Sučelje USB Chipset .

Kao nova, nikada korišćena (nije vađena iz kesice) PCI zvučna kartica za starije računare sa operativnim sistemima MS-DOS, Windows 98, ME, 2000, NT 4.0 i Linux. Nisam proverio na novijim verzijama. Ako ste ozbiljan kupac, mogu da izvadim iz kesice i probam ali onda će se videti da je otvarana. Svi detalji se vide na slikama.

Creative Sound Blaster Audigy Sb0290 External Hub. Od znakova korišćenja vide se dve manje ogrebotine na gornjem delu, inače bez ikakvih ozbiljnijih oštećenja. Prodaje se kao na fotografiji, bez kablova, zvučne karte i ostalih eventualnih dodataka. Tehničke informacije sa interneta: PACKAGE CONTENTS: External Sound blaster Audigy2 I/O Hub/Drive Product Features Studio Quality Audigy2 ZS External I/O Hub Superior Fidelity 24-bit ADVANCED HD Audio THX Certified Sound Card for Cinematic Audio Advanced Resolution 24-bit DVD-Audio Playback Ultra-realistic EAX 4.0 ADVANCED HD Effects Product Description The Definitive 24-bit ADVANCED HD Audio Solution with 8 Channel 108dB SNR for Unsurpassed Audio Fidelity and External I/O Hub with Remote Sound Blaster Audigy 2 ZS Platinum Pro delivers the most comprehensive audio capabilities and connectivity for the PC! Featuring 5 stereo Inputs/6 stereo Outputs, external I/O hub, and superior fidelity 24-bit ADVANCED HD audio, Sound Blaster Audigy 2 ZS Platinum Pro supports simultaneous recording of six channels of 24-bit/96kHz audio with low latency ASIO 2.0 support. Sound Blaster Audigy 2 ZS Platinum Pro is also the only PC platform to deliver Advanced Resolution 24-bit DVD-Audio playback in pristine 108dB SNR clarity across all channels. With the unique Creative THX Setup Console, you`ll be able to create cinematic quality speaker surround with DTS-ES, Dolby Digital EX movies and 3D games! Features and Benefits Studio Quality Audigy 2 ZS External I/O Hub Studio quality I/O with analog stereo connectors for six channel input, optical and coaxial digital I/O, full-sized MIDI I/O, microphone with gain control, headphone with volume control, and two 1394 FireWire ports for 10 Channel In/14 Channel Out support. Record 6 channel 24-bit/96kHz. Two Integrated High Speed 1394 FireWire Ports enable PC-to-PC networking and low latency gaming plus high speed data transfers with IEEE compliant devices including MP3 players, storage devices and DV Camcorders. Superior Fidelity 24-bit ADVANCED HD Audio Superior quality 24-bit/192kHz audio, ultra-realistic EAX ADVANCED HD GAME effects, and studio quality EAX ADVANCED HD MUSIC settings Sound Blaster Audigy 2 ZS is the ideal platform for Windows Media 9 content including full 24-bit/96kHz audio in discrete 5.1 surround sound. THX Certified Sound Card for Cinematic Audio Sound Blaster Audigy 2 ZS has received the prestigious THX Multimedia Certification making it the perfect choice for delivering cinematic quality audio on the PC. The unique Creative THX Setup Console provides accurate audio calibration for a precise speaker listening environment. Advanced Resolution 24-bit DVD-Audio Playback DVD-Audio offers 5 times the audio detail of CD audio in 24-bit/192kHz stereo and 24-bit/96kHz in 5.1 surround. Experience compelling music playback in pristine audio quality, clarity, and depth. `Lossy` compression formats like MP3 reduce file size by removing audio frequencies. The `Lossless` (MLP) compression format of DVD-Audio retains all the characteristics of the original ambient recording without compromising audio fidelity. Sound Blaster Audigy 2 ZS Platinum is the only available PC platform to deliver Advanced Resolution playback at 24-bit/192kHz in stereo or 24-bit/96kHz in 5.1 surround. Ultra-realistic EAX 4.0 ADVANCED HD Effects Multi-Environment delivers life-like sound as multiple environments are simultaneously processed in real-time. Enjoy ultra-realistic effects in today`s hottest games including Lara Croft Tomb Raider: The Angel of Darkness, Enter The Matrix, Tom Clancy`s Splinter Cell and more! EAX Music Console with Acoustic Enhancements Dramatically enhance your music experience with new EAX ADVANCED HD MUSIC features including Bass Boost, multi-band Graphic Equalizer on all 8 channels, Audio Clean-Up and Karaoke. Bass Boost: Punch up the bass with all PC audio Multi-Channel Graphic Equalizer: Personalize playback across all 8 channels Audio Clean-Up: Remove noise from MP3s of old recordings Karaoke: Remove vocals and sing along to your favorite music tracks Smart Volume Management (SVM): Automatically match volume levels across music tracks EAX Effects: Add acoustic effects like Concert Hall to your music Patented Creative CMSS 3D Audio Technology Allows all stereo recordings including MP3/WMA, CDs, VCD, and movies to be played back in captivating 5.1, 6.1, or 7.1 surround. Delivers virtual surround with headphones and stereo widening with stereo desktop speakers. Complete Cinematic Surround Sound with DTS-ES and Dolby Digital EX Movies Sound Blaster Audigy 2 ZS Platinum Pro features built-in DTS-ES and Dolby Digital EX decoding to deliver captivating audio playback in 5.1, 6.1 or 7.1 surround with DVD movies. Comprehensive Multi-Channel Surround with 3D Games Enjoy up to 7.1 surround in existing 3D games. Sound Blaster Audigy 2 ZS plays back DirectSound3D games in 5.1 surround, 6.1 surround with additional rear center channel, or 7.1 surround in rear center surround or side surround configurations. Product Description The Definitive 24-bit ADVANCED HD™ Audio Solution with 8 Channel 108dB SNR for Unsurpassed Audio Fidelity and External I/O Hub with Remote

CREATIVE SOUND BLASTER-SB0060.

Gamer-ska zvucna karta, sa optickim izlazima: Hercules Gamesurround Fortissimo II Ispravna i istestirana prodaje se bez bilo kakvih kablova i dodatne opreme

Profesionalna zvučna karta Audiotrak INCA88 5.1 sistem, 20-bitna 8 ulaznih kanala 8 izlaznih kanala Nemam njen boks sa konektorima, ali dajem uz nju odgovarajući D44 konektor, tako da entuzijasti mogu sebi napraviti ožičenje kako im odgovara.

CMEDIA 8738 PCI-SX audio kartica - 4 izlazna kanala - line in - mikrofonski ulaz - game port

CREATIVE ES1371 PCI zvučna kartica

USB zvučna kartica (spoljna)

KUPUJTE BEZBEDNO I KUPUJTE PROVERENO! POGLEDAJTE MOJE OCENE! SALJEM POSTEKSPRESOM i BEX-om SIROM SRBIJE! MOGUCE LICNO PREUZIMANJE I TESTIRANJE U INDJIJI I NOVOM SADU! Creative SoundBlaster Audigy SE 7.1 HD zvuk zvucna kartica na PCI slot. Model: SB0570 Sound Blaster SB 0570 Sound Card PCI card Vrhunska HD zvucna kartica neverovatno cistog zvuka! Radi na svim operativnim sistemima: Microsoft® Windows® 10 Windows 8.1 Windows 8 Windows 7 Windows® Vista (Drivers available on us. creative. com) Windows XP (SP2) Windows 2000 (SP4) Potpuno ispravan i testiran. Radna garancija 30 dana. Karakteristike: Tip Zvučna karta Proizvođač Creative Model Sound Blaster Audigy SB0570 Lokacija uređaja interni Audio čip Creative CA0106-DAT Audio sistem 7.1 (8 kanala) Sample rate 96 KHz Digital audio 24 -bit SNR 100 dB Izlazni konektori LINE IN, MIC, Front/Side/Rear/Centre/Subwoofer ili Headphone out, Digital I/O Ulazni konektori AUX IN, SPDIF Minimalni zahtevi Pentium CPU na 1000MHz, 128MB RAM, Microsoft Windows2000 SP4/XP SP 1/XP Pro x64 Mogucnosti: Uživajte u audio iskustvu koje jednostavno nije moguće s osnovnim audiozapisom matične ploče. Sound Blaster Audigy SE ima visokokvalitetan zvuk koji dramatično poboljšava slušanje muzike u MP3 formatu, podršku za EAX® ADVANCED HD ™ 3.0 efekte koji oživljavaju PC igre i višekanalni 5.1 ili 7.1 zvuk za umirujući surround zvuk u muzici, filmovima i igrama. Kada je u pitanju PC Audio ništa se uspoređuje s Sound Blasterom! Muzika Dramatično poboljšajte doživljaj slušanja MP3 muzike s jasnom, jasnom kvalitetom zvuka 24-bitne ADVANCED HD ™ . Izvedite najbolje u svojoj muzicii uz Bass Boost, Smart upravljanje glasnoćom, audio čišćenje i još mnogo toga! Slušajte svoju omiljenu MP3 muziku u 7.1 surround zvuku koja prekrivate CMSS® surround tehnologijom. Igre Osjećajte se kao da ste u igri s realnim EAX® ADVANCED HD ™ 3.0 zvučnim efektima. Slušajte svoje neprijatelje prije nego što vas pronađu s 3D pozicijskim zvukom preko višekanalnih zvučnika. Filmovi Uživajte u blokbaster filmovima u surround zvuku uz podršku za sve, od slušalica do višekanalnih 5.1 ili 7.1 zvučnika.

Na prodaju odlicna zvucna karta marka: CREATIVE, model: Sound Blaster Live! Digital(SB 0220) Poseduje 5.1 izlaz, kao i MIDI/GAME port, pomocu kog mozete povezati klavijaturu ili dzojstik za igrice sa racunarom. Slike u prilogu su originalne predmeta prodaje! Kupac kupuje i kupovinom dobija upravo zvucnu kartu sa prilozenih slika! Preporucujem licno preuzimanje i placanje kod mene. Po zelji, moze i slanje o Vasem trosku lepo i sigurno zapakovano u adekvatnoj ambalazi, iskljucivo Post-expresom, nakon prethodne uplate cele sume post-net-om i provere iste da je `legla`. Kupoprodaja po pravilima Kupinda! Ukoliko iz bilo kog razloga u predvidjenom roku ne dodje do realizacije kupoprodaje, ponovo postavljam oglas i takvu saradnju ocenjujem negativnom. Ne saljem u inostranstvo. Ukoliko Vas jos nesto interesuje u vezi ovog predmeta, pitajte pre isteka ovog oglasa. Srecno!

hama USB 5.1 CH Audio Converter USB zvucna kartica NOVO Isproban na Windows XP i Windows 7: Sam se prepoznaje, odmah instalira i radi. Driver-e na CD-u, nema. Bez driver-a i samo prepoznat na Win. XP, radi samo taster mute mikrofona, ostali ne. Prodaje se bez prava na bilo kakvu reklamaciju. ( detalji vidljivi na slici ) Plaćanje: Slanje posle uplate Slanje na teret kupca Postexpress-om ( najjeftinija postarina je 300 dinara ). *************************************************** Pogledajte moje ostale aukcije na: Limundo http://www.limundo.com/Clan/ljubaman/SpisakAukcija Kupindo http://www.kupindo.com/Clan/ljubaman/SpisakPredmeta Molim, uz svaku aukciju procitajte i Ukratko o clanu: http://www.limundo.com/Clan/ljubaman ***************************************************

Na prodaju vrhunska zvucna karta marka: CREATIVE, model: AUDIGY 2! (SB 0240) Poseduje 7.1 izlaz, kao i Fire-Wire 1394 konektor. Slike u prilogu su originalne predmeta prodaje! Kupac kupuje i kupovinom dobija upravo zvucnu kartu sa prilozenih slika! Preporucujem licno preuzimanje i placanje kod mene. Po zelji, moze i slanje o Vasem trosku lepo i sigurno zapakovano u adekvatnoj ambalazi, iskljucivo Post-expresom, nakon prethodne uplate post-net-om ili na t.r. i provere iste da je `legla`. Kupoprodaja po pravilima Kupinda! Ukoliko iz bilo kog razloga u predvidjenom roku ne dodje do realizacije kupoprodaje, ponovo postavljam oglas i takvu saradnju ocenjujem negativnom. Ne saljem u inostranstvo. Ukoliko Vas jos nesto interesuje u vezi ovog predmeta, pitajte pre isteka ovog oglasa. Srecno!

Analog or Digital - Options Galore The ADI-2 Pro includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio. The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases. As a computer interface the ADI-2 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance. Perfect Sound Capture and Reproduction Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact. The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate. For easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME’s latest SteadyClock FS technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used. High Resolution Display Operation RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages. Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME’s famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display. Extreme Power Headphone Outputs There is no use in boasting about -110 dB THD, when such values are not available in real world operation - for example when a 32 ohm headphone is connected. RME's engineers therefore designed a new headphone output stage that brings the full performance of the premium DAC to the phone jack - even when using low impedance headphones. The Extreme Power design excels with 0.1 Ohm output impedance, a maximum output level of +22 dBu, and a maximum output power of 1.5 Watts - per channel! The two, fully separated stereo headphone outputs deliver the same 120 dBA SNR performance as the line outputs, for a full hum and noise free listening experience. THD is far below -100 dB (0.001%) even at full power, for the most clear and detailed soundstage possible. The Extreme Power design also incorporates current limiting, power surveillance, overload detection and DC protection. A low power mode and a high power mode are provided, for a perfect match from IEM up to planar. Having two stereo outputs, balanced headphone operation is possible. As RME's engineers were not satisfied with the existing techniques they developed a new Advanced Balanced mode for the ADI-2 Pro, that removes most limitations of standard balanced operation, and turns this mode into a a fully new experience. The exclusive Advanced Balanced mode delivers a balanced signal path from the DAC straight to the phone, with 3 dB gain in Signal to Noise Ratio, smoothed out deviations in components, optimized frequency response, super low output impedance (0.2 Ohms), and a maximum output level of +28 (twenty eight) dBu. The Anniversary Converter The ADI-2 Pro is RME’s reference AD/DA converter, USB DAC, USB interface and headphone amp. It’s numerous use cases make it an ideal choice in many fields, from the home user appreciating innovative solutions offering highest sound quality, the studio owner asking for reference AD/DA conversion, the Hi-Fi enthusiast demanding a flexible yet high-end headphone amplifier, up to the industry using the portable device as front-end for measurement systems. 20 years of RME - cumulated into a precious unit, that once heard and used one will never give away. Promised. Analog Inputs XLR • Input: XLR, servo-balanced • Input sensitivity switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS • Signal to Noise ratio (SNR) @ +13/19/24 dBu: 120.x dB RMS unweighted, 124.x dBA • Signal to Noise ratio (SNR) @ +4 dBu: 119 dB RMS unweighted, 123 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.5 kHz • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92.7 kHz • Frequency response @ 384 kHz, -1 dB: < 1 Hz – 124 kHz • Frequency response @ 768 kHz, -3 dB: < 1 Hz – 180 kHz • THD @ -1 dBFS: -116 dB, 0.00016 % • THD+N @ -1 dBFS: -112 dB, 0.00025 % • Channel separation: > 110 dB TRS As input XLR, but: • Input: 6.3 mm TRS jack, servo-balanced, fully compatible to TS and RCA Analog Outputs 1/2 XLR • Output level switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS • Signal to Noise ratio (SNR) @ +13/19/24 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +4 dBu: 115 dB RMS unweighted, 118 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz • Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz • Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz • THD @ -1 dBFS: -112 dB, 0.00025 % • THD+N @ -1 dBFS: -110 dB, 0.00032 % • THD @ -3 dBFS: -116 dB, 0.00016 % • Channel separation: > 110 dB • Output impedance: 200 Ohm balanced, 100 Ohm unbalanced 1/2 TS (rear) As output XLR, but: • Output: 6.3 mm TS jack, unbalanced • Maximum output level: +19 dBu • Signal to Noise ratio (SNR) @ +13/19 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +4 dBu: 113 dB RMS unweighted, 117 dBA • Output impedance: 100 Ohm Phones 1/2 As Output 1/2 TS, but: • Output: 6.3 mm TRS jack, unbalanced, stereo • Output impedance: 0.1 Ohm • Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +7 dBu: 114 dB RMS unweighted, 118 dBA • Output level at 0 dBFS, Ref Level +19 dBu, load 100 Ohm or up: +22 dBu (10 V) • Output level at 0 dBFS, Ref Level +4 dBu, load 8 Ohm or up: +7 dBu (1.73 V) • THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 % • THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 % • THD @ +14 dBu, 16 Ohm load, 0.94 Watt: -110 dB Output Phones 3/4 As Output Phones 1/2, but: • Output levels at 0 dBFS: Hi-Power off +7 dBu, Hi-Power On +22 dBu Balanced Phones mode As before, but: • Output levels at 0 dBFS: Hi-Power off +13 dBu (9.8 V), Hi-Power On +28 dBu (19.5 V) • Output impedance: 0.2 Ohm • Signal to Noise ratio (SNR) @ +28 dBu: 120 dB RMS unweighted, 123 dBA • Signal to Noise ratio (SNR) @ +13 dBu: 118.4 dB RMS unweighted, 122 dBA • Output level at 0 dBFS, Hi-Power On, load 150 Ohm or up: +28 dBu (19.5 V) • Output level at 0 dBFS, Hi-Power Off, load 8 Ohm or up: +13 dBu (9.8 V) • Max power @ 0.001% THD: 2.9 W per channel Digital Inputs General • Lock Range: 28 kHz – 200 kHz • Jitter suppression: > 50 dB (2.4 kHz) AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • SPDIF compatible (IEC 60958) SPDIF coaxial • 1 x RCA, transformer-balanced, according to IEC 60958 • AES/EBU compatible (AES3-1992) SPDIF optical • 1 x optical, according to IEC 60958 • ADAT compatible Digital Outputs AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • Single Wire mode, sample rate 44 kHz up to 192 kHz SPDIF coaxial • 1 x RCA, according to IEC 60958 • Single Wire mode, sample rate 44 kHz up to 192 kHz SPDIF optical • 1 x optical, according to IEC 60958 • Sample rate 44 kHz up to 192 kHz Digital • Clocks: Internal, AES In, SPDIF In, ADAT In • Jitter suppression of external clocks: > 50 dB (2.4 kHz) • Supported sample rates for external clocks: 32 kHz up to 192 kHz • Internal Clocks: 44.1 kHz up to 768 kHz General • Included power supply: external switching PSU, 100 - 240 V AC, 2 A, 24 Watts • Standby power consumption: 50 mW • Idle power consumption: 10 Watts, Max. power consumption: 22 Watts • Idle current at 12 V: 850 mA (10 Watts) • Dimensions (WxHxD): 215 x 44 x 130 mm (8.5" x 1.73" x 5.1") Accessories Artikelnummer Beschreibung NT-RME-2 (lockable) Power supply for ADI-2 Pro. Robust and light-weight switching power supply, 100 V-240 V AC, 12 V 2 A DC. Lockable DC connector. BO968 Digital breakout cable (9-pin D-sub to 2 x XLR and 2 x RCA) RM-19-X 19" Rack Adapter, mounted on the sides of the ADI-2 Pro Unirack Universal rackmount adapter (tub for two 9.5" devices) AUTOK Cable for connection to car lighter socket AKKUK Cable for battery operation (6.3 mm flat connectors) Driver and Software Windows Driver for Windows 7 to 10. WDM/ASIO for ADI-2 Pro. Version 0.9680, 11/05/2018 driver_madiface_win_09680.zip Firmware Update Updates the ADI-2 Pro firmware to version 185 DSP 89 (shown on the display during boot). (11/27/2018). Windows 7/8/10 Mac OS X DIGICheck 5.92 / 0.73 Stereo- and Multichannel Level Meter, Analyzer, Bit Statistics & Noise, ITU1770 Meter, Goniometer, Surround Level Meter, Totalyzer. (09/2018). Windows 7/8/10 Mac OS X Bit Test WAV Files Stereo WAV files 16/24/32 bit, 44.1/96/192 kHz for Bit Test via USB, AES and SPDIF/ADAT with ADI-2 Pro (04/27/2017). bit_test_wavs.zip Manual ADI-2 Pro FS Latest version always online! adi2profs_e.pdf

Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz 24Ai analog inputs 24 channels (balanced/unbalanced) 3x DB-25 D-sub and 6x 12-pin Phoenix Max level: +24 dBu (digitally adjustable -96 to +22) 24Ao analog outputs 24 channels (balanced, DC coupled) 3x DB-25 D-sub and 6x 12-pin Phoenix Max level: +20 dBu (digitally adjustable -24 to 0 dB) Digital I/O 3 banks (24 ch) of ADAT optical at 1x sample rates 3 banks (12 ch) of SMUX optical at 2x sample rates Stereo TOSLink (optical S/PDIF) on Bank A (optional) Total I/O 24 analog + 48 digital (72 total) at 1x rates 24 analog + 24 digital (48 total) at 2x rates 24 analog + 0 digital (24 total) at 4x rates Computer I/O 1 x USB 2.0 audio class compliant USB 3.0 and iOS compatible 1 x AVB Ethernet (requires OS X Yosemite) Computer I/O channels USB 2.0 (44.1 to 48 kHz): 64 in/out USB 2.0 (88.2 to 96 kHz): 32 in/out USB 2.0 (176.4 to 192 kHz): 24 in/out AVB Ethernet: 16 to 128 in/out, depending on host computer speed Sync I/O 1 x word clock in 1 x word clock out Network I/O 1 x RJ45 AVB/TSN Ethernet (1 Gbps) AVB streams (8 channels per stream) 24Ai 4 in / 8 out @ 44.1 or 48 kHz 4 in / 8 out @ 88.2 or 96 kHz 2 in / 4 out @ 176.4 or 192 kHz 24Ao 8 in / 4 out @ 44.1 or 48 kHz 8 in / 4 out @ 88.2 or 96 kHz 4 in / 2 out @ 176.4 or 192 kHz Front panel 5 x switches • menu navigation 324 x 24 pixel LCD for level meters / menu nav 1 x AC power switch Power International 100-240V autoswitching supply 50-60 Hz • 0.5A max Dimensions and weight (width x depth x height, enclosure only) 19 x 7 x 1.75 inches 48.3 x 17.75 x 4.5 cm 4.6 lbs / 2.08 kg (24ai) 4.4 lbs / 1.99 kg (24ao) with rack brackets removed: 17.25 inches (43.8 cm) wide 4.5 lbs / 2.04 kg (24ai) 4.3 lbs / 1.95 kg (24ao) Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended Mac OS X version 10.8 or later Available high-speed USB 2.0 or AVB Ethernet port* A large hard drive (at least 500 GB for recording) *AVB Ethernet audio interface operation requires OS X Yosemite Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available USB 2.0 or 3.0 port Available Ethernet port for firmware updates A large hard drive (at least 500 GB for recording) Web App Support Any web client platform: Mac, Windows, Linux, iOS, Android Any web browser: Safari, Firefox, Chrome, Opera, Explorer, etc. Web client must be connected to the same network as the MOTU AVB interface by wire or Wi-Fi. Included Software MOTU Discovery App for Mac & PC (finds connected MOTU interfaces) MOTU Discovery App for iOS (available from Apple App Store) MOTU Pro Audio Control web app (served from the hardware itself) MOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer) AudioDesk 4.0 for Mac & PC (separate download) Operating Systems For computer audio I/O: Mac OS X 10.8 or later; Windows 7 or later For web app control: Mac, Windows, Linux, iOS, Android Analog I/O Specifications Connector type Dynamic range (A-weighted) THD+N (unweighted) Max level Trim range (in 1 dB steps) 24Ao analog output DB-25 D-sub or 12-pin phoenix 123 dB -110 dB +20 dBu 24 dB (-24 to 0 dB) 24Ai analog input DB-25 D-sub or 12-pin phoenix 110 dB -102 dB +24 dBu 118 dB (-96 to +22 dB) Compatible Mac Software The 24Ai and 24Ao ship with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows Software The 24Ai and 24Ao ship with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Steinberg Cubase Propellerhead Record & Reason Image Line FL Studio Sony Vegas Pro Sony Sound Forge Sony Acid Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) 24Ai and 24Ao Feature Summary Superb audio quality Employs the same industry-recognized analog design as MOTU's groundbreaking 1248, 8M and 16A audio interfaces. 72 simultaneous audio channels 24 high-quality, balanced analog inputs (24Ai) or outputs (24Ao) on three banks of multi-channel connectors (D-sub and Phoenix), plus three banks of 8-channel ADAT optical for 24 analog channels and 48 digital channels. Universal connectivity Connects to a computer with standard AVB Ethernet or audio class compliant high-speed USB 2.0 (compatible with USB 3.0 and iOS). Discovery app and web app software works alongside any host audio software. On-board DSP with mixing and effects Flexible 48-input digital mixer modeled after large format mixing consoles, with 12 stereo busses and DSP effects, including reverb, 4-band EQ, gate, and compression. 32-bit floating point processing DSP-driven mixing and effects engine delivers virtually unlimited headroom and the utmost in sound quality. Modeled vintage effects processing Classic reverb. Compression modeled after the legendary LA-2A compressor. EQ modeled after British analog console EQs. System expansion Add a 2nd MOTU AVB interface (24Ai, 24Ao, 1248, 8M or 16A) with a simple Cat-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB Switch (sold separately). AVB audio networking Build a network with multiple interfaces and computers using standard AVB switches and network cabling, with ultra-low network latency, even over long cable runs (100 meters point to point). Stream hundreds of audio channels among devices and computers on the network. Matrix routing and splitting Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the AVB network. Web app control Control on-board DSP, mixing, device settings, and network audio routing from web app software running in your favorite browser on a laptop, tablet or smart phone connected by wire or Wi-Fi to your local area network. Stand-alone mixing with wireless control Connect an Apple Airport™ or other Wi-Fi router directly to the 24Ai or 24Ao with a standard Ethernet cable and control powerful mixing and DSP effects from your smart phone or tablet, without a computer. Great for live sound mixing. ADAT digital I/O Use the 24Ai or 24Ao as a 24-channel optical expander for other gear. 24 channels at 44.1/48 kHz or 12 channels at 88.2/96 kHz. Comprehensive metering The large backlit 324 x 24 LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

Line or microphone sources can be connected via the eight XLR-1/4" combo inputs, while two front-panel 1/4" jacks accommodate instruments such as guitars or synthesizers. Phantom power is selectable as are the input pads and built-in limiters. The eight 1/4" line outputs are ideal for connection to speakers and power amps, while the front-panel 1/4" jacks offer dedicated level and mix controls for independent headphone monitoring. Additionally, digital connectivity includes RCA coaxial for S/PDIF or AES3, TOSLINK optical for S/PDIF or ADAT, and BNC for word clock. An RJ45 port is present for future AVB integration. The Atlas is compatible with Mac OS X and Windows systems via its class-compliant USB 2.0 connectivity. An IEC power cable, USB cable, rackmount ears, and XLR to RCA adapters are included. Signal Path Eight analog input channels and up to ten digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, eight analog output channels, up to ten digital output channels, and stereo headphone outputs can play 20 different channels. For low-latency monitoring to headphone or main outputs, each output pair can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analog inputs are electronically balanced with automatic unbalanced operation. Analog outputs are electronically balanced with bootstrapping (level is maintained if one leg is grounded). Verifile Technology Verifile is a radical new proprietary technology exclusive to Prism Sound, which allows computer audio streams and recorded files to be quickly checked for a wide range of clicks, errors and dropouts, without any compromise in the audio content or any additional metadata. Verifile is a fragile steganographic process, which embeds derivative data within the dither of the ADC, containing a rolling hash code which allows the audio data to be thoroughly and continuously checked. Recovery of this data from the audio stream or file enables verification that the stream or file contains exactly the audio data that was produced by the ADC at the time of recording. Any incorrect samples, missing or repeated audio segments, or any other audio errors in the resulting files can be reliably detected, providing complete confidence that the recorded file is error-free. Processing such as EQ, level changes, additional redithering, or sample-rate conversion done to a Verifile recording will result in a failure to decode the rolling hash code in the dither and hence indicate that the recording is not an original. Reliable Quality Prism Sound uses precise software calibration techniques in its converters to avoid the unreliability of pots and tweaks. Minimizing noise, interference, and hum was a priority in the design. All the analog circuits have galvanic isolation, while the unit's electronically balanced I/O allows it to handle common mode interference sources and trouble-free connection to unbalanced equipment. USB 2.0 Compatibility The Atlas is easy to connect to your computer and to your outboard gear. For both Mac and Windows platforms, there is a controller application to configure the unit and control its built-in mixer and various functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Atlas controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. Since the Atlas is UAC2 compliant, it will also work in recent Linux and Android builds, although no control panel is provided. Flexible I/O The Atlas offers eight high-grade mic preamps with software-controlled gain in 1 dB steps, individually switchable phantom power, 20 dB pads, and low noise and distortion. The XLR-1/4" combo jacks support both microphone and line input, with digitally-controlled mic gain in excess of 60 dB. Two front-panel 1/4" inputs also support direct-injection (DI) instrument connections. RIAA equalization can be selected in the controller applet on channels one and two so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI), low- or high-impedance cartridges can be loaded with suitable termination impedances. All analog inputs have individually-selectable Prism Sound Overkiller peak limiters built in—just as on the ADA-8XR and Orpheus—to catch those fast transients. The Overkiller threshold automatically follows the operating line-level selection (+4 dBu or -10 dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. The coaxial digital I/O can be switched in the Atlas controller applet between S/PDIF and AES3 formats. This control changes the operating voltage and the channel status format, and is complemented by two supplied adapters that provide external XLR connections for AES3 devices. The optical digital I/O ports on Atlas can also be configured as ADAT I/O. Other connections include word clock sync I/O on BNC connectors. Low-Latency Digital Mixer A built-in digital mixer can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. This provides console quality local mixing—each output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. With the Prism Sound DSP mixer, the latency is as low as 0.08 ms at a 192 kHz sampling rate. Sample Rate Conversion & Noise Shaping Prism Sound's renowned synchronous sample-rate conversion allows outputting to various external devices at other sampling rates. The sample rate converter can be used at the outputs as well as the inputs, and can deal with unsynchronised or wrong-rate digital inputs. The Atlas can also generate, say, a live 44.1 kHz output from a 96 kHz session. The digital output is equipped with all four Prism Sound SNS noise-shaping curves, allowing you to reduce to 16-bits for CD at mastering-house quality. Standalone Operation Atlas can also operate in a standalone mode using its ADAT or coaxial digital I/O connections. Once configured via the Atlas controller applet, the unit can be disconnected from the host computer and used independently. Atlas will retain its settings when powered down; and even if it is switched off, Atlas can be repowered, and standalone operation can continue with the automatically stored settings. Comprehensive Indicators With ten multi-segment bargraphs with overload indication (assignable to inputs or outputs), Overkiller LEDs, digital input lock-status indication, sample rate conversion and host/master sync LEDs, and illuminated volume controls, the Atlas makes viewing interface activity easy. Expansion Slot The expansion slot supports Prism Sound's MDIO expansion cards, which provide alternative host connections. The host is usually a computer, and the Atlas interface provides a means of connection between the host and the external analog and digital audio I/O ports. Without an MDIO expansion card fitted, the host connection would always default to the USB connection. The MDIO expansion slot provides an alternative host connection. It does not necessarily disable the USB port, but in the case of the Pro Tools interface MDIO-PTHDX, the USB port is switched off when the Pro Tools interface is to be used. Prism Sound ATLAS Specs Form Factor Rackmount Display 1 x Color Channels of I/O 8 Input / 8 Output Built-In DSP None Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 8 Preamps Built-In Microphone None Expansion Slots 1 x Digital I/O Slot Signal Processing Pad Mic: -20 dB (Switchable per Channel) Hi-Z: -18 dB Gain/Trim Range Mic Inputs: +10 dB to +65 dB (in 1 dB Steps) Hi-Z Inputs: +10 dB to +65 dB (in 1 dB Steps) High-Pass Filter Line Input: 80 Hz, 12 dB/Octave (-3 dB, on 4 Channels) Connectivity Analog Audio I/O 8 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Input 2 x 1/4" TS Unbalanced Hi-Z Input 8 x 1/4" TRS Balanced/Unbalanced Line Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power 48 V, Selectable On/Off Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Input 1 x RCA Coaxial AES3 / S/PDIF Input 1 x TOSLINK Optical ADAT / S/PDIF Output 1 x RCA Coaxial AES3 / S/PDIF Output Host Connection / USB 1 x USB-B Host Connection Protocol USB 2.0 Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O 1 x RJ45 AVB MIDI I/O 1 x DIN 5-Pin Input 1 x DIN 5-Pin Output Wireless Connectivity None Performance Impedance BNC Word Clock : 75 Ohms Line Inputs: 14.5 Kilohms Mic Inputs: 5.5 Kilohms Hi-Z Inputs: 1 Megohm Outputs: 100 Ohms (Balanced) 50 Ohms (Unbalanced) Dynamic Range Line Inputs: 116 dB (-60 dBFS) Analog Outputs: 115 dB (-60 dBFS) THD Line Inputs: -117 dB / 0.00014% (at -0.1 dBFS) Mic Inputs: -116 dB / 0.00016% (+10 dB Gain, at -0.1 dBFS) -110 dB / 0.00032% (+40 dB Gain, at -0.1 dBFS) Analog Outputs: -107 dB / 0.00045% (at -1 dBFS) THD+N Line Inputs: -111 dB / 0.00028% (at -0.1 dBFS) Mic Inputs: -108 dB / 0.0004% (+10 dB Gain, at -0.1 dBFS) Analog Outputs: -106 dB / 0.0005% (at -0.1 dBFS) Crosstalk Line Inputs: < -140 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) Analog Outputs: < -135 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) EIN Mic Inputs: -128.5 dBu (0-Ohm Source, +30 dB Gain) -126.3 dBu (150-Ohm Source, +30 dB Gain) -130.9 dBu (0-Ohm Source, +40 dB Gain) -127.6 dBu (150-Ohm Source, +40 dB Gain) -131.2 dBu (0-Ohm Source, +50 dB Gain) -127.7 dBu (150-Ohm Source, +50 dB Gain) -131.4 dBu (0-Ohm Source, +60 dB Gain) -127.8 dBu (150-Ohm Source, +60 dB Gain) CMRR Line Inputs: > 70 dB (20 Hz to 20 kHz) Mic Inputs: > 110 dB (50/60 Hz) > 100 dB (1 kHz) > 90 dB (20 kHz) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion On S/PDIF I/O (Any Sample Rate) Bit Depths 24-Bit (A/D Conversion) 16 / 24-Bit (D/A Conversion) Latency 0.57 ms at 44.1 kHz 0.52 ms at 48 kHz 0.2 ms at 88.2 kHz 0.18 ms at 96 kHz 0.09 ms at 176.4 kHz 0.08 ms at 192 kHz Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Word Clock: Accuracy: ±50 ppm Jitter Suppression: > 60 dB (above 100 Hz) Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS 10.4 or Later Windows Vista Windows 7 Windows 8 (32/64-Bit) *As of June, 2022: Check with manufacturer for the most up-to-date compatibility Included Software None Supported Drivers/API & Plug-Ins Core Audio (Mac) ASIO Internet Connection Required for Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 90 to 250 VAC, 50 / 60 Hz AC/DC Power Adapter 90 to 250 VAC (Included) Power Consumption 35 W Physical Rackmount Size 2 RU (with Included Hardware) Operating Humidity 0 to 85% Operating Temperature 32 to 95°F / 0 to 35°C Dimensions 17.3 x 11.4 x 3.7" / 440 x 290 x 95 mm (with Feet) 19 x 11.4 x 3.5" / 483 x 290 x 88 mm (with Rack Ears) Weight 11.0 lb / 5.0 kg

Whether you make use of the combination XLR-1/4" inputs or the unbalanced RCA connections, you can achieve PCM conversion at sample rates and resolutions of up to 384 kHz / 24-bits. The AMÁRI utilizes 4 CS43198 chips per channel (eight in total) to capture every nuance of the stereo image, maintaining the integrity of the music's depth (front-to-back imaging) at the same time. The unit offers 138 dB of dynamic range to boot. Digital connections can be secured over AES, coaxial S/PDIF, TOSLINK, and USB 3.1 (Gen 1, Type-B connections). Though the unit provides its own powerful clock, you can sync it to other sources thanks to two BNC inputs—one for all sorts of external clocks, and the other for Antelope's Atomic 10M clock. The AMÁRI's 64-bit clocking supports PCM rates up to 384 kHz and DSD up to 256. DSD playback occurs over PCM conversion (DoP), and only applies to the D/A side. Two headphone outputs offer their own DAC architecture to yield an optimal performance. These headphone outputs can be used with balanced 1/4" or XLR connectors. This is a dual-amp design, one that mitigates any possible temperature drifts. With all these benefits, the AMÁRI is a device truly geared for the discerning audiophile. Stepped Headphone Impedance Controller AMÁRAI's 2 high-power stereo headphone outputs (on 1/4"-XLR combo connectors) feature individual volume controls (capped at 20 dBu max), with digital trim and selectable output impedance from -4.6 to 85.3 Ohms. The impedance controls are offered in 17 steps. These options let you configure AMÁRI for ideal compatibility with your favorite headphones, matching their impedance for best performance. AMÁRI's high-fidelity headphone driver chip offers fully differential input per amplifier. It is a dual-amp design, optimized to eliminate possible temperature drifts and deliver differential signal quality. The headphone outs also feature dual DAC architecture for maximum performance. 8 DAC Chips The AMÁRI implements an eight-DAC architecture (four CS43198 chips per channel). This enhances the stereo image, expands depth perception, and unveils all the musical details with its 138 dB dynamic range. Apart from the main DAC, the headphone outs feature a dual DAC architecture for maximum performance, just like the main A/D converter. It uses one AK5578 chip per channel, boosting the dynamic range up to 128 dB. Antelope AMARI Specs Converter Type AD/DA Converter Number of Channels 2 Converter Circuitry A/D Chipset: 2 x AK5778 D/A Chipset: 8 x CS43198 Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Input 1 x Stereo RCA Coaxial Unbalanced Input 2 x XLR 3-Pin Balanced Output 2 x 1/4" TRS Balanced Output 2 x Combo XLR-1/4" TRS Headphone Output Digital Audio I/O 1 x XLR 3-Pin AES3 Input 1 x RCA Coaxial S/PDIF Input 1 x TOSLINK Optical S/PDIF Input 1 x XLR 3-Pin AES3 Output 1 x RCA Coaxial S/PDIF Output 1 x TOSLINK Optical S/PDIF Output Host Connection Protocol USB 3.0 / 3.1 Gen 1 Sync I/O 1 x BNC Word Clock Input 1 x BNC Atomic Clock Input Network I/O None MIDI I/O None Performance Maximum Input Level Combo XLR-1/4" Inputs: 24 dBu RCA Inputs: 8.2 dBu 6 dBV Maximum Output Level XLR Outputs: +24 dBu 1/4" Outputs: +18 dBu Headphone Output Power 1.4 W (Max) Impedance Headphone Outputs: -4.6 to 85.3 Ohms Dynamic Range A/D Converters: 128 dB D/A Converters: 138 dB SNR A/D Converters: 124 dB Digital Audio Sample Rates 32 / 44.1 / 48 / 88.2 / 96 / 176.4 / 352.8 / 192 / 384 kHz (PCM, A/D Conversion) 2.8 / 5.6 / 11.2 MHz (DSD, D/A Conversion) 384 kHz (PCM, D/A Conversion) USB Input: Up to 384 kHz Bit Depths 24-Bit (AD/DA Conversion) 64-Bit (Clocking) Compatibility OS Compatibility Windows 10 macOS 10.11 or Later *As of November, 2021: Check with manufacturer for the most up-to-date compatibility Processor Requirement 2 GHz Intel 2 GHz AMD RAM Requirements 4 GB, 8 GB Recommended Storage Requirements 512 MB Required Hardware Available USB 2.0 Port (USB 3.0 / 3.1 Gen 1 Port [or]) Power Power Requirements AC Input Packaging Info Package Weight 9.73 lb Box Dimensions (LxWxH) 19.5 x 16.1 x 5.8"

TRUE THUNDERBOLT PERFORMANCE Symphony I/O Mk II Thunderbolt delivers the full potential of Thunderbolt 2 performance with the lowest latency, unmatched CPU efficiency and 2 ports for connecting additional peripherals. LOW LATENCY Symphony I/O Mk II Thunderbolt relies on Apogee’s proprietary Thunderbolt driver, written from the ground up to offer unmatched performance and efficiency. When using Logic Pro X, latency has been reduced to an astounding 1.35 ms round-trip*, allowing you to monitor through your DAW, plug-ins included, simplifying your workflow and leveraging the power of your Mac. Even when your session’s DSP demands require a higher buffer setting, Symphony I/O’s ultra-low latency means no longer having to choose between power and speed. To accommodate different workflow preferences, Symphony I/O Mk II Thunderbolt features optional direct hardware monitoring through Symphony Control Software with 0.6ms of latency. DEVOURS BITS, SIPS CPU Symphony I/O Mk II Thunderbolt’s custom driver includes a revolutionary Direct Memory Access (DMA) engine to more efficiently read and write data directly to Mac memory independent of the Mac CPU. The DMA engine, running on Symphony I/O Mk II Thunderbolt’s hardware logic chip, increases the driver’s efficiency and provides the highest resolution signal possible to the DAC stage. This implementation allows the driver to crunch an enormous amount of data at an amazing speed, while making a very light demand on your Mac CPU. You benefit with lower latency, more plug-in power, and a transparent and encompassing listening experience. 16×16 ANALOG I/O MODULE (ONE INCLUDED) 16 channels of I/O simultaneously: Analog IN: 16 balanced inputs on 2 DSUB 25-pin connectors Coax IN: S/PDIF on 1 RCA connector Analog OUT: 16 balanced outputs on 2 DSUB 25-pin connectors Coax OUT: Supports SPDIF on 1 RCA connector 8×8 ANALOG I/O + 8×8 AES/OPTICAL I/O (ONE INCLUDED) 16 channels of I/O simultaneously. INPUTS: Analog IN: 8 balanced inputs on 1 DSUB 25-pin connector AES-EBU IN: 8 inputs on 1 DSUB 25-pin connector(192k single wide compatible) Optical IN: Supports ADAT, SMUX & S/PDIF: ADAT: 8 channels 44.1-48 kHz; SMUX: 8 channels 88.2-96 kHz; S/PDIF: 2 channels, up to 96 kHz Coax IN: 2 channels of S/PDIF, up to 192 kHz OUTPUTS: Analog OUT: 8 balanced outputs on 1 DSUB 25-pin connector AES-EBU OUT: 8 outputs on 1 DSUB 25-pin connector(192k single wide compatible) Optical OUT: Supports ADAT, SMUX & S/PDIF: ADAT: 8 channels 44.1-48 kHz; SMUX: 8 channels 88.2-96 kHz; S/PDIF: 2 channels, up to 96 kHz Coax OUT: 2 channels of S/PDIF, up to 192 kHz FEATURES: Best AD/DA conversion of any Thunderbolt audio interface Best per-channel value of any interface in its category Ultra-low latency performance Intuitive touchscreen display and front panel control Designed in California, Built in the USA PRODUCT SPECIFICATIONS CONDITION New WIDTH 19 in DEPTH 3.5 in HEIGHT 3.5 in CHASSIS 19-inch Rack-mount RACK SPACES 2u CHANNELS 24-Channel DIGITAL INPUTS 10 ANALOG INPUTS 24 INPUT CONNECTORS AES/EBU DB25, Analog DB25, BNC, Digital RCA, Optical DIGITAL OUTPUTS 10 ANALOG OUTPUTS 26 OUTPUT CONNECTORS AES/EBU DB25, Analog DB25, BNC, Digital RCA, Optical COMPUTER CONNECTION Thunderbolt CLOCK I/O In, Out MAXIMUM SAMPLING RATE 192 kHz DIGITAL FORMAT ADAT, S/PDIF, SMUX

In the early days of DAW recording, Apogee’s dedicated converters became an industry standard and were primarily used as a secondary front-end to bypass the converters of Pro Tools interfaces. While Pro Tools interfaces have come a long way since then, Apogee hasn’t been sitting on its hands. Not only have their converters gotten better after 30 years of leading the field, they have been incorporated into all-in-one modular interfaces that are capable of direct connection to Pro Tools via PT HD ports. They also offer your choice of powerful, high-speed Thunderbolt 2.0 connectivity, as well as Waves SoundGrid and Dante network audio systems. To meet the current demands of audio professionals in a volatile marketplace, Apogee offers the Symphony I/O Mk II—a multi-channel audio interface featuring Apogee’s latest flagship AD/DA conversion, modular I/O (up to 32 inputs and outputs), intuitive touchscreen display, and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the music production centerpiece for any modern studio. Apogee Symphony I/O Mk II—Just the Facts: Thunderbolt 2.0 connectivity (Empty slots) Best AD/DA conversion of any Thunderbolt audio interface in its class Up to 32 channels of modular analog I/O with optional 8 mic preamps Original Symphony I/O modules are compatible with new Mk II chassis Best per-channel value of any interface in its category Ultra-low latency performance; 1.35 ms with Thunderbolt and Logic Pro X Highly customizable Symphony Control software provides easy access to all I/O parameters (Optional Apogee Remote hardware controller for control software, sold separately) Intuitive touchscreen display and front panel control Designed in California, Built in the U.S.A. Apogee Symphony I/O Mk II—Under the Hood Designed for the ultimate in integration flexibility Offering a choice of digital connectivity including Thunderbolt, Pro Tools DigiLink, Waves SoundGrid, and Dante, there’s a Symphony I/O Mk II solution for everyone; home studio, project studio, commercial recording studio, and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of AD/DA conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category. Comprehensive control via front-panel touchscreen For convenient setup and control, all essential input and output settings can be accessed from Symphony MII’s front-panel touchscreen. It gives you easy access to input selection, monitoring levels, mic pre gain, or system calibration to match the levels of the other analog gear in your studio. All visual feedback critical for recording and monitoring is presented by high-resolution TFT display. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O (32-in x 32-out), signal levels, polarity, muting, phantom power, and Soft Limit. Making modular merriment A common dilemma of gear acquisition facing both manufacturer and customer was hoping that the unit you wanted had the right I/O for your system. Disappointment prevailed when I/O didn’t match up. Some manufacturers went as far as to consult with pro audio salesmen to see what their customers were requesting, but that was still hit or miss. Challenge accepted! Problem solved with the Symphony I/O MKII. The Symphony’s I/O Modules are designed to future-proof your investment in Apogee sound quality. Representing over 30 years of Apogee R&D and design excellence, these powerful modules deliver superior-sounding digital audio recording. With 3 available I/O Modules and an 8 channel mic preamp module, you can choose from base configurations or expand to grow your studio’s capabilities. Additionally, if you already own an original Symphony I/O, you’re still good to go. The Symphony I/O Mk II chassis can increase the longevity of your system by offering backward compatibility with the first-generation 2×6, 8×8, 16×16 and 8 channel mic preamp I/O modules—investment saved. True Thunderbolt performance Symphony I/O Mk II Thunderbolt is the most powerful multi-channel audio interface for Thunderbolt-based Mac workstations. Symphony I/O Mk II Thunderbolt delivers the full potential of Thunderbolt 2 performance with the lowest latency, unmatched CPU efficiency and 2 ports for connecting additional peripherals. Low-latency operation Symphony I/O Mk II Thunderbolt relies on Apogee’s proprietary Thunderbolt driver, written from the ground up to offer unmatched performance and efficiency. When using Logic Pro X, latency has been reduced to an astounding 1.35 ms round-trip*, allowing you to monitor through your DAW, plug-ins included, simplifying your workflow and leveraging the power of your Mac. Even when your session’s DSP demands require a higher buffer setting, Symphony I/O’s ultra-low latency means no longer having to choose between power and speed. To accommodate different workflow preferences, Symphony I/O Mk II Thunderbolt features optional direct hardware monitoring through Symphony Control Software with 0.6ms of latency. * Logic Pro X at 96kHz / 32 buffer setting High track count, low CPU hit Symphony I/O Mk II Thunderbolt’s custom driver includes a revolutionary Direct Memory Access (DMA) engine to more efficiently read and write data directly to Mac memory independent of the Mac CPU. The DMA engine, running on Symphony I/O Mk II Thunderbolt’s hardware logic chip, increases the driver’s efficiency and provides the highest resolution signal possible to the DAC stage. This implementation allows the driver to crunch an enormous amount of data at an amazing speed, while making a very light demand on your Mac CPU. You benefit with lower latency, more plug-in power, and a transparent and encompassing listening experience. Option card slot for future connectivity If you’re currently working in Pro Tools | HD, thinking about going Native with Thunderbolt, or setting up an audio over Ethernet network, the Option card slot offers flexibility for the present as well the future. As new platforms develop and audio recording workflows evolve, Apogee engineers will create new cards to accommodate technological advances, thus prolonging the life and relevance of your Symphony MKII, For example, Dante Audio over IP network connectivity is coming soon to a Symphony I/O MKII near you—so stay tuned. Dynamic temperature control Let's face it, when it comes to prolonging the life of electronics, the only thing running through it that should be hot is your licks. To keep the Symphony I/O Mk II running at optimal temperature, it features advanced controls to ensure the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly. Symphony Control software Designed specifically for Symphony I/O Mk II audio interfaces. Symphony Control for Mac has been built from the ground up and replaces Apogee’s Maestro software. Symphony Control delivers all the functionality of Maestro in a new, highly customizable user interface along with innovative new features, such as talkback functionality, a simplified “Essentials” control window, and an FX Send mixer feature, recently introduced as part of the Element Control software. With the introduction of Symphony Control, you can use 2 Symphony I/O Mk IIs simultaneously for up to 64 channels of I/O over a Thunderbolt connection (Mac). Symphony I/O Mk II combined with Logic Pro on a Mac delivers the most advanced native workstation available, with superior-quality high-channel-count recording with incredibly low latency. Optional hardware remote control via Apogee Control software Symphony Control software also provides compatibility between Symphony I/O Mk II audio interfaces and the Apogee Control hardware remote accessory. The optional hardware remote control features a Symphony-inspired control knob, three control-knob focus buttons, plus 8 user-configurable buttons that grant direct access to a wide range of Apogee Control software functions. Sold separately, Apogee Control hardware remote connects directly to your Mac via included USB cable. Standalone mode Standalone Routing lets you set up and use Symphony I/O Mk II without a computer. From the front-panel touchscreen you can set up Symphony I/O Mk II for use in the following situations and more: Hi-Fi Systems: Connect Symphony I/O MkII to a Blu/Ray, CD player, or power amp for high-end speakers. Symphony I/O Mk II is also an ideal high-end headphone amp. Windows Workstations: Use a third party ADAT or AES PCI interfacing card to use Symphony I/O MkII converters on a Windows Machine. Standalone Converter: Standalone AD/DA converters can be used alongside other digital gear. For example, to expand other interfaces, connect to live sound or studio digital consoles, or broadcast equipment. With Standalone mode, you can also bypass the converters of your existing gear (just like the days of yore when Apogee saved the day). Apogee’s legendary sound quality Apogee engineers have made it their passion to improve every new product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30-year ongoing mission, raising the bar on all that’s come before, with even better clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt-based systems.

The new Symphony I/O Mk II comes with direct connectivity to one of 4 different platforms- Thunderbolt™, Pro Tools® HD, Dante™+ Pro Tools® HD, or Waves SoundGrid network. Best AD/DA conversion of any Thunderbolt™ audio interface Up to 32 channels of modular analog I/O with optional mic preamps Best per-channel value of any interface in its category Choice of Thunderbolt™ (Mac), Pro Tools® HD (Mac/PC), Dante™+ Pro Tools® HD (Mac/PC, or Waves SoundGrid (Mac/PC) connectivity. Ultra-low latency performance – 1.35 ms with Thunderbolt and Logic Pro X All new, highly customizable Symphony Control software provides easy access to all I/O parameters Intuitive touchscreen display and front panel control Designed in California, Built in the U.S.A. Input and Output Flexibility There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category. Legendary Sound Quality Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers. Symphony I/O Mk II Select one of three Symphony I/O Mk II connectivity options. Thunderbolt For connecting to a Thunderbolt equipped Mac running Logic Pro X or any other Core Audio compatible DAW. Up to 32 simultaneous inputs and outputs per unit and up to 2 units per system for a maximum of 64 channels of I/O with latency as low as 1.35 ms in Logic Pro X (96kHz / 32 buffer). Pro Tools HD For connecting to an existing Pro Tools HD Accel, HD Native or HDX system. Up to 1 Symphony I/O Mk II unit connected to each HD port (max. 32×32 per unit). Waves SoundGrid Network Connect to the Waves SoundGrid System for studio, live and post production audio networking with real-time DSP for Waves and SoundGrid compatible third-party plugins. Front Panel Touchscreen with Comprehensive Control All of Symphony I/O Mk II’s essential input and output settings can be accessed from the front panel touchscreen. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Without looking at your computer, Symphony I/O Mk II lets you see metering for up to 64 channels of I/O, 32 IN x 32 OUT – signal levels, polarity, muting, phantom power and Soft Limit. Mic Pre Input Screen Dynamic Temperature Control Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly. Symphony Control Software Symphony Control software for Mac, is designed specifically for Symphony I/O Mk II audio interfaces. Symphony Control has been built from the ground up and replaces Apogee’s Maestro software for Symphony I/O Mk II users. Symphony Control delivers all the functionality of Maestro in a new, highly customizable user interface along with innovative new features like Talkback functionality, the simplified “Essentials” control window and an FX Send mixer feature, recently introduced as part of the Element Control software. Symphony Control software is now available. Download here. Apogee Control Hardware Remote Accessory Symphony Control also provides compatibility between Symphony I/O Mk II audio interfaces and the Apogee Control hardware remote accessory. Apogee Control gives you instant access to input and output levels using the large Symphony-inspired Control knob and 3 control knob focus buttons, plus direct access to a wide range of software functions using the 8 user-configurable hardware buttons. Apogee Control hardware remote connects directly to your Mac using the included USB cable. Apogee Control is $195 USD and is sold as a separate accessory by authorized Apogee dealers worldwide. US customers can purchase Apogee Control in the Apogee web store. Multi-unit support for up to 64 channels of I/O With the introduction of Symphony Control, customers can now use 2 Symphony I/O Mk IIs simultaneously for up to 64 channels of I/O over a Thunderbolt connection to their Mac. Symphony I/O Mk II combined with Logic Pro on a Mac delivers the most advanced native workstation available with superior quality high-channel count recording at incredibly low latency. Symphony I/O Mk II setup screen for Standalone mode Standalone Routing lets you setup and use Symphony I/O Mk II without a computer. From the front panel touch screen you can set up Symphony I/O Mk II for use in these situations and more: Hi-Fi Systems Connect Symphony I/O MkII to a Blu/Ray, CD Player or Power Amp for high end speakers. Symphony I/O Mk II is also an ideal high-end headphone amp. Windows Workstations Use Symphony I/O mkII on a Windows computer with Dante™, Pro Tools® HD, Waves SoundGrid®, or as a Standalone converter with a third party ADAT/AES PCI interfacing card. Standalone Converter Standalone AD/DA converters can be used alongside other digital gear: To expand other interfaces, to connect to live or studio digital consoles, to connect to broadcast equipment. With Standalone mode you can also bypass the converters of your existing gear. Highlights: Best AD/DA conversion of any Thunderbolt audio interface Up to 32 channels of modular analog I/O with optional 8 mic preamps Best per-channel value of any interface in its category Choice of Thunderbolt, Pro Tools HD (Mac/PC) or Waves SoundGrid connectivity Ultra-low latency performance Intuitive touchscreen display and front panel control Designed in California, Built in the U.S.A. Analog to Digital: THD+N: -115dB @ 22dBu (0.00020%) unweighted Dynamic range: 122dB A weighted Maximum input levels: +4dB setting: +24dBu -10dB setting: +6dBV Frequency response at 44.1kHz: 1-20,000 Hz (+/- 0.05dB) Input impedance: 10K Digital to Analog: THD+N: -119dB @ 21dBu (0.00014%) unweighted Dynamic Range: 126dB A weighted Max output levels – ∞ to +24dBu Frequency response at 44.1 kHz: dc to 20kHz (+/- 0.05dB) Output impedance: 50 Ohm Outputs are balanced through Apogee’s proprietary Perfect Symmetry Circuitry (PSC) Headphone Output: 1 stereo 1/4″ headphone output on front panel THD+N: -110dB @19dBu into 600 Ohm (=80mW) -101dB @14dBu into 32 Ohm (=470mW) Dynamic Range: 121db A weighted Output: Apogee’s proprietary Constant Current Drive™ provides smooth frequency response with any headphones Power: 90-240VAC, 50-60Hz, 150W Operating System: Thunderbolt: Mac OS only 10.10 and above HD: Any Mac or PC running Pro Tools HD 9 or greater Software Compatibility: Thunderbolt: Logic Pro or any Core Audio compatible application on Mac OS X HD: Pro Tools HD 9 or greater Package Contents: Symphony I/O Mk II Interface Power Cable Quick Start Guide Warranty Booklet Symphony I/O Mk II Dimensions: Inches: 17.75 (19 with Rack Ears) x 11.5 x 3.5 Centimeters: 45 (48.26 with Rack Ears) x 29.2 x 8.9 Packaging Dimensions: Symphony I/O Chassis Box Inches: 22.875 x 17.75 x 9.25 Centimeters: 58.1 x 45.1 x 23.5 I/O Module Box Inches: 13.75 x 12.25 x 3.25 Centimeters: 34.9 x 31.1 x 8.3

Furnished with elite-class 24-bit / 192 kHz conversion akin to the popular Apollo X rackmount interfaces, the Apollo x4 gives musicians, producers, songwriters, and audio engineers the appreciable value of crystal-clear, high-resolution recording and mixing with low distortion (-117 dB) and immense dynamic range (127 dB). The interface features four XLR-1/4" mic/line combo inputs and two 1/4" Hi-Z inputs, all with Unison integration for precise UAD emulations of classic analog preamps. Impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each analog input, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo x4's face. In addition to the four primary analog inputs, you can record up to eight more channels by connecting external preamps with ADAT or S/PDIF optical outputs to the TOSLINK optical input port on the Apollo x4. An optical output is also featured on the Apollo x4, allowing it to route up to eight channels from your DAW to a digital mixer, headphone distribution system, or external D/A converter. The built-in QUAD Core processing allows you to monitor and record audio using classic analog emulations with near-zero latency and no burden on your computer's CPU. The plug-in bundle included with the Heritage Edition empowers you with 34 top-notch plug-ins ranging from vintage compressor and EQ collections to virtual guitar/bass amps, time-based processors, and tape emulation. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Mac and Windows drivers ensure compatibility with all major DAWs including Pro Tools, Logic Pro, Cubase, Ableton Live, and more. The interface also integrates seamlessly with LUNA, Universal Audio's free Mac-based, single-window recording system with unlimited track counts and full Audio Units plug-in support. The Apollo x4 offers a comprehensive monitor section with talkback functionality and dedicated front-panel controls for Alt Speakers, Dim, and Mono functions, as well as input and output metering capabilities. In addition to the dedicated stereo monitor feed and two front-panel headphone outputs (great for handling multiple cue mixes), four 1/4" line outputs are available for connection to a second set of monitors and outboard processors. At any point, you can increase the power and capability of the Apollo x4 through integration of qualified Universal Audio hardware. Up to four Apollo interfaces and six total UAD-2 devices can be combined, allowing Thunderbolt users the ability to expand their I/O and DSP without abandoning the Apollo x4. The Thunderbolt 3 port is backward compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately). Heritage Edition The Heritage Edition features the same Apollo x4 interface found in the standard edition but with more plug-ins. The standard Apollo x4 includes the Realtime Analog Classics Plus bundle (16 plug-ins), and the Heritage Edition adds 18 more plug-ins for a total of 34 revered UA-powered plug-ins. The Power of Apollo Track, overdub, and mix with high-resolution AD/DA conversion and DSP-powered plug-ins QUAD Core UAD processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps, with near-zero latency and no burden on your computer’s CPU Unison technology nails the tone of sought-after tube and solid-state mic pres including their input impedance, gain-stage sweet spots, and the component-level circuit behaviors of the original hardware High-speed Thunderbolt 3 connectivity for Mac and Windows computers (Thunderbolt cable available separately) Convenient desktop form factor with reliable AC powering (external power supply included) Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Studio 12x18 audio interface with four Unison-enabled microphone preamps (via XLR-1/4" combo mic/line inputs), providing emulations of classic analog preamps with near-zero latency Two front-panel, Unison-enabled 1/4" Hi-Z inputs for direct connection of guitars, basses, or keyboards Stereo 1/4" monitor output and two independent 1/4" headphone outputs, each with adjustable level Four additional 1/4" line-level outputs, may be used for alternate monitor outputs or analog outboard processors Add up to eight extra input channels via one TOSLINK optical ADAT port (may alternatively be used for stereo S/PDIF) TOSLINK optical output supports ADAT or S/PDIF format for sending up to eight channels from your DAW to a digital mixer, headphone distribution system, or external D/A converter Pro-Level Workflow Built-in monitor controller with monitor remote functions and mono, mute, dim, and alt monitor controls Integrated talkback and cues for easy communication and slate functionality Comprehensive front-panel metering and fast, intuitive controls, no menu-diving required Expandable I/O and DSP Cascade up to four Thunderbolt-equipped Apollo interfaces and six UAD-2 Thunderbolt devices for expanded I/O and DSP Expand your studio with an Apollo X rackmount unit (available separately), so you can use your Apollo x4 as a desktop monitor controller with additional I/O and DSP power Backward-compatible with Thunderbolt 1 and 2 via a qualified adapter (available separately) 34 Powered Plug-Ins Includes Realtime Analog Classics Plus plug-in bundle plus 18 additional plug-ins to complete the compressor, EQ, and preamp collections and provide tape emulation and another reverb (plug-ins support VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs): UA 610-A Tube Preamp and EQ (Vintage) UA 610-B Tube Preamp and EQ (Modern) Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) UA 1176 Classic Limiter Collection (1176LN Rev E, 1176 Rev A, and 1176AE 40th Anniversary Edition) Pultec EQP-1A EQ (Legacy) Pultec MEQ-5 EQ (Legacy) Pultec Passive EQ Collection (EQP-1A, MEQ-5, and HLF-3C) Teletronix LA-2A Leveling Amplifier (Legacy) Teletronix LA-2A Classic Leveler Collection (LA-2A Silver, LA-2A Gray, and LA-2) Teletronix LA-3A Audio Leveler Helios Type 69 Preamp and EQ Collection (Helios Type 69 and Helios Type 69 Legacy) V76 Preamplifier Raw Distortion Fairchild 670 Compressor (Legacy) Fairchild Tube Limiter Collection (Fairchild 660 and Fairchild 670) Precision Enhancer Hz Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) Pure Plate Reverb RealVerb Pro Custom Room Modeler UA Oxide Tape Recorder Integration with LUNA Recording System for Mac Works with all major DAWs including Logic Pro, Ableton Live, Pro Tools, and more Apollo x4 becomes a fully integrated recording system with LUNA, a powerful free recording application for Mac from Universal Audio Bolstered by Accelerated Realtime Monitoring, LUNA lets you track and mix using an intuitive single-window workflow with unlimited track counts, full Audio Units plug-in support, and access to a suite of exclusive LUNA Instruments and Extensions such as Studer multitrack tape and Neve Summing Universal Audio Apollo X4 Specs Form Factor Tabletop Display 9 x Multi-Segment LED Meter Channels of I/O Analog: 4 Inputs / 10 Outputs at 192 kHz Digital: 8 Inputs / 8 Outputs at 48 kHz 4 Inputs / 4 Outputs at 96 kHz 2 Inputs / 2 Outputs at 192 kHz Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps 4 Input Level Adjustment 1 x Knob Solo/Mute Mute per Master Pad -20 dB (Switchable per Channel) High-Pass Filter 75 Hz Expansion Slots None Connectivity Analog Audio I/O 4 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Input 2 x 1/4" TRS Unbalanced Hi-Z Input 4 x 1/4" TRS Balanced/Unbalanced Line Output 2 x 1/4" TRS Balanced/Unbalanced Monitor Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Input (S/MUX4 Support) 1 x TOSLINK Optical ADAT / S/PDIF Output (S/MUX4 Support) Host Connection / USB 1 x Thunderbolt/MDP (Thunderbolt 3) USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response Mic, Line, Hi-Z Inputs: 20 Hz to 20 kHz ±0.05 dB Line Outputs: 20 Hz to 20 kHz ±0.05 dB Headphone, Monitor Outputs: 20 Hz to 20 kHz ±0.1 dB Gain/Trim Range Mic/Line/Hi-Z Inputs: +10 dB to +65 dB Max Input Level Mic Inputs: 25.6 dBu (with Pad) Hi-Z Inputs: 12.2 dBu (Min Gain) Line Inputs: 20.2 dBu (Min Gain) Max Output Level Line/Monitor Outputs: 20.2 dBu Headphone Output Power 96 mW into 300 Ohms (Max) Impedance Mic Inputs: 5.5 Kilohms Hi-Z Inputs: 1 Megohm Line Inputs: 5 Kilohms Line Outputs: 100 Ohms Monitor Outputs: 100 Ohms Dynamic Range Mic Inputs: 123 dBA Hi-Z Inputs: 122 dBA Line Inputs: 122 dBA Line Outputs: 127 dBA Monitor Outputs: 127 dBA Headphone Outputs: 124 dBA THD+N Mic Inputs: -115 dB (1 kHz, at -1 dBFS) Hi-Z Inputs: -108 dB (1 kHz, at -1 dBFS) Line Inputs: -114 dB (1 kHz, at -1 dBFS) Line Outputs: -117 dB (1 kHz, at -1 dBFS) Monitor Outputs: -116 dB Headphone Outputs: -98 dB (1 kHz, at -1 dBFS) Digital Audio Sample Rates Up to 192 kHz (AD/DA Conversion) Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources ADAT, Internal, S/PDIF Compatibility OS Compatibility macOS 10.12 / 10.13 / 10.14 / 10.15 Windows 10 (64-Bit Only) Included Software LUNA Mac Only Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Supported Drivers/API & Plug-Ins Proprietary Processor Requirement Intel Core i7 Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available Thunderbolt 3 Port Thunderbolt 3 Cable (Not Included) Internet Connection Required for Registration, Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC, Center-Positive (Included) Power Consumption 19 W (Maximum) Physical Anti-Theft Features Kensington Security Slot Operating Temperature 32 to 104°F / 0 to 40°C Dimensions 9.17 x 6.17 x 2.6" / 23.29 x 15.67 x 6.6 cm (Including Controls and Protrusions) Weight 3.2 lb / 1.5 kg (Without Accessories) Packaging Info Package Weight 5.685 lb Box Dimensions (LxWxH) 10.8 x 8.3 x 5.2"

Clarett 2Pre USB opremljen je sa dva mikrofona / linije / instrumentalnih ulaza sa visokim zvučnim prostornim rasponom, koji su idealni za snimanje bilo kakvog audio signala, od kondenzatorskih mikrofona do HOT PIKAP-a (magnetni namotaji koji primaju audio signal i pojačavaju isti izlazni npr.gitarski hot pikap) bez izobličenja (eng.Gain Halo) koji omogućava lako podešavanje tačnog nivoa unosa. Interfejs takođe obezbeđuje dva linijska izlaza, dva izlaza za monitor sa tehnologije protiv udara (eng.anti-thump) tehnologijom, MIDI I / O (ulaz/izlaz) i osam kanala ADAT ulaza za proširenje podešavanja. Na prednjem panelu je izlaz za slušalice 1/4 "sa nezavisnom kontrolom jačine zvuka i par fantomskih napojnih prekidača + 48 V koji omogućavaju napajanje kondenzatorskih mikrofona. Cralett 2Pre USB poseduje i nudi veliki softverski paket koji uključuje Focusrite Red Plug-In Suite paket sa tačnim modelima Red 2 ekvilajzera i Red 3 kompresora, Softube Time i Tone paketom pluginova-dodataka: reverbom, delay, mastering i distorzijom. Loopmasters biblioteka sa 2 GB semplova-zvučnih uzoraka besplatno i još mnogo toga. Takođe je obezbeđen softver Focusrite Control softver koji vam omogućava da konfigurišete rutiranje-preusmeravanje i monitoring nadzor mikseva sa Mac i Windows računara, odnosno iPad, iPhone i iPod touch uređaja. Ključne karakteristike Dva mikrofonska predpojjačala sa sa Air modom, emuliraju-oponašaju zvuk originalnog mikrofonskog predpojačala kompanije ISA. Mikrofonska-predpojačala sa niskim nivoom šuma (-128 dB EIN) sa malim izobličenjem-distorzijom i dinamičkim opsegom do 119 dB. Precizna 24-bitna / 192 kHz A / D i D / A konverzija. Snimanje sa malim kašnjenjem ulaznog signala kroz simulatore pojačala i efekat pluginova-dodataka. Dva kombinovana ulaza mikrofona mic/line instrumenta XSLR-1/4 "combo ulaza na HOT PIKAP-E magneti sa pojačanim izlaznim signalom bez izobličenja-distorzije. Fantomsko promenljivo strujno napajanje od 48V. Osam kanala ADAT ulaza za proširenje sistema 5-polni MIDI I / O ulaz/izlaz. Dva izlaza za monitor pomoću tehnologije protiv udara (eng.anti thump) Dva dodatna linijska izlaza Jedan izlaz za slušalice sa nezavisnom kontrolom jačine zvuka Gain Halo osvetljeni prstenovi oko kontrole pojačanja osvetljavaju zeleno kada je prisutan signal, a postaju crveni kada je ulazni nivo previsok. Podržava bilo koji Mac ili Windows računar sa USB 2.0 i novijim. Uključen softverski paket Focusrite Control Software Softver za kontrolu omogućava vam da konfigurišete svoje rutiranje i nadgledate- vršite monitoring mikseva sa Mac ili Windows računara, i iPad, iPhone ili iPod touch. XLN Audio Addictive Keys Jedna od četiri Addictive Keys instrument klavijature Focusrite Red plug-in Suite Precizno modeliraju Focusrite klasični ekvilajzer Red 2 i Crveni 3 kompresor. Soft Tube Time i Ton Bundle Četiri Softube dodataka (eng.plugins) reverb, delay, mastering i distorzija-izobličenje. Ableton Live Lite Prilagođena verzija softvera za kreiranje muzike Ableton Live. Loopmasters Biblioteka besplatnih zvučnih petlji-uzoraka (eng.loops) od 2 GB

Producenti, muzičari, duo podkasteri USB Type-C konektivnost 2 mikrofonska / linijska / instrumentalna pretpojačala 1 izlaz za slušalice, stereo monitor izlaz 24-bitni / 192 kHz konverteri USB napajanje / Mac, Windows Fantomsko napajanje, direkt monitor & MIDI I/O Ugrađeni USB hab za kontrolere klavijature Loopback funkcija za content kreatore DAW, Amp Sim, VIs, i FX Brzo pretvorite svoje kreativne ideje u sadržaj uz Arturia MiniFuse 2, prenosivi 2x2 USB Type-C audio/MIDI interfejs, koji spaja odličan zvuk sa operativnom jednostavnošću i robusnim softverskim paketom. Sa svoja 2 low-noise mic/line/instrument pretpojačala, MiniFuse 2 pomaže pevačima-autorima pesama, muzičarima, podkasterima i online kreatorima da dobiju čiste, kvalitetne snimke. Takođe ima virtuelni loopback kanal koji omogućava lako snimanje zvuka sa kompjutera uz live ulaz, kao što je voiceover ili sviranje gitare. MiniFuse 2 pruža obilje konekcija. Pored dualnih XLR-1/4" kombo ulaza, postoje 1/4" izlazi za zvučnike i slušalice sa individualnim kontrolama jačine zvuka, tradicionalne 5-pinske MIDI sokete za integraciju MIDI opreme, i ugrađeni USB 2.0 Type-A hub koji je savršen za povezivanje kontrolera klavijature. Uključeni softveri - Ableton Live Lite, Analog Lab Intro, Native Instruments GUITAR RIG 6 LE, Arturia FX i još mnogo toga - nude mnogo zanimljivih zvukova i cool efekata, plus veoma sposoban i popularan DAW za produkciju muzike. Oživite svoj zvuk Inspiracija na dohvat ruke - izrazite se kroz zvuk bilo kada i bilo gde sa ovim prenosivim, potpuno opremljenim interfejsom jednostavnim za upotrebu. Bez obzira da li ste pevač-autor pesama, klavijaturista, kompozitor ili nešto između, uživajte u kvalitetu zvuka, pametnim funkcijama i sjajnom standardno uključenom softveru. Kreativna konektivnost MiniFuse 2 spaja vaše ideje i vaš finalni muzički proizvod pomoću svojih ulaza i izlaza. Njegov dualni XLR-1/4" kombinovani ulaz sa Fantomskom snagom od 48V omogućava vam lako povezivanje dva mikrofona, Hi-Z instrumenta ili line-level izvora. Sinhronizujte i snimajte svoje MIDI uređaje sa 5-pinskim DIN konekcijama. Povežite se sa računarom sa brzom i kompaktnom USB Type-C kompatibilnošću, i priključite slušalice i zvučnike na 1/4" izlaze. Na kraju, povežite USB uređaje poput vaše MIDI klavijature sa dodatnim USB Type-A hub socket-om. Visokokvalitetni zvuk Za audiofile, MiniFuse 2 se ističe dinamičkim rasponom od 110 dB i class-leading ekvivalentnim ulaznim šumom od -129 dB. Za sve ostale, to znači da svaki snimak koji napravite zvuči neverovatno, s bogatim dinamikama, jasnim signalom bez šuma i kvalitetom studijske klase. Izdržljiv, prenosiv dizajn MiniFuse 2 je dizajniran da vas prati na vašim last-minute sesijama, u kratkim rokovima i spontanim muzičkim momentima. MiniFuse nije samo kompaktan i lagan; njegovo čvrsto aluminijumsko kućište može izdržati mobilni životni stil producenta. Ponesite svoj zvuk sa sobom gde god da idete. Kompletno operativan Bez obzira da li koristite laptop ili desktop računar, MiniFuse radi za vas. Windows ili Mac - jednostavno ga priključite i uživajte u potpunoj snimateljskoj slobodi. Štaviše, uz MiniFuse Control Center aplikaciju možete pratiti njegove ulaze, izlaze, postavke i ažuriranja firmware-a na jednom mestu. Loopback za content kreatore Lako snimite glas preko zvuka aplikacije ili video igre pomoću MiniFuse-ove Loopback funkcije, za kvalitetan sadržaj u jednom take-u. Podesiv miks monitora Bilo da snimate uživo, overdub-ujete lejere ili se krećete kroz mikseve, možete brzo da pozovete savršen blend ulaznog i računarskog povratnog signala sa MiniFuse 2 podesivim monitor miksom. Takođe ima prekidač za slušanje u mono režimu, što je odlično kada istovremeno snimate vokal preko kanala 1 i instrument preko kanala 2. Vrhunski softver MiniFuse dolazi sa ekskluzivnom selekcijom softverskih naslova koji nude sve što vam je potrebno da zvuku pružite profesionalni kvalitet. Ableton Live Lite: Komponujte, snimajte, izvodite i producirajte sve uz jedan od najčešće korišćenih muzičkih softverskih naslova u ovom poslu. Analog Lab Intro: Instant dodavanje inspirativnih zvukova nagrađivanih klavijaturnih emulacija u vaš miks sa stotinama preseta - od vintage '80s sintova do modernih zvukova. Arturia FX: Obojite svoj zvuk sa četiri Premium FX plug-in re-kreacije klasičnih studijskih efekata; raskošni plate reverb, zrnasto analogno pretpojačalo, classic tape echo i bogati stereo hor. Native Instruments GUITAR RIG 6 LE: Inspirativni izbor pojačala, kutija, delay-ova, eha, stompbox-ova i kompresora, tako da možete izgraditi sopstvene procesovane lance i prilagoditi svoje savršene gitarske tonove. Tromesečna Auto-Tune Unlimited pretplata: Rafinirajte svoje vokalne delove za savršenu harmoniju ili idite sa punim trap-style auto-tune sa pretplatom od 3 meseca na omiljeni plug-in za podešavanje glasa. Tromesečna Splice Creator Plan pretplata: Pristupite milionima hi-definition, royalty free semplova, od lo-fi drum loop-ova do snažnih vokalnih one-shot-ova, kao i synth zvukova, Splice Skills tutorijala i mnogo drugih.

The MiNiSTUDIO series of audio interfaces enable “audio performance” techniques that can make programs more interesting in order to grow your audience. Professional broadcasters call pre-recorded clapping, cheering and other sounds with a press of a button. With the PON function on MiNiSTUDIO Personal or MiNiSTUDIO Creator you can also add such sounds simply by pressing buttons. In addition, voice effects and reverb allow you to alter the voices of moderators and guests. This way, you can raise the level of excitement of a program. With just the MiNiSTUDIO Personal, which is the entry-level model, you can easily enjoy high-quality personal broadcasting. Since this model has a built-in condenser mic, no external mic needs to be purchased. If you have wanted to try personal broadcasting, you will be able to do so quickly with this. The MiNiSTUDIO Creator, which is the more advanced model, also supports audio and video production. Changing the mode automatically changes signal routing. The loopback function, which allows you to stream music from your computer, is always on in BROADCAST mode, but it is turned off in CREATOR mode. Sound is one key to increasing your audience. Sound should suit the development of the program and voices should be easy to understand. This can be achieved with a single MiNiSTUDIO unit. Use a MiNiSTUDIO to make your own unique programs. From your room to the world, broadcast your own programs live over the Internet! Add audio effects to raise the level of your programs. Increase your fans! Leave your room and broadcast from somewhere else. Among the features of the MiNiSTUDIO series, the user interface is the biggest difference from audio interfaces design for music creation. We started from scratch and designed these units especially for personal broadcasting, carefully choosing the controls so that even people who are not familiar with audio equipment can use them without trouble. Built-in omnidirectional mic that can capture sound in every direction (MiNiSTUDIO Personal only) The MiNiSTUDIO Personal has a high-fidelity omnidirectional condenser mic built-in. With it, you can start personal broadcasting without needing to prepare an external mic. Furthermore, since the omnidirectional mic can capture sound from every direction, it can be used not only for solo broadcasting but also for broadcasting with multiple guests. Compatible with both headset mic and 4-pole earphones with mic In addition to supporting professional external mic, a MiNiSTUDIO is also compatible with computer headset mics and 4-pole earphones with mic designed for smartphones. You can use equipment that you already have for personal broadcasting with these units. When using a 4-pole earphones with mic, connect it to the dedicated earphones mini-jack. Input sounds can be heard at all times The input monitoring method allows you to listen to the audio using headphones before it is sent to the computer. The input sound is always sent to the headphones output, so no special setting is needed for this. ON AIR button to start sending Press the ON AIR button to start sending the sound that you are hearing in the headphones to the computer. The button will light when sound is being sent. Loopback function enables streaming of the computer output sound Using the loopback function that mixes in the playback sound from the computer (WDM) and sends it back to the computer, you can play program background music using music playback software (iTunes or Windows Media Player) that is already installed on the computer. Since this loopback function is always on, no special setting is necessary. Moreover, the stereo AUX input mini-jack enables the connection of an iPod or other portable music player to use for playback. You can also connect a synthesizer or other stereo instrument to the AUX input jack using a conversion cable (sold separately).