow Every feature available to you in the interface's control panel has been added to improve the important aspects of your workflow. Since DAW monitoring inevitably adds latency, you can monitor directly through the interface to reduce delay to the absolute minimum. With the routing options, you can easily set up a near-zero latency mix and stack it with your favorite Synergy Core effects without fear of overloading the onboard platform. Dedicated signal metering is available for both input and output levels on the front-panel display and in the software control panel. Smart Connectivity in a Small Package The two XLR-1/4" combo input jacks give you the flexibility to choose between Antelope's Discrete mic preamps and line / Hi-Z inputs; they are easily configurable via the control panel. The two 1/4" TRS balanced outputs, mirrored with the stereo RCA output, allow you to send the signal from the professional-grade D/A converter to two separate sound systems. Use one for your main monitors and the other for a DJ mixer or any other sound system with RCA connectivity, whilst preserving sound integrity. Conversion and Clocking Class-leading AD/DA conversion with up to 127 dB of headroom Recording, mixing, and playback at up to 24-bit / 192 kHz Proprietary 64-bit Acoustically Focused Clocking (AFC) technology and Jitter Management algorithm delivering increased width, separation, and detail in musical performances Analog and Digital Connectivity Two Discrete ultralinear preamps with 65 dB of gain for studio-quality recordings; all work as microphone / line / Hi-Z inputs via XLR-1/4" combo jacks USB Type-C port carrying up to eight input and eight output channels in any popular DAW with custom macOS and Windows drivers Secondary USB Type-C port for charging your mobile device Stereo S/PDIF input and output for digital expansion Mirrored analog monitor outputs including one stereo output over RCA and one stereo output over balanced 1/4" TRS Two stereo headphone outputs with separate gain control Loopback Function for Streaming Send your monitoring mixes containing any signal source from the interface's inputs and OS/DAW return back into your computer's virtual inputs to easily set up online broadcasting. Session Recall For every individual recording scenario, you can save session files and create exact snapshots of your effects chains, so you can load them later without losing your progress. Workflow-Enhancing Features Bus-powered design requires no dedicated power source Direct hardware monitoring with Synergy Core effects processed in real time with imperceptible latency Simplified I/O routing with preconfigured settings, allowing immediate recording and playback Color LCD screen with crisp I/O metering Front panel with dedicated volume knob and buttons for level adjustment and hands-on control of core parameters Customizable presets complete with signal routing, level adjustments, mixer settings, and submixes Easily adjust the monitor mixes for the monitor output and split headphone mixes into individual cue and submixes while applying pan, reverb, and other effects, and stereo link 37 Real-Time Effects Collection of 37 Synergy Core effects modeled after classic and rare analog outboard gear, powered by the Synergy Core proprietary onboard platform, which uses DSP and one or more FPGA chips for real-time effects processing with imperceptible latency. BA-31: Germanium Mic Preamp Gyraf Gyratec IX: Dual tube mic preamp with high-pass filter Clear Q: Parametric EQ VEQ-1A: 2-band tube EQ VMEQ-5: 3-band tube midrange EQ VEQ-HLF: Tube 2-band high- and low-pass filters VCA160: VCA compressor/limiter Stay-Levin: Vari-Mu tube compressor FET-A76: FET compressor/limiting amplifier X903: VCA compressor/limiter PowerFFC: Feed-forward compressor Power Gate: Noise Gate Power EX: Expander Auraverb: Reverb A-Tuner: Guitar tuner Plexi 59 (UK): Tube guitar amp Bass SuperTube VR: Tube guitar amp Darkface 65 (US): Tube guitar amp Top30 (UK) Bright: Tube guitar amp Tweed Deluxe (US): Tube guitar amp Overange 120 (UK): Tube guitar amp BurnSphere (DE) Lead: Tube guitar amp Marcus II (US) Lead: Tube guitar amp Modern (US) CH3: Tube guitar amp Rock 75 (UK): Tube guitar amp Rock 22.10 (UK): Tube guitar amp Darkface 65 2x12: Guitar cabinet Top30 2x12: Guitar cabinet Modern 4x12: Guitar cabinet Green 2x12: Guitar cabinet Vintage 4x12: Guitar cabinet Green 4x12: Guitar cabinet Caliper 50 1x10: Guitar cabinet Bluelux 1x12: Guitar cabinet Clst 1x12: Guitar cabinet England 4x12: Guitar cabinet Bass Tube 1x15: Guitar cabinet Antelope ZEN GO SYNERGY CORE Specs Form Factor Tabletop Display 1 x 1.77" Color LCD Channels of I/O Analog: 2 Inputs / 6 Outputs Digital: 2 Inputs / 2 Outputs Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 2 Preamps Input Level Adjustment 1 x Knob Expansion Slots None Pad None Gain/Trim Range Mic Inputs: 65 dB High-Pass Filter None Solo/Mute None Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 2 x 1/4" TRS Balanced Monitor Output (DC-Coupled) 1 x Stereo RCA Coaxial Unbalanced Monitor Output 2 x 1/4" TRS Unbalanced Headphone Output (Front Panel) Phantom Power 48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x USB Type-C (Class-Compliant USB 2.0) USB (Non-Host) 1 x USB Type-C (Device Charging) Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Performance Maximum Input Level Mic Inputs: +20 dBu Maximum Output Level Monitor Outputs: +20 dBu Dynamic Range Mic Inputs: 121 dB (A-Weighted) A/D Converters: 120 dB D/A Converters: 127 dB (A-Weighted) THD Mic Inputs: -106 dB THD+N A/D Converters: -100 dB D/A Converters: -115 dB EIN Mic Inputs: -128 dBu A-Weighted Digital Audio Sample Rates 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) 64-Bit (Clocking) Sync Sources Internal, S/PDIF Memory Card Slot None Compatibility OS Compatibility macOS Windows Included Software None Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Included Plug-Ins Preamp & Channel Strip: BA-31 Gyraf Gyratec IX Equalization: Clear Q VEQ-1A VEQ-HLF VMEQ-5 Dynamics: FET-A76 PowerFFC Power EX Power Gate Stay-Levin VCA160 X903 Reverb & Room: Auraverb Tuning: A-Tuner Guitar & Bass: Bass SuperTube VR Bass Tube 1x15 Bluelux 1x12 BurnSphere (DE) Lead Clst 1x12 Caliper 50 1x10 Darkface 65 2x12 Darkface 65 (US) England 4x12 Green 2x12 Green 4x12 Marcus II (US) Lead Modern 4x12 Modern (US) CH3 Overange 120 (UK) Plexi 59 (UK) Rock 22.10 (UK) Rock 75 (UK) Top30 2x12 Top30 (UK) Bright Tweed Deluxe (US) Vintage 4x12 Supported Drivers/API & Plug-Ins Proprietary Mobile Device Compatibility None Required Hardware Available USB Type-C Port USB Cable (Included) Internet Connection Required for Registration, Software/Driver Download, Plug-In Authorization Power Power Requirements USB Bus Power Physical Anti-Theft Features Kensington Security Slot Dimensions 7.8 x 4.6 x 2.26" / 19.8 x 11.7 x 5.75 cm Weight 1.5 lb / 0.7 kg Packaging Info Package Weight 2.325 lb Box Dimensions (LxWxH) 9.9 x 7.1 x 3.7"

Ispravna kartica, nije nesto ocuvana.