HI-DEFINITION AUDIO Your desktop companion for better sound With Zen Q Synergy Core, attain a sonically precise sound in your studio. The interface has all of the core performance qualities that high-end Antelope Audio interfaces are known for, so you can reap the benefits of seamless workflow for any desktop studio layout. Class-leading AD/DA conversion The AD/DA converter chips grant 127dB of headroom with undeniable definition. Discrete console-grade preamps The two ultra-linear preamps feature true console-grade circuitry that imparts warmth and captures the natural details of any recorded instrument or voice. 64-bit AFC™ technology The 64-bit Acoustically Focused Clocking™ technology gives Zen Q efficient AD/DA conversion, deep soundstage, and clean channel separation. SYNERGY CORE COLLECTION Refine your sound with Synergy Core FX Along with our signature AuraVerb, Zen Q comes equipped with a virtual library of 37 free effects from the Synergy Core effects platform. You’ll get access to everything you need to capture and process audibly rich and dynamic sound. The collection includes analog-modeled compressors, equalizers, and mic-preamps, as well as guitar cabs & amps for dialing in the perfect guitar tone. Grow your collection of Synergy Core effects with 50 optional expansions. The selection grows over time and includes emulations of classic gear and special third-party effects. Antelope Audio is proud to include Grove Hill’s Liverpool, Gyratec’s legendary EQs, Antares’ Auto-Tune, and Inertia’s Instinct. Processes effects in real-time with imperceptible latency while monitoring, tracking or mixing. Offloads all processing to the interface thus saving your host computer CPU & memory. EXPLORE SYNERGY CORE Taking advantage of high-speed Thunderbolt, the AFX2DAW * plug-in lets you use Synergy Core effects as inserts inside your chosen DAW. This simplifies workflow and enables easy, immediate effects automation. *Available as a separate purchase for Mac Thunderbolt. FAST & FLEXIBLE From the desktop and beyond With diverse connectivity options and a compact size, Zen Q Synergy Core can be easily integrated into any setup or style of workflow you prefer. Its portability enables you to take the studio wherever you need to go, whether you’re recording on location or performing a live set onstage. Record, mix, and stream with low-latency – no power supply required. Bus-powered Thunderbolt Bus-powered Thunderbolt 3 connectivity gives you ultra-low latency and the utmost stability, allowing you to record from any location without ever questioning Zen Q’s reliability. Switchable inputs Zen Q comes with 2 combo XLR jacks and 2 additional TRS LINE/Hi-Z inputs. Use the combo jacks to choose between our Discrete console-grade preamps, LINE, or Hi-Z inputs. Expandable connectivity Take full advantage Zen Q’s digital expandability. The interface is expandable over ADAT via 8 additional input channels, and S/PDIF with 2 channels in and out. Loopback function for streaming For a convenient online broadcasting setup, use loopback capabilities for streaming and recording OS/DAW playback and interface inputs simultaneously. Session recall Enhance your workflow by customizing and saving session presets, then recall them from the hardware effortlessly. CONVERSION & CLOCKING • Class-leading AD/DA conversion with up to 127dB of headroom • Recording, mixing and playback at up to 24-bit/192kHz • Proprietary 64-bit Acoustically Focused Clocking (AFC™) technology & Jitter Management algorithm delivering increased width, separation, and detail. CONNECTIVITY • 2×Discrete ultra-linear preamps with 65dB of gain for studio-quality recordings. Both work as microphone/line/ Hi-Z inputs, on combo XLR jacks, and supply 48V of phantom power • 2×Hi-Z/line instrument inputs over TRS • 2×DC-coupled line outputs over TRS • Thunderbolt™ 3 port carrying up to 16 input and 16 output channels in any popular DAW with custom macOS & Windows drivers • Digitally expandable over ADAT IN , with 8 channels available • Digitally expandable over S/PDIF I/O, with 2 channels available • 1 × Stereo monitor output over TRS • 2 × Stereo headphone outputs with separate volume control WORKFLOW-ENHANCING FEATURES • Bus-powered interface – powered by the Thunderbolt™ connection without need for a dedicated power source • Direct monitoring with Synergy Core effects, processed in real-time with imperceptible latency • Simplified I/O routing with pre-configured settings, allowing immediate recording and playback • Front panel with easily accessible controls over input and output levels, and other settings • Customizable presets with signal routing, level adjustments, mixer and effects settings • Customizable monitoring mixes with adjustable volume, pan and reverb REAL-TIME EFFECTS PROCESSING • Collection of 37 Synergy Core effects modeled after classic and rare analog outboard gear • Synergy Core proprietary onboard platform powered by 2×DSP & 1 × FPGA chips for real-time effects processing with imperceptible latency • Modeling Engine allowing pairing with the Edge line of microphones for real-time use of vintage microphone emulations 37 INCLUDED SYNERGY CORE EFFECTS Gyraf Gyratec IX (Dual Tube Mic Preamp with HPF) VCA160 (VCA Compressor / Limiter) Stay-Levin (Vari-Mu Tube Compressor) FET-A76 (FET Compressor / Limiting Amplifier) VEQ-1A (2-Band Tube EQ) VMEQ-5 (3-Band Tube Mid-Range EQ) X903 (VCA Compressor / Limiter) PowerFFC (Feed-Forward Compressor) Clear Q (Parametric EQ) Power EX (Expander) VEQ-HLF (Tube 2-Band HPF / LPF) Auraverb (Reverb) BA-31 (Germanium Mic Preamp) Power Gate (Noise Gate) A-Tuner (Guitar Tuner) Plexi 59 (UK) (Tube Guitar Amp) Bass SuperTube VR (Tube Guitar Amp) Darkface 65 (US) (Tube Guitar Amp) Top30 (UK) Bright (Tube Guitar Amp) Tweed Deluxe (US) (Tube Guitar Amp) Overange 120 (UK) (Tube Guitar Amp) BurnSphere (DE) Lead (Tube Guitar Amp) Marcus II (US) Lead (Tube Guitar Amp) Modern (US) CH3 (Tube Guitar Amp) Rock 75 (UK) (Tube Guitar Amp) Rock 22.10 (UK) (Tube Guitar Amp) Darkface 65 2×12 (2×12 Guitar Cabinet) Top30 2×12 (2×12 Guitar Cabinet) Modern 4×12 (4×12 Guitar Cabinet) Green 2×12 (2×12 Guitar Cabinet) Vintage 4×12 (4×12 Guitar Cabinet) Green 4×12 (4×12 Guitar Cabinet) Caliper 50 1×10 (1×10 Guitar Cabinet) Bluelux 1×12 (1×12 Guitar Cabinet) Clst 1×12 (1×12 Guitar Cabinet) England 4×12 (4×12 Guitar Cabinet) Bass Tube 1×15 (1×15 Guitar Cabinet) IN-THE-BOX CONTENT • Zen Q Synergy Core • Warranty card *Note: Thunderbolt cable is not included • Getting Started leaflet

Potpuno ispravna kartica za zvuk na usb, plug and play.

Povezivanje PCI USB Čipset Xonar U7 Povezivanje Line-in Mic-in SPDIF-out Sample rate 95 KHz SNR 114dB Reklamacioni period Zagarantovana sva prava kupaca po osnovu zakona o zaštiti potrošača

Tip: USB Vrsta: Eksterna Garancija: Zakonska saobraznost Zemlja porekla: Definisana na deklaraciji Barkod: 8606019544690 Uvoznik: EWE

Polovan neispitan Tascam US 122 USB Audio MIDI Interface. Bez adaptera , bez kablova. Imate sliku kad je ukljuceno usb napajanje. Bez garancije. Stanje kao sa slika.

Description Designed for immersive formats like Dolby Atmos and all performance-critical high-channel-count Dante applications, RedNet PCIeNX delivers 128 x128 audio channels (up to 192kHz) with ultra-low latency. Features 128x128 channels (24-bit/192kHz) with ultra-low round-trip latency Perfect for large recording sessions and post-production work using Dolby Atmos and other immersive formats Dual Ethernet RJ-45 connections allow for both switched and redundant mode, offering flexible connectivity Supports the latest standards, including AES67 and compliance for SMPTE ST 2110 (DDM required) Compatible with Windows or Mac computers (Intel and Apple Silicon supported) Easily installed in a PCIe slot or Thunderbolt chassis Integrated network interface – allowing a single-cable connection for audio and network control Purchase with confidence. RedNet PCIeNX is backed by Focusrite’s 3-year warranty award-winning 24/7/365 technical support

A pair of rear-panel XLR outputs offers line level signals of up to 24dBu with top panel level control and mute switch, while the front panel 1/4" headphone output is capable of driving high signal levels perfect for monitoring in high-SPL environments. The bottom of the sturdy aluminium and steel chassis features a threaded mic stand boss allowing RedNet AM2 to be placed in any convenient location whether on a desk or at a performer's fingertips on a stand. Finally, the IEEE standard PoE input allows a single Ethernet cable to provide power, remote control, clocking and audio data to RedNet AM2. Stereo line output and headphone for Dante audio-over-IP networksPower-over-Ethernet supplied: IEEE 802.3af compliantUp to 24-bit, 96kHz sampling ratesRobust steel and aluminium chassisPowerful headphone output even with high-impedance headphonesUp to 24dBu line output levelsIndependent level control of headphone and line outputsMute switch for line outputMic stand mountKensington security slotIntegrated network switch allowing daisy-chaining of network devicesBrainworx bx_console Focusrite – exclusive plug-in that faithfully captures the sound, feel and styling of the original Focusrite ISA 110 Equaliser and ISA 130 Dynamics Modules.AES67 compliant SPECIFICATIONS LINE LEVEL OUTPUTS 0 DBFS Reference Output Levels 18 or 24dBu (switchable) Frequency Response Output 20Hz - 20kHz ±0.05dB THD N Output Dynamic Range 120dB A-weighted (typical), 20Hz - 20kHz CROSSTALK Output To Output HEADPHONE OUTPUT 0 DBFS Reference Levels Headphones 19dBm Headphone Frequency Response 20Hz - 20kHz ±0.05dB Headphone THD N Headphone Dynamic Range 118dB A-weighted (typical), 20Hz - 20kHz Output Impedance 5O Headphone Impedance 32 Ohm - 600 Ohm DIGITAL PERFORMANCE Supported Sample Rates 44.1 / 48 / 88.2 / 96 kHz (-4 / -0.1 / 0.1 / 4.167) at 24 bit Clock Sources Internal or from Dante Network Master Minimum Latency 1ms FRONT PANEL CONNECTIVITY Headphone Outputs 1 x 1/4" stereo jack Line Outputs 2 x Male XLR PSU (PoE And DC) 1 x PoE (Port 1) Input and 1 x DC 12V Barrel Input Connector Network Green LED: Indicates device is network master or network slave, shows valid network lock REAR PANEL CONNECTIVITY TOP PANEL INDICATORS Power LED illuminates Green when PoE is connected and Red when DC power is connected Signal Signal indicator LED for both network input channels Mute Red LED Control Functions 2 x Pots DIMENSIONS Height (Chassis Only) 48mm/ 1.89" Height (Inc. Pots And Feet) 58mm/ 2.28" Width 140mm/ 5.51" Depth (Chassis Only) 106.5mm/ 4.19" Depth (Inc. Connectors) 116mm/ 4.57" WEIGHT Weight 0.81kg POWER Power Over Ethernet (PoE) Complies with IEEE 802.3af class 0 Power-over-Ethernet standard DC Power Supply 1 x 12V 1.2A DC Power Supply Power Consumption PoE: 11.0W - DC: 9.8W Operating Temperature Operates at up to an ambient temperature of 50 degrees Celcius

A local input mixer allows monitoring control for people who want to hear their parts louder over the mix. Conversely, a control lockout parameter ensures your settings remain unchanged when used remotely. On the rear of the interface you'll find two locking, combination XLR-1/4" inputs, as well as two level-controlled XLR outputs that can go up to 24 dBu. On the front of interface, your 1/4" headphone output is powered by an amplifier capable of driving both low- and high-impedance headphones. The Red Evolution mic pres provide clean gain, phantom power, high-pass filtering at 80 Hz, per-channel polarity reversing, and an Air mode that emulates the sound of Focusrite's classic transformer-based mic preamps, giving you a boost at 10 and 20 kHz respectively. The X2P can capture and reproduce audio at sample rates and resolutions of up to 96 kHz and 24 bits. On the output side, the RedNet X2P provides a dynamic range of 120 dB at line level and 117 dB for the headphones. Built out of aluminum and steel, the unit is quite sturdy and can be mounted directly to a mic stand, which keeps it out of the way yet within reach. Key Features at a Glance Stereo 2x2 audio interface for Dante AoIP networks Two Red Evolution mic preamps for mic, line, or instrument level inputs Power-over-Ethernet supplied: IEEE 802.3af compliant Up to 24-bit, 96 kHz sampling rates Robust steel and aluminum chassis Local input mix to allow personalized monitoring Powerful headphone output, even with high-impedance headphones Local control lockout of mic settings, output settings, or both Up to 24 dBu line output levels Independent level control of headphone and line outputs Mute switch for line output Mic stand mount Kensington security slot Integrated network switch allows daisy-chaining of network devices Includes Brainworx bx_console Focusrite, a plug-in that faithfully captures the sound, feel, and style of the original Focusrite ISA 110 Equalizer and ISA 130 Dynamics Modules Focusrite X2P 2x2 Specs Form Factor Desktop Display 1 x LCD Channels of I/O 2 Input / 2 Output Number of Microphone Preamps 2 Preamps Signal Processing Gain/Trim Range Hi-Z Inputs: 0 to 68 dB Mic Inputs: 0 to 68 dB Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Mic/Line Input 1 x 1/4" TRS Headphone Output 2 x XLR 3-Pin Monitor Output Phantom Power 48 V (Selectable on Individual Inputs) Digital Audio I/O None Host Connection / USB None Host Connection Protocol None USB (Non-Host) None Sync I/O None Network I/O 1 x etherCON/RJ45 Dante 1 x etherCON/RJ45 Dante (PoE) MIDI I/O None Performance Frequency Response Hi-Z Inputs: 20 Hz to 35 kHz ±0.1 dB Mic, Line Inputs: 20 Hz to 35 kHz ±0.1 dB Maximum Input Level Hi-Z Inputs: +15 dBu (Min Gain) Mic Inputs: +24 dBu (Min Gain) Impedance Hi-Z Inputs: 2 Megohms Mic/Line Inputs: 6.2 Kilohms Dynamic Range Mic/Line Inputs: 120 dBA SNR Hi-Z Inputs: 118 dBA Mic/Line Inputs: 120 dBA THD+N Hi-Z Inputs: < -100 dB / < 0.001% Inputs: < -103 dB / < 0.0007% Crosstalk Headphone Outputs: < -85 dB Inputs: < -72 dB System: < -159 dB EIN Mic/Line Inputs: < -130 dBu A-Weighted CMRR Mic/Line Inputs: -80 dB Line Outputs: -80 dB Digital Audio Sample Rates 44.1 / 48 / 88.2 / 96 kHz Bit Depths 24-Bit (AD/DA Conversion) Power Power Requirements AC/DC Power Adapter (Included) AC/DC Power Adapter 12 VDC at 1.2 A (Included) Power Consumption 13.3 W Physical Operating Temperature 113°F / 45°C Dimensions 5.5 x 4.1 x 1.9" / 140 x 104 x 47.5 mm Weight 2.3 lb / 1.0 kg Packaging Info Package Weight 4.25 lb Box Dimensions (LxWxH) 15 x 7.9 x 4.85"

PLUG YOUR INSTRUMENT STRAIGHT IN Start recording the moment inspiration strikes, by plugging any instrument or mic straight in. Polish Your Sound Whatever type of music you want to make, and whatever you want to record it on, iTrack Solo is the simplest way to do it. Make Some Noise iTrack Solo isn’t just for recording. Connect your speakers, crank up the volume and totally immerse yourself in the sound of your music, apps, video games, movies – or anything else. Maintain Your Feng Shui Fewer cables means less clutter. You only need to plug iTrack Solo into the mains if you’re using it with iPad. Otherwise, your USB connection will power it. IDEAL FOR IPAD Certified by Apple and compatible with any Lightning™ iPad: iPad Pro, iPad mini, iPad mini with Retina Display, iPad (4th gen and up) and iPad Air. YOU ALREADY KNOW HOW You don't need to learn anything new. Record your songs directly into Garageband, Cubasis, Auria and many other apps. THE SOUND OF SUCCESS Capture and play back your sound with pristine quality, using the very latest in digital audio technology. LOOK AS GOOD AS IT SOUNDS The gorgeous bead-blasted aluminium case is tough enough to throw in your bag and take with you anywhere. TECHNICAL SPECIFICATIONS FRONT PANEL 1 microphone input - XLR 1 Instrument input ¼’ unbalanced 2 Gain knobs 2 Gain halo signal indicators 48V Phantom power switch Direct monitor switch Large monitor level dial (controls headphone and line level outputs) USB Connection LED indicator Headphone output ¼’ TRS Jack REAR PANEL 2 unbalanced monitor outputs - RCA Phono DEVICE LINK port (to connect iTrack Solo to iPad) USB 2.0 Port Kensington Lock slot INCLUDED SOFTWARE Ableton Live Lite 9 - professional music making software to use your iTrack Solo with a Mac or PC. Focusrite Scarlett plug-in suite - collection of software plug-ins bringing effects to your music software (like Ableton Live for example). MIC ANALOGUE INPUT PERFORMANCE Frequency Response 20Hz - 20kHz +/- 0.2 dB THD+N < 0.002% (minimum gain, -1dBFS input with 22Hz/22kHz bandpass filter) Equivalent Input Noise (EIN) < -120dB: measured at minimum gain with, -1 dBFS (20Hz/22kHz bandpass filter) Gain Range +10dB to +55dB Max Input Level +4dBu INSTRUMENT Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N 0.003% (measured with -1dBFS input and 22Hz/22kHz bandpass filter) Noise -87dBu (22Hz/22kHz bandpass filter) Gain Range -10dB to +55dB Max Input Level +2dBu ANALOGUE OUTPUT PERFORMANCE Nominal Output Level 0dBFS = 10dBu, unbalanced Frequency Response 20Hz - 20kHz +/- 0.2dB THD+N < 0.001% (measured with 0dBFS input 22Hz/22kHz bandpass filter, un-weighted) DIGITAL PERFORMANCE Clock sources Internal clock only A-D Dynamic Range 105dB 'A-weighted' (all inputs). Converter chipset A-D dynamic range 114dB D-A Dynamic Range 105dB 'A-weighted' (all outputs). Converter chipset D-A dynamic range 114dB Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz - Mac and PC 44.1 KHz, 48 KHz - iPad CROSSTALK Input to Input Better than 90dB Output to Output Better than 90dB Input to Output Better than 85dB INPUT METERING Ring LED lit Green Signal present (-24 dBFS) Ring LED lit Red Signal overload (0dBFS), peak held for approximately 1 second WEIGHT AND DIMENSIONS Height 45 mm / 1.77' Width 150 mm / 6' Depth 100 mm / 4' Weight 500 g / 1 lb IN THE BOX iTrack Solo 1.2m USB cable 1.2m "DEVICE LINK" cable (to connect to a Lightning iPad) Getting started guide Registration card Download card for Ableton Live Lite / Scarlett Plug-in Suite USB power supply (US only) COMPATIBLE IPADS iTrack Solo Lightning: Any iPad with Lightning connector. Standard iTrack Solo: iPad (1st gen), iPad (2nd gen) and iPad (3rd gen)

With this setup, DANTE users can enjoy the excellent sound quality of both the Titan and Atlas A/D and D/A converters, and their equally well regarded on-board microphone preamplifiers. Titan was recently rated ‘the pinnacle of USB recording’ with ‘fantastic converters and mic pre’s’ by John Gatski, of Everything Audio Network. Control of the Prism Sound Titan or Atlas units when connected to DANTE is easy. When connected over a network the units are controlled using a dedicated software app that is available for both Mac and Windows. This enables you to control the units from any computer on the network or via its dedicated USB port. The set up information can be stored for instant recall within the dedicated app unlike many third party interfaces whose settings cannot be recalled.

ASUS ASUS XONAR AE 7.1 zvučna karta Cena: 7.629,00 RSD BEZ KAMATE na 12 rata: 635,75 RSD BEZ KAMATE na 24 rate: 333,77 RSD Cena za gotovinu: 6.866,00 RSD Dodaj u korpu! Završi kupovinu Opis proizvoda Osnovne karakteristike Interfejs: PCI Express, Odnos signal-šum (SNR): 110dB, Broj kanala: 8 (7.1), Bit depth: 24bit, Sample rate: 192KHz, Čipset: C-Media 6632AE, Izlazni priključci: S/PDIF optički, 5x 3.5mm, Ulazni priključci: 1x 3.5mm, Reklamacioni period Reklamacioni period: 24 meseca,

Line, instrument, or microphone sources can be connected via the stereo 1/4" TRS inputs, two 1/4" instrument inputs, and two XLR 3-pin inputs. Phantom power is selectable as are the input pads and built-in limiters. The four 1/4" line outputs are ideal for connecting to speakers and power amps, while the front-panel 1/4" jack offers dedicated level and mix controls for independent headphone monitoring. Additionally, digital connectivity includes RCA coaxial for S/PDIF or AES3, TOSLINK optical for S/PDIF or ADAT, and BNC for word clock. An RJ45 port is present for future AVB integration. The Lyra 2 is compatible with Mac OS X and Windows systems via its class-compliant USB 2.0 connectivity. An IEC power cable, USB cable, and XLR to RCA adapters are included. Signal Path Analog and digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, analog and digital outputs, and stereo headphone outputs can be played independently. For low-latency monitoring to headphone or main outputs, each output pair can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analog inputs are electronically balanced with automatic unbalanced operation. Analog outputs are electronically balanced with bootstrapping (level is maintained if one leg is grounded). Verifile Technology Verifile is a radical new proprietary technology exclusive to Prism Sound, which allows computer audio streams and recorded files to be quickly checked for a wide range of clicks, errors, and dropouts, without any compromise in the audio content or any additional metadata. Verifile is a fragile steganographic process, which embeds derivative data within the dither of the ADC, containing a rolling hash code which allows the audio data to be thoroughly and continuously checked. Recovery of this data from the audio stream or file enables verification that the stream or file contains exactly the audio data that was produced by the ADC at the time of recording. Any incorrect samples, missing or repeated audio segments or any other audio errors in the resulting files can be reliably detected, providing complete confidence that the recorded file is error-free. Processing such as EQ, level changes, additional redithering, or sample-rate conversion done to a Verifile recording will result in a failure to decode the rolling hash code in the dither and hence indicate that the recording is not an original. Reliable Quality Prism Sound uses precise software calibration techniques in its converters to avoid the unreliability of pots and tweaks. Minimizing noise, interference, and hum was a priority in the design. All the analog circuits have galvanic isolation, while the unit's electronically balanced I/O allows it to handle common mode interference sources and trouble-free connection to unbalanced equipment. USB 2.0 Compatibility The Lyra 2 is easy to connect to your computer and to your outboard gear. For both Mac and Windows platforms, there is a controller application to configure the unit and control its built-in mixer and various functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Lyra controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. Since the Lyra 2 is UAC2 compliant, it will also work with recent Linux and Android builds, although no control panel is provided. Flexible I/O Utilizing the same mic amps as Orpheus, the Lyra offers software-controlled gain in 1 dB steps, switchable phantom power, 20 dB pads, and low noise and distortion. The inputs are auto-sensing with software override. Inputs one and two can be microphone, instrument, or line. Analog inputs have individually-selectable Prism Sound Overkiller peak limiters built in—just as on the ADA-8XR and Orpheus—to catch those fast transients. The Overkiller threshold automatically follows the operating line-level selection (+4 dBu or -10 dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. The coaxial digital I/O can be switched in the Lyra 2 controller applet between S/PDIF and AES3 formats. This control changes the operating voltage and the channel status format and is complemented by two supplied adapters that provide external XLR connections for AES3 devices. The optical digital I/O ports on Lyra 2 can also be configured as ADAT I/O. Other connections include word clock sync I/O on BNC connectors. Low-Latency Digital Mixer A built-in digital mixer can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. This provides console quality local mixing—each output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. With the Prism Sound DSP mixer, the latency is as low as 0.08 ms at a 192 kHz sampling rate. Sample Rate Conversion & Noise Shaping Prism Sound's renowned synchronous sample-rate conversion allows outputting to various external devices at other sampling rates. The sample rate converter can be used at the outputs as well as the inputs, so as well as dealing with unsynchronised or wrong-rate digital inputs, Lyra can also generate, say, a live 44.1 kHz output from a 96 kHz session. The digital output is equipped with the four Prism Sound SNS noise-shaping curves, allowing you to reduce to 16-bits for CD at mastering-house quality. Stable Clocking State-of-the-art clock generation with proprietary hybrid 2-stage DPLL keeps jitter to a minimum. The sample rate can be sourced from the local clock, BNC word clock, or digital input stream. Prism Sound Lyra 2 Specs Form Factor Desktop Channels of I/O 6 Input / 4 Output Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 2 Preamps Built-In Microphone None Expansion Slots None Signal Processing Pad Mic: -20 dB (Switchable per Channel) Hi-Z: -18 dB Gain/Trim Range Mic Inputs: +10 dB to +65 dB (in 1 dB Steps) Hi-Z Inputs: +10 dB to +65 dB (in 1 dB Steps) High-Pass Filter Line Input: 80 Hz, 12 dB/Octave (-3 dB, on 2 Channels) Solo/Mute None Connectivity Analog Audio I/O 2 x XLR 3-Pin Balanced Mic Input 2 x 1/4" TS Unbalanced Hi-Z Input 2 x 1/4" TRS Balanced/Unbalanced Line Input 4 x 1/4" TRS Balanced/Unbalanced Line Output 1 x 1/4" TRS Unbalanced Headphone Output Phantom Power 48 V, Selectable On/Off Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Output 1 x RCA Coaxial AES3 / S/PDIF Output 1 x TOSLINK Optical ADAT / S/PDIF Input 1 x RCA Coaxial AES3 / S/PDIF Input Host Connection / USB 1 x USB-B Host Connection Protocol Not Specified by Manufacturer Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O 1 x RJ45 AVB / Ethernet MIDI I/O None Wireless Connectivity None Performance Impedance Line Inputs: 14.5 Kilohms Mic Inputs: 5.5 Kilohms Hi-Z Inputs: 1 Megohm Outputs: 100 Ohms (Balanced) 50 Ohms (Unbalanced) Dynamic Range Line Inputs: 116 dB (-60 dBFS) Analog Outputs: 115 dB (-60 dBFS) Sample Rate Converter: 138 dB (-60 dBFS) THD Line Inputs: -117 dB / 0.00014% (at -0.1 dBFS) Mic Inputs: -116 dB / 0.00016% (+10 dB Gain, at -0.1 dBFS) -110 dB / 0.00032% (+40 dB Gain, at -0.1 dBFS) Analog Outputs: -107 dB / 0.00045% (at -1 dBFS) THD+N Line Inputs: -111 dB / 0.00028% (at -0.1 dBFS) Mic Inputs: -108 dB / 0.0004% (+10 dB Gain, at -0.1 dBFS) Analog Outputs: -106 dB / 0.0005% (at -0.1 dBFS) Crosstalk Line Inputs: < -140 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) Analog Outputs: < -135 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) EIN Mic Inputs: -128.5 dBu (0-Ohm Source, +30 dB Gain) -126.3 dBu (150-Ohm Source, +30 dB Gain) -130.9 dBu (0-Ohm Source, +40 dB Gain) -127.6 dBu (150-Ohm Source, +40 dB Gain) -131.2 dBu (0-Ohm Source, +50 dB Gain) -127.7 dBu (150-Ohm Source, +50 dB Gain) -131.4 dBu (0-Ohm Source, +60 dB Gain) -127.8 dBu (150-Ohm Source, +60 dB Gain) CMRR Line Inputs: > 70 dB (20 Hz to 20 kHz) Mic Inputs: > 110 dB (50/60 Hz) > 100 dB (1 kHz) > 90 dB (20 kHz) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion On S/PDIF I/O (Any Sample Rate) Bit Depths 24-Bit (A/D Conversion) 16 / 24-Bit (D/A Conversion) Latency 0.57 ms at 44.1 kHz 0.52 ms at 48 kHz 0.2 ms at 88.2 kHz 0.18 ms at 96 kHz 0.09 ms at 176.4 kHz 0.08 ms at 192 kHz Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Accuracy: ±50 ppm Jitter Suppression: > 60 dB (above 100 Hz) Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS 10.5 or Later Windows Vista or Later (32/64-Bit) *As of November, 2021: Check with manufacturer for the most up-to-date compatibility Included Software None Included Plug-Ins None Supported Drivers/API & Plug-Ins Core Audio (Mac) ASIO Mobile Device Compatibility None Power Power Requirements USB Bus Power AC Input Power 90 to 250 VAC, 50 / 60 Hz Power Consumption 15 W Physical Operating Humidity 0 to 85% Operating Temperature 32 to 95°F / 0 to 35°C Dimensions 11.2 x 9.5 x 2" / 285 x 242 x 50 mm (with Feet) Weight 4.6 lb / 2.1 kg Packaging Info Package Weight 6.75 lb Box Dimensions (LxWxH) 17.5 x 12.25 x 5.5"

This makes UGM192 the perfect companion for guitar and professional microphone recording applications on the road or in your studio. You can use it to jam with a guitar and microphone, process the signal in realtime and listen to the mix directly via headphones - no special additional devices are needed: you simply plug UGM192 between your guitar, headphones, the microphone and your computer or mobile device. As a truly mobile solution, it can even be powered via an optional external battery - just bring this professional preamp anywhere you go! Features USB 3.1 audio interface with USB-C connector (cable included) USB 2.0 compatible (cable included) USB bus powered separate power connector for optional use (microUSB) professional microphone preamp with balanced 1/4" TRS connector switchable 48V phantom power support professional Hi-Z instrument input with unbalanced 1/4" TS connector line / headphone output with 1/4" stereo TRS connector 24-bit / 192kHz AD converter (114dB dynamic range A-weighted) 24-bit / 192kHz DA converter (114dB dynamic range A-weighted) 100% class compliant works with OS X / mac OS (10.9 and above) with native CoreAudio support (32-bit and 64-bit) EWDM driver for Windows 7 / 8 / 8.1 / 10 with ASIO 2.0, MME, WDM and DirectSound (32-bit and 64-bit) DirectWIRE support under Windows with virtual audio channels for internal loopback recording dimensions aprox. 87mm x 67mm Bundled Software In order to get you started right out of the box, UGM192 ships with a powerful software package for professional recording, creation of your own songs, mixing of any audio content and much more. The following applications are currently included: inTone 2 ESI Edition by Audified is a powerful jamming tool to produce mixes of multiple audio signals and instruments, play files, change tracks, prepare streams for podcasts and recordings. As an effects host you can use it with the included GK Amplification 2 LE and ampLion Free as a bass and guitar amp simulator and much more - anything you need for your creativity! Deckadance LE v2 from Stanton - a powerful professional DJ software that continues to elevate the freedom of creative expression for remix and groove producers, turntablists as well as club, mobile and home DJs. With the included license, you can quickly load your favorite tracks and instantly mix them like a professional DJ through the outputs of UGM192.

Built-In Analog Compressor Shape Your Tone By applying compression before your virtual amp sim, you’ll find new life in your guitar tone. Or record clean. The choice is yours. Jam X compression presets: 1. Smooth Leveler (Lowest amount of compression) 2. Purple Squeeze (Medium amount of compression) 3. Vintage Blue Stomp. (Aggressive amount of compression) Never Miss A Beat Direct Monitor With Ease Stay in the rhythmic pocket with Blend mode, allowing you to record with absolutely no vibe-killing latency (delay). Crank It Up Works with Headphones or Powered Speakers Whether you’re monitoring as you play and record with your favorite app, or streaming music, the stereo output on Jam X dramatically improves the playback quality of your audio. With high-resolution sample rates up to 96k and ample headroom, Jam X delivers incredible clarity and plenty of volume to your headphones or powered speakers. Archetype: Tim Henson Exclusive Extended Trial of Neural DSP After 60 days, you’ll finally be able to play, “Playing God” by Polyphia. Well, maybe not exactly but at least you’ll get to dive into the sonics that makes up Tim Henson’s signature style. Register your Jam X to get access to the full Archetype: Tim Henson plugin suite by Neural DSP. Highlights Apogee's PureDIGITAL connection for pristine sound quality Built-In Analog Compressor with 3 Presets Up to 24 bit / 96kHz recording Works with guitar, bass, keyboards, synths, or acoustic instruments with pickups. 1x 1/4” Instrument input 1x 1/8” output connects to headphones or powered speakers. Rugged metal body Blend Mode - Record with zero latency In The Box Jam X USB Type C / Type A cable Getting Started Links Warranty Information Compatibility macOS: 10.14 and later iOS / iPad OS: 9 or later* Windows 10 or later* *All iPads with an USB-C port are compatible with Jam X. Devices with a Lightning port require lightning to a micro USB cable. Which is sold separately here. For Windows download the Apogee ASIO Driver by registering your product. Bundled Software* Ableton Live Lite free Extended 60 Day Trial of Archetype: Tim Henson by Neural DSP *All offers require registration of a new Jam X on Apogee website Specifications Max Gain: 36dB Max Input Level: +18dBu Max Headphone output level: 8dBu (1.9Vrms) 100mW into 32 Ohm Product Dimensions Weight: 0.25 lbs (0.11kg) Length: 4.0" (10.16 cm) Width: 1.5" (3.81cm) Depth: .95" (2.41 cm)

Control several interfaces simultaneously And because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001! As soon as the ARC USB is connected to a computer any button press or wheel turning will cause the respective action performed by TotalMix FX - and therefore also by the RME audio interface. With the UFX+ and UFX II the ARC USB can also be connected directly to these devices, currently the only RME interfaces having an internal USB 1.1 host with matching connector. This way of connecting is handy in stand-alone mode, where the ARC USB is also supported by the UFX+ and UFX II. The ARC USB is bus powered, but draws only little current. Also it uses USB 1.1 as bus standard, which these days is uncritical due to its lower frequency and speed demands. USB 2 cables with 5 meter to 10 meter length, and cheap USB 2 cable extensions that usually make a bus-powered interface fail will work perfectly for the ARC USB. Still at higher lengths RME recommends to use active USB 2 cables (also called extension or repeater cables), which are not expensive and work over lengths of more than 20 meters. The ARC USB can control several interfaces simultaneously, which happens automatically as the Key Commands dialog in TotalMix FX is specific to the currently selected audio interface. Just assign only the functions that are desired for each respective interface. After that the ARC USB keys and the encoder wheel remote the respective interface where they have been assigned to, without the need to further switch or select anything in normal operation. ARC USB AND UFX+ / UFX II IN STAND-ALONE MODE In stand-alone mode of Fireface UFX+ / UFX II a fixed set of functions is activated on the keys: Row 1: Setup 1-4 Row 2: Setup 5-6 x x Row 3: Mono, Volume Phones 1, Volume Phones 2, DIM Lower keys: DURec: Rec, Play/Pause, Stop x = no function The included stickers also offer the stand-alone layout. In the UFX+ / UFX II display’s menu the way of operating the ARC USB can be configured for stand-alone mode. Those options are found under SETUP/REV, Options, Hardware/Diagnosis: STANDALONE ARC VOLUME Deactivates all keys. Only the encoder wheel works, with a fixed assignment to Main Volume. This option is also a safety function in case the ARC USB is connected to the UFX+ / UFX II, but oper-ated online (with computer). When the system goes offline (computer removed, sleep state…) the functions on the keys change, because online mode changed to stand-alone mode. Operating the keys then could activate unintended functionality or changes. STANDALONE ARC 1 S OP Each key has to be pressed for one second to activate the programmed functionality. This safety function prevents unintentional changes. It can be stored within the Setups, activating this mode automatically when such a Setup is loaded. When loading a Setup where this function had not been active this mode is automatically deactivated at the UFX+ / UFX II.

Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Analog inputs 8 x XLR/TRS combo-style mic/line/instrument inputs Preamp gain: 0 to +53 dB (digitally controlled) TRS max level with pad: +17 dbU (V-limit at +7) Analog outputs 8 x 1/4" TRS line out (balanced, DC coupled) Max level: +20 dBu (digitally adjustable -4 to +20) 1 x 1/4" TRS stereo headphone Digital I/O 2 banks (16 ch) of ADAT optical at 1x sample rates 1 bank (8 ch) of SMUX optical at 2x sample rates Stereo TOSLink (optical S/PDIF) on Bank A (optional) Total I/O 24 inputs and 26 outputs (50 total) at 1x sample rates 16 inputs and 18 outputs (34 total) at 2x sample rates 8 inputs and 10 outputs (18 total) at 4x sample rates Computer I/O 1 x Thunderbolt (compatible with 1 and 2) 1 x USB 2.0 audio class compliant USB 3.0 and iOS compatible 1 x AVB Ethernet (requires OS X Yosemite) Computer I/O channels Thunderbolt (44.1 to 96 kHz): 128 in/out Thunderbolt (176.4 to 192 kHz): 64 in/out USB 2.0 (44.1 to 48 kHz): 64 in/out USB 2.0 (88.2 to 96 kHz): 32 in/out USB 2.0 (176.4 to 192 kHz): 24 in/out AVB Ethernet: 16 to 128 in/out, depending on host computer speed Sync I/O 1 x word clock in 1 x word clock out Network I/O 1 x RJ45 AVB/TSN Ethernet (1 Gbps) AVB streams (8 channels per stream) 16 in / 16 out @ 44.1 or 48 kHz 16 in / 16 out @ 88.2 or 96 kHz 8 in / 8 out @ 176.4 or 192 kHz Headphone 1 x 1/4" TRS stereo phone (assignable) Phantom power 8 x individual +48V Front panel 1 x 1/4" TRS headphone output 1 x digital rotary encoder • phone volume 8 x digital rotary encoders • mic preamp gain 16 x switches • (8) Pad and (8) 48V Phantom switch 324 x 24 pixel LCD for level meters / menu nav 1 x AC power switch Power International 100-240V autoswitching supply 50-60 Hz • 0.5A max Dimensions and weight (width x depth x height, enclosure only) 19 x 7 x 1.75 inches 48.3 x 17.75 x 4.5 cm 4.6 lbs / 2.08 kg with rack brackets removed: 17.25 inches (43.8 cm) wide 4.5 lbs / 2.04 kg Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended Mac OS X version 10.8 or later Available Thunderbolt, USB 2.0 or AVB Ethernet port* A large hard drive (at least 500 GB for recording) *AVB Ethernet audio interface operation requires OS X Yosemite Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available USB 2.0 or 3.0 port Available Ethernet port for firmware updates A large hard drive (at least 500 GB for recording) Web App Support Any web client platform: Mac, Windows, Linux, iOS, Android Any web browser: Safari, Firefox, Chrome, Opera, Explorer, etc. Web client must be connected to the same network as the MOTU AVB interface by wire or Wi-Fi. Included Software Thunderbolt and USB 2.0 drivers MOTU Discovery App for Mac & PC (finds connected MOTU interfaces) MOTU Discovery App for iOS (available from Apple App Store) MOTU Pro Audio Control web app (served from the hardware itself) MOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer) AudioDesk 4.0 for Mac & PC (separate download) Operating Systems For computer audio I/O: Mac OS X 10.8 or later; Windows 7 or later For web app control: Mac, Windows, Linux, iOS, Android Analog I/O Specifications Connector type Dynamic range (A-weighted) THD+N (unweighted) Max level Trim range (in 1 dB steps) Line output 1/4" TRS, balanced, tip hot 123 dB -110 dB +20 dBu 24 dB (-4 to +20 dBu) Line input 1/4" TRS, bal/unbal, tip hot 112 dB -102 dB +17 dBu (with pad) 53 dB Mic input XLR, balanced, pin 2 hot 112 dB -104 dB +24 dBu (with pad) 53 dB Phones 1/4", TRS stereo 102 dB -92 dB Max. 80 mw 128 dB Compatible Mac software The 8M ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows software The 8M ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Steinberg Cubase Propellerhead Record & Reason Image Line FL Studio Sony Vegas Pro Sony Sound Forge Sony Acid Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) 8M Feature Summary Superb audio quality For example, the balanced TRS analog outputs produce 123 dB dynamic range and -110 dB THD+N (0.0003%) at -1 dBFS, Unweighted, 1 kHz. 50 simultaneous audio channels Eight XLR/TRS combo inputs with individual preamps/pad/48V power, 8 balanced/unbalanced TRS analog outs, and 2 x 8-channel ADAT optical ports for 24 inputs and 26 outputs. Flexible mic/guitar inputs Eight combo jacks provide balanced analog input, hi-Z 1/4” guitar input or XLR mic input with individual phantom power and pad. Precision Digital Trim™ Digitally controlled analog preamp gain provides accurate adjustments in 1 dB increments from either the front panel controls or web app software, with the ability to save gain settings. V-Limit™ overload protection Hardware-based input limiter on the mic/guitar inputs prevents digital clipping and distortion from overloaded signal levels up to +9 dB over zero. Universal connectivity Connects to a computer with Thunderbolt, standard AVB Ethernet or audio class compliant high-speed USB 2.0 (compatible with USB 3.0 and iOS). Discovery app and web app software works alongside any host audio software. On-board DSP with mixing and effects Flexible 48-input digital mixer modeled after large format mixing consoles, with 12 stereo busses and DSP effects, including reverb, 4-band EQ, gate, and compression. 32-bit floating point processing The 8M's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality. Modeled vintage effects processing Classic reverb. Compression modeled after the legendary LA-2A compressor. EQ modeled after British analog console EQs. System expansion and audio networking Add a 2nd MOTU AVB interface (1248, 8M or 16A) with a simple Cat-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB Switch (sold separately). Build a network with multiple interfaces and computers using standard AVB switches and network cabling, with ultra-low network latency, even over long cable runs (hundreds of meters). Stream hundreds of audio channels among devices and computers on the network. Matrix routing and splitting Flexible, matrix-style audio routing and splitting for any analog or digital input, computer channel or network stream to any other output, computer, or network device. Split any single input to unlimited multiple output destinations. 256 channels of network audio I/O for your host computer Record and monitor up to 128 networked audio channels in and out, simultaneously, through the Thunderbolt connection to a host computer. Web app control Control on-board DSP, mixing, device settings, and network audio routing from web app software running in your favorite browser on a laptop, tablet or smart phone connected by wire or Wi-Fi to your local area network. Stand-alone mixing with wireless control Connect an Apple Airport™ or other Wi-Fi router directly to the 8M with a standard Ethernet cable and control the 8M's powerful mixing and DSP effects from your smart phone or tablet, without a computer. Great for live sound mixing. ADAT digital I/O Connect outboard digital processors, digital mixers or other gear. 16 channels at 44.1/48 kHz or 8 channels at 88.2/96 kHz. Comprehensive metering The large backlit 324 x 24 LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

What’s new 96kHz Digital Audio with 24-bit A/D conversion 1/4" Amp output jack with switchable output “FX” and “Thru” 1/8" Headphone output with preamp and level control Comes with microphone stand mounting clip and Velcro strip Comes with AmpliTube 4 for Mac/PC Unlocks full version features and gear of AmpliTube for iOS (Free download from App Store) Custom ASIO driver for superior performance on Windows machines iRig HD 2 fits easily in your pocket and connects directly to your Lightning and USB devices – so no matter which iPad, iPhone, Mac or PC you have, you’re ready to rock at a moment’s notice. There’s no complicated setup – just plug in and play. The iRig HD 2 difference Do a quick study of the guitar interfaces out there and immediately you’ll see what we mean by a “higher level”. Only iRig HD 2 gives you so many player-centric features in such a compact, affordable and professional level mobile guitar interface. And, since we pioneered the mobile music revolution and invented the mobile guitar interface way back around the dawn of prehistoric smartphone times, we know a few things about playing guitar on the go. When we say, “a higher level,” we mean you simply won’t find better with this many features and this much value. Ready to play and record at a higher level? Read on…. 24-bit/96kHz Pristine noiseless sound First and foremost, iRig HD 2 simply sounds amazing. It features superior digital audio quality with premium 24-bit A/D converters and a 96kHz sample rate — the highest in its class — for a crystal clear digital signal that’s free from noise and crosstalk. This pure high resolution conversion lets your guitar’s natural performance tone come through loud and clear when playing and recording on your iPad, iPhone, Mac or PC. It’s super-transparent preamp ensures that every nuance — from the pickups, wood tone, string size, nut material, electronics, and every other reason you picked “that” guitar in the first place — is accurately communicated to your device with zero coloration or interference. And because of it’s 96kHz sample rate, the depth and clarity of your sound will simply floor you — iRig HD 2 sounds amazing. Amp Out with dual mode switch One of the things that makes the iRig HD 2 unique is the ability to send your processed signal directly to a guitar amp without the need for special conversion adapters. iRig HD 2 features an unbalanced 1/4" Amp Out jack that you can use to send your processed or unprocessed guitar signal to an external amplifier, floor tuner or completely different rig setup for live performance. The Amp Out jack features a dual mode switch allowing you to choose what type of signal you want to send to your amp. The “FX” setting sends your processed signal, or the sound coming out of your software/app to the external device. This is perfect when you want to use your iPad or Laptop as your effects pedalboard, your amp’s front end or complete tone rig in a live setting. The “Thru” setting sends your guitar’s dry, unprocessed signal directly to the out jack, allowing you to use a floor-based or rack tuner, a pedalboard or even an additional full-on stage rig. Plus as an added performance feature, iRig HD 2 has an integrated microphone stand “clip” and Velcro strap so you can secure it to a mic stand on stage for live performance. iPhone 7 ready If you’re contemplating upgrading to the latest and greatest iPhone, then listen up. iRig HD 2 sports a new 1/8" (3.5mm) headphone jack with preamp and level control integrated into the unit so you can monitor your recording and playing… even if your device doesn’t feature a headphone jack. Pretty smart. But this is no ordinary standard “headphone” jack — it features a high-resolution headphone preamp that optimizes the audio signal for full range playback and monitoring. You can also use this output to send a stereo signal out to a mixing console or a pair of powered monitors like iLoud Micro Monitor. Full AmpliTube versions included Need tone? Got tone! iRig HD 2 is the only guitar/bass interface that comes with full versions of the industry’s top selling tones studio software and apps. It comes with full download versions of AmpliTube 4, the hyper-realistic guitar and bass tone studio for Mac/PC, and AmpliTube for iOS, the number one amp and effects app for iOS. A total value of over $/€ 160! Plus, you can add to your amp and effects lineup with the full range of IK AmpliTube collections and gear like AmpliTube MESA/Boogie®, AmpliTube Orange®, AmpliTube Slash and AmpliTube Jimi Hendrix™, the Fender® collection and more via in-app purchase on iOS devices and with the AmpliTube Custom Shop feature in AmpliTube for for Mac/PC. Use iRig HD 2 to record with other music making apps like Apple’s GarageBand and Cubasis, and all your favorite recording software like AmpliTube 4 (included with iRig HD 2), GarageBand, Logic Pro, Cubase, Pro Tools, Studio One and more for Mac/PC. Use the iRig HD 2 anywhere you play guitar – on the go, in the studio or on your home computer with no complicated setup — just plug in, play and record at a higher level! iRig HD 2 at a glance High definition digital guitar interface for iPhone, iPad, Mac and PC High-quality instrument-level 1/4" Hi-Z input jack Detachable cables for Lightning and USB included Preamp input gain control Headphone output with preamp and level control 1/4" Amp Out jack with switchable output “FX” and “Thru” High-quality low-noise, high-definition guitar preamp High-quality 24-bit A/D conversion 96kHz sampling rate – the highest in its class Powered by the iOS device or USB Can be used with line level signals from synthesizers, keyboards and mixers Ultra-compact and lightweight – fits in your pocket, laptop bag or gig bag Comes with microphone stand mounting clip and Velcro strip Comes with AmpliTube 4 for Mac/PC Unlocks full version features and gear of AmpliTube for iOS (Free download from App Store) iRig HD 2 One interface – everywhere you play iPhone, iPad, Mac or PC — iRig HD 2 works everywhere you do. All the cables you need to connect it to the latest devices are included, and iRig HD 2 is class compliant so it works with all your devices and computers. Got an idea? Start it on your iPad, finish it on your Mac — same great tone. Complete your mobile rig For the ultimate mobile guitar and bass playing experience, use the iRig BlueBoard wireless MIDI foot controller to control all the features and functions inside of AmpliTube from the floor. And for extended playing sessions with your iOS device on stage, use iRig HD 2 with the iRig PowerBridge to keep your device charged for the whole night. The Bottom line iRig HD 2 will free your mind from the confines of tradition and inspire you to be your creative best. Break away from the past and enter a whole new world of mobile guitar playing — get the iRig HD 2 and take your playing to a higher level.

Furnished with 24-bit / 192 kHz converters redesigned and upgraded from the original Apollo Twin, the Apollo Twin MKII DUO gives musicians, producers, songwriters, and audio engineers the appreciable value of clear, high-resolution recording and mixing, with low distortion (-111 dB) and increased dynamic range (121 dB). The interface features two XLR-1/4" mic/line combo inputs and a 1/4" Hi-Z input, all with Unison integration for precise UAD emulations of classic analog preamps—impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each analog input, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo Twin MKII DUO's face. In addition to the two primary analog inputs, you can record up to eight more channels by connecting external preamps with ADAT or S/PDIF optical outputs to the TOSLINK optical input port on the Apollo Twin MKII DUO. The built-in DUO Core processing allows you to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The plug-in bundle included with the Heritage Edition empowers you with 25 top-notch plug-ins ranging from vintage compressor and EQ collections to virtual guitar/bass amps and time-based processors. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units plug-in support. The Apollo Twin MKII DUO offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls for Alt Speakers, Dim, and Mono functions, as well as input and output metering capabilities. In addition to the dedicated stereo monitor feed and front-panel headphone output, two 1/4" line outputs are available for connection to a second set of monitors. At any point, you can increase the power and capability of the Apollo Twin MKII DUO through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo Twin MKII DUO. Heritage Edition The Heritage Edition features the same Apollo Twin MKII DUO interface found in the standard edition but with more plug-ins. The standard Apollo Twin MKII DUO includes the Realtime Analog Classics bundle (14 plug-ins) and the Heritage Edition adds 11 more plug-ins for a total of 25 revered UA-powered plug-ins. The Power of Apollo Track, overdub, and mix with high-resolution AD/DA conversion and DSP-powered plug-ins DUO Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps, with near-zero latency and no burden on your computer’s CPU Unison technology nails the tone of sought-after tube and solid-state mic pres including their input impedance, gain-stage sweet spots, and the component-level circuit behaviors of the original hardware Thunderbolt 2 connectivity for Mac and Windows computers (Thunderbolt cable available separately) Convenient desktop form factor with reliable AC powering (external power supply included) Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Studio 10x6 audio interface with two Unison-enabled microphone preamps (via XLR-1/4" combo mic/line inputs), providing emulations of classic analog preamps with near-zero latency One front-panel, Unison-enabled 1/4" Hi-Z input for direct connection of a guitar, bass, or keyboard Stereo 1/4" monitor output and one 1/4" headphone output, each with dedicated level control Two additional 1/4" line-level outputs, may be used for alternate monitor outputs Add up to eight extra input channels via one TOSLINK optical ADAT port (may alternatively be used for stereo S/PDIF) Pro-Level Workflow Built-in monitor controller with monitor remote functions and mono, mute, dim, and alt monitor controls Integrated talkback and cues for easy communication and slate functionality Comprehensive front-panel metering and fast, intuitive controls, no menu-diving required Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Expand your studio with an Apollo rackmount unit (available separately), so you can use your Apollo Twin MKII DUO as a desktop monitor controller with additional I/O and DSP power 25 Powered Plug-Ins Includes Realtime Analog Classics plug-in bundle plus 11 additional plug-ins to complete the compressor, EQ, and preamp collections and provide another reverb (plug-ins support VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs): UA 610-A Tube Preamp and EQ (Vintage) UA 610-B Tube Preamp and EQ (Modern) Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) UA 1176 Classic Limiter Collection (1176LN Rev E, 1176 Rev A, and 1176AE 40th Anniversary Edition) Pultec EQP-1A EQ (Legacy) Pultec MEQ-5 EQ (Legacy) Pultec Passive EQ Collection (EQP-1A, MEQ-5, and HLF-3C) Teletronix LA-2A Leveling Amplifier (Legacy) Teletronix LA-2A Classic Leveler Collection (LA-2A Silver, LA-2A Gray, and LA-2) Raw Distortion Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) Pure Plate Reverb RealVerb Pro Custom Room Modeler Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo Twin MKII DUO becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix using an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA Instruments and Extensions such as Studer multitrack tape and Neve Summing Universal Audio Apollo Twin MKII Specs Form Factor Tabletop Display 5 x Multi-Segment LED Meter Channels of I/O Analog: 2 Inputs / 6 Outputs at 192 kHz Digital: 8 Inputs / 0 Outputs at 48 kHz 4 Inputs / 0 Outputs at 96 kHz 2 Inputs / 0 Outputs at 192 kHz Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps 2 Input Level Adjustment 1 x Knob Solo/Mute Mute per Master Pad -20 dB (Switchable per Channel) High-Pass Filter 75 Hz Expansion Slots None Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Input 1 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 2 x 1/4" TRS Balanced/Unbalanced Monitor Output 2 x 1/4" TRS Balanced/Unbalanced Line Output 1 x 1/4" TRS Unbalanced Headphone Output Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Input (S/MUX4 Support) Host Connection / USB 1 x Thunderbolt/MDP (Thunderbolt 2) USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Mic, Line, Hi-Z Inputs: 20 Hz to 20 kHz ±0.1 dB Line, Headphone, Monitor Outputs: 20 Hz to 20 kHz ±0.1 dB Gain/Trim Range Mic/Line/Hi-Z Inputs: +10 to +65 dB Max Input Level Mic Inputs: +25 dBu (Min Gain, with Pad) Line Inputs: +20.2 dBu Hi-Z Inputs: +12.2 dBu Max Output Level Line/Monitor Outputs: +20.2 dBu Headphone Output Power 80 mW into 600 Ohms (Max) Impedance Mic Inputs: 5.4 Kilohms Line Inputs: 10 Kilohms Hi-Z Inputs: 1 Megohm Monitor Outputs: 600 Ohms Line Outputs: 600 Ohms Dynamic Range Mic Inputs: 118 dBA Line Inputs: 117.5 dBA Hi-Z Inputs: 117 dBA Monitor Outputs: 115 dBA Line Outputs: 121 dBA Headphone Outputs: 113 dBA SNR Mic Inputs: 118 dBA Line Inputs: 117.5 dBA Hi-Z Inputs: 117 dBA Monitor Outputs: 115 dBA Line Outputs: 121 dBA Headphone Outputs: 113 dBA THD+N Mic Inputs: -111 dBFS Line Inputs: -109 dBFS Hi-Z Inputs: -101 dBFS Monitor Outputs: -105 dBFS Line Outputs: -110 dBFS Headphone Outputs: -105 dBFS EIN Mic Inputs: -127 dBu CMRR Mic Inputs: > 70 dB Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources ADAT, Internal, S/PDIF Compatibility OS Compatibility macOS 10.12 / 10.13 / 10.14 / 10.15 Windows 10 (64-Bit Only) Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt Port Thunderbolt Cable (Not Included) Internet Connection Required for Registration and Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC, Center-Positive (Included) Power Consumption 12 W (Maximum) Physical Anti-Theft Features Kensington Security Slot Operating Humidity 20 to 80% Operating Temperature 32 to 95°F / 0 to 35°C Storage Temperature -40 to 176°F / -40 to 80°C Dimensions 6.31 x 5.86 x 2.6" / 16.03 x 14.88 x 6.6 cm (Chassis Only) 6.31 x 6.2 x 2.6" / 16.03 x 15.7 x 6.6 cm (Including Controls and Protrusions) Weight 2.4 lb / 1.1 kg Packaging Info Package Weight 3.83 lb Box Dimensions (LxWxH) 7.9 x 7.9 x 5.6"

Furnished with elite-class 24-bit / 192 kHz conversion akin to the popular Apollo X rackmount interfaces, the Apollo Twin X DUO gives musicians, producers, songwriters, and audio engineers the appreciable value of crystal-clear, high-resolution recording and mixing with low distortion (-117 dB) and immense dynamic range (127 dB). The interface features two XLR-1/4" mic/line combo inputs and a 1/4" Hi-Z input, all with Unison integration for precise UAD emulations of classic analog preamps—impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each analog input, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo Twin X DUO's face. In addition to the two primary analog inputs, you can record up to eight more channels by connecting external preamps with ADAT or S/PDIF optical outputs to the TOSLINK optical input port on the Apollo Twin X DUO. The built-in DUO Core processing allows you to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The plug-in bundle included with the Heritage Edition empowers you with 25 top-notch plug-ins ranging from vintage compressor and EQ collections to virtual guitar/bass amps and time-based processors. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units plug-in support. The Apollo Twin X DUO offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls for Alt Speakers, Dim, and Mono functions, as well as input and output metering capabilities. In addition to the dedicated stereo monitor feed and front-panel headphone output, two 1/4" line outputs are available for connection to a second set of monitors. At any point, you can increase the power and capability of the Apollo Twin X DUO through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo Twin X DUO. The Thunderbolt 3 port is backward-compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately). Heritage Edition The Heritage Edition features the same Apollo Twin X DUO interface found in the standard edition but with more plug-ins. The standard Apollo Twin X DUO includes the Realtime Analog Classics bundle (14 plug-ins), and the Heritage Edition adds 11 more for a total of 25 revered UA-powered plug-ins. The Power of Apollo Track, overdub, and mix with high-resolution AD/DA conversion and DSP-powered plug-ins DUO Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps with near-zero latency and no burden on your computer’s CPU Unison technology nails the tone of sought-after tube and solid-state mic pres including their input impedance, gain-stage sweet spots, and the component-level circuit behaviors of the original hardware High-speed Thunderbolt 3 connectivity for Mac and Windows computers (Thunderbolt cable available separately) Convenient desktop form factor with reliable AC powering (external power supply included) Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Studio 10x6 audio interface with two Unison-enabled microphone preamps (via XLR-1/4" combo mic/line inputs), providing emulations of classic analog preamps with near-zero latency One front-panel, Unison-enabled 1/4" Hi-Z input for direct connection of a guitar, bass, or keyboard Stereo 1/4" monitor output and one 1/4" headphone output, each with dedicated level control Two additional 1/4" line-level outputs, may be used for alternate monitor outputs Add up to eight extra input channels via one TOSLINK optical ADAT port (may alternatively be used for stereo S/PDIF) Pro-Level Workflow Built-in monitor controller with monitor remote functions and mono, mute, dim, and alt monitor controls Integrated talkback and cues for easy communication and slate functionality Comprehensive front-panel metering and fast, intuitive controls, no menu-diving required Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Expand your studio with an Apollo X rackmount unit (available separately), so you can use your Apollo Twin X DUO as a desktop monitor controller with additional I/O and DSP power Backward-compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately) 25 Powered Plug-Ins Includes Realtime Analog Classics plug-in bundle plus 11 additional plug-ins to complete the compressor, EQ, and preamp collections and provide another reverb (plug-ins support VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs): UA 610-A Tube Preamp and EQ (Vintage) UA 610-B Tube Preamp and EQ (Modern) Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) UA 1176 Classic Limiter Collection (1176LN Rev E, 1176 Rev A, and 1176AE 40th Anniversary Edition) Pultec EQP-1A EQ (Legacy) Pultec MEQ-5 EQ (Legacy) Pultec Passive EQ Collection (EQP-1A, MEQ-5, and HLF-3C) Teletronix LA-2A Leveling Amplifier (Legacy) Teletronix LA-2A Classic Leveler Collection (LA-2A Silver, LA-2A Gray, and LA-2) Raw Distortion Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) Pure Plate Reverb RealVerb Pro Custom Room Modeler Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo Twin X DUO becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix using an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA Instruments and Extensions such as Studer multitrack tape and Neve Summing Universal Audio Apollo Twin X Duo Specs Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Input 1 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 2 x 1/4" TRS Balanced/Unbalanced Monitor Output 2 x 1/4" TRS Balanced/Unbalanced Line Output 1 x 1/4" TRS Unbalanced Headphone Output Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Input (S/MUX4 Support) Host Connection / USB 1 x Thunderbolt/MDP (Thunderbolt 3) USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Mic, Line, Hi-Z Inputs: 20 Hz to 20 kHz ±0.05 dB Line Outputs: 20 Hz to 20 kHz ±0.05 dB Headphone, Monitor Outputs: 20 Hz to 20 kHz ±0.1 dB Gain/Trim Range Mic/Line/Hi-Z Inputs: +10 dB to +65 dB Max Input Level Mic Inputs: 25.6 dBu (with Pad) Hi-Z Inputs: 12.2 dBu (Min Gain) Line Inputs: 20.2 dBu (Min Gain) Max Output Level Line/Monitor Outputs: 20.2 dBu Headphone Output Power 96 mW into 300 Ohms (Max) Impedance Mic Inputs: 5.5 Kilohms Hi-Z Inputs: 1 Megohm Line Inputs: 10 Kilohms Line Outputs: 100 Ohms Monitor Outputs: 100 Ohms Dynamic Range Mic Inputs: 123 dBA Hi-Z Inputs: 121 dBA Line Inputs: 122 dBA Line Outputs: 126 dBA Monitor Outputs: 127 dBA Headphone Outputs: 124 dBA THD+N Mic Inputs: -115 dB (1 kHz, at -1 dBFS) Hi-Z Inputs: -108 dB (1 kHz, at -1 dBFS) Line Inputs: -114 dB (1 kHz, at -1 dBFS) Line Outputs: -117 dB (1 kHz, at -1 dBFS) Monitor Outputs: -117 dB Headphone Outputs: -98 dB (1 kHz, at -1 dBFS) Digital Audio Sample Rates Up to 192 kHz (AD/DA Conversion) Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources ADAT, Internal, S/PDIF Compatibility OS Compatibility macOS 10.12 / 10.13 / 10.14 / 10.15 Windows 10 (64-Bit Only) Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port Thunderbolt 3 Cable (Not Included) Internet Connection Required for Registration, Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC, Center-Positive (Included) Power Consumption 15 W (Maximum) Physical Form Factor Tabletop Display 5 x Multi-Segment LED Meter Channels of I/O Analog: 2 Inputs / 6 Outputs at 192 kHz Digital: 8 Inputs / 0 Outputs at 48 kHz 4 Inputs / 0 Outputs at 96 kHz 2 Inputs / 0 Outputs at 192 kHz Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps 2 Input Level Adjustment 1 x Knob Solo/Mute Mute per Master Pad -20 dB (Switchable per Channel) High-Pass Filter 75 Hz Expansion Slots None Anti-Theft Features Kensington Security Slot Operating Temperature 32 to 104°F / 0 to 40°C Dimensions 6.31 x 6.2 x 2.6" / 16.03 x 15.7 x 6.6 cm Weight 2.4 lb / 1.1 kg (Without Accessories) Packaging Info Package Weight 4.325 lb Box Dimensions (LxWxH) 7.9 x 7.9 x 5.5"

Furnished with elite-class 24-bit / 192 kHz conversion, rivaling dedicated high-end converters, the Apollo x6 gives music creators, record producers, and postproduction engineers the appreciable value of crystal-clear high-resolution recording and mixing with ultralow distortion (-119 dB) and immense dynamic range (129 dB). Additionally, its switchable headroom setting facilitates proper level-matching with a variety of audio equipment. The interface features two XLR mic inputs and two 1/4" Hi-Z inputs, all with Unison integration for precise UAD emulations of classic analog preamps—impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Plus, the six 1/4" line-level inputs on the rear panel can be used to patch in virtually any outboard mic preamps or direct outputs from a console. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each preamp, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo x6's face. In addition to the six primary analog inputs, you can record up to 10 more channels by connecting ADAT- and S/PDIF-equipped external preamps to the TOSLINK optical and S/PDIF coaxial input ports on the Apollo x6. ADAT optical and S/PDIF coaxial outputs are also featured on the Apollo x6, allowing it to route up to 10 channels from your DAW to a digital mixer, headphone distribution system, or external D/A converter. Utilize the BNC wordclock input and output jacks to accurately clock sync to house or lock other digital equipment to the Apollo. The built-in HEXA Core processing utilizes six DSP chips, granting 50% more DSP than earlier Apollos and the ability to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The plug-in bundle included with the Heritage Edition empowers you with 34 top-notch plug-ins ranging from vintage compressor and EQ collections to virtual guitar/bass amps, time-based processors, and tape emulation. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units support. The Apollo x6 offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls for Alt Speakers, Dim, and Mono functions, as well as input and output metering capabilities. In addition to the dedicated stereo monitor feed and two front-panel headphone outputs (great for handling multiple cue mixes), six 1/4" line outputs are available for connection to a second set of monitors and outboard processors. In fact, the Apollo x6 is capable of acting as a 5.1 surround sound monitor controller. At any point, you can increase the power and capability of the Apollo x6 through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo x6. The two Thunderbolt 3 ports are backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately). Heritage Edition The Heritage Edition features the same Apollo x6 interface found in the standard edition, but with more plug-ins. The standard Apollo x6 includes the Realtime Analog Classics Plus bundle (16 plug-ins), and the Heritage Edition adds 18 more plug-ins for a total of 34 revered UA-powered plug-ins. The Power of Apollo X Track, overdub, and mix with elite-class AD/DA conversion and DSP-powered plug-ins Dual-Crystal clocking features dedicated crystals for 44.1 / 88.2 / 176.4 kHz and 48 / 96 / 192 kHz sample rates, resulting in stunningly low jitter (under 10 picoseconds) for pure, artifact-free recordings and solid stereo imaging HEXA Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps with near-zero latency and 50% more DSP than earlier Apollos, all with no burden on your computer's CPU Unison technology nails the tone of sought-after tube and solid-state mic pres including their input impedance, gain-stage sweet spots, and the component-level circuit behaviors of the original hardware Two high-speed Thunderbolt 3 ports for connectivity with Mac and Windows computers (Thunderbolt cable available separately) 1 RU rackmount form factor with reliable AC powering (secure locking external power supply included) Free industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Expanding Studio 16x22 audio interface with two Unison-enabled microphone preamps, providing emulations of classic analog preamps with near-zero latency Two front-panel, Unison-enabled 1/4" Hi-Z inputs for direct connection of guitars, basses, or keyboards 6x6 balanced analog line-level I/O via 1/4" jacks Stereo 1/4" monitor output and two independent 1/4" headphone outputs, each with adjustable level Additional six 1/4" line-level outputs may be used for feeding alternate monitor outputs, analog outboard processors, or a 5.1 surround sound speaker setup Selectable operating level of +20 dBu or +24 dBu for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment Four TOSLINK optical ports provide up to eight channels of ADAT I/O (supports SMUX) for integrating external converters, ADAT-equipped mic preamps, and headphone distribution systems RCA coaxial ports enable recording and outputting S/PDIF stereo digital signal BNC wordclock I/O with selectable 75-ohm termination, crucial for accurate synchronization with other digital equipment Pro-Level Workflow Built-in monitor controller with monitor remote functions and mono, mute, dim, and alt monitor controls Integrated talkback and cues for easy communication and slate functionality Comprehensive front-panel metering and fast, intuitive controls, no menu-diving required Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately) 34 Powered Plug-Ins Includes Realtime Analog Classics Plus plug-in bundle plus 18 additional plug-ins to complete the compressor, EQ, and preamp collections and provide tape emulation and another reverb (plug-ins support VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs): UA 610-A Tube Preamp and EQ (Vintage) UA 610-B Tube Preamp and EQ (Modern) Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) UA 1176 Classic Limiter Collection (1176LN Rev E, 1176 Rev A, and 1176AE 40th Anniversary Edition) Pultec EQP-1A EQ (Legacy) Pultec MEQ-5 EQ (Legacy) Pultec Passive EQ Collection (EQP-1A, MEQ-5, and HLF-3C) Teletronix LA-2A Leveling Amplifier (Legacy) Teletronix LA-2A Classic Leveler Collection (LA-2A Silver, LA-2A Gray, and LA-2) Teletronix LA-3A Audio Leveler Helios Type 69 Preamp and EQ Collection (Helios Type 69 and Helios Type 69 Legacy) V76 Preamplifier Raw Distortion Fairchild 670 Compressor (Legacy) Fairchild Tube Limiter Collection (Fairchild 660 and Fairchild 670) Precision Enhancer Hz Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) Pure Plate Reverb RealVerb Pro Custom Room Modeler UA Oxide Tape Recorder Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo x6 becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix using an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA instruments and extensions such as Studer Multitrack Tape and Neve Summing Universal Audio Apollo X6 Specs Form Factor Rackmount Display 10 x Multi-Segment LED Meter Channels of I/O Analog: 6 Inputs / 12 Outputs at 192 kHz Digital: 10 Inputs / 10 Outputs at 96 kHz Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps 2 Input Level Adjustment 1 x Knob Solo/Mute Mute per Master Pad -20 dB (Switchable per Channel) High-Pass Filter 75 Hz, 12 dB/Octave Expansion Slots None Connectivity Analog Audio I/O 2 x XLR 3-Pin Balanced Mic Input 2 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 6 x 1/4" TRS Balanced Line Input 2 x 1/4" TRS Balanced Monitor Output 6 x 1/4" TRS Balanced Line Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 2 x TOSLINK Optical ADAT Input (S/MUX4 Support) 2 x TOSLINK Optical ADAT Output (S/MUX4 Support) 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x USB Type-C (Thunderbolt 3) USB (Non-Host) None Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Mic Inputs: 20 Hz to 20 kHz ±0.05 dB Hi-Z Inputs: 20 Hz to 20 kHz ±0.04 dB Line Inputs: 20 Hz to 20 kHz ±0.05 dB Monitor Outputs: 20 Hz to 20 kHz ±0.06 dB Line Outputs: 20 Hz to 20 kHz ±0.07 dB Headphone Outputs: 20 Hz to 20 kHz ±0.05 dB Gain/Trim Range Inputs: +10 to +65 dB Max Input Level Mic Inputs: +26 dBu (with Pad) Hi-Z Inputs: +12.4 dBu Line Inputs: +24 dBu (with Pad) Max Output Level Line/Monitor Outputs: +24 dBu Headphone Output Power 150 mW into 300 Ohms Impedance Hi-Z Inputs: 1 Megohm Line Inputs: 10 Kilohms Line Outputs: 100 Ohms Mic Inputs: 5.5 Kilohms Monitor Outputs: 100 Ohms Word Clock : 75 Ohms Dynamic Range Mic Inputs: 122 dBA Hi-Z Inputs: 121 dBA Line Inputs: 123 dBA Monitor Outputs: 129 dBA Line Outputs: 127 dBA Headphone Outputs: 125 dBA THD+N Mic Inputs: -114 dB / 0.0002% (1 kHz) Hi-Z Inputs: -111 dB / 0.00028% (1 kHz) Line Inputs: -113 dB / 0.00022% (1 kHz) Monitor Outputs: -118 dB / 0.00012% (1 kHz, at -1 dBFS) Line Outputs: -119 dB / 0.00011% (1 kHz, at -1 dBFS) Headphone Outputs: -102 dB / 0.0008% (1 kHz, at -1 dBFS) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Word Clock: Input Termination: 75 Ohms (Switchable) Lock Range: 44.1 to 192 kHz ±4% of Sample Rate Compatibility OS Compatibility macOS 10.12 / 10.13 / 10.14 / 10.15 Windows 10 (64-Bit Only) Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port Thunderbolt Cable (Not Included) Internet Connection Required for Registration and Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC at 6 A (Included) Power Consumption 30 W (Typical) 72 W (Maximum) Physical Rackmount Size 1 RU Operating Temperature 32 to 104°F / 0 to 40°C Dimensions 19 x 13.5 x 1.8" / 48.3 x 34.3 x 4.6 cm (Including Controls and Protrusions) Weight 9.0 lb / 4.1 kg Packaging Info Package Weight 16.165 lb Box Dimensions (LxWxH) 23.5 x 17 x 7.9"

Compatibility is key As we've said, iRig MIDI 2 is the first portable MIDI interface that’s compatible with Apple's Lightning cable. This, however, does not come at the expense of universal support. At the center of iRig MIDI 2 is its detachable Mini-DIN connector, which lets you attach a Lightning (included), USB (included), OTG to Mini-DIN (optional), 30-pin (optional) cable depending on the mobile device or computer that you'd like to use. Now you have the flexibility to use MIDI with whatever device you want, anytime, and anywhere. All-platform It’s all about the connections iRig MIDI 2 is small, but it can be made even smaller when all of its cables are detached. Because of its Mini-DIN connector, you can remove all cables for extreme portability: Now you have something that you can easily carry with you in your pocket to any gig, performance, studio or jam session. In addition, all iRig MIDI 2 cables are bumper friendly, which means you can connect and start jamming without having to remove your mobile device's protective carrying case. Mobile MIDI like never before Like iRig MIDI before it, iRig MIDI 2 features three MIDI ports: IN, OUT and THRU. But this time around the ports are standard-sized and require no adaptor or special cable to use — in fact, you can use any standard MIDI cable you'd like. These ports give you all the control and connectivity that MIDI allows: Use the IN port to use external keyboards and controllers to play your favorite software sound modules and synthesizers. Use the OUT port to control external hardware or synthesizers from your mobile device or computer. And you can use the THRU port to send MIDI data to multiple instruments at once. Monitoring MIDI data with iRig MIDI 2 is easy, it comes with two LEDs that give you an at-a-glance readout of the note data as it passes through the IN and OUT ports. A whole suite of apps With iRig MIDI 2, you get more than just a supremely portable MIDI interface; you also get a full suite of music creation apps. As soon as you open the box you'll be ready to go. iOS users get two of IK’s most popular mobile apps: SampleTank FREE is a sound and groove workstation filled with hundreds of high-quality instruments and patterns. iGrand Piano FREE is a concert-quality piano app that puts world-class piano sounds at your fingertips. Android users also get a serious sonic suite to start out with that includes Android versions of iGrand Piano FREE and iLectric Piano FREE, IK's powerful high-quality piano apps that deliver amazing acoustic and electric piano sounds. And Mac and PC users can enjoy the full creative power of SampleTank 4 SE, a free version of IK’s next generation SampleTank 4 desktop sound workstation. Beyond all that’s included, iRig MIDI 2 works with all MIDI-compatible Mac and PC software as well as the entire spectrum of Core MIDI apps for iOS such as GarageBand, Cubasis, Beat Maker 2, Auria and many more. A legacy of superior Italian design iRig MIDI 2 has been designed and manufactured in Modena, Italy — a city famous for high-performance Italian industrial design. Like all IK products, it’s been through rigorous quality testing to ensure the utmost in dependability — iRig MIDI 2 is housed in a durable rubberized enclosure designed to last performance after performance and gig after gig. IK Multimedia uses only the best components, materials and processes to create solid, smartly manufactured products at an affordable price. Features Universal MIDI interface for Lightning iOS devices as well as all prior generations of iPhone, iPad and iPod touch plus Android and Mac/PC Ultra-portable, pocket-sized form factor that you can take with you anywhere Detachable bumper-friendly cables for seamless, universal connectivity Lighting connector and USB cable included, OTG to Mini-DIN and 30-pin cable available separately Standard-sized MIDI IN, OUT and THRU ports MIDI IN/OUT LED indicators for at-a-glance monitoring of MIDI data transmission Draws power from host device instead of a bulky power adaptor Can be used with Android devices via OTG to Mini-DIN cable Comes with SampleTank FREE iOS and iGrand Piano FREE apps (download from the App store) Comes with free Mac/PC virtual instrument: SampleTank 4 SE (download from IK User Area) Comes with iGrand Piano FREE and iLectric Piano FREE for Android (download from Google Play or Samsung Galaxy Apps) Elegant and durable rubberized enclosure Designed and made in Modena, Italy What's new This audio processor module is part of T-RackS CS "Custom Shop" Mixing and Mastering Plug-In Collection. With T-RackS CS you can: Works with Android devices via optional OTG to Mini-DIN cable Comes with iGrand Piano FREE and iLectric Piano FREE for Android (download from Google Play or Samsung Galaxy Apps) Comes with free Mac/PC virtual instrument: SampleTank 4 SE (download from IK User Area)

D.I / Instrument Input RANGE:40dB LINEUP:12dBu = 0dBFS THD+N @ 0dBu:0.1% SNR:100dBu A-Weighted FREQUENCY RESPONSE – MIN GAIN:±0.5dB 10Hz to 20kHz Microphone Preamplifier GAIN RANGE: 58dB LINEUP:12dBu = 0dBFS MIC MAX INPUT LEVEL:12dBu LINE MAX INPUT LEVEL:21dBu INPUT IMPEDANCE (Mic):2.8k INPUT IMPEDANCE (Line):>8k PHANTOM POWER: (48V +/-4V @ 10mA/Channel) THD+N @ 0dBu:0.00170% THD+N @ 0dBu MAX GAIN:<0.04% SNR:101dBu A-Weighted EIN:129dB A-Weighted CMRR @ 1k:>75dB FREQUENCY RESPONSE – MIN GAIN:±0.5dB 10Hz to 40kHz Analogue to Digital Converter THD+N @ -1dBFS:0.001% DYNAMIC RANGE:120dB A-Weighted FREQUENCY RESPONSE:±0.5dB 10Hz to 40kHz Line Outputs (DAC) LINEUP:12dBu = 0dBFS THD+N @ -1dBFS:0.0006% DYNAMIC RANGE:125.5dB A-Weighted CROSSTALK:>120dB FREQUENCY RESPONSE:±0.1dB 10Hz to 40kHz 1/4” TRS JACK:Tip (Hot), Ring (Cold) & Sleeve (Shield) Headphone Outputs LINEUP:18dBu = 0dBFS THD+N @ -1dBFS:0.0009% DYNAMIC RANGE:125.5dB A-Weighted CROSSTALK:>116dB FREQUENCY RESPONSE:±0.1dB 10Hz to 40kHz MAXIMUM LEVEL @ 30R:2.59V Peak, 1.827V RMS, 223mW MAXIMUM LEVEL @ 62R:4.18V Peak, 2.95V RMS, 280mW MAXIMUM LEVEL @ 600R:7.72V Peak, 5.46V RMS, 100mW 1/4” TRS JACK:Tip (Left), Ring (Right) & Sleeve (Shield) USB-C High Speed BUS POWER: MIN REQUIREMENT:0.9A @ 5V >=USB 3.0 Port MAX REQUIREMENT:1.5A @ 5V USB-C: Provides higher headphone outputs levels No. of INPUT CHANNELS:2 (2 Analogue) No. of OUTPUT CHANNELS:2 (2 Analogue) DSP MIXER LATENCY ROUND TRIP (in-to-out):44.1kHz 0.65mS DSP MIXER LATENCY ROUND TRIP (in-to-out):48.0kHz 0.6mS DSP MIXER LATENCY ROUND TRIP (in-to-out):88.2kHz 0.33mS DSP MIXER LATENCY ROUND TRIP (in-to-out):96.0kHz 0.31mS

D.I / Instrument Input RANGE: +58dB LINEUP: 12dBu = 0dBFS THD+N @ 0dBu: 0.1% SNR: 100dBu A-Weighted FREQUENCY RESPONSE – MIN GAIN: ±0.5dB 10Hz to 20kHz 1/4” TS JACK:Tip (Hot) & Sleeve (Shield) Microphone Preamplifier GAIN RANGE: 58dB LINEUP: 12dBu = 0dBFS MIC MAX INPUT LEVEL: 12dBu MAX INPUT LEVEL: 21dBu INPUT IMPEDANCE (Mic): 2.8k INPUT IMPEDANCE (Line): >8k THD+N @ 0dBu: 0.00170% THD+N @ 0dBu MAX GAIN: <0.04% SNR: 101dBu A-Weighted EIN: 129dB A-Weighted CMRR @ 1k: >75dB CROSSTALK: >-100dB FREQUENCY RESPONSE – MIN GAIN: ±0.5dB 10Hz to 40kHz PHANTOM POWER: (48V +/-4V @ 10mA/Channel) XLR COMBI FEMALE: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) 1/4” TRS JACK: Tip (Hot), Ring (Cold) & Sleeve (Shield) Analogue to Digital Converter THD+N @ -1dBFS: 0.001% DYNAMIC RANGE: 120dB A-Weighted CMRR: >80dB FREQUENCY RESPONSE: ±0.5dB 10Hz to 40kHz Line Outputs (DAC) LINEUP: 12dBu = 0dBFS THD+N @ -1dBFS: 0.0006% DYNAMIC RANGE: 125.5dB A-Weighted CROSSTALK: >120dB FREQUENCY RESPONSE: ±0.1dB 10Hz to 40kHz 1/4” TRS JACK: Tip (Hot), Ring (Cold) & Sleeve (Shield) Headphone Outputs LINEUP: 18dBu = 0dBFS THD+N @ -1dBFS: 0.0009% DYNAMIC RANGE: 125.5dB A-Weighted CROSSTALK: >116dB FREQUENCY RESPONSE: ±0.25dB 10Hz to 40kHz MAXIMUM LEVEL @ 30R: 2.59V Peak, 1.827V RMS, 223mW MAXIMUM LEVEL @ 62R: 4.18V Peak, 2.95V RMS, 280mW MAXIMUM LEVEL @ 600R: 7.72V Peak, 5.46V RMS, 100mW 1/4” TRS JACK: Tip (Left), Ring (Right) & Sleeve (Shield) USB-C High Speed BUS POWER: MIN REQUIREMENT: 0.9A @ 5V >=USB 3.0 Port MAX REQUIREMENT: 1.5A @ 5V USB-C: Provides higher headphone outputs levels No. of INPUT CHANNELS: 10 No. of OUTPUT CHANNELS: 6 DSP MIXER LATENCY ROUND TRIP (in-to-out): 44.1kHz 0.65mS DSP MIXER LATENCY ROUND TRIP (in-to-out): 48.0kHz 0.6mS DSP MIXER LATENCY ROUND TRIP (in-to-out): 88.2kHz 0.33mS DSP MIXER LATENCY ROUND TRIP (in-to-out): 96.0kHz 0.31mS

Ispravna ,testirana u radu pod windows 7 sistemom Creative Sound Blaster live pci zvucna kartica ,model SB0220.Sa neta:Learn more about the Creative Labs SB0220 Model Brand Creative Series Sound Blaster Live! 5.1 Model SB0220 Audio core Audio Chipset EMU10K1 Channels 5.1 Sample Rate 48KHz Digital Audio 16-bit Polyphony 64 Voices (Hardware) Ports Line In Yes Line Out Front(Headphone)/Rear SPDIF Out Yes MIC In Yes MIDI/Joystick Yes CD/Aux In Yes Other Ports Telephone Answering Device In Details Interface PCI Remote Control No

Inputs/Outputs:2 x MADI I/O, optical and coaxial (BNC) MIDI input and output: via virtual MIDI port Clock modes: master (internal) and slave (MADI input) Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz, variable (Sync/DDS) Jitter: < 1 ns, internal and all inputs Jitter sensitivity: PLL operates even at 100 ns Jitter Seamless Redundancy operation with both inputs TotalMix: 2048 channel mixer with 48-bit internal resolution TotalMix: latency-free submixes and perfect ASIO Direct Monitoring Interface: USB 2.0, bus-powered Comes with DIGICheck, RME's ultimate measurement, analysis and test tool A perfect companion Mixer, router, format converter, stream splitter, signal repeater - the MADIface USB is a perfect addition to any MADI system. Clock sources can be selected via MADI, AES or Word Clock. You can use it to create redundancy, for automatic failover, and even for creating mixes with extremely low latency between the optical, coaxial and USB 2.0 audio inputs altogether! The MADIface USB can be easily integrated into a broad range of applications. MADI portability at its best! The compact MADIface USB provides MADI I/O over USB 2.0 while supporting the format's full 64 channels for recording and playback, under Mac and Windows. Both inputs can be used for full redundancy operation. Optionally both MADI I/Os can be operated simultaneously for full 128 channel input and output access, mixed and routed by TotalMix. Even without computer the small box delivers extraordinary bi-directional format converter and active repeater functionality. Its sturdy and bus-powered design makes it as easy to use as reliable in operation. MADIface USB is both MADI portability at its best as also a perfect desktop solution to connect MADI equipment to any Mac and PC. A real gem in flexibility, usefullness and trouble-free operation - as you expect it from RME. Features and Operation Modes MADIface USB offers several operation modes when used with a Mac or Windows computer: 64 Channel Mix, Redundancy mode, 128 Channel Mix and a straight routing mode. The option Disable TotalMix completely disables TotalMix, the unit's flexible internal mixer and routing matrix. All input and output data is going straight to record/coming from playback, with no mixing or routing involved. In this mode the outputs are mirrored, carrying the same signal. In 64 Channel Mix mode TotalMix shows 64 input, playback and output channels. All settings in TotalMix use the data from one MADI input port, and send identical data to both MADI output ports. The currently active MADI input port can be configured in the Settings dialog. The option AutoSelect activates an automatic input selection. Using both inputs at the same time, AutoSelect puts the device into Seamless Redundancy mode. The MADIface USB will switch to the other input in real-time if the current one fails. In 128 Channel Mix mode record and playback is still limited to 64 channels, with the current input selected in the Settings dialog. But the other input is also available through TotalMix, and the output signal is not mirrored, but separated, with TotalMix having 128 output channels. Applications like independent mix output, monitoring and serial pass-through of the second source are just a few clicks away. SteadyClock as well as RME's well known MADI compatibility ensure hassle-free operation with other devices. MIDI over MADI technology may be used to remote-control other MADI devices. DIGICheck, an included complete audio analyzing suite, supports the user under Mac OS X and Windows. DIGICheck - Test, Measurement and Analysis Tool for Mac & Windows The Interface comes with RME's unique software tool box for metering, testing, measuring and analyzing digital audio streams. On Mac OS X provides unique functions and features of the spectral analysis of the data calculated in hardware level right through to sophisticated multi-channel level meter. On Windows, an additional multi-track recorder and the display of playback data from an audio software are also available.